#but i don't mind because it's a fair question!
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mssishipi · 24 hours ago
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devil in disguise - sjy
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anon asked: infidelity with jake would go crazy bro like he’d be saying “you’re so disgusting” and it’s true it disgusts him how his bestfriend’s pussy milks his cock
warning: cheating, jake is an asshole, explicit content (smut): unprotected sex, degradation. MDNI.
It was almost laughable—how you always clung to Jake's side, no matter what he did, no matter how much trouble he got himself into. It was as if loyalty blinded you, shielding you from the truth everyone else could see so clearly.
You were an angel, the one his parents adored, the soft-hearted girl who couldn't even bring herself to harm a fly.
Polite, gentle, the kind of person who would apologize even when someone else stepped on your foot.
It was hilarious how you always had an excuse for him, always a justification on the tip of your tongue every time he do something.
Like that time when he got into a fight because of some fraternity nonsense. His parents had been furious.
And yet, there you were, standing in front of them, your eyes wide, your voice trembling with conviction.
"Jake defended me!"
Except that was a lie.
Jake hadn't been defending you. He don't care. The guy had simply pissed him off. He always did. It had nothing to do with you, but you refused to see that. Maybe it was easier that way—to pretend Jake had some noble reason, that his fists weren't just another weapon he wielded whenever he felt like it.
It was almost amusing—the way you always listened to him, how you followed him around ever since the two of you were kids.
You were the kind of best friend who never strayed too far, always orbiting around him, always there. He wasn't sure if he should find it endearing or just plain irritating. Maybe a bit of both.
He could do the most questionable things, and without fail, you'd always have his back.
"Thank you, Jaeyun-ah! You know I don't like Jungwon—he's always ranked first. He deserves to be caught cheating."
You grinned at him, clutching your notebook to your chest as if he had done you some great favor. But Jake hadn't done it for you. He hadn't even thought of you when he slipped that answer key into Jungwon's bag. He was just bored, looking for something to break the monotony. Watching the teachers drag Jungwon to the disciplinary office had simply been an added bonus.
"It's okay, Jaeyun-ah! What you're feeling is valid. I'm sure Yuta deserved that punch—he's a creep."
You had been so quick to reassure him. But Yuta wasn't a creep. Jake had made that up on a whim, an excuse to put the guy in his place, to see him crumble. Because he was bored.
It was almost amusing—how you, of all people, always knew the difference between right and wrong. You were kind, the type to preach fairness, to stand up for what was just.
And yet, when it came to him, all of that fell apart. You always had an excuse, always a justification ready on your lips, as if his actions existed outside the rules that applied to everyone else.
Sim Jaeyun had you wrapped around his finger so effortlessly, it was pathetic.
And honestly, it was disgusting.
"Jaeyun-ah!" you squealed, your voice breaking into a moan as your fingers dug into his back, clinging to him. Your breath hitching as he hit that spot over and over again.
The room was dimly lit, the air thick with the scent of sweat and sex. His phone buzzed relentlessly on the bedside table, the screen flashing with his girlfriend's name. Over and over, the call came, the shrill ring cutting through the muffled sound of skin slapping against skin. But neither of you moved. Neither of you cared.
It was disgusting—how easily you spread your legs for him, how willingly you became his escape whenever she couldn't satisfy him. You never hesitated, never even flinched when he came to you, already knowing what he wanted.
He still loved his girlfriend. With everything he had. But she could never give him the kind of mind-numbing, toe-curling release that you did.
"It's in a man's nature, Jaeyun-ah," you had whispered to him once, your fingers lazily tracing patterns over his bare chest, your body still warm from the aftermath of what you had just done. Your voice always had been soft and sweet. "Men have needs. It's only natural to seek satisfaction elsewhere when she can't give you what you want."
Jake remembered those words vividly, the way you had said them with such certainty, as if you truly believed them. As if your presence in his bed, tangled in his sheets, was anything but a betrayal.
"Maybe it's even her fault," you had added, tilting your head to look at him through heavy-lidded eyes. "She should know better. She should do better. If she really loved you, wouldn't she try harder to make you happy?"
Your justifications were always so effortless, so convincing. You never made him feel guilty, never accused him of being selfish or cruel. Instead, you framed it like you were the only one who truly understood him, the only one who could give him what he needed without judgment.
It was painfully obvious that you were in love with him.
And it disgusted him.
Every longing glance, every adoring smile, every saccharine word that spilled from your lips—it all made his skin crawl.
Yet, despite the repulsion twisting in his gut, he kept coming back. Again and again. Because at the end of the day, you were the only one who truly understood him. The only one who never judged, never asked for more than he was willing to give.
"I said don't give me marks!" Jake growled as he grabbed your wrists, prying your hands off his back where your nails had been sinking into his skin.
Without giving you a chance to react, he shoved you down, caging you beneath him. His arms wrapped tightly around your shoulders, trapping your limbs against your sides as his weight pressed into you. His knees planted firmly on either side of your thighs, bracing himself as he drove deeper, making you take every inch of him.
The bed creaked beneath you, the room filled with the sound of skin meeting skin, your ragged breaths mixing with his.
And despite the way he loathed the way you looked at him, despite how much your affection disgusted him—he still couldn't stop.
"You love fucking like this?" Jake growled into your ear, his breath hot against your skin as he drove into you with unrelenting force.
"Yes! Fuck, I love your cock inside me, Jaeyun-ah! Fuck me harder!" you sobbed, your voice breaking with each thrust. Your mind was drowning in the pleasure he ruthlessly forced upon you.
Jake exhaled sharply, his breath ragged as he buried his face in the crook of your neck.
His arms tightened around you, locking you in place beneath him. He didn't give you a second to breathe, because your body was nothing more than a means to chase his own satisfaction.
Jake groaned as he felt you clench around him, your walls tightening, desperately trying to keep him buried deep. The way your body surrendered so easily, so pathetically. It was hilarious, how little self-control you had when it came to him.
"You fucking disgust me," he sneered. His thrusts never slowed as he tilted his head slightly, watching the way your face twisted in pleasure, eyes glazed over, lips parted as broken moans spilled from your throat.
"Getting off on your best friend’s cock? That’s just pathetic."
You shook your head wildly, fingers clawing at his back, legs trembling around his waist. "I don’t care!" you gasped, "just want you, Jaeyun-ah! Just want your cock—please!"
Jake let out a breathy chuckle, "Of course, you don’t," he muttered. His teeth grazed your shoulder before he bit down, hard, marking you. Your body jerked beneath him, a sharp whimper escaping your lips as he tightened his grip on your waist, pressing you impossibly closer, molding you against him like you were made to take him.
Your tongue traced the ridges of his collarbone, wet and hot, leaving a trail of saliva as if you wanted to claim him just as much. Jake hissed, his muscles tensing beneath your touch, his pace turning brutal. His name tore from your lips in screams, your body writhing, thrashing, but his arms locked around you, keeping you exactly where he wanted.
And then, without warning, your orgasm crashed over you—sudden, violent, leaving you gasping, eyes rolling back as your body went rigid beneath him. No slow build-up, no warning. Just raw, overwhelming pleasure that left you completely undone.
As the aftershocks of your orgasm pulsed through you, leaving your body trembling beneath him, Jake didn’t slow. If anything, he fucked you through it, dragging out every last bit of your high until you were left whimpering, overstimulated, body twitching against his pace.
"Look at you," he scoffed as he watched your fucked-out expression. "Completely ruined over your best friend’s cock. What would your parents think if they saw you like this?"
Your lips parted, but only breathless moans escaped.
Jake chuckled darkly, his pace faltering just long enough for him to grab your chin, forcing your dazed eyes to meet his. "And what about my girlfriend?"  he mused, tilting his head as if genuinely curious. "She has no idea you’re spreading your legs for me every time she turns her back. That you’re nothing but a cheap fuck whenever she can’t satisfy me."
For a split second, he saw that pathetic flicker of sadness in your gaze. But Jake didn’t care.
Because he knew you. Knew the way you worked. No matter how much he degraded you, no matter how cruel his words got, you would always come crawling back. Always.
