#but i feel like she’s a very active person and all the things she gets up to with her chaos wear her out

[phopollo]

Could we also get back stories for Electra and the components and their families?

Love your art❣️❣️❣️

Hoo boy, okay, time to avoid putting off this answer akdbskdje

None of them have like.... "simple" backstories, but talking about the electrics and their backstories in the cartooniverse is definitely the most complicated, because they all tie back to Electra and/or Purse and Krupp. So! I'll start with them!

Another big long post, im so sorry akfnskd

Purse & Krupp

Even though I'm talking about them together, Purse & Krupp didn't know each other or even about each other's existences before being hired to work together. Purse had participated in some shadier money management activities, most of which was under the table work. Trying to get out of that, he applied for a job with a large and well known company and production line, seeking a personal money manager/accountant, legal advisor, and PR rep. Not all the same job for the same person, for the new face of the company. But Purse, feeling cheeky, applied for all three job positions. And then proceeded to land all three of them. Krupp, meanwhile, wasn't anything or anyone special or of note. As an armaments truck, he'd worked part time with public security and part time shuttling things said public security needed back and forth. He was simply looking for a raise, and seeing that this big large company was looking for personal security for the new face of the company, applied, not expecting to get the job. Purse and Krupp met perhaps a week before they met Electra and were given an opportunity to bsck out, as they were still in production when they were hired. Neither Purse or Krupp really processed what their new boss not even being fully built yet meant outside of "Oh, they might be a little naive." (Welcome to fatherhood you two!)

Electra

Electra was factory built specifically for and by the mentioned company that Purse and Krupp were hired by. They had been powered on for perhaps three hours before immediately being shoved in to Purse and Krupp's arms, and then in to their new job. Their entire purpose was to be a pretty face and be convincing for people to want to do business with their company. They didn't work on a line, and they didn't race. Occasionally, they did something more akin to shows, but... never anything that gave them that thrill they'd been seeking. After about 2 years, they made a convincing enough argument to their company to be allowed to participate in a single race-- a decision that the company would later regret, because they'd continue to make arguements to keep entering in races, which they'd always win. Another two years later (so roughly 4 years old total), Electra decided to break off from their parent company to go out on their own in a solo career for racing, having felt so drawn to and called by it. They took Purse and Krupp with them when they did, leaving their company to have to scramble for a new face and employees all over again. Here's some bonus babylectra & their gay dads loyal employees content (both while company owned and on their own)

Wrench

I say this so affectionately, Wrench was a freaky little girl. She was surrogate built for her demolition truck parents, and grew up literally right next to a scrap yard, where she would very happily go play as a kid. She really really liked to take things apart and try to figure out how they worked. Her parents, being demolition trucks who's jobs were also to take things apart, were supportive if not a little concerned by how methodical she was by it, but hey, they guess she's taking an interest in the fsmily business? But one day, while doing her thing and taking scraps apart, she broke her finger and needed to be taken to see a repair truck. And that totally blew her mind. Being able to put things back together?? Oh she NEEDED to be able to do that. She HAD to know how things worked AND be able to make them work. So! Wrench started doing her research to become a repair truck immediately (much to her parents concerned support), despite being far too young to actually begin training. By the time she actually got to her repair training, she was extremely knowledgeable (and morbid-) about diesel and steam engines, as there was so much information out in the world about them. But she was fascinated by the lack of information she could find on electric engines-- so new, constantly changing.... there weren't any experts in her or any of her neighboring yards. So of course, she decided that thats what she wanted to specialize in for repairs, despite not many electric engines passing through her station. (The scrap yard became her best friend during this time.) It was difficult after she became a fully certified repair truck though, due to that lack of electrics passing through her yard and not having the heart to apply for a transfer. She wasn't taken seriously, and frequently wasn't fetched for the few electrics that did need repairs, as the other repair trucks frequently just went ahead and fixed whatever little problem it was-- screw needing tightening, plating reaplications, etc etc. One day, she was called out to one of her neighboring stations though, as there had been a crash on the tracks involving an electric engine-- Electra. When she arrived, rather than just fixing whatever problem was caused by the crash, she also identified and fixed long standing problems they didn't even know they'd had, most of which caused by non electric specialized repair trucks assuming they could fix something minor. She was offered a job as their personal repair truck before she even finished her work that day. Here's a little baby Wrench just starting her repair training & Wrench the day she was hired. She became the first component they'd actually chosen for themself.

