#but i digress it was wild 2 see
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coureirsix · 4 months ago
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just saw someone tag my top gun gifset as. what i have to assume are their ocs. which is. very strange but like go off girl do you
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mr-aftons-rotting-pussy · 8 months ago
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grrrrrrrrr grrrrrr thinking about how depending on species its easy for mobians to lie about theyre age n such esp to humans. n how ppl used that to their advantage abt infinite n how eventually he also uses this to his advantage after he runs away to get jobs n shit,,,,
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youraveragebtsstan · 12 days ago
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If Supernatural was an HBO ORIGINAL, we'd all be done for.
Ever since seeing a post on here about Supernatural but making it HBO style, I've been thinking about what it could have been like... And the conclusion I've come to is UNREAL.
Firstly, picture the Gothic Horror Themes of Seasons 1 & 2 but with all the nudity/gore of True Blood... Pure Chef's Fucking Kiss. 🤌🏾🤌🏾 Dean would've 100% cursed like a sailor not to mention live his best fuck boy life in full effect. And Stanford Sam would have whored around that campus like no tomorrow. Especially with that slim ass waist line and those low ridding jeans- girl please.
Secondly, I feel like Wincest would have DEFINITELY been canon. Like not just on an emotional/codependent level but like FULL ON sex scenes and secret 'no-no, we can't tell anyone because they won't understand us' precanon moments. (I mean, just imagine the wild and bratty, 'I hate you/love you/missed you' sex they would have had after arguing on that bridge in Jericho S1E1.) Ughhh, that would have gagged me out the gate bitch.
And lastly, I feel like peer pressure would have made Kripke cast Sam as a girl (or at least consider it.) And this isn't me saying I don't have faith in our boy to stick true to his art, I just feel like for that time in society a lot of the big wigs would have gave him a hard time getting the green light if they knew 2 brothers would be sucking and fucking on screen vs a brother doing the same with his younger sister. (Of course that says a lot about the society we live in, but I digress.)
What are some things, you think would have been prevalent in Supernatural if it were an HBO Original? I'm interested to know. Comment down below, or reblog with your input. 👋🏾🖤 Byeeeee.
P.S: Yes, I went back and made a couple of edits because I forgot to say some stuff. Oops.
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sozila · 6 months ago
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convalescence. (sukuna x reader)
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synopsis: convalescence noun. time spent recovering from an illness or medical treatment; recuperation. ryomen s. itadori was a disease that infected every part of your life, and you didn’t notice until it was too late.
pairing: best friend's older brother!ryomen s. itadori x pre-med uni student!fem reader.
warnings: explicit content eventually, mdni. mentions of underage drinking, descriptive sexual activities. masterlist | previous | next
you are on: incubation. (part one) a/n:
hello!! my name is sozila, and this is my first ever work on tumblr/ao3 so bear with me if my writing seems a little elementary :,) let me know what you think, esp if it's constructive feedback! i've been a huge fic reader since i was 11, if that's any solace <3 (i'm in my second year of college now lmao) this piece really just came to me because i craved older brother sukuna and breezed through every fic with him in it. also, i wanted to incorporate parts of my college experience and hence the allegory to infectious diseases, i promise i'll hash it out adequately soon haha <3 also to note: i'm aware this chapter is rather short, but i intend to make longer chapters as the story continues! until then, here's a little bit of what i have :) enjoy!
ao3 link here.
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incubation. (part one) you were 2 years into being best friends with yuuji itadori before you saw him. an idea of him was created in your head through a web of yuuji’s descriptions, megumi’s mild irritations. nobara’s hot-cold opinion that “he’s an insufferable asshole, but those tattoos do numbers on girls”. some part of you felt allured by the mystery of his identity, even though you knew exactly who he was. at least, as much as you could from the near-empty instagram account and pictures from yuuji’s childhood littering the apartment.
it was odd you didn’t meet until now, but university had other plans for you. it made sense though— as a pre-med student, you didn’t have much time to hang out or go to frat parties, as much as nobara complained about your lack of thrill for wilding out. you digressed, but promised as soon as you secured an internship you’d maybe allow a bottle of vodka on you, in the comfort of your shared apartment. yuuji and megumi never held your busy schedule against you; which you genuinely appreciated. you loved that whenever you did get to see them, things picked up right where you left off.
which is why you were surprised at the very least to be met with someone you knew yet were so unfamiliar with standing before you when you knocked on yuuji’s door.
“you one of yuu’s new leeches or what?”
your brows furrowed a little more at the jab on your character, but you utter nothing as you take in the fact ryomen itadori isn’t a mythical brother your best friend made up. he looks exactly like the lockscreen picture on yuuji’s phone, save for a couple new tattoos on his face and arms. his hair was a mix between a mean undercut and ivy league, sporting the same pink hue of his younger brother’s. a simple silver chain hung on his neck which drew you downwards to his chest. he was definitely built much bigger and wider than yuuji. coarse, and just.. raw. you register you’ve been staring at this man clad only in a wife pleaser and joggers for an inappropriately long time and clear your throat, straightening, holding your bag a little closer as if it was going to disappear with a glance of his sanguine eyes.
“you gonna stand there all day, or should i close the door on ya?”
his gruff voice now laced with irritation led you to match his demeanor. you give him a wry, plastered smile and push past him. he lets you, surprisingly.
“can’t really go in with you blocking the entire entryway, asshole.”
he doesn’t acknowledge the blatant insult and walks towards the kitchen. your nose catches it first- he was cooking something really good. suddenly, he yells over his shoulder while he stirs the pot.
“yuuji c’mon, i’m not babysitting for your ass!”
the thomp-thomp-thomps of yuuji’s footsteps follow with him hurrying down the stairs and he flashes a dorky smile to you. “sorry, sorry! you met my lovely best friend then, aniki?”
he grunts without turning around. you didn’t even consider this a conservation, but yuuji seemed unphased by his wet-blanket personality. guess older brotherhood looked like this. yuuji flits around the stove where he’s working to stick a finger in the pot and steal a taste, which sukuna smacked him upside the head for.
rubbing the back of head, yuuji then turns and faces you to give your arms a little squeeze. “megs is running a little late from swim team practice, but he’ll be here soon. ryo made dinner for us though!” he quips brightly.
with a whip of his head and a withering look, you deduced sukuna wasn’t aware of this information, but grumbled to himself. you made out a “motherfucker” and “freeloader” in his long curse.
you pull your happy-go-lucky friend a little out of earshot and bring him to your level to whisper harshly. “yuu, i don’t want to inconvenience your brother.. he already seems pissed i exist,” you murmur. your gaze returns to the giant man in the kitchen and something tickles in your chest. immediately he slaps your shoulder and chortles, as if you told him something outlandish. “don’t even worry! he acts like that all the time, he just doesn’t know you well enough yet.”
you weren’t sure you even wanted him to.
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it was 7:30 when you heard the ring of the doorbell and your head lifts from the snug placement you took on the couch. sukuna had already slipped away upstairs so yuuji answers this time, much to your dismay. you lament internally that megumi wouldn’t face the same frosty welcome as you did. you hear two voices instead of just the one you expected and crane over to see a certain red headed girl you knew. she beams upon noticing your peeking form. “you’re here early, miss i-have-no-time-for-my-beloved-friends,” quicker than you could react, she was already beelining to jump on you with a smothering hug.
you try to muster a clear response but get muffled by her puffy knit sweatshirt. “if you checked your phone you’d know i told you!” you push your computer out of reach so it wouldn’t be swept in the tornado that was nobara kugisaki.
megumi had already taken a seat on the rug beside yuuji, deep in conversation about winter finals. however, it became evident it was more megumi lecturing yuuji on course material and the latter looking more confused and stressed by the second.
you move nobara enough to clap your hands and catch their attention.
“if you guys utter the word ‘exams’ one more time, i swear will explode.”
nobara snorts above you and knocks on your head. “look who’s talking. is your memory shot to hell or do you not remember all the times you bring it up yourself?”
“she literally did this afternoon,” yuuji mumbles with a pout. you throw a decorative pillow at him.
