#but i don't mind because it's a fair question!

[kqutie]

“You know you didn’t have to kiss her to give her your blessing, right?”

—Athena to Hermes, probably

haha! here you go, my lovely (˵ ¬ᴗ¬˵)

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Hermes giggles to himself, trying to ignore the soft blush on his cheeks. He watches you fondly from high above, laying on his stomach in a bed of clouds with his feet in the air, kicking away as his hands hold up his chin. 

“You know you didn’t have to kiss her to give her your blessing, right?” Athena materialises beside him, standing in her tall, proud height. 

“I don’t know~” Hermes sing-songs, grinning widely at the narrowed look his half-sister gives him from beneath the shadow of her helmet.

“No, you didn’t,” Athena rolls her eyes and sighs, looking down as you silently talk with some strangely coloured animals that Hermes must have allowed onto the island with you. Hermes finally laughs aloud, finding her irritation amusing. 

“Maybe so, but what’s the fun in that?~” 

“This isn’t about fun, Hermes,” Athena sighs exasperatedly, rubbing at her temples through her helmet whilst avoiding the sight of the messenger God’s cheeky smile, “Your actions could very well have endangered Odysseus and her,” 

“But she is under my protection now,” Hermes’ grin doesn’t falter, confident in his ability to protect you by warding off any enemy, “ease up, darling~” Hermes coos, flying up in his front-laying position so that his head was level with Athena’s and he could look her in the eye with just a slight tilt of his head. “And there isn’t a chance I’ll let any danger come to her,” Hermes looks down at you fondly once again as Athena huffs. 

“Don’t tell me you’ve grown fond of her to this extent already,”

“There’s no question about it!” Hermes giggles and throws his arms up in a gleeful cheer, righting himself vertically, before turning his full attention onto Athena. The goddess of wisdom is, somewhat, taken aback by the sudden shift in his demeanour, there was almost a threat hidden in his glowing eyes, “I’ve already given her my blessing, after all. Whoever dares harm her from now on will be answering to me,” 

“But why?” Athena presses, always one to ask for an explanation; her mind simply can’t comprehend how capricious Hermes’ actions are, “Because she’s a great traveller from another world? Can it only be that?”

“Why can’t it ‘only’ be that?” Hermes tilts his head coyly, playing with her reasoning. 

“Because you kissed her—” 

Hermes laughs with his full body, clutching at his stomach as his knees tuck up and curl him into a compressed ball of laughter, “You’re always so serious~” Hermes whips the tears from his eyes. 

“Answer me!” 

“Alright alright! Don’t get your subligar in a twist~” Athena gives him an unamused look, growing all the more irritated when he has to suppress a giggle once more, “I admit, the fair maiden has very kissable-looking lips, I just couldn’t resist stealing a taste~”

Athena splutters, “Wha—?!”

“She’s also very cute and very delicious,” Hermes smirks to himself as he slowly traces his lips with his tongue. His eyes look distant as he remembers the softness and sweetness of you, “My~ I’ve never tasted something so sweet before. But shush!” Athena watches in shock as Hermes puts a finger to his lips in a hushing motion, “Don’t tell Dionysus! He might get jealous when he finds out I’ve found something tastier than his grapes and wine,” 

Hermes giggles as Athena rolls her eyes. 

“Just don’t harass the poor girl,” Athena looks at you with sympathy. 

“I’m afraid I can’t make such promises, darling~” Hermes smirks to himself, “now that I’ve had a taste, I simply can’t get enough!” 

navi. | series m.list

a/n : I'M JUST A HERMES SIMP, OKAY?! DON'T JUDGE ME! I DIDN'T MEAN TO WRITE 500 WORDS OF THIS!

taglist : @bluepanda08 @doodle-with-rhy @sunshinedaisy21 @jolixtreesunn @ellaprime7 @marcelemry @nishayuro @hijinkxy @kerosene-demon @windrosesrasta

[juno-box]

I watched a new LeNNY vid and enjoyed it; here's my 2nd-hand commentary on Marlon

So I watched a vid where LeNNY tries to understand Marlon. Marlon is such a conundrum with fans. You either enjoy him and study his character or you phone it in and hate him, no in between.

go watch the dossier here!

So this'll literally be a copy-pasted comment of mine but it feels right enough to post on Tumblr. Don't jump me like a jaywalker in Gotham, ight?

→👑

I absolutely understood Marlon's rationale; it's like the train track dilemma. You're a kid going up against a militant faction of armed-to-the-teeth grown ass adults.

Even before he completely breaks down he explains it as sacrificing a couple to save everyone. In that situation, it was either cut off 2 people to save 10 other people. Or stand up to, again, an armed militant-type faction and lose everyone including yourself. Let me on the mic for a second:

Starting off being a community leader of about 50 or so children as a child yourself, then watching about 30 or more of the kids you grew up and stuck it out with die around you in less than a decade absolutely fucks with a psyche. It will. By the time 401 rolls around, the remaining Ericson kids are already doing relatively unwell. Even when you ignore the relationship issues--they're bordering on starvation and are about to get dropped on by raiders any day now without even knowing it.

Nobody's saying Marlon was in the right for freaking out and killing Brody, or panicking and blaming the outsider for his crime, or that he's a 'tragic hero' for expending Minnie and Sophie to save everyone else. But this whole "He's a leader! Leaders don't give up! Fight back!" mentality barely works when the "leader" in question is a de-facto and a kid raising over a dozen other kids for about like 8 years. Taking care of kids who, mind you, are relatively sheltered off in the woods and have not had to legitimately fight like characters such as Clementine or other more nomadic groups have. These kids have never had to flee the place they started the apocalypse in.

They can trap, hunt and fortify. But defend against people is something they don't know. The vast majority of 402 is Clementine preparing these kids for something they are not ready for: human-on-human combat.

An actual battle.

