#but i digress. here’s the update

[pkmnherpetology]

if you saw my previous post about mohammed shehab’s campaign, here’s an update. mohammed has posted on a new account that, due to issues with taxing on gofundmes in germany where the previous campaign was located, he has had to remake the campaign.

this new campaign has a higher goal and i’m not sure if he’ll be able to access the funds from the previous campaign or if it will be refunded or something, from what he wrote on his new post it sounds like he can’t access it right now, so here’s a link to his new one. obviously the higher goal and the fact that it’s starting from scratch throws a wrench in my original plans to post a fact for every milestone reached until the goal was met as i simply don’t have that many drafts ready, but hopefully people will help even without an incentive from me.

mohammed’s previous campaign was verified by 90-ghost and gazavetters’ spreadsheet.

[a-very-fond-farewell]

O_o!!

[triasticalwarlock]

Blood lust on ao3

Created by Babygrillbree

Yandere!hazbin hotel x bat sinner y/n memes

Some of this has all ready happened, or there just what I feel like the characters would act like towards y/n. Super excited to see Adam and Lucifer! (Mainly Adam) But I digress. I recommend it to everyone who hasn't read it yet! Addicted to it, been checking everyday to check if it updated. So, if Babygrillbree has a account here and sees this, hello! :)

But in all seriousness, in fucking love with this story.

[dirtbra1n]

crowdsourcing I promise I’ll be done for a while after this

NATURALLY GOT HIT WITH POST-POSTING CLARITY THE SECOND I GOT IN THE SHOWED [sic] AND NOW I NEEDTO JOT ALL OF THIS DOWN AS SOON AS POSSIBLE I’M A GENIUS

this bit I added last minute on a whim about shirahama being half living half dead is just like Jesus christ. he’s alive enough to be in the world where miyano is dead and he has to mourn him and dead enough to see him regularly in a situation that is HIS FAULT

not a big mystery anymore. it was twisted and warped halfway between I’m dead miyano. please save me. and, more or less subconsciously, I want you so bad so recklessly so mercilessly on myself that I want you somewhere I stand a chance of having you.

and the IRONY OF THAT is naturally that—assuming what most are going to assume given SASAKI and MIYANO—bringing miyano here did the opposite of that selfish desire to have him. shirahama didn’t HAVE any competition where they were alive*. he doomed miyano and he doomed himself,

because HOW, now, could he live alone in a world where miyano isn’t? when where miyano is now is his fault?

*wonder why shirahama, who is so conscious and aware of relationships (almost too much!), would do this objectively insane selfish thing knowing this

shirahama the player dooming miyano the reader through his careless actions, forcing miyano into the space of another player. where shirahama can’t bear the thought of being seen! he is wracked with guilt! and paralyzed with fear!

who has been cursed now with weird and tragic homosexuality? why, shirahama kyouji of course!

now, could miyano still save shirahama? yeah, probably. but in doing so miyano will inevitably bring the characters to life, or—more cruelly, and more appropriately given what I said about deicide—enable shirahama to bring the characters to life.

and shirahama’s world of living parallel—as close as he dares to get, never intersecting*—to miyano is interrupted irrevocably by way of his own actions. the world where no one could hope to have miyano’s attention the way he could is gone, and it’s his fault.

*FIND THAT MANGA PAGE

and ne’er the twain genres of obsession shall meet.

by the way I did NOT highlight enough the Mourning Miyano In His Half-Life thing. that goes fucking crazy. reminiscent almost of mitsukou like I can work with this

ultimately, of course, it will probably be sasamiya. but shiramiya is the driving tragic force it is what moves the story it is how we got here and how we’ll leave. two boys who were always meant to be living, one who becomes the shepherd and the other who becomes god.

take enough swings at religious imagery and you’ll strike true at least once. I am crazy

in these uncertain times of drought I will take thankless grueling largely unreciprocated love and I will foist it onto shirahama. Theoretically

[comment-day]

Some Resources To Help With Commenting

If you have ever gotten a comment full of pull-quotes, you know it is a joy to get as an author. You get to know exactly which parts of a fic stood out to someone! Which lines made them keysmash or delve into character or made it all click! Amazing!

If you've ever tried to write one yourself, you know that scrolling to the bottom of the screen to get to the comment box again and again is an exercise in frustration only matched by repeatedly closing your hand in a door while the fire alarm goes off. So. Here are some resources to help with that!

(Note: The high-tech versions below are for Ao3, but they replicate functionality Wattpad already has built in— you can comment line by line on that site! The low-tech resource linked below should work for any site that allows you to leave comments.)

The High Tech:

There is an amazing use script written by @ravenel which gives you a comment box that floats on your screen, which is detailed below.

It can be intimidating to install a use script, so @bourbon-ontherocks wrote a tutorial about it here:

For people who use Ao3 site skins, here's the code to make an Ao3 site skin and add a bookmarklet that turns having your comment box at the bottom of the screen on and off. Bonus: this will also work on mobile!

Here is an alternate Ao3 comment box that lets you open a box, type your commentary in the moment, and then send it down to the comment box at the bottom of the page, and then close it again! Includes an update by @aidaronan which was designed to work on mac and firefox!

The Low Tech:

Honestly I have been meaning to install one of these cool scripts, but I keep putting off installing them, so I just use my notes app. I open up a new note, and on my computer I put it behind my browser window so I can click to it, and on my phone I just keep it so that I can swipe across apps. So Then I copy-paste the quotes I want, dump them in the notes app, and put my commentary below! Simple, fast, and fantastic for when you are stuck on the bus for an hour.

So what do you comment?

What kind of commentary, you ask? I will be honest, a lot of the time the commentary is me going OH NO or keysmashing after lines. And that's also okay! I have been told so by authors before!

I know I have personally gotten comments where commenters did delicate character analysis after lines and those comments are in my treasured forever box, and I also have comments where someone went OH NO OH NO AOHNFDIOFNDISJFODISJIDJSIOFD YOU DIDN"T AUTHOR NO and I also hold them dear to my heart all the same. The author gets to know the reaction a work got from their reader! And that's fantastic!

The point of the pull quotes comment is showing the impact a work is having on you as you go through the work, section by section, and sometimes that's a digression about how this line made you think about the characters relationship and how he DESERVES THIS HAPPINESS, and sometimes it's responding to a heartbreaking line with twenty weeping emoji. The impact of opening up a comment email and seeing 10 lines of quotes of your own work will hit whether you have thoughtful commentary or you are rolling yourself into a little ball like an octopus and tumbling across the screen (ordinary standard unhinged comment I have left on the works of writers who make me feel Like That).

Go forth! Comment in detail! Let the authors know which lines made you go "oh no" out line in the kitchen as you made soup! Let them know about callbacks that you just realized and now you figured out the whole mystery! Let them know about how this one bit was so cute you had to step away from the computer for a sec! Let them know what you thought!

[thelordfool]

HELP ME PLEASE!!!!!

Long story short: I'm unemployed and will not, unlike what I originally thought, qualify for unemployment benefits.

Please read the readmore for additional context on why I'm unemployed. This post is basically a continuation/update/redo of this post. I'm suffering a sickness with no medicine the past week, applied for almost 100 jobs the last two weeks, am disabled/queer/nonbinary/tired of ebegging. I'm also in the negatives in my bank account because my car payment came out, so I need to get that covered.

pp/vm/ca

$250/$1151.51

i need at least $511.51 of this by the first. please spread if you're financially unable to help, every person this reaches helps! here's the breakdown of the costs: $640 - car payment + late fees $380 - rent $131.51 - negative amount in bank currently

Oh hey thanks for stopping by to read this annoying tale of woe and being angry at capitalism. Prepare for wall of text.

I once had two jobs. The first job, at a chain restaurant, was a bit of a clique-y experience where I was working my damndest to be the best bartender they ever had. I still have all the cocktails memorized. However, I continually faced discrimination in the form of severe misgendering, no matter how often I corrected them. I was also set up for failure. Usually, when someone gets hired for a position, there's some amount of training to be done, no matter how experienced they are, right? I was going in nearly entirely inexperienced into the role. I knew how to make cocktails, sure, and was and still am very good with people and selling. But I was trained for two days. Two. Then, on my first night alone (a Friday), I was watched by one of the bigwigs at corporate who saw every little flub and failure. This caused a demotion-ish. I was demoted to barback but was allowed the same privileges. Until their next visit. That upset the hell out of me - I was well trained by that point and could do it all, with one hand tied behind my back. I digress. It was about 2 months following my demotion when i finally walked out. A new bartender had been hired and she thought I was being a total creep by looking at a ticket that had just come in. She stormed off to report me to the manager who, even after hearing my side where I had asked her if there was anything on the ticket that I could grab, said that I "needed to communicate better," and "you should be learning from her," and "you're a grown man, you should know better." I don't think I need to explain why that was so upsetting.

