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jtl-fics · 2 years ago

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Fluent Freshman - Part 15

The thing is… FF is aware that he should probably be medicated. You might be saying well isn’t he taking his ulcer medication? The answer is yes he is and when he is getting close to missing a dose Nicky’s usually the one that texts him with six frowny face emojis asking if he took his meds (they have a system, he takes his meds and then he texts Nicky)

No, he knows that he should probably get on something for his anxiety. Betsy has offered to get started on getting him on the right cocktail, his grandma thinks it’s a good idea, and Nicky has offered to get him as much weed as he needs to chill out, he knows a guy. Andrew is probably only going to stab him and threaten him not actually hunt him for sport, in his moments of clarity he can accept and understand that.

But there is nothing in this world that he wants less than to get back on anxiety medication. The world had been grey, it muted everything in the world for him, he faded completely into the background of his own life, and he couldn’t even grieve-

He was almost thankful for his step-dad’s sudden arrival in his life and how quickly his mom forgot about him to spend every waking moment she could on him and his children and then their children. It was two years of nothing and then his mom stopped picking up and refilling his prescription because it was too much of a hassle to keep picking up every month.

“He’s not anxious, see he’s fine. He doesn’t need it anymore.”

The withdrawal and the emotions that came afterwards had been hellish. He’d collapsed into his Grandma’s arms and begged her not to call his mom. He spent an entire month of summer vacation feeling like he was going to die and when he got back he found that no one had even missed him.

He swallowed the hurt, all of his emotions felt so much stronger now that he’d lost them for two years. If he has reactions like he’d had before he knows his mom will put him back on the medication.

The town is small and everyone talks. He knows about the dog walker’s poop flinging scandal, he knows about how the butcher’s left pinky got put back on wrong when he’d cut it off, he knows that the kid down the street paid $40 for a bag of oregano that he thought was weed, he knows that lil susie is in counseling because a girl should probably not be establishing cult rituals around her barbies.

He can’t react, can’t let people know he’s dying from anxiety because his math teacher sighs when he hands over his test. Can’t let anyone know that he has to put his head between his legs and take deep breaths before he can go into the cafeteria. His only solace is that all of the foreign language teachers love him, it’s easier to accept a compliment or comment in a language his family doesn’t use.

His step family treat him like the guards outside of Buckingham. Anything for a reaction y’know? He tells himself he does not care and for the most part he doesn’t.

He signs up for Exy in middle school because he just wanted something to do and it was the sport that had the same meeting days as his grandma’s bowling league. She picks him up from practice and they get ice cream together afterwards, she’s the only thing he has since Great Gran passed not too long after he got free of the medication.

He still feels her fingers checking behind his ears on occasion, a joke now that he’s off his meds referencing when he was too zoned out to care about hygiene. He still remembers her looking at him and feeling like she was seeing more than just him, “You’re a Smith. The last one when me and my daughter go. We’ll all be with you whenever you need us.” She promises.

He thinks it’s just respectful to get her favorite scent when he needs her help. He was raised to be respectful. Lavender still makes him think of her and he hopes his grandma left some on her grave recently.

He knew he’d have to wait to go to college. His mom is putting on the pressure now that he’s 18 saying he will have to pay rent even though Greg is older and definitely isn’t. He plays Exy and thinks about how he’ll handle his life between 18 and 25, he puts all his anxiety into the game and maybe the coach notices something.

He must have noticed something.

The Foxes don’t offer positions to kids who don’t have something going wrong for them.

Coach Wymack and Dan Wilds wouldn’t be there in his little bum fuck nowhere town in Washington if his coach hadn’t sent a tape and an explanation.

He could admit that he knew about the Foxes. He looked up to the vice captain a fair bit not just for his game but also…well the Butcher was national news. Vice Captain Neil’s story was all over the news and maybe he was just a little bit in awe of someone who could stand his ground after all of that. Watching Vice Captain Neil Josten give shit to every last reporter who gave him any shit? Inspiring.

He just didn’t think it’d be a good fit for him.

He’s not like the rest of the Foxes. Dan talks about them all in broad terms, how they’re all fighting to become something and grow beyond the unfairness that was out of their control. FF is tough to convince but he’s a pretty good defensive dealer, Dan and Coach Wymack both want him.

Dan eventually has to go because she has an interview for a coaching position out this way but Coach Wymack just hands over the rental car keys and Coach Wymack stays.

Coach Wymack stays and they keep talking. FF talks about everything and Wymack eventually just says “Well, you’re still here despite all of that aren’t you? Sounds like a fighter to me. I think you’ve got what it takes to carry that weight with some help and I can promise that you won’t have to deal with those jerks past your high school graduation. You’re not going to be the first Fox who I help out from under some asshole parents and you won’t be the last.”

