#but i can say that's not the normal or average experience

[beatlblog]

#i'm crying this is so funny#we love terry (via @sour-milk-sea)

#harrisong: the sun is so beautiful. has anyone ever noticed this (via @tweeterwilbury)

#men are so strange and delusional.....#just tweet im sad that i wasn't able to suck john lennon's dick and log out#it's quicker (via @mylonghairedladyy)

#there's a reason that their post-beatles work is like... imagine for john and freaking... magneto and titanium man for paul... (via @skyriderwednesday)

#arnie pipe is a normal type with an average job but his prospects never will be great#(lyrics say arnie pupe but you cannot tell me that's true. it's pipe) (via @leapinarmadillo)

#hey Ringo just makes cute songs okay (via @milesaerach)

#idk how to admit this but i really like McCartney's solo work because its exactly like this all the time forever#except sometimes there's something so good it could be in the sounstrack of tarzan out of nowhere#and then we go back to insanity (via @dubiousdisco)

#George song: messing around on a sitar#Ringo song: bad (via @baking-bisexual-bitch)

#transition from happiness is a warm gun to martha my dear (via @guttermeat)

#lennon's song ends with a declaration of wanting to kill his wife#mccartney's song ends with terry the plumber killing his wife (via @lumeninfusco)

#george song: n/a (not allowed on the album) (via @thisisdefinitelyausername)

#weed vs coke (via @barryallenisbisexual)

#but that was pre-psychedelic Beatles (via @elglin)

#john if he wrote fixing a hole#paul if he wrote working class hero (via @the-bluebird-you-need)

#(they're both saying the same thing) (via @ensign-babey)

#george: i get one song per album#ringo: ringo (via @hebrideanmoon)

#I see them both as two little guys hitting pots and pans#but in different ways (via @tenitchyfingers)

#lol welcome to 1971 (via @cirumlocutoryconlanger)

#also the difference between alex kapranos and nick mccarthy#alex = john#nick = paul#more at ten. (via @dandy-lad)

#stop I saw this as I was literally listening to the beatles and texting my sister about how insane their range was#the range in question lmaooo (via @fortressofbooks)

#and both songs are about being gay#so yeah (via @aint-that-kind-of-blog-bruv)

#WHERE'S GEORGE (via @local-vamp)

#both could be a springsteen song (via @melody1971)

written while gazing t the photos of john + elvis on his dressing room wall

#almost accurate#add *pipe clanking sounds* (via @gojisaurus)

#i thought it said 'helovespipesshelovespipes' at first and i was like#wow so true...he would change up the pronounce like that. which could mean nothing (via @igixri)

#monkberry moon delight my BELOVED#his three songs are: 1) the Pipe Man. 2) i love my wife. 3) i miss my soulmate john (via @rubyrubyrubytuesday)

The way the lyrics talk to eachother somehow is so more funny to me (via @starfayy)

#and both songs would be mclennon coded (via @flowersintheram)

#why philosophize when you can narrate (via @alienoriana)

#but it's not homoerotic he swears (via @unchaineddaisychain)

#mccartney's song has a key signature change but lennon's song has a time signature change (via @britneyshakespeare)

#theylovepipedream#音楽 (via @radio-4-is-static)

#is this a fixing a hole reference or a pipes of peace reference#only real ones know pipes of peace (via @whoscruffylooking)

#ok but they’d be in the same song A Day in the Life style#and it’d slap!!!!! (via @tesho-travels)

hate hate hate it

#and theyre both the same song (via @onlylivingboything)

#average beatles on shuffle experience (via @veryhopefulromantic)

#im choosing to understand this (via @hell-nurse)

#I can hear this#he loves pipe she loves pipe#can it be one song tho#I think it’d fuck (via @bugsinnmybrain)

#McCartney said shut up and go to therapy Johnny (via @imoldbutimstillintothat)

#need one of those tumblr musicians to make audio for this post (via @mousefluff)

#the best Beatles text posts are the ones you can hear by reading them (via @thatdogjokes)

#the realest shit#my mom always says John & Paul needed each other for balance bc paul is too whimsical & John is too angsty lol (via @theinconstantmoon)

#pauls whimsey he loves to write songs that would work in a childrens tv show (via @lostcryptids)

#a day in the life verses (via @thefoolsprocession)

and that's why i hate it

#uh oh the pipe is leaking#terry is gonna be weak (via @masterboa)

fifth beatle song: its ok to leave a dog in a hot car (hot car) its ok to leave a dog in a hot car (ooh oooh oh) (via @trashfartofficial)

#this is not accurate at all#lennon lyrics aren't like that there is nothing beatlesque about it#his lyrics are cryptic in a completely different way that's more cartoonish and sarcastic#or if he is serious its not black sabbath shit like this its more just preachy and kinda annoying#mccartney on the other hand... yeah that's about right (via @possessesnightshift)

#and the source of the leak is an issue with the pipes that terry the plumber can fix and it all comes full circle#or something. idk i’m not a beatles fan (via @driftwooddestiel)

no this is accurate

#where would prog be without those “helovespipeshelovespipeshelovespipes” changes (via @despairdoodlesreal)

#PRECISO (via @affogonellamarmellata)#its the same song#they worked on it together (via @airlocksandaviaries)

john was just a huge edgelord but paul knew how to be whimsical and fun (via @herecomesthemod)

#get you a man who can piss off all his band mates with 'faggy bullshit' (quote a la Harrison) AND write Blackbird (via @transwolvie)

#ay no puedo (via @longlivetai)

#meanwhile ringo singing about ocean life (via @penthesileas)

[draconym]

Thank you for the post about your parrot combining words to refer to specific foods! I always love reading stories about things they say, so so fascinating. Do you have any other examples of combined words or maybe just an interesting anecdote about bird language for someone who’s never looked at your blog before?

Oh, sure. I first read about Lexical Elision in The Alex Studies, and later Alex and Me, about Dr. Pepperberg's "Avian Language EXperiment." Alex famously described apples as "banerry" (banana + cherry) when he first encountered them, possibly because they were pale inside like a banana, but round and red like a cherry--both of which words he already knew.

I guess the thing that's hard about this question is that I have normalized so many things about living with a talking parrot that I think are, for the average person, deeply abnormal. Every morning when I come downstairs he requests various foods from me (most days it's carrot, peanut, berry) and then lobbies for me to let him out by saying "Ripley wanna come out" in various different intonations. When he sees me linger by the door or put on a jacket, he says "bye," often adding, "see you later."

A lot of people think that parrots memorize phrases atomically, as in, if you teach a parrot to say "Polly wanna cracker," it may understand that making those sounds in that order results in a cracker, but it will not mean that a bird understands that its name is "Polly," that it "wanna" something, and that "cracker" is the desired food.

To an extent, this is true. If you teach a parrot a phrase in a vacuum it will never be able to deconstruct it. But most captive parrots capable of language and mimicry are exposed to the daily conversation of the humans around them, and are also inherently prone to making word salad out of whatever they hear. This is fun for them. So Polly will probably eventually learn that Polly is their name, that "wanna" can precede many different desirable things, and that "cracker" is the most important part of that sentence and the most efficient way to demand it.

Ripley loves making new sentences. He says silly sounding things all the time like "Ripley wanna chair" or "gonna watch kitchen" because he enjoys playing with words like Legos. But my favorite Ripleyism is when he says "you're so (random word)." Originally this was "you're so silly" or "you're so nice," which we do say to him pretty often. His favorite compliment is "you're so bird."

I recommend my Ripley Parrot tag if you're interested in Ripley Stories. I also highly recommend reading stories about parrots over living with a parrot.

[comas-are-for-sleeping]

my mom doesn’t think im autistic and then i write shit like, “yeah i look for patterns in my life but for some reason socializing and people never fit? why cant i apply other knowledge to being a person with other people”

[groffledongle]

I wanted to peer review this. From what I can find typical human ejaculate volume is somewhere between 1.25-5mL, the average being 3.4mL. The studies I could find on Western lowland gorilla ejaculate volumes put the range between 0.10-1.85mL, for simplicity’s sake lets average this to 1.0mL. However, these gorilla figures were collected through electroejaculation, which usually results in a smaller yield. A paper I’m not paying to access probably says this volume is somewhere between 1.0-2.6mL. We’ll average this to 1.8mL average human electroejaculate yield. So, if this difference is the same for gorillas, we can expect a natural gorilla ejaculation to be ~1.89x higher than an electrically stimulated one. Which means a natural gorilla ejaculation would be around 1.89mL.

HOWEVER, Kong is much larger than other members of his species. So it’s safe to assume his semen output would be higher too. For the sake of funny big cum number and character consistency we’ll put him at the higher range of gorilla emissions, so that’s 1.85mL x 1.89 which means his normal gorilla ejaculate volume would be 3.4mL.

As of 2024 King Kong weighs 180,720,000lbs (90,630 tons), the heaviest recorded wild male Western Lowland Gorilla weighed 589lbs. Which means Kong is 306,825.13x larger than this gorilla. So, assuming ejaculate volume would scale directly with size, king kong’s output would be around 1,043,205.43mL or 275.59 gallons.

This is not at all my area of expertise, I only have lab experience with pig semen collection and I don’t have a lot of data to go on so please feel free to correct any mistakes I might’ve made or provide your own insights!