We played first hand how Clementine preparing the kids for the first fight in 402 went. And even then we lost Omar, Aasim and either Vi/Lou. And in casualties we lost Mitch. That was a FOUR person lost with Clementine's guidance (put aside we get 3 back for now, that's 3 kidnapped and 1 dead). The only reason those kids even pulled out with those numbers is because of Clementine and her survival knowledge.

The fact that she has not been stationary as long as them; the fact that she's been extremely nomadic and exposed is what gave them those numbers.

If you put Marlon in, give him the same mission as Clementine; let's say he doesn't sacrifice the twins. He, Brody and the twins are gonna have to escape the Delta (if they can dodge and weave semi-autos as okay as Clem & AJ, and even then AJ was still shot), Get back to Ericson's (un-tracked), and warn the others. Then what? Get them ready to battle? With what fucking experience? If Ericson's under Clementine's numbers were 4-10, what do you think Ericson's still under Marlon's numbers would be? His best bet is to pick up everyone and get the fuck outta dodge.

And even, their odds still don't fair that good because like I said--these kids stayed in one spot for about 8 years. Day 1 to now.

Like Clem says in 402 "You have no idea what it's fucking like out there."

Marlon isn't a great leader, not truly no. He's really a glorified babysitter, to be real. A kid who had no business spending almost a decade taking care of other kids around his age essentially on his own. You can "lead" a group with "big brother" mentality for only so long, but reality doesn't wait for long and it damn sure proved that taking care of a community, even if they're tight-knit, is hard.

<><><><><><><><><><><><><><><><><><><><><><>

I love that they showed different types of leaders in every season of TWDG. Marlon was one of the most interesting ones.

[loveydoveymerrillsabrae]

Regarding Harding's romance,

One of the few non-negative ideas that lingers with me after completing Veilguard is Harding and Rook's post-sex discussion. Harding, leaning against Rook, looks them in the eye and asks if they're real. If they're the same Rook she met months earlier. Considering how fondly she remembers Cole, what we learn of spirits and creation myth in Veilguard, plus the several weeks Harding spent not knowing what happened to Rook in Solas' fade prison... I think that's a fair question to ask. When Rook confides in her, telling her about seeing Varric's visage due to Solas' manipulations, her mind draws a connection to the person in front of her. If a ghost clung to Rook all this time, is it possible it's happening to the rest of them now too? What if Rook was dead alongside Varric and the warmth she feels is an imitation? I'm rather iffy on most of Harding's romance plot (it's a bit too quirky for my taste) but I genuinely think she raises an interesting point there. It's a shame we don't get to explore that because of the literal endgame afterward. Ever since I played Origins, I've always contemplated the idea that the Warden could've become possessed at any point in the story (at their harrowing, in the sloth demon's prison, while saving Connor, at Andraste's crucible). I find myself in a similar predicament - obviously Veilguard doesn't play out this way as you delve through Solas' prison of regret, but could Harding be right? She wished every day to see Rook - she feared for their soul and stubbornly held onto hope they were still alive. What if a spirit heard her pleas and felt such compassion it came to heal her woes? Orrrrr what if one of the many spirits Solas attracted felt something so strongly in Rook that it became the idea of them? Rook wasn't able to cope with their companion and Varric's deaths, so it kept moving forward to finish what Rook started? I don't know how that'd affect the story if it were possible, but I do find the thought of it interesting. A false Rook, a spirit lying beside her, soothing Harding after weeks of grief... Hmm. Something to ponder...

[little-pup-pip]

Just curious, what requests do you have in your queue/to do currently? If you're ok with saying it that is :]

Oh boy, that's a bigger question than last time someone asked! I have over 200 waiting requests at this point!! Because of that this got very very long, so I put the rest under the cut! Like last time, this is in order of how recently I received the request, and doesn't mean I'm too busy to take new requests!!

Ibara saegusa (enstars)

Monochrome oranges cats and angels

Gloomy bear

Another rockruff (maybe)

Cult of the lamb (specifically the lamb)

Llewellyn Watts (Murdoch Mysteries)

Jake (trailer park warlock)

Cult of the lamb (pet dreaming themed)

Bear therian

Selkie

Ice bear (we bare bears)

Tubbo (maybe)

Snow leopard

Pink

Australian shepherd (pupre)

Cassie (fnaf: ruin)

Draik (neopets)

The rainbow fish

Black kitten + space

Pumpkin head (maybe, needs more research)

Alice in wonderland

Sheep

Someone's OC Avery & siblings

Gothic

Star catcher (MLP)

Masc version of my druid board

Scrooge CG (2009 film)

Beetlejuice

Superstar daycare (fnaf)

1950s + ocean

Pandas + light purple and black

Dandelions

Willy wonka CG (recent movie)

Maki Harukawa (Danganronpa)

Kidcore Halloween + pumpkin puppy Webkinz

Fruit bat

Mermaid

Pastel purple + pandas

Robocar Poli

Brown, lime green and forest green puppy

Weird Barbie CG

Shiny Vaporeon

Where the wild things are

Squid

Dylan (the magic roundabout)

Conner CG (Detroit become human)

Mitsuri kanroji (demon slayer)

Minecraft mooshrooms

Sharks or wolves (haven't decided)

Hot Wheels

Miffy

Fox

Sharks

Zombies

Vincent (dead plate)

Vintage kitty dreaming

Deadpool

Shane CG (stardew valley)

Wolf pup

Celestia and Luna (MLP)

Soft blue and yellow

Pascal (animal crossing)

Pastel blue and pink

Batman CG

Ram

Osamu dazai (bungo stray dogs)

Dylan (the quarry)

Rain/nature + white rabbits

Ox

Penguin + dinosaur

Noah (total drama island)

Vision CG (marvel)

Light blue

Bumble bees + lavender

Yellow + ducks

Bearded vulture

Barn owl

Queen barb (trolls world tour)

Oliver (vocaloid)

Light green light brown and beige

Mind (Chonny Jash/CCCC)

Cinnamoroll + emu otori (project sekai)

Yellow+ chicks and puppy stuffies

Seam CG (deltarune)

Plants vs zombies

Viktor (arcane)