So he signs a contract, he’s 18 he can do that AND buy cigarettes now (he won’t. That’s how Gran lost gramps when dad was still young but he COULD. Much like he COULD go into the town’s only sex toy shop but that would be back to his grandma faster than the cigarette purchase to be honest and he isn’t THAT interested in what’s in there.)

He finishes up school but the assistant coach is a friend of his step dad and mentions that he’s signed to the Foxes. It’s just one week between his graduation and when Coach Wymack is coming to grab him

Suddenly he exists in his house for the first time since they all moved into it after the wedding and it’s the WORST. The want things, they want promises, they want assurances, they want to pretend and act like he’s always been there.

He flees to his Grandma’s house and texts Coach Wymack asking if there’s ANY chance he can get picked up early because he doesn’t know if he’ll be able to talk if he calls the man.

Coach Wymack comes for him and shoulders him past his ‘family’ to the rental car but the panic attack he sees in the car ride to the airport when his family’s car follows them all the way to the rental drop off means that he HAS to see Betsy.

Betsy is nice. Betsy teaches him how to breathe through stuff. Betsy teaches him how to ground himself in reality. Betsy tells him that the Starbucks girl probably doesn’t hate him. Betsy suggests he get on some medication.

He said No.

He’s scared out of his MIND in Palmetto but it’s better than-

He prefers to feel things.

Betsy tells him that it shouldn’t have been like that. His mother should have taken him back and gotten his prescription adjusted until it wasn’t like that.

He still declines.

Andrew gets suspicious about him knowing Russian after that game of Never Have I Ever and Nicky keeps almost letting it spill right by him. His stomach hurts the CVS girl keeps pepto for him behind the counter.

He still declines.

He prefers to feel things.

You can’t enjoy the thrill of a 100% on a Kanji Basics midterms without the anxiety of the Oral presentation. You can’t feel the true satisfaction of getting a blender for 25% off + 50 dollars of in-store credit without the flop-sweat of the searching eyes of a woman wearing PINK branded lounge wear. You can’t keep friends if you have no ability to empathize with them even if you’re worried you’re annoying them or ‘humble bragging’.

Fear is better.

Betsy tells him if he’s ever ready then she will help him. His Gran tells him she loves him. Nicky says “Look there’s a strain called White Russian. That’d be funny right?!”and FF agrees but declines to sample it.

Right now, as Nicky smudges eyeliner under his eyes and tugs at his shirt for the 80th time, he thinks it might actually be better to feel nothing.

He’d woken up from his…nap? He might have fainted actually? But he did it on a bed and it lasted for like 4 hours? So does that count as a nap? He wants to ask but also doesn’t want to worry anyone, maybe he could ask Aaron that if a Friend faints and doesn’t wake up for four hours is that a nap or a medical emergency? Just curious.

When he had emerged from Nicky’s room Captain Neil and Andrew had herded them all into the Maserati and they’d gone out and gotten McDonald’s for a late lunch. The only comment he had gotten when he’d asked for a happy meal (his stomach could not handle anything more) was whether or not he wanted the toy.

“Yes.” He answered panicked at the sudden question.

He got his Megamind toy, accidentally shone it into Aaron’s eyes when he pushed a button. “Shit that’s bright” before he apologized and shoved it in his jacket pocket.

They hung out at the house for the rest of the day.

They watched movies, played Mario Kart (how is Captain Neil this bad when his reflexes on the court are so good?) and did some homework. Andrew seemed to actually like the brownies which is why FF probably woke up from his... still haven’t asked Aaron if it’s a nap or a medical emergency.

He has a square and even at room temperature they taste great.

When it started to get dark they all went to go get ready. FF had gone to get whatever clothes Nicky had prepared on but had found himself sat on the man’s bed (so much glitter, seriously how can one bed have so much of it?) and Nicky holding a pencil to his eye and telling HIM not to flinch.

“Gonna have all the….” Nicky pauses and adopts a look on his face that means that he’s thinking incredibly hard about something. “Wait how have we been friends for MONTHS and I have no idea how you swing?” FF is caught off guard for a few moments because it’s the first time that Nicky has verbally confirmed that they are, in fact, friends and…

Wow.

That’s so nice.

He thought it was just Nicky’s innate inability to leave something to suffer needlessly that had the upperclassmen helping him. (FF has watched Nicky go out of his way to give cats food, turn turtles back onto their stomachs, and walk into traffic to stop cars so that a duck family could make it to a pond. He just sort of figured he was the same level of pathetic)

Wait.

What.

“Wait, what?”

“How do you swing?” Nicky repeats.

