#but here is a short list

[lords-of-mayhem]

hey all im saying is that if you write a thesis about how loc made you unwell i would read the hell out of it

like ik how it personally is making me worse, i need to know what its doing to others desperately

Okay, so. I'm gonna just throw all my thoughts that I currently have here. No promises on how coherent I'll be.

A lot of it is just based off of how violence is portrayed in the movie.

The parallels and foreshadowing in this movie fucks me up so much.

The scene of Euronymous simply saying "Scorpions?" to Varg and walking away from him paralleled by him telling Varg later, "I attracted people by saying you can't have this, you're not worthy."

Euronymous saying "nothing could stop me" cut immediately by Varg staring in the mirror???

The way Euronymous gives a speech that Varg overhears in the restaurant that Varg later parallels in the bar, trying to get the same adoration and it just doesn't happen?? Ough

Euronymous: We're not just a fucking metal band. I'm sick of all those speed and death metal bands, all that Swedish shit. All they do is celebrate life and party, they should just call it life metal. We play black metal, true Norwegian black metal. Varg: Exactly, posers claiming to be Satanists when all they wanna do is drink beer and have a good time. I hate that, all those death metal kids with their stupid Morbid Angel t-shirts. Making a trend out of something that was meant to instill fear.

Also I know I've said this before, but SOMEBODY in production has a blood kink. I refuse to believe otherwise.

There are at least 15 separate shots of men with blood splattered across their faces in this movie. I didn't even carefully examine every scene, I just kind of skimmed through the parts I knew of right off. (The show scene, Faust's murder, etc.)

And the way blood/violence is presented is so horny for no reason?? Like Occultus having his mouth wide open while Pelle's blood is actively pouring onto his face? This????

Who asked for this? ^^^^

Another thing is the parallels between Pelle and Ann-Marit. I KNOW I've gone on and on, but it fucks me up. There was no reason she needed to look so similar, down to their outfits being similar.

The multiple shots of Varg ass naked and fucking?? (This caught me so by surprise the first time I saw this movie, like why did they need to do that lol)

Euronymous pinning Manheim down while he encourages Necro to cut him? Lives in my head rent free.

The pure sexual tension in the Varg/Euro church burning scene. Like they had a cute little date and then the most homoerotic stare-downs ever. The way they smile at each other and the little hug :(

Then this gay shit

On the note of gay shit, there's not a single reason why Faust needed to touch Occultus as much as he did, yet here we are.

On the topic of Faust, there was also not a single reason why he needed to double take watching Euronymous piss. (keep your eyes to yourself girlie <3)

Emory Cohen also being so phenomenal at expressions really fucked me up in this movie, particularly him breaking up with Euro and him killing him later. He's so talented and it makes me so insane

Emory Cohen in general is just such a fantastic pick for this role, he's hands down my favorite casting. He's similar enough (especially irl Varg's arrogance that he captures) while also making the character his own is such a good mix. Plus, knowing that having a Jewish actor playing him pissed irl Varg off is a bonus.

Side note, but Pelle's dad leaving that voicemail while he was killing himself? It gets to me, man. It gets to me. (And while we're on the topic of parents, Faust's mom yelling in the background while he's getting arrested? Oh lord)

The Varg/Euro tension while they played with Atilla??? Hello???

Blackthorn decorating Varg's room for when the interviewers come by is also something I think about a lot. It doesn't fuck me up in the same way the others do, but I love that little scene. And him offering tea at possibly the worst time

They were sharing the same brain cell in this scene fr

The ending will always fuck me up the most. The shots of them all having fun intercut with Varg/Blackthorn/Faust getting arrested, Euronymous' memorial, etc. If you want to be really emotionally unwell, I highly suggest listening to this while watching it.

Everyone's reactions were sooooo good too

If you want something depressing to think about too, you can think about the fact Necrobutcher was probably just finally moving on from Pelle's death, only for Euronymous to die as well.