But I didn't report them, because I just wanted to be done with it. I was also working another bartending job, and everythign was literally perfect other than the hours, honestly. I loved the product the distillery made, I loved the people I worked with, and most of all: I had my own regulars. Last month, they hired a new hospitality director, who announced there would be some restructuring, including getting rid of servers while also making a full dinner menu to serve alongside drinks. I said nothing of it, despite my disagreements, and she assured us all that no one would lose their jobs, but just moved into different roles. We all kinda grumbled about it, and I told her that under no circumstances would I work back of house. Easy peasy. Till it wasn't, and I came home to a voicemail while on break with my partner that I'd been let go due to the restructuring. So much for no one losing their jobs, right? I hadn't been the only victim of this. I have my suspicions as to why the new hospitality director did these things, but I've no energy to throw around conspiracies. All I know is that I was shafted by both of these places and I'm tired of being broke. I'm applying, still going to fight, and... sigh.

tl;dr (why did you click the readmore?): i left a job due to discrimination and lost another due to company restructuring and i'm tired and sad and aaaaa.

[marzipanandminutiae]

Marzi's Old House Supply Kit: A Non-Exhaustive List

So you've moved into an old house! Congratulations! No, no, look at me. Look in my eyes. Congratulations. You don't need smart lighting. You don't need paltry things like "showers that don't make ungodly noises if you set the water outside a very specific temperature range" or "logical staircases." Because those people who say They Built Them Sturdier Back Then is survivorship bias are wrong, lead paint is only a problem if you eat it, and your new home is basically a tank

also it might have stained glass. so basically you win

(no but seriously the Survivorship Bias argument is just like. tell me you don't live in a city with large quantities of remaining working-class 110-year-old buildings without telling me. I do. they're sturdier. end of.)

but you might need some things to make it a bit more comfortable. here's what I've found, over eight years of living in houses built 1920 or earlier

Power strips. Depending on the age of your house, it may or may not have had electricity originally. And even if it did, whoever lived there almost certainly had fewer things to plug in than the average denizen of the 2020s. There also may have been gorgeous wall sconces that some asshole heartlessly ripped out at some point, forcing you to use the hideous hateful Overhead LightTM or plug in a bunch of lamps. Either way, you're going to need to turn that single outlet in the room into several more. Hence, power strips.

(hey, I never said this list was free of my design biases. deal)

A Good Fan. You may live in a place where retrofitting with air conditioning was commonplace in the last several decades. I do not. So a good pedestal fan can make the difference between comfort and just not sleeping at all from late June to mid-September. Weirdly, I did once look at a place that was from the 1850s and had been retrofitted with central A/C, which is vanishingly rare in even urban Massachusetts. But I digress.

A stud-finder. "Marzi, you spent years of your life explaining to tourists that picture rails existed because trying to hammer nails directly into horsehair plaster and then putting weight on them did Bad Things." Yes I did. "What did you attempt to do the second week of living in your first house with horsehair plaster?" ...shut up. I used the Poltergeist Method to find solid wood- I don't know if it's actually studs or the lath or what; I'm not a builder -to hang my Lady and the Unicorn tapestry from, namely knocking on the wall until it doesn't sound hollow. You might want to go a bit quieter and more advanced. Or, if you have a picture rail, embrace the "long visible hanging wires" look. It is in fact there for a reason!

Window screens. You are actually required by Massachusetts state law to provide these to your tenants. Doesn't mean my last landlady did. And if you own your place, live in another state, or have a similarly laissez-faire building owner, you might end up needing to Bring Your Own Insect-Blocking Shield. Just make sure you've got them, one way or the other. Because see above re: fan vs. air conditioning in old houses.

WD-40. When's the last time those hinges were oiled? Potentially before television. And they WILL squeak. UPDATE I HAVE BEEN INFORMED THAT WD-40 IS NOT A GOOD LONGTERM SOLUTION. Find "actual oil." Not sure what the more specific name is. Good to know!

That's just what I've found needful so far, but I'm happy to update the list as required!

And you'd better believe, if I owned my own place, this would include "the name of a preservation contractor to undo all the unnecessary ~*MoDeRnIzInG*~ aesthetic bullshit the past owners did since the End of Mainstream Western House Beauty AKA 1920 (That Brief Rococo Revival In the 1930s Can Maybe Sit With Us)"

[maniculum]

Bestiaryposting Results: Miscellaneous Sea Creatures

It's the penultimate* Bestiaryposting, and we have sea beasties! Yarrr... okay that's as much as I'm doing of that.

*Strikethroughs explained in the Aberdeen Bestiary section.

Anyone not sure what this is about can consult https://maniculum.tumblr.com/bestiaryposting, which I have fallen terribly behind on updating, but at least after next week I can't possibly fall any more behind.

To read about these Sea Beasties, click here:

For our next and, as I've alluded to repeatedly (assuming I've been counting correctly), last Bestiary Post, click here:

Without further ado, art below the cut.

@silverhart-makes-art (link to post here) has all eight here, and has made the majority of them Not Fish to give us a good oceanic variety. The reasoning behind the Alrittraes (see the linked post) is pretty good, I think, and I'm fascinated by the design of the Radwahrekh.

@cheapsweets (link to post here) has given us a similar top-to-bottom oceanic scene in a different style -- these are making me nostalgic for those big illustrations of All The Different Sea Critters I enjoyed staring at as a kid. The Alrittraes is very good in this one too -- I swear I've seen that critter on an old-fashioned Map of the Ocean somewhere. I also like the verging-on-draconic design of the Blochmokan.

@strixcattus (link to post here) has drawn all eight and attached naturalistic descriptions, as is their wont. Honestly I'm always impressed by how well those descriptions scan as Probably Real Animals. I think the designs of the Alrittraes and Blochmokan are particularly charming here, which is becoming a theme.

So, the Aberdeen Bestiary. No illustrations at all in this section, which is extremely disappointing. Probably due to the author's terrestrial bias. After the above list of creatures, the author goes on an extended digression about fish in general, their feeding and mating habits, and... and apparently Past Me was lazy enough to just skim this whole section on account of each folio just being labeled "Of fish, continued".* Which was a mistake, because it does transition back into talking about specific animals (a number of which are 100% not fish).

*I believe the folio labels are based on the manuscript's rubricated headings, so I can't pass off the blame on them for not making note of this.

So next week isn't the last one, because some of these critters are pretty good, and I can't let Past Me's laziness deny them their time in the spotlight. Once I've typed up this post, I'll go queue up another one to be the actual final Bestiaryposting. A Bestiarypostscript, if you will.

Anyway, the critters from this post.

Alrittraes

I think the water-spout thing flagged to many that this is the whale. Here's the unredacted end of that entry:

Whales are beasts of huge size, so called because of their habit of drawing in and spouting out water; for they make waves higher than other sea creatures; the Greek word balenim [balein] means 'to emit'. The male is called musculus; for it is alleged that the females conceive by intercourse.

In fact, the Ancient Greek phállaina just means 'whale'. (Its original etymology is apparently obscure.) I checked into what balein and balenim might mean just to be sure -- the former is Dutch for 'baleen', which makes sense. The latter is apparently the Czech word for 'package' in either the singular instrumental or plural dative form. So... I don't think this etymology is correct, is what I'm saying.

The bit about conceiving by intercourse, I think, is because they're mammals. Someone either made some observations about genital anatomy or actually observed whale sex out on the high seas somehow, and this was noted as unusual because fish aren't supposed to do that. (The medievals were fully aware of the external fertilization process, they just didn't think it counted.)

I have no idea why this means it is called musculus, and the Oxford Latin Dictionary is not helping.

I was about to continue with this and make some suggestions about the specific design of a mantlet, but honestly I think it's just the author (or, more likely, Isidore of Seville) making up nonsense etymologies.

Update: here I present the entirety of the entry for "mussel", from several pages later, which I think sheds some light on this:

Musculi are small shellfish; oysters conceive from their milk. They are called musculi, meaning, so to speak, masculi, 'males'.

So... maybe. Still weird.

Blochmokan

So this one confused me a bit, because the translator of the Aberdeen Bestiary simply calls it "flying-fish", but that seemed wrong to me because the heading says:

De belua que dicitur serra: Of the monster called the flying-fish.

And I think to myself, (a) why is it a monster? and (b) there's no way serra translates literally to 'flying fish', what is that word?