“hey! don’t forget i literally made your study schedule for you. and even the studious want a little break,” you defend with a huff. nobara d’awws and squishes your cheeks. “my poor little baby! however did you survive.”
“you guys suck. i deserve nothing but love and affection.”
yuuji rolls his eyes and whines. “oh my goood, yes we love you and appreciate you, hugs kisses rainbows blah blah— i wanna watch a movie already!”
you giggle at his antics as nobara pushes off you, walking to the unabashedly large TV and starts filing through yuuji’s big movie bookshelf. “what are we feeling tonight? fast and furious, ladybird, jigsaw..”
after a couple minutes you all agree on midsommar, which you protested but lost in a 3 to 1 vote (democracy is a joke). you could never sleep properly after a good horror movie, hence you always watched them during the daytime. but because your friends were evil, namely nobara, you had to endure some at night and ended up sleepless and jumpy. “if you can’t sleep, just slip in with me tonight,” nobara counters with a dismissive wave. while you knew neither nobara nor her girlfriend, maki, would bat an eye because of their long friendship with you, you worried for your own well-being. nobara was a huge kicker in her sleep (she denies this profusely). too many times after a night out you’d wake up on the floor with bruises on your side while nobara dozed peacefully, starfish-ed on the bed. you sigh and accept your fate.
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the movie ends up being just as if not more unsettling than you expected. you knew nobara clocked out much earlier than you thought when you heard no reaction to the bear scene (never getting that image out of your brain, you fear). you stretch your neck to assess who’s out. beyond the dirty plates on the coffee table from the dinner sukuna “made” for you all, you can make out yuuji cradled into megumi’s chest, snoring lightly. the urchin haired boy didn’t stir much either, so you peel from nobara’s vice-like grip on you to throw a blanket over the two of them. out of the corner of your eye, you see yuuji cuddle into megumi a little more, a small smile on his dozing face. god, you eagerly await the day they could be honest about their feelings. you step back around quietly to adjust nobara on the couch into a more comfortable position.
to navigate out with a better light you fish your jeans for your phone but to your dismay, are met with empty pockets. it didn’t help that your nerves on high alert and the living room was lit only by the glow from the tv. something straight out of a horror movie. genuinely fuck my life. you frown as you crouch down to feel around underneath the couch. after a few minutes of helpless padding later, the task seemed fruitless and you began to retreat to yuuji’s room. nothing could prepare you to feel a big, cold hand palm your shoulder. you freeze, your spine going icy. is this how i’m going to die? swiveling faster than your mind could compute you almost let out a bloodcurdling shriek, only to be met with the same cold hand pressing your mouth shut.
“are you fuckin’ mental?”
sanguine eyes bore back into yours and you fight the urge to bite the hand pressing on you. the audacity of this guy was baffling, really.
you shove him off and glare pointedly.
“me? i’m mental? says the dick who decided to sneak up on someone and grab them like a fucking serial killer!”
you jab a finger on his chest, seething in a whisper. his chest, in reality, was much harder than you anticipated and your finger probably hurt more than the attack on him.
a step. he’s closer to you and now in possession of said finger.
“i lightly tapped you. the rest was damage control, sweetheart.”
“sweetheart?”
“i can’t call you that?”
“how about you don’t call me anything, ever? thanks.”
“makes sense that i can’t call you. got your phone, and all.”
your mouth drops a little. “what?” he snickers. “if you weren’t so busy trying to curse me into the next domain, you’d realize i’ve had your phone in my hand this whole time. fuckin’ idiot.”
lo and behold, your phone was nestled in his raised hand, looking much smaller than you remembered. or was it that his hand was just that large in comparison? how big was this guy, really? part of you wanted to stop everything and just ask him to hold different objects and compare how they perceived in his grasp. but reality struck and you recall this is the same guy who just scared the living daylights out of you.
you yank it out of his stupid mammoth hand, ripping his grasp on you in the process and take a step back. you were awfully close to one another upon closer inspection.
“not an idiot, by the way. 4.0 gpa doesn’t exactly scream stupid.”
“idiocy applies to everyone, sweetheart. regardless of how much you dick ride your textbooks.”
every word that left his mouth had a lilt to it. the laughter in his eyes, his head cocked to the side.. he was messing with you and relished it. that pissed you off. who the fuck was he to decide who you were? what you stood for? you had barely known this imaginary-but-actually-real brother for a couple hours, and here he was insulting and teasing you all in one gift-wrapped present. what gave him the confidence to be so insufferable? and better yet, what could you do to stomp it out?
“go to hell, sukuna.”
you were unwilling to stay in his irritating presence for a moment more. your face was stony and unrelenting, your foot tapping incessantly in impatience. you wanted to slap his face off, but thankfully for him, your best friends were in dreamland just a few feet away.
“goodnight, idiot.”
your feet padded angrily up the stairs and you could still feel those dark sanguine eyes boring into your skull and all over your body. you decided that imaginary or not, yuuji itadori's older brother was the most pompous asshole you've ever had the displeasure of meeting. you didn’t get hit with your skin radiating heat until you closed the door of yuujii’s bedroom behind you. question is, was it anger or arousal?
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... she never told me her name.
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omg light banter... guys i really love slowburn so sexy time isn't guaranteed soon :( once i've outlined it i'll add specific explicit warnings and maybe you'll get a glimpse of what i envision for you and sukuna aaaaa :) for tumblr, i'll have a navi/masterlist up in a little!
peace luv bathtub!!!
© sozila 2024, all rights reserved. please do not plagiarize, translate, or repost any of my work on other mediums or sites. cross-posted on ao3 and tumblr under same alias.
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tgcg · 1 year ago
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part 2 of something specific
CG: I’M GOING TO NEED TO WATCH THROUGH IT AGAIN TO REALLY HONE DOWN WHAT I THINK OF IT, BUT FUCK IT, I MIGHT AS WELL SHARE MY THOUGHTS NOW SINCE WE’RE FRESH OFF OF WATCHING IT.
CG: SO, THEY’RE ACTUALLY A REALLY FASCINATING EXAMPLE OF RED ROMANCE. I’D GO SO FAR AS TO SAY VERY SUBVERSIVE OF ALTERNIAN UNDERSTANDINGS OF THE SORT, COMPARED TO WHAT YOU’D USUALLY SEE IN FICTIONAL MEDIA. IT’S LEVELS ABOVE THE TYPE OF DYNAMICS I WOULD TYPICALLY SEE IN MY NOVELS, DISREGARDING THE QUALITY OF VACILLATIONS AND YOUR QUOTE-ENQUOTE “POLYAMORY” PRESENT. BECAUSE SAKURA’S POSITION IN THIS IS PRACTICALLY POINTLESS, BUT I DIGRESS.
CG: ACTUALLY — THAT WAS KIND OF FUCKED UP, BY THE WAY. WHY IS SHE WRITTEN SO POORLY?
TG: remember when i told you about misogyny
CG: I WILL NEVER FUCKING GET THAT. OUR MOST POWERFUL FIGURES WERE GENERALLY GIRLS. HOW THAT TRANSLATED SO FUCKING TERRIBLY IS BEYOND ME!
CG: AND HOW THE SHIT DID THE UNIVERSE *I* HAD A DIRECT HAND IN CREATING END UP BEING SO MIND-BOGGLINGLY BACKWARDS ABOUT ROMANCE?
CG: DID NOT EVEN AN ERRANT TRICKLE OF MY INFLUENTIAL THINKPAN OOZE MAKE IT THROUGH THERE? AT ALL?
TG: not even a droplet my man we decided to be equally anal about other stupid shit i guess
CG: NO KIDDING!
CG: ANYWAYS.
TG: if yall managed to get through that door and reign supreme over the human race for lip smackin eternity you know mens and womens would be macking on each other in various gender arrangements with gleeful wild abandon 
TG: itd be a goddamn utopia
CG: FUCKING EXACTLY! BUT INSTEAD I’M HERE. DOING THIS. WITH A GOD, UNIVERSE PENDING. INSTEAD OF BEING A GOD REIGNING OVER A UNIVERSE MYSELF.
CG: *ANYWAYS*!