Volta

Volta grew up in a bit of a smaller, more conservative yard. The old school traditional freight and coach roles and presentations were more prevelant. So of course, when Volta, as a freight car, started expressing and experimenting with self expression that was viewed as traditionally "more coach-like," caring more for his hair and getting interested in makeup and fashion, he wasn't exactly popular with his peers. Considered too coach-like to get on with the freight, and the coaches unable to see past him being freight and get along. It was rough for the little dude, turning him a bit jaded and snarky at a young age, just out of tje need tor a defense mechanism. It never stopped him, but the constant isolation and judgement did beat him down quite a bit as he made it to adulthood. Meeting Electra, Purse, Krupp, and Wrench was pure coincidence. They were simply passing through a station that was part of his work route at the same time that he was. And he was absolutely enamored with them. They were the first rolling stock he'd seen who's expression of self was so similar to his, how could be not stare? Purse was the one to approach Volta. He wanted to know what shade and brand he used for his eye makeup, and if he thought it would work for Electra. Volta, trying desperately to be more interesting and keep these people talking to him, cracked a joke that they'd have to pay him for a consultation. To his shock, Purse agreed and asked him about prices and appointment times. When Electra & co actually showed up for the consultation, he absolutely faked it until he made it and they were happy with the result. He felt so normal for the first time ever talking to them, that when Electra & co went to leave, he extremely impulsively asked for a job. It was mortifying-- the most embarassing desperate moment of his entire life. Especially when Electra said no. But a moment of weakness and desperation, because several months later Electra returned to offer him a job, looking for a stylist and knowing he was interested. Bonus of of course, baby Volta & Volta the day he was hired

Joule

You know the saying "it takes a village?" Replace "village" eith "circus," and say hello to literally Joule. She wae built as an animal car in a circus train, and while even though not everyone was technically her family, that didn't matter because they all behaved like her family. It was generally an extremely positive environment to grow up in. The obvious downsides to being a performer from a young age and having such a large family of course reared their heads, but generally speaking, she wouldn't say she had a bad childhood. She was working and participating in acts before she hit double digits, but... well there wasn't exactly a lack of animal cars, and in her early teen years began to feel like it wouldn't really matter of she were there or not. She isn't really sure what sparked her interest-- perhaps it was just being different from what she was used to-- but she eventually took interest in the art of fire eating. Researching in to that took her down the road of pyrotechnics, and before she knew it, Joule was converting in to a dynamite truck and switching acts. And she loved it. She loved it for a really long time. She still does, actually, but... well. After awhile, it just made her... tired. Being in front of an audience like that was tiring. After shows, she'd always immediately go check and lock and undo everything that if anything went wrong could make everything brust into flames, and by the time she was done, most of the guests who'd stay to chat were already gone or on their way out. Never talking to anyone but her family and doing the same things every day was just... exhausting. Which is why when she returned from her checks after a show one day and found some massihe blue freak and their entourage waiting to talk to her specifically, who hadn't spoken to anyone else, it was extreme pleasantly surprising. More so when they'd ask her challenging questions about her job and hypotheticals about how she'd do something. And even more so when they'd keep coming back. She'd begun to find the most exciting part about performing was trying to spot them in the crowd and speaking with them afterwards, even if the conversations quickly derailed. It hadn't taken long for her to learn that this massive blue freak was a racer-- Electra-- but it took quite awhile for her schedule to line up to go watch them the way they'd kept coming to see her. It was only fair, wasn't it? But when Joule showed up, the atmosphere was so.... familiar, and yet.... different. It was exciting. And the race was exciting. The idea of going that fast was so alluring. She knew she'd want to get more involved in the racing scene. And watching Electra race? They were so cool and hot and powerful, and-- just-- woah. They lived like this? They just went to different places, and they didn't have a set routine when they performed? Extremely enticing. And when Electra saw her in the crowd and waved to her? And then immediately approached her after winning? Insane. It made Joule feel more seen than she had in her entire life. She didn't hesitate in the slightest when they offered her a job. And as per usual, bonus baby Joule & Joule the day she was hired

