#but i do think he’s such an interesting character

[sammakesart]

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[drenched-in-sunlight]

one thing that i find interesting is that even though we never get to interact with Marika directly, only knowing her via obscure cutscenes and other characters' dialogue... she actually displays a wide range of emotions as much as any other NPCs.

her statues depict her as having a warm, gentle smile:

the Mimic veil description points to her playful, mischievous side:

(it's a popular theory in the JP/Asian side of the fandom that it's sth from her childhood - hence the "Marika's Mischief", not "Queen Marika's", and she used it to escape the grisly fate befalling her family.

additionally, its equivalence in Dark Souls is also something described as "the mischief of a young girl who sought relief from the solitude of the woods at dusk", aka Princess Dusk who hails from "Oolacile, land of ancient golden sorceries", but i digress)

her portrait, the story trailer's "Queen Marika was driven to the brink" and Gideon's dialogue after the player defeated Malenia pointed out her sorrow:

(back when i first played the base game, this is the portrait that drove my eyes most in Roundtable Hold. i kept gazing at her - the Queen with permanently lowered eyes, and thought "there is a girl in there")

The bat lady's song, Messmer's entire Crusade, all those conflicts to establish the Erdtree, shows her anger, and the cruelty she's capable of:

Then there's Shaman's village, the clinic underneath Shadow Keep, the golden braid, the Minor Erdtree, the sealing of Death - that points to grief, trauma, survivor guilt, kindness, and the ruinous drive for revenge that results in the above path down hell:

(there's also a theory for the Crusade's headless statue being a reminder for the Hornsent of what they put Marika's mother through, but it's not concrete canon so here is the link if you want to check it out)

The fact that all of Erdtree's incantations are heal and protection spells (with only one exception of Wrath of Gold spell which was found after the Elden Ring was shattered), the Capitol's Perfumers originally being blessed healers, and that all Erdtree blessings come in the shape of tears give the picture of Marika's gentle wish at the beginning: to heal everything and everyone.

(and to me personally, there's a kind of vulnerability and honesty in showing your tears to the world and let it be your power to heal at the same time.)

the eye she blessed Messmer with (i do think the Eng translation at some part lost the sentiment of the JP text - that the eye is always referred to as a blessing)

the blessing flask that - unlike its Dark Souls equivalent (which ranges from 6-13 flasks), only have 4 available to us player, heal all ailments and status effect, and specified as sth made for Messmer.

the Marika's soreseal in the Haligtree + the waterfall near Godwyn's final resting place

the Regal Omen Bairn (that was fashioned after the Jizo statue - sth made by grieving parents wishing for protection for their deceased child in the afterlife)

the blessing, gifts, equipment that Messmer and Godwyn's personal knights all get

the fact that Marika's bedchamber and the Impaler's Catacomb (which is the only catacomb in the base game to have the spike trap mechanic used in catacombs in the DLC) remain the proof of Messmer's existence in the base game

how Godwyn's ending is the only ending where the mending rune is placed on the position of Marika's womb (the lower arc or the Elden Ring - also referred to as the basin in which its blessings pool)

that's a whole barrage of motherhood. the love, the fear, the postpartum depression, the guilt and anxiety, (the occasional scheming for revenge with her son). and despite how flawed and tragic that love ends up being for all of them, it is there.

(there's a whole subplot about how Messmer is the only demigod to be called ugly in-game (Hornsent npc dialogue) while Boc's questline is about how his mother being the only one to always assure him he's beautiful, despite everyone else calling him ugly. and how each NPCs questline does reflect a wider theme seen in Marika and her children. but again, i digress)

every time i think of her, Marika is a constantly shifting kaleidoscope, holding everything from within (the beauty and the malign, light and dark, birth and death, she's warm and gentle, she's cruel and unjust, she's strong and kind, she's weak and resentful, she's sweet and she's bitterness made flesh)... and i could only stand there and admire it all.

[potatobugz]

dog teeth

[fujosh1dreamer]

Guess we're talking about millie being preggo I originally didn't want to discuss this, I wanna talk about stolitz lol. Unfortunately I forgot this fanbase is filled with misogynistic scum, so let's talk about millie.

First off, she didn't cheat, she's not having an affair, she didn't get assaulted, and she's not selling her body for money.

It's stupid that I have to say any of that, but if any of those statements are things you genuinely believe you need to take you're misogynistic beliefs and shove them and afterwards get away from my page.

You know what is going on with her... she's found out she's pregnant which is not always a happy thing, nor should it be. Having children uproots your entire life, and changes everything. The way people think about you and the way people see themselves.

We have already established multiple times that millie is a character that only sees value in her strength and abilities.

Now, let's get into the moments in the episode and the things that are foreshadowing the pregnancy reveal. If people perceive the only sign as the one where she is throwing up and when she lashes out at moxxie there's more. When the client comes in a blitz initially declines the offer both moxxie and millie too absorbed into sinsmas wrath to notice the reason why. Moxxie even laughs and goes "really?" They're not paying attention, which is actually out of character for millie (ie hormones) millie is usually really on point and supportive when it comes to Blitz and his emotional needs.

After she throws up, we get this small moment at the window where she's not even looking at the scene. She's no feeling well she wants to get out of the cold, and we can also see the concern in moxxie as he looks at her.

Then there's this moment and it works well to reestablish that millie loves her job, and it also works to show she's no all there emotionally. Everyone including moxxie her husband is walking away, but millie wasn't in that moment that everyone one else had. So she's confused and upset, which is understandable.

This results in her lashing out again.

She insults moxxie, and of course immediately apologizes, and she doesn't even know why she responded that way. Millie is usually pretty well in control with the exception of seeing Chaz and later in happy campers (which was justified) and ghostf*ckers (also justified) are the only times she gets upset and lashes out.

Moxxie once again is not upset he's just concerned, he knows something is wrong, he just doesn't know what it is.

Want to take this moment before the in episode reveal to talk about how hard it is to rewatch these two scenes knowing that millie is preggos. The stress is real omg.

Next this scene of millie deciding to use guns is also interesting because it might be setting up for season 3. If millie keeps this a secret for a long time in season 3 I can see her doing more long range killings in the future. At least until she decides what's she's going to do.

I love that she decided to talk to her sister, and I also love the small detail of their mom being the first to notice something is off.

This is a hard transition for millie because she loves the life she lives, and she loves her husband. We hear her say in ghostfers that's she's happy, we've also seen their lives be uprooted already. Now millie feels like after finally finding stability things are ruined again.

[erralinadventures]

okay so, I saw this, and decided I was bored again(I'm always bored), and so I shall answer this for Kinnio! He is the only character in Erralin I actually played as a DND character, from level 1.

Yes. Though trauma is usually not something he considers.

Usually saving them from a physical threat, like a dragon or bandits.

Fun Fact: Kinnio is an Illeist. Meaning he refers to himself in the third person, so usually it sounds like he's talking about someone else if you don't know him. But, to the actual question. He would probably be like, 'Kinnio is a super cool warrior king who can vanquish any foe set in front of him'. or just 'Kinnio super strong and cool.'

They percieve themselves well, not really having any problems with themselves, except that he could just be a better warrior.

He stabs into the air a few times, yelling something random.

Thunderstorms. It creates fun battle backgrounds

1994 Toyota Corolla. Why? I've seen too many memes recently.

Eh. I'd say pretty decisive, considering in the campaign he was played in, he made a lot of...decisions. (Nuking a city, nuking a giant stone mech, challenging a demon king, war crimes, buying a tavern, hatching literally every egg he found, including a tarrasque egg.)

Like the entire menu. Not a scrap of that food is being wasted either.

Normally by messing with his hands(Cracking his knuckles, tapping his fingers, cracking his fingers.)

Romantically, he will immediately just be the biggest gentleman whenever he is speaking to them. Also he likes carrying people. Platonically, he'll just be really nice to you and treat you as an equal. Or superior.

I'll just say, there is probably going to be a dead dragon by the end of it.

Silver. While gold is more valuable, he does like the color of silver and normally has his equipment made in that color or with that metal.

He honestly could not care. A little lie isn't one that will hurt anyone.

Strangely, he does like weddings. He doesn't like the people much, but he will usually bring the biggest gift. As a King of Erralin(Modern Day), it isn't unusual for him to appear at weddings, even if it's a commoner wedding.

He is the target demographic for most modern men care products. So like wood and other 'manly' things.

we love the fact you have to specify. Anyways, He likes apples and melon.

Uh, I don't know? I've never heard of this scale, so I'm going to just....skip it. Though it was an interesting google search.

Fighting, and any of the ancient pokemon, or Galarian Zapdos.

White Chocolate.

I don't know any, so I apologize.

He is incredibly loyal and will fight to the death for an ally he trusts.

His trust is hard to gain, and one of the easiest ways is proving a capable warrior.

No, because he can't read...sometimes. Sometimes he can. Depends on if the book has pictures.

I again, have no idea. I think I'm just stupid.

He would love the drift answer, but yeah, he would just pull the lever. That is, if he isn't allowed to just stop the trolley himself.

Fight his way back up. Failure is not an option.

He usually works out or finds one of his many pets, commonly his dragon, Crimson.

I might as well give up, I don't like not answering questions.

He typically just does whatever the hell you want him to do. He is basically just going to just dedicate himself to you.

The Chaos. Honestly, he is very consistent, but also chaotic, my DM has expressed since day 1 that Kinnio was his favourite character in the campaign, and he has tried killing him off ever since, to no avail.

I'm going to assume you mean a different person's action, and not at all. Canonically, King Kinnio killed a shop owner for retaliating against one of the party members(He also had no idea the party member was in the wrong, he just heard someone yell for help and jumped into action. The party member basically manipulated him into it.)

Not very. Usually, he just acts then thinks later.

No. Especially with his party, there is only one person he trusts more than anyone, and would only talk to him about his plans, if he had any at the time.

Alcohol. Wine, Beer, or any monster drop. He would also be the only character(That I can remember) that you can give old weapons to.

The most beautiful face any person has every seen, next. But really though, of the people he would know, it would probably be a royal he met in the campaign he was a PC in.

A poppy, as in the world wars they were a symbol of a battle fought.

For every character(Except Sparta) I use a random name generator and alter the name slightly.

Meat loversx10. It's probably going to be like 90% meat.

He eats a lot, due to his abilities draining his energy. A lot of it is unhealthy eating.

Wish. He has casted it like 8 times between levels 13 and 16.

It wouldn't really make sense unless you played the campaign, but the royal mentioned before, her husband, Sparta(He was thrown into the campaign hastily bc the DM didn't want to come up with a shopkeep), arnold schwarzenegger(He was also in the campaign)

Himself. He usually doesn't think about what other people might want unless they mention it directly.

DND Ask Meme but it's random questions I've asked other players apropos of nothing within the last 6 months

Does your PC believe it’s possible to save someone?

What does saving a person involve?

How would your PC describe themselves?

How do they perceive themselves?

What is your PC’s idle animation?

What weather does your PC prefer? Why?

So if your PC had a car what kind of car would it be

How decisive is your PC?

If your PC rolled through a McDonald’s what would they order 

How does your PC fidget?

How does your PC show affection?

If your PC had to set up a date, what would they plan for it?

What’s your PCs favorite color

How does your PC feel about white lies?

How does your PC feel about marriage? Weddings?

What scents do you associate with your PC? 

What are your PCs favorite fruits (not including gay people) 

Where would your PCs fall on the futch scale? 

What is your PC’s Pokemon Gym Leader type and Signature Pokemon?

What type of chocolate do they prefer? 

What tarot would your PC be? 

What is your PC’s #1 personality strength?

What is your PC’s #1 personality flaw? 

If your PC found a book that detailed their whole life, from birth to whatever death they’ll have, would they read it and why? 

What are your PC’s charm point(s)! 

How would your PC answer the trolley problem? 

When your PCs hit rock bottom, what do they do?  

When your PCs want comfort, what do they seek out? 

Please describe your PC’s romantic type 

How does your PC flirt? 

What’s your favorite part of playing your PC? 

How much does your PC think about their actions before they execute them? 

How considerate is your PC? 

Is your PC an effective communicator? What is their communication style? 

If your PC was a dating option in a farming simulator (a la harvest moon or stardew valley), what kind of items would they like? 

Your PC meets a trickster being whose face changes to the most beautiful face a person has ever seen. Whose face is your PC seeing? 

What flower represents your PC? 

How did you choose your PC’s name? 

What would your PC put on their pizza? 

What are your PC’s eating habits? 

Does your PC have a favorite spell, and if so, which? 

Who is your PC’s favorite NPC(s) and why?

When your PCs make decisions, who or what are they making those decisions on behalf of?

[everythingspokenfor]

Casually thinking about older!Bakugou . As usual, all characters are aged up 18+. MDNI.

── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──

Older!Bakugou who is still in his early 30s, being pestered by his mother to at least get a girlfriend (and eventually settle down). She is afraid she'll never be able to meet her grandkids if this continues.