[noodleos]

i see cis women on twitter all the time talking abt how their period causes their mental state to change drastically or how theyre nonfunctional for half the month bcs of their cycle and their ability to think and reason is affected extremely and like.

thats not normal. i cant believe were talking abt that like its normal. many many ppl with periods Do Not Experience that and if this is your experience you should Go To A Doctor and not just accept it as how life is

[bohemiandeer]

You know what hits me hard? When 5 to 6 year old children, all the way in Southeast Asia, knows about what's happening in Palestine right now. That children their age is getting bombed, that they're starving to death, that they're getting shot at, and sniped in the head. Because, just this past 2 or so months, I heard some of the little ones in the Kindergarten classes I'm TAing in as an Intern talk about it. Hell, one of the little boys downright said he didn't like Israel, because Israel is bad, because they do scary things. Another was questioning whether Palestine was bad too, because, "why else would they shooting at them?". A little girl in one of my classes doesn't want to finish her food at all, because she wants to save at least half her meat and rice for kids in Palestine, because she heard that, they don't have food. And that's just the ones I remember. Namely the inciting cases before their classmates slowly follow suit. The littles are fricking SCARED. We had to sit these kids down, and tell them that the topic is too mature for them at the moment, that they shouldn't even be concerned because they're KINDERGARTNERS, they're not even old enough to properly understand. The one teacher I was TAing for had to make a class announcement saying that. What gets me is, these are 5 to 6 year olds, the youngest I've worked with in this specific age group is 4. 5 years old on average, and they've already been exposed to the worst horrors genocide has to offer through the news and snippets of conversation among adults and hell, considering how many of them say they like to play games on Mama's phone, or their IPad, even from fricking social media. And the fact that, these literal babies, from all the way in Cambodia, has more empathy in their entire body and soul, than full grown fricking adults have in the nail of their pinky finger, gets me. FFS we as adults could LEARN from them I feel sometimes. I honestly don't know what to feel about it anymore. On the one hand, this is the next generation I'm working with. And if the next generation's default response to a tragedy such as Palestine, is what I've seen come up on occasion so far? Perhaps there's some bloody hope for this world after all. At least in this country. Especially since a majority of them already come from families who survived a genocide. These are the 3rd - 4th generation descendants of those who survived the Khmer Rouge. They've got grandparents at home, who no doubt are more than intimately familiar with what Palestine is going through right now. And it shows.

But on the other, it makes my heart sink because these are CHILDREN, these are LITTLE KIDS, they should be playing with their toys and watching cartoons and talking to their friends about everything from Spiderman to Speakerman to Kuromi and her friends, and be worried about whether or not they can go to playground that day, guranteed they're well behaved, or if Mama remembered to pack in their costume for swimming lessons that week. NOT JUST MY KIDS. But the little ones in Palestine too. They deserve better. They all deserve, so much better. Hell, it's come to the point that whenever I look at my kiddos right now, whether they'd be working in class, playing, doing something as mundane as eating lunch or getting ready for their nap. I think of the children their age in Palestine that didn't even get the chance to survive. I think of the ones whose memories from this age, is nothing but absolute horror and pain, rather than what has slowly become my normal, who never got to experience what my littles do on a daily basis right now.

Children shouldn't even be concerned about "War", about a Genocide. The last thing that should be on a 5 year old's mind, is pain, and suffering, and the worst horrors imaginable ever to be inflicted on a human being. ESPECIALLY WHEN IT'S INFLICTED, ON OTHER CHILDREN THEIR AGE. And for that alone, the world has failed them. Especially the kids in Palestine who didn't ask for any of this. They just wanted to carry on with life as kids do, the same way as my littles do on a daily basis no doubt, learning, playing, chatting with friends over their favourite cartoons and characters, worrying about whether they'd get to go to the playground or not that day.

I apologize for talking about this on this blog. I know my blog tends to be lighter in feel, a lot more unhinged and light hearted typically. I mean, I'm just a fricking nerd who likes to draw and write, and lurk about her favourite fandoms to consume and support what is shared among other nerds who also like to draw and write. But I couldn't stop thinking about it. About contemplating it, especially since I'll be back on a roll tomorrow, working with my kiddos again after not seeing them for 5 days straight because of Holidays. And, I just had to talk about it. This is something I felt I couldn't keep to myself this time, I don't think my soul'd be able to carry it. I had to talk about it.

FREE PALESTINE. Our children deserve better.

[cheapshrimpysheep]

Yuu Needs a Hug 1

SUMMARY: What their comforting hugs are like when you're feeling sad or under the weather? And how would they behave if you started crying in their arms?

CHARACTERS: Heartslabyul (Riddle, Ace; Deuce; Cater; Trey); Savanaclaw (Leona; Jack; Ruggie) & Octavinelle (Azul; Jade; Floyd)

TAGS: Fluff; GN Reader; Comfort; Bullet Points; In a Relationship

WORD COUNT: An average of 280 words per character.

COMMENTS: When I feel a little sad and under the weather, I often imagine these things to help me fall asleep. I thought you might like them too. 😘

Yuu Needs a Hug 2 (Scarabia / Pomefiore / Ignihyde / Diasomnia)

CONTEXT: They are already in a relationship with you.

All of Riddle’s hugs happen in private, and comfort hugs are far from the exception.

If he is in his dorm uniform, a very characteristic hug from him is using the cape to cover you like a blanket and as a sign of protection. With his left arm around you.

His most common hugs are the ones where he hugs you with one arm while continuing his duties with the other, like homework, or some dorm-related paperwork. And with the hand that hugs you, absently caressing your back or head.

If you are really feeling very under the blue, he will occasionally kiss your forehead.

He's not the type to hug you tight. His arms will generally be very relaxed and loose around you, as if resting. For someone who is always so uptight and strict, that means a lot.

If you happen to be so depressed to the point of crying, then yes, all his attention goes to you immediately and his hug tightens. One arm around your waist and the other on your head, encouraging you to cry all you need on his shoulder.

He will be extremely understanding and act calmly as he knows, and shows you, that it is a normal thing and that he knows it will pass, that you will be fine because he will always be there for you. He himself knows from experience how crying can do a person good, and you were always there for him at those times.

And when you feel better, he will wipe your tears with his handkerchief (I'm sure he carries one somewhere in his clothes) and kiss your forehead with a sweet and reassuring smile.

Ace will gladly give you all the hugs you want. But he will always tease you saying that he wants something in return for every hug. But if you're really sad, he'll say he was joking.

If you really want hugs to make you feel better you'll have to ask in private, because in public he only gives you those more relaxed and playful hugs.

He can give you hugs standing up, but the ones he likes most are the ones when you're both lying on the couch. He likes to have you on top of him with your head against his chest and both of his arms around you, or to lie on his side between you and the back of the couch with one hand supporting his head and the other arm on top of you.

His main strategy to make you feel better is to talk about things that distract you. Generally silly things to tease you or make you laugh.

If you happen to be so depressed to the point of crying, he will panic a little and try to find out if it was something he said. After that, he will stop the jokes and hug you tighter and kiss your forehead.

He will be quieter than usual until your crying stops and only then will he return to his normal self.

Deuce will be slightly awkward at first. This is most likely the first time someone has asked him for a hug as a form of comfort. And since he doesn't have much experience with hugs either, he's afraid of messing it up.

He will start by hugging you standing up. You will feel his arms feel more comfortable around you as you explain to him that there is no way he could do that wrong. There is no therapeutic technique, he just needs to act as he feels he should.

If you are on the couch you will be sitting side by side. Your head on his shoulder, one of his arms around you, and the other he always not knowing what to do with it.

It will take a long time for him to have confidence in his comforting hugs because he knows that he is not the type of person who knows how to comfort others, much less physically. But he will always try his best for you.

If you happen to be so depressed to the point of crying, he will panic a little and, if he only had one arm around you, he'll quickly put the other one around you too. And he will hug you like you are in danger.

Maybe you will calm down by trying to calm him down and you'll both end up laughing about it.

Cater is the #best hugger! And as he is a person who likes to show affection, it doesn't matter if you two are alone or in public, he will give you all the hugs you need regardless.

Get ready for him to talk in that cute little voice like someone talking to a child. Not that he sees you as one, but he likes to talk and act cute.

And that's why his comfort hugs are also very cute, like someone hugging a teddy bear. He also gives you lots of kisses on your forehead and cheeks while hugging you.

Although he speaks in a cute way, he doesn't do it in a way that seems like he's minimizing your feelings, but rather in a way that tries to show that everything will be okay, that whatever it is will pass.

He can do this whether the two of you are standing together or if you are sitting on a couch. But in this last option, he will be so close to you that the most comfortable way for you to sit together is with you on his lap.

If you happen to be so depressed to the point of crying, he won't change the way he's acting, as if knowing he was doing everything right and you crying was a good sign and an important part of you feeling better in the end.

When your crying calms down or stops, he will smile at you, wipe the tears from your cheeks with his thumbs and say phrases like "Are you feeling better?" and "Everything will be okay."

In the case of hugging you to make you feel better, Trey has no problem doing it in public if you need to. And he also reacts to your request as naturally as he would if you asked him to make you a sweet dessert.

You might even be surprised by how naturally he hugs you and the way he rubs his hands comfortingly on your back, if you didn't remember that he has younger siblings and probably has some experience comforting them.