Killerwatt

Killerwatt's story doesn't actually begin with him-- he doesn't actually show up until late. It actually starts about 2 years before he's built, when Purse and Krupp start to disagree with some of the choices Electra had been making. At first, they kept their mouths shut. It wasn't frequent. They weren't decisions that were big deals. But the more time went on, the bigger deals they were, and eventually, they couldn't keep their mouths shut about it. It started to get bad, with frequent argurments and disagreements, and tension hanging over everyone. Now, with Electra as their own company, their own business, they began to wonder if they really needed Purse and Krupp. They had long since learned to mange their own bank accounts and the legalities of things, and Volta and Joule had honestly taken up most of the social media managing that Purse was supposed to be doing. And fans were respectful-- there hadn't been any threats made other than with fellow racers, of which, Electra could easily handle themself. What was Krupp even doing? But-- sentimentality kept them from firing them. About five months prior to Killerwatt's building, Electra finally decided and told Purse and Krupp that they wouldn't be renewing their contracts. And when asked if they were being replaced, grew extremely concerned that Electra didn't plan to at least replace Krupp. The only reason Electra thought he wasn't doing anything was because he was good enough at his job that the security details never reached them. Purse and Krupp were so undeniably attached to Electra after almost 10 years together, and they were extremely nervous about leaving them with no protection. So the two of them formed a plan. About two weeks before their contracts ended, having waited and timed things as last second as they could so Electra wouldn't notice until after they were gone and it was too late, and while it was still legal due to some fun loopholes Purse found, the two of them pushed through a commission order to a factory. A commission... specifically for a security truck for a Electra. And their plan worked. Electra got the email two weeks after Purse and Krupp left that their security truck would be ready in about a week, and did they want to come choose from the batch themself, or have one randomly selected and sent out to them? (They learned a very hard lesson to check their bank account more frequently that day.) So Electra, after tweaking out over Purse and Krupp spending their money, and on a security truck that they did not want, decided that-- well they wouldn't let this all be a total waste. And it wouldn't be fair for someone to be built to do something and not even have the chance to, they'd offer the smallest timedrame contract they could. So they showed up about two days after the batch had been finished and had time to be told what to expect, as almost all factory built rolling stock get. And... well, none of them really stood out. They were all so well trained in security already that there really wasn't anything that made any of them stand out, and, honestly, Electra was on the verge of just hiring whichever one they thought would clean up best and look good next to the rest of the components. But-- hold on, I actually have a visual for this moment

And I fear then both of their faces were sealed in that moment. Electra had to have this one. He was the only one looking at and following them. And-- well even if he wouldn't be doing much of anything, how could they possibly hire a security truck who wouldn't keep their eyes on them and their safety?? It's now been 3 years, and Electra has since learned his name is Killerwatt, and this was the best hiring decision they could have ever made. Bonus Babywatt doodle, of course, just to show off his pretty curls better

[wisteria-lodge]

2 things about Lily

It's obvious that she was the one to defeat Voldemort the first time around, not Harry, but Rowling refuses to elaborate on the spell, saying that she cast it accidentally (which... yeah sure, but then she created a world where only one mother and child could do it out of love... like did other children that suffered were not loved enough? oh i so dislike that). I don't know why Rowling does it. Like I always wanted it to be an actual spell that she (and James) researched and did as part of their back-up plan, but noooooo. A woman? Win against the big bad? In the 90s?? Noooo

Lily grew up with two people that we get to know intimately, and loved them dearly. Two very miserable, envious people, who likely hid their accents and the fact that they are of working class, two people who did everything, and sacrificed many things in order to be around characters who where wealthy. Two social climbers. And you know what Lily also did? This has to be deliberate. Like, I don't think that it's a bad thing. I think that Lily definitely wasn't as insane about social climbing as Severus and Petunia (I consider social mobility to be a positive thing!!), buuut she too married into money. So there is that.

I find it sad that the prospect of Lily being crazy ambitious and wanting to have better things are always portrayed as bad in fics, if it is discussed at all. You could have made her into a person who dreams about making it and give her a conflict about marrying into money, feeling like she will become a fake, and still craving that security! But nooooooo. Pefect perfection or a sleazy seductress, nothing else ever

Extremely good points. Wanting social stability is just a real, relatable thing, and it's got to be a lot for Lily, being told you're magic... and ADDITIONALLY learning that the power structure of the magical world that you live in now is super prejudiced against you? And there is an active dark wizard *currently* targeting people like you?

Also the sacrificial magic being cast accidentally never made sense. Harry does the same thing (I guess) on purpose at the end, with the result that all of Voldemort's spells have trouble "sticking," because Harry sacrificed himself for EVERYBODY? But I mean Regulus also sacrificed himself to protect people from Voldemort, he didn't have to die. Dumbledore willingly died to protect... Harry, Draco, Snape? Shouldn't that have had some magical effect?