Older!Bakugou who has attended weddings of his friends, co-workers and even few of the people he had rescued. Although, had no intention of settling down anytime soon, wanting to focus on hero work because it gave him a drive, something to look forward too.

Older!Bakugou who was never really interested in any women that threw themselves at him, always keeping to himself, mellowed out with age. His friends no longer setting him up on blind dates because it was all in vain.

Older!Bakugou who hires a new support tech, because he was impressed by the work. Who meets the newbie in the hallway of the building, screaming at a rookie prohero.

"this is my resume", you shoved an open file into the rookie's face,"on page 12 it list all the things I was hired for", you pause pulling the folder, skimming through the pages to open page 12, he assumes. "Here, now read carefully, does it say 'write reports for rookies because they are apparently incapable of writing it' huh?", you slam the folder shut on the table. " Don't ever expect to do your work, rookie."

You turned around and left the hallway, not really noticing that you almost ran into Pro-hero: Dynamight.

Older!Bakugou who observes you working around the lab, fierce support tech that minds her business and prefers talking to her projects over actual people. Diligent with her work, getting her job done.

Older!Bakugou who enters the lab one day because his gauntlet need to repaired.

"they are too chunky." You don't really have a filter, already working on dismantling the whole thing, not sparing Bakugou a glance.

"You should focus on your work, kid." He was already staring at you.

"What do you think I am doing, Dynamight? This chunk isn't going to fix itself."

He is glad that your words remains same, irrespective of who you are talking to. Always stating the obvious.

"watch it, kid." He walked out of the lab.

Older!Bakugou who is surprised when the new tech remodels his gauntlets but also repairs the old ones, showing him the perks of new ones while still repairing the old ones just in case he doesn't like the new ones.

Older!Bakugou who, at 32, finds himself horrified by the idea that he might be interested, in someone, someone who is younger than him. You are 24, barely am adult in his eyes. You are smart, snarky and considerate.

You explain things to people, help around the lab, yet you are still sharp can take a joke, can make a joke.

Older!Bakugou that is nervous, prospect of asking out a girl making him sweat. He stands at the entrance of your lab, clear door doing nothing to hide his hulking frame, you are still working on something, hunched over a table with a chunky metal in hand.

"you know, I can see you, right?"

He lets out a breath, a small smile breaking onto his face, he moves into the lab. You notice he is wearing casual clothes, sweatpants and a t-shirt, carrying take-out boxes in his hand.

"I was getting dinner, thought I'd get you some too." He is already setting up on the 'not work table' in the room, already aware of what would happen if he put food on your 'work table'.

"What did you do, boss?" You voiced suspiciously, already moving to wash your hands.

"Can't even get people dinner in this economy"

"People", faux disbelief evident in your voice,"I wouldn't call me people, boss" you pulled the chair out and sat in front of him.

"Why not, tech?" He teased, handing you pair of chopsticks.

You look at him with mischief in your eyes, you lean over and play your hand around you mouth, almost as if sharing a secret,"Because you don't practice asking 'people' out, Suki."

His eyes widened,"You heard that? I thought the glass door was fucking sound proof." He let out a sigh, hours of practising and he doesn't even get a chance to say it.

"They are soundproof. From the inside tho." You looked over to him, before placing your hand over his," And I'll go on that date, also we should totally check the sound proofing of the lab tonight."

── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──

[meanbossart]

Silly question inspired by your latest art (hot btw) - what would astarion's hear me out cake look like? I'd ask for du drow too but you kinda established that his type is conventionally attractive blonde people so idk if he should have a say in this

Shockingly I think Astarion may be far less superficial than DU drow. He has some commentary that leads me to believe the man has his preferences (seems to dislike gnomes*, isn't willing to remain in a relationship with a mindflayer, and has one or two lines favoring drow) but otherwise I think he means it when he says he doesn't care what you look like. My assumption is that Astarion has become quite numbed out by the concept of beauty - he recognizes it, he may even be drawn by it, but it ultimately doesn't play too much of a part in who he partners with. I would wager that his refusal to be with a Mindflayer is due to the inevitable personality and lifestyle change, as well as leftover revulsion after everything that the party has gone through during the campaign.

*I know that you can romance Astarion even as a gnome, and thank god you can. I'm glad people can have full control over the narrative and create interesting stories between their MCs and romanced character of choice, but in my personal "canon" I think Astarion is too much of an asshole to believe that a Gnome would be capable of helping him.

I do think he's attracted to power, regardless of which ending he gets or whatever shape the power is taking. Astarion recognizes that DU drow is an attractive man (weird key features aside) , but he is especially drawn to his physique, confidence, and resilience. DU drow's arrogance gets him hot under the collar as often as it irritates him - well, probably more often than it irritates him.

Regarding the Slayer form, obviously that's a pretty specific circumstance. Canon DU drow never gets it, but I know that when your Tav does, Astarion is kind of lukewarm about it and slightly encouraging of your pursuit. I think that in the scenario where DU drow does acquire it (in his Bhaalist AU) Astarion would, at least for a time, be as nervous as he would be enamored around it. It's an extraordinary example of his partner's power as a demi-god, but it's one he doesn't feel FULLY in control of. Sometimes that's exciting. Sometimes that's scary. In due time, it probably loses its luster much like everything else in that scenario.

...Sorry, I didn't engage much with the actual "hear me out" cake concept. I think Astarion could really get down with a half-orc. Definitely caught some eyefulls of Grodderick on the side here and there during ANE. Probably doesn't mind a well-built and shiny Dragonborn either but who doesn't.

[instantpansies]

oh my word THANK YOU!!! i've been trying to say this since the wicked movie repopularized all of the "wicked is canon" stuff, but you've put it in a way i wasn't able to. YES. certainly wicked is allowed to be a derivative work that recontextualizes Oz. assuming that whatever is in wicked retroactively and automatically changes details about the story (ie, that the scarecrow and the tin woodman knew each other before the events of Wonderful Wizard and/or the MGM film) is simply incorrect.

i'm all for incorporating a body of work that may not be fully compatible into a coherent canon that works as an alternative parallel to the original. i think it's completely fine and understandable that people are hooked on wicked and will want to understand some characters through the lens of wicked. but assuming that wicked's popularity makes it truly canon, or assuming that the history it presents is accurate to Baum's Oz, is ignorant to both the original context of the Baum books and the long history of Oz adaptation.

i'm also a bit of a hater, as i personally believe that understanding Wonderful Wizard characters through a lens of wicked, especially the musical but also the book, is a less interesting way of analyzing the text and symbolism present in that story than either the Baum novel or the MGM film presents as each stands alone.

wicked is, certainly, its own thing. of course it exists in the context of over a hundred years of adaptation before it, but that context is simply not known by most people. it must be able to stand on its own, and i believe it does. but when this retroactive wicked lens is applied to that context and history uncritically, we will run into problems.

i almost want to blame the seemingly recent, but really just more visible shift in fandom to a need for everything to be canon and confirmed? like, it can be difficult to reconcile in our minds that so many different versions of oz are allowed to exist and don't have to be compatible. wicked "confirms" things viewers are left wondering about after the mgm film, so therefore it must be canon, and therefore it's appropriate to correct people on facts they "get wrong" when they contradict wicked canon. that's how the thinking seems to work, at least in my observation. and that way of thinking seeps its way into the secondary or deeper oz fandom, which has led to (in my view) a sort of soft shift from Baum-centric understanding of oz as a whole to a binary star system where Baum and Maguire are seen as co-creators of a more true or real world and story. i'm exaggerating, certainly, but i've seen this shift occur over time. i hesitate to bring this up bc it sounds like i'm whining about the fandom's natural changes and how things aren't the way they used to be, and i guess i am. i digress.

anyways, your original point. yes!!! while oz became baum's most profitable endeavor, and throughout the series you can see him sort of wishing his other books were more profitable so he could expand in different directions, that doesn't mean he didn't care about continuity or cohesion at all. i'd argue he cared more about cohesion and telling a story that made sense and continued to make sense as it was expanded, than he cared about maintaining particular canon details through the whole series. oz changed as baum's tastes, needs, and audience changed, and that is just as important as the changes that would be added by adaptation later on. (hell, many oz fans don't think of the 1902 musical or the silent films as canon, despite them being created by Baum, both because they're less well-known and because they do change things up to better fit their respective media and contexts). this sense of inconsistency, whether overblown or minimized, doesn't mean that wicked is canon compliant with the baum novels. wicked directly contradicts baum's work in some cases--which again, is completely fine. it's a derivative work that takes certain aspects of the original books and the mgm film, synthesizes them in a grimdark expansion on especially the political aspects of the world, and seeks to tell a unique story that allows you to think about Wonderful Wizard and MGM in a different way. but it is not itself an explanation for Baum's supposedly undercooked or unfinished world. it is not itself a part of the original story (i mean this in the context of canonicity of baum's work. oz fans know how complicated oz canon is.) but instead is--as it claims to be--another branch on the complex tree of oz adaptations.

tldr. wicked does not "explain" anyone's actions in Wonderful Wizard or MGM. it seeks to provide an alternative context, or an alternative explanation, certainly. but it does not retroactively "fix" the story. it's perfectly fine to think about the original story or the mgm film in the context of wicked, if you like the alternative history it provides. policing others' adaptations and understandings of the story, or implying or directly stating that wicked should be incorporated into others' headcanons or interpretations or adaptations, or claiming that wicked is canon simply because baum didn't care about canon so everything is canon, is not helpful or productive or good. in fact, that actively makes oz analysis less fun, in my opinion. i hope my point is made here i've been trying to say this for months but as usual i was completely unable to get my thoughts across until acted on by an outside force (seeing this post). so thanks!!

I've seen a lot of people lately harping about how "Wicked isn't canon to the Oz universe", "it's just glorified fanfiction", etc., and I can't express how silly that is, and how annoyed it makes me every time I hear it, lol. Baum's original Oz books were never meant to be some canonical series — they contradict each other constantly; Baum called it a "fairy story" with loose cohesion at best; and it only became a series at all because the first one got popular enough that Baum felt a duty to the fandom to keep making more (even after he had wanted to end it). And the 1939 film is every bit as much "fanfiction" as Wicked — it changes the story in both major and minor ways, including a complete shift of framing (i.e., making Oz into a dream rather than a real place).

Maguire's great contribution to the overarching legacy and lore of Oz was to harmonize the very weak "canon" of the older works with a different shift in framing: recontextualizing all of the prior Oz material as a revisionist history (going off of Baum's own idea framing of himself as a "Royal Historian of Oz"), and attempting to tell "the true story" behind the other works (fictively of course — we're never meant to literally think Maguire's version preceded Baum's, irl). In literary studies, this is called an urtext. The Wicked Years and its adaptations are as much "fanfiction" as the 1939 film: it's just self-aware of that fact in a way that earlier works weren't, and uses that perspective to deconstruct the material and explore deeper (and darker) themes — not simply adapting or reimagining the original text (as the 1939 movie did), but actively challenging it; interrogating it. It's not meant to be "canon" as such: it asks you to ask whether (and why) there is such a thing, and what that might say about the stories that we are meant to literally believe in, in real life.

[always-just-red]

Merry Christmas, guys!!! Ok, so this is a day early, but I wanted to say thanks to you all with a feel-good follow-up to my Game Night fic! So, here: a Christmas Eve sleepover with the boys, and they’re on their VERY best behaviour this time, I promise 😌

The Night Before Christmas

L&DS Boys X Reader

(Recommended to read this fic first, if you haven't already!)

Summary: It’s time to get the gang back together!!!

Genre: Fluff + humour

Warnings/Additional Tags: gn!reader, kinda poly? but mostly platonic, a lil bit of wholesome intimacy, one particularly suggestive joke from Sylus (he can’t help himself), also probably needs another proofread but my eyes are tired 💀

| Word count: 4.8k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Right! Let’s try this again.”

You glance around your living room with your hands on your hips, channelling your inner Captain Jenna as you fight to suppress flashbacks that verge on traumatic.

Some of this is exactly the same as last time. Sylus is sprawled in the same spot on your couch, looking inordinately pleased with himself for someone who has only just arrived. The very image of smugness; you immediately suspect that something is horribly wrong, or on track to go horribly wrong. You glance to the other couch, where Xavier and Rafayel sit, equally braced for your presentation. Neither one has been teleported to the roof of your building.

Sylus is reading your relief, and he gives you an exclusive smile, as if to say: yet.

Try not to think about it.

You stand by a large drawing pad— currently flipped closed to create a suspense that only Xavier has bought into. He gives you an eager nod, the blue of his eyes warm and encouraging.

The faces around you haven’t changed, but your little apartment has. Strings of twinkling lights run around your walls, casting faint, festive glows. There’s frost on your windows. Littered everywhere are ornaments: small, glittery birds and wintery creatures. Lots of snowman plushies, courtesy of a few, dedicated arcade expeditions with your favourite doctor.

New season, new start.