He smiles and laughs softly the whole time, as if he finds your attitude cute.

He can do this standing up or, if you are sitting on a couch, sitting next to you. But only if you are alone will he let you sit on his lap.

The relaxed way he comforts you is almost parental, it must be that older brother side of him.

If you happen to be so depressed to the point of crying, he may become a little more serious, but he will always act calmly and comes across as having everything under control. One of his hands will also come from your back to the back of your head.

Once your crying calms down or even stops, he will wipe your tears either with a handkerchief he has or with his own blazer or shirt. He will smile at you, showing that everything is fine and ask if you would like one of his sweets to make you feel better.

Leona cares so much about being seen hugging you publicly that the botanical garden became your spot to take naps together as unbothered as a lion in the middle of savannah. He always wants you to be his pillow, whether it's your thighs or your chest. BUT showing genuine affection is only in private.

He had already noticed that you were sadder than usual, but you were the one who had to ask him for a hug, he was too proud to offer you one non-ironically.

He will open his arms and smile smugly, but he won't be the one to initiate the hug. If you want it, you have to take it.

But as soon as you do, he'll wrap you in a surprisingly affectionate hug. If you're lying down like when he takes a nap with you, his hands will encourage you to come closer and lay your head on his chest. You've just discovered the only way you can reverse your usual roles.

If you happen to be so depressed to the point of crying, he will remain calm and surprise you again. He'll start giving you soft kisses on your face and forehead, the equivalent of when felines lick each other's ears as a show of affection.

His tranquility can be contagious, especially because the calm beat of his heart is a reassuring sound.

Only when he is sure that your crying has stopped and you are better will he speak again: *sigh* “You just give me work, herbivore. I just hope you at least thank me in some way.”

Jack only hugs you in private! And if he ever does it in public, it's because he somehow forgot that you were in public and will quickly break the hug.

He is the complete opposite in private, after all he can be like a puppy: extremely affectionate if he feels comfortable with you. So it was always very common for you to cuddle on the couch.

His comforting hug ends up not being much different from usual, perhaps just less enthusiastic and more delicate. He likes having you in his arms, but he likes having his face close to yours more.

If you're sitting, he won't have any problem letting you sit on his lap and lay your head on his shoulder. He won't take his arms from around you, nor stop kissing your forehead and cheeks softly and affectionately. All his attention is on you, and his main purpose at that moment is to dedicate himself to you.

If you happen to be so depressed to the point of crying, he will hug you tighter and the small and calm kisses will turn into love attacks on your face. Do you know when service dogs jump at their owner when they are having a panic attack, for example? It's something like that he's doing, without fully realizing it. Ok, maybe just not as intensely as service dogs do, but with a lot of affection.

This gesture will most likely make you laugh and start telling him you're okay so he can calm down. Which will make you calm yourself down as a result.

Ruggie doesn't really care if you're in public or not, he'll hug you regardless. And there's the bonus that when he hugs you in public, it's like marking territory and warning others.

He loves being cute and affectionate with you because he loves you being cute and affectionate with him back. He often does for you what he knows you would do for him. And a comforting hug is no different.

He will always tease with you a little at the beginning. "Aww, you want one of my special hugs? That’s so cute. But remember they are expensive, okay? You have to reward me later as a thanks.” He says this in a good mood that tries to put you at ease.

He will open his arms for you to hug him first and he will hold you in his embrace. He will be smiling playfully the whole time because he thinks it's funny how you can be so cute. And he will kiss your forehead with that same smile.

If you happen to be so depressed to the point of crying, his smile will fade. It was too serious for him to treat you with humor. He will tighten the hug and start saying sweet, soothing things in your ear like: "hey, don't worry. I'm sure everything will be fine."

When your crying calms down or even stops, he will smile at you again and say that it all made him hungry. What if you two went to eat something? Maybe, just maybe, he'll share some of his food with you if it's something you really like. But DO NOT get used to it!

ONLY when you are alone, in the VIP Room, Azul likes it when you sit on his lap while he does the Mostro Lounge’s paperwork. It's a healthy balance between the stress of business and the pleasure of having you in his arms.

The only two exceptions to the rule that he doesn't like others seeing you two like this are Jade and Floyd. Why? Because he likes to brag to them about having you all to himself. ("By all means, cry about it.")

He will hug you like he always does when you two are in the VIP Room. One arm around your waist, surprisingly firm, and the other on the papers. His attention is divided between reading and signing the contracts and turning to give you sweet kisses on your face and/or, if you allow it, on your neck.

If he feels you hugging him in a more clingy way than usual, he will comment in a soft voice: “You know, if I could be in my merman form, I'd let my tentacles do the paperwork and give you all the attention of my arms. The inconvenience of having two legs. No offense of course.” If this can get even a little giggle out of you, he'll be very happy.

If you happen to be so depressed to the point of crying, his right hand will immediately let go of the pen and join his left in hugging you. He hugs you so tight it's like you're trapped in his loving embrace. He is worried about you, but he does everything he can to not show himself too worried.

“Just never forget that if there is anything I can do, you can ask. Anything. I will solve any problem for you... just for you...”

When your crying calms down or even stops, he will wipe your tears with a handkerchief and give you a pack of tissues. And when you're better, he'll give you one of his most tender kisses on your cheek.

Jade doesn't like to draw attention, he prefers to observe others than to be observed. That's why his hugs are private, especially those comfort ones that you are asking for.

“You know you can open up to me whenever you need to, but keep doing it only when we're alone, okay? You never know who might be watching you looking for a weakne- I mean, a sensitive moment to use against you, my love.”

He's not much of a hugger in general, so all of his hugs end up being special. And since you're alone, he has no problem having you sit on his lap if you want.

His arms and hands are premeditatedly affectionate and attentive to you, as if he knew exactly how you liked to be hugged at that specific moment and he fulfilled these requirements to the letter. If there's one thing he knows how to do in a frighteningly perfect way, it's how to study and please others. And you are his biggest study interest.

Whatever you wanted him to do, he will know and do it. The way you want him to hug you, whether you want kisses or not, and how you want them.

If you happen to be so depressed to the point of crying, you will feel him, in a way, disappointed. With you or with himself, you don't know. “What is the mater? Did I not predict your desires correctly? It seems like I still have a lot to learn about you. How exciting.” He will kiss your forehead and let you cry on his shoulder.

He'll probably compare your crying to Azul's, making fun of him in that passive-aggressive way he does, and end up making you laugh.

When your crying calms down or even stops, he'll help clean your face and suggest that you two go to the Mostro Lounge, where he can prepare your favorite dish to make you feel better if you want. For free? Hmm... he can think about it.

Floyd can be VERY clingy. He loves to hug you, especially in public. Whether he’s in a good mood or not. Which means that, as he hugs you a lot, he also has many different types of hugs.

The vast majority of his hugs are to satisfy him, but they end up satisfying you too. Don't worry, he never squeezed you. He jokes that he will do it, but never actually does.

No matter what mood he's in, he never refuses to give you a comforting hug. For 3 main reasons: 1st  an Octavinelle student never refuses someone's request for help. 2nd He thinks you're so absolutely cute asking him for a hug! It even makes him smile if he's in a bad mood. And 3rd You always give him the hugs he needs, it's only fair (even in terms of a deal) that he does the same for you.

He'll hug you, but he'll do what he wants in the meantime. Playing with your hair, resting his head on yours, swinging his legs if you are sitting down. And if you are, he will make you sit on his lap, it’s easier and more comfortable to hug you like this. He will probably also say silly things to pass the time or try to make you laugh.

If you happen to be so depressed to the point of crying, he will immediately shut up and if he was swinging his legs he will immediately stop too. He will straighten up, even if your head is resting on his chest. “You'll wash my clothes if you get them dirty, right Koebi-chan~?” He says this while stroking your head.

Even though he likes to provoke others, he has a perfect sense of limits, he just tends to ignore them most of the time. But it's different with you and that situation too.

When your crying stops, he will make you look at him, as if to check that the crying has stopped. If he confirms it, he will smile at you: "Is it over yet? YAY~! Can we make something fun now?”

If you would like to read more from me, you can find it in my pinned post: INDEX

[skiagraphe0]

The correct response to that anon is to say, "It's really awful that you view lesbians as so far removed from the average, everyday human experience that only they can write F/F. I personally view lesbians as people just like anyone else, and therefore think anyone can write them, as they are relatable people and not radically different than you and I are. I hope you overcome your bigotry moving forward."

Seriously, I cannot think of a reason why someone shouldn't write F/F if they want to. My dad is cis, bi and married to a woman, but he ships Seven of Nine/Janeway from Star Trek Voyager because "they would make sense together" and "they would be happy together". My mom is a cishet woman and she ships Elsa/Merida because "they wouldn't put pressure on each other to be something they're not, and that's what a good relationship is founded on". I'm a pansexual trans man and I ship Marinette/Kagami because I love these two, I want them to be happy, and I think they vibe well with each other. Are any of us doing anything that hurts lesbians when we have these thoughts? Are these thoughts actually damaging anyone's lives? If we were to write fic for these ships, would that take away from some lesbian's lived experience somewhere?

