#but i don't think i can do either

[kindacreepy-kindaugly]

I really wish someone would tell me what to do

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[halflifebutawesome]

I am a good person. I am a powerful person, I don't believe in evil. I think that evil is an idea created by others to avoid dealing with their own nature. I understand my own nature, good and evil have nothing to do with it.

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[purgetrooperfox]

tired: fox has never done anything wrong in his life he was under control of the chip he didn't mean to kill fives he would never do that

wired: fox was being deliberately, continuously manipulated by palpatine into doing anything he wanted under threat of severe bodily harm, no chip necessary

inspired: fox is a product of brainwashing and genuinely believes in the senate and the republic, which is in constant conflict with the rhetoric he hears from politicians and his general dislike of senators, but that conflict is ultimately irrelevant. he believes in the institution with his entire self. he was born to die for this system and would lose his shit if he started questioning it in any meaningful way. The Institution told him to kill fives so he killed fives, it told him to hunt down ahsoka so he did it, etc etc. conviction that this is all worth it because the republic Can Only Be Right (or else his entire existence and everything the guard puts up with are meaningless) is what gets his ass out of bed in the morning. he'll do terrible things to protect it, and by extension his sense of self, and he won't apologize for it because it's categorically Right in his brain. none of this changes the fact that he's routinely abused by this system, or the fact that he's enslaved by it, or that he has no real choice in anything, only how he personally reconciles it all

send tweet

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[mayhaps-a-blog]

Something about how few of the conflicts in Dead Boy Detectives are solved by violence. Something about how the few times it is, it's presented as weird, wrong, extreme. Something about Jenny and her cleavers, Charles and his cricket bat, Crystal and the knife.

The first fight, against the WW1 ghost, Charles has a knife - an iron knife, that would hurt the ghost. And even when he's pinned down, all he goes for is the mask - even when he could use it to get the ghost off of him.

And Esther? Sure, they try - Charles with his knife, Edwin with his fists. And fail immediately, instantly. It's Crystal who holds her back, with her memories - it's Esther who swings around her cane, just because she can.

Charles throws a pot at a zombie, and breaks the magic vessel. Charles tries to hit Brandon Devlin, and gets trapped. They can't kill Angie, just put her to sleep. Jenny runs from Maxine - despite being tough, and strong, she hides rather than attacks. The Night Nurse hits Angie, but is only freed when Kashi asks, instead. Crystal punches Esther, but Tooth Face isn't defeated until she frees him. Charles throws a bomb at the demon, but it's still coming - they win by running, not by fighting. Jenny brings a cleaver to a demon fight, but instead is possessed, her weapons turned against her. And in the end? Esther isn't defeated by fighting her, by Crystal stealing her knife or her power - she's defeated when her power is broken, by Crystal crying out for justice.

The most violent scene, from the protagonists, is when Charles attacks the Night Nurse. It's brutal, it's violent, and it's wrong. The others are left staring, shocked, at a loss. It's extreme, Edwin says. It was a lot, Crystal says. And you know what? It didn't work. It inconvenienced her, sure - but she came right back, once she was free.

What does work? The good they did coming back around. Kindness, friendship, reaching out to others - that's what keeps them winning.

[trappedinafantasy37]

There are multiple gods in the game that you can directly interact with and they all have ties to the narrative. You can interact with Shar via Shadowheart. You can interact with Mystra via Gale. You can interact with Myrkul via Ketheric when he takes on the avatar form. You can interact with Bhaal via Durge and in the fight with Orin. You can interact with Bane after killing Gortash and using "Speak with Dead" in which the soul you speak to is not Gortash, but Bane himself. I would include Vlaakith in this list but Vlaakith is not a god, she is a lich presenting herself as a god. And, of course, there is the Absolute which doesn't really become a god until it ascends into the Netherbrain (although that is debatable).

But, did you know that Lolth will also interact with you? As far as I am aware, Lolth is the only non-story related god in which you do have interactions with. One of them is only available if you are a Lolth-sworn drow, and the other is only available if you are a Cleric of Lolth (you do not need to be Lolth-sworn for it).

The first instance is in the goblin camp with the spiders in the pit. This does require that you are a Lolth-sworn drow and that you have the ability to speak with animals. When talking to the spiders, you will have the option to present yourself to the spiders as Lolth herself. If you fail the persuasion check, Lolth gets pissed off as she was listening to you and is not happy that you tried to present yourself as her. And she tells the spiders you are an imposter and they attack you. But if you succeed the check, Lolth doesn't do anything and the spiders will think you are Lolth. So, Lolth doesn't really have a problem with you pretending to be her. But if you are going to pretend to be her, you better do it right. If the spiders think you are Lolth, you can ask them about what's going on in the goblin camp and the spiders only talk about one thing. They immediately tell you that there is another drow in the camp who has forgotten her way and that she is forsaken. And, as I said, Lolth is here. She heard the spiders admit this. Lolth does nothing about it.