In an obvious-once-you-see-it moment, serra means 'saw' (whence English serrated). The definition 'sawfish' is also presented, but this is clearly not the same animal we call "sawfish" in English. Nor is it, I strongly suspect, the same one we call "flying fish". (Not least because bestiaries often have a very hierarchical order to them, and why would the flying fish be number two right after the whale?)

Hoping there is an explanation available on the great wide Internet, I Google "serra" "flying fish", and... who should I see as the number one result but the inestimable @a-book-of-creatures. They explain it better than I can.

Kearmoltir

So this is the dolphin, which is quite odd because apparently it means the "certain kind of fish" described here is not actually this guy like we assumed but instead a species of dolphin. Which is wild.

Meldilragg

The translator just renders this as "sea-pig", which I'm not really sure about, because as far as I know sea-pig or mereswine is an old word for 'porpoise'. Maybe they didn't translate it that way because they know something I don't.

Olnranming

This is of course the swordfish.

Radwahrekh

This might be the sawfish, but it does say serra again, so... who knows.

Shikwaewik

This one is the pike, which tracks; I don't think that needs to be elaborated upon.

Gurnwatlea

This one is the mullet, which I was surprised to see. I'm not sure why, maybe it's just because it seems like such a mundane and commonplace fish. But of course we also had some pretty mundane and commonplace mammals in that miscellany, so it's not really that weird.

Anyway, that's... a portion of our sea creatures.

[matrixbearer2024]

Since the poll is practically over and the outfit's largely been decided, I'll be dropping the first post to the strip challenge in a couple hours on my Ford Blog @gftimelord to christen it HAHAHHA- (psst go bother him it'll be funny HAHHAHAH) Thanks for the interaction everybody, I only hope to deliver. Here's the first drabble to start it off with since I am pairing every drawing with a story sequence as promised. You could probably think of this as my interpretation for some kind of continuation to Ford's route in "Swooning Over Stans" by @gfdatingsim since I've genuinely been non-stop playing that game since it's recommendation to me. I will balance med proper and my delulu if it's the last thing I do HAHAHAHA-

Reply to this post as well if you want to be pinged for whenever this challenge updates!

I Accept Your Challenge!

(Stanford Pines x Reader)

After you heard a new challenge becoming trendy among couples you decide to try it on a certain Stanford Pines; just... you didn't exactly explain to him what the challenge was.

Maybe his competitiveness was a good thing in this case. You at least got a bloody good show out of his cluelessness.

Another slow summer day and you were in the living room of the mystery shack alongside the Pines as they went about doing whatever. Navigating your relationship with a certain scientist definitely somewhat of a learning curve but you digressed. Similar to Dipper and Mabel, you'd receive post cards from the twins about their seafaring adventures; your mail just came with additional special letters from your beloved. All of which you'd neatly stowed away in a bag that you always had with you, no use keeping it at home when you were rarely there.

Often traveling for a nomadic lifestyle was serene and fun at times, but you found yourself missing this place. It felt more like a home to you than your own place did in the couple weeks you'd stuck around after your car got smashed into the side of the log cabin.

Who knew that the same man who totaled your car one day would be the same adorable nerd you now called your lover?

It felt a bit like those romance dramas Stan liked to watch but you quickly dismissed that thought. Fairytales weren't real, fate isn't exactly something you believed in either. Stories of princesses finding their prince charmings were mostly smoke and mirrors, things you'd tell a child to give them hope of a better world than reality.

In gravity falls however... you quickly learned that nothing was truly impossible. Never say never in this small town of Oregon.

You sat on the floor next to Dipper and Mabel as they boredly flipped through TV channels; books, papers and crayons littered about around the three of you. The glass danced with colors from the rapidly flipping images while the twins struggled to find anything even remotely entertaining to watch, you couldn't help but allow your mind to wander from the boredom.

You and Ford spent quite a bit of time since you'd arrived at the beginning of the week, frankly you'd made the trip as soon possible when Stan shot you a message that they'd finally docked to spend the summer with the kiddos. You hoped it wasn't all that obvious how much you missed Stanford, but you didn't really need to worry when he was the one who immediately swamped you up in a hug the second you were out of your car. It's only been two years thus far since you've known the man but Stanley and Mabel insisted that you stay with him in his room, you didn't know why they were so adamant until you saw the state of the man's living quarters.

A whole day was spent with the both of you furnishing and cleaning the said room because of that but neither of you complained, most of the time was spent goofing off anyway.

Now... you were wondering where Ford was, not to mention what he was doing. Was he down in the lab tinkering again? You didn't want to disturb him, but you really wanted to find him. Any time spent apart didn't feel like time used to it's full capacity, even if you did enjoy the company of the other Pines; it just wasn't the same.

At some point, you were bored enough to not necessarily care whether you'd be disturbing Ford's work or not when you went down to the lab. It was just last summer when he taught you how to get down there, as well as spilling more about his past. All of which you simply listened to unless he asked anything; it was better to listen and attempt to understand than say or do something that would make it worse.

Seems like he really wanted to get it off his chest too, be transparent with you; something you appreciated.

You were shaken out of your headspace when you heard the rustling of boxes from the lab, as well as some hushed but frustrated cursing. You didn't really recall a time Ford swore unless he was legitimately ticked off, the man made a valiant effort not to compared to his twin.

But they both had sailor mouths anyhow even if it was fitting.

"Ford? Are you down here?"

"Ah-! [Y/N]! What- what are you doing down here?"

You moved closer to him in an attempt to see what he was doing, even if the man looked a bit rattled to be found like this by you.

"What are you doing?"

"I asked first my dear."

Ford chuckled, shifting to hide something behind his back. You pouted at him and crossed your arms. He couldn't help but smile at how cute you looked doing that.

"Was looking for you, Dipper and Mabel are bored watching TV upstair anyway... sooooo- what are you doing?"

You smiled when Ford returned your inquisitiveness with a small laugh, showing you what he held in his hand. A pair of goggles?

"What's that for?"

"I was attempting to sort through which of my belongings I could still use among the ones I wish to discard. Inadvertently I ended up finding these, I think I could still make use of them."

You tilted your head at him as a silent prompt to continue, it took every bit of control from Ford not to laugh again. You looked like a curious puppy, though he figured he shouldn't say that outright.

"It's simply among the items I collected and kept with me through my time in the multiverse. Protective eyewear can be useful for many things."

"Huh, if you have that— does it mean you still have the rest of the outfit?"

Now it was your turn to think Ford was being cute, he just wordlessly blinked at you in surprise. Was your request really that odd? You'd barely seen him in any other outfit combinations, of course you'd be curious.

"I—... I think I do? Why do you ask?"

"Do you think you'd still be able to rock it like you used to?"

"'Used to'? Excuse me?"

"I mean, it's been a couple years... why don't you try it on again?"

Ford laughed once again from your teasing, the way you sassily tried to goad him on was entertaining in it's own right. He was a bit on the fence about the whole outfit however, especially due to the memories associated with it.

It's not that bad compared to some things he'd found though... maybe he could indulge you.

"Hm..."

"I-I mean, if you really don't want to—"

Your panicked stammering was cut short when a warm palm cupped your cheek, meeting Stanford's eyes as he pressed a chaste kiss to the crown of your head. He could feel your skin heat in up in his hand, hiding a cheeky smile in your hair as he held you there.

"I'll show it to you... as soon as I can find the rest of the outfit."

Ford couldn't help but smile wider when your cheerful laugh rang out; it's the best sound to ever have graced his ears in the time he's been alive. A bit surprising given how many things he's been exposed to, but he couldn't name another chime so pleasant.

"I'll hold you to that Ford."

"And I accept your challenge my dear."

YEAAAAH HERE IT ISSSS- TEXT THING CUZ WE NEED INTRODUCTION-

[disjointed-art]

Happy Monday update day!!!!!!!

Catch my breath part 3: Bloom pages 12 and 13

Steve needs a nap…

No tw for this time :)

Now why is Steve grabbing Eddie’s arm? 🤔

Tumblr comic pages here or by section via gallery on kofi

I flared my back injury by trying to put on socks Thursday. And get my feeding tube replaced this coming Thursday. I’m for sure not living la vida loca but i digress.

How are you all? How were your weekends??

[universe-friday]

EXCERPT #52:

Hello. I hope somebody is listening.

[…]

Sorry, old sport, I don’t have much time to talk this evening.

Let’s see, uh, what is there to say…? Right, yes. Updates.

In Universe City… What is… Going… On, yes, yes, sorry. I’m here now.

Uh, so. Yes, sinkholes. Big. Expanding. A lot. Not Solus doing that! You- you knew that. Sorry. Yes.