Because that’s who you were.
Jake pulled out abruptly, leaving you gasping at the sudden emptiness. His hands were rough, impatient, as he flipped you over, manhandling you into the position he wanted. You barely had a moment to react before he shoved your face down against the mattress, pressing hard against the back of your neck, keeping you in place.
"Stay still," he muttered, his other hand gripping your hip, lifting your ass high in the air.
You barely had time to process the shift before the sharp buzz of his phone filled the room again, the sound coming from the bedside table. His jaw ticked in irritation, but he didn’t reach for it. Instead, he lined himself up with your entrance, cursing under his breath.
Then, without warning, he thrust back inside.
Another scream tore from your lips, your fingers scrambling against the sheets, trying to ground yourself as the force of his movements sent shocks of pleasure and pain coursing through you. Your walls fluttered around him instinctively, struggling to adjust to the new angle, but he didn’t slow down.
"Tighten up," Jake growled. "Feels like I’m just fucking my fist."
You clenched around him immediately, an attempt to please him, but the effort only made your body tremble harder. Your vision blurred as fresh tears welled in your eyes, spilling down your cheeks, soaking into the sheets beneath you.
Jake noticed. His fingers tangled into your hair, yanking your head up, forcing you to look at him. Your eyes were glassy, lips trembling, breath coming in short, shaky gasps.
"Aww," Jake cooed mockingly, tilting his head as his grip on your hair tightened. His fingers twisted cruelly in the strands, yanking your head back until your neck arched, forcing your tear-streaked face into view. "Is my sweet angel hurt?"
You sniffled, trying to steady your breath, but the way he kept thrusting into you made it impossible to think, let alone speak. Your fingers dug into the sheets, knuckles turning white as your body rocked in time with his brutal pace.
And then you smiled—soft, sweet, broken. The kind of expression you knew would make something dark flicker in his eyes.
"I don't care, Jaeyun-ah," you whispered, your gaze met his, unwavering despite the tears threatening to spill. "That's my purpose, right?"
His reaction was instant. A low growl rumbled in his chest, and without hesitation, he shoved you back down, pressing your face into the mattress. The force knocked the air from your lungs, but you still moaned.
Jake cursed under his breath, his grip on your hips tightening as his thrusts turned erratic. You could feel it—the way his cock twitched inside you, the way his breath grew uneven, muscles tensing. He was close.
"Fuck, I trained my angel so well," he grunted, punctuating his words with a harsh slap to your ass. The impact stung, a sharp burst of pain that made you whimper. His moans were growing louder, more desperate, the telltale signs of his impending climax.
"That's right, Jake!" you cried out, voice breaking. "Make yourself cum in me—your fucking boring girlfriend could never!"
The second those words left your lips, his hand shot forward, slapping over your mouth and muffling your moans.
"Shut the fuck up," Jake growled. His other hand dug into your hip, his grip so tight you knew there’d be bruises tomorrow. "You don’t get to talk about her. Don’t fucking ruin my orgasm by running that filthy mouth of yours."
A sharp, burning twist coiled in your chest at his words. But at the same time, the thick drag of his cock against your cervix make your walls clamped down around him, squeezing so tight it forced a strangled moan from his throat.
"Fuck—" Jake groaned, his head falling forward against your back, breath ragged, body tensed as his thrusts turned erratic. His fingers dug into your hips, keeping you locked in place as he chased his release. "I'm gonna cum, angel."
A strangled sound tore from his throat, his grip bruising as he drove himself deep one last time. And then, with a low, guttural moan, he spilled inside you.
The heat of it, the way he pulsed and twitched against your walls, sent you spiraling instantly. Your orgasm hit violent, all-consuming, crashing through you with no mercy. Euphoria flooded every nerve, burning through your veins, leaving you boneless beneath him.
You gasped, lips parted in a silent cry, your body convulsing around him as wave after wave of pleasure wracked through you. It felt endless, like falling through space with no ground to catch you, no way to stop.
Jake groaned again, feeling the way your walls fluttered and clenched around him, milking every last drop from his spent cock. He twitched, giving a few more lazy thrusts, fucking his cum deeper into you, pushing past the oversensitivity that made your thighs shake and your breath stutter.
Slowly, his pace lost momentum, his thrusts turning shallow, sluggish, until finally, he stilled. His weight pressed against you as he exhaled heavily, letting the last remnants of pleasure fade into exhaustion.
The room was filled with nothing but the sound of your ragged breaths, the sweat cooling on your flushed skin, the lingering heat of what you’d just done.
And then, as the high began to ebb, as the last shocks of pleasure melted into nothingness, the emptiness settled in.
A hollow ache replaced the euphoria, leaving you nothing more than a trembling, used mess sprawled out beneath him.
Jake let out a slow, heavy breath as he ran a hand through his sweat-dampened hair, his body still humming with the remnants of release. The warmth of you still clung to his skin, but he didn’t spare you a glance as he pulled out, leaving a mess between your trembling thighs.
Grabbing his phone from your bedside table, he stared at the screen, scrolled through the flood of missed calls and unread messages. The screen illuminated his face, jaw tightening slightly before he sighed, thumbs moving quickly to type a response.
Your gaze followed him, watching as he moved around the room without hesitation. He didn’t look at you��not even once—as he grabbed his discarded clothes from the floor, slipping his jeans back on, adjusting his belt with the ease of someone who had done this a hundred times before.
The scent of sex still clung to his skin, and he knew it. Without pause, he reached for the bottle of cologne he always carried, spritzing it over himself, masking the evidence of what had just happened between you.
You were still sprawled out on the bed, your chest pressed against the damp sheets, your body aching, marked, used. 
"I gotta get home before she starts getting suspicious," Jake muttered, slinging his bag over his shoulder.
But before leaving, he paused at the door, casting a dark stare over his shoulder. His expression hardened, his voice colder.
"Shut your mouth. You already know that, don’t you?"
You swallowed thickly, throat tightening as you forced a small, obedient "Yes."
For a moment, there was nothing. Just silence stretching between the two of you, thick and suffocating. Then, as if flipping a switch, Jake’s entire demeanor shifted. A slow, sickeningly sweet smile spread across his lips as he turned back toward you.
Walking over, he crouched slightly to meet your tired gaze, brushing a few damp strands of hair from your face before pressing a lingering kiss to your forehead. The gesture was soft—mockingly so.
"See you next time, angel. Don’t do something stupid, hmm?" His voice was gentle, almost affectionate, like he actually cared.
And like the fool you were, you smiled at him, nodding eagerly despite the rawness in your throat, despite the soreness in your body.
Jake exhaled a quiet chuckle, tilting his head as he watched you. "My good girl."
Leaning in once more, he pecked your lips, his touch featherlight, almost tender. But beneath it, there was nothing. No warmth, no real emotion. Just obligation.
It was a role he played, a meaningless act that kept you tethered to him. And seeing you smile so sweetly, so utterly oblivious—it made his stomach twist with something akin to revulsion.
As the door clicked shut behind him, Jake let out a slow, irritated breath, rolling his shoulders as if shaking off something unpleasant.
Without sparing a second thought, he pulled out his phone, thumbs scrolling through his girlfriend’s messages.
You had always stood by Sim Jaeyun’s side—through every mistake, every decision, every selfish impulse. You defended him when no one else would, gave him everything without hesitation. It didn’t matter what he did; you always understood, always forgave, always stayed.
Your fingers curled into the sheets, nails digging so deep into the fabric they nearly tore through it. Your chest rose and fell in uneven breaths.
You stared at the door he had just walked out of, the one he never even bothered to look back at.
You let a quiet breathy laugh—before it bubbled up into hysterical and unhinged. Tears streamed freely down your face.
"His angel, my ass."
The words dripped from your tongue. a wicked little smile curling on your lips.
You had always been there for him. Always the loyal one. Always the perfect, obedient little toy he could use and toss aside when it was convenient. You had let him take and take and take.
Your gaze flickered to the ceiling, to the tiny red light blinking faintly in the dark.
You were his angel, after all. His good girl. So predictable, so harmless.
How cute.