“We all remember how this went last time,” you push on finally. “Mistakes were made. Shit happened. Whatever— we’re not gonna dwell on it.”

Sylus lifts his hand. “I, for one, would enjoy a reminder of said mistakes.”

“Motion denied,” you dismiss with a grin and a customer-service enthusiasm that screams: don’t fuck with me right now. Sylus’s eyes sparkle, like embers anxious to become something brighter— more destructive. Don’t think about it. “It wasn’t my fault. You outnumbered me four-to-one that night, which is why my first order of business today is to appoint a co-host.”

Rafayel’s hand shoots into the air. You look at him incredulously. Zayne is stood beside you, his arms folded, and everyone else in the room has connected those particular dots.

“It’s Zayne, Rafayel,” you sigh. 

“What?!” He sits up straighter. “Why him?! What are his qualifications, huh? His credentials?”

“I’ve never set the kitchen on fire,” Zayne says.

The artist scoffs, adds under his breath: “Turned it into an ice rink, though.”

There’s a chuckle from Sylus, and a part of you feels bad, pitting Zayne against the others like this. But he’s not alone. He has you, just you, so you should probably do something. “That actually brings me really nicely to my next point, Raf, thank you.”

Unexpected praise. Rafayel stutters, a faint blush to his cheeks, and you take full advantage of having staggered him. “Zayne, do you wanna…?”

“Of course.” The dark-haired man adjusts his glasses, then addresses the rest of the room. “In the interest of everyone’s safety, we have devised a few rules to be adhered to for the rest of the evening. These will be enforced by a point system, which we will record… here.”

He flips the drawing pad open, and a blank table fills the top half of the page. Each quarter has been assigned a name. “Basically—” you gesture to it— “three strikes and you’re out.”

None of your guests look perturbed by this.

“The first rule is simple,” Zayne explains, pulling away a strip of paper from the bottom of the page, then reading the writing underneath: “No unauthorised use of Evols.”

Rafayel’s hand shoots up again. You tilt your head at it. “Yes, Raf?”

“Ok, so what if there’s a power-cut or something? Lights are out. Heating’s out. Big disaster, yeah? You’re saying I couldn’t—?” He clicks his fingers, spawning a small flame.

“We would use my Evol,” Xavier says with the gentle authority he uses to steer civilians away from a Wanderer incursion. “It’s safer.”

The flame is snuffed out. Rafayel huffs: “Don’t you use it to, like, kill things?”

“Yeah…” Xavier shrugs. “Bad things.”

“Second rule!” you chime.  

“Second rule,” Zayne echoes, peeling back the next strip of paper. There’s absolutely no showmanship, nor energy at all as he continues, “No unauthorised sarcasm.”

Another hand raises. “What would be authorised sarcasm?” Xavier asks, squinting as though he can’t quite figure it out on his own.

You purse your lips in thought. “If it makes me laugh?”

Rafayel is stroking his chin, his eyes narrowed, because he’s also thinking. “High risk, high reward,” he muses, and you shoot him a smile.

This is going better than you thought it would, actually. If you were to turn a few more pages of the drawing pad, you would see crude illustrations of the worst-case scenarios you’d sketched out for Zayne earlier. There’s one where Rafayel is trying to strangle Sylus with Christmas lights. There’s another where Zayne has turned you all into snowmen.

Don’t get ahead of yourself, though. The evening is young, and the snowman scenario is still very much on the table.

Culprit of about ninety percent of your nightmarish visions and drawings— Sylus has been unnervingly silent. You meet eyes with him, an inherent mistrust in your gaze. The success of this sweet, humble Christmas Eve hinges on you figuring out what he’s here for. His agenda. His ulterior motives.

What does he want from tonight? He smirks at you. You’re vaguely competent, and you can figure it out without him holding your hand, can’t you?

That reminds you of something. “Zayne.” You jostle your co-host by his arm. “Do the last rule!”

You’re excited about the last rule.

Zayne isn’t; he hesitates. “The last rule…” He rubs at the back of his neck. “It’s… it’s only applicable to you, Sylus.”

Sylus is now also excited about the last rule. You can tell from the way his lips part, for a second, like he wants to tell you just how flattered he is you spend so much of your time thinking about him.

You put Zayne out of his misery, tearing the final strip of paper away from the pad. The paper flutters to the ground like a very plain snowflake, and you wiggle your fingers, adorning the final rule with a touch of pizazz:

No smirking, sass, or general smugness.

A corner of Sylus’s mouth lifts. “Believe it or not, kitten, your little point system doesn’t scare me.”

You pick up the pen and score a mark under his name.

“Oh no,” he mutters lifelessly.

“Sarcasm!” Rafayel coughs.

You’re well ahead of him, already turning to make another mark. “Gods,” you hear Sylus grimace, not much more than a whisper, “you’re such a boy scout.”

There’s a snort from Rafayel. “Sorry, say that again? I couldn’t hear you over the sound of you totally getting kicked out of here.”

“Sarcasm,” Sylus says.

“Wait, I didn’t mean— no!”

You giggle as you issue Rafayel’s first strike, and he groans behind you, slumping down in his seat. When you turn back around, his face is buried in his hands.

Sylus is smirking again, but the expression drops the moment he senses your gaze. You both know what’s at stake here. Back in the N109 Zone, Luke and Kieran are lamenting the fact that you’ve stolen their leader— it’s not very Christmassy of you, after all. There were a lot of things they wanted to do with him. Snowball fights, presents, and a heist that required disguises: Santa and his two, hard-working elves. They already have the suit, custom-made for him.

So here is the big, bad boss of Onychinus, hiding in your apartment, and definitely not smirking.

You pop the lid back onto your pen, then post it into your pocket like you’re holstering an all-powerful weapon. That’s one point to you and Zayne, and zero points to Sylus, thank you very much.

…

“What are you doing?”

Sylus sighs, evading a furious lilac gaze while he focuses on the task at hand. Freshly escaped from you and the doctor’s terrifying lecture, he’s making the most of his liberty.

“What I am doing,” he mumbles, tying string around a sprig of mistletoe, “is between me and our charming host. Run along, little artist.” He tightens the knot. “This doesn’t concern you.”

Rafayel crosses his arms, his eyes dark. “You’re cheating.”

“Ha.” Sylus spares him a glance out of pity. “You’re jealous.”

“Am not.”

He definitely is, but Sylus doesn’t have time for this game. He can hear you in your bedroom, rooting around for the phone charger you’d vanished in search of. Your door isn’t closed, but it’s closed enough. You can’t see him. He can’t see you. What a perfect opportunity.

“Give it to me,” Rafayel says— an interruption that warrants a roll of the eyes.

“No.”

“Give it—“ the artist starts again, then makes a grab for the mistletoe. Now that’s jealousy. He could incinerate the plant with a click of his fingers, but no, he wants it. Covets it.

Sylus chuckles quietly, his arm stretching up: holding the mistletoe out of an ever-more desperate reach.

To Rafayel’s credit, he persists. He goes up on his toes, tugging at the older man’s sleeve to try and drag the mistletoe closer. The plant evaporates in a swirl of dark energy the second he succeeds. It materialises behind Sylus’s back, in his other hand, and Rafayel realises instantly. He tries to stretch his arms around him. To take it from him.

“Absolutely not!”

Sylus’s fingers are suddenly empty. Mistletoe-less. He turns reluctantly, still holding Rafayel back.

You stand at your wide-open door, one hand on your hips and the other clutching his confiscated item. You’re frowning. Tapping your foot. Your lips are pursed adorably.

“What a coincidence, kitten,” Sylus smiles, and behind him, Rafayel pokes his tongue out, overcome with nausea. “I was just thinking about you.”

“Clearly.” You jostle the mistletoe, looking… disappointed? Huh. “Never thought I’d catch you indulging an old cliche.”

Sylus shrugs charmingly, like a cat performing a leisurely stretch after toppling a vase from a very high shelf.

“Give me the rest of it,” you command.

“Hmm?”

“The back-up mistletoe, Sy. I’m not an idiot.”

Sylus scoffs, but you do have him wrapped oh so prettily around your finger. He rolls his neck, stalling. If giving up were a slope, he would already be a heap at the bottom of it, but he doesn’t really mind. Three more sprigs of mistletoe appear from thin air, dropping into your open hands.

“Honestly, Sylus,” you groan, stepping past him. Then you thrust the plants to the artist’s chest. “Burn these, Raf.” You’re dusting your hands down as you walk away.

Sylus frowns. That’s neither ideal nor part of the plan.

Rafayel is looking at him, telling him with gloating silence that there’s no playing diplomat, here— no negotiating the return of the hostages. That bridge has been— rather fittingly— burned. The mistletoe turns slowly to ash: darkened by licks of flame that curl with the eager spite of their master’s lips.

It would be beautiful if it wasn’t so damned inconvenient. When the fire’s had its fun, one sprig of mistletoe remains, rich green and ivory— wholly untouched. You’re across the room, talking to Zayne, so Rafayel smirks in triumph. Tucks his prize into his pocket.

Sylus’s heart sinks with it, but he still smiles back.

…

Rafayel isn’t looking too good.

Well, the Rafayel is looking fine, but your Rafayel? Not so much. You steal a glance at the artist across the cluttered kitchen island; he’s sat, leaning, propped up on his elbows, his eyes glazed— he’s clearly away with the fishies. He catches you staring. Gives you a wink.

You glance down at the gingerbread man you’ve been decorating: the blue-pink of his iced eyes, and the mess of purple hair, at least three shades too dark. Oh, gods— probably a million shades too dark through the gaze of a Lemurian. At least the outfit is cute? You’ve recreated Rafayel’s signature cardigan. The plaid pattern isn’t quite straight, but that was a… deliberate choice. This is your interpretation of his cardigan, and you wanted it to reflect its owner. A little all over the place, but still, you love it. Even when it’s coming undone, it keeps you warm.

“Would you like to go next?”

Zayne is talking to you, smiling at you. He was the first to reveal his gingerbread creation: a miniature Xavier that was surprisingly true to life. Your hunting partner had almost glowed with delight, while you were dark with jealousy. The biscuit sits before you all, boasting details that could only be achieved with an exceedingly steady hand.

Worse: Rafayel’s gingerbread is next to it, stupidly, predictably perfect. It’s Zayne. It’s really Zayne, from the sweep of black hair to the hazel eyes; how on earth did he manage to make that colour? The tiny doctor is dressed in his lab coat, sporting his badge and a pocketful of even tinier pens and medical instruments. There’s… shading? Ugh, you can see the creases in the fabric.

“Umm… sure, I can go next,” you mumble.

It was just your luck, pulling Rafayel’s name out of that hat. Sheepishly, you move aside the cookbook you’d stood to guard your project from any prying eyes. Your gingerbread is nudged forwards.

“That’s me!” Rafayel exclaims.

“Yeah…” you confirm half-heartedly. “Sorry, I know it’s not great, but I—”

Lack the skill of a celebrity artist, or the steady hands of a cardiac surgeon? You have no idea which exact pool of self-pity your sentence was set on drowning within, but it doesn’t matter. Rafayel has plucked your gingerbread up for a closer look, and his smile is enormous. “This is amazing!”

“You don’t have to—”

“That’s my cardigan!” He’s crashing the pity party again. “And look at my eyes— the colours! This little guy is so handsome, yeah? You really did me justice, cutie. Look at him!”

He holds the gingerbread up to his face, trying to match its two-dimensional grin. He looks around for affirmation, and it’s just his luck, because is a single man at this table ever going to insult your hard work?

“The eyes are amazing,” Xavier enthuses. “Like the sky at sunset. Who knew my partner was so talented?”

“I did,” Rafayel chirps happily.

Xavier frowns. “No, it was rhetori— never mind.” He smiles at you. Rolls with it. “I knew too, by the way.”

“As did I,” Zayne adds.

Everyone looks at Sylus, who shrugs a shoulder and says, “It was up for debate.”

“Can we please move onto the next person?” you press. This is all too much attention. “Sylus, can you… please?”

He does like it when you beg, but he likes it even more when he can play knight in shining armour. “My pleasure, sweetie.”

For a man whose creative side is mostly indulged by vintage gun restorations, he reveals his gingerbread with a staggering amount of confidence. It’s placed at the centre of the kitchen island, where you all stare down at it. Its hair is snow-white, and its eyes: blood-red.

“That’s…” Zayne begins.

“That’s you, Sylus!” you take-over, voice shrill with betrayal. “You were supposed to say something if you picked yourself! And you— wait, what are…?” There are distinct lines over the gingerbread’s midriff. It dawns on you: “Are those abs?!”

Sylus shrugs again.

“They so are!” You snatch up the biscuit, standing to wave it in Sylus’s face like a crime-scene photo. “Where’s his shirt, huh?”

“He lost it.”

“Bullshit!” you snap. This gingerbread competition had come with its own set of rules, one of which was very clearly: “Nothing obscene! I said nothing obscene, Sylus!”  