Still don’t know how that’s all… Happening… I’m trying my best to figure out. No help from Solus, though. You’d think as an innocent you would want to help out but no…! Too busy still thinking about your ex, yeah, I’m sure, at least she got to be your ex-

Sorry. Sorry, I digress.

Yeah, that whole… Election thing is still happening. There’s a group of cyborgs running now…? I think their party is called Inc. Like, just the letters I, N, and C. I don’t think they understand that there’s usually a word or two before ‘incorporation’.

There are more posters and more people wearing badges in support of the cyborgs than the government, or the agency for that matter. Despite that, the current government has been projected to win by 95%. 

To me, there really is no point in it all. We know the government controls the vote entirely and this is the City. Since when has anything been fair here…?

What else is there to say…? The City has been its normal chaotic self, old sport. Just with a few more holes in it- What?

Sorry, old sport, something just… Came up- What is this…?

[Footsteps are heard walking away and then quickly back, paper rustles loudly]

“Radio… Same place… 1508… Tomorrow… Solus.”

How does… How do they know where I…? Ugh, never mind, sorry again, old sport.

I’ve been saying that a lot today, I know. There’s just too much going on recently… And now this…?

I need to take a break. Perhaps not a long one, but a break. That is if the stars are on my side.

[...]

[mymarifae]

jade did nothing wrong

oh yeah she only put aventurine in a new, fancier form of slavery, reducing him to a tool. an asset. a pretty little thing to make her richer that she'll cast aside the moment he's no longer useful to her.

and don't give me any crap about how aventurine "wanted" this - he was literally a slave?? his options at this point in his life were EXTREMELY limited and just killing his "master" wouldn't have been enough to secure his freedom. as we saw in this very cutscene, he was about to go on trial for murder. the ipc didn't give a damn that the man he killed was a fucking slave owner; they were still going to punish him to the full extent of the law, so he would have been going to prison for a VERY long time (or for life), or he'd be sentenced to death. playing off the murder in a way that caught their attention and made them consider his... "worth as an asset", so to speak, was his best bet. he'd be freed from his (literal, at least) chains, and he would have the opportunity to earn money and thus survive in this capitalistic intergalactic hellscape the ipc has been building up for centuries.

ah, and while we're here, should we talk about how she tells him here that his birth name is "destined to be buried in the dirt?" after seeing her interactions with topaz, this isn't a stonehearts thing. they don't HAVE to cast off their birth names and embrace the identity of their cornerstone.

i suppose it's only a coincidence that topaz's name is of slavic and greek origin while aventurine's is romani, and this totally doesn't play further into the (not-exactly-the-most-subtle-anymore) subtext of the ipc's chokehold on the entire universe being an allegory for the racist, white supremacist capitalistic systems plaguing the real world today. which, for the record, is an idea that has existed throughout the game's duration thus far and was articulated a little more loudly in the 2.1 update, with the deep dives into aventurine's past and all, and then was really hammered in with boothill's backstory.

(let's set aside the very valid complaints about hoyoverse's allergy to melanin for a moment - we know aventurine and boothill are not white, and the way their home planets were treated in comparison to, say, topaz's, means something.)

and even if you don't want to connect these two very obvious dots and want to pretend the ipc is more of a neutral force (????), let me just point out how fucked it is for jade to sever aventurine's connection to his birth name. one of his last ties to his culture. topaz gets to keep hers, gets to claim both her past and her cornerstone as integral parts of her identity - but aventurine only gets his cornerstone. the ipc encompasses every part of who he is now. i suppose this qualifies as doing nothing wrong too and not as an act of manipulation and cruelty?

(digressing for a moment to point out a positive because honestly this is a heartbreaking thing to say. aventurine's future self calling him Kakavasha suggests that he didn't truly give in to this treatment and instead fiercely clung to every scrap of his past he had left.)

and just. before i move on from aventurine and topaz completely, i guess we can ignore how inappropriately she touched topaz?

"they're both adults" yeah! thank fucking god! but topaz is said over and over to be Very Young for the position she holds. she, much like aventurine, has been working for the ipc since her late teen years. neither of them were promoted to stonehearts - a position that typically requires a loooooooooot of experience over SEVERAL years with the company - right away, remember that. backtracking to this for a moment:

jade is very much a Grown Ass Woman here. while aventurine is probably like, freshly 18. he and topaz are similar in age. jade is definitely more than one decade older than both of them. maybe you don't care about that; maybe you don't care about a senior boss figure taking advantage of what appears to be a puppy crush born from starry-eyed admiration (which is in turn born from topaz literally being indoctrinated when her home planet was "integrated" into the ipc's system) to make topaz more agreeable to whatever she's told to do. and notice how jade dangles the promise of a promotion right after overhearing how difficult topaz's recent demotion has made her life...?

also if you want to argue about me referring to jade as a senior figure that's quite literally what topaz says about her, so...:

but whatever, right? not a thing done wrong here. Nope.

and we can definitely overlook the way she runs bonajade exchange, right? surely it's of no significant note that she shows no mercy in the contracts she writes up. people come in, trade away their most valuable possessions, and almost immediately find themselves in a hard place with no options... except for another visit to bonajade exchange. consequences of their own greed, sure, but i really want to point out how she doesn't try to help. she doesn't try to include a clause or two that may work in their favor if they're clever. she doesn't leave any loopholes. she forces them to be completely dependent on her, and takes, and takes, and takes... to what end? i don't know, and i'm scared to find out.

i'm not saying she has to or should show mercy to the people that visit her pawnshop. i'm fine with a character who just does evil things, and some of her customers probably deserve whatever end waits for them in the jaws of the snake. but if they were going to show that she has a softness about her, a hint of good intentions... this is where they would have done it. the fact that this is completely absent says an awful fucking lot about the kind of person she is, yeah?

and on that note, i'm guessing you want to just ignore how numby is TERRIFIED of her?

because yeah i'm sure that has nothing to do with the very common trope of animals being able to tell when a person is actively malicious and dangerous. everything is fine, isn't it?

[drconstellation]

Michael the Watchful

Updated 11 Nov 2023

I'm going to be upfront - I don't like Michael. But I am intrigued by some of their actions in GO.

The above screen shot highlighting their angel ring came across my dash last week, and there was a comment that the ring looked like "Ophanim rings with pearls for eyes." I have to admit that for all that I am fairly widely read in mythology I hadn't heard of these before, and had to go look them up. I realize its probably because I'm not up to speed with all the religious references yet. Don't get me wrong - I'm not a complete newbie in that dept, its just a muscle I haven't flexed in a while and its a kind of "use it or lose it" kind of thing, you know? Happens when you've been around for a bit.

Ophanim: "The many-eyed ones." Oh. Right. That's tv series Archangel Michael to a T, actually.

(There are probably some parallels to the greek monster Argus here, but not sure if I should digress. The hero Perseus, winged sandals, Medusa's snek-locks, the 1000 eyes that never sleep, rescuing a maiden, the goddess queen's grief over the slain monster...)

Michael was the one that presented the incriminating photos of Aziraphale and Crowley meeting over time to Gabriel in S1, then followed it up with a phone call to Hell on the back-stairwell to Heaven.

And Michael is the Duty Officer during S2, they are "on watch" so to speak.

Michael is also the one that maintains the back channel connection to Hell, "the grapevine that obviously doesn't exist" that Beelzebub mentions to Crowley in S2E1, and that Gabriel also officially denies exists in S1E4.

The fact that in S1 they were seen talking to Ligur originally, who was destroyed by the holy water Crowley obtained from Aziraphale, and then in S2 they are talking to somebody else again (Beelzebub) in S2 via their angel phone again, says that they have to have established a new connection in between seasons. I commented elsewhere it seems to be implied the contact is Dagon, due to the little flirtation the tried to send to the angel that Michael quickly shuts down in S2E6,

but the fact the back channel is still working is still something to be concerned about. I mean, weren't you just a little suspicious when it was Michael who turned up with the holy water for the bath during the body-swap punishment scenes, when Hell only bothered to send a disposable Eric clone with the hellfire to Heaven?

Wondering how this angle is going to play out in S3.

Edit:

Found some information about the golden collars in the Job minisode in S2E2 and the detail on Michael's costume adds to this meta.

Around their neck they have row upon row of eyes, and around their sleeves they have wheels.

[intrepid-fictioneer-7]

Recent chapters of the underrated Fate spinoff Fate/type Redline got me in my feelings so I had to talk about it at lengths, even moreso now that it hasn't updated in months (the mangaka, Ryouji Hirano, has health problems I believe). Spoilers obviously.

Now, when I call type Redline, "underrated", it's more of a subjective than objective assessment. Despite being a manga and thus far more accessible than the untranslated visual novels or light novel series of TYPE-MOON, I see it discussed fairly rarely. At the very least, as far as I know, there hasn't been much big posts analyzing it, so I believe this should be one of the first.