The reality is that reading queer romances when she was a teen opened my Deep Southern mom's eyes to the reality that queer people are people just like anyone else. The reality is that reading queer Star Trek fanfic unlocked for my dad the idea that bisexuality was an option that existed at all and he wasn't a confused gay man or a confused straight man. The reality is that my growing up thinking of this as normal is an extremely recent luxury and that for most of history, there's been so little accessible queer fiction for most people that this "you're the wrong sort of person, how dare you write this" attitude would've gotten you laughed out of the room in most eras. TV shows are still so regularly burying their out characters that any time they don't, people are hyped. You'll notice that they doesn't chastise each other, "don't be hyped about the happy ending, it wasn't written by a lesbian".

Lesbians are not alien entities, unknowable and unthinkable, impossible to fathom or to write unless you are one. They're people. You can write them, because you are also a person. You have the same kinds of day-to-day problems like communication, schedule management, budgets, etc. You have the same desires like for your annoying coworker to get off of your back, for your rent not to rise and for traffic not to suck, etc. Lesbians have the same debate in their head between 'I want to buy that' and 'I could make that cheaper myself at home' when looking at cookie dough or lasagna that we all do.

Honestly this kind of anon jackass that this anon is describing feels, to me, like they're probably fairly against F/F and lesbians specifically at that. You don't run around discouraging people from writing lesbians specifically and acting like they're eldritch creatures unless you've got some serious lesbophobia going on.

I’m sure february will be over by the time this posts but :{ I’m rlly frustrated by a trend in the miraculous ladybug fandom rn :{

Theres these two posters who are doing f/f events for february in the miraculous fandom. Ones an account who’s done a sfw “femslash february” every year for years. The account says nsfw is allowed but that account just wont share it. The other one is the poster who runs the miraculous kinkmeme. This year she made a special section for f/f prompts for femslash february.

Then in january someone started sending mean anons to people about the nsfw account saying the person wasn’t a lesbian. When the person running the sfw event replied to one and said that didn’t matter the anons started harassing anyone making f/f for the sfw event too. According to anon only lesbians get to make f/f.

I rlly hate it because even though miraculous is one of the biggest m/f ships on ao3 rn we have a great f/f fandom and I don’t want that to go anywhere because of this :{

--

[simpjaes]

BIG D*CK FOR DUMMIES (s.jy)

The one where you find out that your boyfriend has a huge cock and you’re not entirely sure if you can take all of it. 

MDNI!!! | pls leave feedback and reblog your fave writers!

PAIRING ― jaeyun x afab reader  

WORDCOUNT ― 2.4k

CONTENT ―  first time, established relationship, top jaeyun, painful sex

NOTE ― this was originally written for a different idol on my other blog [ncteez] but i pictured jake in that one en o’clock episode doing this and went feral so……here’s ur giant package. 

smut tags― he’s a little cocky (lmao), i guess you could say size kink but it’s more like huge cock / tiny pussy size kink, theres some crying, praising, reader gets off like almost instantly and becomes incredibly cock drunk the second he’s able to actually fuck

・・・・・・・・・・・・・・

Things you knew about your boyfriend before dating: he’s very protective, super smart, has good taste in music, his hands are big and warm, and he’s very down to earth.

Things you didn’t know about your boyfriend until after dating and he’s on top of you during a moody and rainy night makeout session: his cock is huge and it’s very intimidating.

One might ask, how could you have not known? Well, that’s easy. It’s a fairly new relationship and a very shy relationship at that. It’s a bit embarrassing for you, actually, because it’s not like you don’t want to be intimate with him. You definitely do, and apparently so does he. 

It’s the first time in the three weeks you’ve been dating that you’ve gotten to be completely alone with him in an intimate setting. For one, you live with your parents, and secondly, he lives with three other dudes who like to be all up in his business. It’s not exactly easy to get alone time with him. Thankfully, your parents are out on a five-day holiday somewhere in the Bahamas and you’re here on your family couch with Jaeyun’s hands cradling your neck as you kiss him. 

It got heated very fast, presumably because the two of you haven’t really had the privacy to do more than a standing makeout session without someone listening in, or worse, walking in. It almost makes the air feel electric now, kind of like a breath of fresh air except the fresh air tastes like the fruity chewing gum he had in his mouth when he originally came over.

Here’s the thing though, and man, it’s a thing. Looking at Jaeyun you’d think he’s average at best and you’re not really the type to go around guessing dick sizes.  So, naturally, when he slots a leg between yours as he got on top of you and you fucking felt it against your leg, you were a little more shocked than anticipated. Maybe he let out a little snide chuckle at your reaction too, you wouldn’t know, you were kind of busy wondering when he was going to let you in on the secret. 

Now, here you are deep in thought of how the hell that thing is going to fit anywhere while simultaneously one hundred percent willing to make it fit because god, does he know how to makeout and feel someone up. 

The more he kisses you, the more his hands roam, the more you experience intimate touches with him, the more you feel like your skin is on fire and replacing that intimidation with extreme arousal and lust. All the way until the point that the presumed makeout playlist starts over and he finally pushes a bit further with you.

“Is this okay?” He asks, now slotting himself entirely between your legs and essentially pressing his length directly against the pool that is threatening to seep through your fucking denim shorts. 

You give him a half nod, trying to pretend that he’s definitely a normal man with a normal cock. He smiles though, knowing full well that this isn’t what you were expecting. No one ever expects it from him. 

“You seem occupied,” he comments, pressing himself against you a little more and leaning down on his arms to nip at your lips. “or shocked, maybe?”

You try to kiss him to shut him up, not wanting to expose yourself for being entirely inexperienced with a size like his. 

“Hm?” He encourages you, pulling back again and looking directly into your eyes with a confident smirk. 

“Well,” you shift your eyes away and sigh out, “you’re kind of huge…” 

He takes that compliment and runs with it. It’s not like the two of you have to finally have sex or anything, but you both knew what was happening and you both definitely knew what the other wanted. At least ten minutes ago that was the situation.

“Is it too much?” He asks, this time a bit more concerned that his own biology could ruin this for you. 

“Probably? no, maybe?” 

Jaeyun pulls away from you, moving himself to sit back against the couch and give you your space. Considering probably and maybe isn’t a yes, he feels no need to push or pressure you into doing something you don’t want to do. There have been times where he’s hurt another person while being intimate, though not intentionally, he’s not exactly willing to do that to you unless you’re like, you know, jumping his bones for it. 

“Still, i’d like to try–” You start, looking at him as you sit up and feel your entire body tingle at the cold air that replaces his warmth. “Maybe if we take it slow– like, really slow?”

He looks at you with shining eyes. He asked you to be his girlfriend because he genuinely likes you. He likes your voice, he likes the way you smell, likes when you talk about your favorite songs and favorite movies. He was definitely smitten from the moment he saw you trip on your own two feet down the front porch of a house party months ago. Taking it slow with you was pretty normal, and the fact that you want him too just makes him all the more willing to take his time. 

“I’ll take care of you, ” he hums, spreading his legs a bit across the couch to give himself more space to re-adjust himself. “Just tell me if I need to slow down?” 

You nod, staring directly between his legs and rubbing your own together on instinct. If anyone’s gonna split you open, it might as well be your boyfriend.

・・・・・・・・・・・・・・

When he said he would take it slow with you, he really meant it. The fact that he curled three fingers into you for a solid twenty minutes and you still feel like your legs will buckle on you at any moment knowing that this is just for prep– oh damn. 

 The fact that he even used his tongue on you for the first time, making sure you were more slippery than you already were for another twenty minutes? The fucking fact that you were on the verge of orgasm when he pulled it out and presented it to you like a cock you could totally sit on without issue? 

Fuck.

Reality washes over you far too quickly when you actually make that attempt. 

You’d be lying if you said it didn’t feel like you were being torn apart by him, but part of you loves the way his gentle hands hold you steady as you try to sink down. You can feel the wet heat between your legs coat his length inch by inch as you start to slide down.

He stops you only for a moment when he notices you wincing. 

“Breathe, baby, just a little more.” He encourages, getting a nod from you before guiding you down further.

You breathe, clenching around him and doing your best to stop doing that so you can relax. You can tell he’s struggling to actually take it slow by now too, only because you can feel his hands shake against you as he holds himself back from obliterating you, probably. You’d think it would be quite endearing to see, if it weren’t for the fact that your eyes are blurring from the tears threatening to fall. 

Feeling embarrassed, you wipe your eyes and focus on how he feels inside of you. The pain is still there, but as you “sit” here, that pain somehow does replace itself with a strange sensation of pleasure little by little. You’ve always wondered what it felt like to be full, and it appears that this is exactly it.

It’s overwhelming.

“Do you want to stop?” He asks after noticing your tears, a bit of panic in his voice despite the fact that you could have sworn hearing a moan come out alongside it, “Pull up, it’s okay, you can–”

You sink down further instead, now bottoming yourself out on him and releasing a broken whine of both pain and pleasure. He grunts in unison to your whine, gripping your hips even harder than he already was and squeezing his eyes shut. 

“Fuck,” he sighs out, lazily opening his eyes to look at the way you perch yourself on him so perfectly. “Such a tight fit.” 

You nod, mostly unable to hear a word he’s saying as you try to relax your body enough to get rid of that small hint of pain. The consistent clenching of your adjustments send your boyfriend spiraling a bit, unable to contain his sighs of pleasure as your tight and wet heat squeezes his cock.