He leans away from you with a tut. “It’s tasteful, sweetie. The artist will tell you.”

“The artist is staying out of this,” Rafayel murmurs, off to your side.

Sylus crosses his arms, regardless, as though his case has been made. You cross your arms too.

“Can I show you my gingerbread now?” Xavier asks, and his tone is deceivingly soft: a hand on your shoulder, pulling you back.

You release the tension in your body with a sigh, then set the gingerbread down so you can’t throw it at Sylus’s un-smug face (which he’s been very careful about.) “Of course, Xavier,” you smile, slinking back onto your stool. You can throw something at Sylus later. “Ooh, is it me? It has to be me, right?”

Xavier chuckles awkwardly. “It’s you. I don’t think it’s very good, though.”

“Show me!” you insist.

The final cookbook is removed, and Xavier unveils his hard work. You clamp a hand to your mouth.

You don’t have a single word for what you’re looking at— only laughter, and you can’t let yourself laugh, no matter what. If that gingerbread is you? Then it’s a you who’s been torn apart by Wanderers, at least seven consecutive times. Your face is a swirl of colours and features— you think Xavier must have tried to wipe it off to start again, more than once, but it hasn’t worked.

The gingerbread has been broken, too. Three of the four limbs, to be exact, and that you could forgive, but… did he have to use dark red icing to glue them back on? It drips out of the joins messily, almost making you wince.

Everyone is silent.

“A perfect likeness,” says Sylus.

You burst out laughing, and the moment you do, Rafayel’s right there with you. Even Sylus caves— it’s one of the most sincere laughs you’ve ever heard from him. There are tears in your eyes; you can’t help it. Zayne is the strongest of you, but even the tight line of his mouth quivers. He’s biting his lip.

But it’s fine. Xavier is laughing, too. “I said it wasn’t very good!”

“Xavier!” you wheeze. You can’t even look at him. Your stomach hurts. “What… what happened to me?!”

“What do you mean?” he practically giggles.

“What do I mean?” you repeat, and it tips you into another breathless bout of laughter. You go to point at the gingerbread— all the explanation you need— but it almost kills you. You really can’t breathe. After half a minute, you try again. “I look like I’ve been in an accident!”

“Here,” Rafayel grins, and he slides the Doctor Zayne gingerbread over to poor, suffering gingerbread you.

“Aww!” you smile, having finally caught your breath.

Wordlessly, Zayne retrieves his likeness— pulling it away from yours. You frown at him, as confused and wounded as Xavier apparently imagines you. “Even I have my limits,” the doctor shrugs.

That’s it. You’re gone again, your sides aching as your whole body shakes with laughter. It’s too much. Gods, it’s too much. You’re gonna need another minute.

…

“I can’t believe you made you.”

It’s been fifteen or so minutes, and you toy with Sylus’s gingerbread counterpart, pinching his hands between your thumbs and forefingers— making him walk (well, penguin waddle) across the kitchen island.

“Believe it, sweetie,” Sylus huffs with a smile.

“Is this really how you see yourself?”

Before you can walk the gingerbread any further, his creator plucks him up by his head, away from your reaching fingers. “It’s how I think you should see me,” he chuckles. He holds the gingerbread out to you. Wiggles it. “For your eyes only, kitten.”

“Except the other guys saw it—”

“Shhhh, shh shh!” In his haste to silence you, he almost pushes the gingerbread to your lips.

You glare at him. Complain from behind it: “Get your shirtless abs out of my face, Sylus.”

“Make me.”

You snatch the gingerbread, pinning it down on the counter. “Keep pushing your luck, Sy. Wanna see what’ll happen?”

He absolutely does, and his eyes glint with mirth as you reach for a near-empty bowl of crimson icing. You scrape some of it up with a discarded teaspoon, then let it drip generously over his gingerbread. It takes a few, long seconds to really cover him in it. To make him look as fatally tragic as gingerbread you.

“Here,” you say, dropping the spoon in a bowl with a satisfied clink. You hold out the gingerbread. “This’ll be you when I’m done with you.”

Sylus regards it for a moment, his eyebrow quirked. Then his eyes find your gingerbread likeness. “Want to see what you’ll look like when I’m done with you?”

His hand goes out for the bowl of red icing, except… it goes past the bowl of red icing, and lands on a tube of white icing instead. He holds it up with a smile.

“Inappropriate.”

The tube is swept out of his fingers, and he blinks at the empty space, legitimately surprised.

“It was snow, doctor,” he remarks bitterly, once he’s recovered from the second ambush of the evening. He glances over his shoulder. “From a snowball fight?”

“Sure it was,” Zayne mutters, already turning back to the bowl he’s washing in the sink.

Sylus is frowning, affronted, but the expression softens when you’re filling his gaze again. You: your hands on your mouth, so close to spilling laughter. “Oooooh,” you tease with a secretive sing-song voice, “you got in trouble!”

He wrinkles his nose like ‘trouble’ is an insult. It sets you off sniggering uncontrollably.

“What did I miss?”

It’s Xavier, back from the lounge.

“Nothing,” Sylus answers.

“He got in trouble!” you counteract with a not-at-all quiet whisper.  

You earn a glare from the criminal, and a little laugh from the hunter. “Third-strike trouble?” the latter enquires. He might have handcuffs on stand-by; it wouldn’t surprise you.

“Not yet,” you grin cheerfully.  

Zayne sets a plate on the drying rack. “Give it time.”

…

“I don’t think we have enough, sweetie,” Sylus quips, peeking over the stack of blankets you’ve piled high on his arms. 

What was it Rafayel said? High risk, high reward? You mercifully chuckle. Your arms are wrapped around three, plush cushions— the last of your sleepover supplies. Snacks? Are ready. Guests? Haven’t killed each-other yet. You toe open your bedroom door, shouldering the rest of the way through with your missing puzzle pieces of luxury.

“Oh, nice!” someone exclaims from the kitchen. Xavier is watching you, starry-eyed, and his cheeks are full; he’s midway through a cookie.

Sylus steps through the door behind you, issuing a faint noise of disgust. He sounds like he’s being attacked by a bug, so you turn around, ready to leap to the rescue. He’s stood within the door frame, eyes cast upwards to where a sprig of mistletoe hangs on the end of a string. It’s swaying gently; he must have caught his head on it. You frown, lips parted. He was with you the whole time you were looting your bedroom. When did he…? How did he…?

He looks down at you, the mistletoe still hovering above him. You raise an eyebrow, waiting for the inevitable joke, or the even more inevitable invitation. 

“I…’ he starts gingerly, “I didn’t…” 

Oh. He’s just as confused as you are, and it’s… really cute. He’s lost for words— the man who came here with not one, but four sprigs of mistletoe. The man who threatened your gingerbread with white icing. The man who’s spent the entire evening thinking about how he wants to be close to you.

Sylus laughs, but it’s full of nervousness. “It’s alright,” he says, “you don’t have to—”

You tilt him towards you, your hand on his shoulder and cushions around your feet. “Merry Christmas, Sy,” you murmur, pressing a kiss to his cheek. It’s warm on your lips.

His eyes flutter closed. “Merry Christmas,” he breathes, barely more than a whisper. 

You hum contentedly as you pull away from him. When his eyes reopen, they’re warm with a nostalgia you cannot explain, but you can feel, too— so inexplicably. His gaze is blood-red, but it makes you think of flowers. 

What a funny feeling. It strikes you a lot, nowadays, and not just with the man in front of you. 

Speaking of the others, you glance towards your lounge. Xavier is telling Zayne a story, and Rafayel is watching you from over the back of the sofa— turning away when you spot him. That’s one mystery solved. You collect the cushions from the floor, sparing Sylus a smile before you meander back to your party. The coffee table’s a banquet of sweet, sugary snacks, so you carefully skirt past it.

Xavier’s hands grab at air. You laugh and toss him a cushion. “Thanks,” he grins. 

“Here— your favourite.” Zayne is pointing at your freshly-filled mug, and you grin your own thank you as you settle down next to him. 

Sylus soon arrives too, handing out blankets, and for all the evening’s animosity, he gets a grateful smile for each. He sits down next to Xavier, and it’s odd, you know? You’ve slain Wanderers, saved lives with every person around you. You’ve seen them bleed and kill.

They’re all wrapping themselves up, like snuggly little Christmas presents. Xavier’s managed to collect another cushion— from Zayne, maybe?— and he’s practically building a fort on his side of the couch. Some of it infringes on Sylus’s space, and you notice him notice, but he doesn’t say a word. Oblivious, tucked under two blankets, Xavier’s already looking sleepy. 

Someone’s making less of an effort to get comfortable. On the other side of you, Rafayel sits, uncharacteristically quiet. He hasn’t met your eyes since you sat down. You remember him, watching you under the mistletoe from across the room, and the thought has you leaning in closer. 

“That was sweet of you,” you whisper, even though he disobeyed you. 

“Don’t know what you’re talking about,” he shrugs.

But he does, so you kiss his cheek, ever so fondly, with that funny feeling in your chest again. It’s the first time, but it doesn’t strike you as such. Uncharted waters, a foreign land— when have I been here before?

Rafayel has relaxed: sunken deep into the sofa and the security of your touch. You smile, pulling his blanket up higher around him— tighter around him— until he’s as much of a cocoon as everyone else. His lips curve with a smile of surrender, ever-willingly captured. Silly fish. 

You draw away from him, readjusting in your seat until you’re cuddled up next to Zayne. You don’t see the wink Rafayel shoots Sylus, or the look of begrudging respect in the latter’s red eyes. 

“Are you comfortable?” Zayne asks, head angling towards yours. 

Co-host to co-host. “Yeah.” You snuggle closer to him. “This is kinda perfect, isn’t it?” He feels cold, despite his Sylus-issued blanket, so you lend him part of yours.

“No,” he confers softly, distractedly. 

“No?”

“No.” He gives you a look, and you know it as intimately as the chill of his hands and the warmth of his heart. His ‘I know something that you don’t’ look. Sure enough, he says: “I think it’s missing something.” 

On the other sofa, Xavier is beaming at you, having caught onto your conversation. It’s suspicious— harmless conspiracy, surprise-party sort of suspicious, but your pulse still picks up. 

“Close your eyes,” Zayne instructs. 

And you do, without question. Darkness, yes, but you’re under his care, aren’t you? There’s no anxiousness in your excitement, just trust for the man who was looking out for you long before he was your doctor. Your hands are over your eyes and you’re younger, again, playing hide-and-seek, again.

Zayne’s is a familiarity you can place. A nostalgia built on memories, not reveries.

Something icy touches your hand, then melts without any resistance. 

“Open,” Zayne prompts, leaning against you to stir you. 

Your apartment has changed again. The lights are all out, save for the fairy lights. The spectrum of colours flicker from the walls and the tree, catching on tiny, white specs in the air. Snowflakes are drifting down, impossibly. Falling, dancing— maybe a bit of both. You look up and some land on your face, cold with their kisses. You giggle in delight. 

Everyone’s gaze is on the ceiling: sapphire, emerald, amethyst, ruby. It ought to be dark. Instead, an entire night sky fills the space above you, scattered with thousands of stars. Every pinprick is deliberate. Meticulously placed. There are constellations— infinite patterns that transcend every life you might’ve lead, and every life you’ll ever lead (if you believe in that sort of thing.)

Xavier glances at you, and you forgo the spell of his masterpiece so that you can glance back. Snowflakes are in his hair, dusting him with sparkles. He smiles in a way you think could defy lifetimes, too. 

“This is… really something,” Sylus says, and there’s not a hint of sarcasm. 

It’s everything. The stars, brighter for darkness. The snow, only novel in warmth. These things don’t always work— they’ll undo each-other, overpower each-other, but there’s an ultimate balance, in-between every conflict. An occasional harmony, and it’s… 

Perfect. 

Rafayel scoots close to you. “Was this authorised?” he whispers. 

You look over to the point board, where there are first strikes beneath Zayne and Xavier’s names, and you don’t know how long they’ve been there. 

“No,” you laugh tenderly. “No, it wasn’t.”