Just don't expect something really deep, these are mostly my musing, rambling observations.

In fact, for a long time, I didn't really have a well-articulated thought about Redline's themes. The contrast of a Holy Grail War taking place in the middle of a world war simply had me chalk it up to the tried and true "war is hell" and not think any deeper (which was a bit intellectually lazy of me). And there is certainly that, but it's a bit more elaborate than that, or else I wouldn't find Redline as interesting. And it all reached a thematic "climax" of sorts in the recent chapter as of the time of writingé

In reality, the story signaled its central theme from the very start, I just wasn't paying attention. One of the first chapters ends with this page:

At first, I thought this was just about Nobunaga. But it turns out this specific page and its text will become the precursor of how the manga is going to present Servants, and how this presentation fits into its larger representation of what war is.

Something you hear somewhat frequently when people mention Redline is "it made Servants scary again". It is only half true, Servants have usually only been "scary" in specific circumstances (Bluebeard in FZ, True Assassin in FSN, and Jackie in Apo come to mind). What they actually mean is that Redline shows Servants as above human again, and it does so by showing them brutally go through lots and lots of human bodies, when Fate is usually about Servants fighting each other. You see Servants vs. humans sometimes, but it's usually 1v1 deals. The only notable exception I can think of is Clan Calatin against Alcides in strange Fake.

There is also Apocrypha, but they are up against armies of homunculi, golems, and animated skeletons, so the dynamic is a bit different than with modern armies. It does however say this.

Indeed, Lancer of Red could burn to ash and crush the stakes with his flames and divine spear. But the Red camp's odds of successfully opposing the Black camp's overwhelming amount of material resources were fifty-fifty. Fighting a force of twenty thousand was beyond the capacities of even a mighty Heroic Spirit. Even then, there would have been no problems if they were alive, but right now they were Servants. The more they consumed prana in great quantities, the closer they approached death. (Apocrypha volume 2 ch.2)

Which is interesting in light of Redline's story, but I digress.

But here, in Redline, because it's during the Second World War, and members of the military are using Servants to do their bidding as well as planning to use them to win the war, there are a lot of interactions between Servants and modern human armies, usually violent ones, to catastrophic results, as Servants go through lots of human meat like cheese. The picture above is after Oda Nobunaga shoots down an entire fleet of American planes heading to Japan.

It's a type of interactions we only ever really saw when Berserker Lancelot in Zero overtook a JSDF fighter jet to fight Gilgamesh on Vimana, while the other plane got eaten by the Lovecraftian horror Caster summoned. The militarized forces of Faldeus in FsF mostly only go after human mages and steer clear of Servants.

And that makes for an interesting contrast that Redline is all too happy to highlight time and time again. When they say "Servants are scary", they mean "Servants are above human", in every sense of terms. No normal human can harm them or even pose a challenge to them, for they are above human strength and capabilities: they are superhuman, they are inhuman.

And that does not just mean inhuman power, but also inhuman thinking.

One of the main conflict throughline of the manga is the relationship between Kanata Akagi, our main protagonist, and his Servant Okita. They don't clash as such, it's not like Fate route Shirou hindering Saber from doing her job, nor is it like Kiritsugu disregarding Saber. It's more low-key, like a misunderstanding that can never be solved. Okita was a warrior in life, and this Holy Grail War in war-torn Japan is just another battlefield to her. Kanata however was born and raised in a Japan long after the war ended, in more peaceful times where he never had to kill. And it's this fundamental difference in lived experiences and mindset that stops them from ever reaching an understanding about how to approach the war:

Even later, as the war goes on, after Okita almost killed potential allies (more on that later), and Kanata reveals to her he comes from the future and what his goals are (ensure his grandma doesn't die and he can come back), and they decide to have a more honest partnership with each other, it's still not enough.

Because when Okita kills a human soldier again, this time a soldier wounded by Berserker who charged Kanata because he was a Master and he blamed magi for how pear-shaped the whole situation has become, this time she does a 180 and instead of convincing Kanata to become ready to kill, she instead wants him to think of her as his tool to kill in his place and take the burden upon herself:

Kanata can only ask her if she's really fine being a sword to be used by someone else and nothing more, to which she replies that's all she needs.

Do note how completely obscured, borderline blank (save for a small, thin-lipped smile), Okita's face is as she says this. As if Kanata and us readers really can't tell how she actually feels about her own words.

This is not the first time the manga does this with Okita.

Coming back to the almost aborted alliance I mentioned earlier, what happened is that, a few chapter before this, the Rider of this war, Sakamoto Ryouma and Oryou, met with Okita to ask her and her Master for an alliance to stop the war from spiraling further and kill more innocents. It would be normal to be suspicious of their intentions, especially since Ryouma initially hides from her that he is a Servant.

But that's not the reasoning Okita uses to reject the alliance and subsequently attack them:

"There is only one path for me (war)." And here it is again: "She's not human."

And it happened even earlier too. When Servant Assassin (Okada Izou) fights Okita, he grows more and more disturbed as he doesn't feel fear, anger, or exaltation as he fights and cuts her, feeling nothing at all from her aside from the scent of blood. Okada's thoughts are interspersed with Kanata's own thoughts about visiting his dying comatose grandmother in the hospital as a kid. And when Kanata touched his grandmother's hand, just like when Okada faces Okita, all it felt like was that:

As you can see, a lot of emphasis, both textually and visually, that Okita does not feel human, and her way of thinking is so alien people can't comprehend her.

And it's not just her, Servants in general are portrayed this way throughout. You saw the pilot's words about Nobunaga at the start of this post, but it occurs later as well. When she was first summoned in the previous war a few years ago by the Imperial Army, her summoner was an arrogant dude who tried to get her to submit and she casually beheaded him. Following that is this page:

Nothing showing on this blood soaked face except for elongated eyes like those of a monster. And after that, everyone in the room prostrate themselves before her like she is a god they worship.

She picks her Master from the crowd, the half-Japanese girl Kaname Asama, and she treats her surprisingly decently from what we see throughout the manga, giving the shrinking violet of a girl respect like she is her attendant, unlike Kaname's boss Magatsu (more on him later) who threatens her and even hits her.

So you would think they have a cordial relationship? Well, maybe they did, but that was until the recent chapter, which has Magatsu's Berserker fight Lancer, and instead of helping their ally, Nobunaga wants to leave, which leads to this exchange:

The same face and eyes again. Kaname doesn't understand her Servant, nor can she tell what she's thinking, just as Nobunaga's face loses all expression, making it impossible for us to tell as well.

(This is not exactly new in regard to Nobu: Keikenchi, the original author of Koha-Ace and the mind behind Redline, already made a Koha-Ace oneshot previously focusing on her, and in it it was shown that, when she was alive, Nobunaga could not "hear" the voices of other people, other humans, and it's her being unable to understand other people that contributed to both her rise and fall)

Another Servant serving as a good example of this is Berserker, which obviously makes sense when it's the Class that from the very start of the Fate franchise in Fate/stay night was there to be impossible to communicate with. But interestingly, everything that surrounds Berserker, not just the Servant itself, reinforces this theme, as if the story employs irony in making the maddest of them all in a war full of mad people the more in-depth examination of the idea instead of being the most obvious.

But I need to scale back a bit to explain.

The Master of Berserker is Major Magatsu, the head of the Imperial Army's magecraft division and one of the main human antagonist. He is kind of interesting in how it's not just his Servant, but his own actions that act as a fulcrum to demonstrate the point. See, in these last stages where it is clear Japan is going to lose, Magatsu wants to keep the war going. His main goal is that he sees the war as not just for the glory of Japan, but as an opportunity to create a world where mages stand at the top, even planning to orchestrate a secret coup within the Japanese military. He is able to amass a great number of men under him, all fanatically loyal to him due to a mixture of his own charisma and appeal to nationalism as well as cigarettes laced with suggestive tobacco making the soldiers smoking it pliable. His followers are so loyal in fact, that when a team of them comes back defeated after facing a Servant trying to deal with Team Kanata, they beat the only survivor up and torture him for his failure and for failing Magatsu, without Magatsu's knowledge or consent (in fact, he is slightly disturbed by this and thinks to reduce the dosage of the tobacco).