Queen of trash CG (Elmo goes to grouch land)

John Constantine (Justice League Dark)

Aziraphale (good omens)

Scenecore

Musa (winx club)

Leap frog

Hyper feminine puppy

Crow + black cat

Totodile + bodies of water

Bees

Sackboy (Little Big Planet) and or My Melody

Baby crocodile

Animal crossing

Pastel kitten

Doki doki literature club

Keralis (Hermitcraft, maybe)

90s grunge

Tula tones (novi stars)

Eevee + dragons

Kitten + stars

Ratchet (rescue bot academy)

Pastel shark

Mikan Tsumiki (Danganronpa)

Mushrooms

Grey + Ross federman youtooz

Sparkly dragon

Blue and purple + puppies

Ducks + alt/Gothic lean

Cinnamoroll

Shadow (sonic)

Jellyfish

Boyfriend.xml (Friday night funkin')

Puppet (fnaf)

Golden retriever + yellow and blue

Bernese mountain dog

Strawberries

Genshin impact

Len or Miku

Toothless (httyd)

Eddworld

Donnie (rise of the tmnt)

The princess and the grilled cheese sandwich

Pastel goth princess

SpongeBob

Karako Pierot (hiveswap)

Young Michael Afton

Soft fox

Great pyrenees + farm

Ike eveland

Invader Zim + neon green

Julius Caesar (Octavian, night at the museum, waiting until March for this one)

Scorpion

Vampire squid

Golden retriever (again, lol)

Cats + playing outside

Border Collie

Tiger

Argos CG (World of Mr. Plant) 

Pochacco

Mortal Kombat

marble cross fox/forest/fantasy (I'm figuring this one out still)

Puppy + SpongeBob

characters from Project Sekai, Hoshino Ichika, Mochizuki Honami, Akiyama Mizuki and Kusanagi Nene.

Baby vulture

Frog with more fem themes

Rain world/slugcat

Dark academia/cottagecore

Border Collie

Modded smash hit rooms

Crying child (fnaf)

Agent Smith CG (the matrix)

Katamari

Enjolras (les miserable)

Rolfe DeWolfe CG (Rockafire Explosion)

Bugbo

Slime rancher

Puppet (fnaf)

CosMc's

Parado (Kamen Rider)

Tally hall

Gordon (all engines go)

Spinel (Steven universe)

Cater diamond (twisted wonderland)

Rockabilly (probably)

Felix Lee

Jing yuan CG (Hsr)

Charles Xavier CG (X-Men)

Toki wartooth (metalocalypse)

Naoto Shirogane (persona 4)

Kitoto (I don't know what he's from)

17th century dutch

Sirena von boo (monster high)

Jake (miss peregrines home for peculiar children)

Minecraft

Sees behind trees

Allay (Minecraft, I think)

Spinosaurus screenshots or products

Tecchou (Bungo Stray Dogs)

Barbara (genshin impact)

Tasmanian devil

Spamton CG (deltarune)

Spinosaurus

Grunge + lop eared bunnies

Yume-Nikki

Daxter (jak and daxter)

Madness combat for puppies

James Sunderland (silent Hill)

Shirokuma (Danganronpa)

Leo (IDW comic)

[fragmentedblade]

Also, Ruan Mei was the one who lent the Phase Flame to Ratio, wasn't she?

[unforth]

I'm an OTW member again!

THANK YOU @petralemaitre !

If y'all want to get a membership scholarship before June 30th so you can register and be able to vote in the next OTW election, get all the deets here:

(the post is worth reading even if you don't want the scholarship; it's about End OTW Racism and it's such an accurate write-up of my own thoughts on why I'm involved too, I was like, "wow sharing a brain with a total stranger is so heckin' weird")

Very much lookin' forward to exercising my right to vote! Let's dooooo this!

[doux-amer]

Sick of this stupid team making the stupidest mistakes and sloppiest passes and their laziness and slowness on the ball and lack of finishing ability. I'm angry at Quansah, but once again, just like our matches against other big clubs, this is down to the whole team being miserably bad. Genuinely wondering if this team even wants to win the league for Klopp before he goes because they sure don't play like it.

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[nobodysuspectsthebutterfly]

Somewhere beneath those roofs, the Sons of the Harpy were gathered, plotting ways to kill her and all those who loved her and put her children back in chains. Somewhere down there a hungry child was crying for milk. Somewhere an old woman lay dying. Somewhere a man and a maid embraced, and fumbled at each other's clothes with eager hands. But up here there was only the sheen of moonlight on pyramids and pits, with no hint what lay beneath. Up here there was only her, alone. She was the blood of the dragon. She could kill the Sons of the Harpy, and the sons of the sons, and the sons of the sons of the sons. But a dragon could not feed a hungry child nor help a dying woman's pain. And who would ever dare to love a dragon? —ADWD, Daenerys II

Interviewer: One could argue that more can be learned about everyday politics from your novels than from the newspaper.

George: I did indeed intend to make politics one of the main themes of these novels. I hope to make my readers reflect on political issues. For example, when Daenerys Targaryen conquers a city of slave traders and tries to rule it, she realizes that good intentions alone do not make a government program. There is a series of very difficult decisions to make and, no matter what you do, people will hate you.

Interviewer: Even if one has three dragons.

George: Exactly. The dragons are metaphors.

Interviewer: Virtually the nuclear weapons of your world.

George: The most terrible weapon! However, they don't put you in a position to abolish poverty, make everyone love you, or lead a happy life. You can very well use them to burn things down, to destroy your enemies, cities, and entire cultures, but that doesn't solve the problem of good governance.

- George R.R. Martin, The Father Of Fire And Ice

[onlysomewhatsane]

Ok ok ok SO!

I think everyone has realized that Leola was autistic. It was heavily implied both through the flashback images and Aaravos' narration-

She lined up her toys, flapped her hands (it was also shown in the trial scene), seemed to be sensitive towards loud sounds (like the other startouch elves when they talked), and walked on her tiptoes. All of those are classic signs of autism.