You tilted your head as your nails dragged lazily across your own thigh, smearing the mess he left behind.
You almost felt bad for him. 
Because, Sim Jaeyun did not, in fact, train his angel well.
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lover-of-mine · 19 hours ago
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OK so for background to this question. I once complained to you about Tommy ditching Buck at the restaurant. You were fair and set me straight. I always credit you with that to mutuals. Don't even use it since then. This season Tommy wasn't even a character I could really not like because I actually felt sad for him. I mean the writers clearly don't care except to sort of not write great for him. They didn't even try to give him a bit of the Addison treatment from Grey's. It was clear there was so vested interest in him as being around. That brings me to the question for you because I respected your answer last time. But to preface, my pet peeve is when people change their opinions on tropes to excuse behavior. So here goes.
I was ok ignoring him. But let's be real here. If you watched your favorite show that had best friends like Buck and Eddie. Even if you viewed them as platonic and they hey maybe morey if the writers were brave?? But just best friend main characters. Absolutely if a scuzzy ex came back after one had to leave and celebrated them leaving.... Every fan of the show would riot! That actually was probably some of the most toxic writing I have seen that isn't widely acknowledged from the other side
I don't know it just bugs me. It wouldn't have flown under normal circumstances.
Hello again, darling 🫶
They are very clearly using Tommy as minimally as they can, they are giving him just enough development so that he exists. It's hard to form a full opinion on him with only the show to go on, I'm sure that without fandom, I would lowkey feel bad for him because he is kinda like a sad wet cat when you look at it without any fanon-created goggles.
A lot of things that happened in the bucktommy relationship wouldn't have flown under any other circumstances, famously Buck putting Eddie in the hospital being one of them, we all know how that would've gone if it had been Eddie (make the relationship go exactly the way it did but it's Eddie and Tommy, and dear god no one would like Tommy and there would be calls and calls to kill Eddie off), but the fact that people are overlooking the way Tommy was ready to celebrate Eddie leaving is very icky, that's for sure. Like, for me is a redux of the way Natalia thought Buck's death was cool when we spent a few episodes discussing how much that affected everyone around Buck, we spent a healthy amount of the past few episodes establishing that Eddie leaving is bad. It's something that's hurting Buck deeply, so much so that that implication actually triggers Buck. I personally don't think there's a way around it, it's not like Tommy ever explicitly brought up the fact that he was insecure about Eddie's space in Buck's life.
The whole time this relationship is happening, we have been saying that Tommy knows what he's getting into when it comes to Buck and Eddie. The breakup also makes it clear that he knows he can't win this fight, if Buck had to choose, he would choose Eddie. The way that he takes this thing that's been eating at Buck as a win by default so much so that he's willing to joke about it and thinks Buck wouldn't mind is very 😬😬😬. Like, the guy kissed Buck while Buck went on and on about Eddie. He used Chris to calm him down back then. He is weirded out about the way they are in Eddie's house, and he's still going for it. While he has the right to feel insecure, he has no right to actually accuse Buck of having feelings for Eddie and imply their relationship was a competition if he didn't voice the concerns before. He made the choice to date the guy for 6 months, he could've walked away. And he did. But coming back all yay Eddie is gone and expecting Buck to be fine with it is insane behavior. Even in a scenario where you don't think there's more between Buck and Eddie, Eddie is Buck's best friend. No person who truly cared about Buck would celebrate him losing that just because it makes their life easier. I'm with you on that one, it's just another thing people are ignoring in favor of making Tommy the victim of a situation he made a very conscious choice to walk into.
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noxiatoxia · 23 hours ago
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okay, i’ve been obsessing over your komaeda translations and i must know… given the unsure way he talks in the japanese (lots of filler words), does his dialogue change much after he learns the truth? late ch4, i mean. when he starts being condescending to everyone. i’m also very curious about his big speech about wanting to be called the ultimate hope
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Hello, anon! Thank you for the message and interesting question! And thank you for the patience!
So, there's three questions here if I'm understanding:
Does Komaeda's speech pattern (sounding softer and using filler words, or generally downplaying his words) change later into ch.4?
When Komaeda starts rambling about hope, does he speak more clearly and more confidently?
What is the nuance in Komaeda's "hope" speech on the laptop?
I will answer all 3 in this order.
(Also, for anybody confused.... here's my post talking about how Komaeda uses filler words, and here's my post talking about how Komaeda's speech was deliberately changed during the earlier beta to make him sound less confident in himself.)
So, question number one:
1. Does Komaeda talk more rudely, use less filler words, or talk more assuredly in ch.4?
Hmm...I don't think so. He still uses honorifics for everyone (-san for girls and -kun for boys), he still uses sa and ne to the same amount, and he does not seem to devote any sort of rude speech for the most part. It is only his words that change, and not the way he speaks them.
My memory is horrifically bad, so please keep that in mind...I asked my friend @kaiokentimesten for help, and was provided with a good number of lines he remembered from ch.4/5 of Komaeda saying rude things, and I looked them up in the Japanese version. All lines were said in his usual speech formations, so there was no change. Again, the words he spoke just happened to be ruder, but they were said in the same tone.
I will show an example.
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KOMAEDA: おっと、安易にハムスターを例に出すと、 脱落した彼に怒られちゃうかな? KOMAEDA: Oops. How clumsy of me to use hamsters as an example. Do you think that loser* would've gotten mad at me if he were still here?
*Komaeda does say "dropout" and it's used for people who have been eliminated in a game, or failed a test/exam/otherwise didn't "make the cut". I just think "loser" works better as a translation.
Nothing changes about Komaeda's speech here, he talks the same as he always does. He's just saying meaner words.
(I don't know where the translators got "weakling" from...that's nowhere in the text.)
The only exception I can think of is the beginning of Trial 4. Souda remarks they talk about the murder weapon, and Komaeda three times goes, "Ha?"
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It's a funny scene, but significant because, as far as I know, this is the only time Komaeda uses this word.
(I could be wrong, but I'm totally coming up empty right now...please correct me if I am!)
は ha, is very rude. It means "What?" or "Huh?" but is a very rude way to say it. People like Kuzuryuu and Oowada love using it, and Hinata uses it a fair amount, although even Hinata - who's whole design philosophy, as pointed out by the SDR2 artbook, is to be more masculine and ruder than Naegi was - uses え e more often.
え e, うん un, ん nn, あれ are, are more casual but non-rude ways to say "What?"
Komaeda always used one of those first four from what I can remember, or simply 何 nani, which is probably the most neutral way to say "What?"
So to see Komaeda use this is surprising.
This is different than ははは, はっ, or あはは which are normal laughing sounds.
Oh, before we move out of Chapter 4, here's a mistranslation I want to point out (or, less mistranslation, more very direct translation where the joke is lost in English).
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KOMAEDA: じゃあ、始めようか。シンキングターイム...ってヤツだね。
Komaeda isn't a stranger to randomly injecting English words into his speech - a quirk that I feel is used to show he's a bookworm/otherwise intelligent (that's just my thought) - and in those instances, instead of translating directly (because using English in English loses the nuance that using English in Japanese does) I would replace it with bigger, more obscure English words.
But this is actually not one of those times.
Another thing Komaeda is no stranger to is making random pop culture references. He does it more than you would think for a character like him.
While "Thinking Time" isn't a reference to any specific Japanese media per se, it's Japanese game show lingo.
For example, a tough question is given to the contestants, and they have 30 seconds to think of the answer before being forced to give one. These 30 seconds are called "Thinking Time".
I don't know the English equivalent. I know there's a countdown timer in stuff like Jeopardy and Minute to Win It, but I don't think they say anything. Sometimes it's "You have [x] seconds, good luck!" Or "and...start!" or suchlike.
I guess in that case, this line is better localized as:
KOMAEDA: Let's start! You have 30 seconds on the clock...good luck!
(I chose 30 seconds because that's how long the "Make your Selection" part lasts maximum).
2. When ranting about hope, does Komaeda speak more clearly, more confidently?
Yes!