It honestly would have been *so* much easier to say that Lily defeated Voldemort with a spell that sacrificed the caster's life. That's very cool, old-magic vibes.

But... this slots into an larger trend with the way JKR writes passivity and self-negation as heroic traits. The best example of this is Newt Scamander, her hero with the central traits "neutral" and "pacifist." But even with Harry... there's a reason he doesn't level up his core spells, and is most heavily associated with a disarming spell that he learns in year 2 and a shield spell he learns in year 3. JKR actively doesn't want him to be a combat character. It is *true* that Harry does not cast a single spell on-page in the entire first book. He does more magic later, but that original tendency is still there: there's a reason most of Harry's level-ups consist of loot given to him by loved ones, and not so much skills that he improves. JKR's ethos on power (expressed through Dumbledore) is that the people who handle power best are the people who don't want it.

And unfortunately... leveling up your spells on purpose... now that sounds like something that a person who WANTS POWER would do. Casting super duper powerful spells accidently (which harry also does, constantly) (and Lily does, of course) ... now *that* is much more morally pure.

[ematini]

Since people are comparing the scenes of Cailtyn hitting Vi, with Vi hitting Powder, because parallels...apparently.

So let's compare. (I'm thinking about one post specifically, but i won't engage since the person has me blocked.)

Yes, on the surface level, the premise of those scenes is similar. "A person hits a loved one because they're overwhelmed by emotions in a very difficult situation." That's the part we all see. That's not what people are complaining about. That reasoning makes sense. Caitlyn's REASONING, or lack thereof, because she's having an emotional moment makes sense. It's not excusable. Emotions are valid. Hitting someone because of them isn't. That's called abuse. Just because it's not a repeating pattern doesn't mean it's not. Caitlyn could've done many other things, yell, push Vi away, etc, but as the crowd likes to scream, no character in Arcane is perfect, so we have to take it as it is.

The main difference lies in how the situations are handled in Vi's context vs. Caitlyn's. Vi walks away, but the moment she realizes Powder is in danger, she immediately tries to come back. Anger and grief aside. The only reason she doesn't is because Marcus comes in and snaches her. And what does she do the moment she sees Powder/Jinx, even after 7 years in prison? She immediately apologizes. We can see it in her actions, in her face, in her words that she feels terrible.

Caitlyn leaves Vi in underground tunnels, and what? Nothing. She chooses to continue her quest for revenge for 3-6 months, however long the timeskip lasts. She has practically endless resources, Enforcers all over Zaun and doesn't even look for Vi. Gives no sign of even thinking about her. And when she sees her again for the first time, her first words are "you can't be here" and "you look like an angry oil slick." That's not even mentioning her "while you were gone" line during the prison cell scene. Gone? Where was she gone, Caitlyn? That makes it sound like Vi just left by herself and was out on vacation, not actively spiraling.

"Oh, but that's not the kind of person Caitlyn is. She apologizes with her actions, not her words."

And what exactly are those actions? She doesn't let her die after she gets hurt in Viktor's village? Decides to leave Ambessa's side? Well, at least she's not vindictive enough to let Vi die on the ground. Good for her, i guess. Or are we talking about her vague one-liners, the likes of "I know!" Preceeds to throw something, and "we can't undo our crimes"? I'd call that the bare minimum.

With that argument, you're essentially claiming that Cailtyn can't/won't/doesn't want to apologize for her actions after hitting her partner and abandoning them for months, like she promised she won't. What does that really say about Caitlyn? People talk about reading between the lines and then get upset at others for calling caitvi toxic when their on-screen relationship looks like that. Which one is it then? Why is that only an argument when it's comfortable for you?

[antianakin]

As much as I dislike TBB, I don't actually mind discussing my issues with it much, but this forced me to go back and rewatch the scene since I only watched it once and that was obviously years ago, so you can apologize for that instead haha.

What I discovered is that I had in fact misremembered the scene and you're actually correct about it. I'd PRIMARILY remembered that Wrecker seems to hone in on Omega above everyone else and while that's definitely true, he does explicitly state why he's targeting her and he does attack the others for having violated Order 66 prior to going after Omega.

