#but guess who's not over it yet

[embers-of-the-league]

Crying real fucking tears because of this He was reaching out because he needed help He was 5-years-old, scared out his mind and he needed help And instead, he gets hurt once again. His mother ran towards him to try and comfort him, even though it cost her her life His father treated him like a villain

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[idontmindifuforgetme]

It really is so true that you never know what someone’s going through behind closed doors. I’ve made being gentle and kind my default bc I’ve had super put together friends disclose the most harrowing time of their lives to me and it’s like oh?? You were going through that???? I would’ve never guessed

[whenthewallfell]

~The Many Legs of Peeta Mellark, or A Weirdly In-Depth Look at Panem Prosthetics~

Concept art for Peeta’s leg because I can (details below the cut)

Catching Fire: though the leg itself is removable, the cover is non-optional and the access panels can only be used by Capitol technicians. Due to how ornate it is it can get a bit heavy after long periods of wear, and there’s limited movement in the ankle which impedes walking. It’s designed to mimic the shape of the original leg so it fills out clothes nicely, but flashy enough to be worthy of a Victor should anyone see it. A very pretty prosthetic, but only slightly better than a peg leg. Mockingjay: this is what the prosthetic looks like without the fancy cover. It’s very no-nonsense with an advanced ankle component that has better range of motion without the casing, and features a rubber tread on the bottom of the foot blade to allow for better traction when chasing down and murdering his one true love. Although a vast improvement mobility-wise, it’s been permanently bolted to his leg and the control panels are all welded shut. Everything about this is short-term - they don’t care what happens to him once he’s killed Katniss.

Post War: when he’s caught in the explosion/fire from the bombs that got Prim his leg melts and fuses to his stump, so the doctors end up having to amputate even more. He’s given the choice to try out an experimental implant, which he accepts. This is vastly different from the other ones because he’s got so much autonomy - he can change the settings himself, remove the foot shell, opt in for a leg casing if he wants (he doesn’t). All in all it’s a very low maintenance leg, which suits him just fine, and because it’s an implant it finally feels like a part of him again.

[thatfaerieprincess]

WATCHED C3e99 DOWNFALL PART 1 AND UHHH I HAVENT DRAWN FAN ART IN YEARS BUT THE MUSE REALLY SPOKE TO ME THIS TIME

Step 2 figure out how the Emissary actually looks

[wantonlywindswept]

time capsule alpha 17

okay so like we don't actually know what happened to Alpha-17 in the end, right?

it just says that 17 was critically injured by grievous and put on a medical transport to get treatment, and then not-dead ventress commandeered the ship and took off

so with critical injuries it's entirely possible that 17 was stuck into stasis or cryo until he could get help

and entirely probable that ventress got where she wanted and then fucked off, and the ship ended up stranded somewhere and forgotten

which means it is definitely possible that at some point after the fall of the empire, someone finds and patches up and revives 17, who has against all odds survived and is PISSED when he hears what the galaxy's been up to

and maybe kix has also been found much sooner and woken up and is living with a much more chill/brotherly boba on tatooine (go read Keeps Getting Harder to Find, it is glorious, don't be put off by the unfinished tag it ends at a good point)

and one day the doors of the throne room (are there doors? whatever) slam open and everyone on tatooine knows that daimyo fett fears neither sarlaac nor death but the sound he makes when a massive furious clone stomps into the room is maybe slightly possibly fear-adjacent

and kix doesn't even try to put up a front he just squeaks and ducks behind the throne

and alpha 17 surveys everyone in the room with a patented look of disgust and Judgement and bares his teeth in what might be considered a smile if you were concussed and goes

'my dear least favorite little older brother, what the FUCK is going on'

[forlouren]

Not to be the first soldier on the frontless of the woobification of Qimir (he is a villain, we know this, and I love him for it), but the lack of nuance, or rather the one-dimensional angle people who don't like his relationship with Osha have taken with him, irks me so bad. I get it. He is Sith, right. Treachery is their way; and what are the darksiders, if not self-serving?

But I feel like the specific phrasing of "the Jedi like you would call me Sith" implies so much about his own unique characterization, and I don't understand why we are glossing over it. It's not a self-identifier. It shows it isn't as much as a title he'd give himself, but a badge he'll wear since in the black/white viewpoint of the Jedi, he is not allowed to be anything more or less. His almost catty, "semantics" hammers in this fact for me, personally.

