#but he killed someone first i guess...

[qarker]

clay....more...more....

[thankstothe]

One liners the sequel

[rottengurlz]

lover, don't touch me // leave, i am a danger to you // but ooh, i hunger for you

[possamble]

Do you have any plan to make some kind of bonus chapter or oneshot about marcille's perspective in little creature? It's not like I'm asking you for it ofc!! it's just that i think it'll be interesting to read, and especially since you had those tags about marcille after her fight/outburst with falin and how you couldn't add it to the fic because the fic is from falin's perspective

Probably not about anything that happens during a little creature, but maybe something before or after? Sometimes I do like to do "the other character thinking back to events while doing stuff in a sequel" oneshot type thing, but we'll see how it shakes out!

[i3utterflyeffect]

What would stick!Alan's reaction to meeting stick!noogai be?

mostly shock and confusion! he's very confused by this and very concerned for his counterpart!

noogai!victim also scares the shit out of him for obvious reasons and as soon as anyone asks about his victim they can unfortunately immediately tell they weren't as lucky.

[screwpinecaprice]

I know it’s not a question but i can’t help but appreciate the fact that you draw adult Steven as a chubby guy! We big boys need some positive representation in here. Also, i’ve been following you for almost a year now!

Btw sorry for my English lol.

Hi! It's very pleasing to know you've been around for as long! 😁😁😁 I absolutely appreciate the appreciation! And no worries, your English is super fine! 😁 (Relatable actually. I am also apologizing in advance if I can't exactly have my point clearly across because I'm not well at English myself! lmao)

It took me quite some time to learn how to draw chubby characters but it's so satisfying to have eventually. ( *`u*) (I mean, there's still so much to learn, but still.)

Having a chubby main protagonist is so wonderful to have. And a good kid at that. (Ngl I'm attracted to kindness. haha So of course it's very important to me that he's fat AND kind.)

Also design-wise, I personally think it fits his character so well. Soft and huggable, shaped like a friend. Thick arms to hug people with snuggly. Body wide like a shield. etc. ¯\_(ツ)_/¯

And I just really like to capture these elements when I draw him as an adult. Also that it's just fun to draw.

Simply personal thoughts about it, nothing against any other ways he's being portrayed by others of course.

[hanzajesthanza]

don’t let me reread because i saw this

and an image of reynevan pleading innocent like the crying cat meme flashed across my mind

[ctrl-lupin]

Yes, I would be very interested hearing your head canon (@tim-ribbert-56) (in response to this post)

I have decided for my personal entertainment that Clarisse de Cagliostro is related to Lupin III, and here's why.

-pulls out Arsène Lupin's Wikipedia page-

In the novel La Comtesse de Cagliostro, a young Arsène Lupin (at the time going by the name Raoul d'Andrésy) was courting Clarisse d'Etigues, a young lady of a well-to-do family, and trying to win her hand, despite her father's disapproval.

Throughout the course of the novel, Lupin meets and falls in love with Joséphine Balsamo, aka the Countess of Cagliostro, and abandons Clarisse in favour of her. To clarify, Joséphine is not actually countess of anything, she is (or claims to be) a descendant of Giuseppe Balsamo aka the Count of Cagliostro (who was also count of jack shit), a famous conman from the 18th century.

Shenanigans ensue, which I will not go into in details on, but oh my god I am insane about Raoul and Joséphine, I want to dissect them and study them under a microscope. It turns out Joséphine aka Cagliostro is evil as fuck, Raoul/Lupin realizes that and goes back to Clarisse (whom he had previously abandoned like an old sock, I fucking hate this guy), marries her, and a few years later has her kid.

Unfortunately Clarisse dies in childbirth, and Joséphine, who was still around and very very pissed at Lupin (and jealous as hell of Clarisse whom, may I mention, had never personally antagonized her in any way whatsoever, Joséphine is just fucking bonkers). Joséphine also kidnaps Lupin and Clarisse's son, Jean, and raises him as her own son. (I have not yet read the following novel The revenge of Cagliostro so I don't really know what Jean's deal is, I just know he's an antagonist).

The following is my headcanon, based on these events. In the universe of Lupin III, Joséphine Balsamo was actually countess of the small kingdom of Cagliostro (maybe Giuseppe was count, maybe he conned his way into becoming count, maybe he bought the land and built a fake kingdom with a fake history, who knows).