Wrecker claims that he's going after Omega because her decision to try to protect Hunter, who is considered a traitor, has now also made HER a traitor. Theoretically Wrecker would've left Omega entirely alone if she hadn't tried to shoot him to protect Hunter based on this comment, but it's obviously left somewhat unclear. He also could've chosen to attack her anyway simply because she associates with them and is now doomed as a result.

There's actually very little issue with Wrecker attacking the clones because they let a Jedi go, this falls in line with what was established in TCW for Rex after he joins up with Ahsoka and the other clones seem just as inclined to shoot him as they are to shoot Ahsoka. It makes sense that the chip programming might include a clause about getting rid of anyone trying to help or protect a Jedi in addition to the Jedi themselves, kind-of like a "get the Jedi at all costs" and "eliminate anyone and anything in your way" thing.

So this doesn't actually change or muddy anything to my knowledge, and Crosshair does something similar earlier in the season anyway, so Wrecker wouldn't even be the first character to react that way in this show alone for this exact reason.

So there's actually much less issue with this than I remembered there being. I DO think it's a little odd that he hones in on Omega the way he does. He completely abandons Hunter, who is literally IN HIS HANDS at the moment, in order to chase after Omega. Omega obviously does currently have a weapon whereas Hunter has been mostly disarmed, but he spends a weirdly disproportionate amount of time trying to hunt her down after she's already run away, ignoring the greater threat of people like Hunter, Rex, and Tech (Echo's been stunned).

You COULD make an argument that the chip does this, that it takes away some of the clones' ability to think something through, forcing them to sort-of focus in on a perceived threat to the exclusion of all else, I suppose. Where this ends up also being weird is in CONTRAST with the others. As mentioned, we see characters like Cody later who obviously very much canonically had a chip activated and he seems pretty normal. We see Howzer who theoretically SHOULD'VE had the chip activated and he's entirely normal. Wrecker gets a complete personality change when his chip activates, though. He ends up feeling more like Tup in terms of how it's impacting him. Wrecker's chip has begun to impact him as a result of a head injury earlier, but it had theoretically ALREADY BEEN ACTIVATED, so the head injury doesn't actually activate it on its own, it just... somehow makes the activated chip start to WORK on Wrecker despite his mutations that used to protect him. So his chip presumably hasn't been deformed the way Tup's was, and as soon as the chip is removed, Wrecker is completely fine, so it's not actually impacting Wrecker's brain long-term.

So it just begs the question of WHY Wrecker reacts so aggressively once the chip finally hits a critical point in its impact on him. Why would Howzer have such an easy time pushing back against his loyalty to the Empire (something that theoretically was given to him via the chip's influence) and doesn't seem to have much of a personality change at all, even after the Syndullas start fighting against the Empire, but Wrecker basically has his personality entirely erased and immediately turns super aggressive towards people he sees as traitors.

And there's almost zero hesitation from him. Even Jesse hesitates at one point, when Rex tries to logic him out of trying to kill Ahsoka, we SEE him consider the new information, and none of the clones immediately start firing as Rex walks out with Ahsoka into the hangar. Wrecker doesn't act like that.

So.... it's not... TERRIBLE on its own, but it's a little confusing mostly just in comparison to the other examples we have of clones who had their chip activated, either through a virus like Tup or just through the regular activation like Jesse and Howzer.

There was an entire major plot element in the Order 66 arc of TCW season 7 about how the chip didn't care that Ahsoka wasn't technically a Jedi anymore and was forcing the clones to want to kill her anyway.

Like.

It's a pretty important part of that whole story that Ahsoka not being in the Jedi Order anymore DOESN'T exempt her from Order 66. It would've been a pretty boring story if that technicality had WORKED.

But somehow the clones guarding Barriss at the prison are totally fine applying that technicality to her.

I guess they just like her better than Rex and the 332nd liked Ahsoka in the end or something. Ironic.

[timbitshockey]

If you dont think things are different now than they were in 2017, idk what to tell you except you’re part of the problem. My cousin has to carry around her passport; she had to put her kids birth certificates on file with their school (ones a kindergartner) in case they get stolen away from her. Even tho they’re us citizens (it shouldn’t matter) but they’re brown enough it’s a problem.

Do I think every guy that went is racist? Probably. The exception is if they aren’t. But are they also all part of the problem? 100%. When we look back, if we’re lucky enough in decades to come, we’ll look at pictures of the people who normalized these types of politics and that’ll be one of them.

