#but i feel bad because she called me in to be like 'i just saw a trailer for daisy jones!'

[thewistlingbadger]

All the shade in the world when we say we want complex women characters we want more Ellie Williams and other characters whose actions make our insides twist, not frustrate us. We want characters that we hold beloved to become corrupted by fate but still have the opportunity for some redemption.

Caitlyn Kiramman is an interesting character, but she does not fit the bill for the "complex female characters" we desire. Jinx, Vi, and Mel better fit that bill. All three of those women have given us reason to both love and despise them. Many a difficult conversation have they been the subject of. And to me personally Cait just falls flat. And I don't think it's her own fault I think it's the writing. Season 1 cait is 🔛🔝 but season two cait? I understand that she's grieving her mother, HOWEVER, we barely saw any interaction between the two of them and the little that we did see showed us that she wasn't fucking with her like that/they had a complex and somewhat negative relationship. Imagine how the season opened with Cait actually finding her mom's dead body. We would all feel sick, and we'd all pity her. Or imagine had we been given a flashback between her and her mother when she was a child in the garden, having a good time. Or imagine how they just even mentioned the fact that their relationship was strained. Losing a parent is bad, what makes it worse is having unfinished business with that parent (which is why people love the story of Ellie Williams, it's why we understand why she wants to go after her father's killer other than the fact that the killer murdered her father). Caitlin only having one motivation to go after jinx, to descend into hell, to avenge her mother is not even. "Jinx killed mom now I kill Jinx" there's nothing compelling about that. We've seen the story several times.

Just to give a direct comparison.

Jinx's dad was a man she had an extremely complicated relationship with and this relationship was showcased throughout the season. The fact that she essentially lost her sister and killed her father at the same time is what pushes her over the edge. We completely understand why she's going to burn the world down because the show told us over and over and over again. Jinx always manages to lose the people she loves the most, and this time it's happened directly by her own hand.

Jinx's missile only kills three people, blows up a building, and inspiresb fear in the hearts of pilties and amazment in the hearts of Zaunites. Her actions were bad, but ultimately very few people actually suffered from her actions. The council only lost three people, it's not like pilltover's governmentless now (like how zaun is). The damage to the building wasn't that bad and it's easily repairable. And overall from her actions alone the citizens of pilltover are still safe.

Now let's look at cait. She's actively ruining the lives of zaunites by mass gassing them (we also how many kids were on the street. We all know how many homeless and disabled people there are in zaun. Now they're all negatively affected due to cait's lust of vengeance) and by arresting them when they've committed no crime. She's parading around the city with deadly weapons, under the authority of which she does not have! Cait abuses her name and her position as an enforcer to DEMAND that the council follow her plan. She had absolutely no right to storm into there and act like she had the power to call shots. What's even more gross is that she completely lied to them! Her goal was never to locate jinx, it was always to kill Jinx. If she truly cared about bringing jinx to proper justice, she would have ensured she be brought alive. If she truly cared about dismantling shimmer, she would have done that first bc A. Vi knows exactly where the factory is and B. According to silco, the last attack already cut the supply in half. It would have been easy to finish that off. Caitlyn acts like she's judge, jury, and Executioner the entire time she's down there. Her prejudice increases exponentially AS does her willingness to he openly prejudice. She literally refers to Vi's countrymen as animals, and accuses vi of being disloyal several times! and must we truly mention the assault she did? Must we mention that she was willing to kill a kid? That's a line jinx herself has not even willingly crossed yet, and she's practically crossed all other lines.

At the moment Caitlin is not a character who's doing the wrong things for what she believes is the right reason. She's acting out of complete selfishness. Even jinx, who committed an act of terrorism, didn't do it for herself. She did it for her dad, who worked so hard to bring down piltover and didn't live to see it because he refused to trade his daughter for Independence and peace.

So these are just only a few reasons why people don't support her this season. And her level of oppression, arrogance, and maliciousness is exactly why people are calling out those who defend her, because the majority of her defenders are privileged and white.

"We want more complex female characters" you can't even handle an angry, grieving daughter who just had her mother killed by her future wife's sister, shut the fuck up

[gothcsz]

part six of the neighbors series. thank you to the anon who sent this angsty prompt for getting the gears turning in my head, hehe. these two are something else, i tell ya. the miscommunication is just so... i am pushing them together forcing them to kiss at this point lol hope you guys like it 🖤 and feel free to send me more things for this little au!

javier peña x f!reader. ~2k word count. nothing too extreme to tag, it's straight up just angst and yearning.

Being with Mateo is nice, sweet even. He calls when he says he will, makes you laugh, and remembers how you take your coffee. And you really do try with him. You take interest in his hobbies, hold his hand when you’re walking down the street, and even let him take you to bed.

The sex is fine, nothing spectacular and just barely above average. Being with him is normal and safe.

But every now and then, your mind drifts to what it would be like if it was Javier in his place. You shake those thoughts off as fast as they come. If you’re going to move on, it has to be for real, not half-heartedly.

It’s a little easier to bury those feelings now that Javier is caught up in something—or someone—of his own. 

She’s over at his place constantly, her laugh sometimes drifting through the walls late at night. It feels like they’re always whispering to each other, talking until all hours, and you hate how that little spark of jealousy sits in your chest.

You catch yourself wondering what her name is, how they met, if she gets that look from him—the one that he used to give you when he’d make you laugh. 

You pass Javier in the hallway sometimes, and when he offers a half-smile and rushed, “Hey,” you return it with something tight and brief, barely meeting his gaze.

But he’s always in his own world these days, buried in work, and if he notices you distancing yourself, he doesn’t show it. Or maybe he’s too distracted to care. Either way, it reinforces the choice you’ve made to keep things this way. 

Every time you pass his closed door, you tell yourself you’re doing the right thing. Him being absent is the push you need to keep stepping back, to keep looking at apartments a few neighborhoods over, just in case.

One day, Mateo notices you’re distracted during dinner, poking at your food more than eating it. 

“Querida,” he says, nudging your hand, “you alright?”

“Yeah.” You force a smile. “Just thinking about work.” You try to shake off the odd feelings you can’t seem to put to rest—the unease of Javier wrapped up in someone else and it working for him but not for you, leaving you more restless than before.

He’s become a background hum of missed chances and bad timing.

Mateo catches the shift in your expression and rests his hand on yours. “If it’s about your place, I don’t mind helping you look around. Maybe even do a little apartment tour spree together this weekend?”