[nutterbuttermother]

Megumi: what are you doing today

Gojo: YN

Yuuji: nah he means like what are you gonna do today

Gojo: YN

Megumi: goddammit you’re so fucking-

Gojo: YN

[chiropteracupola]

iskierka iskierkaaaaaa my honeycake my thousand-times darling i love you i love you i love you i love youuuu

[defire]

"He's scared."

[sidekick pov, gang, prisoner, humiliation]

"What do you mean he's scared, sir? he just flipped you off."

Boss smirked and walked toward the victim, nodding as their captive tensed and glared up at him.

The boss gave it a few seconds, then quickly lifted his hand and snapped his fingers beside the captive's cheek.

The prisoner flinched so hard he actually grunted in the expectation of an impact. Then again, Sidekick couldn't fault him for being wise enough to expect boss to slap him. The kid had been slapped plenty of times already in the last hour.

"See?" Boss said. "He expects me to beat him. But he doesn't even move to defend himself."

Far from it, Sidekick realized. The captive had a death grip on his own belt loops like he was trying to strangle the fight right out of his thumbs.

"And he doesn't defend himself because he's scared." Boss said. "Aren't you, boy?"

"Fuck you," the prisoner started.

This time boss did slap him, soft enough to be indecent rather than cruel. The boy flushed and bent nearly halfway down.

Boss gave sidekick a look. It meant,

Cross me and you'll get the same.

[poorly-drawn-mdzs]

I haven't read these books at all, but your art is so fun and cute that I like seeing your comics a lot regardless. Fantastic Silly Little Guy energy.

Thank you for enjoying my silly little guys and my comics B*)

[nemesis-is-my-middle-name]

character dynamic ask game

qs focusing around how two characters interact with & see each other. any kind of matchup (partners, friends, mortal enemies, etc.) is fair game!

rules: send two characters and a question (or more!)

what were A's first impressions of B? were they mostly correct or have they changed?

if asked to describe B to a stranger, what would A say? are they mostly truthful, or is there anything they omit?

what's something A thinks in their head about B that they would NEVER tell them out loud? alternately, what's something they want to say to them but haven't/can't, and why not?

how does A refer to B (first name/last name/pet name/title/etc) in their head, to them directly, and to others? are they different? why?

A has to get B a [birthday/christmas/whatever] gift. right now. what would they get? how long would they spend thinking about it?

what does A think B thinks of them? or, if asked to describe their relationship, how would they do it? are they right?

are there any habits, mannerisms, practices etc. A does because of B? anything they do because they saw B doing it, or got advice from them about it, or something rubbed off on them? alternately, are there any little things B does that annoy them?

is there anything they really disagree on? what are they most likely to argue about?

what do outsiders think their relationship is? do they consciously or unconsciously act different around others?

how well does A think they know B? are they correct?

what's something A knows about B that most people don't? alternately, what's something most people believe about B that A doesn't?

if B asked A for help, how likely would they be to give it?

if A needed help, how likely would they be to ask B for it?

for two characters that met very recently, how would their dynamic be different (if at all) if they had known each other for much longer? for characters that are childhood/longtime acquaintances, how would it be different if they met for the first time today?

what's A's absolute favorite (or least favorite) thing about B?

free space: what's your favorite thing about their dynamic, as a fan or as a writer?

[trashcanwithsprinkles]

Baizhu design :V ? For funsies totally not going to draw him or anything

had way too much fun with this one hahah

[ajwalkerartblog]

i'm very obsessed with skip and loafer atm

[kimtaegis]

@ye-xiu's favourite taemin looks ↳ happy birthday, al! ✨

[arduousflame]

Perrepatae’s Vintage

Please also read a short Part 2.

