#but i also had a reason to do well

[underwaterbanshee]

So there's this burden of perspective that the Bad Kids struggle with and it's definitely because they live in a genre where nearly all the adults in their lives -- especially at their special school -- are failing them. They have to or there is no plot but the farther I get from high school and college, the more I want to shake teenage and younger protagonists and just go:

None of this shit fucking matters. It is not your job to save the world all the fucking time. Please just phone a fucking adult who loves you.

But again, not the point of the story.

However, the Bad Kids are stuck. They've been stuck saving large groups of people since their freshman year of high school. Fighting Kalvaxisis should not have been their responsibility and yet...

Retrieving the crown of the Nightmare King should not have been their responsibility and yet...

Now they are doing what teenagers are supposed to do -- throwing a stupid, dangerous party -- and then something weird starts going on with a goddess and because they know that adults are unreliable, looking at you, Arthur, large amounts of people are in danger, if they don't act, probably no one will.

And it just isn't fucking fair.

And yet this group of mushroom stompers practically have the same skills and abilities as they do, but they gained them safely, under adult supervision, without incurring near the amount of trauma, and their Completed Rogue Junior Year On A Technicality teammate has the audacity to say groups like the Bad Kids (and probably the Seven if we're being honest) get special treatment?

My head would explode, too.

But I'm glad Sandra Lynn pointed out that high school doesn't really matter. Because it doesn't.

[professorcalculusstanaccount]

Castafiore delivers an earth-shattering performance! Update to my story, the House of Glass! Follows directly from this. Drawing this part was intense - crowd shots, buildings, cars, guns - all things I'm not fond of drawing, but hopefully this was worth it!

If you're enjoying this comic, please consider donating to Youssef Helles. He moved to Belgium in 2019 and is trying to get his wife and five children to Egypt after his family was forced to flee on foot to Southern Gaza, then again to Rafah, where they are currently living in a tent.

His tumblr is @4-zien-yousef

[u3pxx]

KIM KITSURAGI - “Is that. My kineema.”

COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.

EMPATHY - And it’s not going to be pretty, do something!

- DRAMA [Formidable] - Everything is fine!

- “Sure is.”

DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?

YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”

DRAMA - Pause, my liege! Ixnay on the Ineemakay!

YOU - “It could even be our *mysterious* joyrider!”

KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.

INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…

PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.

ENDURANCE - This is the shuffle of a tired, tired man.

HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!

VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.

KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”

YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”

LOGIC - He's not stupid, he knows that it's not that.

KIM KITSURAGI - “57.”

YOU - “What about 57?”, you brace yourself.

KIM KITSURAGI - “Precinct 57.”

YOU - You wince. “Kim, look-”

KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."

He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”

EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.

YOU - “People are more valuable than machines, Kim.”

KIM KITSURAGI - “Not people like me.” He rasps.

YOU - “…”

KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.

YOU - “Kim?”

KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.

YOU - “KIM!!!!”

uhhh bonus stuff? sorry i have swap au brainworms pfttt

(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)

also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes

[journey-to-the-attic]

one thing about ik is that she will always reach out

[shorthaltsjester]

the mighty nein - critical role

this is a place where i don't feel alone. this is a place where i feel at home.

[creepypso]

It's been a while since a hyperfixation gripped me this bad- I've been obsessed for a while now and yeah Vox is holding me hostage pff

I had drawn this picture like two months ago and it had been the first (and definitively not last..I'm so sorry) time drawing the boy <33

_ And because I'm seeing way too many people steal art in this fandom: I do not give you my consent to repost my drawings, without asking me first

[jack-the-fool]

Today, I will not apologize when I do not know who I am playing

[luyo-mi]

Them

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[pizzazz-party]

Day ten! Geishu formal wear.

[isitdonproof]

Sonic Prime | 2x08 Ghost of a Chance

[janadoesstuffwrong]

Thinking abt the air nomads:

What if, after the war, once the dust has settled a little, Aang goes back to travelling, hoping that maybe he can find at least some trace of surviving airbenders. As an added bonus, he gets to do more of the exploring and wandering that he had to put on hold.

Toph goes with him ofc. She only just got a taste of real freedom and it was overshadowed by ever-present impending doom. While she's on speaking terms with her parents, she isnt quite ready to be back under their roof on a permanent basis. The rest of the gaang have their individual homes and responsibilities that they get back to, though they join for the odd field trip or adventure when they can.

So anyway, they're touring all over the world and over the years they notice just how displaced so many people have become. EK citizens who barely escaped the blaze but lost everything; FN military now decommissioned with no idea how to carry on; people looking for a new start in the hard-won peace. Maybe it starts with Toph heading back to Earth Rumble, where a group of young runaways scrounge for cheap fights to make a little money.

At each turn they find more and more people with no homes to return to and no family to protect them; runaways escaping the roles the war forced them into. Gradually, Aang and Toph start to see that they aren't so different from themselves. They just want a new start.