He strikes me as one who takes what he wants of the Sith code, and disregards the rest. I don't think it's a mistake that even after his reveal, we don't see him with the signature dark side eyes.

I say all this to say; Qimir's ultimate goal is not power, it is FREEDOM. *That* is what he is driven by. He craves to live outside the confines he deems as constrictive/oppressive, and have by his side, someone who wants the same.

So even while disregarding Leslye's interview; I honestly don't know how with what we've been shown in the show so far, aside from him being a sith, makes people think otherwise.

[dr-mothman]

I think not a lot of people talk about AM's self-esteem issues and self-destructive tendencies and it makes me sad.

[bromcommie]

so I was digging through the Vast Legally Grey Junkyards of the Internet in search of better quality footage from AoU for my edits, specifically the scene with the CA FASCIST grafitti in Sokovia—which I unfortunately didn't find, but what I DID find was a bunch of deleted/expanded scenes that I didn't know/didn't care enough to pay attention to before. Which is fine. Most of it is techno babble and rushed plot setup. However. This stupid-ass ten second clip makes me literally insane. It makes me. Want to kill and maim and chew on the bars of my enclosure. And not in the sense that the contents make me oh-so-emotional, but because the potential of them could. Because what do you mean.

What do you mean those four and a half lines were cut for pacing/time when it's a ten second difference and the rest of the scene is in the film anyway. What do you mean you cut it because it didn't fit the narrative. It's literally couched in two minutes of plot it could've been so easy to slip it in there. A passing reference that would add at least a smidgen of depth to both the (already fucking incomprehensible) plot + politics of the antagonists, and to one of the main fucking characters. Like you were SO close what do you mean you cut every feeble attempt that was made to scratch the surface of Steve's character outside the whole nightmare scene we're supposed to feel so bad about what do you MEAN.

The fact that this minimal exchange—paired with that graffiti scene where Steve is confronted with the actual legacy of Captain America and what he's come to mean to people around the world and then quite physically discards the identity + him still circling back to the mantle at the end of the film anyway because he doesn't know how to do or be anything else, feels like he's too changed for this idea of a normal life that stems from before the war and the ice and doesn't know how to live without carrying that, without being useful in this one specific way—has more meat on its bones in the whole lead up to Civil War and ultimately Endgame than half of this movie's sledgehammer-over-the-head lines about home and family with Barton's kids laughing in the background or whatever like some fucked up C list hallmark movie is downright infuriating to me because like. You clearly thought about it. It passed through your head. You wrote some version of it into the scene. You shot it and edited it and watched it a few times and then you went "nah off it goes to the cutting room floor, we have enough of that. Add those seven and a half seconds to the 20-minute long, entirely CGI Hulk sequence, that we need more of. Surely that will fix the pacing issue".

Side note: this is me not even getting into the fact that, at this point in the franchise, this would have been one of the few lines we'd get of Maria actually saying something or interacting with anyone in a way that is even marginally removed (which this barely is) from simply delivering plot information. This is the only time we kinda get her view on something or even an inkling that she used to be a goddamn intelligence agent. And how that history informs her view of the situation and how it could possibly clash with Steve's own. And that woman is in every fucking movie. (Not to mention the fact that the two of them were just in a movie together, for Christ's sake, and going through something together you could pretty fairly characterize as traumatic and bond-inspiring to boot—and in AoU we can barely tell they even know each other. I mean the bar is so low and they still managed to limbo right under it.)