CG: THEY START OUT WITH A RIVALRY, SURE, BUT THERE’S ACTUALLY NOTHING BLACK ABOUT IT. THEIR FEELINGS FOR EACH OTHER ARE STRICTLY POSITIVE, IF HIDDEN BEHIND A MORE AGGRESSIVE FACADE. THE VIOLENCE OF THEIR RELATIONSHIP BOTH COMES FROM THE SOCIETY THEY WERE RAISED INTO, AND SOME OF THEIR MAJOR CHARACTER FLAWS AND INSECURITIES. NARUTO IS FIERCELY DEFENSIVE OF ANYONE WHO JOINS HIS CIRCLE BECAUSE HE’S DESPERATE FOR CONNECTIONS, AND REFUSES TO LOSE THEM AT ANY COST EVEN IF THEY LEAVE SUPPOSEDLY OF THEIR OWN ACCORD. SASUKE SEPARATES HIMSELF FROM THE PEOPLE HE LOVES OUT OF FEAR – AND DESIRE FOR REVENGE AGAINST HIS BROTHER CONVINCING HIM THIS IS NECESSARY.
CG: LIKE, EVEN WITHIN THE FIRST MAJOR ARC IN THE LAND OF WAVES YOU CAN SEE THAT THEY CARE ABOUT EACH OTHER SO DEEPLY THAT SASUKE WOULD DIRECTLY SACRIFICE HIMSELF AND HIS POTENTIAL FOR NARUTO’S. AND BELIEVING SASUKE TO BE DEAD IS THE FIRST CATALYST TO NARUTO’S POWERS BEING RELEASED. THAT IS *REALLY* EXTREME. ESPECIALLY BY TROLL STANDARDS, BUT I UNDERSTAND KILLING PEOPLE IS A MUCH FUCKING LARGER DEAL PSYCHOLOGICALLY FOR HUMANS. THAT KIND OF REACTION TO DEATH WOULD ONLY BE RESERVED FOR A CURRENT OR POTENTIAL QUADRANTMATE… AND IS OTHERWISE ONLY EXPRESSED BY TROLLS WITH DISEASES.
TG: oh yeah like the friendship disease right
CG: UGH.
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adobe-outdesign · 4 months ago
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Pokemon review: Ditto
(No review requests in the inbox right now, so I'll be doing this. No random generation this time as most Pokemon have been reviewed at this point.)
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Ditto is probably one of the most straightforward ideas for a shapeshifter you can get—it can become anything, so its base form is nothing but a simple blob, similar to the classic RPG dungeon slime. In all honestly I do prefer something like the Zorua line that has a unique design by default in addition to copying other Pokemon, but Ditto is undeniably pretty cute. I like its silly little :) face and the sort of implied arm nubbins.
One thing I will note about Ditto is that it's never been consistent color-wise; sometimes it's a lavenderish purple and sometimes it's bright pink. It's not really a problem per say, but it is strange that it's never had a standardized color after all these years. (I personally like the pink more, for the record; the purple feels a bit washed out, a common problem among Gen 1 mons.)
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Another notable thing about Ditto is the way its transforming works. People generally associate it with shapeshifting everything but it's face, resulting in normal Pokemon with hilarious :) faces. This has been seen everywhere from the anime to the TCG cards.
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However, this... isn't really a thing in the games. This idea was introduced in an episode of the anime, wherein the face thing was a flaw that one specific Ditto had that got fixed by the end of the episode. In the games, Ditto can and does shapeshift with 100% accuracy. While they do occasionally use this for interesting gimmicks (such as SV having random wild Pokemon be Ditto), I'm honestly a big fan of the :) face transformations and think that should've been the norm. It adds so much personality and flavor, which is much needed in a Pokemon that just mimics others and has very little going on in its true form.
I also might as well point out that there's been a long-standing theory that Ditto is the result of failed attempts at cloning Mew. This has already been confirmed to have not been the intent in interviews, but honestly, I do like the idea even if it was completely unintentional. There is just something a bit odd, even by Pokemon standards, about a blob that just can shapeshift into anything that isn't a legendary/mythical (like Mew) and is actually transforming (unlike the Zorua line, who are just disguising themselves with illusions). Like, it definitely feels weird to just see an undisguised Ditto out and about in the grass in SV after a reset. But I digress.
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Bizarrely, at one point Ditto was considered for an evolution in Gen 2 with this screaming thing that evolved via a metal coat of all things. Not only does it not feel like an evo so much as a Different Ditto, but it's also just strange to give a evo (or a regional, or anything, really) to a Pokemon who's entire thing is being other Pokemon. I'm not even sure how it would differentiate itself mechanically—maybe the idea is that anything it shifts into would gain steel typing or something? Either way, best this was scrapped.
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Overall, a super simple Pokemon with a straightforward gimmick, with its only issue being that it honestly isn't quite gimmicky enough.
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jasminerva · 3 months ago
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You v. Nagumo and Toddler
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This is Part 2 of the Papa!Gumo series!
gn!reader co-parent
Check out Part 1 here: What kind of father would Nagumo be?
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Want more? Check out my SakaDays Masterlist!
Comments, reblogs, tags appeachiated~! 🍑
Banner img from Gakuen Babysitters by Tokeino Hari.
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Was having a convo with @akifordessert about Papagumo and the nicknames he'd give his kiddo(s). And thank you, Memi (@dearsecretlover) for inspo and motivation (and for sharing this Papa!gumo art by mxeong__) as always~!
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But I digress! Here's the little scolding imagine I promised!
nagumo x gn!reader = gn!toddler in their terrible twos [c/n] = your toddler's name [f/n] = your first name
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You: Nagumo! [c/n]! What the heck happened in the living room?! Nagumo looked around his surroundings. It was as if the usually orderly living room had two tornadoes sweep through it, an explosion of scattered toys everywhere, overturned furniture, ripped paper decorations, and colourful fingerprints adorning the walls. Nagumo & Your Toddler: (both in a kneeling position, getting scolded by you) Nagumo: (trying not to grin) [f/n], it's no biggie. Just some father-child bonding gone awry. [c/n], your rambunctious toddler, mirrored his pose perfectly beside him, eyes wide with feigned innocence that couldn't hide the sparkle of mischief dancing in their depths. Nagumo couldn't help but feel a swell of pride at his miniature accomplice's acting skills. You: Oh, really? Father-child? But I only see two children in front of me. Nagumo: Now, now! (holds hands up) See? No paint on my hands. (wiggles digits) Clearly, I'm just an innocent bystander here. You: Yeah, that doesn't help your case. You're the adult in this disorderly duo, or did you forget? Nagumo: I suppose cleaning duty falls upon us two, hmm? Let's clean up this mess before it becomes an international incident. He cast a conspiratorial wink at your toddler, who giggled delightedly at being included in their imaginary fellowship against their ever-so-serious parent. You: (sighs) Nagumo... I'm sick of having to be the mean parent--let alone adult--in this relationship. They have to learn how to clean up their own messes eventually, you know. Nagumo: You're right. We can't let them run wild like this. But it's just so hard to discipline this angelic face (tickles [c/n]'s chubby cheek, causing them to erupt into a fit of laughter, squirming happily). You: (unimpressed face) Nagumo: All right. (playful but stern enough tone) Focus, Agent [c/n], your mission, should you choose to accept it... Together, Nagumo and [c/n] tackled the mess, turning cleaning into a fun game of hide-and-seek with the scattered toys and art supplies.
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Nagumo: (grabs a juice from the fridge) You: Nagumo! [c/n] doesn't need more sugar! Nagumo's grin widened into a smirk as your toddler took advantage of the situation and quickly gulped down the forbidden juice. Nagumo: Aw, shucks. Looks like we're too late. You: (narrowing eyes) If [c/n] doesn't end up learning anything, I'm going to discipline you both. In the 'mean parent' way. Nagumo: (clapping) All right, Agent [c/n]! Operation Clean Slate isn't complete until Big Boss says so. Your Toddler: (salutes and gets back to cleaning, hands and mouth sticky with juice) Nagumo: (grins and walks towards you) You know, [f/n], you were pretty convincing right then. I almost believed you'd actually punish me. You: (crosses arms) The day's still young. Nagumo: (leans down to whisper in your ear) Is that a promise?