FF knows what he means but doesn’t want to. “With my left hand.” He responds and hopes Nicky drops it because the long and short answer is: he doesn’t know. He has no idea.

“Ohh dirty!” Nicky makes a jacking off motion with his left hand and FF feels embarrassed sweat cover his body, “NO! Don’t ruin my work!” Nicky yells fanning him with his hands so the eyeliner doesn’t run. “You know what I mean Smithy. Swing for girls, boys, both, neither? What am I working with here?” He asks wiping at FF’s cheek.

“I don’t…know.” He admits because deflecting is OBVIOUSLY not his strong suit. Twice in a row it’s brought up weird sex stuff.

“C’mon don’t be embarrassed. Even if you’re straight you’re obviously an Ally.” Nicky smiles.

“No it’s not…” he flushes okay he is embarrassed but that’s because he REALLY doesn’t know. Like how the hell did he get to college and have ZERO idea about what he’s attracted to or if he’s just not attracted to anyone? He’d been focused on not screaming for the last decade and that hadn’t really left a lot of room to consider how anyone looked. He’s getting used to having friends and three whole group chats (he’s bad at responding to them, overwhelmed by the idea that whatever he says can be revisited and picked apart forever but still, THREE!)

“I really have no idea.” He repeats.

Nicky blinks at him. “Okay well, college can be all about figuring that out then! No worries my sweet boy, we will figure this out.” Nicky pats his cheek.

He feels a little better.

“Alright, let’s go to Eden’s!”

Oh fuck that’s right.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

Per your requests:

@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lilyndra @themugglemudperson @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo @next-level-mess @youreonlylow @interstellarfig @notprocrastinatingatalltoday @percyjacksonfan3 @queenofcrazy27 @bsmr261 @ghostlyscares @spencellio @adinthedarkroom @harpymoth @sufferingjustalilbit @anxietymoss @oddgreyhound

The requests to be added to the tag list got spread out across a few different mediums on this one so if I missed you then just ask in the replies!

As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?

#Fluent Freshman AU #Turns out I couldn't wait to write about Dan and Wymack coming out to recruit FF #So I used them as a means to talk about some other shit #And transition back to Thanksgiving Break #In the end no matter how silly he is #FF is a Fox #He's a Fox with all that implies #I'll touch more on his full past later but here's a lil taste #A lil angst as a TREAT #After all the sugar you need some bitterness #Could he really be a blorbo without it?#FF in the car on the way to Sweetie's: Hey so like random question here Aaron but what's the turn around time on fainting?#Aaron: the turn around time?#FF: Yeah like how long does it usually take for someone to wake up after they faint?#Aaron: Like 20 seconds #FF: So like four hours is abnormal #Aaron: 20 minutes is abnormal. Four hours is a medical emergency. WHY?#FF: Asking for a friend.#Aaron: That friend should be in the hospital #FF: Oh he probably will be later #I don't know if I'm gonna write them actually hanging out at Sweeties in their club outfits #I think the implied OH GOD I'M NOT DRESSED RIGHT that FF would feel is so obvious #But hey time to see who reads the tags #What flavor do you think FF would get for ice cream?#AFTG #AFTG OC #AFTG AU #AFTG Fic #FF - Pt. 15

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good-to-drive · 2 months ago

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Abuse, Silence, And Why Kevin Can Fuck Himself

I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture.

Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse.

It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity.

It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore.

I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving.

One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.

The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.

There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives.

As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence.

Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.

And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away.

Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).

The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need.

What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence.

In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.”

It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied.

Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.

In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work.

It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.

When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity.

It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).

If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?

Nothing. At least, not for people whose narrative must exist at the expense of another.

And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.

Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far.

But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.

#this is probably the most egregious 'post that no one asked for' that I've ever written #but man this show HIT me y'all #and then I went back and reread parts of disgrace and that hit me too #it also made me reconsider my online presence and how I myself engage with narrative in the very small little world I'm a part of #I caught some shit a while ago and made a conscious decision to never comment on the narrative around the beatles #and to be clear I was just talking about a general narrative in society at large I wasn't bringing up anything specific or attacking people #more how larger social narratives filter into and sometimes come to define individual stories #but it was upsetting to people and I figured instead I can just try to express a compassionate perspective on the mentally ill myself #but now I wonder if I've gone too far #idk without naming any names I'm getting unblocked by people who should definitely still find my mindset intolerable to their worldview #and I don't blame them because we all have reasons for the things we believe and we're all just doing our best #but it's a canary in the coal mine #it makes me think I've become so focused on not ruffling feathers that I'm tacitly approving some disturbing beliefs #and I think I could have happily ignored that if I hadn't just watched this show #posts that no one asked for #kevin can fuck himself #kevin can f*** himself #op #longer rambles

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