“Tell me when I can move, please, tell me–” He groans out almost frantically, staring down at where you sit flush against him and wanting so badly to fuck into you.

 He’s wanted to do this to you since you started dating, now that it’s finally happening, and now that you’re quite literally jerking him off simply by adjusting to his size– you know, it’s not exactly easy to contain himself. 

You take a few more seconds to breathe before your body finally relaxes and you give him a reluctant nod. 

Instantly it’s like you’re seeing stars. He barely moves, all he does is flex his abs and press his hips up and it’s like he manages to fit another non-existent inch inside of you. 

You groan out, falling forward against his chest and gripping onto his shoulders as you feel your body adjust to even that small movement. To you, this is so fucking embarrassing, but to him? 

Hottest thing ever. Really. 

He can hear your whiny gasps against his neck when he moves and it’s driving him fucking wild, especially considering the fact that his cock is driven so deeply inside of you that he thinks you’d tell him to stop— but you don’t. 

You’re so good to him, and for what it’s worth, he wants to make sure this will be the best orgasm of your life.

Slowly, his hands fall to your ass and guide you up. You feel slight relief as a few inches leave you, and your stomach bubbles with that same sensation of both pleasure and pain when he slides you back down.

He moans out at you, almost like he’s cooing in pity at how much you’re trying to take for him. It’s incredibly sexy to hear now that your ears have stopped ringing and you’re beginning to believe that you’d never want anything smaller than him anyway.

This time, you lift on your own and sink back down just as fast, wincing again against his neck but releasing a moan that sounds more like pleasure than anything else. He sees this as a green light, gripping your ass and encouraging you to lift slightly again.

“Stay like this.” he mutters with a deep breath before kissing against your forehead and thrusting his hips up once, hard. 

The tight heat you’re offering sends him into a frenzy when paired with the wet slap of his pelvis hitting your pussy, and the sounds you’re making offer little in terms of stopping because by now, you’re both loving it. 

He thrusts into you with ease, the drag loud and slippery, the moans of pleasure you release only make him go faster, harder. Almost releasing a whimper of his own at how fucking perfect you are for taking all of it.

“Look.” he tries to let out, waiting for you to pull yourself up from his chest and look at him.

You do with ease, that broken face from before now replaced with lustful and blown out pupils. 

“Look how good you take it,” he praises with a groan, almost punctuating each word with a thrust, “knew you could take it.” 

Your broken smile that falls into a slack mouthed string of nonsense only continues to push him.  All the way until you can’t think straight at all, and you’re feeling your body tense up with such pressure that you can’t even warn him before your walls are clenching so tightly that it even hurts him. 

You grasp onto him for dear life as your orgasm washes over you, drenching his entire length as you hold your breath. Never have you gotten off while feeling so fucking full, and arguably, you don’t think you could ever feel an orgasm so intense without him being the one to split you open.

“There you go baby.” he hums, watching you breathlessly fall apart on top of him before picking up his rhythm again and chasing his own high.

By this point, you’re so well adjusted that even the searing pain of his restless thrusts feel good. Your brain is foggy but you can’t help but just fucking watch him.

This is your boyfriend and this is what it looks like when you’re making him feel good. 

“Are you close?” you start to bounce on him, meeting his rhythm and allowing him to rest his own hips. 

He nods as he looks at you, awestruck with how you’re already able to ride him as if you weren’t whining just moments before. Seeing you take him in full like this is enough to have his cock pulsing.

“Just a bit more, baby.” He closes his eyes and runs his hands up your waist. “Keep riding me, fuck.” 

And that, you do. Feeling proud of yourself for being able to actually take this literal monster, you focus on the twitch inside of you as he releases with a deep and breathy moan.

It’s entirely too sexy to ignore, and you continue to bounce even as he tries to hold you in place to subdue the sensitivity of his cock being fucking strangled by how tight you are. 

Once his body stops jerking and you feel the last twitching release inside of you, you fall forward and both of you groan from the sensitivity. 

“There are pros and cons to having a big dick, i guess.” he admits in a groan. 

Even when you laugh, there’s another wince from both of you followed by a groan.

“Pros: big dick.” he whispers, holding you still against him so you don’t move again before he can soften up and pull out. “Cons: big dick.” 

You still laugh, and it still hurts. 

・・・・・・・・・・・・・・

me and my lame ass endings lmfaooooooooooooooooo

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

[quicksilversnails]

It's so fun how the Princess and the Dragon acknowledges and plays with game mechanics that are assumed to be non-diegetic, and uses them to add insight to the story/characters.

The title card is a really obvious example, being something that TLQ actually sees and can comment on, and something that the Princess hadn't ever seen. What most would assume is just a framing device for the player is a real element of the world/construct.

I think it emphasizes how the story that the Narrator constructed is only "meant" to be told to TLQ. After all, The Narrator only appears in TLQ's mind, providing elaborate descriptions and attempting to contextualize the events of the game as a heroic task to save the world. Meanwhile the Princess is all alone, with no title cards or exposition, no context for why any of this is happening to her. The story revolves around her, but it doesn't care about her beyond her designated role, as something to be slain and hated. Her perspective is irrelevant to the Narrator's plan, so she doesn't get the fancy presentation or necessary context: she doesn't deserve it.

There's also those long stretches of dialogue where the voices talk to each other in TLQ's mind without progressing the story. They're occasionally acknowledged by the Princess elsewhere (Prisoner, Nightmare) but P&tD makes it very explicit and confirms that time is actively passing during these conversations, with TLQ staring in silence for who knows how long.

(Personally I don't think all of the voice dialogue is necessarily in real time, if only because some Princesses wouldn't have had the patience for it. Like if you had really stood still for that long, the Beast would've definitely eaten you... she's not waiting for you to finish thinking lol)

This one I think is more for humour, but it also draws attention to how much of the inner conversation the Princess is missing in normal chapters, when the voices aren't actively speaking to her through TLQ's body. Where we're having vibrant debates or key information revealed by the Narrator, she just sees a silent, staring figure. Speaking of the Narrator, He's completely absent from the Princess' POV, either because He doesn't want to speak to her or is somehow unable to (He does say in Tower that she's not supposed to be able to interact with Him...) Again, the story was not made to be told to her, so she isn't given His context, and because the player is usually so immersed in TLQ's perspective, they probably wouldn't realize just how much she's missing until they see things from her perspective.

One other example: if you choose to [Say nothing] immediately after you excise yourself, the Princess reacts to it:

I just find this so hilarious tbh, and the fact that she repeats back those exact words implies that she literally senses the text written in brackets. If you do it once you're back in the basement, she says this:

I wonder if it's the same for the Narrator/voices... do they also “feel” your actions while you’re choosing them? Do they hear you say (Lie) before you lie? When Skeptic said "Wink" out loud did he actually choose a dialogue option with [Wink] in brackets?? Ok that last one's a joke but there's lots of potential here

I just think it's cool because the average player wouldn't think twice about any of these things, because they seem like simple stylistic/game design choices. In a game where all player input is through dialogue options, the square brackets are an immediately understandable way to convey action, as opposed to plain text. In a game structured around repeating loops, it makes sense to make those loops distinguishable for players by separating each loop with a title card, and the chapter naming convention works as a nod to the fairytale storybook aesthetics the game draws from.

But by placing you into the Princess's head and acknowledging those design choices as diegetic elements that change depending on your perspective, it forces you to reevaluate your experiences: the things you didn't think were really "part of the game" and the experiences you didn't realize weren't universal. It exposes your hidden privileges, the luxuries and structural supports you have compared to the Princess that you don't even notice because you've never experienced the alternative.

It might make you realize how the way you perceive and conceptualize the world might be very different from how others conceptualize it (Tony's recent ask about the multicoloured glass in HEA could also play into this in a fascinating way, with the mismatch in perception between TLQ and the Narrator's script). It's all just very cool for a game that's based on perception.

It also makes me wonder... what other elements of this game are diegetic that we just haven't paid attention to?

Well, I think that the captions are probably also diegetic. TLQ occasionally refers to the voices by their complete titles despite them not ever referring to each other by those titles, instead opting for descriptors like "jumpy one" or "the worst one" or "rage boy" or "chilly little freak" lol. For a direct comparison, Paranoid exclusively calls Smitten "the lovesick one" or some variant in HEA, but TLQ refers to him by his full name using quotation marks, as if he's quoting something he's read:

The voices don't seem aware that these titles exist, while TLQ does, despite them sharing a mind. Also, when the Princess shares a body/mind with you, she never uses their titles either. In the Spectre/Princess and the Dragon, she calls Hero "the nice one", Cold "the quiet one" or "cold little freak", and the Narrator "the bossy one" or "that murder-happy know-it-all". Spectre describes the voices as shards of broken glass on the floor, so she likely perceives them completely differently to how we/TLQ see them.

Even The Narrator isn't aware of His title. If you call Him that in the mirror conversation, He says "'The Narrator'. I suppose that's my job, isn't it?", reacting to the title as if it's His first time hearing about it. There's also this question from the fourth Shifty encounter:

It seems like the titles are presented specifically for The Long Quiet/decider, and that they somehow reflect how TLQ perceives the voices/Narrator, since TLQ takes credit for "calling him" that. If the captions were specifically shown to TLQ in the same way that the title cards are, it'd explain how he has this information without it ever being verbally told to him, and why the Princess doesn't know their titles even when she's sharing your body.