But that doesn't deter him from his tactics. Even when he has to hasten his coup after being forced to when pro-war proponents in the war ministry are assassinated, leading to his enraged troops to blame the proponents of suing for peace within the ministry, he still keeps with the easily pliable and fanatical troops even though it is clear he can barely control them. "When the madman runs, any man not mad starts running" is written on a banner hanging on the wall of the magecraft division's headquarters, and Magatsu, who doesn't know who wrote it, finds it a good quote, not knowing how prophetic the words would become. Regardless, Magatsu has made the entire magecraft division and then some fold under his command by making them believe he will be the hero to save Japan. He makes many speeches about saving the nation and how the preservation of the Empire is vital to the preservation of the soul of the nation, and can easily drive crowds into nationalistic frenzy with talks of using Archer and Berserker to fight on mainland Manchuria, and clearly invoking the spirit of complete sacrifice to the nation like in banzai charges and kamikaze, even if not explicitly:

Sometimes, an ordinary and unrefined person will defeat their fear of death and become a noble person with the resolve to throw away their own lives. This phenomenon, which one could call a miracle, is occuring at this very moment, in various places within Japan. War allows all sorts of miracles to exist.

For these reasons, the Colonel, the so far unnamed high-ranked Nazi who is Magatsu's main ally, praises him for "having a knack for understanding human nature", which is why he gives him Berserker, as he believes that, if he experiences the war from the same position as Servants, Magatsu may be able to come to understand them...especially, as he notes, Magatsu completely failed to have Nobunaga pay him any attention:

Magatsu, for all his charisma and servile attitude, completely fails to have Nobunaga pay him any attention even once since her summoning years ago. When summoned, she ignored him in favor of going to Kasame. She doesn't follow his orders nor does she even acknowledge him as a faithful follower: he might as well be air in her eyes. Not only that, she only talks to his subordinate Kaname Asama, whom he disdains for having foreign blood due to being half-Japanese. And the Colonel rightly realizes that Nobunaga's lack of interest makes him seethe. Magatsu seethes so much in fact that he comes to the conclusion that he doesn't need to understand Servants, especially to win when they don't seem to care what he's they're fighting for, so he would rather settle for Berserker than the unruly Archer, believing he can control him thanks to the Heroic Spirit Restraining Device provided by the Nazis. Very predictably, it goes pretty poorly.

As soon as he's summoned and out of the tank he was put in, Berserker immediately begins to indiscriminately kill soldiers of the magecraft division for no reason, and when Magatsu attempts to use his Command Spells on him, he cuts off his arm and crushes it, making the Command Spells disappear. Berserker then engages in a rampage throughout the magecraft division base, gleefully killing every soldier in his way, yet does not kill his Master despite his failed attempt to restrain him:

Magatsu is unwittingly along for the ride as Berserker carries him in his arms as he goes about his "fun".

Naturally, Magatsu's men try to slow down and stop Berserker using "anti-Servant" weapons (lol) that obviously do jack shit. But they use too much firepower and seemingly ignore Magatsu's cries for help, which leads him to believe that they are trying to kill them both. Berserker agrees in his twisted logic, and enacts more violence as he believes his Master is in danger.

The reality is actually different: when Kaname Asama try to get to exercise more caution so they do not accidentally hit and hurt the Major, when he is clearly an hostage, one soldier slaps her and rebukes her, madly stating that there is no way the savior of Japan would ever get hurt by these weapons.

They keep throwing weapons and men at Berserker, which eventually confuses Magatsu, because weren't they trying to kill him? Why then are they wasting their lives against a Servant?

Which is when the point is made.

As this massacre rages on, Magatsu is telepathically contacted by the Colonel, who congratulates him on summoning Berserker and says that the Restraining Device is working wonderfully saying as the major's mana and life are still intact. Magatsu, enraged, accuses the Colonel of having done something to his men, maybe brainwashing them to kill themselves, which is a fair accusation considering it is the Nazis who did assassinate the war hawks and forced Magatsu to accelerate his coup plans.

Except the Colonel says he had nothing to do with it and the reason for the soldiers' actions is far simpler: they admire Magatsu, they truly, genuinely do. The Colonel explains that his accomplishments, from taking control of the war to making a Servant protect the capital from air raids, made him look like a true messiah in the eyes of his men, and Magatsu was too blind to see it. Of course he denies it and calls the Colonel a liar, until he sees one of his men approach and try to reach him, only to be pierced by Berserker's spear for his troubles, and as he lays dying, Magatsu hears his last words on his bloody lips: "Glory to the Major."

As the one-sided battle against the human waves of martyrs continue, the Colonel throws Magatsu's earlier words about the war "allowing miracles" back to his face, bringing the whole arc to its logical conclusion, and I will transcribe the speech in its entirety since it intersperses scenes of the battle and that's too much images to for this post:

How about you open your eyes to reality for once? The only sane person in that battlefield is you. War is cruel. It burdens its victims with a detestable fate. But look at them. They do it for their country, for you. Their madness calls forth even more madness. All these men rush forward, knowing well only death awaits them. War takes these ordinary men, and turn them into martyrs. War allows all sorts of miracles. I thank you. You've allowed me to witness something beautiful. Did seeing people die finally get to you? Feeling remorse? I suppose you didn't have what it takes to be a soldier. This is no time to be losing your mind, Major. It's not everyday you get to experience war from such a safe position. Revel in it a little more. You are at the center of a miracle. That which creates miracles, and gathers people's faith. What do you call that, Major? Do you know? A God. Congratulations, Messiah. In this exact moment and place, you are the one closest to a God.

Just as the voice of God can't reach mortals, your voice can't reach these men. For alas, there are none who can hear it. Raise your head, Major. The curtain has fallen at last. And you should now be able to understand her a little more.

Archer arrives, looking down at Berserker and Magatsu standing on the mountain of corpses of all the men of the magecraft division, and Magatsu tries one last time to get her to look at him by calling for her help, as all he ever wanted was to prove he was worthy to stand at her side...and she laughs in his face. She mocks him for thinking he could ever control a Servant and finds his tear-stained and snotty face hilarious.

And Magatsu, at this last straw after everything, breaks.

As he begins to laugh maniacally, his Servant joins in, and as Archer, Berserker, and him laugh, it's as if the corpses of his men, their mouth frozen in bloody leering rictus by rigor mortis, are laughing with them. Magatsu finally realizes it was wrong to think to use Servants in a war, because they could never be measured by human standards.

It's not that Servants can't be understood, not solely. This sequence of chapters shows it goes deeper than that: it's war that turns everyone mad, and thus makes understanding impossible among humans. And Servants are humanity writ large, the highest of the high and the lowest of the low, because you need to be larger than life to be remembered for eternity in the Throne of Heroes. Which means that, where war turns humans into mad monsters, it makes the Heroic Spirits standing above humans into the embodiments, the apotheosis, the personified concepts of madness.

They are mad gods.

The World War and the Holy Grail War are both founts of insanity, because that's what war does. The average soldier's brain briefly brushes with the eternal sublime, the mysterium tremendum et fascinans that turns humans into figures of worship recorded and enthroned for eternity beyond space and time. And this brief contact with the Absolute gives them the divine language that makes them unintelligible to other men. Their visages, like Moses' after descending the mountain, can no longer be looked upon. They are completely obscured to us who don't live and breathe for war, for violence is their domain now.

War makes Berserkers of us all.

Is it any wonder that the Classes of the Holy Grail War by design favor warriors and warmongers? This war is rife with adepts of violence: a warlord (Nobunaga), a warrior (Mori), a secret police assassin (Okita), a plain assassin (Okada), and a martial artist (Li Shuwen). All of which mad in their own way and choosing the path of violence over any other options.

And I don't think it's a coincidence that the sanest and most "normal" Servants we have seen in Redline not only belong to the Classes less obviously about violence or weaponry, Rider and Caster, but their identities are also not famous for violence: the Rider was a politician and diplomat, while the Caster is a scientific thought experiment about the laws of physics.

I don't know how this will conclude or shake out, but I have my suspicions. Our protagonist Kanata comes from the peaceful post-war Japan and has so far always been repulsed by violence, despite attempts by his Servant and his grandmother to get him to get used to it to be more effective in the war. In fact, he reaffirms that he wants to win the war without becoming a remorseless bloodthirsty killer.

I can see potential routes the story can take depending on whether he slowly succumbs to war's madness or he heroically resists its call. Especially if he is pitted against what seems to be one of the main antagonists, the Nazi Colonel, clearly war's most fervent prophet, whose face is always obscured.

We'll see. The latest chapter as of the time of writing is the fight between Lancer and Berserker. Even the pair that seems to get along the best, Team Lancer, has the Master threatened by her Servant for almost "interrupting" his fight by trying to heal his wounds. And her (current) last words are a perfect encapsulation of the manga and my whole thesis:

[py-dreamer]

Rant about shadowpeach (WARNING! Mac slander)

I'm sure you've all heard this time and time again but you know what screw it I'm tossing my 2 cents into the ring

I think my bias for Wukong definitely has a part in this but I will try to be as neutral as possible which is impossible. My personal opinions will absolutely shine through but it is just that: a personal opinion

I love my trio of gay monkeys, I really do.