In scenes like post- Chapter 1 trial, where Komaeda monologues to the audience for a few minutes before being knocked out - where he is rambling on and on - his speech is noticeably smoother with less pauses or filler injections. I would also venture to say the way he speaks makes it sound like he is stating facts, that he is very confident in his assertions.
3. Komaeda's Hope Speech on the laptop
Firstly, I want to point somethings out...unrelated to the hope speech itself, but just fun to note.
The garbled, loud noise you hear sometimes where Komaeda is speaking is not gibberish (listen here, volume warning). For whatever reason, the English version did not have Bryce Papenbrook record lines for this, and still uses the Japanese version.
It doesn't reveal any new information, sadly. And I can't make out the second one...but it's highly likely in that line I linked that Komaeda is saying 希望は絶望なんかに負けないんだ or "Hope will never lose to despair."
When it comes to the scrambled text...I've never been much of a decoder, but I can point some stuff out.
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For one, I'm 99% sure the Japanese team probably provided the translators with the full, unscrambled text so they could better translate it.
That said, it's not impossible to figure this out.
<まじむかつく+超Yさしい2こんなにEEものg102$うRしs~=~+いdsねうれOrz』
まじむかつく is a term that means "extremely irritated" hence "seriously pissing me off".
The + is the same in both version, I assume it means "and".
The next part needs a little explaining. In Japanese, all consonants (for the most part) are followed by a vowel. on a Japanese keyboard, if you do not finish typing the character, only the consonant shows up.
for example, な is "na". but if you only type the n and don't follow with the a, you get n.
There's a lot of Japanese slang based off this. To type ん you have to type "n" twice. so, a slang form of konnichiwa (こんにちは) is shortened to こん, konn. But it got shortened even further to こn.
so, 超Yさしい requires a bit of guesswork, as there are several sounds that start with "y", like ゆ yu, よ yo, や ya. the さしい at the end tells us it's an adjective.
超 in this case means "very", like "very expensive" or "very awesome".
Likely, Yさしい is やさしい, which is either "kind" or "easy".
This makes 超Yさしい either "extremely kind/nice" or "extremely simply/easy".
Official translators wrote it as "hella nice", aka "very kind".
Beyond that I start to get bad at this xD I don't know where they get "I can't believe something odd like this is only $102".
The 2 may be に, as 2 in Japanese is pronounced に(ni), and に is a particle.
I think the EE Is to be read like いい (ii) in Japanese. And the g might be が (ga)?
超やさしいにこんなにいいものが102$
こんなにいいもの would be "Such nice stuff" or "Really good stuff".
が at the end could be "But..." or "However..." but if the 102$ is connected somehow, then it may be an object particle.
Maybe it's "Really good stuff gotten easy for $102"
But that isn't fully true to the official English version, so maybe they were provided with more clear words to translate from. Like I said, I'm no good at codes.
The last part is easy though. うRし follows the same rule as before. うれし Ur(e)shi(i), which means "happy". I don't know what the "s" is, since it seems the sentence picks back up at いdsね, as うれしい is the full word. "d s" is probably d(e)s(u) with the ne particle at the end. うれしいですね, which means "I'm happy!"
And I'm guessing Orz is the emoticon.
Okay, sorry for rambling. When it comes to the actual speech, there is something interesting to note, albiet small.
The English version is correct in its translation, and the only thing I have to offer is the nuance behind how Komaeda makes his requests.
He says stuff like, "Respect me" "Praise me" "Build a bronze statue of me" and such. And he requests all of these by saying ~てくれ ~tekure.
I don't think Komaeda ever uses this outside of this speech. てくれ can be seen as rather rude. Though the formation looks like an imperative (very rude), it is not, since at it's core, てくれ means you are asking someone to do something for you, not ordering them. It is still the rudest way you can "request" something though.
It's not as severe as Komaeda yelling 黙れよ (damare yo) in 2.5, but it's close behind.
It does show he is being very callous and assertive in this scene, truly a 180 from him being casual but still respectful. This sort of demanding request tone coming from Komaeda is surprising, I feel.
Otherwise...there isn't really any nuance to add, I'm afraid. The speech is rather straight forward and the English version translates it well.
I hope this answers your questions!
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docholligay · 3 days ago
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So this is more of what I'm going to call, in the most middling way I can, a disproportionate response. War has gotten more complicated and in a lot of ways, shittier, since we stopped lining up in neat rows to kill each other.
You saw this fear on perfect display for the US in Vietnam, which is top of my mind right now because I'm reading a book about it. Not my time period for sure, I but I think it's fair to say that war has never been the same since, even if there were precursors in various rebellions/revolutions/choose your own adventure here that noted the way the world was tipping in terms of warfare.
It's an open question and I am FOR CERTAIN not the person to answer it, but I wonder if the massive uptick in PTSD in the post-Vietnam era isn't just (though almost certainly this as well) better diagnosis, but the fact that you are being asked to be a monster under the banner of heaven. If anyone can be a combatant, no one can be human, least of all you, and then you are left holding the bag where you realize you have been forced to destroy the good thing in you AND FOR WHAT? You debased yourself for nothing, for a system that doesn't care about you and a leadership that would do it again.
And you will NEVER EVER EVER know how many of the people you killed were 'enemy insurgents' or whatever the fuck ever and how many were innocent. And, that has to haunt you. I mean I guess it doesn't have to, we all process things differently, but I think it would haunt me EVEN IF I at the time believed it was them or me.
This is why I can't get with the Rambo, "If someone fucked with my family I would kill them" shit. First of all, have you ever been in like, a fight? Things happen real fast! Have you ever had a gun pulled? You get quiet real fast! IF, god forbid, I had to kill someone, WITH EVERY SINGLE JUSTIFICATION TO DO SO, I believe it would still haunt me.
So I'm team fuckin Marcoh here! You're looking at this situation and going, "hey guys, what if this is like, oh, I don't know, a lot more fucking indiscriminate than I thought it would be?" It takes an IMMENSE amount of courage to go, 'I was wrong. The institution I worked under and for, is wrong. The THING I HAVE DEDICATED MY LIFE TO IS WRONG." But sometimes you gotta! Let's me real, most of us won't even protest because we DON'T WANNA LEAVE THE HOUSE, we're AFRAID, and here Marcoh is BURNING HIS LIFE TO THE GROUND. I want to take a minute and say what a fucking DIFFICULT BOSS MOVE THAT IS. It is EXTREMELY easy for me to sit here and say, "Oh, obviously, I would never do this, I'm amazing and morally clear" but I know what it is like, to be up against the wall and be a coward. Not, obviously, on the level of dropping Agent Orange or the anime equivalent, but I think a minute to appreciate Marcoh's EXTREME courage here is warranted.
It is so easy to be a good person sitting in my warm house behind a computer.
Please read me before commenting or sending an ask! (i respect your right to be contrarian but bear in mind you’ve probably seen this anime 87 times and I am watching it virgin-style. Please be cool about this! QUICK LINK TO THE SPOILER-FILLED FUNTIMES DISCORD HERE.
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little-pup-pip · 1 year ago
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Just curious, what requests do you have in your queue/to do currently? If you're ok with saying it that is :]
Oh boy, that's a bigger question than last time someone asked! I have over 200 waiting requests at this point!! Because of that this got very very long, so I put the rest under the cut! Like last time, this is in order of how recently I received the request, and doesn't mean I'm too busy to take new requests!!