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somehow-a-human · 8 months ago
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Moonlight Serenade & Good Omens &... the TV show Lost...?
DO NOT ASK NEIL ABOUT FAN THEORY.
The music of Good Omens is something I have been ACTIVELY avoiding turning my focus on. The risks of hyperfixating and spiraling into it are HIGH. There are so many elements to get lost in, repeating motifs like Dies Irae, tolling bells, character themes... but I digress.
Could I hold out forever? no. and something finally pushed me over the edge. Wait for it..... Lost. Yep. The TV show Lost. WAIT WAIT, don't leave! STAY WITH ME! I promise I don't *think* I'm crazy and I have a point here!
Why Lost? And what does it have to do with Moonlight Serenade and WHAT DOES IT HAVE TO DO WITH GOOD OMENS?! Well my lovelies continue under the cut with me and keep an open mind...
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Okay so... Lost. Yes, the insane 2004 mystery plane crash island adventure drama. It's a wild ride, and a masterpiece and a little bit crazy, but overall pretty damn good. I've been on a rewatch spree and wouldn't you know it... parallels between lost and Good Omens popped up in my brain! I mean they are both intricate mysteries so it makes a tad bit of sense but there was one little detail that *might* be a *clue*, or just an easter egg if anything. I promise you don't need to know anything about Lost to follow this :)
First off, what are some of the recurring themes that Lost the TV show and Good Omens have in common you might ask?
Life & Death
Alternate timelines & Time Travel
Literary Allusions (Catch-22, The Bible, A Tale of Two Cities)
Prophecies & Premonitions
Symbolism of Black & White/ Light & Dark
Yeah okay that tracks, but look there are 121 episodes of Lost and 12 episodes (so far) of Good Omens so there's bound to be some overlap for these two.
You'll be thinking about now, "BUT WHAT DOES THIS HAVE TO DO WITH MOONLIGHT SERENADE?!" I'm getting there, shhh, lemme pet your hair gently and keep giving you background information to build it up shhhh...
If you've never seen Lost there is a very good chance you're mighty confused at this moment, so let me reassure you, you don't need to know anything about it to understand the connections I'm going to make. A brief synopsis is: Oceanic flight 815 crashes on an island. The plane crash survivors quickly discover the island is more than it seems to be and holds many secrets and mysteries. A lot of people die, most of them are murdered, it's giving Lord of the Flies if it was in the horror genre. That's honestly all you need to know.
Time Travel & Alternate Timelines
Time travel is cannon in Lost. It's super confusing and I'm not even going to try to explain any of it here. It's honestly just not worth it. If you'd like to try and read about it, the abridged version is here, but I don't think the details are important. Just know it's real and confirmed and exists.
Okay so, *SPOILERS FOR LOST WILL FOLLOW* In Lost season 2, episode 13 "The Long Con" two of the plane crash survivors are trying to find a signal on a radio they've found. While scrubbing they come across a signal playing Moonlight Serenade by Glenn Miller. One character mentions it must be from somewhere nearby, but the other counters that this type of radio can pick up signals from anywhere in the world. There is a beat and then another character jokingly adds "Or any time. Just kidding, dude."
It's later confirmed that the Lost characters in 2004 are indeed picking up a radio signal from 1940 that is playing Moonlight Serenade, a product of time travel.
Congratulations, you've made it to the point where I'm going to bring Good Omens into the mix. In season 2, episode 4 "The Hitchhiker" we open seeing Aziraphale driving back from Edinburgh late at night/early morning. Uncomfortable with the darkness and silence he asks the Bentley to "play something that's got a bit of swing? I'm in the mood for something modern."
The Bentley obliges the angel, as she always will, and we are shown a shot of the radio specifically lighting up, so we know she's tapped into the radio to play this for Azi, but there is no channel selected.
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Compared to Season 2, Episode 3 "I Know Where I'm Going" when we see the radio is playing and does display the channel.
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But hold on. Okay maybe it just isn't showing the channel, that's fine, but Aziraphale asked for "modern"? Moonlight Serenade is most certainly not modern. It was recorded in 1939! I'd say in 2023 it's anything but modern, maybe not in Aziraphale's long lived opinion, but certainly in the Bentley's opinion, given she's only a 97 year old car.
I think you can see now what I'm saying here. I think the Bentley picked up a radio signal from 1940, maybe 1941? Episode 4 is of course our 1941 blitz magic show bullet catch flashback extravaganza, so... it makes sense. I know we like to headcanon Crowley and Aziraphale listened to A Nightingale Sang in Berkeley Square in the bookshop in 1941 after the bullet catch, but what if they listened to Moonlight Serenade on the radio instead?
What does it mean?
A reference to this small moment from Lost could be a nod to the first hint of the canonization of time travel in that series. We know Crowley can control time to some extent and we can see some evidence of time discontinuities and possibly time weirdness in season 2 so is it a hint that timeline funkiness IS happening? Do I want to get into the fact that the main character in The Hitchhiker, the Twilight Zone episode this episode is named after, is actually dead? No I don't, not now anyway.
Or it's just an absolutely lovely little Lost easter egg.
SO! There it is... weird little connection that I couldn't get out of my brain. It just seemed a bit too... ineffable.
As always this is all for fun and all for fans! Don't ask Neil about these things, they're for us to have fun with. And something else that I don't think some people on here understand about meta-analysis; the goal of it is not necessarily to be correct. It can be, if that's your thing. Refuting peoples posts, theories, analysis, and headcanons because you personally don't agree with them and telling them they're wrong and stupid doesn't achieve anything. Meta-analysis is an exercise in critical thinking and creative writing. You could write meta about how Spongebob is a critique of the loss of christian values in modern society and you wouldn't be right or wrong, you'd just certainly be a person who wrote that for sure though. Just, be kind to each other, share ideas, you're allowed to disagree with someone's ideas or have different ones of your own but don't be cruel in saying so, don't call someone stupid, that's just silly.
Love you all, do something kind for yourself today <3
ps. The moment I see Michael Sheen with blonde hair come January I'm gonna bark like a dog, that's all. Thanks.
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yandere-wishes · 7 months ago
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hello it is i, your friendly neighborhood sol simp reporting for duty. i loved what you wrote for him last time, so i am here yet again to offer my thoughts that you are free to turn into stories if you so desire
consider: sol and darth teeth both have an intense fascination with you, and it comes to a head when they end up saber battling over who gets your heart (i think that since i have 2 hands, we can all learn to share but i digress)
alternatively: sith master sol. think of how wild the yandere vibes could be if he was just a little.... dark, a little fucked up if u will. he allows his desire to possess, his tendency for attachment to take hold until it corrupts him so deeply that he cannot let go of you
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No cause this aligns almost perfectly with my original hopes for the series.
Before we knew anything about the show and just had one sentence to go off of for the plot. I genuinely thought it would be about a Sith acolyte disguised as a former padawan who slowly turns her former master to the dark side. All while plotting against her current Sith master. The story would have ended with the Jedi master and Sith acolyte killing the current Sith master. Then the Jedi master would become the new Sith acolyte and his padawon would be the new Sith master.
Anyway, I digress...
Imagine this...
You are Sol's new padawan, young and edger in all the ways a padawan should be. Desperate to uphold your Jedi legacy. But it's all so hard to become the perfect Jedi when your own master doesn't seem to believe in your abilities. He's smoldering, snuffing out your independence with cotton soft words that cut like blades. Sol constantly keeps you out of harm's way. Refusing to take you on dangerous missions or even let you out on your own. It's exhausting, tiring. Maybe that's why you run away. Maybe it's the guilt you feel whenever you see the unruly love glistening in Sol's soft eyes. He shouldn't love you like this. It's not the Jedi way. Not only have you disgraced your order, but you've ruined your master too. The shame chokes you, hot caol caught between your throat.
This is when "Darth Teeth" finds you. Wondering Coruscant, headed for the transport docks, desperate to flee away from everything. It's here where he tempts you, playing the role of an insightful stranger, a benevolent sympath. It's here where he slowly lures you in. You return to the Jedi temple that night, high off the promises of really learning the secrets of the force. Of training under a new master who wouldn't baby you. Little do you know you're decent to the dark side has already started.
