#but he certainly thinks he is

[radiaking]

People falling for the ghoul without knowing he’s cooper howard!!!!!!

[hinamie]

morning glory

[son1c]

sonic the hedgehog shouldn't have an iphone. he shouldn't even have an ipod. the only technology he should have is a nokia flip phone that could survive being slammed into a brick wall at mach 7. and he uses it to text tails horrible 180p pictures of birds he comes across on his adventures

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!

[aq2003]

the way hamlet acts in act 5 scene 1 juuuust clicked to me. like my impression was "smh my head he is so toxic, he did NOT love ophelia as much as laertes did, what is wrong with him" but actually i think the thing that sets him off isn't just laertes' display of grief, it's also how everyone takes it seriously. everyone treats ophelia's funeral like a funeral and is sympathetic to laertes and understanding of his desire to jump in a grave with her etc but these same people around hamlet expected him to celebrate his uncle's coronation and move on from his father's death at the same time. in that moment hamlet sees laertes as similar to the actor narrating priam's death in act 2 scene 2 and it makes him SO mad (and he regrets it later in act 5 scene 2 which is after he realizes laertes' emotions are as real as his own. probably why he calls him "brother" as well)

[messiahzzz]

[poorly-drawn-mdzs]

Happy Halloween! 🧼🥩🎃

[a-most-beloved-fool]

spirk using telepathy to keep each other alive. kirk, desperate, psy-null and untrained, reaching clumsily into spock's dying mind and pulling, dragging spock's essence into himself, wrenching him forceably from the very jaws of death and holding him there through sheer strength of will, saying you can't die, i won't let you, you can't leave me, i need you, and binding him to life and to himself until it's impossible to fully separate them. spock, more skilled, carefully managing each one of kirk's vital signs - keeping his heart beating steady, his lungs drawing breath, his temperature within a safe range, all while suppressing kirk's pain, and at the same trying, vainly, to keep their minds from tying themselves inexorably together, but they're pressed too close and he can't, and he hopes that kirk will forgive him, for bonding them like this (he will, of course he will), but the alternative, letting kirk die, was - unthinkable.

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[starry-bi-sky]

mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:

"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."

His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.

"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.

But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[wisteriagoesvroom]

the twink twins strike again

[x]

[hinamie]

wanted to practice some more intense angry expressions and what better excuse to further my agenda of giving megumi the emotional catharsis he deserves

[radiance1]

@puppetmaster13u You called Danny a space whale in the tags of one of this post.

Now what if that was literal?

Hear me out, Danny outlives his friends, parents, sister. Danny becomes a literal whale.

Well, not a literal one because he's a ghost, but he takes the shape one of at the very least. He's just a giant, glowing white whale that looks pretty divine not going to lie.

Danny leaves earth. It wasn't safe for him anymore, what with the GIW and all that as even the ghosts found it not even worth anymore to visit the mortal world.

Except for Desiree and Spectra, but that's besides the point.

But Danny doesn't retreat to the zone, he's always longed for space, but because of his new half humanness he doesn't get believe he could've ever gone because, well. Yea.

But Danny goes fuck it and goes anyway. His form shifts from human to that of a giant whale, and he swims out into the vastness of space.

Years pass, and Danny does start getting bigger as he aged. He explored the vastness of space, marveling at many things, the different planets, the stars, the formations of rock and other things.

Then he encounters someone he never though he would've.

Vlad.

Well, he knew Vlad was left behind in space by his father but he didn't think he would find him again and Vlad seemed... different, from what he remembered.

For one thing, he didn't even know where Vlad began and space ended. He got only see those red eyes that even hinted at it being the man. His body was void black and filled with stars upon stars, all glittering from his body and Vlad barely even seemed to notice him, or if he did, he didn't seem to care at all.

So, Danny took him.

He was both curious and felt a bit bad about what happened to Vlad, even if he didn't know exactly what happened, and he couldn't just leave him there either.

So on his back Vlad went, and his travels continued.

It seemed to be the correct decision, really, because slowly overtime Vlad seemed to be regaining his awareness. Then slowly, tentatively, started to speak with him through ghost speak.

Vlad only seemed to vaguely remember what he was before space. He remembered hating a man, loving a woman, wanting a son, loneliness and a boy with white hair and toxic green eyes.

Even though Vlad was his former enemy, his nemesis, and someone who took the world hostage.

He couldn't help but feel pity for him.

Then their travels continued.

Years pass unnoticed, when in space, with Danny slowly getting bigger and bigger as the two travel throughout. They've come into contact with various civilizations, some hostile, some peaceful, some neutral.

The hostile ones never lasted long, even if Danny never lifted a flipper to do anything most of the time, Vlad made sure of it.

They came at went as they pleased, and Danny believes that they've gained a bit of a reputations over their adventures, but neither he nor Vlad knew exactly what they said. It did prove useful in some cases, however.

A few more years, and Danny feels that this system is vaguely familiar. Which happens sometimes, considering he's been travelling for so long. He then finds out why it was so familiar.

He came across Earth and, oh. When was the Earth so small?

Well, not small really, but when was he just only a bit smaller than it?

Did it shrink when he was away? Or did he just grow?

That doesn't matter though. What does, is the fact that currently seemed to be an invasion going on, on his home planet thank you very much. He did not like the fact that there was a massive fleet parked right outside his home.

So he spoke to Vlad, expressed his displeasure, Vlad responded back knowingly and went off to make the source of his displeasure disappear. That doesn't Danny was idle either, the fleet was big and, well.

It's been a while since he's stretched himself in a fight.

[cerealjpeg]

he likes to look spiffy sometimes

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.