His warmth stirs something in you, a pang of guilt for not giving him the part of you that’s still tucked away. “Yeah, that sounds nice. I’d like that.” 

Javier’s schedule continues to keep him out of the complex and you can’t remember the last time you saw him at the embassy.

Granted, you work in different departments but still, there was enough overlap for you to at least catch glimpses of him throughout the day. 

There’s a wall between you two—one he doesn’t even realize is there.

One evening, as you’re walking up to your door, you hear his low voice in the hallway, murmuring something to that beautiful brunette that you feel so strongly against because of your own insecurities. 

It strikes a nerve, seeing her leaned up against his door like that with Javier crowding her, his fingers tucking a strand of her curly hair behind her ear.

They don’t even notice you and that fucking stings, then you remind yourself that you’re being ridiculous and unlock your door quickly, barely giving him a second glance when he finally turns his head to acknowledge you. You just shut your door.

Later, as you sit by your window with a glass of wine, a part of you wishes you could confront him about it—how you miss having a friend even if these feelings you’ve grown for him have tainted your friendship.

But instead, you brush it off. It’s better this way, the distance and silence. Cutting him off quietly.

You have Mateo now, and maybe in time, those feelings you’re trying to force yourself to feel for him will start to feel more real.

In the meantime, you keep Mateo close and Javier at arm’s length, praying the ache in your chest will fade into something easier to ignore.

When things with Helena spiral, Javier’s entire world dips into a darkness he struggles to fight off.

He’d been steeling himself for months, pretending that what he felt for her was just a part of the job, just another way to gather intel, to stay sharp. But things had shifted, unraveled into something he wasn’t prepared for.

She had become more than an informant; something tangible and real, someone he genuinely cared about. He should have known better than to let it get personal—mixing affection with the job, letting his heart get tangled up in a life as brutal as theirs.

It’s in the wake of this disaster that you pop into his mind again. The truth is, he’d forced you out of it completely, buried you beneath his work, his duties, his time with her.

After all, what place did someone like him, wound up in the cartel’s mess, have with someone like you? You were safe, building a life with an uppity banker, someone who could give you things Javier’s world would never allow. 

Security, stability, and something close to a normal life—things he could barely imagine anymore.

And he’d see it, too, in the way you were with Mateo. He could hear it sometimes through the walls, that light laugh of yours, the one that’d once been his to hear on a quiet afternoon or over a shared meal. Now it belonged to someone else.

Javier would watch the asshole come by, flowers in hand, gifts in his arms, looking like the kind of guy he could never be, the kind of guy you deserved.

Maybe that’s why he fell for Helena so quickly, so intensely. She was tough, resilient, unafraid of the shadows he’d cast around him. With her, he didn’t have to pretend.

They shared the same night-bound existence and he didn’t care that she was a prostitute. She understood, even when he didn’t, the danger of crossing those lines in his work, the way it weighed on him, without flinching at the blood on his hands.

But now… he’s haunted by what he should have seen coming. She’d been hurt, and every part of him feels complicit.

He couldn’t protect her, couldn’t protect himself from feeling it all in his bones, and the guilt wraps around his heart, squeezing so tight it might burst. 

The weight of it pulls him under, and he finds himself wondering how he’s going to claw his way out. His work is far from over.

He's at the bottom of a bottle of bourbon one night when he realizes just how long it's been since he’s really seen you.

The ache that realization brings feels like another knife twisting in his chest. Your bright eyes, that quirky laugh you give when he actually manages to crack you up, and the way you can turn his chaos to calm without even trying—they’ve been missing from his life for months now, and he’s feeling the loss more deeply than he wants to admit.

With sluggish, heavy steps, he staggers across his apartment until he ends up at your door. He knocks, too loudly, too long, until you swing it open, looking bleary-eyed and definitely frustrated. He’s clearly woken you up.

“Hola, cariño—”

“It’s two in the goddamn morning, Javier. ¿Qué necesitas?” 

You’ve got your arms crossed, and he blinks a few times, almost impressed with the improvement of your accent. He opens his mouth, trying to form the words, but you beat him to it, eyeing him up and down.

“Are you drunk? You reek of liquor, Peña.” Your tone is flat. “You need to go back home.”

“Te extraño,” he slurs, the words slipping out before he can stop them. “I can’t be in there another second without feelin’ like I’m losing my damn mind.”

You’re sizing him up, at a war with yourself, and he lets his gaze wander even in his bleary state. You’re wearing that familiar robe with a slip dress underneath, and he has no idea if it helps or makes things worse. 

“Then you should probably call your girl,” you say, voice cool. “Or go upstairs and bother Murphy. I have to be up early.”

You go to close the door, but his large palm spreads against it, steadying himself. “Javier—”

“Please,” he says, voice softer. “Don’t do this. Not tonight.”

For a moment, you search his eyes, your own gaze conflicted, and then, almost begrudgingly, you sigh. “Fine,” you mutter, “but you’re out by the time I’m up for work in the morning.”

You let him in, and he feels that distance in your voice like a physical wall between you. It’s his own fault—he knows it, hates it, but here you are, standing back to let him in anyway.

He stumbles, almost falling flat on his face, and your smaller hands catch him with a muttered curse. Like he’s a child.

You steer him to the couch with an exasperated huff, and even as you help him settle, he’s not sure if it’s the liquor making his chest tighten or the fact that you’re handling him with more care than he deserves. 

You wrestle him out of his jacket, tugging it from his broad shoulders, then go for his boots.

The grunts you make in effort, the feeling of your hands on him—even if it’s just to deal with his drunk ass—makes him ache in a way that alcohol only magnifies.

His thoughts drift to places they have no business going. He’d tried to move past the want he felt for you, burying it under other bodies, other names, other distractions. But here you are in a thin slip dress under your robe and all he can think about is how it’d feel to have you moving against him, to finally let his hands roam your curves, bring you pleasure and fuck you like he’s sure no man has. Not even your goody-two-shoes of a boyfriend.

Once he’s settled on your couch, you leave, only to return a moment later with a glass of water, setting it on the coffee table with a quiet sigh. “If you need to puke, please use my bathroom,” you say flatly, “not the new couch.”

“New couch?” he mumbles, sitting up on his elbows and frowning at it. “What was wrong with the old one?”

You just shake your head, the patience gone from your expression. “Goodnight, Javi,” you say flatly, but he stops you before you leave.

“Thank you for this and I’m sorry—”

“Just stop,” you cut him off with a deep sigh. “You’re always apologizing and I don’t want to hear it. Get some rest.” And then you’re gone, the door to your room closing softly but definitively behind you.