Ibara saegusa (enstars)
Monochrome oranges cats and angels
Gloomy bear
Another rockruff (maybe)
Cult of the lamb (specifically the lamb)
Llewellyn Watts (Murdoch Mysteries)
Jake (trailer park warlock)
Cult of the lamb (pet dreaming themed)
Bear therian
Selkie
Ice bear (we bare bears)
Tubbo (maybe)
Snow leopard
Pink
Australian shepherd (pupre)
Cassie (fnaf: ruin)
Draik (neopets)
The rainbow fish
Black kitten + space
Pumpkin head (maybe, needs more research)
Alice in wonderland
Sheep
Someone's OC Avery & siblings
Gothic
Star catcher (MLP)
Masc version of my druid board
Scrooge CG (2009 film)
Beetlejuice
Superstar daycare (fnaf)
1950s + ocean
Pandas + light purple and black
Dandelions
Willy wonka CG (recent movie)
Maki Harukawa (Danganronpa)
Kidcore Halloween + pumpkin puppy Webkinz
Fruit bat
Mermaid
Pastel purple + pandas
Robocar Poli
Brown, lime green and forest green puppy
Weird Barbie CG
Shiny Vaporeon
Where the wild things are
Squid
Dylan (the magic roundabout)
Conner CG (Detroit become human)
Mitsuri kanroji (demon slayer)
Minecraft mooshrooms
Sharks or wolves (haven't decided)
Hot Wheels
Miffy
Fox
Sharks
Zombies
Vincent (dead plate)
Vintage kitty dreaming
Deadpool
Shane CG (stardew valley)
Wolf pup
Celestia and Luna (MLP)
Soft blue and yellow
Pascal (animal crossing)
Pastel blue and pink
Batman CG
Ram
Osamu dazai (bungo stray dogs)
Dylan (the quarry)
Rain/nature + white rabbits
Ox
Penguin + dinosaur
Noah (total drama island)
Vision CG (marvel)
Light blue
Bumble bees + lavender
Yellow + ducks
Bearded vulture
Barn owl
Queen barb (trolls world tour)
Oliver (vocaloid)
Light green light brown and beige
Mind (Chonny Jash/CCCC)
Cinnamoroll + emu otori (project sekai)
Yellow+ chicks and puppy stuffies
Seam CG (deltarune)
Plants vs zombies
Viktor (arcane)
Queen of trash CG (Elmo goes to grouch land)
John Constantine (Justice League Dark)
Aziraphale (good omens)
Scenecore
Musa (winx club)
Leap frog
Hyper feminine puppy
Crow + black cat
Totodile + bodies of water
Bees
Sackboy (Little Big Planet) and or My Melody
Baby crocodile
Animal crossing
Pastel kitten
Doki doki literature club
Keralis (Hermitcraft, maybe)
90s grunge
Tula tones (novi stars)
Eevee + dragons
Kitten + stars
Ratchet (rescue bot academy)
Pastel shark
Mikan Tsumiki (Danganronpa)
Mushrooms
Grey + Ross federman youtooz
Sparkly dragon
Blue and purple + puppies
Ducks + alt/Gothic lean
Cinnamoroll
Shadow (sonic)
Jellyfish
Boyfriend.xml (Friday night funkin')
Puppet (fnaf)
Golden retriever + yellow and blue
Bernese mountain dog
Strawberries
Genshin impact
Len or Miku
Toothless (httyd)
Eddworld
Donnie (rise of the tmnt)
The princess and the grilled cheese sandwich
Pastel goth princess
SpongeBob
Karako Pierot (hiveswap)
Young Michael Afton
Soft fox
Great pyrenees + farm
Ike eveland
Invader Zim + neon green
Julius Caesar (Octavian, night at the museum, waiting until March for this one)
Scorpion
Vampire squid
Golden retriever (again, lol)
Cats + playing outside
Border Collie
Tiger
Argos CG (World of Mr. Plant) 
Pochacco
Mortal Kombat
marble cross fox/forest/fantasy (I'm figuring this one out still)
Puppy + SpongeBob
characters from Project Sekai, Hoshino Ichika, Mochizuki Honami, Akiyama Mizuki and Kusanagi Nene.
Baby vulture
Frog with more fem themes
Rain world/slugcat
Dark academia/cottagecore
Border Collie
Modded smash hit rooms
Crying child (fnaf)
Agent Smith CG (the matrix)
Katamari
Enjolras (les miserable)
Rolfe DeWolfe CG (Rockafire Explosion)
Bugbo
Slime rancher
Puppet (fnaf)
CosMc's
Parado (Kamen Rider)
Tally hall
Gordon (all engines go)
Spinel (Steven universe)
Cater diamond (twisted wonderland)
Rockabilly (probably)
Felix Lee
Jing yuan CG (Hsr)
Charles Xavier CG (X-Men)
Toki wartooth (metalocalypse)
Naoto Shirogane (persona 4)
Kitoto (I don't know what he's from)
17th century dutch
Sirena von boo (monster high)
Jake (miss peregrines home for peculiar children)
Minecraft
Sees behind trees
Allay (Minecraft, I think)
Spinosaurus screenshots or products
Tecchou (Bungo Stray Dogs)
Barbara (genshin impact)
Tasmanian devil
Spamton CG (deltarune)
Spinosaurus
Grunge + lop eared bunnies
Yume-Nikki
Daxter (jak and daxter)
Madness combat for puppies
James Sunderland (silent Hill)
Shirokuma (Danganronpa)
Leo (IDW comic)
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fragmentedblade · 1 year ago
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Also, Ruan Mei was the one who lent the Phase Flame to Ratio, wasn't she?
#That Ratio and her were working together seemed to be the case since we first found him but idk#Ruan Mei plays dumb when we ask about him but I thought it was clear that she did know him#Herta also pretends she doesn't know him for some reason#cringefail acquaintance#Jokes aside I wonder why they did that. Is it because they both are ehm working behind each other's back#(Herta when it comes to the IPC‚ the SU and the bet‚ Ruan Mei kind of with everything)‚ or is it due to some other more complex reason?#Based on we've seen thus far I do think Ratio and Ruan Mei were working together in something#and that she was in the known of at least some things. Perhaps not everything#She seems to care about things beyond her research even less than Herta does#But given what we're told it seems fair to conclude the fire Ratio had was given to him by Ruan Mei#Herta said Ruan Mei needed it for some research. So either she didn't need it anymore and didn't mind giving it to Ratio afterwards#or maybe what Ratio was doing was something she was a part of. Or did Ratio steal it when he was around the seclusion zone?#I'm not inclined to think that tbh it seems to me Ruan Mei must have been knowingly implied. Yet now she owes Herta a favour#Which is more valuable according to Herta. This quest has left me very curious about the development of all this#Screwllum suspected Ratio since the beginning. I wonder if he suspects Ruan Mei too#Ruan Mei's line about Screwllum makes it seem like they don't get along too well I think. I have so many questions xD#I am very curious about all this‚ satisfied and potentially excited. Not yet excited but I sure have hopes for an exciting development haha#Maybe it will all end up being nothing but the relationships between the characters in the Genius Society (especially these three)#seems kind of messy and that intrigues me. The relationship the three of them have with Ratio seems intriguing too#Any iteration of these dynamics seems to be very interesting#Maybe it will all end up being nothing or I may be misreading or seeing more than there is but I am looking forwards to knowing more#I talk too much#Traces
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unforth · 2 years ago
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I'm an OTW member again!
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THANK YOU @petralemaitre !
If y'all want to get a membership scholarship before June 30th so you can register and be able to vote in the next OTW election, get all the deets here:
(the post is worth reading even if you don't want the scholarship; it's about End OTW Racism and it's such an accurate write-up of my own thoughts on why I'm involved too, I was like, "wow sharing a brain with a total stranger is so heckin' weird")
Very much lookin' forward to exercising my right to vote! Let's dooooo this!
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doux-amer · 1 year ago
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Sick of this stupid team making the stupidest mistakes and sloppiest passes and their laziness and slowness on the ball and lack of finishing ability. I'm angry at Quansah, but once again, just like our matches against other big clubs, this is down to the whole team being miserably bad. Genuinely wondering if this team even wants to win the league for Klopp before he goes because they sure don't play like it.
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ambrosiagourmet · 1 year ago
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I've been thinking about Laios' succubus lately. Mulling it over a bit.
Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.
When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.
So let's dive into those three things, and what I think they say about the succubus scene's purpose.
Laios is never fully frozen by the succubus
So. If you compare Marcille and Chilchuck's reactions...
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to Laios':
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There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.
Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."
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And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!
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Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.
2. Volume 9 is all about drive and desire
I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.
For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:
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And ends with a question of what desire brought Laios to the dungeon:
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It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.
In addition to Laios, we see it with Marcille...
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Izutsumi
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Kabru
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and Mithrun
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Hell, we even get it for the demon!