But there's one thing I haven't seen anyone else bring up, and that's that her giving her human friends magic and breaking the "cosmic order" or whatever could also be because of her neurotype!

Autistic people tend to have very strict senses of morality and fairness, and will disregard rules if they don't fit their idea of right or wrong. Personal example here, I used to constantly do things I was told not to because I thought the rules in question were bogus.

It's not hard to guess that Leola would find the rules about humans not having magic to be unfair- after all, her and all the other elves, and even the animals around them are full of it! So in the mind of an autistic child, this would be incredibly unfair. And she had the power to "fix" the situation! So why wouldn't she?

Why wouldn't she try to help her friends? Because it would break the cosmic order? That's vague as hell and she was a KID!

And the startouch elves atomized her, for breaking a rule she probably only half understood and thought was stupid. Because she was autistic.

Had this thought and wanted to share, makes the whole thing even more tragic.

[thinkinonsense]

PAST LIFE⋆

dofp!logan howlett x mutant fem!reader

cw:fingering, cursing, dirty talk, mentions of motherhood, fluff

masterlist

logan should've known when he accepted the mission to come go back in time to stop the sentinels that you would still be here.

"is there an issue here, hank?"

the sound of your voice made logan's heart flutter. you were barely peaking out from behind the door but logan could see you just fine. he couldn't stop staring.

"no, everything's fine." hank assured you. just as you turned to return to charles's office, you heard the door burst open. this handsome stranger hits hank right in the nose before continuing up the stairs to you.

logan had to take you in for a second. his beautiful future wife stood in front of him and had absolutely no clue that they were married because she was only twenty-five years old.

had you always been this gorgeous? was that even fair? all of these were questions that floated around in his mind.

"who are you and what do you want?" you asked as he reached out to touch you.

"so you've always been this beautiful, huh, princess?" he purred, tucking away a piece of your hair behind your ear.

sure, he was attractive in his brown leather jacket and sunglasses but this man looked in his mid-forties. logan was too busy staring down at your frilly yellow babydoll dress to notice where you were looking at him. his left hand; more specifically the gold band on his ring finger.

"i don't mess with married men." you glare at him. he can't help but chuckle darkly down at your innocence.

"oh, my wife wouldn't mind."

god, logan felt like such a pervert for coming on to you but he couldn't help it. your ethereal beauty was unreal. not that you have aged much since the present day, as you two have the slow aging processes in common. older hank would always tell logan that he should be lucky that you agreed to date him because there were plenty of people who would love to take his place. sure, logan believed him but now, he really understood what hank meant.

"where's charles at, sweetheart?" logan asks, inhaling your floral sent.

before you can respond, charles comes barreling down the stairs drunkenly calling after you.

"where've you been?" he asked you then turned to logan. "who the hell are you?"

this should be good.

°❀⋆.ೃ࿔*:･

"how do we know that you're actually from the future?" you asked, sitting atop charles desks, swinging your legs. hank and charles stood outside in the hallway discussing whether or not to trust logan.

"you've always been this stubborn?" logan says under his breath, rolling his eyes.

"how do we even know each other in the future?" you finally asked.

for the past hour, this man has tried to sell this absurd story about how future charles and magneto sent him here together to save mutants from sentinels. so far he's managed to convince charles but hank and you were still on the fence.

"we're married, sweetheart." logan smirks wickedly.

there was absolutely no way that you two were married. this man is grumpy, mean-looking, and wears dark brown leather. you are an academic scholar who adores pastels and helping other mutants. he had to have you mistaken.

you squint up at him and laugh, "we are married?"

logan nods, walking over to you until he's standing between your legs.

"tell me something only i would know then."

"your favorite ice cream flavor is strawberry, you hate the cold and winter, anytime you drink coffee you get nightmares, your favorite color is green, but your favorite shade is the color my eyes get when i look at you." logan could see the way your eyes widen, slowly starting to believe him more and more. he couldn't help but feel cocky. "would you like me to continue?"

"im not sure... think you're gonna have to prove it. another way." you challenge him. logan's hand trails up your thigh, playing with the soft yellow material.

"c'mon sweetheart, this is too easy." he mutters against your neck, placing soft kisses and nibbling on the skin.

logan knew you like the back of his hand. he knew exactly what you liked and disliked. sometimes you would even tell him that he knew you better than you knew yourself.

"you like when i pull your bottom lip when we kiss. you blush every time i offer for you to sit on my face. one of your favorite ways to fuck is pressed up against a wall or bent over a table..." logan could go on and on.

"we do that...?" you whisper embarrassed by this version of yourself, trying to avoid his burning gaze.

"oh, all the time. sometimes you pull me down on the floor when i come home, begging to ride me right then and there." logan says, once he captures your attention again. you chew on your bottom lip adorably.

a small whimper passes your lips before you remember that hank and charles aren't that far away from the room. one of your hands comes up to logan's chest, slightly pushing him back despite not wanting to.

"w-we should stop." you warn him. "they can hear us."

this was when logan knew that you hadn't discovered part of your mutation yet. he had already assumed that you hadn't but this confirmed it.

"need you to relax, princess," he says, moving higher up to your jaw. your body betrays everything your mouth says, eating out of the palm of his hand. "i promise once you relax, it'll feel like time has stopped."

logan's lips taunt yours; not quite giving you what you want. fed up, you overpower him and push his lips into yours. the only word floating around in your head was 'relax'.

carefully, logan lays you back on the desk. something about being held in the stranger's arms set you at ease; maybe he was your husband?

"you don't know this yet..." logan huffs. "but you can stop time."

you scoff, thinking that you caught him in a lie. "no, i can't."

"if you relax like i said, then you can." logan mutters against your collarbone.

one of his hands slides up your thigh while the other rubs circles on your hip bone. was this wrong of you? if he is telling the truth –and it seems like he is– then technically he is your husband and it's not wrong to mess around with your husband.