After that night, he tries to make things go back to normal but the distance that happened during that time seems impossible to close now.

Every attempt he makes to lessen it only meets the cool edge of your guarded smile or your quick, polite excuses to cut conversations short. The silence between you has settled too deeply now, like it’s found a home where friendship used to be.

He doesn’t know what to do and you’re still stuck in your forced delusion that Mateo is what you want.

started a tag list for my works here, so if you're interested— pls check it out 🖤

��️: @persephone-girl . @almostempty . @magneticecstasy . @miss-oranje-disco-dancer . @pepperstories . @greenwitchfromthewoods . @maiyart . @pedrohoe04 . @natalieispunk . @thewisesalmon . @bitchesuntitled . @puddles221b . @swankyorange . @bbyanarchist . @thottiewinemom . @heyhihello-4771 . @danaehldy . @sunflowerfive . @libre-sol . @harriedandharassed . @untamedheart81 . @moel-jiller . @honeyedmiller . @alexxavicry . @oldenoughtoknowbettersstuff . @almodovarispunk . @southernbe . @readingiskeepingmegoing . @pedrito-is-punk7 . @mrs-hardy-hunnam-butler . @la-vie-est-une-fleur29 . @lover-of-books-and-tea . @samanthajonees . @dontlookatme121 . @thundermartini . @dinanabuu . @cherrysugarx . @dontlookatme121 . @sunshinefive . @angiewatson .

[katerinaaqu]

Retellings is one thing, there's also this obsession with making the Greek Gods and Heroes as other races beside Greek. Like why the need to reimagined this Gods/Heroes like you? Why they need to have body shape/hairs/colour like you? Don't you know that these are cultural figures from the country it hail from?

Like never in my life I want to see Aphrodite looking like me or my people, I have my OWN mythology! If I want a mythology figure that show my culture and society, I just turn to my folktales. Why did the Greek mythos suddenly bear the burden to represent every single person/nation on earth?

You wanna claim that bc Greek mythology is mainstream? I think there's more nuances to it, bc no one in this world know my culture lore except the people from my own country but it doesn't stop us from appreciating our mythos and figures. And if we want to look at our own representation, we just look at our own culture. It's mind-blowing to me that these people can't do the same, and they feel the need to project their identity on another culture instead of embracing theirs.

☝️☝️☝️THIS! JUST THIS ANON!!! ☝️☝️☝️

Honestly I am not sure how is that even considered "empowering" or "representation" to swap existing characters with known background like this! Honestly if someone race swapped the amazing African Orishas to look like Greeks because "we need representations of Greeks in media" I would be insulted. I would be like "why? Ain't greek mythology important enough to create so that you need to insert my myths to African pantheon?"

And I have been called a racist for saying that! As well as other people who say the same as me too 🙄 like if you claim that "whitewashing" is so evil and erasing culture then how is it okay to do the opposite to Greeks (or even depict them as the other end of the spectrum like as if they are Norse vikings or something lol). And usually they do not use the excuse of "universality" or "mainstream" their favorite excuse is:

"There were black people in Greece and they deserve to be represented"

In other words they claim they are right and that anyone who disagrees is a bigot and a racist (the usual formula that is) and so they indeed hire literally any other kind of actors but Greeks or at least Italian and Balkan descend and they do not even make an effort to cast someone that remotely looks like the part sometimes (for example they casted The Rock to play Heracles in 2015. But at least they made an effort with makeup and the lighting of the film to make him remotely look like the part and the casting didn't appear bad or out of place to the degree it is nowadays)

So for once even if that were true (and so far we do not have plenty of archeological evidence for it) they were still considered foreigners and they were not always mingling with society. Where? Athens? Where foreigners even from other GREEK cities were not allowed to live within the walls? Sparta? That didn't allow anyone in their closed society? And we have no clue what was going on in Mycenaean world. But we know ancient myths were including people that Greeks were familiar with.

But do you still wanna go with your little hypothesis that let's say an Egyptian and a Greek had a kid that is mixed? Go ahead and create an original character with an original story. Why race swap an existing one with known story. I swear once I saw someone race swap Antigone. ANTIGONE! The woman was as inbred as she couldn't be more.

Another excuse they use is the modern day Greeks that are born out of immigrants. Are they less of Greeks than I am because they are of different ethnicity? Absolutely not. They are as Greek as I am nationally. They are born in Greece educated in Greece live in Greece. Are they ethnically Greek? No. There is a difference there. And antiquity especially heroes and characters with known backgrounds being race swapped is the same as me race swapping African Orisha with the excuse that "Greeks existed in Africa" instead of me creating an original character of it

And Greeks existed in Africa. We find cities of Greeks in north Africa all the time. Even Odysseus proves this. Lotus Eaters were probably Tynisian. We have Memnon the king of Ethiopia who has an entire poem dedicated to his people in Epic Cycle called "Aithiopis". Why isn't anyone properly representing those? Why do they feel the need to race swap existing characters to achieve that? And I couldn't have said it better Anon! Suddenly greek mythology becomes responsible to represent every nation on earth...instead of focusing at the amazing nations and their stories or myths.

If again the scream bloody murder on how extremely disrespectful old Hollywood was for not representing cultures properly then why are they doing it now? And if what they do is okay thanks to their excuse then why do they scream bloody murder for old Hollywood?

Which is it?

[eroticcannibal]

It's still a minority view (plenty of varied viewpoints do get conflated with those things though, by people who have also grown up with the criticism of men = man hate line and internalised it in the other direction). It's still heavily exagruated by bad actors. Have you not actually talked to these people? Have you not looked at what they feel is man hate? Have you seen the examples the radicalised will list? Evil radfems saying all men are scum on twitter is a *tiny* fraction of what they feel attacked by and is almost never what they feel *most* attacked by.

I saw an intelligent, reasonable, compassionate, previously explicitly feminist man become *violently* (and I do mean violently, I was the target) antifeminist overnight because I expressed on Facebook I was having a trauma response (wariness of men) after an assault. And you know what else? Not a single man in that room defended me from *actual violence* because to them, fear looked like hate. Anything that made them uncomfortable looked like hate. This was during a time where publically discussing online your experiences with sexual assault was first becoming a Big Thing, the original #MeToo (interesting that it had to happen twice), and there really wasn't anyone going all men evil, just all men can be scary because we don't know who will hurt us. There was SO MUCH EFFORT to add nuance to the discussion, to let men know hey! We aren't saying *youre* bad! And they would not listen. Why? Because they'd rather listen to other men saying we are man hating feminists who are calling them all rapists even when we explicitly say the opposite! And that got me assaulted by a friend. The same shit fucking led to elevatorgate ffs. How dare a woman say she is uncomfortable, that's man hate, ignore all evidence to the contrary.