But besides the captions, I think it could be fun to interpret the game as if most, if not all of its game mechanics exist in-universe. The choice menu, the music, the cursors, the save/load icons, saving/loading in general, the title screen, the Clown Princess living in the walls (game files), you name it. Let’s peel away these game mechanics cell by cell! Let's see what meaning we can find together, let's see what we're made of!

[sugar-plum-writer]

Company Cam-Girl <3

Tags: Gang-bang [Toji, Sukuna, Gojo and Suguru]; Use of toys [vibrator]; slight-bondage; size-kink; camera; public-exposure; nsfw + more nsfw; porn with slight plot; manhandling; unprotected sex; spanking; over-stimulation; cream pie; c*mplay; rough sex; lot's and lot's of very dirty talk; explicit; MNDI!; (18+); smut

A/n: This is probably the most explicit thing I might have written; my hazy imagination is getting too much. This period is killing me so it's just pure filth, this is pure porn with a little plot so MDNI!

Synopsis: What happens when a slight back talk results in getting railed and over stimulated like crazy by 4 big men in the sex-toy company?

Word count: 2.6k

[Pic not mine I randomly found it on the internet; I'll change it the owner requests ]

Your heels clicked on the floor as you walked, the place you worked was- explicit to say the least. You would have never expected to work in a company like this when you graduated- literally; a sex toy manufacturing company? beyond your wildest dreams

You were working here all because of pure desperation. Broke with college debts does not make life easy. The position gave good pay, insurance, good bonus, what else could you ask for? hence you continued working.

You worked in the marketing department which was a headache as it sometimes made you wonder how to advertise certain devices.

"Y/n- the manager is calling you to discuss the latest high-intensity vibrator ad!", one of your colleagues yelled giving you the papers and walking away

You looked at the paper which outlined the build, the components, the types of intensity, movements, etc normal people would look away and even be embarrassed but- after a while, it became average to you like another Tuesday.

"Alright, tell him I'll be there, " you yelled, browsing the pages as you entered the office.

x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x

"This design is so outdated… we need a new design-", Suguru muttered as he sat at his desk scrolling annoyed, the cigarette hanging off his lips

Toji clicked his tongue as he leaned back on his chair, "Damn if only we could experiment it on someone and record everything down", his deep voice sent a shiver down your spine

"I could always get a hook-up to try it out~", Gojo muttered with a smirk, "I don't mind"

"You fools", Sukuna scorned, "A hook-up won't give accurate data- her fucking brain will just be mushy, ask any questions-", he rolled his eyes, "her replies will just be fucking moans"

"Don't any of you have a girlfriend or somethin'?", Toji groaned as he grabbed his beer bottle, drowning it down, "You can get her and we can experiment"

"Nah- I asked my ex once she nearly threw a god-damn vase at my face", chuckling Gojo scrolled through his phone

"Ah, shit-"

With a groan, they collectively sighed. The atmosphere in the room was tense- after all, they were your superiors, you were just a mere girl from the PR department

"um- excuse me", clenching the papers tight you looked at them all, "T-The documents have an error-", you tried to keep your voice stable

"Oh shut up woman", Sukuna glared as he walked towards you, "Can't you read the room? or are you senseless?"

"Huh-?", rage-filled your veins, you were already annoyed with overwork- been working so hard not to let it get to you but this- this was the last straw.

"You are the senseless one!", you snapped back, "You assholes can't even design a vibrator properly! Look at you discussing this shit!", you scorned and shoved the paper on Sukunas face as you glared at the others

"What did you just say you fucking bitch-", Sukuna grabbed your jaw pinning you against the wall

"You deaf?", glaring into his eyes you scoffed, "I said you assholes cannot even design a fucking vibrator"

"Yo, calm down", Gojo yelled as he made his way towards you and Sukuna

"Fuck off-", his grip on you tightened choking you

"What a pain in the ass", Toji grabbed Sukuna with Suguru and pulled him back

"Tch", groaning he let go of you while Gojo picked up the fallen papers

"You alright?", Sugurus eyes locked with yours- something about his cold black eyes- gave you goosebumps all over your skin

"Y-Yeah" Gasping for air you coughed as you looked at Sukuna who was starting to calm down more

"You said we can't design a vibrator, right?" Toji smirked with a dangerous glint in his eyes

"Y-Yeah..", You backed away afraid. Something about his expression makes you instinctively back away as if your body subconsciously tried to protect itself

"Why not be our test subject? we lacked one anyways~", with a sneer he leaned in. The atmosphere in the room changed as all eyes were on you.

"Your fool brain finally came up with a good idea", grinning Sukuna fixed his blazer, "What do you say woman? or are you too scared?"

"W-What!? no way never!", you immediately shook your head shaking it crazily

"Awwww come on~ it'll be fun I promise!", Gojo nudged you wrapping his arm around your shoulder

"No way!", slapping his hand away you glared

"See you said we can't design good vibrators", putting out the cigarette in his mouth Suguru shrugged, "Have you ever even used one of our vibrators to know if it's bad? ever cummed dripping wet?"

You blushed hard, "W-what explicit nonsense are you even saying!?", shoving the papers on his face you scowled

"Oh~ is someone scared?" smugly Sukuna leaned in and whispered near your ears, his hot breath sending shivers down your spine

"N-No I'm not! It's just a vibrator!", shoving him away you tried to push the men away

"Great!", standing behind you Gojo wrapped his arms around your waist pulling you close, "I'll even let you try out my new designs baby~"

"Hey! Bun-head, grab the newest vibrators and bring them here", Sukuna yelled, "We found a pussy to try it on!" he chuckled deviously

"What-!?" before you could say anything Toji cut you off, "Bring some lube too, I just know she's tight as fuck", smirking he looked into your eyes

"Alright, alright- I'll even bring a camera to record it. Need the data", with this- Suguru went to get all the items whistling

All while you stood stunned- how did you even end up like this? How did a small comeback develop to- well- this?!

"You did it to yourself, baby girl, ~ if only you hadn't opened that darn mouth of yours", with a chuckle Gojo whispered near your ears

"oh well, I'll look after you well~"

x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x

"Is the Pussy visible?" Gojo leaned in as he looked at the screen of the camera

"Yeah, just gotta zoom in more", Suguru adjusted the camera, the RBG ratio, etc as he zoomed in

With your legs spread apart on Sukunas desk- your panties are removed as your cunt's all visible in the camera. Rather than an office it looked like a porn production set.

"Hm…she's tight", Toji looked at your cunt, "I wonder when's the last time she got fucked", Sukuna muttered

"Shut up!? what the fuck do you think you are even saying-", embarrassed you looked at both of them annoyed, "Just by looking at my- my pussy you think you can say such things?"

"Doll, I have seen enough to know what pussy has not been fucked and how well it was fucked", chuckling Sukuna smirked

Hearing Sukuna's comment Toji, Gojo and Suguru snickered

"Damn right", smiling smugly Suguru stood up and walked towards you

"You-", too stunned to speak you just lower your head, "How can they say such things!?" you think as you take a sharp breath blushing; almost embarrassed with the explicitness but it was low-key hot.

You hated to admit it but you were aroused as fuck. The cool air brushed against your cunt making the walls quiver, 4 hot guys gazing at you as they discuss what's the best way to record your pussy holding vibrators in the office. It made you get even more wet with your cunt oozing out and dripping, making a mess on Sukuna's desk.

"Look she's already dripping and making a mess how cute~ how needy", Gojo chuckled

"Well can't leave her like this can we?" with a smirk rolling up his sleeves Sukuna started circling his fingers around your clitoris- flicking it a bit making you gasp

"W-wait!" trying to stabilize yourself at the sudden wave of pleasure you try to focus elsewhere, your hands and body trembled at the way he abused your clitoris

"Where's your mind goin'?" Toji cups your breasts and starts kneading them, pinching and flicking the nipples making you squirm and moan

"T-Toji wait ah-" your eyes widen as your feel Sukunas fingers do deeper stretching you out ruthlessly, "She's tight- Fuck", he gritted his teeth

Tossing your head back you try to cover your mouth but it was instantly pulled away by Toji, "Can't have you cover your mouth now can we sweetheart?", smugly he pulled your shirt up and tied your hands with it

"Nice boobs you got here", Gojo brushed his hand against your breasts, fondling them, "I wonder how hard the nipples can get heh~", smirking he brought his lips closer to your nipples and started sucking on them making you moan even louder, "Gojo- ah! 'tis too much wait-!" earning only a chuckle from him as he sucked even harder biting it

"The Vibrator No 1 is ready~ let's see how well you take it darling", smirking Suguru stood beside Sukuna- turning the vibrator on and putting it down on your cunt grinding it, the movements so good you felt you were on cloud 9; while Sukuna continued to move his fingers deeper stretching you out.

"Smile for the camera doll", smirking Sukuna slapped your pussy which stinged a bit but also made you so fucking wet it was embarrassing

The intense stimulation from the vibrator immediately made you arch your back, toss your head back and let out the loudest moans you could muster, it was stimulating- too stimulating.