You feel bad about deceiving Sol, truly you do. But it's his fault in the first place. He's the one who forced you into this corner...
Sol is pretty smart so I'm sure he'll piece together what's happening eventually. Maybe when -despite his best efforts- the council deems you ready to become a Jedi knight. It's then that he realizes you've been training under another. He decides to confront this "other master". It will definitely end in a battle between the two. While you're forced to sit there and watch.
I think an ending where -ultimately- Darth Teeth wins would make the most sense. Somehow he's able to turn Sol to the darkside and takes him as his new acolyte. While you, poor little doomed darling are forced to be their little lover. Ensnared once more in the cage you hate so much...
But I agree imagine just how suffocating a dark side Sol would be. He's allowed to embrace his feelings freely and let them control his every move. He'd be so possessive and protective of you!! Never letting you out of his sight, controlling every little thing you do.
I LOVE this concept so so much, the only problem is that the Acolyte has such a small fandom that idk if it warrants me making a full fic. But yeah let me know~💜
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neptunedivine · 2 years ago
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astro observations pt. iv
✧ more saturn observations ✧
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✧ Whenever Saturn moves into Aries, I feel like that’s going to be a “no bullshit” season. I’m not sure of the details but in theory, it sounds very blunt, upfront, and in your face. Whatever this karma is, you can’t ignore it.
✧ If the writers currently don’t get their well-deserved justice during this Saturn transit (which the more I think about would be very weird if they didn’t), I think the dust will finally settle—end-all-be-all— during the Gemini Saturn transit since Gemini rules over writing.
✧ Speaking of Gemini Saturn, I feel like the internet for politicians in the states is like the Wild West. I fully believe they have no clue what they’re doing. If they do lay down some form of structure (maybe restrictions but I’m not sure) during the Gemini Saturn transit would make sense.
PLEASE PLEASE PLEASE LOOK INTO SATURN TRANSITS IF YOU WANT TO MAKE CAREER MOVES!!
✧ As a student in computer science, I saw so many people getting jobs in tech left and right, getting certificates, and going to boot camps and everything (made me feel like shit but I digress). Also, we all saw the major influx of influencers too. I highly recommend looking into what sign Saturn is transiting to help you in your dream career. It’s not like a boost overnight, but it is stable and if you work hard and stay disciplined, Saturn will reward you. The only warning is that you must do it the right way, I wouldn’t consider any shortcuts or cheating. ✧ Though a lot of people got jobs in tech in the last few years when Saturn was in Aquarius, a lot of people (mainly project managers) lost their jobs when Saturn moved into Pisces. I think this because PMs were the easy way in, it’s basically like being a general manager in tech, no programming or code is really involved in their role.
Here are some benefitted professions for the upcoming transits. Note: If something doesn’t align right now or doesn’t at all, these transits aren’t end-all-be-all! There are so many transits happening all the time that can be beneficial as well.
✧ Saturn in Pisces (March 2, 2023 - February 13, 2026) : for my creatives (especially my singers, musicians, actors, photographers, and visual artists), spiritual workers, mental health workers, etc. ✧ Saturn in Aries (February 14, 2026 - April 12, 2028) : for my entrepreneurs, models, athletes, trainers, any profession that requires physical activity and/or competition and challenges, etc. ✧ Saturn in Taurus (April 13, 2028 - May 30, 2030) : for my bakers, cooks, chefs, designers of all kinds, fashionistas, beauticians, and anything to do with beautifying, etc. ✧ Saturn in Gemini (June 1, 2030 - July 13, 2032) : for my bloggers, writers, teachers, journalists, anything to do with communication, media, language(s), etc.
that’s all for now. see you later!
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maggplays · 3 months ago
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Bio? Something like that.
How did I start modding? Literally no one has asked this, but here's my story, don't worry it's not long... I guess that depends on what your definition of “long” is, haha! Hang on, here we go.
On a random day in January, 2024, a few days before my birthday, I might add... I woke up to stars in my right eye. A few days later, I was told I had a very rare injury and it would never heal. Those are not words an artist/gamer wants to hear! Long story short, I am now legally blind in my right eye. If you think, oh that's not a huge deal, you can still see. Humor me, get a cheap pirate eyepatch, put that on, then pour yourself a cup of coffee. Not as easy as you thought, right? Depth perception. It’s a thing. Anyway, on with the story. Suffice it to say, I was depressed. Majorly. Then, through some random conversation somewhere, I found Stardew Valley.
Perfect! 2D animation, cute pixel art, story that's not sugar-coated anime, I love it! Got to year 3, TBH I've never played past year 3 because ADHD, and realized the dialogue was quite lacking. Then I discovered mods. What the-, it's a freakin' goldmine! Downloaded a lot of things, mostly dialogue, and tossed half of them. While playing through a Sebastian run, I saw it. Oh. My. God. It's a coding error glaring at me in my dialogue box. This is NOT acceptable. I tried to ignore it, but then it happened again. Okay, time for some investigation. I opened the folder and found... json files. Interesting, I wasn't entirely clueless since I do know HTML code from back when the internet was a baby, Facebook had no ads, and dinosaurs roamed the earth. Okay, okay, the internet was more like a spoiled toddler. Yes, I'm old. Shut up. But I digress. It didn't take long to discover the misplaced punctuation and go on my merry reality-avoiding way. Until I got bored again.
I looked for more Seb mods, but there were like seven. Three were yandere, not my jam, and only 2 were updated for 1.6 and were dialogue-only. Solution? Make my own mod for myself. I spent six weeks downloading mods, learning code, Googling to very little effect, writing dialogue, learning how to make an event, discovering I knew nothing, and on and on. The perfect distraction from the whole eye thing. I finished a decent draft, loaded it up, and praise Yoba, it worked! And on we play. At some point, I saw a comment complaining about the lack of Sebastian dialogue mods. Huh, yep, they're right. Too bad. Oh. Well, I guess I could load this thing I made, it's really just my own internal story monologue while playing the game, I'm NOT a writer, and most people probably won't get it. But I did spend a lot of time on this, and maybe someone out there will like it. Heck, no skin off my nose since it's free. So I took a deep breath, made peace with my inner demons, and threw it out into the void of Nexus, expecting it to be swallowed up and ignored. That... didn't happen.
In the first few hours, several people downloaded it. Huh, Nexus must have a decent search algorithm. That was literally all I thought about it. The next day, 300 downloads. And comments! Mostly positive with the exception of one wild demand I subsequently ignored. At one week, it had 3,000 unique downloads. I was floored, 3,000 weirdos downloaded my mod. Add to that, people seemed to actually like it! I've never gotten so much positive feedback for anything in my life. Seriously. Apparently, my oddball internal monologue, thanks ADHD, is quite entertaining. Heck, might as well make another one... and here we are. Yes, I've gotten negative comments and unreasonable demands, but I do my best to ignore them and practice staying positive. Trolls be damned! It's a lot harder to do that for yourself than for other people, turns out.
So, bottom line, found something interesting? Try it! Does it make you happy? Keep doing it! Even if it's only for yourself, do the thing and let it make you smile. Share it with the world if you're so inclined. Get out there and kick ass!!
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sergeifyodorov · 2 months ago
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I know 4 nations is still a couple of months away but if you specifically were the gm choosing the roster right now, what would your team Canada look like? (I am also curious about the other teams but don’t want to overwhelm you) I always love hearing your hockey thoughts!
ooh sarahhhh LOVE this q... also lowkey thank u for only asking about Canada b/c i have not thought about the other rosters at all. to be honest
ok lets get into it
(13 F, 7 D, 3 G)
Forwards:
Already named to the roster: Sidney Crosby, Nathan MacKinnon, Brad Marchand, Connor McDavid, Brayden Point
I'm not entirely sure if I had complete control I would pick Marchand, who is both a) pretty far past his prime (even if he is one of those guys who doesn't really age like other players do) and b), not entirely That guy, but I digress. Eight more forwards to name.