"open up for me, babydoll." logan mumbled against your collarbones, placing wet kisses and nibbling on the delicate skin.

your legs spread with ease as his callused fingers rub over your cotton panties. the soft material of your dress is bunched at your tummy as he tugs your panties off, pocketing them for himself. his thumb returns to rub your button.

"p-please..." you whimper, looking up at logan with bambi eyes. "need more."

"anything for you, princess." he groans, slipping two fingers inside of you as gently as he can. this earned a loud moan from you when he nudged that spot deep in your gummy walls with ease.

"see how well i know my wife?" logan gloats, pressing soft kisses to your lips but never letting you catch him. "you usually prefer it rougher than this but i'm not cruel."

"y-you can go... can go faster." you pant, never having anything quite his size yet.

"i don't want to hurt you, baby." he says in a condescending tone. "wanna know something 'bout the future?"

it was difficult but you managed to nod your head despite how clearly fucked out you were at this point.

"a couple weeks ago, you came home telling me how much you want to be a mom; how you've always wanted to be a mom." he pulls back to look at your pretty face, lust darkening your eyes and slick pouring out of you, practically dripping down his palm onto the desk. "so, every chance we get alone you've been begging for me to go raw inside of you."

logan loved how even as you're all spread out for him, you're still blushing at his filthy words.

"look at you, blushing while you soak my hand." he mocks with a smirk.

"i'm s-so close, please!" you beg so politely.

his thick fingers pick up the pace as you clench down on them; jaw dropped and head thrown back. logan's other hand supports your back while your cute painted blue nails dig into his wrist as your climax starts to wash over you.

"hey sweetheart, look out the window." he chuckles, moving your chin to stare hazily out the glass window.

you couldn't believe it. every car, bird, street light, everything was stopped. everything but you and logan.

"how did you know that i could...?"

"you can't always control it but when you calm your mind, it's easier for you to do it."

"does it always happen when we...?"

"when we have sex...?" logan chuckles as you hide yourself in his chest. you nod. "no. over time you've found ways to control it. sometimes if we need more time, you might manipulate it."

"future me sounds cool." you giggle, lifting up to look at him. "how do we meet?"

"i can't tell you that." he smiles.

"well, then where are you in this timeline? how can i meet you sooner?"

"i'm not a very good man during this time, baby. you'll meet me when the time is right."

"what if you don't want me then? how do you know we will still get together?"

logan looks down at your pouty lips, swiping his thumb across it.

"i'll always come back for you. no matter the timeline or where we are in life; i'll find you again."

"promise?"

"i promise you, sweetheart. don't worry that beautiful mind of yours." he assures, kissing the tear strolling down your cheek.

logan reaches down and kisses you tenderly, pulling you out of the time freeze. suddenly the door swings open on the two of you. thank god, logan had quick reflexes, pulling your dress back down to cover you.

charles calls your name and then asks, "what are you doing?"

"it's okay, he's my husband."

a loud laugh escapes logan at your lovey-dovey tone, almost making hank and charles eyes fall out of their heads. you couldn't wait to meet logan again in the future.

[runawaymarbles]

One of the things that frustrates me about some of the Discourse is that obviously it's obnoxious to tell people they'll change their minds about things like having kids, or their identity label or what have you, and people shouldn't do it. But those posts are always full of testimonials of people who never changed their minds and using 'I was right all along' as a reason for why you shouldn't question people. Which is fair!

But also consider: people change their minds all the time. Some people don't want kids until they're 35 and then they want a dozen. Some people really DO 'meet the right person.' Sometimes something really IS just a phase, and that's fine!!! Yelling about how this never happens or acting like other peoples' experience invalidates our own is not perhaps the inclusive and supportive message we think it is.

Don't tell people they'll change their mind because it's obnoxious, don't tell people they'll change their mind because there's a good chance you're wrong, but also don't tell people they'll change their mind because it makes it harder for them to actually do that.

[lymtw]

Talk To Me

"Come here," Toji says, at the sight of the involuntary pout that works wonders to express your internal, dispirited mood. His attention is divided very unevenly between you and the movie playing on the TV, you holding the greater part of his focus. He's watching you for his own peace of mind, hoping that every time you take a break from the movie, to check your phone, you'll spare him a look. You've been quieter than he knows you to be, and you're not sitting even remotely close to him. He's on one side of the couch and you're on the other side.

A few seconds pass since Toji spoke up, and he wonders if you even heard him in the first place, because you didn't respond. He passes on repeating himself when you shift your eyes from the TV to meet his gaze, and though your gloominess isn't because of him, you can't offer him any sort of indication that you're good.

"Sorry, i'm not in the mood to take my clothes off, Toji," you say, your voice a gentle, pitiful excuse for sound. If your voice could be seen, it would be similar to the tragic way that grass blades slowly try to stand up, after being stepped on. If the sound of your voice could be felt, it would be the void-like, almost nauseating feeling in your stomach, that comes with ignored hunger. You sound detached from the bright person Toji knows, and clearly, you're not okay.

"I'm not asking you to undress yourself. I want you to come to me," Toji responds. "You're sitting so far over there, away from me, like I did something to you. For being the most reasonable person I know, this isn't fair, at all." His eyes stay on you as he awaits your response, but he is only met with the sight of you looking down at your hands.

"Be fair. You didn't help me get better at communicating, just to turn the tables on me like this." His tone is sharper, out of urgency. He wants to know what he can do for you, but it's hard to do that when you're there, yet, not there. "Just... come here, ma," Toji tries again, his voice a little softer and understanding. "Please. Let's talk about anything." He pats his thigh, directing you to one of the reserved spots he holds for intimate conversations with you.

You know Toji's stubbornness will not leave you alone. It's impossible to hide anything from him once he's onto you, so you stop prolonging the inevitable and silently do as he says.

You turn off the TV, before walking over to him and settling on his lap. You sit there, with a racing heart, because Toji's attention feels like a spotlight on you. His hands interlock at the small of your back and rest there, as he waits for you to say something. Silence invades the moment while you figure out where to start.