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It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.
The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.
With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.
The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?
Something to consider as we look at the next point...
3. the rest of the chapter is a seduction, too
This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.
Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.
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(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)
But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.
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Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.
-
So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.
As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.
But the details of what actually happens tell different story: one in which the Lion is wrong.
First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.
Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.
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And it's this realization that he cites later as part of his reason for refusing the Lion's offer.
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He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.
Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.
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I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.
Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.
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The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".
He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.
Whatever the case, he's wrong about Laios, and the story shows us this over and over again.
After all, look at how the succubus interaction plays out:
A monster uses Marcille to appeal to Laios...
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He realizes that something about the situation is wrong, and rejects her.
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It changes strategies, and makes new offer: to turn him into a monster.
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It also assures him that his friends are, or will be, taken care of.
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He accepts. Or rather, allows the monster to have its way with him.
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But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.
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We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.
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The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.
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The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.
Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.
And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.
This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.
And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.
It's about how they are wrong.
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confuzing · 1 month ago
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Follow up for this idea, once LBH is out of the Abyss and he and SQQ have worked out the important stuff- like how much they missed each other and how they should totally kiss and hold hands and all- LBH asks about the System, which has gone back to hiding.
LBH is super frustrated because SQQ is clearly deliberately misinterpreting or avoiding his questions but when he turns to storm off SQQ grabs his arm and really deliberately puts his other hand over his mouth while avoiding eye contact.
LBH: ...you can't tell me can you? You said something about that at the time...
SQQ: ...
LBH: *thinks up the silliest possible thing to say* Clearly this is all Liu Qingge's fault.
SQQ: Pfff... No!
LBH: So you can only tell me when I'm wrong.
SQQ: ...
LBH: Ok I got it.
Once he's got the rules down LBH is gonna find out so much stuff about the System. It's days are numbered.
RIP Airplane when LBH asks about him though.
LBH: Clearly this is all SQH's fault.
SQQ: ... ...
LBH: Wait really??
SQQ: ...That's not... A fair assessment.
LBH: ?????????
SQQ: Don't kill him.
Miles away, minding his own business SQH shudders.
SQH: ... something bad just happened.
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Somewhere beneath those roofs, the Sons of the Harpy were gathered, plotting ways to kill her and all those who loved her and put her children back in chains. Somewhere down there a hungry child was crying for milk. Somewhere an old woman lay dying. Somewhere a man and a maid embraced, and fumbled at each other's clothes with eager hands. But up here there was only the sheen of moonlight on pyramids and pits, with no hint what lay beneath. Up here there was only her, alone. She was the blood of the dragon. She could kill the Sons of the Harpy, and the sons of the sons, and the sons of the sons of the sons. But a dragon could not feed a hungry child nor help a dying woman's pain. And who would ever dare to love a dragon? —ADWD, Daenerys II
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Interviewer: One could argue that more can be learned about everyday politics from your novels than from the newspaper.
George: I did indeed intend to make politics one of the main themes of these novels. I hope to make my readers reflect on political issues. For example, when Daenerys Targaryen conquers a city of slave traders and tries to rule it, she realizes that good intentions alone do not make a government program. There is a series of very difficult decisions to make and, no matter what you do, people will hate you.
Interviewer: Even if one has three dragons.
George: Exactly. The dragons are metaphors.
Interviewer: Virtually the nuclear weapons of your world.
George: The most terrible weapon! However, they don't put you in a position to abolish poverty, make everyone love you, or lead a happy life. You can very well use them to burn things down, to destroy your enemies, cities, and entire cultures, but that doesn't solve the problem of good governance.
- George R.R. Martin, The Father Of Fire And Ice
#one of the better things about asoiaf is that dany magically hatches dragons and it's amazing and wonderful and triumphant --#but then she learns that still doesn't solve anything. she and her people and her dragons might have died in the desert if not for luck#she can use her dragons to conquer cities but they can't help her make them thrive under her rule#dragons can solve a war by being the ultimate weapon but they can't solve the problems of a peace#especially in re stopping the problems that would lead to war again - in fact they are one of those very problems#grrm is so interested in asking the question of what makes a good ruler. and he doesn't provide easy answers because there aren't any#unlike some i do not believe dany's “vision quest” at the end of adwd means she has decided to embrace war and only war from now on#but the difficulties and frustrations of trying to be a good ruler who helps everyone and is fair to everyone - this hard thankless job#when the whole time the easy-but-cruel way is sitting in her basement... well. she might decide to be a dragon for a little while#something will break her out of that. don't know what yet but something. and she won't be alone as jon will be no-more-mr.-nice-guy-ing too#but the theme of “ruling is hard” that was so important in affc/adwd may fall by the wayside for a time. mind you war is hard too...#asoiaf#asoiaf meta#grrm interviews#daenerys targaryen#dragons#asoiaf themes#“what does it mean‚ he ruled wisely?”#asoiaf art#enrique corominas#queue and me we're in this together now
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jadevine · 1 year ago
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Preindustrial travel, and long explanations on why different distances are like that
Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/
I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.
Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask
Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember
Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my
--
I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.
I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.
People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.
But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.
The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.
The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.
Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.
If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).
Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.
If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.
Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."
And now for the upper range of "traveling on horseback!"
Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."
This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.
A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.
NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.
If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.
Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.
As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.
Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.
UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.
But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!
Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.
Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.
The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.
Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )
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giddyfatherchris · 1 month ago
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📝 skz reaction - you're being a clingy baby
pairing. ot8!skz x gn!reader (individually)
type. fluff fluff fluffff, requested <3
warnings. gender neutral reader, curse words (thats how i show my enthusiasm okay)
a/n. i know last time i was like "meh sue me for not putting the boys in the 'right' order" but you know what, i actually like it like that. my boy jeongin is always last, he deserve to be first so i think i'm just gonna keep it like that when it comes to skz reactions :)
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jeongin ⊹ ࣪ ˖ he would tease you like hell about it until one day you actually start crying and he feels so fucking bad he never does it again. (to be fair he probably laughed when you first started crying but when he realized they were real tears? he is panicking). after that he never denies you again and makes sure to give you attention whenever you need it. you're the only person he allows to be clingy and needy with him. which the boys are kinda petty about because they sure aren't allowed to be clingy with their maknae they love so much lol. they'd tease him sooo bad about it but every time he says it's different for you. you get special privileges.
seungmin ⊹ ࣪ ˖ he would def be annoyed when you're being clingy, not because he actually minds it but mostly because he knows you sometimes push it JUST to annoy him lmao. so in return he would deny you just for fun or when you ask him cute stuff he'd purposely answer seriously or act like he doesn't understand your request until you start wailing like a lost cat and then he can't resist anymore. oh and also, he loves to act that way when you're in public but behind closed doors? he can be just as clingy, it's different from when you are but still. he's not necessarily needy, but he wants. you. close. to him. he'd be the type to constantly want to be around you and get pouty when you can't.
felix ⊹ ࣪ ˖ honestly being clingy with felix only means one thing... you're spoiled rotten. you need hugs and cuddles? he will RUN to give them to you. you just want to stick to him like glue? 'sure baby come here'. you want to lay on his lap while he's playing games? not a problem. you don't even understand how you're feeling but you know you need to be with him? he will be there, arms wide open for you no questions asked. all your wishes will be executed because its just how it works between you two. and thing is, the treatment he gives you? you give it right back. so at this point, it's not even a question or a thought. it's simply second nature.
han ⊹ ࣪ ˖ getting han's attention when you're feeling clingy? it's tough. either because he will get side tracked by any little thing, despite his good intentions, so you'll have to remind him to stay with you or to give you a hug. orrrr he will goof off like crazy and will not leave you alone. until the point where you're physically trying to get as far away from him as possible. oh and he'd chase you, no worries "but babyyyy you said you needed love and attention. stop running." with the scariest most mischievous smile in the world until you actually start running away and hide from him because he will smother you with love. (but let's be honest you always end up letting him catch you because come on... you'll take all the love he'll give you)
hyunjin ⊹ ࣪ ˖ he does not mind at all when you're being clingy. in fact he LOVES it. in skz, there is a holy trinity of baby talker and you can bet your ass he's one of them. he will baby talk (to the other boys utmost horror) and repeat your requests with the baby voice until everyone in the room physically cringe. oh and he's mean, he's a real lil bitch, so he will deny you cuddles just so you can pout harder. his heart melts at the sight of it and he can't help but want more. still, it'd only take you to give him the eyes before he'd giggle and pull you in for a big big hug while he digs in nose in the crook of your neck where you just smell so so good.