[love-byers]

we all know about the parallel of mike hugging karen when he feels like he's lost will, but i've never seen anyone talk about the other parallels in the s1 and s3 heroes scenes. there are more than you think!

will's fake body being pulled out of the quarry VS will (+ the others) pulling out of the driveway for california

a close up of mike looking at both

mike leaving the scene on his bike after 'losing' will

in one, he has no hesitation. he gets his bike and doesn't look back. not at wills fake dead body, not at el (which would be odd if he knew he was in love with her then...), not at dustin and lucas, not at anyone. he keeps moving forward.

in the other, he is full of hesitation as the other bike away, not looking back. mike stays back and takes one last look at will's house, looking nervous, before hesitantly tearing his eyes away and biking off, trailing behind dustin lucas and max.

do i really need to explain the implications of that....

mike entering the wheeler house visibly upset after losing will, and karen immediately noticing

mike seeking out a hug from karen, something he rarely does

mike hugging karen

note how both clips end with mike moving/sinking deeper into the moment. i'm not sure what the best way to describe this is, but im talking about mike shoving his face into karen's shoulder in the s1 scene and his eyes flicking down in the s3 scene. i know it seems like it doesn't matter, but it does. sprinkling things like that in as a director is purposeful! it's showing how mike is processing the events. in s1 he sinks deeper into karen's comfort, further breaking down because he thinks will is dead. in s3 he doesn't do that. he is extremely still, eyes not moving as he is in shock. then his eyes do move at the last moment, showing he is further processing whatever event has occurred, transitioning from shock to really processing whatever happened.

raw emotion vs icy shock.

and oomf @reo-bylerwagon who is a film major told me that the way the camera tilts upward in the s3 clip is used to show that a realization has occurred, or that something new is being revealed. does that not PERFECTLY line up with:

1. the way mike seems extremely shocked as though he has realized something huge

2. the fact that LITERALLY over that moment is a hopper voice over where he says "to turn back the clock, to make things go back to how they were"

and 3. the way he behaves in s4 (being weird about touching will, rink o mania, etc.)

so yeah, these are definitely parallels through and through and it's really interesting. mike has lost will in both, but in different ways. his reactions say a lot about how he's processing the events and how he views them/his relationships.

also reminder that this is not delusional in the slightest because heroes has only played twice and it's in these two sequences.

and to anyone thinking "well they're just trying to show that mike deeply cares for will, just not in a romantic way!"

......

why in the fresh FUCK would they eat up SO MUCH screen time to show that mike platonically cares about will, rather than use that time to develop his relationship with el and, i don't know, show that he loves her??? why would they feed into will's unrequited love like this??? spoiler alert: THEY AREN'T.

that would be doing WAY too much for a relationship that will end in an amicable split so one can get married and one can get over his deep seeded love for the other and navigate the (extremely homophobic) world alone.

like yall are very clearly not writers or creatives in the slightest 💀💀💀 any writer (or anyone with the faintest creative/analytical bone in their body) will immediately understand why that's fucking dumb and makes no sense. yall are just heteronormative af and instead of admitting that it's greatly affecting your perception of the characters you double and TRIPLE down until you sound like a homophobic disaster

also

season 1 - heroes plays (when mike feels like he lost will)

season 2 - heroes does not play

season 3 - heroes plays (when mike feels like he lost will)

seasons 4 - heroes does not play

season 5 - heroes will play...? perhaps the original david bowie version? and byler will finally kiss as though nothing could fall and the shame will be on the other side? and they can be heroes? just for one day?

so yeah anyways byler endgame

[pomefioredove]

May I please have a sugar cookie, order number 15, with sprinkles & chocolate chips?

I'm super excited I came in time for this event, I adore your blog & am excited to see what comes of this.

(Pardon me as I cross my fingers in hoping to get one of my babygirls or just one of my faves)

—🐈‍⬛

you get one of MY babygirls. praise mana-sama for helping me through requests today

order #15, sugar with sprinkles and chocolate chips

*ੈ✩‧₊˚ unlike yourself

tropes: hurt/comfort, fake dating characters: rook additional info: romantic, gender neutral reader, reader is yuu, short and sweet, probably ooc

It's strange, you think.

Rook Hunt, the mysterious, distant vicewarden, loved you more in an evening than anyone else had in months.

Only an act. You had to remind yourself of that, every time he squeezed your hand or pulled you closer to him.

Every time he whispered something silly in your ear, every time he kissed the back of your hand. Only an act.

"I could write a thousand poems of you, mon amour, and never become bored of it,"

At some point, you had stopped looking at the others. You had forgotten they were there altogether.

It's only an act.

It felt like a fairytale, glittering, iridescent and silver, yet one that still ended at midnight in rags and pumpkin seeds.

You didn't want to think about that.

That by sunrise, the event would be over, and you would be back to your life. Back to your drafty dorm and secondhand clothes, back to your cold, lonely mornings. Back to yourself.

Back to the person you so hated.

Rook made you feel something unlike yourself. You were someone beautiful to him, someone interesting, someone loveable, someone worth teaching to dance, no matter how many times you stepped on his toes.

He only smiled.

You had asked him to be your date, to lie with you, to act with you, to prove to everyone that you were that someone, so unlike yourself, that you were beautiful and interesting and loveable, and worthy.

It had been your request. Just two hours, you said, and now you selfishly want more. You want years.

You want to make him feel the way he makes you.

"Your eyes are watering," Rook whispers, holding your face and drying your tears with the gentle touch of his gloved thumbs.

"Why are you sad, mon ange?"

You can't tell him. It's only an act. It's only an act. You want him to stay. He can't. He won't.

You can't ask him to stay.

"You are tired," he says, smiling sweetly, his cupid's bow curving. "Let's get you home, Trickster."

He's right, of course.

And you don't want to leave, you don't want to lose something on the velvet steps of the dorm, but you do, for him.

He walks you back to Ramshackle himself. He tucks you in bed and makes you something warm to eat since you both know the silver-plated hors d'oeuvres weren't enough.

You don't want to close your eyes. But he asks you to sleep, and you do, for him.

And so you wake up in your drafty dorm and your secondhand clothes in a bed that isn't really yours, feeling like yourself again.

But today, on this cold morning, he's sitting with you, and it isn't lonely.

"Oh, Trickster," he whispers, leaning over your, holding your face and gazing at you with something like softness.

"You did not have to ask me to stay. The answer is always yes."

And he kisses, again and again, your lips, your cheeks, your nose and head. He kisses that person, the one in rags, the messy one, the lonely one, you. He kisses you. He wants you.

And you think, perhaps this person, this yourself, isn't so bad.

Rook loves them, after all.

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

-

i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?���

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

“No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. “Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3

[actuallyjustabiscuit]

Jax’s behavior is legit pretty fascinating

Yes it’s time I ramble about the purple twink.

Fast Food Masquerade did something crazy in that it actually got me to start empathizing with the asshole because Jax’s visible frustration throughout this adventure was too real.

And in fact, it’s why I think Jax was acting so “different” towards the latter half of the episode.

This adventure was Too. Damn. Real.

Now, Jax’s character is actually really simple. He even sums up his whole schtick in the pilot.

“I’m fine with doing whatever, as long as I get to see funny things happen to people.”

Then in a hilarious bit of instant karma, promptly gets hit in the face with a gloink

The “-who aren’t me” part of that self description pretty much goes without saying.

Immediately after this happens, Jax’s little laidback exterior gets so rattled that he suddenly feels the need to take control and starts assigning tasks to everyone. And his casual attitude only returns once he feels like he’s not in any position for ridicule, by redirecting the potential for ridicule onto others. This is his defense mechanism.

Jax needs to feel in control, so he deliberately controls whatever situation he’s in to get the results he wants.

Something that I’ve always appreciated about Jax from a meta perspective is that he’s a character who actively moves the story forward, usually because he wants to satisfy his urge to create chaos.

And that’s the main thing about Jax, he’s really destructive.

Like…almost pointlessly destructive.

But, y’know what? It makes sense. Because he’s in a video game.

Where else can you be as needlessly and excessively chaotic than in a game where you can do pretty much anything because nothing is real?

Jax can hurt whoever and wreck whatever because if he’s living by video game logic, then there are no lasting consequences to his actions.

Jax even goes so far as to refer to Pomni, and by extension the other trapped humans, as a “character” in the pilot. Which goes to show how little he wants to consider them as people.

You can’t really hurt a character. And if used correctly, a character can be entertaining.

And that’s all Jax really wants out of his new life in the Circus, entertainment. Because the worst thing you can be while stuck in a game is be bored.

But of course, even in games, your actions have certain consequences that are just unavoidable.

And Episode 4 really beat Jax’s yellow teeth in with that not-so-fun little reminder. Because this bit right here

Pretty much was the precedent for how bad Jax was gonna get it this time.

And it all starts with Gangle absolutely refusing to let his usual bullshit slide by personally making sure that there will be consequences.

This is the first crack in Jax’s mask, he’s visibly concerned and annoyed that he no longer is allowed to be himself lest he risks getting punished. And even more baffling is that for the first time, Gangle asserts her power over him. She actually does something about his behavior, ripping the wind right out of his sails. Not only that but she continually enforces her authority, making it harder on him to get the upper hand again.

Now his interaction with Zooble is really interesting, because it’s the first time we see him at his most normal.

I don’t think he’s trying to tease them here, I feel like he’s genuinely curious about Zooble’s way of “playing” the game, because remember, it’s been a long time since they’ve been on an adventure together, if at all. Zooble’s excuse of wanting to avoid punishment makes sense because they witnessed first hand that Caine’s unstable personality is capable of some legitimate danger.

Of course, Jax believes that there isn’t any real risk involved. The only immediate menace to him and his current desire to just get through the day, is Gangle and her new mask.

At this point he’s not trying to be destructive or disruptive. He’s fully apathetic, because being forced to act like a minimum wage salary employee is not fun in the slightest. He can’t make things fun for himself, so he refuses to participate entirely.

As the clock mocks him with every slow tick, his mask chips more and more.

Jax isn’t saying this to be calculatingly rude or hurtful, he’s not doing this to upset Gangle. He’s being sincere, which is why he’s not smiling.

Because Gangle is much easier to push around and go along with whatever he wants her to do when she’s in Tragedy mode. She’s more “fun” that way.

In other words, he really hates this new dynamic they’ve got going on.

But this little comment, just makes things even worse for him because now Gangle goes from enforcing her authority to straight up abusing it by letting herself abuse him for a change.

It’s crazy how Jax’s main concern here is making sure this torture scene is just between them. He really hates being humiliated, more so than getting physically hurt.

The man has some serious issues, but c’mon we already knew that.

So Jax is finally getting a taste of his own medicine and it completely emasculates him. To the point where he just defaults to doing whatever Gangle tells him to do just to avoid feeling like that again. Now the mask is fully stripped off, he’s openly exasperated and powerless. On top of that he has no real impulse to ridicule or ruffle anyone’s feathers anymore, because for the first time in probably a long while, he’s even more miserable than everyone else.

And what does misery love?

Company

As someone who’s worked in retail for a while, nothing helps keep you sane more than having a little of bit of camaraderie when struggling to survive in corporate hell.

Something that really stood out to me in this episode is the limited use in background music, especially when in Spudsy’s, where you either get muzak to sell the ambiance of a public eatery or silence with the occasional machinery noise.

And yeah, that’d be enough to make shit as immersive as possible. It’s not a coincidence that the restaurant looks like a McDonald’s when Gooseworx even said it was directly modeled after it. It’s uncanny, how real this setup feels.

Uncomfortably uncanny.Jax seething at the clock is a relatable struggle.

The mask immediately comes back on once Jax no longer has any obligation to stick around.

But Jax can’t even enjoy his freedom. His day is officially over, but the sting of the experience still lingers. The adventure wasn’t just boring or frustrating, it was humbling, in every terrible way. This wasn’t a game, it was real life.

And I think the last kick in the teeth was this license plate waiting for him in the parking lot (Why did Caine make them drive “home”? That’s just extra)

One is the loneliest number

Jax doesn’t hide the fact that he’s an asshole, he’s almost proud of it. He practically relishes getting a rise out of everyone. He is well aware that nobody likes him, but I think this where he starts realizing that it actually bothers him.

Everyone has talked about that very brief moment where Jax’s expression changed towards the end of Candy Carrier Chaos, when Ragatha was talking about Kaufmo’s funeral and we get to see him actually get sad for a change, before immediately shaking it off and stomping away in irritation.

Jax showed no concern over Kaufmo’s abstraction in the pilot, so why would he feel sad about it in that moment? Does he secretly care about his fellow humans and just doesn’t want to admit it?

Maybe. But personally, I think the others choosing to morn those who’ve abstracted like they’re dead makes him seriously uncomfortable. Because it serves as a reminder that even in this world, there are still major consequences when some things aren’t taken seriously.

Jax doesn’t want to consider real life consequences. None of them even look like real people, so why should he bother treating everyone like real people?

So when he sees everyone else getting closer and being good to each other, it’s annoying and weird. The idea that they need to look out for one another feels pathetic. Treating abstraction seriously means it’s a real danger, and that would mean that he’s also susceptible to experiencing it one day.

And when you’ve built up a reputation over making everyone miserable, who’s gonna wanna remember you?

In a show that’s clearly all about building relationships, Jax’s destructive behavior is really gonna cost him.

[tanadrin]

There's this big gripe I have with a lot of television shows that are dramas, which is that they take the formal elements of modern prestige television--very good cast, high-quality cinematography, terrific music, often even a pretty interesting premise--and just fall completely flat-footed on the execution, because the plot has the structure of a floppy spaghetti noodle.