"What's wrong?" He asks, when there is no attempt to speak made by you. Immediately, your throat begins to ache, and your eyes start to sting. It's a question known for breaking people, and you're on the brink of becoming another victim. You think you can widen your eyes to keep them dry or blink away the tears, but the outcome doesn't favor you. Toji's hands shift so that they're splayed out on your lower back. They move up and down in soothing motions, as if he's trying to coax your strong emotions out with the comforting gesture. Like a gloomy sky finally giving in to rain, you cave in to vulnerability.

"Baby?" Toji calls, watching as sadness takes over your features. He sighs as he pulls your twinkly-eyed self into his tight embrace. He hates when you cry. The sound and the sight is the equivalent of pouring acid on his heart. It's torture for him to see that his baby, his sweetheart, his love, has been reduced to streams of tears, but he knows that getting it all out is for your own good. This is the 'alcohol in the wound' part of the process. You don't want to do it, but you'll feel better, afterwards. Just like a real physical wound, Toji will make you get it done. Scream if you must, curl into him like you are trying to go through him, he's not going to abandon you.

"Just breathe, sweet girl," he instructs, when he hears the heart wrenching sound of your stuttered breaths. "Breathe. Give me a good one," he says, rubbing your upper back. You inhale, the act still heavily stuttered, before you exhale. "Good. Again." You repeat the process and get the same trembling breath as a result.

"Fuck," you choke out. Your head feels like it's pulsing, your abdomen burns, your chest feels heavy, as if you have chains tightly wrapped around your torso, and your throat aches. It's all so overwhelming, you feel like there's a disastrous storm ruining you from within.

"Sweetheart, please breathe. You're gonna turn blue any minute now." Toji can't hold you any tighter without crushing you, but he wants to, so badly. This is the lowest he's ever seen you and it's killing him. He has never made you this upset. It's hell to even imagine what you must have endured to get to this point.

"You're safe. I have you," he says, bringing a hand up to cradle the back of your head. "I'm here, baby."

Toji's shoulder is damp from your waterfalls of tears and he can feel an excessive amount of heat radiating from your trembling body. Your crying ceases and all that can be heard are sharp, short inhales and puffs of air, as you try to regulate your breathing. Toji continues running his hands over your back, soothing the tired, tense muscles of your shoulder blades.

"We are gonna have to talk about this later, doll. I know that might not sound like the most fun thing to do, but it'll make you feel better. I want you to feel better."

Toji is mindful of your silence. He knows your voice isn't in the best condition to speak after your surge of emotions, and you're probably exhausted, but this isn't a dead end for him. He'll figure out your needs, and he'll take care of you. Anything to bring your happy, smiling face, back.

Toji allows you to pull away from his shoulder, and instantly takes in the sight of your pretty, ruined face. You don't look at him, and he assumes that your appearance is to blame. Your eyes, they're red and puffy, glimmering in the light with your now contained feelings, and you're still sniffing like you need to blow your nose. It's terrible to see you this way, but he would withstand much more than this, if you needed it.

"How does a bath sound, for now? A bath and then some food? You hungry, mama?" He asks, his expression involuntarily soft, as he runs the pads of his thumbs beneath your eyes, attempting to clean you up a little.

"No," you say, quietly, with the fragility that remains of your voice.

"I'm gonna pick up some food while you relax." Toji almost laughs at the subtle roll of your eyes. "That's my bad. I shouldn't have asked in the first place. You need to eat something."

He doesn't want to put you through any more stress, but when he needs to take care of you, during times like this, he knows what you need more than you do. Your reasoning is clouded by your emotions, and you'll let go of yourself, because your thoughts rewind over and over to what's plaguing your mind. Toji knows you'll be glad he did this for you when you feel better.

"Let's get that bath ready," he says, securing your legs around his waist, before he stands up from the couch. Your face is buried in the crook of his neck, and you breathe in his scent, until you reach the bathroom.

Toji flicks the light on and sets you down on the counter. A chaste kiss is pressed to your tearstained cheek, before he lets you go so he can prepare your bath. You turn your head to look at yourself in the mirror and hate the messy sight before you—the product of your meltdown. You turn on the cold water and splash some on your face, hoping to decrease the puffiness of your eyes, even just a little bit, while Toji is busy. You dry your face afterwards and check your appearance in the mirror, again, to clean up any remaining gunk in your eyes.

When you finish, you turn back, just in time to watch Toji rise from his knelt position by the bathtub. He makes his way back to you and stands between your legs, offering you a contemplative look, and a "hm" to go along with it. No words are exchanged when his hand reaches out to gently cup your jaw, allowing him to turn your head in any way he wants. He leans forward to examine you more closely, to check if anything is "broken". He can see you pressing your lips together, trying not to laugh, as he continues to snoop around.

"Oh," he says, like he found a cable that has simply been disconnected. He turns your head a little, and keeps inspecting the problematic area, building up the suspense for you. You couldn't say it, but him finding something scared you a little, considering you had just looked at your reflection and didn't see anything.

"Don't move, doll. I'll get it." His hand rests on your shoulder, the other on your thigh, as he leans in closer and closer, until his body heat coils around you. He presses a kiss to the side of your neck. It's featherlight, almost like a gentle breeze. Another one lands on the same area, then another, and another, until he hears your little laugh, a sound that brought both of you mutual relief. Your relief came from understanding that Toji didn't actually find anything off, while Toji's came from the miracle of him being able to make you laugh, after what went down not that long ago.

"Two seconds, ma," he says, beneath your ear. He pulls away from you and goes back to the now foam covered, sweet smelling bathtub. He leans down to turn the faucet off, and returns to you, afterwards.

"It's all ready for you," he says. A smile curls on his lips when you raise your arms, signaling for him to pull your shirt off. "You wanna keep your bra and underwear on?" He asks, as he pulls the hem of your shirt up. You nod, just before the material goes over your head. He sets it aside and helps you down, off the counter, so you can take your sweatpants off. You pull your phone out of your pocket and set it on the counter. Your fingers hook into the waistband of your sweatpants and tug downwards, until they just slide down your legs and allow you to step out of them.