The second instance is in the Underdark with the Phalar Aluve. When you interact with the sword, you have two different checks, a Strength check and a Religion check. If you do the Strength check, you can just pull it out of the stone and be on your merry way. If you perform the Religion check, the narrator will tell you different things depending on certain conditions. If you are a Lolth-sworn drow and/or a Cleric of Lolth, the narrator will tell you that the religious rite to pull the blade from the stone is blasphemous as it pays honor to the weak. If you are of any other race and/or cleric of any other god, the narrator will tell you that the sword is of Eilistraee and the rite pays honor to the fallen. The religious rite is that you spill a little bit of your blood and the sword will rise out of the stone on its own. If you do this as a Cleric of Lolth (you don't need to be Lolth-sworn) you will feel hundreds of spiders crawl all over you as Lolth is warning you not to do shit like that ever again. Not only did you perform the religious rite of another god, you performed the religious rite of a god she hates. And she is letting you know how much she hated that.

These are the only two instances in the game that I have found in which Lolth interacts with the player but there are plenty of other moments in which Lolth could interact with you, but doesn't (such as with the Phase Spider, the baby spiders in Grymforge, Kar'niss, or the dead spider in the Gauntlet of Shar). Of these two moments where Lolth does interact with you, one of these instances is in the goblin camp, and the other is in the Underdark not too far away from the goblin camp. I don't think it is much of a coincidence that these two interactions occur in close proximity to Minthara. Almost as if Lolth has a reason to be in that area specifically to watch and monitor things, and you just so happened to be there. And the only things that compel her to interact with you is because you pissed her off. But, as long you don't piss her off, she will do nothing and she will say nothing.

When Minthara was being tortured by the Absolute, she prayed to Lolth and begged Lolth to give her the strength to fight her enemies. But Lolth does nothing and Lolth says nothing. In fact, that was the full extent of Lolth's "punishment" for Minthara, nothing. All Lolth did was not answer Minthara's prayers and not show up when Minthara needed her the most. Lolth did not torture Minthara like the Absolute did, Lolth did not turn her into a drider, nor did Lolth eat her. All she did, was nothing. And yes, Lolth is known for abandoning drow and no longer interacting with them. A drow has to do something incredibly awful in order for Lolth to just back away from them entirely. But you cannot convince me that Lolth is going to let one of her Baenre's go so easily. It's not as if Minthara has done anything truly awful either to make Lolth that mad.

According to Minthara, she herself has sinned against the Spider Queen, but it's not as if she chose to abandon Lolth, she was forced away and mind controlled into being devoted to another god. But would this make a difference to Lolth? Does it really matter if Minthara was compelled to have faith in another god besides Lolth? It isn't until Minthara is freed and feels the absence of Lolth that she chooses to no longer follow Lolth. Minthara even mentions how turning against Lolth is a big no-no in Menzoberranzan. Minthara herself at one point has hunted down and killed those who turn their backs from Lolth so she knows the same will be done to her if she were to ever return home. In fact, if you are a Lolth-sworn drow or a Cleric of Lolth, you are given unique dialogue options with Minthara to kill her because she is a traitor to Lolth and these options continue to show up until you recruit her into your party and she joins your roster. Despite all of this, Lolth does nothing. Minthara spews anti-Lolth rhetoric left and right, and Lolth does nothing. If you take Minthara to the tabernacle, she will spit on a shrine to Lolth, and Lolth does nothing.

Minthara is also able to walk through the Gauntlet of Shar, which is in the Underdark, and Lolth does nothing. Sure, you could argue that its connection to the Shadowfell and the fact that Shar is there via Shadowheart is enough to keep Lolth away. The lore of DnD does not make it quite clear what the relationship between these two goddesses are. But I am willing to bet that Lolth is smart enough not to step on Shar's toes because Shar would annihilate her. However, there is a small little section of the Gauntlet where it actually does spit you out directly into the Underdark and into Lolth's territory. Minthara can walk right out there just fine, and Lolth does nothing.

But most importantly, Minthara's default ending is her returning to the Underdark with the sole purpose of destroying House Baenre and then killing Lolth. Destroying House Baenre could lead to a chaotic and political disaster in Menzoberranzan, and Lolth does nothing. Minthara quite literally wants to kill Lolth and has intentions to do so after taking House Baenre, and Lolth. Does. Nothing!

If Minthara goes into the Underdark and destroys House Baenre, this will cause chaos and death. And the Baenre's won't be the only ones she has to destroy, but any and all allies of House Baenre in which they do have a lot. And Lolth will feed off of all the death and carnage and chaos that Minthara is about to bring to Menzoberranzan because Lolth loves chaos more than she hates traitors.

Maybe, Lolth has not abandoned her as Minthara thinks she has. Maybe, Lolth has done nothing and said nothing because Minthara has not actually upset her. Maybe, Lolth has done nothing and said nothing because Minthara is already doing everything Lolth wants her to do. And all it took, was making Minthara think that Lolth abandoned her. There was no need for Lolth to answer Minthara's prayers, because Minthara always had the strength to fight her enemies.