[fellamarsh]

another thing i've been trying to do recently is read more self-published stuff. "but fell," you say, "you're a self-published author. surely you've been reading self-published stuff all along" and then i laugh for so long in response we both become uncomfortable.

see, the fear (which has for a long time been killing my mind) that i'll read other self-published stuff and find out that it's so much better than mine that i might as well stop writing forever kept me from doing that basically ever. i have a hard time not unfavorably comparing my work to others and had convinced myself i was being smart by withholding an avenue of de-motivation (reader: i was not being smart). it also doesn't help that i'm pretty low income and have a hard time spending money on books i haven't already read, and that self-published stuff isn't always available at the library---but really a lot of it was just me being a coward. which i'm working on. i could talk about how this particular cowardice is Very Silly, but i think enough has been said about it on writeblr and in the Writing Space in general that i don't feel the need to (though i will if anyone wants me to).

instead, i wanna talk about the self-published things i have read in the past few months and ask about the self-published things you love!

so: what happened was i got real sick, and while i was real sick i (naturally) read over 200,000 words of ace attorney fan fiction in the span of a few days. eventually i got bored of it (and also maybe annoyed at how people were characterizing some of my guys), but i still wanted to read something gay and romantic and nice, something i knew was gonna end happily, which isn't my typical fare.

now you may be saying (having gotten over all the uncomfortable laughter from earlier) "fell, you write gay romance. what do you mean that's not your typical fare?" listen. until a couple months ago i hadn't read a cut and dry romance novel since before i finished college. for context: i graduated in 2015. i know it doesn't make sense. i'm a guy who doesn't make sense.

but in this case it worked to my advantage. not the not making sense thing, but the not having read Published Romance in 1000 years thing. I didn't know where to start. I was very skeptical of everything the library had Available Now in the Gay Fantasy Romance category. what if it was all bad and also not good?

and then i scrolled past the familiar cover of our very own @ashen-crest's A Rival Most Vial.

now this was comfortable territory! this was a novel by a very nice writeblr person whose posts i enjoy! i already loosely knew the plot, i was familiar with the characters, i knew the names of things like rosemond street and the griffin's claw and that ambrose had blue hair and that at the end of it all there would definitely be Boyfriends. i didn't have to worry that this would be bad! i only had to worry that it would be really good!

but i wasn't worried about that, because i was officially Not Writing at the time, and because why the hell hadn't i read this book yet Ash literally emailed me some very kind words last year when my cat died??

Y'all, I devoured ARMV. If you haven't read it yet---especially if cozy fantasy is more your thing than it is mine---you should check it out Immediately. It was fun! It was heartwarming! It was sweet and earnest and confident! I was delighted to find it was occasionally hot! Ambrose and Eli snuggled up into my sick exhausted heart and found a permanent little place there. (Especially Ambrose. I have such a thing for Stiff Guys who Kind of Suck for Tragic Backstory Reasons and are So So Lonely They Don't Even Realize It. gawd)

(And a very small part of my brain spent the whole time wondering why I had been so afraid to really engage with the work my community is doing. The community that I'm in. The one I'm a part of. Why?! Maybe more on that later.)

But from there the curse was broken! I immediately devoured @stjohnstarling's What Manner of Man in a similar sort of frenzy (and hooooly shit guys am I excited for the expanded, finalized version to come out at the end of next month!) and started digging into @lurinatftbn's The Flower that Bloomed Nowhere (which I can already tell is going to be an All Time Favorite).

And now I want to ask you what your favorite self-published books are so that I can read them, too, but I think I will in another post that doesn't dedicate so much space to talking about my various and sundry Issues and isn't Terminally Long

[bonefall]

My birthday was a couple days ago, and I got to see my bio dad for the first time in a while. He surprised me with the fact that I have a little half-sister, whom I've never met and who was adopted about two years back. So, I wondered if any situations in BB mimic this or have a theme of "secret siblings" or "secret family"? Sorry if this is a weird ask; this blog is honestly just such a cool little place and I love the way you approach the subject matter and take the flawed misogynistic foundation of the WC books and make them so much better (JUSTICE FOR BUMBLE!!!). I've also learned a lot about healthy and unhealthy relationships here and am really glad for your deep dives on Squilf and Bramble. Thanks, Bones!

Not weird at all! I really like exploring all the little nooks and crannies of complicated familial dynamics. I think one of the untapped strengths of WC (that the writers seem to be unaware of) is how their MASSIVE cast allows them to present all sorts of unique dynamics. So I like to pick up on it, since they don't.

For secret siblings...

I'm pretty heavily leaning towards Ambermoon being adopted by Wildfur, as a surrogacy. Something feels correct about it. Especially since Icecloud is getting retooled into a post-Battle of the True Eclipse birth, and a major supporting character in AVoS-era stories as a friend of Alderheart.