And yknow I did see an uptick in *performative* man hate at the time, but it was purely reactionary and it was a *test* (and a lot of current supposed "man hate" is still a relic of this era). Since you can make clear you don't hate men all you want and they will still say you do, "yes all men" became a sort of password. If you could here that without being a little bitch about it, if you knew the context because you actually bothered to listen, then you were cool. You knew no one actually meant that because you bothered to listen to them instead of people lying for political gain.

This is a tactic that has been going on since *before feminism even existed* and it is effective! It relies more upon the constructed belief that feminism is anti man which has become very well established over the years than it does the actual behaviour of feminists. I would strongly encourage you to look at anti-feminist sentiment throughout and predating the history of feminism (starting with the votes for women movement, that's the earliest I am personally aware of, there may be earlier examples) and see how we got to this point. Convincing every feminist to never again say "men are evil" will not create any change. (Which is not to say people *should* do it, but just that it's not the true root of this kind of radicalisation). Actual examples of it are *convenient* but not necessary for this tactic.

I would never *entirely* discredit the viewpoints of someone who has escaped cults and cult tactic using groups (I've been through that, I get it), but I would encourage caution with how much you trust the narrative of the *whys* from someone who has escaped. Leaving is quicker than undoing the thinking, and I really do believe that user isn't quite there yet. Best case scenario, that user is right about *them*, but it is not correct of radicalised men in general.

Because you can be as gentle as you like to these people getting radicalised, you can have all the nuance in the world, you could make it so that no one, not even as a joke, says anything about hating men, and you know what will happen? Just like has always happened, they will listen to who they want to listen to. They will listen to the people promising them superiority, they will listen to the people giving them a reason for their economic suffering (we must remember how much economics plays into radicalisation), that reason being evil feminists. They will see the man hate regardless of if it is there or not. Because they have been told to. Because it is convenient for them. And even if you convince them that we don't hate *men*, now you've got to convince them we don't hate them for being *white*. The point is not the hate they perceive but the superiority they seek and the power they desperately want.

Radicalisation and cult tactics do not rely on facts.

I couldn't have said it better myself.

[fivewantscoffee]

So, Five x Lila. I need to get this out of my system so I can maybe finally move on:

I don't like the ship.

I don't like the characters together. I find the pairing a baffling one, and I don't like what it does to the show (and characters) either.

First of all, that wasn't Lila. I don't know who it was, but it wasn't the woman we saw off at the end of S3, or even the one we started off S4 with.

It just wasn't her.

You can blame trauma, or six years of being on the move. That's going to change a person, for sure, but this wasn't about giving Lila any character development.

It was about giving Five a love interest.

Because that life? Yeah. I could see it for Five. I could see him deciding to settle down and take life slow, I could see him being sweet and domestic with a partner should he have one. After he's had some time to heal, now that he's finally free of the apocalypse, I could see that for Five.

But Lila? She was unhappy in her marriage, at least partly because the domestic, stay-at-home-mum life has proven to be something that doesn't fulfil her. She wants more out of life, which is why "bookclub" happened, which is why she ended up in the subway with Five in the first place.

And okay. For the sake of argument, let's go with this. Let's say Five x Lila happened so they could cope with their situation. It was survival, like Lila said. If we were going to have to endure this bad, messy plot point anyway, (which we didn't, we really, really didn't), it should at least have been treated with the seriousness it deserves.

Because, Five? The complete, callous lack of remorse on his part? What the fuck was that?

Even if you pick through the crumbs and try to make it make sense, this wasn't a romance. At best it was survival, and coping, and kind of a tragedy all at once. Five shouldn't be picking fights with Diego. He shouldn't be acting like a spurned twenty-something-year-old.

And yeah, characters can be flawed and in the wrong, but why like this? This didn't feel like Five to me. He is brusque and, when looked at it from a certain angle, I can see why some would call him selfish (which I don't necessarily agree with, but that's a different conversation), but under all his layers, he does love his family. To me, that's the core of his character and has been since S1. Everything he's done, he's done to ensure their survival, then when he agreed to give up in S3, he was content to simply die by their sides.

So, you're telling that this Five, the one we've known and followed for three seasons, had a fling with Lila and didn't even feel guilty or conflicted about it? You're telling me loved this woman, yet was willing to keep her from her family, her children?

"Five is selfish" "Five is tired" "Five is finally moving on"

No. Not like that. To me, the Five from previous seasons (S2 specifically, because that's where a lot of it goes wrong) is only "selfish" in that he wants his family to survive and is willing to go to any lengths to achieve that. He's not exactly compassionate about Allison and Viktor having to leave Ray and Sissy behind. And yeah, he leaves Diego in the asylum because he doesn't want him messing with the timeline.

Is he in the wrong for that? Answer this any way you want, but I don't think it matters to Five. Does he want his siblings to be happy? In my opinion, of course he does, but they're not going to be happy if they're dead.

That's not the same as what S4 does. Not by a long shot. Five cares deeply about those he loves, and granted, he is pretty bad at showing it, but he does care.

He nearly worked himself into the grave trying to solve the first two apocalypses, with little regard for his own well-being. When he realised a third apocalypse was happening, he didn't say fuck it and continue his Pennsylvania retirement road trip... he immediately dropped everything to try and fix it.

So how did we get to S4 Five, who got with his brother's wife, found a way home, didn't tell Lila, AND THEN, after he finally gave her the notebook and they went back, he acts like that?

Yeah, no. That's not my Five.

Also, five x lila happening isn't Five moving on. If anything, it's how he copes with the situation they're in. That's just his Delores 2.0.

Anyway, all of this is moot because the fact of the matter is, they chose to make this happen. Five and Lila getting stuck in the subway together for seven years didn't have to happen.

I don't know.

This used to be a show about family. It also used to be a show about the effects of child abuse on this group of siblings. This started to fall to the wayside after S1, but the family aspect of it still remained.

At its core, tua has always been about family, so what was the point of making S4 at all if this is what they were going to give us?