After the events of The revenge of Cagliostro, Jean settles down in the country of Cagliostro, gets married, has a child, and that child will later have a daughter of their own, who they name Clarisse, after their late grandmother. Clarisse de Cagliostro, of Lupin III: The Castle of Cagliostro fame, would thus be the great-grand-daughter of Arsène Lupin, making her Lupin III's cousin/niece/whatever you call this specific degree of separation.

I am choosing to make Clarisse de Cagliostro a great-granddaughter of Arsène Lupin, rather than a granddaughter, because Arsène Lupin was very young when the events I described unfolded: he is 20 years old when he meets Clarisse d'Etigues and the whole Cagliostro debacle happens, and 25 by the time Jean is born. I'm assuming he had Lupin II much later in his life. So Jean and Lupin II (half-brothers) would have a significant difference in age, and so Jean's hypothetical child (grandchild of Arsène Lupin, so of the same generation of Lupin III) would be much older than Lupin III. Clarisse de Cagliostro is younger than him, maybe around the same age if you stretch it, so she's have to be a great-grandchild.

Now I need to read The revenge of Cagliostro and study Arsène Lupin's wikipedia page in more detail to determine when exactly Lupin II was born and who his mother was. And also where Albert's family branched out, because the fact that he's called D'Andrésy should theoretically place him as a descendant of Arsène Lupin's mother but not of Arsène Lupin himself; but Jean was also going by that last name, so who fucking knows.

No I am not insane I promise, I am just a gigantic nerd.

[emmodii-mode]

Just finished my first playthrough of BG3. Romanced Lae'zel, but ending up turning into an Illithid because the idea of making Orpheus or Karlach do it didn't sit well with me (or my character).

I told Lae'zel to leave with Orpheus in the end (I heard she wouldn't stay with a ghaik anyway, which she's valid for, but also, it doesn't feel right to ask her to stay when I know how much her people mean to her). And like-

Her face before she flies off---

She looks so heartbroken and sad.

[linusbenjamin]

Lost 3.19 | The Brig

[mechahero]

//Let's also not forget the discourse that would be "hurr durr trans character existing bad".

[unexpectedbrickattack]

talks about my own damn post in your inbox i guess but i think a good part of the bros' trusting peppino is like. pizzahead can so easily buy out or win over basically anyone who stands against him and peppino is like the ONE guy they knew for sure that wasn't gonna happen with. he might not have cared/known about their plight, but he also didn't seem to have any ulterior motives that would make their lives more hell if he got the treasures, so that was...really as much as they could ask for given the circumstances

I like the idea of this 🤔 Like maybe there were other people theyve seen immediately take the money, like randos but also some of the bosses. So their only hope was someone who wasnt going to be talked or bribed into leaving this tower alone. I can see ph still trying to buy his way into peppinos restaurant, even towards the end…like ouuuh…fat and rude italian man…i dont HAVE to explode this shop, i can just buy it 🥺🥺🥺 please let me buy it 🥺🥺🥺🥺🥺 pwease…..🥺 and peppino is so fucking determined to just smash everything into oblivion that that simply isnt an acceptable offer. Get ur ass beat. That is the only acceptable offer. And u know what? John will definitely put the small amount of faith he has in this man bc of it.

[13eyond13]

What's an actual example of a canon ship that's enemies to lovers btw?

[designernishiki]

as much as a i understand and respect ace kiryu truthers, i really feel like kiryu is the type to really take the idea to heart that sex is something vulnerable and meaningful and thus reserved for someone completely trusted and special to him– someone who feels right. after years and years he’s still never legitimately voluntarily slept with someone, always tries to turn women away or is at least apathetic when they try to get physical with him, never feels that deep and specific bond with a woman– nothing compared to some of his bonds with other men throughout his life. and maybe, hopefully, one day it’ll hit him that there’s a pretty big, glaring reason why no women have ever felt “right” to him.