Mitch Marner: Easily the best Canadian player not on this list. Since there's no salary cap for the roster and you can go wild by just picking Everyone Good, the most important note of roster construction in my mind is special teams; on any given team you should have ~2 units each of PP and PK, so eight-ish PP forwards and four-ish PK forwards. Some guys don't really do either, so it's always an extra asset to find a guy who is good at both. Mitch Marner is good at both. (And also good at basically everything else.)
Sam Reinhart: I don't like saying it, but I will
Mark Schiefele: I also don't like saying it
Dylan Strome: Here's where it gets interesting. No, I promise this is not a purely narrative choice, although I understand why one might think that. I shrimply love me a smart playmaking centre (yes his points totals are probably inflated by the Caps' really high oish% for him, but he is firmly Very Good and, even as a 4C, should be firmly considered for the 4N.)
Travis Konecny: Legitimately one of the best penalty killers in the league, and also just an all-around threat. Also also a lot of the guys who tend to be picked for 4N are natural centres (e.g. Sidney, NateMac, CMD, Pointer, Reinhart, Schiefele, and Strome are all centres) so it's nice to not have to worry in his case about if he's going to have to move to wing or not.
Connor Bedard: Oh my god I want to see what this kid can do with offensive deployment on wing and actual good teammates
John Tavares: Departing from my usual "don't pick players who are floating into their mid-thirties if you can possibly avoid it" to say that Guys. Johnnifer is still Good. Like, still really good. Chugging along at a point a game and very, very good in the faceoff dot (58%) type of good.
Seth Jarvis: Also firmly underrated IMHO; just because he is a little guy and a bit of a dork doesn't mean we shouldn't, like, remember that He's Good. Because he is.
Reserves: Steven Stamkos (always a power-play threat), Mat Barzal (competent teammates question part 2), Claude Giroux (we all know what his deal is)
Defencemen:
Already named to the roster: Cale Makar
Oh, boy, are we not great at this whole "developing defencemen" thing. Let's see who we can put together.
Josh Morrissey: Basically Morgan Rielly but a little better, I think? Solid shooter, Of-D, etc etc.
Thomas Chabot: Severely undernoticed considering that the Sens have been shit and ass the entire time he's played there. Not his fault, though. Also there's no other Francophones on this list I feel so we should really fix that. What IS Quebec Doing?
Brandt Clarke: Okay, we can have a little "developing defencemen." As a treat.
Evan Bouchard: Why are you booing me? I'm right.
Chris Tanev: Chris Tanev
Brandon Montour: There are probably one or two better options but I like him more TO BE HONEST. Picking the forwards is like a careful examination of PK ability and faceoff percentages and primary points per minute. Picking defencemen has been entirely vibes. I'm very, very sure the L and R balance is just Not There.
Reserves: Maveric Lamoureux (queb AND developing. dual threat), Devon Toews (considering literally everyone will beg for the makar-toews pairing), Shea Theodore (I guess)
Goaltenders:
Lol and Lmao, even
Logan Thompson: The man is the Capitals' starter, helped win Vegas a Cup, and is also lowkey hot sexy and hot and sexy. Starter!
Joey Daccord: Swiss, Canadian, and American, so I'm sure we could convince him to come to the dark side. (Especially since the USA has holy-fuck level goalie depth. Jake Oettinger is a third-stringer.)
Marc-Andre Fleury: Look, this forward core is good enough that it can win us a game 7-6 if we really need it to. I just think he's fun.
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duncebento · 4 months ago
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my academic taylor swift hate and lyric comparison:
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to tear apart some tortured poets lyrics further my point that taylor swift is NOT the white girl taylor swift fans claim (but madison cunningham IS,) here's an analysis of 2 verses + chorus from two songs of theirs:
in choosing cunningham's "your hate could power a train" (left) and swift's "my boy only breaks his favorite toys" (right), my purpose was to illustrate the difference in lyrical choices while the two similarly-billed artists deal with similar themes: both songs have tongue-in-cheek, darkly ironical attitudes in drawing attention to the way the Man, a character in the song, mistreats them, and the titles reflect this.
both songs begin narratively, setting scenes. cunningham begins with a visual and a joke: we have laboratory-related sense-info (blue light, white coats, and radio waves) but she sings that ultimately, there is no neuroscientific explanation for the way she behaved with the Man-- the scientists can't figure out how to get her autonomy back. furthermore, a theory/reality dichotomy is visually represented by the labratory vs. the farmland. she's lost her autonomy "to the land", to labor, which has buried her underneath it.
the first line of taylor's verse seems in media res-- we understand that whatever is happening with the Man is part of a pattern. (note that we can assume the Man to be childish because of his characterization in the title.) the second line already muddles-- "the voices in his head" implies mental illness on the part of the Man, perhaps in line with the "tortured poets" atmosphere (this is affirmed by the genius annotation...) anyway, we get that swift and the Man were having "days of wild," but mercurially, his attitude toward her has suddenly darkened as a cloudy sky. this Man, childish, has "purchased" swift as though she were a "sick" army doll (though later on she analogizes herself to a barbie doll instead?) the sort of toy a young boy might buy for the purpose of roughhousing. when "rivulets descend [her] plastic smile," we get that she is referencing the Man's stormy mood as well as her own tears.
as a listener, cunningham's visual setting scans more naturally to me: i get "neuroscientists in laboratory" + "buried in farmland" with more ease than "mentally ill Man?" + "summoned storm to end wild days" + "childish Man purchasing taylor as an army doll." swift's first two ideas aren't set up solidly enough for me to feel like i understand her direction.
(you'll see that now cunningham moves to a second verse while swift goes straight to the chorus. i'm going to choose to review the second verse before the chorus, because i feel that swift's first verse hasn't explained enough to warrant the narrative peak of her chorus. neither does her second verse, though. but i digress:)
in her second verse, cunningham characterizes the Man. his name is often spoken, and hearing it chastises her ("torch to the skin" implying a religious sort of chastising, specifically.) he is authoritative ("not to be crossed"), even to the extent of wanting a godlike power. and a little play here: when the Man says "god and man," he dichotomizes between the christian god and human beings, but madison points out that she is "under the table--" as a woman, the Man does not actually consider her to be on the same level as him under god, but doglike (catching the excess) beneath him. though their relationship is not narrativized, we can get the impression of a small-town preacher or mayor's wife, making herself miniscule underneath a man who is respected (his name being spoken often) perhaps more than he deserves. the final line of the verse (and my favorite of the song,) "left to be strung over two-thousand frets," is a darkly playful visual analogy for a train track, mirroring the frets on a guitar neck. the Man, in his "race" for godlike power, is like a train barreling over her body (and this sets up the connection to the chorus!)
in swift's second verse, she continues to lament her frustrations with the Man to the audience. the two "could have played for keeps this time" (the idiom is surely used to extend the motif of childhood games) and developed a long-term relationship. but this conversation is another part of their toxic cycle; swift is "repeating herself" like a pull-toy. "put me back on my shelf," directed towards the listener, seems a throwaway line, and the annotations agree. finally, one of swift's "stock" sayings in this relationship has been that the Man "runs because he loves [her]." carrying on the army doll metaphor from the first verse, we could say that the Man's enthusiasm about taylor is less about his care for her and more about his own entertainment, much like a small child's excitement for a toy may not necessarily translate towards tender care. again, i find these connections a bit loose. the annotation says that "running" might allude to paparazzi photos of joe alwyn, so as someone not tuned in to the ARG of your average taylor swift song, i may be lacking background information. swift's choice not to characterize the Man any further in this verse is somewhat conspicuous: after two verses, we as the listener know (1.) that the Man treats swift like a child treats his toy, that (2.) their relationship seems cyclical, with swift ultimately excusing his behavior, and that (3.) she feels the two of them could have easily been in a longer and more stable relationship. however, we are not given any insight as to the Man's mode of behavior: the title tells us that he "breaks" swift, but the song itself has not actually touched on this. as such, the chorus feels rather "tell-don't-show."