It's not just Five x Lila. They messed this up across the board, with how flippantly the absence of Sloane and Ray was treated, how shallow and surface-level all of the rest was. They gave us some crumbs with Klaus and Allison, but they couldn't even do that without retconning their entire relationship. That's not even mentioning the ending. The Hargreeves all sacrificing themselves in the end could have worked, but this was not the way to do it.

Anyway, this rant is over. S1 Five, you'll always be famous to me.

[sanasanakun]

Tbh this account’s become my “let’s rant about random shit” place but I have another thing to bitch about lol yall who keep whining about people creating “good ending” AUs where Anya keeps the baby are annoying. Her keeping the baby doesn’t make it a bad ending. That’s like a real thing that many victims do? And we don’t even know what her choice would have been, so her keeping or getting rid of the baby are both totally valid portrayals of her character. IMO both are interesting ways to explore her character more since both have equal amounts of weight to them as choices. Godddd please just have some nuisance in a game that opens itself up to heavy interpretation.

[lilworms]

so

[zepskies]

@lamentationsofalonelypotato

Aww I'm so happy to hear that, friend!! 🥰🥰

It's not a problem Dean, (the gun is obviously BUT) she is beautiful and you will love her and I will cry at your wedding.

Ehehe it's funny you mention their wedding...

Dean no. No feeling bad for saving your girl and for killing the "sack of shit in human clothes."

Ugh right? Trust, he doesn't regret killing that bastard loll.

Also I didn't notice the Colonel Sanderson thing before and now all I can think about is KFC lol.😂 Which is not to take away from how good this fic is or how well it's written. It's just me lol.

Actually THANK YOU for noticing that because Colonel Sanders was an intentional reference! lmao I saw some meme that called Asmodeus "Bullshit Colonel Sanders" and it made me cackle, so I included that a little bit here. 😂😂

Oh goodness she is already so protective of him and oh my word the wink had me melting lol.

See! It's not taking that long at all for her to start softening up towards him loll. At the very least, she doesn't want to see him killed for her after killing for her.

I also don't think that I mentioned this before, but I really like how you wove in the other characters in the show. Seeing Benny and Cas show up just made me so happy.

Aww thank you!! 🥰🥰 When it comes to AUs, I try my best to fit in canon characters where they make the most sense to me, and try to make them feel "as themselves" as possible.

Oh my word seeing that fight in my head, um... YES PLEASE. And the loyalty?! The love for their friend?! The "Goodbye brother."? It's so good.

Imagining Dean in uniform, even if he's fighting his friends, just does things to me too loll.

Ultimately, Benny and Cas are good men even in this world, and they didn't want to have to bring in him or Mila to the Colonel either. 💜

She's squishing his face! That is so cute, oh my stars. Plus I am cackling at how long it took him to be able to say her name.

Ahaha this was my favorite part to write for this chapter! Dean struggled, bless his heart. 🤣🤣🤣

I absolutely love this! I really love it when writers pick the names of their characters based on the meaning behind it. And the fact that you gave the meaning of her name a backstory of her mom having a dream and the butterfly meaning that Mila "would have a free mind" is just so perfect for her. Because she is stubborn and she does have "a free mind" by being rebellious and strong, by being a strong female character who does not conform to the whims of what other people deem to be appropriate for her. Also it was funny that Dean thought she was like a "lioness."

Aww thank you!! I'm usually pretty conscious of names and the meanings behind them, but especially in this story I got deep into the research of the Lakota people, and I found that names are very important to their culture, now and historically.

When I was looking for a name for her, Kimmímila stood out as being beautiful (with a nice nickname), but perhaps on surface level didn't reflect her true personality. So that's why I worked in that backstory with her mother's dream, vs. who she wanted her daughter to be, and who Mila considers herself to be. And bonus, what Dean observes of her! lol

So I absolutely love all of your observations here, because that's exactly what I intended for her!

This is a really wonderful line, that the war "never really ends." It really fits this story and honestly it really fits the entire early history of the United States when it was acquiring territory and embracing the "manifest destiny" ideals.

Aww thank you so much!! That's what I thought as well, not just for this story, but for the greater context of U.S. history during this time and the push to industrialize the entire country.

Okay, the whole part where she is explaining things about her life and her culture was so sweet. Them opening up with one another is just so soft and a little fluffy and I'm so glad that they got to have those gentle moments with one another. Not to mention this bit where Dean admits how much he likes listening to her, is just so good lol. And I thought it was really on brand for him to be a little upset that she doesn't completely trust him yet, even though that he killed one of his men. But he's got to learn to be patient... and then propose. LOL.

That was so fun for me too! The "getting to know you" aspect. I thought that opening up to one another was needed here, and it gave an opportunity for more historical tidbits!

Ahaha yep, she's a hard nut to crack, but Dean need only be patient. He's won a lot more brownie points with her than he realizes. 😏 "And then propose" -- I'm weeeak!! 🤣

Don't be afraid to admit it Mila, we all know how good he is to look at. And why shouldn't you look at your future husband? 💍

Ha!! Ikr?? Also, you're getting dangerously warm to what's coming in Part 3. ❤️‍🔥

Oh my sweet goodness, the TENSION!! This is so good my friend and I am so excited for what the future of this series holds and am praying that it doesn't end in death!😬💗

The romantic tension is real!! lmaoo

Thank you so, so much, friend!! Part 3 is my favorite part, I think, and I hope you'll be happy with the outcome, even though we've got a fair bit of action and angst ahead...

The Honorable Choice - Part 2

Pairing: Dean Winchester x OFC 

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: “Getting to know you, getting to know all about you…” ⬅️ If you’ve seen The King & I, then you’ll probably be singing that line in your head like I do.

Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 3.1K

Tags/Warnings: Angst, protective Dean, historical tidbits, fluff

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🎙️ Listen to the podfic version here!

Part 2: Death & Sacrifice

Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and the hat off his head, not to mention the pain that rattles down his back.

“Son of a bitch,” he wheezes, while trying to get back up.

The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.

Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.

Dean has a problem.

Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 

He just can’t do it.

His finger eases off the trigger of his gun, and he lowers it to the ground beside him.

“I told you,” he says. “I’m not gonna hurt you.”

Her head tilts as she stares at his gun, then at him. She relaxes somewhat, and she backs off of him, sliding from his lap down to the grass beside him. Her closed fist with the knife comes to rest at her side. She gives him a look of wary bewilderment.

“You are a strange man,” she says.

Dean has to laugh a little, smiling at her afterward.

“I guess so,” he replies.

Her brows furrow. “You killed one of your own…for me?”