Is Macaque a good character? Yes

I do think he's a genuinely interesting character, with cool mystery ,interesting backstory, cool powers, he's fun to watch, has a kickass theme song and aesthetic and I can see why a lot of fans attach themselves to them.

Do I love seeing him with Wukong? Yes

Their banter is fun, past shadowpeach can be sweet as sugar (or spicy, I don't judge) and their angst is real yummy.

What I don't like is when the angst is all Wukong's fault. And everyone and their grandma will harp on the Monkey king and just ignore all of Mac's bullsh!t. Especially in fanfics.

Like don't get me wrong, keep writing that good stuff! But like...jeez

The amount of smack that the golden monkey goes through in this fandom is like...yikes.

Look, I know we're all hung up about the bloody murder thing.

(Personally I'm on the theory that Wukong didn't actually kill Mac, if they were really that close he wouldn't have acted so casual upon their battle after he murdered him, but I digress)

And Wukong should be called out on that BUT.

Mac also isn't blameless here.

(If you like toxic shadowpeach, fine. But this is for peeps who think that Wukong is the only toxic one and Mac was just a victim.)

Take it from this perspective:

The two were really close during the brotherhood era. Wukong kept doing stupid things to gain power and getting them in trouble and in the final battle did something astronomically stupid and they all lost.

Then they all ditch him...leading to his imprisonment (five phases mountain) and torture (furnace and also being fed iron pellets and hot mercury)

Fair, Mac probably shouldn't have been trapped too but he visited once out of 500 years, had a fight and never came back by the looks of it.

He assigns himself the role of the warrior who always stood by his king's side.

And then ditched him in his time of need.

Mans really failed at his own self proclaimed job.

Fine, he probably should've taken a break, none of them were in the right state of mind and Wukong was being very bratty.

BUT

IF HE TRULY VALUED THEIR RELATIONSHIP (from the looks of his lil gay play, he did) HE WOULD'VE Y'KNOW. COME BACK AND TALK?!?!

If he really valued their relationship, outside of calling him a coward and LEAVING, never to visit again. Would that not be a perfect opportunity to communicate?

Like, my dude. He's stuck in the rock. He can't run. Could you not find the roots of the problem and solved it?

But lets say "He was too busy taking care of flower fruit mountain"

(despite him literally EATING one of the monkeys in JTTW, but that was JTTW and I don't think its canon in Lmk. But still, interesting to note.)

I'm sure his subjects were worried about their king? Did he never answer them? If he really valued their bond, could he not have I dunno, shadow portaled some monkeys to see their king or like put time aside to communicate and update the monkeys?

But lets say "He was too traumatized from the burning of his home and was too angry"

500 gosh dang years seems like a long time to take a break.

I feel like at that point, he should've let go of Wukong

BUT NOOOO HE DOESN'T NOW DOES HE.

We establish that their relationship is kinda wrecked.

They don't communicate.

He ditched Wukong for 500 years.

But when he see's the pilgrims decides that Wukong ditched him and the brotherhood..?

So by his logic, Wukong has abandoned ffm the brotherhood and him, after they ditched him under a mountain for 500 years, never visited, never talked, never tried to rebuild their relationship.

Sees the circlet being used, sees the pilgrims not trusting him, sees him go on this journey unwillingly, not allowed to leave the monk unprotected, and comes to the conclusion that Wukong is a traitor...?

But plans to free him because he's being abused and forced to do it?

Pick a lane my dude. Did he abandon you or not?

BUT THEN.

He impersonates him, destroys what little trust the group had

WHILE TRIPITAKA STILL HAD EASY ACCESS TO THE FILLET MIND YOU

hurts Wukong multiple times, till he gets banished. And tries to kill Tripitaka as he still had the bloody circlet?!

This isn't sad lover getting revenge at being abandoned.

This is bitter jealous ex getting petty revenge and still expecting to get back together like this.

Also he says he watched as the pilgrims tortured him with the fillet. If he watched them, he'd know that Wukong is also obligated to fight and most of the time he does kill them, despite the pacifist monk.

He's required to PROTECT THE MONK AT ALL COST.

So tell me...

WHAT THE HELL WAS HIS PLAN?!

He does realize that like this was mandated by heaven right? And there'd be huge consequences to killing the monk right?

So basically:

Mac: yea so my plan is to impersonate you and commit crimes you didn't do, get you in trouble and inadvertently hurt you severely, traumatize you even more then kill the monk so we can go back to flower fruit mountain like we wanted to right?

Even though there will probably be astronomical consequences for you, me probably the rest of the monkeys for letting me kill this monk on the trip mandated by heaven. By failing to protect him, redeeming yourself and also losing a close friend heaven might probably put you under another mountain again probably forever this time, and I will probably use my powers to get out scotch free and we'd all blame you even though I killed him.

But you're still to blame for abandoning me, the brotherhood and your subjects even though I never visited you after our fight, calling you a coward, immediately leaving never to come back and update you on what happened. Its your fault the mountain is like this even though I never asked you for help or advice or even contacted you to let you know our home was destroyed.

Meanwhile I'm the victim and you never valued our friendship.

.

.

.

This idiot-

In summary, he abandons his king, accused him for ditching them all comes back claiming to help him by antagonizing him, hurting him and puts himself in a position where he kinda has to do something?

Because Mac was set on killing the monk.

Everyone acts like he just visited, said something mean and Wukong played the stab game bit too hard.

But he tried to kill him and wouldn't back off?

Seriously what did he expect Wukong to do?

The fandom acts like he was given a pass to not die when he's already broken off the relationship and put Wukong in an impossible situation where Mac wouldn't freaking leave or let go about killing the monk.

I'm not saying that Wukong should've killed Mac on the spot. But I just wish that everyone stops acting like he was being such an asshole and killing him out of nowhere.

(for someone with six ears and is meant to be all hearing he sure is bad at listening)

Then he gets revived by the lady bone demon and let me check:

steals all of Mk's powers

tries to kill the kid despite having no bad blood with him

antagonizes Tang, ridiculing him and calling Wukong a coward despite ditching him under a mountain

makes a copy of the TEA van to kidnap and traumatize Mk even more

Traumatizes Mk AGAIN in the shadow play and steals his friends souls

Hold Mei and Sandy hostage for the rings and tries to squeeze the life out of them

Shooting the airship down (OOOHHHH WUUUKOOOONG this ape is down bad.)

Chokes Mei and uses her as a hostage again for the samadhi fire ritual

Immediately leaves after Mei's firey outburst

Wants to leave possessed Wukong to the clutches of LBD

never gives Mk the full story in the ink scroll that he tried to kill Sanzang or how he never came back.

NEVER APOLOGIZES

I don't even think Macaque has apologized for any of his bullsh!t.

Some of his acts were necessary but he just makes it uneccessarily cruel and revels in their pain

And the fandom makes them all buddy buddy at the end, excuse all his actions and collectively hate Wukong?

Yes he does help Mk in fighting possessed Wukong but like LBD's reign would end the world as he knew it. What else could he do? DBK would probably do it in his position.

But he never apologizes to any of the cast.

I've seen fics where he does apologize which is good.

But he also never apologizes to monkey king?

But that will be in pt2. Yes there will be a goddamn pt2 cause I've not even scratched the surface when it comes to fanfics.

But I will take this chance to share a fic that does tackle this issue really well:

Fractured Pieces make a mosaic by @furornocturna

Cause this fic is genuinely so good I am vibrating at the seams, its one of my favs (also furornoctura's writing is good in general)

One of the only fics I've seen where the characters all call out Mac being a jackass and in an interesting way.

One day I will make some fanart for this but till then this will do

Their writing is so yummy go check it out

[erika111111]

The Quarry and queer-baiting

It's a pretty known issue within The Quarry fanbase that this game basically set us up with two gay couples for them to just... not happen. In fact, it's almost as if the game rubs it in the players' faces that they don't, won't, and can't happen, besides the first half of the game setting them up rather clearly. It feels like the writers completely abandoned the idea halfway through, or for some reason just wanted to draw players in with the concept of queer relationships/characters just to rip it away in the end.

Disclaimer: This topic has been in my rough drafts for like, nearly two years at this point. I updated and added some stuff, but forgive me if I missed any crucial details.

So in the beginning, a lot of people wind up shipping both Ryan x Dylan (Rylan) and Emma x Abigail (Blygbank). Let's start with Blygbank since it's the shorter of the two.