changbin ⊹ ࣪ ˖ being clingy with binnie can go one of two ways. first, he's just just not gonna mind at all. he'd notice you seem more clingy than usual and just signal for you to come next to him. he'd keep babbling or doing whatever it is he's doing but he'd put his arms around you mindlessly stroking your back and giving you little kisses on your forehead... OR he would return it ten times worse. i'm talking full on baby voice (member number 2 of the holy trinity), pinching your cheeks, exagerating your requests, jumping on your lap and he'd act clingy just to make you laugh. "aw my little baby needs cuddles? you feeling clingy? you want to sit on my lap? what if I sit on your lap instead?" "what no bin that's not- BIN YOU'RE SO HEAVY IM GONNA DIE"
minho ⊹ ࣪ ˖ honestly, he does not care. like at all, the teasing would be minimal but all in all he'd let you do whatever it is you want to do, give you whatever it is you need. because fine he likes to tease ppl, but he also loves cuddles and physical touch even if he would never admit it. often ppl won't dare to be clingy with him because of his black cat personality, but you've always been able to see behind that façade and to never let it scare you. so you do not hesitate to latch on his arm or rest your head in the crook of his neck while he's doing something. and it always feel like a sweet sweet reward when he simply drapes his arms around you, not even reacting to your touch like it's the most normal thing and second nature thing in the world for him.
bangchan ⊹ ࣪ ˖ uhm yeah bangchan? absolutely adores when you're clingy. in fact, he would get whiny if you're not constantly requesting cuddles and hugs and little kisses. he would also be a master of the baby voice and obliging to your every demand. he just loves to be needed and the way you need him makes him feel light as a feather. he'd come up to you "what is you need babe?" and you'd pout and ask whatever it is you want wether its a hug or cuddles or some time with him "i don't think i heard you well the first time. want to repeat that?" but right before you'd say it again he'd squish your cheeks together so you have the cutest pout on your mouth and you'd mumble than you can't exactly talk like that but he'd insist "no no you can, go ahead baby" you'd sigh and oblige "mhm-want-mhug?" and this man would squeal like a toddler because he thinks youre so cute he’s going to explode. chan does have the profile of someone with love aggresion and so he'd lovingly and agressively give you anything you want :)
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onlysomewhatsane · 8 months ago
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Ok ok ok SO!
I think everyone has realized that Leola was autistic. It was heavily implied both through the flashback images and Aaravos' narration-
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She lined up her toys, flapped her hands (it was also shown in the trial scene), seemed to be sensitive towards loud sounds (like the other startouch elves when they talked), and walked on her tiptoes. All of those are classic signs of autism.
But there's one thing I haven't seen anyone else bring up, and that's that her giving her human friends magic and breaking the "cosmic order" or whatever could also be because of her neurotype!
Autistic people tend to have very strict senses of morality and fairness, and will disregard rules if they don't fit their idea of right or wrong. Personal example here, I used to constantly do things I was told not to because I thought the rules in question were bogus.
It's not hard to guess that Leola would find the rules about humans not having magic to be unfair- after all, her and all the other elves, and even the animals around them are full of it! So in the mind of an autistic child, this would be incredibly unfair. And she had the power to "fix" the situation! So why wouldn't she?
Why wouldn't she try to help her friends? Because it would break the cosmic order? That's vague as hell and she was a KID!
And the startouch elves atomized her, for breaking a rule she probably only half understood and thought was stupid. Because she was autistic.
Had this thought and wanted to share, makes the whole thing even more tragic.
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harmonysanreads · 2 months ago
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PUPPY PHAINON IS SO REAL OMG
i think it be so funny (extremely sexy) if he goes absolutely feral because his love got hurt on the battlefield
i'm talking absolute carnage, not a soul alive, people being genuinely scared because wtf man (bonus if his partner only got a minor flesh wound hehe)
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Your lover has been acting... strange recently.
Though, the abnormalities have been so conveniently spaced, so intertwined with inconveniences that they could be brushed off as mere coincidences — in hindsight, at least. You'd be found guilty of this practice, as it becomes second nature to assume the best of people that can bear one's trust. There appears the occasional incident, where you find yourself second guessing that faith instead and question the normalcy of this particular genre of human behavior.
“Will you tell me now, who did this to you, melite?”
You find that you need to use force in order to push down the flinch that almost crawled all over your skin, unaccustomed to this tone of his.
You push yourself closer, your nails dig a bit harder into the fabric covering his arm ; sensing his gaze towards your direction. Your grasp is more labored than it should've been, you can feel the tendons beneath your grip flexing in barely held restraint. Murmurs follow their way to your ear, unintelligible in fear of feeding further the hero's wrath.
“I have been telling you this since the beginning, Phai.” in spite of your effort, exasperation bleeds into your words.
You glance from behind Phainon's shadow — pointedly at that — towards the knuckle tight grip he has on the fellow's skull. ‘Unfortunate’ probably does not suffice to describe this random pedestrian's situation. You're not given more time to ponder the validity of that claim as something reminiscent of a crack drifts to your ear, alerting you to hasten.
“It wasn't this man, it wasn't any human to begin with! You have to believe me, please.” you tilt your head and make sure to secure his gaze, ripples of discontent appear on the once placid ocean.
You knew it wasn't exactly unusual for one's protective instincts to be provoked in relation to a loved one, but for it reach this magnitude was concerning in your book. Especially so considering their increasing appearances, over the most mundane matters at that.
The Chrysos Heirs aren't known as without their fair share of eccentricities, you suppose they are suited for ones destined to be heroes. But every new scene over a scratch against a surface, a person standing too close, a different gaze lingering too long has you questioning if Phainon's ‘protectiveness’ can really be excused for long.
Perhaps the helplessness in your eyes had finally pushed through the layers of rage bubbling in his head and the contact with your skin had weakened the flames, as he loosens his clasp on the man's head, before shoving him aside with enough force to make you feel the kick of your heart against your ribcage.
You don't get to check the man's condition as Phainon takes your hand in his previously occupied one, his thumb ghosts over the scratch across its back, the swift difference unnerves you for a second.
You know not to waste your breath though, catching the implications. “It... was that pillar.” you avert your eyes upon feeling his caress halt.
“...Which one?” his curt inquiry alerts you. His fingers flex and relax around yours, you can no longer hear the crowd.
You bypass a breath to grasp his collar, caution clouds your mind. The abruptness of your action startles Phainon, as he meets your frown.
“Don’t.” you warn, the realization that makes itself known on his countenance at your order proves your hypothesis to be correct.
“But that pillar deserves it, melite.” something similar to a pout softens his face and at last you find traces of the Phainon you are so familiar with. “If it's hurt you once, it will do it again. Isn't it better to just remove it to avoid that scenario?”
You let go of his collar and rest your palm on his cheek, unable to restrain the sigh that escapes your lips, “Phai, the pillar is an inanimate object.”
He leans into your touch, you're certain he would've melted from it had it not been for the embers of his previous fury keeping his senses sharp, “So?”
You steer yourself away from face-palming, “So, I'm saying that you shouldn't make more of a scene than you've already had. I just want a peaceful evening with you, okay?”
He blankly stares at you for a moment, digesting each syllable. Only when the ‘with you’ reaches his ears does he seem to have sobered up. Phainon nods, taking your hand from his face to press a kiss on the scratch marring the skin. You notice his eyes straying, you would've missed it completely had you not been paying attention — a side-eye towards the fellow now scrambling away.
You've succeeded in preventing any major incident from occuring today, but your power in maintaining the consistency of this endeavor remains uncertain.