Thinking about it, I should zoom in and expand this. Maybe have Icecloud, somehow, acquire forbidden knowledge that would invalidate the Queen’s Rights and he (transman) struggles with if he's going to use it to expose his parents as an excuse to help Ambermoon.

(Especially since Ambermoon and Icecloud are basically nothing alike. Amber is independent, bold, and vain. Ice is jessie pinkman big-hearted, disorganized, and deceptively meek if you look past his "chill" demeanor)

But that's wip-- there's also Breezepelt and the Three, who are going to have an actual friendship. In particular I can't unsee Breeze and Lion having a deep one. I know I commit the Cardinal Sin of borderline himbo-ifying Lionblaze in BB, but I can't help it.

Hollyleaf ended up nabbing a bunch of his most violent roles to make her villainous descent smoother narratively, so BB!Lionblaze's story ends up being more focused on Ashfur's abuse, comic relief with cats in other Clans (something that the very serious Jay and Holly have a hard time providing), and the emotional fallout of the big reveal and Bramblestar's turn on them. Breezepelt slots neatly into that.

They were friends. Lionblaze's whole life came down around the reveal, everyone looking at him and his siblings differently, like they're suddenly something terrible. Why can't we find a silver lining, Breezepelt? Why can't we call ourselves brothers if the whole world is going to do it anyway? So much is changing, but THIS doesn't have to, we will take their weapon and turn it to armor, my ally, my friend, my brother.

(and when Breezepelt is lashing out at the three because of the Dark Forest's influence, Lionblaze is there, taking the blows and trying not to give in to the impulse to send him flying with a single paw)

There's also Harespring and Kestrelflight of WindClan and Owlclaw of ShadowClan. All of them are from a single litter between Whitewater and Mudclaw. She was going to raise the three of them alone as ShadowClan cats, but when the sire was smote, Whitewater felt they were cursed.

She was able to give the oldest two to their bio-uncle, Torear, but the weather was so bad that day and the runt was so sickly and small that it surely would have killed him. I don't think Owlclaw ever finds out why his mother always treated him with suspicion, but it did mess him up horribly.

Over in BB!DOTC, Thunder Storm is getting more half-siblings earlier. Clear Sky and Falling Feather had two daughters-- Pale Sky and Tiger Sky.

I want to explore the way that the various stages of Clear Sky's life acted on his kids. How any little curiosity Thunder Storm had about the life he might have had if he wasn't abandoned is crushed by seeing kittens who weren't. How Clear's favoritism of his oldest child set the trio against each other from the start. How this idea of "love" is toxic yet intoxicating.

It feels good to be the golden child. The power it gives you over his sycophants is satisfying. To know you, and you alone, have what someone else craves. Problem is, that's conditional, and it's cruel.

What Thunder Storm learns from his time with his biodad is that Clear Sky is not his father at all. He's taught him exactly what he DOESN'T want to be. There may be similarities-- in temperament, in physical prowess (though BB!Thunder is three-legged, he's still ripped), in taste and senses. But Thunder Storm's father is Shaded Flower.

(BB!Gray Wing died in the first book, rescuing Shaded Flower from being trampled by a horse. Xey're a patron of wisdom, Shaded Moss is taking the role of fatherhood to Thunder)

His sister is Rainswept Flower. His mom is Bright Storm. If there was a bond he could have had with Tiger Sky and Pale Sky, it dies simply and cruelly on the knife they used to cut each other out.

Pale might have wanted to mend it, she was the gentler one. But she dies in the First Battle along with her mother. Tiger Sky is too stubborn to accept any help, should Thunderstar offer it, and Thunderstar isn't in the business of begging for others to like him.

Naturally I'm lowkey obsessed with them lmao. I need to make a BB!DOTC overviewww

[azuzula]

ghoulsghoulsghouls :>)

drac&lagoona

frankie&clawdeen

[mishy-mashy]

Do you think Banjo is the type of person who hides his problems behind a clown mask?