He nods, and his smile falls with a weary sigh. The hard part about that is he doesn’t feel much guilt about what he’s done. At the same time, he does, and the conflict churns in his stomach. He knew what kind of man Roman was. He was the kind of soldier that could’ve filled Colonel Sanderson’s shoes one day. A fellow soldier under Dean’s command...

And a sack of shit in human clothes.

Dean leans back on his hands in the grass and slides his legs out long. His stare falls to the earth between his boots. The ground is soft underneath him. Maybe it rained this morning. 

“Yeah, that’s gonna make it tough when I go back,” he says. “At best, that’s a court martial. At worst…”

The Lakota woman frowns, her dark brows nearly meeting in the middle as she considers him. He wonders what she sees when she looks at him.

“Tell you what,” Dean said. “Give yourself and your horse a rest tonight. I’ll go back and tell them I lost you in the canyon.”

Her eyes widen further in surprise. He can’t blame her for it. He’s surprising himself every time he opens his mouth.

“Will they kill you?” she asks.

Dean shrugs. “Nah, I’ll be fine.”

She levels him with a firmer look, one that demands the truth.

His nonchalance wanes, and he sighs.

“They might,” he says.

She shakes her head. She seems to deliberate over something, but eventually she comes to a decision. Just when she opens her mouth to speak, a gunshot rings out and hits the ground not far from their feet. A warning.

The sound of hooves thundering on the earth reach them before they look up. Two horses gallop towards them in the distance, their riders wearing blue uniforms.

They both tense up, but Dean is the first one to move. He grabs her arm and helps her stand along with him. They scramble back and lead the horses by their reins further into the trees. They find a denser patch and a raised hill to crouch down and hide behind.

The mustang is too tired to go very far, but Baby is already making anxious sounds, protective of her rider.

“Shhh,” Dean whispers, and runs a soothing hand over her side. He leads her to lay down with her legs tucked underneath her.

The Lakota manages to do the same with the mustang after whispering to him softly in her language. There’s a trust between them, Dean realizes. They have a connection that seems to mirror his own with his horse. He doesn’t know how he didn’t see it before.

“Captain!” Benny calls out.

Dean grimaces, but he stays quiet. He turns to the woman and holds a finger over his lips. She stares back at him in apprehension. He begins to creep slowly around the hill, but she grabs onto his wrist. For a second, she looks just as surprised as him by the reflexive action. Then, she shakes her head at him.

Don’t go out there, her eyes say.

Dean smiles, and he gives her a reassuring wink. He gently removes her hand and gestures at her to stay where she is. He army crawls up the side of the hill. It gives him a vantage point to watch his men, who approach just a few feet down below. 

“Captain Winchester!” Cas calls next.

“We don’t want to have to come and get you, Dean. Come on,” Benny says. He does sound reluctant, for his part. His voice grows more somber when he says, “Colonel’s given us orders to bring you and the girl back…dead or alive.”

Dean knows the position he’s put his own men in. He doesn’t blame them for following the Colonel’s orders. He just hopes they can forgive him for what he’s about to do.

He leaps off the edge of the hill with a yell and brings Benny with him to the ground. He sweeps Cas’s legs out from underneath him, then tosses a punch that lands on the corner of Benny’s chin. He kicks Benny’s gun away, and wrestles Cas until his pistol falls from his hand. The three men scrap and trade blows, until Dean is the only one left standing. His men are groaning on the dusty ground, slowly picking themselves up.

Dean’s heaving for breath as well as he leans back against the side of the hill. Despite that momentary victory, he knows what they all know: that this fight isn’t going to end until either they’re dead, or he’s dead.

“Where’s the girl, Dean?” Benny says. He implores him to see sense. “We take her back with us, we can smooth all this over with the Colonel. All of it, even Roman.” 

Dean lets out a deep breath, but he shakes his head.

“Can’t do that, Benny,” he says. “I’m sorry.”

There’s a question circling in his friend’s eyes, but after a beat, Benny seems to know the answer to it. He picks up his gun from the ground. Just like Dean once did, the Lieutenant now has a choice to make.

He shares a heavy look with Cas. The two of them nod, before they focus back on Dean.

Benny’s hand falls, and he stows his gun.

“You died today,” Benny says. “We found your body somewhere in the canyon. Your horse too.”

Dean nods, with something of a smile. He supposes faking his death is the only option now. He rips the badge off his uniform jacket and tosses it to Benny.

“There’s your proof,” he says.

Dean shares a grim nod of respect with Cas while Benny examines the torn patch denoting a captain’s rank.

“Take care of each other,” Dean says.

Benny’s head raises, and he meets Dean with a somber gaze.

“Goodbye, brother.”

Dean doesn’t return to her until the men are out of sight through the trees. She’s still hiding along with the resting horses, waiting for him. That alone surprises him. It would bring a small smile to his face, if the weight of that goodbye didn’t feel so heavy on his shoulders.

He reaches out a hand for her. It takes her a moment to consider it, but she accepts his offer.

He helps her to her feet, after which, she quickly pulls her hand back. She’s wary of his touch, her face guarded when she looks up at him. Dean supposes he can’t blame her, even if it does strike a nerve. After what he just did for her…

His face becomes stoic, and he turns away to grab his hat from the dusty ground. “We should probably head out.”

She nods and calls to her horse to encourage him to his feet. Despite himself, Dean can't help but be curious. How did this girl manage to tame that wild beast?

“Does he have a name?” he asks.

“Mato,” she replies.

“Mato,” Dean echoes. “Does that mean something? You know, in your language.”

She eyes him wryly, brushing her hand over Mato’s hide.

“It means angry, like a bear,” she says.

Dean snorts. “Yeah, good name.”

He remembers his bruised side (and ego) from when the mustang threw him off his back.

Dean watches her with another realization as she gracefully mounts the horse. Baby has gotten up to her feet as well, already nudging the back of his arm with her snout. He rubs her nose in affection.

Then he turns to climb up onto her back, settling his feet into the stirrups and loosely grabbing the reins. He follows his companion’s lead farther into the forest, but he guides his horse to fall into step beside hers.

“Will you tell me your name now?” he asks. “Think we’ve been through enough together at this point, don’t you think?”

She considers it with a tilt of her head. She looks over at him with a small smile.

“Kimmímila,” she says. The syllables roll off her tongue effortlessly.

Dean raises his brows. “Kim…Kimmeela.”

She shakes her head at him, her lips pursing.

“Kimmímila.”

Lord help him, but he tries his best. His brows furrow.