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I tweaked the scenario a bit because it was funnier in my head orz but overprotective Phainon is so delicious, ty nonnie!
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thinkinonsense · 6 months ago
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PAST LIFE⋆
dofp!logan howlett x mutant fem!reader
cw:fingering, cursing, dirty talk, mentions of motherhood, fluff
masterlist
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logan should've known when he accepted the mission to come go back in time to stop the sentinels that you would still be here.
"is there an issue here, hank?"
the sound of your voice made logan's heart flutter. you were barely peaking out from behind the door but logan could see you just fine. he couldn't stop staring.
"no, everything's fine." hank assured you. just as you turned to return to charles's office, you heard the door burst open. this handsome stranger hits hank right in the nose before continuing up the stairs to you.
logan had to take you in for a second. his beautiful future wife stood in front of him and had absolutely no clue that they were married because she was only twenty-five years old.
had you always been this gorgeous? was that even fair? all of these were questions that floated around in his mind.
"who are you and what do you want?" you asked as he reached out to touch you.
"so you've always been this beautiful, huh, princess?" he purred, tucking away a piece of your hair behind your ear.
sure, he was attractive in his brown leather jacket and sunglasses but this man looked in his mid-forties. logan was too busy staring down at your frilly yellow babydoll dress to notice where you were looking at him. his left hand; more specifically the gold band on his ring finger.
"i don't mess with married men." you glare at him. he can't help but chuckle darkly down at your innocence.
"oh, my wife wouldn't mind."
god, logan felt like such a pervert for coming on to you but he couldn't help it. your ethereal beauty was unreal. not that you have aged much since the present day, as you two have the slow aging processes in common. older hank would always tell logan that he should be lucky that you agreed to date him because there were plenty of people who would love to take his place. sure, logan believed him but now, he really understood what hank meant.
"where's charles at, sweetheart?" logan asks, inhaling your floral sent.
before you can respond, charles comes barreling down the stairs drunkenly calling after you.
"where've you been?" he asked you then turned to logan. "who the hell are you?"
this should be good.
°❀⋆.ೃ࿔*:・
"how do we know that you're actually from the future?" you asked, sitting atop charles desks, swinging your legs. hank and charles stood outside in the hallway discussing whether or not to trust logan.
"you've always been this stubborn?" logan says under his breath, rolling his eyes.
"how do we even know each other in the future?" you finally asked.
for the past hour, this man has tried to sell this absurd story about how future charles and magneto sent him here together to save mutants from sentinels. so far he's managed to convince charles but hank and you were still on the fence.
"we're married, sweetheart." logan smirks wickedly.
there was absolutely no way that you two were married. this man is grumpy, mean-looking, and wears dark brown leather. you are an academic scholar who adores pastels and helping other mutants. he had to have you mistaken.
you squint up at him and laugh, "we are married?"
logan nods, walking over to you until he's standing between your legs.
"tell me something only i would know then."
"your favorite ice cream flavor is strawberry, you hate the cold and winter, anytime you drink coffee you get nightmares, your favorite color is green, but your favorite shade is the color my eyes get when i look at you." logan could see the way your eyes widen, slowly starting to believe him more and more. he couldn't help but feel cocky. "would you like me to continue?"
"im not sure... think you're gonna have to prove it. another way." you challenge him. logan's hand trails up your thigh, playing with the soft yellow material.
"c'mon sweetheart, this is too easy." he mutters against your neck, placing soft kisses and nibbling on the skin.
logan knew you like the back of his hand. he knew exactly what you liked and disliked. sometimes you would even tell him that he knew you better than you knew yourself.
"you like when i pull your bottom lip when we kiss. you blush every time i offer for you to sit on my face. one of your favorite ways to fuck is pressed up against a wall or bent over a table..." logan could go on and on.
"we do that...?" you whisper embarrassed by this version of yourself, trying to avoid his burning gaze.
"oh, all the time. sometimes you pull me down on the floor when i come home, begging to ride me right then and there." logan says, once he captures your attention again. you chew on your bottom lip adorably.
a small whimper passes your lips before you remember that hank and charles aren't that far away from the room. one of your hands comes up to logan's chest, slightly pushing him back despite not wanting to.
"w-we should stop." you warn him. "they can hear us."
this was when logan knew that you hadn't discovered part of your mutation yet. he had already assumed that you hadn't but this confirmed it.
"need you to relax, princess," he says, moving higher up to your jaw. your body betrays everything your mouth says, eating out of the palm of his hand. "i promise once you relax, it'll feel like time has stopped."
logan's lips taunt yours; not quite giving you what you want. fed up, you overpower him and push his lips into yours. the only word floating around in your head was 'relax'.
carefully, logan lays you back on the desk. something about being held in the stranger's arms set you at ease; maybe he was your husband?
"you don't know this yet..." logan huffs. "but you can stop time."
you scoff, thinking that you caught him in a lie. "no, i can't."
"if you relax like i said, then you can." logan mutters against your collarbone.
one of his hands slides up your thigh while the other rubs circles on your hip bone. was this wrong of you? if he is telling the truth –and it seems like he is– then technically he is your husband and it's not wrong to mess around with your husband.
"open up for me, babydoll." logan mumbled against your collarbones, placing wet kisses and nibbling on the delicate skin.
your legs spread with ease as his callused fingers rub over your cotton panties. the soft material of your dress is bunched at your tummy as he tugs your panties off, pocketing them for himself. his thumb returns to rub your button.
"p-please..." you whimper, looking up at logan with bambi eyes. "need more."
"anything for you, princess." he groans, slipping two fingers inside of you as gently as he can. this earned a loud moan from you when he nudged that spot deep in your gummy walls with ease.
"see how well i know my wife?" logan gloats, pressing soft kisses to your lips but never letting you catch him. "you usually prefer it rougher than this but i'm not cruel."
"y-you can go... can go faster." you pant, never having anything quite his size yet.
"i don't want to hurt you, baby." he says in a condescending tone. "wanna know something 'bout the future?"
it was difficult but you managed to nod your head despite how clearly fucked out you were at this point.
"a couple weeks ago, you came home telling me how much you want to be a mom; how you've always wanted to be a mom." he pulls back to look at your pretty face, lust darkening your eyes and slick pouring out of you, practically dripping down his palm onto the desk. "so, every chance we get alone you've been begging for me to go raw inside of you."
logan loved how even as you're all spread out for him, you're still blushing at his filthy words.
"look at you, blushing while you soak my hand." he mocks with a smirk.
"i'm s-so close, please!" you beg so politely.
his thick fingers pick up the pace as you clench down on them; jaw dropped and head thrown back. logan's other hand supports your back while your cute painted blue nails dig into his wrist as your climax starts to wash over you.
"hey sweetheart, look out the window." he chuckles, moving your chin to stare hazily out the glass window.
you couldn't believe it. every car, bird, street light, everything was stopped. everything but you and logan.
"how did you know that i could...?"
"you can't always control it but when you calm your mind, it's easier for you to do it."
"does it always happen when we...?"
"when we have sex...?" logan chuckles as you hide yourself in his chest. you nod. "no. over time you've found ways to control it. sometimes if we need more time, you might manipulate it."
"future me sounds cool." you giggle, lifting up to look at him. "how do we meet?"
"i can't tell you that." he smiles.
"well, then where are you in this timeline? how can i meet you sooner?"
"i'm not a very good man during this time, baby. you'll meet me when the time is right."
"what if you don't want me then? how do you know we will still get together?"
logan looks down at your pouty lips, swiping his thumb across it.
"i'll always come back for you. no matter the timeline or where we are in life; i'll find you again."
"promise?"
"i promise you, sweetheart. don't worry that beautiful mind of yours." he assures, kissing the tear strolling down your cheek.
logan reaches down and kisses you tenderly, pulling you out of the time freeze. suddenly the door swings open on the two of you. thank god, logan had quick reflexes, pulling your dress back down to cover you.
charles calls your name and then asks, "what are you doing?"
"it's okay, he's my husband."
a loud laugh escapes logan at your lovey-dovey tone, almost making hank and charles eyes fall out of their heads. you couldn't wait to meet logan again in the future.
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