Plot can be just one damn thing after another, but in general this is not a satisfying way to approach plot. Satisfying plots usually have some kind of structure, build logically to some kind of climax (or even series of climaxes, in serial formats like television), often leveraging diverse dramatic techniques so that even if the plot temporarily veers off into some cul-de-sac or subplot, you feel like the overall momentum of the story is moving forward, is coming to some conclusion. In short, you feel like there is a reason for you to be watching this story in particular, that it has some weight or consequence for its characters, that each sub-element of the overall plot, each chapter or episode or what have you, is in retrospect a necessary element in the story the creator wants to tell, and the audience wants to watch.

(Obviously, for more episodic structures, which a lot of perfectly great TV shows have, the rules are different, because the plot of each episode is partially or wholly discrete; but a key element of modern prestige TV is a serial and not episodic format. I don't know why this is exactly, but I assume it has something to do with the long shadow of The Sopranos and the notion that episodic formats are for cheesy sitcoms or cheap science fiction.)

But almost every prestige drama and quite a few other shows I have tried to watch in like the past--I dunno. Ten years? Maybe not that long, but it sure feels that long--has the floppy spaghetti plot problem. The plot really is just One Damn Thing After Another, usually fuelled by characters having to hand off the Emotional Idiot Ball to one another to generate conflict. Hell, one reason Game of Thrones stood out was that it wasn't this: for all I have ragged on George R.R. Martin, I think he has some notion of structure, and though in a long-running book series you can let that structure expand and breathe, the parts of the show that followed the plot he laid out in advance benefitted strongly from having that structure to guide them. Most showrunners these days seem to think only as far ahead as the next episode, and boy, it shows!

I'm not saying all writers need to be J. Michael Straczynski, and plot their shows out five seasons in advance with multiple escape hatches for various characters in case their actor has to leave the show, but I do think I haven't seen a well-structured serial drama television show since around the time of The Wire. And this lack-of-structure problem has even infected a lot of episodic, decidedly non-prestige TV shows that have tried to incorporate overarching plots into their seasons, which I think is in part due to the idea that serial storytelling is somehow, I dunno... like More Serious Television? Anyway, I wish it would stop. I wish writers and showrunners would care more about structure!

(There's also a related problem where a show will start out with some interesting premise or concept, and abandon it like three episodes in to focus on side plots, despite the premise being the whole draw of the show.)

[dailynnt]

FRIENDS WITHIN TOUCHING DISTANCE

Summary: What happens when two best friends try to get along under the same roof? You've been living with Jungkook for three months now, but your cohabitation is still a challenge for you. He continues to live like a real bachelor without following the rules you agreed upon from the beginning of your decision to live together. Should you find a compromise or should you find a new place to live?

Couple: Jeon Jungkook/ Fem!Reader

Characters: The Reader, Jeon Jungkook, Park Jimin, Kim Taehyung, Min Yoongi, Kim Seokjin, Kim Namjoon, Jeon Hosuk.

🔞 Age restrictions: 18+

👩🏼‍❤️‍👨🏻 Relationships: ⚤

📕 Number of part: 15/?

🖇️ Tags: best friends, friends with benefits, slow longing, sexual tension, protected sex, unprotected sex, alcohol, drunken sex, inexperienced main character, mafia au, illegal trade, deaths of minor characters, weapons, swear words. Tags will be added as the story is written.

👩🏼‍💻 From the author: It's supposed to be a Christmas present. However, I thought that there were some unpleasant things in this part, so it should not be a gift 🫢 That's why I'm posting it now! Let me know what you think of this part 😶🤗

🫂Dedication: For you, my love @myjungkookthighs . You are my favorite person 😘🥰 You know that I appreciate you very much and love you🥰💜

⚠️ Warning: English is not my native language, so there may be mistakes in the text. Please don't get mad at me too much! Those under 18, please don't read this story!

📋Tag list: @myjungkookthighs, @notsevenwithyou (If anyone wants to be in my tag list let me know)

→ Part 1 → Part 2 → Part 3 → Part 4 → Part 5 → Part 6 → Part 7 → Part 8 → Part 9 → Part 10 → Part 11 → Part 12 → Part 13 → Part 14 → Part 15

Part 14. A gift for Christmas.

Jungkook holds out his hands to you. In one of them is a bottle of plain water, and in the other he holds pills. You take the water and the pills with a small smile and take them. Jungkook watches you carefully.

"Thank you." - You say briefly, smiling again as you swallow the water and the pill. Jungkook smiles back. You stare at the water bottle as if it were too interesting to start any kind of dialog. You feel awkwardly. From everything: the fight, the sex that happened after of it, and the fact that you take birth control pill to avoid getting pregnant by your best friend.

You see Jungkook's fingers grabbing the bottle and placing it on the spesial board near the seats. You look up at your friend and see his satisfied expression. You look at him awkwardly. Jungkook leans over and kisses you on the lips. He puts one hand on your cheek, and you reflexively put yours on top.

He kisses you without his tongue. Carefully, gently, tasting your plump lips. You are enjoying this moment as much as he is. You seem to be the one who does not want to return to the previous dialog and situation. You wish this moment could happen as late as possible.

However, you can't kiss forever. Jungkook pulls away from your lips, but he doesn't moves away and strokes your cheek with his thumb.

"How are you feeling?" - He asks gently.

"Apart from the fact that I can barely sit up, I'm fine." - You say plaintively, but you smile. This makes Jungkook laugh. He fixes the hair that is falling over your face.

"I'm sorry, baby. I warned you. But you didn't listen to me, and you asked me to make you scream. You know I keep my word." - Jungkook argues cheerfully. He leans down once more and kisses you on the lips. Then he lets you in and starts the engine. You need to get back to the hotel.

The car drives almost silently. Jungkook is watching the road, darting his eyes between the mirrors. You are silent for a while and you don't know if you should start talking again. You are afraid that you might fight again. But the question is still open. You haven't decided what to do about the fact that Jungkook is hiding everything from you.

"Jungkook." - You call his name to get his attention.

"Yeah, honey?" - He turns his head to you, but continues to watch the situation on the road.

"I want coffee, can we stop somewhere to buy some?" - You ask. You suddenly feel like drinking a whole glass of flavored cappuccino.

"Sure. I'll buy you one. Do you want just coffee or something to eat?" - Jungkook asks with concern.

"No. Just coffee." - You reply shortly.

"No problem." - Jungkook says and re-routes the car to the nearest coffee shop.

The car pulled up smoothly to the cafe-drive in a Japanese Starbucks and stopped at the order window, and Jungkook bought two cups of cappuccino. One for you with syrup amaretto and cinnamon, and one for himself without any additives.

After receiving the two hot cups, you finally headed to the hotel. The aroma of coffee filled the car. Jungkook threw his drink on the holder between the seats. When you received yours, your palms immediately warmed up from the pleasant warmth. You took a small sip, and the sweet taste of the amaretto mixed with the spicy note of cinnamon, causing you to smile faintly.

No matter how much you tried to delay the moment, it was worth talking. You decide that you need to find a compromise in this situation, because Jungkook wants you not to be angry with him. And you're also exhausted because of the constant fights you've been having.

"Kook..." - You call out to him again. But this time you don't wait for him to speak. You get straight to the point. "Let's decide what to do now. I want everything to be good between us. We've been fighting a lot lately and I don't like it..." - You start to speak.

You see Jungkook lightly raise his eyebrows and bite his lips again, mocking his piercing. He holds the steering wheel tightly with one hand and reaches for the cappuccino glass with the other and takes a sip. “Here's the deal. You don't have to tell me anything more about yourself. I promise I won't ask you anything else. If you want to tell me something, I will always be here for you. But in turn, I will also stop sharing anything with you. I will tell you exactly what I think is necessary." - Finally, you finish and take a sip of coffee, tasting the apricot and cinnamon on your tongue.

You feel a look on your face. Jungkook turned to you and looked at you intently. You looked into his eyes with determination. You stared at each other for a few seconds, as if in an unequal fight.

"It doesn't work that way, baby." - He says turning back to the road. You protest at his words.

"What do you mean? Why? It seems to be the only way we don't fight." - You complain, trying to hold back the emotions that instantly fill you.

"Because they're different things." - He says softly, but you know he's serious. You are puzzled and furrow your brows.

"I don't see the difference." - You say with protest in your voice. "If you're not going to say anything, I won't either. Either we're both honest, or we're both keeping our secrets to ourselves."

Jungkook brakes the car at a traffic light. He braked too late and drove over the line, so he can't see the traffic light itself. He leans over the steering wheel to see when the light turns green.

"I'll know everything about you anyway, even if you don't tell me anything." - He says in a casual voice while continuing to stare at the traffic light.

"What do you mean?" - You didn't understand. "You're going to spy on me? Then what makes you better than Doohoon?" - Jungkook looked at you for a moment, and you could see him burning with irritation, and then he turned back. The light turned green and he continued to drive.

"I'm not going to spy on you. But you should know that this is bullshit - Doohoon won't let you go that easily. I'm just going to stay by your side as much as I can." - Jungkook states. You laugh ironically. Yeah. Of course you are. ‘As much as I can.’ He's lying again.

"As you wish." - You say. "But I think it's best this way. You keep quiet and I keep quiet. You talk and I talk." - You repeat this and assure him that it will not be any different. You are silent for a long few seconds, and your voice breaks the silence once again. "What do you say, dear?" - You smile sweetly. Jungkook takes a sip of coffee and sees you smiling sweetly. He knows you and you are a sly fox. But is he going to promise you the truth again and then break it? If he does, the consequences could be worse than the fight yesterday and today. He thinks and makes decisions. He will do his best not to hide anything, but he will also do his best to keep you safe.

"What do you want?" - Jungkook asks you to clarify your opinion. "Do you want us to share everything or not tell anything?"

"I want us to talk to each other and share everything without exception. Because that's what I've been doing all along. But if that doesn't work for you and you realize that you can't do that, we should respect each other's personal space." - You still leave the choice to Jungkook. He thinks about it a little longer and finally agrees.

"Okay. Let's be honest with each other." - He says, but you can't believe your ears. You thought for sure he would want to keep quiet.

"Really?" - You ask again, still in disbelief. Jungkook smiled.

"Yes. I'll try to be as open with you as I was before." - Jungkook promises, and your heart flutters. Yes. He used to share everything with you. Back then, you got along so well and never fought.

You can't control yourself with joy. You move over quickly and kiss his lips. Jungkook is holding the wheel and is slightly dazed by your desire to kiss him. You kiss only his sweet silken lips. You put gratitude into this quick moment.

You sit up straight, and Jungkook drives the car as if mesmerized, with a puzzled expression on his face. What was that? Did he just feel butterflies in his stomach? Fuck...

***

The sun has already set. There was only an hour left before the Christmas party started. You were almost ready, you just had to put on some lipstick and get dressed. You decided that you would do your own makeup because you didn't want to paint your face too much. Your hairstyle would be simple long waves that would cascade over your shoulders. Now your hair has been pinned up high, and before you go out you will style it properly.

You decided that dark evening makeup with a little eyeliner and brown and gold eyeshadow would work best with your dress. You remembered that you had a wonderful matte brown-caramel lipstick. It was somewhere in your backpack, separated from all the other makeup products.

Before you arrived at the hotel, you remembered that you hadn't bought shoes and tights. You had a coat that you could wear over this dress. It's not a problem that it's cold today because you'll only be outside for a few minutes, you don't want to get cold. So when you talked, you told Jungkook that you needed more clothes and of course he bought them for you.

You left the bathroom and went to your bedroom. You found your backpack lying on the chair and started rummaging through it. You didn't hear Jungkook come in. He walked over to you and watched you desperately trying to find something.

"Will you help me?" - You heard your friend's voice. You looked at him and froze at his appearance.

He was dressed in a black shirt that was buttoned up except for the throat. He wore a vest over it. Black classic pants and a leather belt around his waist. He was wearing socks and no shoes, later on it’s would be some kind of patent leather shoes or something like that. His hair was parted in a parting on his head. His hair had volume, and the strands from his bangs fell nicely to the sides. He looked damn hot in that totall-black look.

Jungkook noticed you staring at him and smiled playfully at you. You continued to look for your lipstick in your backpack in embarrassment.

"With what?" - You asked as you continued your search. Jungkook couldn't get enough of your reaction. His ego rose higher.

"Help me put on my tie." - He asked with a smile on his lips. You realized that this was going to be a moment of mockery and praise of your friend's appearance.

You put down your backpack and turned to Jungkook. He was smiling slyly and looking at your beautiful face. You took the tie from his hands, lifted the collar of his shirt, and threw it over his head. Jungkook tilted his head so that you could comfortably throw the tie over it.

While you were fiddling with the button and the collar, your friend was looking at your makeup. Black arrows on top of brown and gold eyeshadow, lush mascara lashes, blush. All that was missing was lipstick. You will put it on your lips, but Jungkook thought you didn't need it because you were already beautiful. He also noticed that your blush that was caused by his look.

"Are you blushing because of my beauty?" - Jungkook asks you playfully. You roll your eyes to your forehead, which makes your friend laugh out loud. He steals his arms around your waist and pulls you closer.