Toji watches you carefully step over the edge of the tub, one foot sinking through the foam and into the warm water, followed by your other foot. You crouch down, slowly, until you are able to sit down and eventually lay back. You close your eyes once you're in a comfortable position and just let the warm water and the pretty smell work its magic on you.

Toji kneels beside you, and observes you in a more serious manner than before. His gaze lingers on those tired eyes of yours, for longer than any of your other facial features. Your eyelids are still swollen and the bags beneath your eyes are prominent. The longer he stares, the more he thinks back to how you were so distressed, to the point where you forgot how to breathe for a few seconds. It scared him. He didn't get a single word about what was wrong, from you. You couldn't say anything other than that single curse, but even then, you sounded like you were being strangled by your own emotions.

Toji knows this is only a temporary fix— this calm sight of you resting in a bubble bath. Your feelings won't be swept under the rug, because he knows that if it were him going through this exact situation, you wouldn't just give him a hug and call it a day. No, when you take care of his mind and heart, you hold him in your arms and don't let go until he's the one trying to cage himself in your embrace when your arms loosen around him. You keep your voice at an intimate volume as you tell him about your day, because sometimes he isn't immediately ready to talk about what is bothering him, but he still wants to hear you. You cook for him, you give his tired body massages, you shower him with love and affection, and when he's finally ready to tell you what's going on, you listen closely to everything he has to say and you offer him your utmost support. You love and protect him to no end, and he has become shamelessly clingy towards you, because of it.

He wants you to feel as loved as he does. He wants you to know what it's like to experience the same level of care you give him. He may not be able to replicate it to a T, but he's willing to try for you.

"Hey," Toji calls, tenderly running the knuckle of his index finger back and forth, over your cheek. You hum, and blink open your eyes, giving him your attention. "I'm gonna go get us some food. Stay on the phone with me and keep me company until I get back, yeah?"

You nod. "Yeah, okay. Can you bring me my phone, please?"

Toji gets back on his feet and takes one large step towards the counter, retrieving your phone, before taking that same step back to leave it next to you, on the edge of the bathtub.

"Be right back, doll. Pick up the phone as soon as I call, okay?"

"Okay."

His hands grip the edge of the bathtub, to prevent him from falling in, as he leans in to peck your cheek once more. His weight shifts onto one arm so he can bring a hand to your face and rub the kiss into your skin with his thumb.

"Love you, ma."

"Love you, too."

With that, Toji stands up straight and heads towards the door. He takes one last look at your pretty face, before exiting the bathroom and closing the door behind him. He grabs his phone from the couch, his keys from the hook on the wall, and messily slides his shoes on, not bothering to put them on correctly, since he won't be getting out of the car, anyways. He secures the inside of the house, before heading out, and once he's outside, he finds his house key and locks the door. He fishes his phone out of his pocket and makes haste of clicking the phone icon, and then your contact, as he keeps walking to the car. His phone is now against his ear, and he listens as the line rings once... twice...

"Hi, Toji."

"Hi, baby."

[harmonysanreads]

PUPPY PHAINON IS SO REAL OMG

i think it be so funny (extremely sexy) if he goes absolutely feral because his love got hurt on the battlefield

i'm talking absolute carnage, not a soul alive, people being genuinely scared because wtf man (bonus if his partner only got a minor flesh wound hehe)

Your lover has been acting... strange recently.

Though, the abnormalities have been so conveniently spaced, so intertwined with inconveniences that they could be brushed off as mere coincidences — in hindsight, at least. You'd be found guilty of this practice, as it becomes second nature to assume the best of people that can bear one's trust. There appears the occasional incident, where you find yourself second guessing that faith instead and question the normalcy of this particular genre of human behavior.

“Will you tell me now, who did this to you, melite?”

You find that you need to use force in order to push down the flinch that almost crawled all over your skin, unaccustomed to this tone of his.

You push yourself closer, your nails dig a bit harder into the fabric covering his arm ; sensing his gaze towards your direction. Your grasp is more labored than it should've been, you can feel the tendons beneath your grip flexing in barely held restraint. Murmurs follow their way to your ear, unintelligible in fear of feeding further the hero's wrath.

“I have been telling you this since the beginning, Phai.” in spite of your effort, exasperation bleeds into your words.

You glance from behind Phainon's shadow — pointedly at that — towards the knuckle tight grip he has on the fellow's skull. ‘Unfortunate’ probably does not suffice to describe this random pedestrian's situation. You're not given more time to ponder the validity of that claim as something reminiscent of a crack drifts to your ear, alerting you to hasten.

“It wasn't this man, it wasn't any human to begin with! You have to believe me, please.” you tilt your head and make sure to secure his gaze, ripples of discontent appear on the once placid ocean.

You knew it wasn't exactly unusual for one's protective instincts to be provoked in relation to a loved one, but for it reach this magnitude was concerning in your book. Especially so considering their increasing appearances, over the most mundane matters at that.

The Chrysos Heirs aren't known as without their fair share of eccentricities, you suppose they are suited for ones destined to be heroes. But every new scene over a scratch against a surface, a person standing too close, a different gaze lingering too long has you questioning if Phainon's ‘protectiveness’ can really be excused for long.

Perhaps the helplessness in your eyes had finally pushed through the layers of rage bubbling in his head and the contact with your skin had weakened the flames, as he loosens his clasp on the man's head, before shoving him aside with enough force to make you feel the kick of your heart against your ribcage.

You don't get to check the man's condition as Phainon takes your hand in his previously occupied one, his thumb ghosts over the scratch across its back, the swift difference unnerves you for a second.

You know not to waste your breath though, catching the implications. “It... was that pillar.” you avert your eyes upon feeling his caress halt.

“...Which one?” his curt inquiry alerts you. His fingers flex and relax around yours, you can no longer hear the crowd.

You bypass a breath to grasp his collar, caution clouds your mind. The abruptness of your action startles Phainon, as he meets your frown.