It was too much- your poor pussy could not stand so much abuse. It was all puffy, sobbing wet, begging for mercy as it dripped and oozed pre-cum. Tears stained your cheeks as you whined and moaned

Your breasts were off even worse, the biting and sucking of Gojo had swollen your nipples so much. The bite marks covering your breasts stung but also gave you so much pleasure wanting more

"Fuck- who knew we had such a natural cam-girl?", licking his lips Toji just watched your expressions hungrily wanting to devour you

"I know right? Should have fucked her and filled her up first", chuckling Suguru increased the intensity of the vibrator to it's highest limit making you gasp and moan, squirm all at once, "Let's see how loud she can scream eh?"

"Oh my God! it's too much ah-" tossing your head back you squeezed your thighs shut as your eyes rolled back and you climaxed instantly because of the intensity

"Stay still, how bratty", slapping your thighs Sukuna spread your legs open forcefully holding them down, his fingers covered in your release, "Heh- who said the vibrator was bad huh? look at the amount of cum", smirking he licked it off his fingers making you blush harder and be even wetter.

"D-Don't-!" you frantically tried to wipe your cum off his fingers too bad Toji held your arms down all tied up

"I wanna taste some too~", licking his lips smugly Gojo with a quick movement shoved his fingers inside your cunt and licked it

"How sweet I can eat her out forever~ Try some Suguru"

"Oh don't mind if I do~"

Seeing them taste your cum from their fingers made you almost lose your mind and your brain felt mushy. The camera still recording everything that they were doing to you. It was so crazy

"Hah- finally stretched out, what a good fucking pussy", Sukuna smirked satisfied

"We can finally put the vibrator in~ shall we put two?", Gojo chuckled as he gazed at your cunt

"I think she can take it~" smugly Toji looked you in the eyes, "She's such a good girl after all. Aren't you baby?"

"Well" with a sneer Suguru finally put the vibrator inside you with the highest intensity, "Let's see what she can do, go at it girl show what you got~"

Hungrily they all gazed at you, their eyes those of starving wolves who wanted to completely devour you, fill you up- breed you so fucking well like the way you deserve. You had no idea what a raging boner they had seeing you and your cunt.

"Oh my god- ah- hah~", moaning you squirm as the vibrator continued to hit all the right spots- making your whole body-shake, your walls clenching so tight- holding on for dear life; "Fuck it's so good!", biting your lips you closed your eyes as you felt your brain going numb.

It felt like it was designed specifically for you, the way it hit your G-spot was driving you mad. It kept pushing you over the edge again and again.

"Shit", biting his lips Sukuna approached you, his hard-on evident, bulging fully, so big it made you wonder if it would even fit.

"Moaning like a whore just from a mere vibrator", unbuckling his pants he removed the vibrator making you sequel and whimper

"Guy's let's give her the best fuck of her life shall we?", smirking he positioned himself to your entrance and slammed in without warning, doing deep, hard and fast thrusts- hitting your G-spot again and again

"Fuck, so good, shit how was I missing out on such good pussy"

The vibrator already broke your brain in the beginning and now feeling Sukuna fuck you, so big- so hard- filling you up so well drove you even more over the edge. Your throat had gone dry from all the moaning

Toji, Gojo and Suguru also unable to keep their hand to themselves any longer; unbuckled their belts with their hard on started jerking off standing beside you, letting out grunts and moans imagining fucking you. Making you suck on their dicks like the good girl you were.

Seeing how big they all were you wondered how your poor cunt will ever be able to take them all inside.

Your vision was going white with all the pleasure as you clenched around Sukuna's dick, squeezing him so tight he tossed his head back pussy drunk just wanting to feel you all around him.

You don't know many hours went by all you know is they all took their turns fucking you- in all positions, filling you up with their cum; praising you and telling how much of a good girl you are, how well you are taking them.

You were fully- completely knocked out and brain fucked. The office fully messy from the desk to the couch and all vibrators gone.

x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x

The next moment you wake up, sharp pain shoots up and down your body as you groan.

"Oh look who woke up, our cam-girl", chucking Toji sat beside you while the others crowded around you

That's when everything hit you all at once and you look down finding yourself completely and utterly naked.

"You took us all in so well baby~ my dicks never been more satisfied", Gojo lifted you making you sit on his lap and kissed your neck

"S-Shut up! I need to go!" you blushed hard and tried to stand up but tripped

"What a brat, you really think you can stand? how annoying, you were better brain fucked", Sukuna immediately grabs you supporting you to not fall

"You!-" feeling your blood boil you immediately try to open your mouth to yell all kinds of profanities

"Oh she's awake", Suguru entered the room smirking, "Still naked is she? are we going for another round? Because I am down"

"I'll die if we do another round!?" in panic you look at them all in the eyes earning a chuckle and a light slap on your ass from Sukuna making you whine

"Shut up you aren't going anywhere from today onwards you are our girl"

"Huh!?", you gasp in shock

"Everything we did is recorded", Gojo chuckled grinning, "Suguru even finished processing it darling~ thank you for your-", he tossed a vibrator to you and winked, "lovely data"

You stand utterly stunned knowing there is no way out from this, they'll eat you alive whenever they please. You are officially the company's cam-girl and test-subject.

Congrats on your promotion~ <3

My Masterlist!

[bethanythebogwitch]

I listened to reading of some askreddit threads (don't judge me, it's a guilty pleasure) about doctors and healthcare and I notices some major division on topics when the answers were from the doctor's POV and patients' POV. I'm of course not qualified to draw conclusions from this, nor is Reddit a good place to get data, but here are some recurring points I found where the doctor and patient position appeared to be different.

Doctor POV: we can always tell when people are faking pain for opioids. It's extremely obvious.

Patient POV: multiple doctors accused me of drug seeking when I was actually in agony from stones, appendicitis, endometriosis, a tumor, etc.

Doctor POV: people who try to diagnose themselves are really annoying and counter productive.

Patient POV: I only figured out what was wrong with me by searching the internet after multiple doctors dismissed or failed to diagnose me. Alternatively: I went in with a good idea of what was wrong based on past experiences/family history/ etc and the doctors didn't take me seriously. Some would even refuse to do tests to check if the self-diagnosis was correct.

Doctor POV: the phrase "I know my body" is usually used by people who don't know what they're talking about. We are the ones who know medicine so we can tell if you're sick or not.

Patient POV: I knew something was wrong with me because I know my body and know when something isn't normal. The doctors wouldn't take me seriously and told me nothing was wrong after only doing basic tests.

Again, Reddit is not a good place to get data as the nature of the website encourages people posting more sensational stories and exaggerating or fabricating stories to get upvotes. In addition, most of these stories are likely far from the average doctor and patient experience. However, it appears that there may (emphasis, may) be a disconnect between doctors and patients that involves doctors not taking patients seriously and thinking they know better than patients about their own bodies. It seems like defaulting to thinking patients exaggerate pain to seek drugs and that patients don't have any way of understanding their own health is really detrimental.

Do not take this post as me saying you shouldn't go to the doctor. If you need medical help, go to the doctor. The medical system isn't perfect, but it's the best we have. And go to an actual doctor, not a naturopath, homeopath, or other quack.

[our-queer-experience]

Thank you for answering so many asks and reblogging so many posts from intersex people. We're probably the most erased group in the acronym, and I'm happy to see someone use their platform to bring attention to us and our issues.

I want to give a few general tips & things to know for your average perisex person for how to be a good ally to the intersex community!

Include our flag in pride projects!

Do not try to force intersex people into a binary like tme/tma or afab/amab. Even cis & trans. We're sick of it! Afab/amab should only be used to describe your own experiences, not other people's. Stop saying stuff like "amab anatomy" & "afab childhood"

We do not like being called biologically nonbinary and most of us are sick of that joke

Stop calling intersex animals trans! It may seem harmless but this is a mild form of erasure. Maned lionesses, male calico cats, antlered does, etc, are intersex! They are not trans! Posts about intersex animals may point people to learn about intersex people, which is a good thing for awareness!

Don't lump us in with trans people! Don't conflate transness & intersexuality. Yes there is overlap between our struggles but we are different groups!

Intersex people can identify as cis but our society will never see us as cis, we do not have cis privilege.

Do not listen to TERFs who call us "DSD", this stands for 'Disorders of Sexual Development" and is NOT the preferred term by the community. It's important to note that this is the current medical terminology for intersex people!! We are fighting against this label and do not accept it! We don't like "Differences of Sexual Development" either because it's the same acronym.

Not every intersex person has ambiguous genitalia. And of those of us who do, we don't "have both", we have something between male & female. And regardless you're not entitled to know what's in our pants lmao.

Use the terms perisex, endosex, or dyadic (they all mean the same thing, but perisex is the most recent & revised term. Endosex & dyadic are better known among older people) when talking about people who are not intersex. The same way you use cisgender when talking about people who are not trans. This positions intersex as a natural variation vs a deviation from normal.

Support intersex advocacy organizations like @interactyouth! InterACT is a wonderful group! As is InterConnect!

Most bigotry intersex people face is medical abuse, please recognize that! Many otherwise reputable medical sources are wrong about us and NEED to be challenged.

Do not reduce intersex people down to "cis person with a disorder" (like what the medical field does) especially in the context of the person in question being subject to transphobia. I see this so often with trans people saying "transphobia affects cis people too" only to show a headline about an intersex woman being harassed. Intersex people are an intended target of transphobia! It is not "transphobia backfiring on cis ppl". Remove phrases like "cis men with gynocemastia" from your vocabulary. Instead say intersex men.