"Jungkook! You're making it hard to tie it properly." - You protest, but you don't mind the closeness. The main thing is that he doesn't forget to close the door this time.

"I'm really so handsome, maybe you're already wet just looking at me?" - Jungkook purrs. God, he shouldn't talk about your wetness. Because you need to get ready, time is running out.

"Shut your mouth, Jeon!" - You say angrily.

"Shall we test it?" - He asks, and his hand is already hiding under your robe. But you manage to intercept his hand, stopping to tie his tie.

"Don't even think about checking anything right now. Because if I don't get ready in time, you'll be explaining to everyone why we're late." - You warn him. You hold his hand with yours, but Jungkook doesn't think to stop. He pushes his hand harder so that you can't hold him.

"No problem. I'll explain." - He says in a low voice. You're already really getting wet at his tone. But you won't be having sex again tonight. And definitely not right now.

"Are you really that insatiable?" - You ask seriously. Your hand tightens on Jungkook's arm. He's stronger than you, he could get to where he wants to go in one go. But you don't have time for another round, so you hold him as tight as you can. "Seriously, Jungkook. We don't have time for this. And you're not so handsome anymore that I'm wetting over the sight of you in a black shirt." - You say mockingly. Jungkook hears you say this and grabs your buttocks with his free hand. His fingers dig into your skin, creating a pleasant pressure. You are caught off guard.

"You like to provoke me so much." - He said, almost against your lips. "When did you become such a liar?" - Jungkook smiles. He's went too far, you're really leaking now. You will have to change your panties. But you can't tell Jungkook, because for some reason you think if you do, he'll fuck you on this bed behind you.

"When have I ever lied to you?" - You ask in surprise. Your surprise is not real. "I'm serious. I still have to put on my dress, shoes, and lipstick. It's time-consuming." - Not to mention you need to change new panties. Jungkook doesn't seem to hear you.

He ignores your protests and touches his lips to your neck. You freeze from the warmth of his lips. His gentle kisses all over your neck make you tingle. He releases his hand that you were holding and pulls open the robe that covers your neck and chest. He pulls away from your skin and sees how you've skillfully disguised the hickeys he left on you today during sex in the car.

"Did you use foundation?" - Jungkook asks as he touches the hickeys.

"Yes. You're lucky I had concealer, otherwise I'd have been don’t go at best." - You lament. Jungkook runs his nose along your jawline, inhaling the scent of your skin. He's intoxicated by the light scent of cherry blossom he inhales. It's probably it because it's a very popular scent in Japan. After a shower, your skin still holds that scent.

"Maybe you didn't need to disguise it?" - He murmurs into your neck. He caresses your jaws with his nose, then gently kisses your neck with one lip. You tilted your head slightly so that Jungkook could have good access to your neck. You closed your eyes, enjoying his caressing lips.

"What do you mean?" - You grumble. "Did you want everyone to see that I was marked? You even left them on my chest so big that my dress barely will covers them." - You said with reproach, but gently.

"So what? Then everyone will know that you belong to me." - He says, stopping kissing your neck. You open your eyes and see his face a few centimeters away. You smile.

"Do you want everyone to know that I belong to you? Your friends will be most interested in when exactly I began to belong to you." - You say sweetly. You're happy to think that Jungkook wants to tell everyone that you're his. But you're not even his girlfriend. You're his friend. Or who you are to him right now?

Jungkook was upset and you saw it. He let go of your buttocks and put his hands on your waist.

"Sometimes your mouth..." - He says, a little offended. You laugh and raise your hands to your tie. You have to finish what you started, find your lipstick, and finally get dressed. Time was running out.

Jungkook really felt bad. He thought you were too beautiful today. It was annoying, because there would definitely be some dick who would stare at you. It pisses him off that someone's bullshit eyes will be evaluating you. He wants to be the only one who can see your beauty. He wishes you could be hidden from the world. Jungkook wants you to belong only to him. Damn it, and you're hasn't worn that dress yet. He remembered the neckline and was worried about whether you'd freeze in it.

You finished with the tie and Jungkook let you go. He sat down on the bed, and you started rummaging through your backpack again.

"What are you looking for?" - He asked.

"Lipstick. I had it here somewhere." - You searched and couldn't find it. It made you mad. You turned your backpack over and dumped all the contents on the bed.

The lipstick fell out and you saw it. Grabbing it in your hands, you saw a black box containing a gift for Jungkook. You had completely forgotten about her with all the drama that had happened in the last few days. You picked it up and looked at Jungkook. He, who had been watching you all this time, understood what you were trying to do.

"Jungkook." - You said softly. You walked over to him with the gift in your hands and standing in front of him. "I completely forgot, It’s good that I went to find mylipstick." - You held out your hand with a beautiful black box with a golden bow. "Merry Christmas." - You said. Jungkook stared at the gift box in your hand. He didn't expect you to have a present for him. Even though you give him gifts every year for Christmas. Why did he forget about it now? He also had a gift for you, but he planned to give it to you after the party.

"What have you got for me this time?" - He asks. He sounds excited. Jungkook looked at you, then picked up the box. His fingers briefly touched your hands, and this simple touch made your heart speed up slightly.

"Something that will always remind you of me." - You say with a shy smile. Jungkook looks at you while opening the box. You'd better not be so cute, or he'll be unable to contain himself, and to hell with everyone waiting for you two.

Finally, when Jungkook unboxes the gift, he sees what it is. Inside was a Calvin Klein watch. The black dial with thin golden hands and minimalist design matched his style perfectly.

"Is this... a watch?" - He asked, but his voice sounded more confused than questioning. He took it out of the box and held it carefully in his hands as if it were some kind of precious treasure.

"It's a limited edition…" - You explained. "I thought you should like it." - Jungkook looked at you, his eyes full of something deeper than gratitude. He looked at his watch again and then back at you.

"Are you serious?" - He whispered.

"Seriously." - You nodded. "You're going to wear it and think of me every time. Not just once a day to find out where I've been and what I've been doing." - You couldn't help but hit Jungkook. But he ignored your words and put the watch down next to him and pulled you close. He sat you on one of his legs and kissed you gently on the lips.

"Thank you." - He said quietly, his voice sounding a little hoarse. "This is the best gift I've ever received." - He kissed you again. "I have something for you too, but I was planning to give it to you after the party." - Jungkook admitted.

"Then you should do that. I have to hurry." - You say, getting off his lap and heading to the bathroom.

***

A Christmas party organized by Jimin's friend takes place in a luxurious restaurant in Niseko, in the heart of the Japanese Alps. This place has an unforgettable view - the huge windows offer a panorama of snow-capped mountains and winter landscapes, creating a magical atmosphere.

Your entire company arrives at the restaurant on time. All the guys are very handsome. Jungkook, whose image you've already seen, has completed his outfit with a black jacket with silver snaps and matching patent black loafers. Your gift, a limited edition watch, fit perfectly on his wrist.

Jimin wore a dark green velvet jacket, a black shirt, and similar black pants with perfect arrows. His look was completed with patent leather shoes.

Taehyung chose a navy blue suit made of velvet fabric and a burgundy shirt. His look was complemented by a bow tie.

Hoseok chose a more relaxed style: a striped jacket with gold accents, a black turtleneck, and stylish boots.

Jin wore a white and silver suit with a thin chain around his neck.

When they all saw you, they just started complimenting you. You wore a champagne-colored dress with a neckline and train. It hugged your figure in a perfect way, making you look very attractive and beautiful. On your feet, you put on high golden heels with thin straps, the same ones you with Jungkook came back for. They were in perfect harmony with the jewelry on your wrist and ears.

Jungkook almost boiled over when he saw the looks on all his friends' faces. God, he only had to endure only one evening.

Inside the restaurant, everything was elegant and sophisticated: marble floors, stylish furniture, luxurious tables covered with white tablecloths with gold patterns. People in expensive evening dresses are talking and laughing, and the air is filled with the light scent of fresh flowers and festive food. The music playing in the background creates an atmosphere of relaxation and festivity, slightly drowning out the conversations.

You feel uncomfortable. This is all so pretentious for you. You've never been to an event like this before and it's definitely not the kind of community you're used to being in.

Jungkook was walking next to you, and you were holding his elbow. You looked at him and saw how serious he was, and most importantly, how calm he was. He felt your gaze and smiled slightly.

"It's like we're in a movie." - You said with a smile.

"Why?" - Jungkook laughs. Yes, in a movie, and in the crime genre.

"Because it's so pretentious. I've only seen it in movies." - You admit. Jungkook laughs even harder.

"It's all because of Jimin. He has almost all his friends like that." - Jungkook says.

"He's such a simple guy. I would never have thought he would hang out with people like that." - You say. Just then, Jimin, who was a few steps ahead of you, turns to you two.

"Let's go meet and greet Kazuhiro Yamada." - He says to the two of you.

Yamada was a middle-aged man with cold, attentive eyes, dressed in a stylish black suit. His presence in the room instantly attracts attention. All the guys greeted Kazuhiro warmly, with the exception of you and Jungkook. Jungkook had never met the man in person, but he knew what kind of person he was from his friends.

You were introduced and you acted as confident as you could. But all these people around you, and especially Kazuhiro himself, made you feel tense inside.

Kazuhiro complimented you after unceremoniously looking you up and down. You thanked him shyly, squeezing Jungkook's elbow tighter. He, in turn, was holding back his emotions as best he could. So he the first dick to openly devour you with his eyes. Jimin, seeing Jungkook's eyes, decided to calm his friend down.

"Yes, she is indeed a beautiful Kazuhiro. She's Jungkook's fiancée." - Jungkook was taken aback, but since he was a professional at keeping his emotions in check, his face didn't show any confusion, which is more than you can say. You opened your mouth, but almost instantly closed it.

"Really?" - Yamada asked. "What a pity I don't have a chance." - Kazuhiro said with feigned disappointment. He spoke Korean well, by the way. Although everyone else spoke to him in Japanese, including Jimin, only when it came to introducing you and Jungkook did they switch to Korean. You blushed again, and Jungkook's jaw muscles pulsed.

"Yes. You don't stand a chance, dickhead," - Jungkook thought. But he just smiled tensely without saying anything. He looked at Jimin in mental gratitude. Jimin winked at Jungkook.

After you were introduced, champagne was served and you and Jungkook went to Taehyung and Hoseok’s place. The guys were talking to each other and you were just looking around. Sometimes you would hear broken phrases like "they have to convince him", "we have a better position", "the appointment time is tomorrow".

The music was loud and interrupted the general din. Your eyes ran over the people around you. The women were dressed up and wore expensive jewelry. Men in stylish suits look businesslike. There are also young people around your age, even children.

You look around at these people and catch a few studying glances. You feel very nervous and uncomfortable. You wonder why these people invited Jimin. And how did you end up here?

Some more time passes. New guests arrive at the restaurant. They all go to greet the host of the party first, and then disperse around the room. As you take another sip of champagne, you notice the new guests. You cannot believe what you are seeing.

Doohoon is wearing an expensive dark brown suit with a chain. His hair is perfectly styled, very similar to Jungkook's. He is walking hand in hand with a girl. She is tall, but despite the fact that she is wearing heels, she is still shorter than Doohoon. Her figure is perfectly emphasized by a black silk dress with a deep V-neck and an open back. A thin string of stones stretched from her neck to her waist. It was clear that she was Korean.

Doohoon immediately caught your eye. When you made eye contact, he immediately put on that awful, stupid smile you had come to hate.

You reflexively grabbed Jungkook's sleeve, unconsciously seeking protection. Jungkook looked up from his conversation and saw that you were scared. He followed your gaze and his anger knew no bounds. The asshole is here. But what puzzled Jungkook the most was the girl walking next to Doohoon. He looked at her and couldn't understand why she was here. What the hell this girl do there?

Doohoon and his companion greeted Yamada. You could see Jimin and Jin, who were standing next to Kazuhiro Yamada, staring at Doohoon. He shook hands with them in a low-key greeting. You turned away the moment you realized that Doohoon and his girlfriend were heading towards you.

"Jungkook, he seems to be coming to us." - You turned to your friend and saw that he was staring at them almost without blinking. You raised your eyebrows wondering what was going on.

"What an unexpected meeting, isn't it?" - You heard Doohoon's voice behind you. You had been looking at Jungkook the whole time. You noticed that he was looking at someone.

When you turned to know who he was looking at, you realized that he was looking at the girl in the black dress. She was also looking only at Jungkook. Their gazes made you feel nauseous and your heart beat faster.

"Well, hello, champ." - She says casually. You feel like you've been struck by lightning. What did she just call him?

Jungkook doesn't react to her words or greet her back. He stares at her a little longer and then turns his gaze to Doohoon. Taehyung and Hoseok, who were nearby, watched quietly.

"What a thing to do. To fly so many miles from Korea and see the same faces." - Doohoon says. You look at him with disdain. "Hello, candy. It's good to see you." - You want to snap back at him for calling you that again, but Jungkook interrupts you.