“Don’t.” you warn, the realization that makes itself known on his countenance at your order proves your hypothesis to be correct.

“But that pillar deserves it, melite.” something similar to a pout softens his face and at last you find traces of the Phainon you are so familiar with. “If it's hurt you once, it will do it again. Isn't it better to just remove it to avoid that scenario?”

You let go of his collar and rest your palm on his cheek, unable to restrain the sigh that escapes your lips, “Phai, the pillar is an inanimate object.”

He leans into your touch, you're certain he would've melted from it had it not been for the embers of his previous fury keeping his senses sharp, “So?”

You steer yourself away from face-palming, “So, I'm saying that you shouldn't make more of a scene than you've already had. I just want a peaceful evening with you, okay?”

He blankly stares at you for a moment, digesting each syllable. Only when the ‘with you’ reaches his ears does he seem to have sobered up. Phainon nods, taking your hand from his face to press a kiss on the scratch marring the skin. You notice his eyes straying, you would've missed it completely had you not been paying attention — a side-eye towards the fellow now scrambling away.

You've succeeded in preventing any major incident from occuring today, but your power in maintaining the consistency of this endeavor remains uncertain.

I tweaked the scenario a bit because it was funnier in my head orz but overprotective Phainon is so delicious, ty nonnie!

[nightingale-prompts]

Sparing Batboy

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"You need to sleep." Bruce put his hand on Dick's shoulder.

Dick ran a hand through his disheveled hair. His eyes were dark from lack of rest.

It had been two days. Two days without a sign of Danny. Not even a glimpse on a street camera or his phone or clothes going missing. He's just gone. Evaporating into thin air.

"I need to find him," Dick said resolutely.

Bruce shook his head and opened his mouth to protest.

"Don't say anything," Dick said through clenched teeth. "You don't get to say anything about what I'm doing. You have done the same thing."

"Dick this is not the time to-"

"I said shut up! If you want to be helpful then go back to looking for him. Otherwise, leave." Dick said before jumping to another rooftop.

Dick knew at the end of the day he knew very little about Danny. He never asked because he knew it clearly hurt him to talk about it. All he needed to know was that Danny needed him. From the moment he first saw that watery smile on that kids face on his face when he invited Danny to eat with him.

Bruce definitely knew by this point that Danny and Batboy were the same. Especially when he asked where his grandson was while they searched. He hadn't said anything else about it. Dick didn't care at this point. I wouldn't change anything.

Part of Dick hated it. He has spent so many years comparing himself to Bruce. Trying not to become him yet still stuck in his shadow. To not repeat his mistakes.

Dick had made his fair share of mistakes and had paid for each one. He had lost so many people either from his own actions or not acting at all.

But what can he do now?

He just wanted to find his son.

He just didn't want to hear what came next. Commissioner Gordon called in with a clue…no it was a message.

A pair of wings splayed to mimic the iconic bat signal on a rooftop. The bloodied wings were severed at the base of the bone.

There were very few villains in Gotham that would do something so violent, fewer that would show off their act so brazenly. This kind of of senseless violence just to anger Batman was the mark of none other than Joker.

Joker had gotten his hands on another member of Dick's family. Flashbacks of Jason and Tim filled his mind.

And something just snapped.

In another part of the city, a certain clown glared at the limp body of the teen.

He had hoped the kid would at least wake up after having his wings cut off but despite his body state he slept soundly. He even had goons try to beat the kid awake but while the blood stayed any injuries disappeared instantly. Metas were a pain in the ass.

In the realm of dreams, Danny was comforted in the arms of the Nocturne. He got to visit his sister and friends in their dreams.

Jazz squeezed the life out of him as she asked him every question she could. Danny tried his best to answer each of them.

"Relax Jazz, I'm fine. I just can't come back. You know how it is. A grand destiny and all that." Danny said.

"But you're still just a kid Danny. You have school and-and-" Jazz said frantically trying to find the words.

"And I'm still going. Clockwork and Nocturne are teaching me everything I need to know until I take the throne." Danny wasn't ready to tell her about his new life.

She didn't need to know that he had a new family. Not when she was what he had to leave behind despite how much it kills him. There wasn't a day he didn't miss her or think of her. Nothing could replace her.

Unaware of this Nocturne and Clockwork watched as Danny dreamed within a dream.

"We should just kill the clown," Nocturne said resolutely as he peered into the material realm.

"You swore not to interfere with the mortals anymore," Clockwork warned.

"I'm not like you, Kronos. I can't sit idly by and watch this happen. I actually care." Nocturne said leveling a glare at the time ghost, his eyes blazing.

"So you care for the boy now? I thought you said you couldn't stand children?" Clockwork smirked his eyebrow raised.

Nocturne huffed shifting the blanket he had laid on Danny to cover him properly.

"I am close to mortals. It is what I am. Children tend to have the most innocent dreams. They have nightmares they don't know how to handle. They are fitful sleepers and cry before they wake. They can't parse dreams from reality. So much care goes into forming their dreams but at the same time, I must scare them. To remind them they should be afraid of the dark. I just can't stand to make them cry and lose those sweet little dreams." Nocturne brushed his clawed hand against Clock's cheek. "I don't understand how you do it. You let them hurt. You know what will happen yet you do nothing."

"It is my purpose. I care but all actions have consequences. I can't weigh the lives of a few for all. I asked you to put the boy to sleep to spare him the pain, at least for now. Had I not, I fear his fate would be darker." Clockwork sighed leaning into Nox's hand.

"Then let's kill that man. I know you want to my love." Nocturne's smiled wickedly eager to return to the living world.

"That is not our role. No, there is another who will come soon." Clockwork said pushing his malicious lover away. "Besides if the boy wakes you know he will undoubtedly cause untold damage. You know how much he hates clowns as is. There will be no coming back from that."

"You say that like it's a bad thing. I would be very proud." Nocturne hummed in delight.

(Am I ever going to run out of bat pics/gifs? Let's hope not.)

(Also gay ghosts dads. You're welcome.)