finally, chorus! cunningham's chorus is simple; really two sentences: "what does it say about you (that) your hate could power a train?" an affront to the Man: despite his positive image, she sees him as hell-bent on terror. but then she lambasts herself: "and what does it say about me (that) your love could get away with anything?" despite what she knows, she has allowed herself to shrink underneath him, so long as he rewards her with a paltry love (think of the scraps off the table from earlier.) simple and catchy. while this simplicity runs the risk of romanticizing the Man's toxicity, any ambiguity on her stance is cleared up more directly in the latter part of the song, not shown here.
as to swifts chorus: "but you should've seen him when he first got me" is almost a throwaway; it does function to let us know that the Man was not always like this, but this characterization is afforded nowhere else in the song, which prevents me from cultivating a real narrative interest. swift is "queen" of "sand castles [the Man] destroys"-- add that to the "child's play" motif-- but again, knowing nothing about how this is happening, or what swift considers said castles to represent, this does little for me. if i were being generous, i'd say that this line is about the Man's inability to support taylor even in her paltry interests, her "sand castles." then, the two of them "fit too right" together, like "puzzle pieces in the dead of night" (+1 to "child's play," +1 to "sexual euphemism.") because of this compatibility, she "should have known" they wouldn't last-- which, again, isn't narratively supported, but is perhaps auto-referential to swift's established history of breakups. ultimately, anyway, the dark humour of the title line ends up feeling pretentious: it's unsupported by the content of the song, save for aesthetics, and so comes across as melanie-martinez-ish to me, while lacking even the aesthetic devotion martinez possesses. personally, i expect this is the sort of song that sounds more profound to someone projecting their own breakup narrative onto it. in and of itself, though, it fails to compel me lyrically, and that's to say nothing of the music, which does not seem to have advanced from the "blank check" days.
speaking of, here are the video links so you can listen to the opening verses yourself. i'm interested if you had your own thoughts on certain lines or if you experienced them differently from me so let me know lol
youtube
youtube
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kafus · 4 months ago
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hi guys meet scramble. the salamence i have been preparing for NEARLY AN ENTIRE FUCKING MONTH!!!! AAAAA
so okay. i am trying to build a 6 pokemon team to take on orre colosseum in pokemon xd gale of darkness. for the uninitiated, it's basically like gen 3 VGC, but against NPCs with predetermined and handcrafted teams made by the developers. you can honestly kind of think of it like the trainer battles in the indigo disk DLC, but if pretty much all the fights had a full team and some competitive merit. and of course gen 3 doubles mechanics (which have some WILD fundamental differences from modern VGC, but i digress as that's not really the point of this post)
despite getting perfect stat pokemon being extremely difficult and time consuming in gen 3, and basically impossible outside of emerald if you want the right natures on your pokemon, the NPC opponents in orre colosseum have pokemon with perfect IVs and such, so to not suffer you really have to have some Good Pokemon. now usually this wouldn't be a problem for me because i know how to RNG manipulate wild encounters and eggs in gen 3... but there's a catch.
see i've been trying to play this copy of emerald, my new main file as of last year, MOSTLY fully legitimately and as intended by the developers, AKA no RNG manipulation and very little use of glitches. don't get me wrong, there are exceptions to this, i make my own rules and i'm just here to have fun, not to prove myself like it's some sort of challenge run for the internet to judge me on. but as for battle tower pokemon and whatnot, i haven't used RNG manipulation at all, and i intend to keep it that way. i've used RNG manipulation for that stuff in the past and frankly i'm just bored of it.
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this is the team i built for orre colosseum. it's first time ever building my own team for gen 3 doubles, so i suppose we'll see how it goes, but yeah. a writeup on it after i beat orre colosseum in the future perhaps. for the sake of this post, the important pokemon is that salamence.
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this thing was a fucking NIGHTMARE to get without RNG manipulation. as you may or may not know, hidden power is a move that can be any type and of any base power between 30 and 70, depending on the IVs of the pokemon that knows the move. this is an extremely unforgiving calculation and it's also pretty complex so i'm not going to get into the exact math here. but what you need to know about breeding this salamence is:
bagon is 40 egg cycles. most standard pokemon are 20. they take double the time to hatch compared to other pokemon. collecting and hatching these eggs was excessively slow, even with flame body
dragon dance is an egg move and egg moves can only be passed down by male parents in gen 3, so that is something i have to juggle
the adamant nature has only a 50/50 chance of passing with the everstone hold item as opposed to the 100% chance in modern gens. additionally, it only works when the female parent is holding it (or a ditto, but that's irrelevant here)
there is no way to guarantee the passing down of specific IVs, and there also is no destiny knot to guarantee that 5 total IVs are passed down from the parents. you're stuck with getting a random 2-3 IVs from the parents in completely random fashion
this means that i have to hatch dozens of eggs to even get a pokemon with 3 perfect IVs, even off of two parents that have the 3 perfect IVs, and the process of getting those parents in the first place is a very slow and incremental and random process... WHILE juggling nature and egg moves
the cherry on top is that to realistically have the chance to get hidden power flying, i have to have two parents with a 30 IV in special attack/special defense and a 30 or a 31 in speed. so i can't just get a perfect bagon and call it a day, i have to cross two perfect bagons with all of the above parameters to roll for those parameters to pass down again, and also roll HP flying.
NOW. i made this WAY more torturous on myself. because the easiest way to get HP flying is by pairing two x/x/x/30/30/30 parents together. but knowing that orre colosseum pokemon can have perfect stats, and because of the relative lack of speed control options in gen 3 doubles (no tailwind, no trick room, etc), every point of speed matters. i wanted that perfect speed of 31. the issue? when rolling for x/x/x/30/30/31 pokemon instead, the only way that the type of the hidden power is flying is if all the three other IVs are even numbers. so alltogether, i need the following to happen on any bagon egg, assuming that i've already put together the two x/x/x/30/30/31 parents with a male dragon dance bagon and an adamant female bagon holding an everstone:
all three IVs to pass down from the parents (the way emerald determines which IVs pass down is weird but it's roughly a 1/16 chance for the offspring to be 30/30/31)
the nature to pass down with the everstone (1/2)
all three other IVs to randomly roll even (1/8)
so the odds? 1/256. and that's not even a guarantee that the final resulting bagon has GOOD IVs in its other stats, just EVEN numbers. or 0. they could all be 0!!!!
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and the first bagon i got after probably around 200 eggs (i wasn't counting at that point)? a middling 16 in attack, and a fucking ZERO in HP. zero!!!! i was so sick of bagons at this point that i considered keeping it and stopping there on that fateful day of september 1st. BUT I WAS NOT SMART. AND I DIDN'T. i decided i would keep hatching bagon until i got one more HP flying one with the IVs and nature passed down, and THEN i would stop no matter what, just keeping whichever bagon of the two was better.
i actually started fucking losing it. i had to recount the amount of bagon i ended up hatching. i was doing it full boxes at a time, and later on i even added a second save file/GBA SP just to make it go faster. you know how many bagon i hatched?? 840!! for a 1/256 chance!!! dealing with the 40 egg cycles and everything!!!
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my friends watched me slowly devolve into insanity as i routinely announced in our game liveposting channel that i was HATCHING MORE BAGON. and FINALLY after nearly a full month of on and off bagon hatching. I GOT ONE TODAY. AND GUESS WHAT ITS ATTACK IV WAS.
IT.
WAS.
2!!!
anyway i'm not even actually mad because i'm just so happy this is over. i was getting so fucking sick of it. i love long pokemon grinds but this was a lot even for me. it doesn't feel even remotely good like full odds hunting and this is the longest and most miserable egg grind i've ever done in these games and will hopefully ever have to do. and yet despite knowing that i couldn't stop myself because of sunken cost fallacy. and being stubborn. so i am glad to be RELEASED from BAGON PURGATORY
i am settling for the 0 HP IV 16 attack iv bagon and i will love her. she is named scramble as a reference to the sheer amount of eggs i hatched on this journey and also the scrambled RNG. and despite it all i am very proud of myself and excited to use her in orre colosseum regardless of everything. but i can't for a while because i have three more pokemon to breed... none of which should even be NEARLY this painful. hopefully. FINGERS FUCKING CROSSED!!