------------------------------------------------------------------------------

Viago bit off the cork of the vial with practiced movements. The acrid smell hit hard as he poured the liquid over the gash on Rook’s arm, the wound bubbling instantly with a whitish foam as it reacted to the poison’s residue. Illario. Will. Pay. Rook flinched, her breaths shallow and erratic, her body twisting where she lay in Teia’s lap.

Pain. NO AIR. Help. Rook!

Lucanis could only watch, helpless, as Viago yanked open a second vial. "Dammit, Gwynn, drink!" he cursed, tipping it to his Crow’s lips. Rook choked, spilling the precious antidote between coughs, fighting those who were trying to save her. Teia tried to steady her, holding her head as Viago tried to pour the antidote down her throat.

-------

It had been a dirty fight. Illario’s treacherous coup to seize the First Talon’s seat erupted into chaos—a fierce clash of Crows against Venatori. It wasn’t unexpected. They had come prepared, armored and ready, after Viago and Teia’s missive. Yet, Lucanis had held onto a shred of hope—that the past year of betrayal hadn’t been Illario’s doing. A shred that was torn to oblivion once they had found Caterina alive and as well as can be as a hostage in her own home.

Rook had been quick on her feet, as always. Her magic humming beside Lucanis as she darted in and out of the fray. She kept the Venatori occupied, leaving him to cut them down one by one. But somehow, Illario had slipped through the chaos, exploiting her unguarded left side while Lucanis was locked in battle with a Venatori magister. She was no trained fighter. A Crow in name only, some would whisper. Yet she had proven she could hold her own in the past few months, with Lucanis at her back.

It had been no more than a shallow nick. But with Illario’s blade poisoned, it didn’t need to be more. Viago’s concoctions were nothing short of deadly—undetectable until the damage took hold. Even for one who spend considerable time in House de Riva where paranoia and poison reigned. No healer’s magic could counteract it without antidote, once it spread through the blood, attacking the heart and lungs.

Viago had named this particular poison Perrepatae’s Vintage, its lethal effects compounding the longer it lingered in the victim’s system. Years ago, he had called it his masterpiece—a special commission from the First Talon herself for her mage-killer grandson. Lucanis knew its power too well. Even he hesitated to use it. Death by this poison was no simple mercy but a brutal struggle to breathe and live. A death even Venatori did not all deserve. Something even Viago would reluctantly admit.

Lucanis had always ensured his own vials were accounted for, keeping them close on his person. None had gone missing. Which meant Illario must have gotten his dose from Viago’s backup stash. Whether through thief or traitor, Viago would have to uncover that answer later. The Fifth Talon would not show mercy on the Crow who had betrayed House and Talon.

Rook hadn’t realized she was poisoned. She wouldn’t have connected the subtle tremble in her hands or her magic depleting faster than normal. Fatigue from battle, she’d have told herself. The shortness of breath and heart pounding in her chest? Adrenaline, nothing more.

She wasn’t a fighter by nature. Drawn into the Crows to settle a debt at an age most already went out on their first contracts. Her skills lay in subterfuge, intrigue and forgery, not with blade or staff. But the months spent in skirmishes against the Evanuris had hardened her into a viable spellblade.

The battle ended with Illario on his knees, defeated. As he was dragged away, Lucanis was declared First Talon. There should have been relief, even triumph, as the inner circle retreated deeper into the villa to celebrate.

But then Rook collapsed, her legs giving out as she gasped for air her lungs could no longer hold.

Teia reached her first, her frantic hands trying to steady her. Viago arrived moments later, biting back a sharp reprimand for her carelessness—until his sharp eyes caught the oil-like sheen glistening on the gash in her arm. That unmistakable sign.

Lucanis met his gaze, their silent understanding instant and grim.

Mierda, Rook.

-------

Spite bristled at the edges of Lucanis’ mind, seething. He fought to stay in control, to suppress the urge to turn and crush Illario’s throat. A hesitant touch on his arm steadied him. Bellara stood beside him, worry in her eyes. "Is she going to be okay?"