[rawliverandcigarettes]

Thinking about Mass Effect, as you do, and how I'm kind of sad that the way it's been engraved in pop culture has more to do with the way internet reacted to it at the time than what the actual game is about. Yes sure, it's about romance (and not that much all things considered) and it's pulpy (but not solely because of hot lady aliens), but it's also intricate worldbuilding that touches on a lot of sharp ideas, and a complicated tug-of-war between a genuine and vulnerable belief in reconciliation and community VS post 9-11 US military propaganda and steadfast belief in heroic exceptionalism, and the melancholic yet energizing mood, and the daring narrative systems, and so so much more than the 'We'll Bang OKs" and the "There's No Shepard Without Vakarian" and the whole ME3 ending situation

It's all there, but I'm sad the impact of the series is often reduced to (what I think is) the least interesting parts of its sum

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[radiance1]

Something inspired by this post and this song.

Danny blinked as everything around him seemed to pause. Mist escaping past his lips and he looked at the still branch outside of the window.

Hands rested over his shoulders. "My dearest child." Clockwork's spoke from behind him, and Danny stilled. "Won't you join? We can get you out this little predicament binding you by human law."

"No." Danny huffed, resolutely staring out of the window. "I don't want to. You made me try so hard to avoid my bad future, and now you just want me to do something like that?"

"My dear boy," Clockwork flew in front of him, cupping Danny's face in gentle hands. "Your alternate future destroyed this world and as such, the Observants wanted you dead. It would have been unfair for you to be killed for a mere possible future."

Danny scoffed. "You only interfered because you saw a future with me with at your side." Danny scowled, wanting to pull back from Clockwork's hands but found that he couldn't. He scowled a bit more at his body's betrayal, sinking into the touch instead of pulling away.

"I will not lie to you, I had indeed interfered because of such." Clockwork slowly rubbed comforting circles on the boy's cheeks. "But also because you are my child, even if you were then, you would have been eventually. It is a parent's duty to protect their child, is it not?"

Danny wanted to refute that. But the memories of his parent's death at the hands of the GIW for him caused the words to be stuck in his throat. The images of both their and his sister and friend's bodies caused his vision to blur.

He choked down the tears.

"My poor child," Clockwork rested his forehead against Danny's own, a comforting gesture. "To have faced such cruelty at human hands, and for your own human donor to deny you your grief." Clockwork smiled. "Just let us help you, come to our side and we shall make it all go away."

Danny stayed silent for a moment, a small part of himself feeling guilty over wanting Clockwork's touch but a larger part wanting it anyway. "No." Danny breathed out harshly. "They don't deserve to die just because of that."

They don't.

If he says it enough, it'll stay true.

No matter what happens.

Clockwork leaned back, hands falling from his face and Danny had to force himself not to follow the touch as Clockwork circled behind him.

"I am willing to ask as many times as it takes, for you will join us eventually." Danny hated the certainty in the ghost's tone, but couldn't help but push his head into the hand that patted his head. "A piece of advice, however. War is not as patient as I am."

And with those parting words, Clockwork disappeared. Time resuming at once with Danny still sat on his bed. He flopped onto his back, head hitting the pillows as he turned on his side. He stared at his hands silently, before turning one palm up as ice danced up from his palm, slowly taking shape into lifelike versions of his family.

Alive and happy.

A small smile grew on his face he watched. Fighting against living food that Danny had once disliked.

What he wouldn't give to have it all back.

A knock broke him from his starring, and the ice collapsed in his hand.

"Master Danny?" Alfred's voice came from the other side of the door, causing Danny to frown. "Would you be joining us for lunch?"

Danny wanted to say no. He didn't want to interact with anyone in this stupid family.

Danny hated how he couldn't say no without one of them making it into some kind of problem.

So what if he hasn't eaten in a few days? He would live.

Danny sighed, standing up from his bed and silently staring at the door before he got up. He stared at the bracelet on his wrist for a moment as he grabbed onto the doorknob, the one that limited his power extremely, and opened the door.

He stared up at the pleasantly surprised expression on the butler's face, before looking away as he started to lead him towards the kitchen.

[lucabyte]

Taking pride in One's own appearance.

[knifearo]

i hate the concept of platonic and romantic as a binary i hate the concept of platonic and romantic as a sliding scale of "less" to "more" i hate the concept of platonic and romantic as the only two options i hate the concept of platonic and romantic as significantly different things i hate the concept of platonic and romantic as all encompassing i hate the concept of platonic and romantic as the two halves of a shallow concept of love that doesn't actually encompass anything at all i think we need to overhaul every popular conception about "types" of love so we can talk about things that are real and true for once

[transformers-synergize]

How does your Wheeljack feel about King-Kong?

I G1 one enjoyer I see, I get the references ;)

Ok, but to answer the question, yes, he does in fact like King Kong, along with many other pieces of human cinema, especially the ones with giant monsters or dinosaurs. wheeljack is always looking for inspiration for new projects/inventions, and being on Earth has provided him with tons of new inspiration.

[sergle]

I'm listening to a lot of Maintenance Phase (bc I love it) and this comes up sometimes, so I'll just be sat here thinking about how common it is for little kids to grow up watching their moms and other women in their life jump from diet to diet. Just as ambient background noise in your childhood, the adults around you obsess over calories aloud, express guilt over eating enjoyable food, frame exercise as a form of punishment for eating, and so on.