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nicholerhe · 4 months ago
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Don't mind me. Still completely and utterly wrecks WEEKS after hearing
"Isn't she a little much?"
"I've found that, given time, she is precisely the right amount..."
Ugh my heart! 💜
(SPOILERS)
Main game NFB Jeremy x Jenny lines that also take me out:
Whispering together while Julia and Peter make their election day speech
"Not coming for a drink?" "Nope, got a date!" "Lucky you, try not to get murdered!" (This is early on in the game, but already tells us 1) they hang out *regularly*, 2) Jenny is still active and available on the dating scene as it feels like the date is implied to be one of the first meets, and 3) Jeremy teasing yet caring about her wellbeing)
"You'd miss my charm"
"I thought you grew up in the wild" "Why, bc I'm so fierce?" "Because I've watched you eat."
"It adds to my allure" "No, it doesn't."
Legit, all of Jeremy/Jenny while the Somerset-Bentley sequence is running
"Don't you walk away from me! Jenny!" Their early Heatwave dispute is SO married couple-coded.
"Get over yourself, Jeremy! Stop feeling sorry for yourself for 5 f**king... 5... 4... 3..." *Jeremy staring off in her direction, surprised she would go off at him like that* (married couple coded, need I say more?)
"This is Jenny... and is someone I consider-- well (long ass pause) a *friend*."
"Why are you here today? It was supposed to be your day off!" He didn't want her to see him resign from the news he loves so much 😢
and also "My date cancelled. I'd rather be here that moping around at home... Truth be told, I wanted to see you. Being annoyed with you is... It's like wearing a comfy jumper." .... As a literature lover and a hopeless romantic, this is literally one of the most romantic things I've seen.
"You're flushing your life down the toilet for-- God, I *love* you, Jeremy..."
Putting her body between Jeremy and the CCOs during Takedown, until Jeremy asks her to move
Colin trying to set Jenny up on a date with his cousin and then Megan's brother during the uprising broadcast, and Megan calls her "too smart" ...it's a small detail I know, but just further solidified in my mind how compatible Jeremy + Jenny are written to be.
"Hey, you" *literally one of the most tender, romantic hugs I've seen....* (srsly, you try hugging the homies like that and tell me it's totally platonic😂 the head grab is what does it for me!)
"Why didn't you make contact?" "It would've only put you in their crosshairs, I'm sorry." ...... ladies gents and nb friends - He's looking out for her and her safety. again !!!
"How about we grab some dinner?" (the arm touch sent me out here! also... I feel like *drinks* would've been the more platonic ask here but I digress...)
"...that's going to take *more than one* dinner!"
Bonus Timeloop:
"It's the night of Smiles, Jeremy. Try one one for size!"
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dracomelody · 5 months ago
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Let me start by saying I love the Zelda franchise. I'm a casual gamer, and I haven't beaten every single game in the series (I haven't finished Zelda 2 and I haven't started Oracle of Ages, and I haven't played most of the spinoffs).
When Breath of the Wild came out, it instantly became tied with Twilight Princess as my favorite Zelda game. BotW was a breath of fresh air (pun intended) and I loved how I could play the game at my own pace, and I loved the freedom to explore wherever I wanted from the start. I thought the story was great and the gameplay was unique. The dungeons fell a bit short (they were short and easy, and the bosses kinda sucked), but they were creative, and I loved the champions enough that beating their bosses felt satisfying, if only since it avenged my old friends. Its themes of finally getting closure from the past while helping in the present was handled beautifully, and the final memory brought me to tears.
When Tears of the Kingdom was announced, I was HYPED. I was so excited to see Ganondorf's return and the consequences that would have on the world in this new story. I was wondering how they would handle reusing the same map, especially with the new abilities (Recall was what I was most excited for since it had so much potential to use in puzzles). But the more I saw of TotK regarding its map and game mechanics, the less interested I became.
I thought we would be able to keep the shrines as warp points on the surface (and the focus of the game would be on exploring the Depths and the Sky). Instead, all traces of the BotW's story were lost. No Shiekah tech, no towers, no (Shiekah) shrines. Ok, fine, it's whatever. But that meant you were required to explore the SAME overworld the SAME WAY as you did in BotW: finding dragons tears (finding memories), finding/beating Zonai shrines (finding/beating Sheikah shrines), and finding lookout towers to gain a map of the area (climbing the Shiekah towers). Why? What's the point of all of that in the same overworld, when the focus SHOULD be on making the Depths and Skies interesting instead?
The skies were too segmented and barely had anything in them. The depths were mostly empty aside from enemies and DLC armor from BotW (which makes most of the amiibo useless, btw. Also, THEY GOT RID OF WOLF LINK. I WILL NOT FORGIVE THEM. Lol), and finding the Lightroots as the priority made it tedious to explore. The caves on the surface were so small that they hardly mattered unless you wanted to hunt all the frogs.
I thought the dungeons would be more unique from each other this time around, maybe play on different types of gimmicks or themes. Instead, it's just more of the same gimmick that BotW had: find a few terminals and then beat the boss.
Since TotK is a sequel, I thought its story would be in real time, directly driving the gameplay. Instead, the story takes place forever in the past, and ultimately has no bearing on the plot outside of Zelda's location, AND the exact same story gets replayed after every dungeon you beat. I understood it the first time, thanks.
The ancestors in the past story don't really mean anything to me because they're...nobody. I don't even think they had names. They didn't do anything to make themselves stand out from their descendants, or even have a connection with their descendants aside from being their ancestors. But I digress.
In terms of reusing the world, I thought the old ruins (like the ranch ruins in BotW) would have been rebuilt, or a few new towns would have been added, but INSTEAD it's just the same old world with added monster camps and Lookout Landing and maybe another town that was so forgettable that I don't even remember it.
Ok, so it wasn't what I expected. That doesn't make it bad, right?
Well, I gave it a chance I just really didn't care for the building mechanics. The fusion mechanic is great, but I still feel like I'm cheesing my way through the game instead of actually solving puzzles the way they were intended. I feel like I'm just brute forcing my way through the game, and that doesn't make me feel clever or smart the way older games used to when I'd figure out a unique puzzle.
Oh well. Some games just aren't meant for some people. I still had fun just exploring and messing with Koroks, and I liked that I could have more horses (but they left out the ancient bridle and saddle from the BotW DLC =( )
So now that they've dropped trailers for Echoes of Wisdom, I thought: this is it, they're going to do something different. And we're playing as Zelda!! Zelda has so many cool abilities!!
But instead, the new gimmick in the game is....a rod. That anyone can use. Using Zelda's powers in a game where you play as Zelda? NOPE. Just give her a weapon Link could use, except now we don't have Link's sword/shield or arsenal of other items. We're just a powerless girl with a duplication wand.
Ok, ok, it can't be as bare-bones as that.
The world should be unique and encourage you to explore and navigate the different terrains, right? NOPE, just summon a million beds and climb over everything.
Open world games can be fun, but when you have NO LIMITS then it becomes boring. There's no thought or challenge or maze or puzzles in order to progress; you can easily use the mechanic to build your own solution to every single problem from the start. And building your own solution means relying on knowledge you already have; it doesn't require you to learn how to problem-solve, the way puzzles are meant to. Usually, in this case, I'd WANT to progress in order to see what will happen in the story. But we all know that the Zelda team doesn't gaf about the story, at least not anymore. So what's the point?
Just echo a cucco to fly over gaps, or summon a few objects as a staircase to climb up ledges. Using these echoes in dungeons has the potential to make things fun, but in the overworld? I just don't see the appeal of cheesing your way through every obstacle. And I already had my fill of going wherever I wanted in BotW and TotK. Making the overworld an actual world worth navigating would be NEW at this point.
I feel like EoW should be a short little spinoff game or something. At least then I wouldn't feel so disappointed in a main series game. I'll check it out for the story alone, but if TotK's story is anything to go on, I'm sure EoW's story will be lacking as well.
I'm not dropping out of the fandom just yet. But I feel like they're really cashing in on BotW's success by making every game a worse knockoff of it. They're using playable Zelda as a dirty tactic to win over fans like me who have wanted to play as Zelda with her established abilities.
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