"What's she doing here with you?" - He asks dryly. You freeze at the sound of his voice. It's so hard and cold.

"Do you see how round the world is, my friend? Ha Young was once your girlfriend, but now she's my companion." - Doohoon says casually. You're shocked. This girl is Jungkook's ex? No wonder he's looking at her like that. But why the hell is she here with Doohoon?

"I asked, why is she here?" - Jungkook asks irritated. His eyes are filled with pure anger.

"That's not nice, Jungkook. Where are your manners?" - For the second time, Doohoon ignores Jungkook's question. "Candy, I'd like you to meet Ha-young, she's my friend. Ha Young is Y/N, she's a friend of mine and Jungkook's from school." - The two of you finally make eye contact. You look at her indifferently, and she looks at you with interest.

"Nice to meet you." - She says sweetly as she extends her hand to you. You stare at her hand for a few seconds and don’t shake it.

"I can't say the same." - Ha Young smiles and takes her hand away. "Are you spying on us Doohoon again?" - Now your eyes are on your former friend. "You couldn't just wait until Jungkook and I got back to Korea. Why did you fly all the way here?" - You said gloatingly. Taehyung and Hosuk look at each other, this conversation could end badly.

Doohoon laughs at your words. He looks down at the floor and then back up at you.

"Sweetie, I actually flew to Japan to work and establish relationships with partners and oversee the transportation of very valuable devices. Because I have information that someone is trying to steal them." - He says and looks at Jungkook. Jungkook can barely control himself. That fucking bastard. He will strangle him with his own hands. He knows why Jungkook is here and will try to stop him from taking the devices. But it was this bastard who stole them from him.

You watch this with your eyes and feel the tension cover you all. You can almost physically feel it. Just in time, Hoseok intervenes and stands between Doohoon and Jungkook.

"Hey Doohoon, why don't you just go and enjoy the party?" - Hoseok suggests. Doohoon looks over at Hoseok.

"Yeah, buddy, it looks like we're not going to have a normal dialog. Have a nice evening." - Doohoon says to all of you. "Ha Young, let's go." - He calls his girlfriend and leaves. Jungkook also turns around and wants to leave, but his ex stops him. She grabs his arm and he stops. You see this and think you're going to die of jealousy, but your face is emotionless.

"Kook... I'd like to talk to you." - She says in the sweetest voice in the world. You feel yourself start to tremble. Your heart is beating against your chest with incredible force.

Jungkook pulls his hand out almost instantly. He turns and looks at his ex.

"We have nothing to talk about." - He says coldly.

"There are." - She replies desperately. "I wish I could explain to you why I'm here." - She says in a desperate voice. You watch this picture and think you've had enough. You want to leave. Too bad the only way is through them. When you pass Jungkook, he's the one who grabs your hand. You stop when he doesn't let you go. You look at him and your eyes radiate anger and irritation.

"Don't move away from Taehyung and Hoseok." - Jungkook orders you. This confirms that he is going to talk to his ex-girlfriend after all. You pull your hand out and say aggressively.

"I don't need bodyguards. I can take care of myself. Make fun to talk." - That's the last thing you say and you walk away. Jungkook wants to follow you. He can't leave you alone knowing that Doohoon is so close. It doesn't matter that there are many people here, he will be able to hurt you if Jungkook is not there. Just as he's about to follow you, Hoseok stops him.

"Talk. We'll be there for her." - He taps Jungkook on the shoulder and he and Taehyung leave Jungkook with Ha Young.

You walk quickly and don't see anyone in front of you. You're overcome with anger, jealousy, and abuse. How did this piece of shit get here? Is he really some kind of stalker? Shay brought Jungkook's ex. Of course, in typical Jungkook fashion, you know nothing about her. She's beautiful, and Jungkook such looked at her that way. Did he really love her? Why did they break up? Could there still be feelings between them? These thoughts tore at your head. You wanted to go somewhere. Somewhere no one could see or hear you.

Before you knew it, you were at the bar. You sit down on a stool. You think you should get drunk. It might make things easier. Hoseok and Taehyung stayed in the hall. They decided that they would watch you from a short distance.

You ordered a cocktail with strong sake at the bar and drank it in one gulp. The bartender who made the cocktail for you was shocked.

"One more!" - You say in Japanese. The sake is strong and you instantly feel the alcohol spreading throughout your body. You decide to drink the next one more slowly. When you get another cocktail, you savor it slowly. You're glad that Hoseok or Taehyung didn't sit down with you. You really want to be alone.

You take your phone out of your purse and scroll through your Instagram feed. You think about posting a couple of stories and photos to your profile and showing off the local beauty of Niseko. Some time has passed.

Your phone distracted you because you didn't notice someone sitting next to you. When you turned your head a little to the side, you saw someone sitting next to you with a peripheral vision. Doohoon. He's sitting next to you again. No one is around except the bartender who hands him a shot of whiskey.

"Grieve, candy?" - He asks with a sweet smile. You are a little nervous about his presence. You're scared, because this man has been watching you. Why he always somehow ends up in the same place as you? You look around at the people and try to find someone familiar among them. But all your friends are gone. Jungkook is nowhere to be seen either.

"You shouldn't look for your friends. Don't be afraid. I won't hurt you." - Your ex-friend says with care in his voice. He says it so sincerely that you believe him for a moment. But in reality, it's not his words that make you relax. It's the thought that there are a lot of people here, people such people in front of whom Doohoon will not even touch you with a finger.

"I'm not afraid of you. I've never been afraid of you. You know damn well I can kick your ass." - You say colorlessly. Doohoon laughs. He takes a sip of whiskey and sets the glass down on the bar.

"I know." - He says. Doohoon is silent for a few more seconds and then his voice cuts through the silence. "You're such a beautiful tonight." - He says dreamily. You look at him sharply. You don't need his compliments.

"What do you want?" - You ask tiredly. "Why did you follow me and Jungkook?"

"I felt like I had to." - Doohoon replies, and you don't understand what he's talking about.

"What do you mean?" - You ask another question to understand what he's saying. Doohoon remains silent. He looks at the glass of whiskey in his hand and then raises it to his lips and takes a few small sips.

"Does he fuck you well?" - He throws out his question instead of answering yours. You're stunned and frozen. You remain silent, not wanting to answer him. It is absolutely none of his business.

"I think you like it. I know what all the girls who had sex with him said. Every single one of them says he's amazing in bed." - Doohoon says, laughter escaping his lips. "His ex, Ha Young, told me that too. She said no one ever fucked her better than him." - You hear these words and your insides tingle. Your internal organs feel like they're being stirred with a spoon. It becomes difficult to breathe. Why is this idiot telling you all this? You decide not to say anything in response. Because it seems that if you open your mouth, you'll vomit on Doohoon from the anger and jealousy that's making your head spin. You cover your mouth with the cocktail.

"Y/N!" - Doohoon calls to you. You turn your eyes to him. "I wasn't stalking you. I've liked you since high school. That's why when I found out you were living with Jungkook, I was scared for you." - He says. You again freeze, but this time at his words. You think you're crazy or something. Does Doohoon like you? Since high school? It can't be! And why is he scared of you living with Jungkook? Because he's afraid you're in love with Jungkook and he doesn't have a chance?

"Why are you scared?" - You ask, ignoring his confession of affection. He laughs bitterly because he noticed that you didn't say anything about it. You're always thinking about your Jungkook. Then he will tell you who your "best friend" really is.

"He's got you so blinded by good sex that you can't see what kind of person he is. He is so good at hiding who he really is. You have to applaud him for that." - Says Doohoon. "When I found out you were living with him, I thought I would just protect you from a distance. But when I found out you were fucking, I was shocked. I'll be honest with you, my heart was broken. I knew that if you guys were sleeping together now, you might fall in love with Jungkook. But he's dangerous. Because of what he does and who he has become, you could be in danger. Therefore, I decided to appear at this time." - You hear all these words and you can't understand why Jungkook could be dangerous to you. He's your Jungkook. It is Doohoon who is dangerous to you, as Jungkook said, not the other way.

"What the hell are you talking about?" - You get angry. "How is he dangerous to me?" - Doohoon is dramatically silent. He can't wait to see the look on your face when you hear what he has to say.

"Did he tell you what he does for a living?" - Doohoon asks you with fake desperation in his voice.

"He said it's some kind of security service that protects influential people." - You answer. "If you're trying to tell me about the guns, that he uses them, I know. That doesn't make him dangerous to me." - Doohoon is glad you don't know who Jungkook really is. His star time has come. He puts on his most dramatic voice.

"Y/N, he works for the mafia. He's Namjoon's attack dog. The boss of the RUN NOIR clan." - Doohoon says. He sees your eyes and can't get enough of the frightened look in them.

"The mafia?" - You repeat quietly. Doohoon nods to confirm your words. You suddenly laugh. Loud and hysterical. "You. Have you fallen off the wagon, you idiot? What the fuck is the mafia?" - You ask. Doohoon raises his eyebrows.

"Don't you believe it?" - Dohun asks you in turn. "Y/N it's definitely true. I'm telling you. Namjoon is this man who is constantly demanding money from my father. He controls all the transit points and ports. That's why I know it well and I'm telling you for sure. Jungkook is working for Namjoon's clan because them used to come together to extort money from my father." - Doohoon is lying to convince you. You hear the name Namjoon and remember Jimin saying his name on the phone. He called him the boss. Does this mean that Jimin is also working for the mafia?

You instantly put everything together in your head: the guns, the expensive car, the expensive clothes, the expensive hotel with the presidential suite. The constant concealment of the truth, his absence for three years and now almost for days, strange bruises on his body, wounds on his face and hands. All this suggests that Doohoon is telling the truth. And as icing on the cake, you remember Jungkook's words during today's quarrel. "From myself." - He said when you asked him what he was protecting you from by hiding everything about his life.

You couldn't move, unable to say anything. You were so shocked that you were speechless.

"You see everything yourself. He is dangerous to you because he tortures people, extorts money, or worse, kills them." - Says Doohoon . You don't say anything because you don't know what to say. Doohoon touches your hand. Five minutes ago, you would have rejected his hand. But now you sit there completely devastated. This is not what you dream of hearing on Christmas.

"Candy, I have a Christmas present for you. Let me show you." - Doohoon says and takes your hand. You feel like you are in another space.

Doohoon is leading you by the hand between people and no one is paying attention to you. No one sees him leading you somewhere. Not Jimin, not Taehyung, not Hoseok, not Jin. None of them see you next to Doohoon.

You don't know how much time you spend on the road. You just go. When you get to the room, it's the room in front of the toilet, and you see a picture that finally kills you. Through the clear glass of the door to the room, you see Jungkook standing next to his ex-girlfriend. She leans to kiss him. And she did it on your eyes.

"Merry Christmas." - Doohoon whispers in your ear, but you can't hear him. Because the noise in your ears and the frantic beating of your heart drown out any words.

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[letskilltimetogether]

I’m glad I haven’t accidentally spoiled anything- I don’t think I’ve said much past Treasure Island. Are you excited for the season in Jan? I’m very excited to see how they translate it, and what they cut/add.

I’m a little nervous bc I heard this is the final season they’re making, but there’s a lot more arcs ahead, so idk if they’re going to rush it or just cut it off or what.

Spoilers for all of Anime, as well as vague descriptions of later arcs

I def agree, Senkuu is the best leader shown in Dr. Stone and he does work well bc he’s science focused and most of civilization is also science focused. (Trying to avoid spoilers) Later in the story they encounter a group of people who directly oppose most of their values, a have to work with them. About here is when I would exchange Senkuu’s leadership with the 5 Generals, as things become more complicated.

It would be very funny to have an episode where Senkuu has to drop all the science and craft a legal system lmao.

I agree that Hyoga fighting Moz instead of Senkuu is evidence Hyoga supports women(idk that sentence is so funny. Hyoga supports women’s rights and women’s wrongs). To delve into more character stuff, I think this moment could also be tied to Hyoga’s interest in “incredible people.” He wanted to keep most people in stone and only revive petrified people who possess extraordinary skills, to create like a super powerful human race. In this situation, it’s either help Senkuu, who he says himself is on his level, or Moz, a strong enough guy but lacking awareness and also hates women. Hyoga chooses to help Senkuu as 1. He has that interest in Senkuu, and 2. Disagrees with Moz, thinking he is not an “incredible person.”

I totally agree with you, I just wanted to delve into his character, which I rarely get to do bc I don’t like him lol.

It’s totally cool that you’re an anime only watcher! I myself have read all the manga because I hyperfixated and needed to know what happened next IMMEDIATELY lmao. I actually prefer watching the anime, as having the characters audibly read their lines lets me focus more on the art and story beats, which is harder while reading. I’ll do my best to avoid manga spoilers!

For my next question… Who is your favorite character and why? Doesn’t have to be a complex reason, it could just be a feeling.

*eats a chip and hands both back to you*

Your honor they're homosexuals