So we do establish that Emma had a boyfriend, but the keyword is "had." To be fair, Jacob and Kaitlyn talk about it for the entire first section and that's the whole reason this game even happens, since Jacob wants another shot with Emma. So this straight couple is obviously very prominent. But, throughout the entire game, from multiple characters (Emma herself, Kaitlyn, Dylan, Ryan), it's repeatedly stated that Emma wants to move on from Jacob. Then we're introduced to Abigail, who's first scene is of her drawing a sketch of Emma. It's established that Emma and Abi are good friends. Maybe Emma and Abi will start a relationship? But, then we're introduced to Abi's crush on Nick. So I guess that idea just got blown out of the water...

To be fair, Emma's lack of interest in Jacob and Abi sketching Emma all happens very quickly within the first chapter. Perhaps it's the players' fault for jumping to that conclusion so quickly... but still.

What's more disappointing is that Abi and Nick are basically useless after chapter 6. There is actually yet another opportunity to develop some Blygbank relationship, but once again, it goes nowhere. Nick is bit and infected and starts acting absolutely horrible toward Abi, which very noticeably turns Abi off from him. Then Nick disappears for the rest of the game. But given Abi survives, she'll have another opportunity to have some alone time with Emma. Yet nothing of actual importance is discussed here. Not Emma kissing Nick. Not how Nick treated Abi. Not where Abi and Emma's relationship stands. Not where Emma and Jacob's relationship stands. We do get a moment where Emma reveals some of her true colors and she says that she needs Abi and she's been great to her, but once again, this goes nowhere. I guess we could see this as romantic, but Abi kind of seems just tired of and annoyed with Emma at this point and doesn't comment much about any of it. Basically there's just no conclusion. We have literally no idea where their relationship stands, romantically or otherwise. It's a huge missed opportunity.

While you can't get both of these scenes in the same playthrough, they do also push the Blygbank agenda. If you can get the "Nobody's Fool" route where Emma and Jacob reunite and Jacob tells her the truth, Emma will be completely and entirely done with Jacob. No more joking, no more mixed signals, she's just done. Which is kind of where the entire game was leading to from the beginning anyway, but this route gives it to us loud and clear. This accompanied with Abi and Nick going south again leaves us with a Blygbank option, but obviously, we get none of it. I know there's not much time left in the game by the time any of these scenes happen; maybe this is something else that could've been developed if we got any post-credits scenes, police interviews, I don't know. Again, maybe I'm reaching way too far with this one, but I think there's pretty good reason to ship Blygbank and assume maybe that's the direction they planned on going in. But I digress...

Onto part two, we have Rylan. And... Ryka? I have no idea what the ship name for Ryan x Kaitlyn is and I don't know if shippers for this couple even exist, so I'll just call them Ryka. And they're not a queer couple, but it's necessary to talk about the two at the same time.

I'll be honest, during my first several playthoughs/watchthroughs of The Quarry, I had no idea Kaitlyn was interested in Ryan. They do not do a good job of establishing that at all, and you can very easily miss every single opportunity for it to be brought up until chapter freaking nine. So honestly, Kaitlyn is pretty much a non-factor here. Dylan's crush on Ryan is very vocal and obvious, and the two are paired up very often throughout the game. Even if Kaitlyn's crush on Ryan was more well-known, Dylan is still the more obvious one between the two because, again, Dylan and Ryan are always paired up together.

Ryan is rather... uninterested in everything and everyone. But between everyone, he seems closest to Dylan. Of course, this can depend on how you play as both characters. You can make them argue A LOT, and Ryan won't always say the "I'm a bit closer to Dylan, I guess" line, but regardless, there's some scenes with them being close that will always happen. The most prominent scene between them is when they're walking to the radio hut and Dylan actually opens up to Ryan about who he is and what he likes to do. Ryan will have unwavering, non-negotiable interest in Dylan as a person here. Sure, they CAN kiss at the firepit, but Ryan can also choose to kiss Kaitlyn. They can joke around about the Bizarre Yet Bonafide podcast name, or they can't. They can agree over the gun, or they can argue instead. Ryan can cheer Dylan on or rush him. They can grab the phones and go or Dylan can annoy Ryan so much, he'll yell at him. Point being, there's a lot of options you can take with their relationship. You can make them close or you can make them bicker. Regardless, Dylan will remain interested. And regardless, they will have this intimate moment together on the way to the radio hut. Point being again, it's veryyyy obvious this a queer relationship in the making. Justice Smith is even a queer actor, and Miles Robbins is a very vocal supporter of the LGBTQ+ community.

Then Laura comes and fucks the whole thing up. And I love Laura, mind you, but for some reason the writers decided to take this whole ship and spin it on its head when Laura arrives.

Before we get into the Laura segment, let me point a few more things out. I personally thought that Ryan was maybe oblivious to Dylan and Kaitlyn's feelings, didn't really know which one he liked more, or most prominently, maybe he was asexual. When Emma tells him to kiss either Dylan or Kaitlyn, he asks if he can kiss both. I thought that was kind of an odd thing to say unless he either liked both or just didn't care. Also, he can ask Laura, "You're doing all of this for a boy?" He really seems like he doesn't understand this kind of love or investment in another person romantically. Upon discovering that line, I pretty much accepted Ryan as asexual.

But then he's not asexual. And he's not oblivious to Dylan and Kaitlyn's feelings. And he's not interested in either of them. According to Justice Smith himself, when Laura asks Ryan who he likes more and he answers with "Maybe neither," it means that Ryan has a crush on Laura. And I truly don't get this, for several reasons. For starters, yes, Laura is doing all of this for a boy--her boyfriend, Max. She literally has a boyfriend already. And Ryan already had a thing going with Dylan. So why, seven whole chapters through this entire game, giving us LauraMax and Rylan, do they suddenly pair together Lyan? It's just a creative decision I will never understand. Maybe if Laura and Max had broken up, but still. She's not reintroduced until chapter 7 so we've already had six chapters of Rylan still. Maybe they could have made it more obvious from the beginning that Ryan wasn't interested in Dylan or Kaitlyn, but they just didn't do that. They particularly paired Ryan and Dylan up all the time and made them close. So, I call queer-baiting.

Of course, Lyan never goes anywhere. The only ending you can get that involves any kind of romance is actually Laura and Max reuniting. Laura and Ryan's romance happens in basically two seconds and there's barely any romance to even speak of. Laura does flirt with him a lot, but I believe that's due to the werewolf curse, as she stops that kind of behavior after her curse is lifted. They do seem to be close friends by then, she just doesn't flirt anymore or make weird comments. And really neither does Ryan. Sure, you don't always get the "maybe neither" line and you can choose less flirty options sometimes, but then they have a whole ass The Lovers card. So it's extremely obvious what the developers were going for. I just don't understand why suddenly go for this couple eight chapters through after already establishing a gay couple with Ryan himself and Dylan.

The only other thing we get on this matter is Dylan and Kaitlyn discussing Ryan's relationship with Laura on their way to the scrapyard. The most positive outcome for Rylan here is when Dylan says he and Ryan got close and Kaitlyn tells him "There's always next year." So it does give a bit of hope to this ship, leaving it open-ended despite the sudden occurrence of Lyan. Of course, you might not always get these lines, and Dylan and Kaitlyn can both agree "screw Ryan" and move on. So... I don't fucking know. It's like they purposefully set players up to support this clearly laid out queer ship of Rylan to then make it all insanely confusing and open-ended and piss people off. I think they really fumbled the bag with this one, and it's why I have a hard time shipping Ryan with literally anyone. It's all just a confusing mess.

I'd definitely say that the whole Supermassive Games chain of video games definitely got less queer-baity and more queer accepting over time. Just a few months later, The Devil in Me is released and they give us a Lesbian ship with Jamie and Erin. Also, with the Until Dawn remake, they cranked up the Jemily and Climbing Class. Not by much, mind you, but regardless, they acknowledged the popularity of these queer couples in the fanbase and added some crumbs for the players. It makes me wonder if they'll ever delve on Blygbank or Rylan in the future. I'm doubting The Quarry will ever get a remaster/remake with added content like Until Dawn, but who knows, I guess. As I said, both ships are pretty much left open-ended. But for now, I think The Quarry has a serious problem with queer-baiting, or maybe they just had no idea how to handle writing queer characters. I really don't know.

Lastly, none of this was supposed to be negative or attacking any single one of the ships mentioned in this post. I don't know how anything I said could be interpreted that way, but you never know. This post was just supposed to be informative. I hear a lot of people criticizing the queer-baiting within this game, as they should, and I decided to make an informative post covering all of the points and how I believe they screwed up the opportunities to put in these queer couples and somewhat alienate their queer audience.