“Kim…mila,” he attempts. She guides Mato closer and grabs Dean by his cheeks with one hand.

“Kimmí.”

“Kimmí,” he repeats with his cheeks squished. His face is starting to warm up, and not altogether in embarrassment.

“Mila,” she says with a nod.

“Mila,” Dean says. “Kimmímila.”

He’s treated to her smile, warm and true. She releases him, her gaze flitting over his face. Then she keeps riding. Dean grins to himself.

“Think I’m gonna call you Mila,” he says. Make it easier on myself.

She even laughs, a honeyed sound. “Yes, my father does too.”

“What does it mean? Your name.”

“In your language?” she says, in a tone that teases him back. She becomes thoughtful as she searches for the word. “It means…butterfly.”

“Really?” Dean remarks. She doesn’t strike him as a butterfly.

More like a lioness, he thinks, only somewhat holding back his grin.

She gives him some side-eye, despite her amusement.

“You think it does not suit me,” she observes.

“Well, I didn't say that—”

“I don’t think so either,” she admits. “There are many things that don’t suit me.”

Dean chuckles. He can imagine that.

“But my mother had a dream before I was born,” Mila says. “She saw beautiful wings, and said I would have a free mind. When I grew, and wanted to spend my days with horses more than cooking and sewing things, she didn’t call me free. She called me stubborn.” Her face begins to fall. “Maybe too stubborn.”

Dean offers her a rueful, sympathetic look. “Yeah, I get it. My brother always said I was damn hardheaded,” he says. “…Maybe we’ve got more in common than we thought, huh?”

Mila’s smile returns, however slightly.

“You have a brother?” she asks.

“Oh, yeah. He’s a lawyer, so he’s more needed back home,” Dean replies.

Damn. He really does miss his bookish little brother.

He explains to her about his family, his brother and mother who still live in Lawrence, and how he joined the army, in part to honor his father.

“What happened to him?” she asks.

“He died…in some cornfield near Sharpsburg, Maryland, fighting the Confederacy,” he replies, heaving a breath.

"Con...federacy?" she questions.

"The South," Dean explains. "See, most of our southern states thought they should be their own country, letting slaves plow their fields and mind their kids. I may have lived on a farm, but my father always paid his workers. He fought for the Union."

"So you fought among yourselves, over land that did not belong to you," Mila points out.

Dean falls silent. After a little while, he concedes her point with an incline of his head.

"Fair enough," he says, glancing over at her. “I think my dad thought the fighting would end with the war, but, uh...it never really ends, does it?”

Her expression of curiosity fades, turning more solemn.

“No,” she agrees. “…I am sorry for your father.”

Dean's a little surprised to hear that from her, but he nods his thanks. They continue to talk as the sun begins to set in the west. When it dips behind the canyon, they stop to make camp for the night, and he helps her catch a rabbit to roast on the fire they build together.

That night over the meal, she slowly opens up to him. He learns that she’s an only child, though she has a sibling-like bond with her older cousin, Šóta. She spends most of her days planting or harvesting their crops, depending on the season, as well as sewing, painting, helping the elders of her tribe with tasks, and helping her mother and aunt cook.

When the rabbit is gone, she unbinds her long, thick hair and untangles it while she speaks. She explains that the Lakota are just one of many tribes. There are six other bands of Sioux who live in this region. Along with the Dakota and the Nakota, they are the “Seven Council Fires” who have made the Great Plains their home for generations.

She tells him about the way her tribe lives, caring for one another, giving the land back as much as they take, and letting it rest. The men hunt and protect the village from the outside, but the women protect the inside, their way of life.

Most of all, Mila tells him, she loves caring for the horses. She goes out and rides whenever she can duck out of her mother’s watchful eye.

Dean enjoys listening to her stories. He likes what he learns about her, but also, he just likes the sound of her voice, smooth and steady, almost calming. He thinks she might like the sound of his too, the way she’s smiled at him, laughed with him, glanced at him when she thinks he’s not looking.

She still picks a spot as far away from him as she can to sleep though. She keeps the fire pit in between them. He even catches sight of her knife, hidden in the hand she tucks underneath her cheek. Evidently, she doesn’t fully trust him just yet.

It annoys him at first, considering how many times he’s saved her already. How much he’s sacrificed just to get them this far…

Until he remembers how they met. He remembers the disdain and anger in her brown eyes, then the mistrust, and the fear hidden underneath. He thinks of every experience she’s likely had so far with the U.S. Military, and anyone else who looks like him.

Dean settles down on the ground and stares up at the innumerable stars in a raven sky. He’s exhausted, but his thoughts don’t let him rest for a while. 

At the very least, the way she looks at him now is softer than that first day.

In the morning, Mila watches the strange man wake.

He blinks and rubs his bleary eyes, yawning, groaning at the sun’s brightness like a child. She hides her smile by bowing her head over the apple she’s cutting with her knife. The orchards span wide across the forest, and soon he’ll find two yellow-red apples beside his head.

His brows raise at them, then he looks up at Mila sitting with her legs crossed behind the small fire pit. The wood there is just ash and blackened remains now, but it still carries the smell of burning.

“Morning,” he greets.

She nods back at him and pretends not to watch when he sits up with a groan, stretching and bending his arms high behind his head. He removed his uniform jacket to sleep. It allows her to see every dip of male muscle that his plain white shirt clings to, even in the long sleeves.

Her gaze furtively runs over the broad shoulders, the tapered waist, then back up to his half-bearded face, defined by a strong jaw and dark brows. The sun catches on his brown hair and teases the ends of it golden.

She would never admit it, but he’s not unpleasant to look at. 

Last night, she declined his offer to travel with her until she reaches her tribe safely, but he was insistent. Again, strange.

So here she is, with him. Here they are. 

Dean turns to see the horses grazing nearby. Mato no longer has the saddle and bridle his men put on him. He looks rested and at ease. He even whinnies at Baby, tossing his head a little. She answers him and flicks her tail. They continue eating together.

Dean smiles, then grabs an apple. He raises it to her in thanks before he takes a large bite. Its juices run down the corner of his mouth, and he wipes at it with the back of his hand. Mila can’t help but be drawn to the sight.

She tears her eyes away when he looks over at her.

“We have a long way to go. Three days, if the weather is good,” she says, continuing to carve pieces of her apple to eat. “We will know we are close when we reach the river.”

Dean nods in understanding. With a grunt, he gets to his feet and takes another bite out of his breakfast. She doesn’t expect the way he approaches her with a hand outstretched. She looks up at it, then at his expectant face.