The guy acts like a bit of comedy relief, but I think he's the kind of person to face his problems head-on. I don't think he uses humor as a coping mechanism. We never see him do that for himself. He's just a loud guy

Look at how he first appears to Midoriya

He's loud, and it steals Midoriya's attention. But he's calling him out on why he's messing up

But as a character's debut, the first things he does are:

Call out Midoriya for trying to do things alone, when Yoichi's first message to him was that he wasn't

Tell him that if he can compose himself, things typically work out

Understands Midoriya's side of things, and tells him he knows (like lacking a mouth)

And once he says those two previous things, he exhales, and his eyes show their pupils properly

The parting advice he gives Midoriya is a reiteration of the second point: It's okay to be mad. What's important is controlling your heart.

Blackwhip is a Quirk that responds to the holder's emotions. Like other Quirks, but Blackwhip goes out of control when the user isn't able to get a grip on themselves

Banjo used his Quirk effectively. He'd have to live that advice to pass it on to Midoriya, back when Abilities were starting to become normal, but Japan was still wrecked. And we know that Quirks are influenced by, and influence, the holder's personality.

Banjo would have to be able to be honest with himself, understand his emotions, and has the maturity to say it's okay to be mad. Just control it.

When he said that for the first time, it actually surprised me. Everyone in fiction or reality says "Don't be mad", but a character on his debut and says it's okay to be that. I never heard anyone say that controlling your emotions and outputting them in a healthy manner is what matters. People just say not to he negative or annoying, because it's inconvenient; but Banjo went past that.

And when he fades, he tells Midoriya he's got this. He reminds him that they're all behind him.

Whenever he speaks, he doesn't make the receiver feel bad, or speak down to them. He understands them, and gives the next step in a familiar, friendly way.

On his debut, he told Midoriya to control his heart, and to remember he wasn't alone. Here, he tells him he should try understanding their Quirks better.

He's actually got a mature way of seeing things. He's an adult, and being the holder between Shinomori and En, he wouldn't be able to deal with either of them if he wasn't mature about himself. Shinomori probably wouldn't choose someone who can't be honest with himself upfront, after spending almost half his life for OFA. And En is young, prone to panic, and a guy who acts like his problems aren't there or funny wouldn't help that.

I can visualize Banjo sitting at a small fire with Shinomori, having an honest, calm talk about life (until Shinomori says the wrong thing and Banjo yells something about it). But not Banjo trying to push his problems down with a hearty laugh, and Shinomori being okay with that.

When Midoriya used his Quirk for the first time, Banjo did get loud at the start, but he did lecture him in a way that was kinda teacher-mentor-ish.

I actually like the way Banjo talks about his observances. He's got the demeanor of a good teacher, he's clear, and direct. He's light-hearted about serious things, but doesn't diminish them. He just approaches it in a way that you aren't feeling the pressure, and can feel like it's possible.

He seems to have this habit of being loud to get people's attention, and simmers down once he has it. He's never indirect or leaving the addressed to figure out the answer on their own, he gives it outright.

When Midoriya used Blackwhip for the first time, Banjo was all "You got it all wrong!" and then explained things. Since he felt himself fading, he could've been talking louder to compensate himself past the daze he felt. To make sure he was talking, heard, and to keep himself awake

When the first Three made the void silent because Kudo and Bruce didn't want to help, Banjo broke it with what Midoriya should do next

When Shinomori got yoinked, the first thing Banjo did was report it in a panic to Midoriya. This just tells Midoriya he really has to be careful now, because OFA can really be stolen. Even if Banjo just panics and doesn't say that aloud

Every time Banjo is facing some kind of problem, he doesn't let others panic too hard. He's not pressuring about problems, and steps back to let Midoriya figure things out.

When Midoriya was running himself into the ground, Banjo was one of the vestiges that didn't show up to tell him to rest. He already understood how Midoriya saw things, and was doing them his own way

Rather than trying to be a clown, I think Banjo is just a friendly person. He's honest with others and with himself, otherwise he wouldn't have been able to utilize Blackwhip right, or be the holder between a sagey hermit and young, scared adult.

[corpocyborg]

(so... uh... how far into dai do you have to get before it starts being good?)

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3

[skitskatdacat63]

God, I have such a hatred for that stupid f1 movie, everything about it gets on my nerves so badly. I hate to be this ultra salty person but I feel like I could write a whole essay about how dumb it is and how much it annoys me 😭