#but god that was a horror show!

[corvidaedream]

ty to @agaricandmoss for cleaning a shocking amount of my blood off the floor after i stepped on a small shard of something or other this morning

[ilovemesomevincentprice]

Vincent Price guest stars on

The Muppet Show (1977)

[lowpolyanimals]

Gregory from Gregory Horror Show

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[avi-illustration]

the sheer number of layers it took to make this. like i really couldve just posed the model but i chose Pain

[sforzesco]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

[carnivalcarriondiscarded]

haha just kidding, nothing is free!

100 bucks. fork it over.

[quietwingsinthesky]

like. that’s rare, right? no other media i’ve encountered is immune to it. everything else eventually gets mocking and cynical of its own concept. fucking disney can’t make a princess movie without pointing out how stupid true love is. star trek had a whole reboot movie trilogy about rejecting the slower, philosophical roots of the show for cooler, edgy action movies (<- im allowed to say this because i like the aos movies but they Are a different beast from the rest of trek.) and yet doctor who keeps trucking along, whimsical as ever, looking you in the eyes and saying, there is an alien in a blue police box who comes to save the day and for the next forty minutes, you’re gonna believe that. it’s not that the show hasn’t changed or adapted with the times, it’s that the change builds on what’s there rather than looking at it disdainfully, oh how stupid those old things were, how great we are now in comparison. it’s refreshing!

[commissionspartybus]

TUA S4 is a mess so AU where instead of S3 happening they end up going into the DCU. Diego is loving it and is determined to make Batman notice him. Batman does not notice him. Batman notices Five. Five does not care, Five is working on getting everyone back home to the right universe because Allison Will kill him if Claire isn't returned to her. Allison ending up in a fictional universe instead of theirs where everything went wrong is actually better for her mental health. This is ridiculous and instead of it feeling like her child is dead and gone, her love has been ripped away from her, and that everything as she knows it will constantly be upended and dismantled no matter what she does, she instead looks at this as "Of Fucking Course This Happens To Us" Luther stalks Clark Kent. Luther gets a restraining order against him by Clark Kent. Viktor goes to metropolis and enters in a meta support group for those who recently found out their powers. It's very nice. Viktor continues to be cringefail with romantic relationships. Klaus has one goal, and it is to fuck John Constantine.

[cubedmango]

i like this guy

[argxstxs]

Ohhhhhhhh shiv’s face when she realized that she’s going to be cut out of the boy’s club AGAIN and this time with a baby she can’t even talk about with her husband without risking being seen as soft … Kerry being humiliated by Marcia and the rest of the family… shiv falling down in front of a room of snickering men… gerri being thrown out as easily as garbage… connor’s mom being talked about less like a human being and more as fodder for a pr campaign…

[ilovemesomevincentprice]

Vincent Price guest stars on The Muppet Show (1977)

[sammygender]

wrt prev post and sam’s original ‘fed demon blood by azazel as a baby’ arc like. actually that was the most insane thing to see depicted on my television especially when it seemed like no one else i knew or followed was talking about it. it felt so explicit and yet it was sooo deep in metaphor. she walked in on us. sammy, you’re my favourite. god it must be terrible to know something happened but that you’ll never be able to remember it or tell anyone about it. never be able to rip it out or scrub it clean. so azazel could get into my nursery and- bleed in my mouth? because i wasn’t clean. these trials - they’re purifying me. anyway. augh

[sergle]

you bitches have got to watch Scavengers Reign if you haven't yet, i'm only a few episodes in and it's already completely unlike anything else i've ever seen

[razzafrazzle]

welcoem to my RAT HOUSE

[image description: a page of drawings of characters from gregory horror show. on the edges are drawings of my son looking confused, catherine smiling widely, gregory posing seductively, and judgment boy with an overly tall hat. in the middle is a comic of my son tugging on clock master's sleeve while clock master does his makeup. my son says "dad i wanna be a girl", to which clock master responds "not now i'm too busy Slaying", with the word slaying written in cursive. end id]

[a-slashersfinalgirl]

pathetic white men with glasses>>>