Fandom isn’t activism and people should draw their own lines where they’re uncomfortable. But if your first response is to see those smiling happy faces, next to a man responsible for destroying thousands (and soon millions) of lives, and not feel totally sick to your stomach- if your response is to write an essay saying - “hey Sid Crosby went in 2017 and maybe all white guys are like this so maybe we shouldn’t judge them too hard” , you’re also part of the problem and are no different than those smiling laughing men standing next to a misogynistic, racist, transphobic, homophobic, neo-nazi fascist (on a national day of protest, no less, with people protesting in all 50 states against the mass incarceration, forcible deportation, and eventual internment of thousands of people).

But I hope the Panthers had a good day! So glad they got to enjoy that old hockey tradition of going to visit the White House! So glad Matthew Tkachuck got to take a picture with on his clear idols!

i asked people on tumblr to be empathetic to each other, not the players. i was very clear that the players are responsible for their actions and in the best case scenario are uninformed and unempathetic and in the worst case scenario actively perpetuating exactly what you wrote in this message. if “be nice to the panthers” is what you got from what i wrote, there is nothing i could say here to make you happy since you are clearly looking to be angry and not reading what i write. i don’t like the panthers. i don’t like matthew tkachuk. this has nothing to do with my personal feelings about the team or the player. i am talking about the way we treat each other on this website, which is clearly not something that you care about.

i hope sending this made you feel better.

[lych33dragoncookie]

Okay I’m curious, what would you change in Dark Cacao’s Beast Yeast episodes to make them more interesting/compelling/in-character etc?

okay this is admittedly a bit of a tricky one to tackle B.Y Ch3's main thing is that. Really, there's... not very many interesting character moments or interactions in particular? And that's sort of an issue with most of the DC Kingdom characters, they're sort of plain (not a bad thing) and work best when bouncing off of other characters; see Dark Cacao & Hollyberry, and Crunchy Chip & Wildberry. So, inherently, just sticking a bunch of DC Kingdom characters with each other will result in cutscenes that are just sort of a slog where not much of interest really happens. It's kind of interesting any time the whole Flour Disease thing is actively in play, so maaaybe if they had leaned harder on it they could have done something more interesting to watch? Unsure. Again, tricky situation.

As for Ch4, I do think Dark Cacao's climb up is pretty interesting, but it's... not that well paced? Like, not a lot happens, really. It's a lot of cutscenes, but not very much of interest happens Within those cutscenes. It's at its most entertaining when Peach Blossom is onscreen, because he's a weird old man who can't help but make himself Look evil when he's literally not doing anything wrong, and I like him for that, just kind of makes for a fun guy to have next to Dark Cacao The part I REALLY feel like was wasted was his awakening scene. Frankly, it feels underwhelming. Barely anything changes, and it just sort of feels like he's going back to his default. In his ingame dialogue and the one cutscene he gets for the 4th anniv there's Some convincing and actually fun change, but... not a lot, honestly Personally, I really think they could have benefited from having him show stronger emotion during his awakening. Resolution doesn't JUST have to be a completely serious super-focused determination on seeing things through to the end; that determination can, in fact, be more passionate. I really think that, silly as it may be, they could actually have leaned on the "i know how to laugh now :)" thing that they do with some of his ingame dialogue and animations. Have him laugh in the face of Mystic's absurd propositions, laugh at the fact she could have even thought for a second that showing him a future where his kingdom prospers after his passing through his own son's will would actually make him give up. outright mock her, make it clear that all she's done is give him more of a reason to strike her down, to ensure that his son and his kingdom will both thrive long after he's gone. that he will not, by ANY means, let her destroy that which he loves

aka please. please just let that man love his son. properly. in a way that feels sincere and at least somewhat well executed. that's part of what fucked over his Crispia chapter's ending, how abruptly he went from "KILL" to "LIVE" without so much as a fight scene showing him gradually realizing that he's most certainly fucked up and that he really should have done better and that as much as he loves his son he never showed it and that the only way he can correct that mistake is by starting to show that love Now. just. please. let him show actual sincere human passion and emotion. please. how the hell is it that it took until THIS UPDATE, in a short little event-only side cutscene, for him to show ANY kind of actual convincing warmth. like that's such bullshit

↑ This. More of this and I will be satisfied.

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[peoplesrazor]

The often stated goal of people in the crit community is for Lily to lose her platform. This would result not only in her facing some consequences for her behavior, but will also make it harder for her to prey on and influence vulnerable people. While it's certainly reasonable for those personally victimized by Lily to want to see some legal consequences as well, those goals aren't going to be reached by discussing her on social media, with a few exceptions.