“Come on. Let’s hit the road then,” he says.

Mila considers his offer for another moment. He seems to be making this a habit. Amused, she wonders if this is just kindness, or if the women of his people aren’t allowed to stand without a man’s help.

She pockets her knife, swipes her braided hair over her shoulder, and slips her hand into his, allowing him to help her to her feet. When she gets there, he’s closer than he should be.

A breath gets trapped in her throat as she once again looks between his warm hand closed over her smaller one, and his face. In the small space between them, there is a different kind of tension than before. Mila can’t tell what the man is thinking when he looks at her like that, but she doesn’t like it.

And at the same time, she does.

She takes back her hand, and she goes to the horses. She firmly ignores how her heart gallops, even as she rubs at her chest like it’s an ache that can be soothed.

She doesn’t hear Dean’s unsteady breath, nor does she see the way his green eyes follow her.

AN: *rubs hands together* Well, here they are! It's all starting to come together. What did you think of Dean's decision?

Coming up next, we have the final part: some action, some fluff, and some potentially perilous situations for Mila and Dean...

Next Time:

“Yeah, about that…I’m thinking your tribe doesn’t take very well to outsiders,” he says. “White men in particular.”

Mila presses her lips together. He can tell she’s been thinking the same thing, but she turns to him with a determined set to her features.

“I will protect you,” she says.

Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.

“What’s that supposed to mean?” he asks.

She turns her face away and doesn’t seem to want to answer at first.

“Mila…”

“The Chief is my uncle,” she says at last. “He will listen to me.”

Dean blinks. Well, that changes things…maybe.

COMING 11/17! (New chapters every Sunday.)

Or read Part 3 on Patreon now!

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Series Tag List + Dean W. (Part 1):

@hobby27 @kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms

@foxyjwls007 @wincastifer @iamsapphine @roseblue373 @this-is-me19

@emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91

@sanscas @sleepyqueerenergy @wayward-lost-and-never-found @kaleldobrev @spnwoman

@thewritersaddictions @just-levyy @samanddeaninatrenchcoat @pieandmonsters @globetrotter28

@adoringanakin @theonlymaninthesky @teehxk @midnightmadwoman @brianochka

@chevroletdean @agalliasi @venicesem @chriszgirl92 @lyarr24

@ladysparkles78 @solariklees @deansbbyx @candy-coated-misery0731 @curlycarley

@sarahgracej @bagpussjocken @deanfreakingwinchester @chernayawidow @mimaria420

@fics-pics-andotherthings-i-like @waywardxwords @waynes-multiverse @twinkleinadiamondsky @ajjustice

@ades106 @my-stories-vault @cevansbaby-dove @kayleighwinchester @rizlowwritessortof

@tmb510 @skyesthebomb @syrma-sensei @harleycao @king-of-milf-lovers

@pizzagirlxnsfwx @justsom3onesworld @beskarfilms @lunaticgurly @artemys-ackles

@malindacath @mrsjenniferwinchester @jc-winchester @charmed-asylum @fromcaintodean

@violetlilysunshine @traiitorjoe @tsofo26 @k-slla @jackles010378

@deanbrainrotwritings @urfav-tz @alwaystiredandconfused @torchbearerkyle @mrlonelycat

[jitteryjive]

i need to remake my cup bros ref… both cup and human designs… it’s been almost a year(?) and i’ve developed the headcanons and i would like to share with the class!!! (i wrote thirty tags. Please help me)

[solace-seekers]

screaming into the void <3

[ilovecoffeeandchemistry]

ooooh i woke up in a bad mood and it's so hard not to be a bitch about it

[toby-determined]

@ugly-anastasia

That was telling.

And Toby felt like he knew what Divian meant. Here, at the restaurant, there were people like the pair of them. There was also the staff, the other few patrons that were regulars, and there were probably people around here he saw and knew and talked to all the time. Delivery drivers who came in for take out orders, the people who dropped off food shipments.

But when he got home, who was there to talk to? Probably not the person he wanted to most.

Toby let out a breath, letting that thought sit for a moment before thinking of how to trouble shoot this conversation to get Divian talking. Either they had to appeal to this problem and be the people who could shoulder whatever weight he didn't think they could handle, or act so offended that he didn't trust them that he coughed something up to prove them wrong.

The latter usually worked pretty well but he did feel a little bad trying to make that play here. He figured it was best to leave that as a last resort.

So, how did he prove they would understand? That Divian wouldn't only be heard but listened to? Well, usually people responded to similar experiences in that instance. They also liked it when they didn't have to be the vulnerable party first. Toby never minded that. Even if it didn't work and the other person didn't open up to him, he never regretted trying. No matter how much it hurt sometimes.

"I get it. Probably not the same, but the other the other day my boss was really getting onto me about a project I'd been working on. I felt like nothing I did was making her happy, even when I made all the changes she wanted. I'd taken these pictures for it but had to go re-shoot it because she wanted something so specific. Which was hard because these photos were candid, they weren't something I could recreate that easily. Anyway, felt like I wasted a whole day doing that just for her to call it good enough. And all I wanted to do was tell someone, just to get some perspective in case I was too close to it and thought I was being unfair." He turned his gaze over to Anastasia, unable to help from smiling a little. "Lucky for me, I had someone who knew exactly what I was talking about. Think I might have said something I would have regretted to my boss if I hadn't had the chance to get it all out beforehand. Talk it through."

The Secret Menu || Anatoby

[dragons-and-yellow-roses]

Just remembered I have a psychiatrist appointment so early tomorrow. And I obviously dyed my hair so recently because there's green staining on my face. I don't think it's going to look great for the bipolar diagnosis, to disclose that I was feeling impulsive and wanted to get control over something, so I dyed my hair at midnight.

[girlthativealwaysbeen]

it would feel so nice to work towards a career that has meaningful impact and makes millions of people happy

[princemick]

sometimes I talk to my dad abt controversial things and/or literally give my opinion and he responds and I'm just like 'yeah no you're why people dont like me'

[seithr]

Randomly remembered the half-reason i call my oc-verse by the name it has while laying in bed. One-half of the reason i still knew, but I had forgotten what had truly, really cemented it jointly until now

(it was a song from my favourite band I haven't listened to in a while.)

(the song fit so well at the time, still does, that i needed to hold onto it for the main protagonists forever, by partially naming their story in reference.)

Does this explanation make any sense? Does anyone know why I'm tearing up remembering this. Aahh