[quantumshade]

i'm taking her away and putting her up on a high shelf till you mfs learn to behave

[rabarbarzcukrem]

Okay I've been meaning to write this post for a while because. Those last few episodes have fucking layers mannnn

So let me start by saying that House and Cuddy's relationship was, sadly, doomed from the very beginning. That's not to say that it didn't have any chance of working out, ever, because they clearly had chemistry and cared about each other. But the circumstances of them getting together, the fact that it was the reason House decided to stay clean makes for an absolutely awful start. It fucks up the dynamic of your relationship - it demands one person to stay for the sake of ensuring the other doesn't relapse, and no one should ever be put under this kind of pressure. Secondly, it was always conditional - which is actually not as bad as it sounds. House is a person who loves pushing boundaries, and Cuddy is a woman who knows her own worth. She, Stacy and even Dominika aren't pushovers - with them, there are lines that House knows he can't cross. Lines that, once crossed, will make them decide it's not worth it and leave him.

And here's where Wilson comes in, because he's exactly this kind of pushover. During one of the therapy sessions House straight up admits that's why he's still his friend - because he can say anything to him and he won't leave. Wilson's affection for him is truly unconditional, and as unhealthy it may be, it's the only kind of relationship that really works for House.

See, he is fundamentally a selfish person. I am not saying that he doesn't have his moments of kindness, but on the most basic level he prioritizes his own needs above everyone else's. He's right when he says he doesn't sacrifice himself. In fact he's incapable of, or perhaps too stubborn to, sacrifice even the smallest amount of his own comfort for the other person, or to simply make the situation easier - a quality that's crucial for, y'know. Existing within society, not to mention maintaining a romantic relationship. He follows his own curiosities with no regard for anything, he will intentionally make his own life harder just to get what he wants, to end up being right. Even in his affection and care for other people he's always centering himself - when Cuddy is hospitalized, he panics. But his fear doesn't motivate him to support her in this trying time, it consumes him to the point he can't even bring himself to visit her. It doesn't matter that she's the one who's sick, or even that her tumor is benign. The only thing that matters is that he is scared.

Someone might say: "well, yeah, but underneath all of this he's actually full of self-hate". And I agree! Except that fact only contributes to his selfishness. You know how anxiety disorders make you worry about what other people think of you to the point you're not actually focusing on them, but only on yourself and your worst qualities? That's exactly what's happening here. In fact, his overall cynicism and pessimism require that of him. If he believes himself a horrible person, and one incapable of change at that, and also believes in the inherent cruelty of the universe and ultimate egoism of all people, of course he ends up unable to connect with anyone. Like when he ends up pushing Stacy away, because he decides it's not even worth it to give them a chance at happiness - making it all about himself again. He thinks he's unlovable, so he acts like a dick. Because he acts like a dick, no one wants to deal with him. This confirms his assumption that he's unlovable, and the cycle continues.

And the reason these last episodes are so gut-wrenching is because all of that gets completely turned on its head. You see, Wilson and his friendship is House's point of reference, the one stable thing in his life, one thing he can be sure of. He's very cautious about depending on anything and anyone else, and yet in Wilson he puts complete trust. During his time in prison, he admits to one of the men there that he's "peepless", because nobody has ever visited him. Yet once he comes back, he's fully ready to fall into the same routine with Wilson, almost as if the possibility of their friendship ending has never crossed his mind. Because he can do unimaginably stupid and cruel things, he can make everyone hate him, but no matter what he does he will not lose Wilson.

Except that when Wilson gets cancer, he has to face the reality that no matter what he does...he will lose him. And the rug is pulled from under his feet.

Once again, we see House repeat the usual pattern of being so scared of losing people that he panics and abandons them at the time they need him the most. He's so terrified of having to not only witness Wilson's death, but keep on living without him, that he gives in to his most self-destructive tendencies. He takes the cowardly way out, because the alternative would require him to get over himself, to get over his fear and insecurities, to endure it for the sake of being there for someone else. He can't bring himself to, he decides it's just not worth the pain.

Except..in those last moments, when he's debating with himself if he should go through with it, he ends up breaking the goddamn pattern. He goes against his self-centeredness, his stagnancy, the features that are the most central to his whole character and opens himself up to change. House! Who has long accepted that people, and especially him, will never change! He sacrifices not only his comfort, not only his core beliefs, but the very thing he lives for - the puzzle, or more specifically, medicine, just to spend these last few months with his best friend. It doesn't matter that it hurts, it doesn't matter that House has lost all hope and doesn't see the point of it all, he will bear it. Because Wilson needs him..and that's enough.