PCOS is considered an intersex variation by the intersex community, but not by the medical establishment. If you are someone with PCOS, you ARE intersex due to your body's natural hormone levels! (You don't have to take up that label if you don't want to!)

I didn't know this had to be said, but do not say futa/futanari. I do not care that it's a popular porn category, it's a slur for intersex people in Japanese. It's the same as calling us a hermaphrodite, only worse because of the fetishization. There are better words you can use. (Ex bigenital)

YOU CANNOT TRANSITION TO BE INTERSEX! You can transition to have mixed sex traits, but do NOT say you are intersex! Please! This is co-opting! Use words like altersex, nonbinary or salmacian! Even post-transition, you are still perisex.

Please realize that we are being violently erased via the medical system. They need to mutilate us because our existence challenges the status-quo of bioessentialism. The only way a dyadic society can recognize our existence is as a "problem" that needs to be "fixed". This should piss you the fuck off. It should make you MAD. If it does, you're better than most allies. It's not an unfortunate "I'm sorry about that :(" this is a WHAT THE FUCK kind of situation. The subdued reaction everyone has to intersex people being mutilated and forced onto hormones is just so bleak to me. It's like nobody gives a shit. You never see intersex people because our dyadic society doesn't want you to. This is purposeful.

^^^ listen to intersex voices!

[butterfly-ribbon]

still in disbelief about how mizu5 genuinely captures the subtleties of transmisogyny so accurately like nothing else i've seen before especially with the nuances with which mizuki's story is told … all it takes is a single sentence, a few words … i love that the classmates saying that shit don't even … realize how cruel they are, bc that's how it /is/ and bc "oh no, we said something weird to a Normal Girl, that makes us look bad" - transmisogyny is just a punchline to a joke for them, that's how detached they are from their own cruelty and it's really not any different from the 'average' misogyny and how that tends to be a joke amongst boys. what ena ended up being exposed to is really just the classmates' 'boy's locker room talk' leaking out, so to speak? ena's probably heard jokes from people about how unfeminine her behavior is in the past and she quickly spits out "that's not funny" bc ena and mizuki are both "pretty girls" who like fashion and dolling themselves up, and hearing them talk about how mizuki's cute in this way … i'm sure it reminds her of her own experiences with being an 'influencer' - people like her when she shuts up and makes herself cute and appealing and ena must've absolutely received her fair share of comments and messages from weirdos for posting selfies of herself online, but i think what drives this home to me as such a fantastic narrative is the way that they call mizuki "attractive as long as she's not making any trouble and being a pain" bc it really speaks to how trans girls are objectified and only deemed 'acceptable' as long as they make themselves into limpless dolls who are acceptable targets for any form of abuse and misogyny instead of trying to claim their own subjectivity as women, so there's so much crossover in how mizuki's experiences work alongside ena's? but also mizuki faces so much more constant and direct criticism, all her actions and choices so closely under scrutiny.

mizuki loves and appreciates the attention of girls and when she first met ena she saw herself in the art that ena made - ena draws a girl in pain and mizuki goes "she's me". in the scene where mizuki gets outed, ena is speechless not bc she thinks mizuki is "gross" or bc she's mad mizuki "tricked" her? she's just horrified that she just got degendered /by association/ and then had to listen to these boys speak about the girl she's in love with in this /aggressively/ violent way, especially since mizuki has a meltdown, knowing, apologizing for hurting, even as ena would absolutely say "no, i'm sorry, im sorry, please don't hate vourself" bc mizuki feels like she's the one at fault for feeling like ena would assume the worst of her, but mizuki also feels like she doesn't have the right to be angry at people … this is the first time we get to see mizuki's rage and it's so palpable … i love so much that she hates the idea of niigo's kindness being born out of her 'abnormality' as a trans girl … she hates everything about this. she hates the idea of coming out, she hates the idea of having a question attached to her girlhood..

mizuki logically knows that niigo are going to accept her bc they've also gone through so much turmoil themselves and understand what it's like to be on the fringes of society, but she still can't shake off all those intrusive thoughts about how they might only accept her out of pity or consideration bc they feel too bad for her rather than a genuine understanding and the idea that things might change between them bc of that is too terrifying to embrace… such patronizing 'kindness' burns too much for mizuki to accept, so she'd rather run away and shut herself out completely… for mizuki it's like being stuck on a bridge where the only two ways out are ones where nothing changes and this hurts in its own way bc she can't tell how much of it would be genuine and how much would be an act and the other way is them /trying too hard/ to be considerate and this can easily become alienating bc mizuki truly just wants to be "one of the girls" in the most natural sense? she doesn't want to be made to feel like she's being accommodated, but there's also all the guilt that she's been internalizing for being "deceptive" and not saying the truth sooner that further complicates things and makes her feel like she's undeserving of any kindness that she may be offered… even though she genuinely was going to tell ena the truth herself, it doesn't matter anymore bc someone else told her before she even got the chance to do so herself and that's something she actually wished would happen in the past, so is there anyone to blame but herself? mizuki's entire thing is that until now she's been "writing" a fictionalized cis girl version of herself when she's with niigo and obscuring her own transness bc she doesn't want to be treated as an Other or have an asterisk attached to her girlhood bc she just wants to be treated as one of them instead of having to explain herself or prove anything but she has her facade violently stripped away from her in the most traumatic way imaginable and now she's entrapped within dysphoria induced suicidal ideation...

[apollos-boyfriend]

Hey I've been observing from afar through your reaction blogging, I haven't been in mcyt as much since the dsmp ended but I still care about a lot of the people in the mcyt circle and I'm interested in what goes on - care to give a rundown of what happened at this twitch rivals thing everyone keeps talking about? (no pressure only if you want to) Aside from the fact I'm sure it was terribly run like most twitch rival events are, but it sounds like there was more to it than that

okay so. i am going to be missing quite a few details because i missed a day myself + my streamer could not care less, so i heavily encourage others to add on stuff i missed

this was a multi-day competition, running for 5 days with prize rewards from 1k to 100k. it started with i think 150 players, with select numbers of people getting eliminated each round. day 1-2 are fairly normal, at least for twitch rivals. of all the games that got played through the whole event, i'd say like 1 was actually good, and maybe 2 were decent, at best. most are bad, poorly-executed, poorly thought out, or just boring in terms of both player enjoy-ability and content creation.

DAY 3 EDIT:

now, sapnap's been sapnap for this entire event already. obnoxious, a bad sport, but most notably, playing DMCA'd songs. the event ran on proximity chat, so while he was unmuted, everyone around him would also be subject to said songs, which could mute vods at worst and terminate accounts at best. most people are fed up with him at this point. while everyone's trying to come up with solutions for the glitch, sapnap spams the discord with useless shit. couriway calls him out in the discord, calling him annoying and obnoxious, then later calling him a cunt in twitch chat. sapnap uses couriway and feinberg's name in his stream title for clickbait and talks shit about them + their friends (hbg/house builder gang). he also makes some weird comment asking if couri is homophobic because sap was talking about having skeppy's dick in his mouth?? or something?? i'm unsure exactly how day 3's issue of the glitch resolved.

day 4 is also your average experience with your usual range of average to horribly painful games. sapnap continues to be a bitch and not take responsibility for his stans attacking anyone in sight, but what else is new

day 5 is. bad. the game set for deciding the final competitors can be cheesed (if you let someone else do all the work, you can punch them in the last second and steal their win) and eliminates like 20 people at once. on top of that, a glitch happens that leaves the server on standby for at least 30 minutes while admins decide what to do. firebreathman sends a picture of a bare naked ass in the discord. someone else sends a photo of their debit card. streamers entertain themselves in various ways, including growing a cactus (fulham), playing osu (purpled), collecting other people's streams for their overlay (fruitberries), playing slime rancher (badboyhalo), and building real-life furniture (couriway). tubbo (who was already eliminated at this point) starts jumping between streams and asking in chat for the tea. the game is eventually replayed, deciding the final 4 players, but it's just as broken and at that point, no one wants to be there anymore. it's revealed through multiple streamers (purpled, i believe also feinberg) that twitch rivals games are not tested before being ran. the only testing done was a stress test to see if the server could handle all original 150-some players. this explains why the games are so bad and poorly organized (some games take over an hour, others barely 30 minutes).

the final four are sapnap, shadoune, sneegsnag, and i think feinberg. it's the most anticlimatic game of connect 4 you can imagine. sneeg eliminates sapnap, and shadoune eliminates fein. notably, fein's game glitches during a throw, which despite being obviously a glitch, the coordinators brush off as being "part of the game". fein and multiple other streamers spend time analyzing every pov frame by frame and all agree that yeah, that was a glitch. shadoune and sneeg are left for the finals. they come to an agreement that this is stupid and a horrible event. tired of this bullshit, they purposefully stall the games and run a podcast for approximately 2 hours, forcing the coordinators to bend to their commands hunger games-style. essentially since the first glitch of the day people were begging twitch to just split the money, something that wouldn't be easy according to tubbo, because everything is pre-signed and delegated before the event. sneeg and shadoune give no fucks, and force the coordinators to split the money anyway, winning the day through the power of friendship. i cannot stress enough how no one wanted to fucking be there by the end of all this.