So they decide to give them one. They clean up the temples and set up villages in the surrounding areas (helps to be master earthbenders), where people can arrive and stay as long as they need. Travellers and refugees pass through in droves, sometimes choosing to stay and rebuild their lives there, sometimes continuing in their wandering with a guarantee that they'll always have a place to return to should they have the need.

Over time, the lemurs grow in number and even some flying bison calfs (hybrids with a relative species maybe?), can be seen in the skies. Whenever the founders visit, it isn't the same but Aang feels a little more at home.

The first time someone asks Aang to teach him his philosophies, and expresses his desire to become a monk, how can he refuse? Maybe it's a former soldier, somebody who's done terrible things, looking for a path to redemption. So Aang teaches him, and then he teaches others. And though they may not be airbenders, they are as earnest and faithful as any nun or monk Aang knew before. The temples become filled with new faces: Firebenders, Earthbenders, Waterbenders and non-benders all wearing Air nomad orange and yellow.

Aang always feared that it would be his responsibility to have airbender children, and the idea of forcing that on someone he loved terrified him. Maybe that's why he waited so long before acting on his feelings for his best friend, his travelling companion, his fellow-village builder and temple-restorer. How could they have a truly happy relationship with this pressure hanging over them? He wishes he could be content with the new way of things that he and his friends have created. But he knows that he can't be the last airbender forever...

Nobody knows why some children can bend the elements and others can't. Is it blood? Is it blessing? Is it the land in which you're born? Or is it the simple allocation of fates decided by the values and norms you're raised believing in? Is it enough to be surrounded by the culture and beliefs of the Air Nomads? Nobody knows...

All they know is that nobody sees it coming when the six-year-old daughter of two non-bender villagers from the Earth Kingdom and Northern Water Tribe sends herself flying twelve feet into the air with a sneeze.

[ratatatastic]

"So the Cup party—you know, we with some of the other boys were waiting at Elbo Room for you guys like a bunch of fuckin' plugs! But you go to Chucky's house after—I mean, I know you guys stayed in the locker room for hours, until like 3AM and then you go to Chucky's house. Obviously, there was the amazing stuff on the beach, all around town, Elbo [Room] the next day. That night just being with the boys, being with the families in the locker room, at Chucky's—how special was that?" "Yeah, you know what it was... I think they said—the one day we went back to the rink—I think we had to sign—our owners had to sign every champagne bottle and I think they said there was over 160 champagne bottles? That were—and like obviously not—" "Like empties you mean? Yeah, just like—" "Empties! Like just spraying everywhere! I think you could—like, I had my gear on till about 3:30/4AM. I didn't get home till about 5:30 and guys were still there! You guys probably saw that pic of Carter sleeping on the lawn? Like, I think he might've been one of the last ones there."

Empty Netters | 8.26.24 (x)

and if youre wondering about said lawn pics montys talking about swaggy drunk off his ass plopping down on the grassy area in front of amerant bank arena in the parking lot waiting for his uber 😭😭😭

and he looked so downright pitiful that someone went up to him and gave him a chair to sit on instead and everything about his dazed smile once he recognises the thing in front of him being a chair speaks enough volumes about how absolutely gone he was

[somewhereincairparavel]

[TW: grooming] Gentle reminder that Luke castellan was a 19 year old adult going after a 14 year old Silena, emotionally manipulating her and basically grooming her into giving him information. (Luke was said to have recruited Silena sometime after he left chb, which is basically the ending of TLT and Silena was 14 in TLT while Luke was 19) and continued to do so for 4 YEARS (the time between TLT and TLO is 4 years, and Silena only stopped falling into the trap after Charlie died, which was in TLO)

I hope the pjo timeline is an eye opener for the naive as fuck fans defending and justifying Luke's behaviour and having the audacity to deny that Silena was indeed groomed.

There's a difference between appreciating well written complex characters vs actually glossing and meat riding their problematic and questionable behaviour. A huge fucking difference. I think Luke is a good written character, but seeing the amount of fans justifying him being a creep scares me.

"Grooming" (I took the definition straight out of the internet for the detectives that will probably scrutinize and chew on my post lmao) is when someone builds a relationship, trust and emotional connection with a child or young person so they can manipulate, exploit and abuse them.

Luke took advantage of Silena to BOTH manipulate AND exploit her for information.

Don't even get me started on the "he had a terrible home life, he was traumatized as a kid, what else can you expect?" yeah he was, but how was that Silena's fault? She shouldn't have to be taken advantage of , suffer without even realizing it, and pay the price to Luke's insanity, just because Luke had internalized issues like other demigods did?? How is that a fucking excuse??

Look me in the eye and tell me that Luke was "so hot because of how crazy, messed up and unhinged he is"

I dare you.

[untimelyambition]

curt and kim being dance partners in all the scenes at the castle is something that is so special to me

[holy-reference-in-a-username]

How we got here (part 4)

Content warning: suggestive content, dubious consent

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