Viago’s reply was clipped. "Not yet."

Teia’s hands trembled as she stroked Rook’s hair, whispering soft reassurances in Antivan. Bellara’s confusion mirrored Spites’ rising frustration. "Why isn’t the antidote working? Were we too late?" Rook. In PAIN. Stop. Pain. HELP ROOK!

Lucanis pinched the bridge of his nose, breathing deeply, forcing calm into his voice. "Because sometimes the cure is worse than the poison."

Bellara tensed, her grip on his arm tightening. He didn’t know if she sought to steady him or herself.

Rook's writhing gradually slowed, her coughing and gasping subsiding. At last, she seemed to relax. Bellara let out a sigh of relief beside Lucanis, but he remained tense, unwilling to let his guard down just yet. “Oh thank..” Bellara breathed. Just then Rook’s breathing stilled altogether.

With this, the waiting game started.

Teia ran her fingers through Rook’s hair over and over. "Come on, come on now, Gwynn." The worry in Viago’s voice cut through the silence, his quiet plea making Lucanis’ heart falter his chest. “Not like this, you idiot. Not now. Breathe., damn you..”

Seconds dragged by, each one marked by the frantic rhythm of his own heartbeat, while hers remained unyielding, unmoving. It was taking too long.

"Viago..." Lucanis started, stepping forward and shrugging off Bellara’s hold on his arm. But the Fifth Talon was already moving. After a brief nod, Viago sprang into action. With a firm but gentle motion, he eased Rook out of Teia’s lap, laying her fully flat on the ground beside him.

Viago moved closer, placing one palm firmly on her chest, the other interlocking on top. His lips moved in a muttered count as he began the compressions, his movements precise and unwavering. Teia scrambled back to make room. Bellara now reached to find her and clung to the Crow with tears in her eyes.

Lucanis knelt down, taking the spot across from Viago. He forced himself to focus, to suppress the rising dread threatening to overtake him. All the while Spite remained silent. A silence that only deepened his unease. He tilted Rook’s head back with practiced care.

As Viago paused, Lucanis leaned in, sealing his lips over Rook’s to breathe life back into her. Please, come back. A first breath, her chest rose faintly. A second, but the stillness persisted.

“Damn it.” Viago resumed the compressions, his jaw clenched tight, the force of his efforts enough to bruise her ribs. This made both men flinch, but Viago did not hold back. A third breath. A fourth. Still, nothing. Panic flickered in Viago’s eyes, mirrored in Lucanis’ own.

They were losing her.

Viago paused again, his shoulders heaving with exertion. Lucanis didn’t hesitate, bending down once more to breathe for her. Just as despair began to claw at him, a faint shiver rippled through Rook’s body.

Then, a cough. A desperate, gasping breath.

“Maker.” Relief crashed over them like a wave. Viago sagged back, as he sat beside Teia, who dropped down with him. Lucanis barely registered the tears in her eyes as he pulled Rook close, murmuring softly.

"It’s okay, Rook. You’re okay now. I’ve got you."

[marshmallowgoop]

And wish that I didn't

One last video before 2024 ends everywhere! Made this for Anime Frontier's AMV contest (check out a playlist of finalists here!) because I really wanted to submit thirteen Conan videos and needed one more to do that. It's since been revised and revamped, hopefully saying what I wanted to say with it more effectively!

Happy New Year!

[Song link] [YouTube link]

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[a2zillustration]

The desire to draw these two again but without the motivation to make something more than one of these little charts (oops)

Thank you Valc0 for making the sheet!

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[hellojuiceboxbaby]

Another podcast has fallen victim to me listening to the first episode, becoming feverishly obsessed and consuming almost the whole show in a few days and the right before the finale I lose momentum (like second last to third last episode) and forget it exists for months until I go “oh yeah I remember that!”

Anyway Camp Here and There is cool as shit too bad I’ll never know how it ends *sighhhh*