For instance, using social media to present and archive evidence and as a way to make others aware. If a victim is actively in the community and close to people in it, it wouldn't be unusual for them to post updates on whatever is happening on the legal front. Maybe just to vent now and then. Legal action is always long and frustrating and very often expensive. Venting about that, at least, would be reasonable.

There would be little reason for the rest of us to continue talking about Lily, I'd imagine.

People may bring up something now and then. You'll see the occasional post that says something like: Remember when Lily Orchard compared a Jewish woman to a disease and got to keep her youtube channel? That shit was wild, huh? They'll be comparisons between her and other people who are being discussed. Sometimes more accurately, sometimes not.

I know there is a pervasive idea in Lily's base and in those critical of the crit community that we're all obsessed with her and using her for content as a way to make money or get clout. That we'd actually be secretly upset if she never made another video or blog post.

I'm pretty confident in saying, for most of us, that's not true. I don't think people outside of this understand how frustrating it can actually be. In my case, at least, there are any number of videos or post that I could comment on, that have factual errors that can easily be corrected, but I don't because they don't matter as far as that ultimate goal. I will sometimes, if I feel it might be interesting to discuss, especially since it was my original goal for my blog to discuss media criticism. Usually, it's not worth it though.

Because even when I do make a post with the express purpose of calling out Lily's racism, ablism, sexism, her victimizing people, or to show a pattern of behavior, my reward is being called a transphobe, a misogynist or having my motivations for doing so questioned. I can't tell you how lovely it feels to make what I think is a well documented and easily provable argument and have it dismissed because I chose to use one of her media takes as my starting point. You think I want to do this? That I enjoy that?

I'm not sure those of us without a "real world" connection to Lily would even be able to move the goal post past de-platforming. Like how? That's the only spot that goal post can be. There's this big immovable wall just past that with the words "no admittance through social media" scrawled on it.

We can't get to the other side of that from here.

So, yeah, I see most of us moving on. @spacefrog1984 will post more frog gifs. @thetepes will discuss tea and post more cultural food videos. @agramuglia will cover other media and media critics, which he is already doing. Sai may close @purpledemonlilyposting or she may use it to argue with people like you on here.

Me? I'll make more youtube recommendations, discuss indoctrination tactics and debunk things like pseudoscience. Mostly, I'll likely go back to vanilla media discourse and talking about bad media takes that don't involve Lily, which is what I started the blog to do originally. Maybe I'll do some more in depth analysis of The Owl House.

What are you going to be doing, Starry? Still, posting about Sai and everyone whose ever had an exchange with her all day?

Does a channel termination mean everyone can move on? Or does it just mean the goalpost gets moved?

[strawberrycamel]

ninjago seabound hurts. so much. what the fuck

[camgoloud]

you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons

[isa-ah]

crick is a few years older than isaiah... what if he had very faint i was a little boy memories of isaiahs mom before she died oxo

[arolesbianism]

Welcome to the “they’re just like me fr (derogatory)” club featuring no color because I would rather die than draw Sif with color

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[creativity-deficient]

Soooo what are y’all’s hcs on the Tweak family 🤔🤔🤔

[chestersbraincell]

[werewolf-kat]

Going to keep an eye on things while on a newly prescribed medicine for my heart, but occasionally I've been feeling like crying from joy/relief. I didn't know it was possible to live with little to zero chest pain and other issues on a daily basis.

I started feeling its improvements on day 2, and then all day yesterday has been like a literal weight off my chest. Slept a bit for the night, woke up around 4am and I'm just... Breathing so comfortably. I feel relaxed. That feeling of pressure in my chest is hardly there anymore.

This cardiologist said I'd notice changes after just a day or two if it helps. And it's happening!!

Guess it's very much confirming I've had pericarditis for who-knows-how-long. Could've been overlooked since having my cardiac ablation in 2019. Been so freaking rough living with this stuff. All my symptoms were assumed to be part of my WPW Syndrome ('cause the ablation didn't get all of the accessory pathways.) This sort of inflammation can be caused by heart procedures though. -sigh- Why didn't anyone watch out for that or suspect it earlier?

I'll be having a new echo done in a month or two (forgot which appointment date it is among other tests coming up). Crossing my fingers I don't have the pericardia effusion there anymore too if the pericarditis is getting tackled by this new med! 🤞