#but even then. I don't care about the characters in the way the game wants me to. i relate to ena but i don't think they'll ever do anythin

[jaypelt]

Normally I'm the sorta person that puts things in the tags, but it's difficult to deliver the thoughts I want without it just running on too long. I'm personally not in the position to make sweeping judgements of how *audiences* prefer shows, as I've kinda tapped out of that whole thing and pay less attention to takes on media. Although expecting instant trauma and emotion sounds ridiculous. - In the Fullmetal Alchemist manga they don't even show the big Human Transmutation Moment until like... 23 chapters in. It's just dripfed up to that point. - You don't understand all of the specifics as to why Mr. Harrier Du Bois drunk himself into amnesia until you piece it all together from experience throughout the whole game. Culminating in Dolores Dei on the last day. - Kurapika's ice cold demeanor is as disturbing as it is because you've seen how much kinder he can be, and how far he's fallen since earlier in the story. It's not simply the things that happen to him either, but the actions he DECIDES to take. All of these examples present characters who clearly wear some kind of Big Shit on their sleeves, yet it isn't all given to you immediately. And with proper leadup to their emotional moments. Granted, they come from media outside of strictly western TV shows, but I think the lack of patience from both writers and the audience can represent themselves in any media. The goal is to make you *feel bad*, or feel at least feel *something*. And the idea is that this makes a story or character more compelling. How do you hook an audience? You hit em where it hurts. And sometimes it feels as if there's a certain gut punch feeling they're looking for. But there needs to be something of substance to actually CARE about. You need to build up your characters, your world, your story, before you start making people feel something. Especially in the case of characters, you need to establish who they actually ARE and what they care about. It doesn't always have to be the trauma. And trauma can take many, many forms. Negligence, despondence, listlessness, etc. The way they respond to it is often informed by the kind of person they are, even if that part of them may irrevocably change afterwards. Some may not even realize they've experienced it to begin with and are unaware of how it has shaped them. Characters are the beating heart of any story. Any good one is more than just all the trauma you can load them up with. Your plot can be mid as fuck, yet people cherish it anyway because the characters are good. Which, by god, can take form in more ways placing them in cold drop dramatic moments or delving into their backstory from the get-go. And every story needs a little time to breathe. Space out the big moments, build up to them when appropriate. Too much is emotionally exhausting at best, and feels insulting or manipulative at worst.

Man is it just me or are a lot of TV shows nowadays are written to have big emotional episodes in scenes with very little build up.

[ninupi]

Hello I have a request! Could you write a scenario where either Kakucho or Draken (you can write for both or do one or the other I don't mind) have a crush on reader(they're friends though but they haven't confessed) however there's someone else who also likes reader and asks them to help them get together with reader🥸How would they react? And what would they do? I hope that makes sense 😅

Thank you 😊

Jealous | k. draken & kakucho (separately)

₊˚⊹♡ tags; fem!reader, both of these are in a good timeline where everyone look gets along, mention of reader looking up at draken, everyone lowk making fun of sanzu in drakens lol, ran being canonically blind but refusing to wear glasses is so funny to me LMFAOO, kakucho being a liar boy

₊˚⊹♡ wc; 830 (draken) 331 (kakucho)

₊˚⊹♡ a/n; ahh im so happy I finally found time to write this, I literally couldn't stop thinking about it when I first saw it lol

k. draken

Draken was intensely watching the TV from the couch while Mikey and Mitsuya were competing in mortal combat on the TV. Most of the guys were over at Mikey's house right now taking turns playing the new game. 

"I'm going to kick your ass Mitsuya..." Mikey warned after receiving a combo almost ending his character's life "You said that the last two rounds, maybe you should focus on fighting!" Mitsuya laughed nudging Mikey with his elbow trying to distract him. 

"You seriously suck at this Mikey!" Smiley laughs angering the blonde even more "Next round, you and me asshole!" Mikey yells pointing at Smiley after Mitsuya's character brutally rips Mikey's apart. "Ok let's go, this is gonna be a piece of cake" he smiles while switching places with mitsuya to sit on the floor. 

While the two of them argued about who they wanted to play Draken heard the front door open "I'm home! And I brought y/n so don't be weird!" Draken perked up once he heard Emma mention your name, you two had become friends earlier this year at school and Emma's been bringing you around a lot more. 

"Ok, so no one cares that I'm home?" Emma asks walking into the living room while y/n is behind her "No, not really" Mikey answers locking his character in "Oh screw you Mikey, I hope you lose!" she yells throwing a couch pillow at the back of his head.

"Hi y/n! How are you?" Draken can't help the way his face contorts in disgust at Sanzu's tone of voice "Hi Haru, I'm fine. Are you playing too?" Haru? Draken didn't know that the two of you were so close "Yeah, I played against Baji earlier and won" he bragged causing Baji to yell at him. 

"Are you not going to say hi to me Draken?" you question softly kicking his leg, he can feel the back of his neck getwarm. "Hey" He knows he probably seems like an asshole he just gets so nervous every time he talks to you. But when he sees you smile at him he knows you don't mind his cold demeanor. 

"Come on y/n, let's go!" Emma grumbles grabbing your hand and leading you toward her room "Bye y/n!" Sanzu calls out waving to you "Bye Haru! Bye Draken!" you smile waving at the two of them. Draken gives Sanzu a certain look when he hears Baji speak up. 

"You're so embarrassing man..." he sighs and Draken looks at Baji who's nodding towards Sanzu "Huh? What do you mean?" Sanzu questions offended "When are you going to tell her you like her? I'm sure she knows but it's best to get rejected now" Smiley laughs starting up his round with Mikey. 

"What are you guys talking about? I don't like y/n..." Draken turns to give Sanzu giving him an unimpressed look while everyone else turns to look at him including Smiley who paused the game to do so, much to Mikey's dismay. "NO!" he screamed out at the paused screen displaying how he was about to hit a combo on Smiley's character. 

"Do you think we're dumb?" Mitsuya genuinely questions fully turning to face Sanzu "Hi y/n! I love you y/n! Can I lick your shoes y/n!" smiley mocks Sanzu causing the guys to all laugh except Sanzu who starts protesting in embarrassment "I don't sound like that, and be quiet what if she hears you!" he hisses looking in the direction of Emma's room where the two of you were. 

"Her room is on the other side of the house, they can't hear anything" Mikey explains while fidgeting with the controller in his hands "Whatever man just ask her out already she might say yes, who knows" Smiley shrugs turning back to the tvand unpausing the game.

"Can you help me ask her out?" Draken can't even hide the way his face contorts in disgust before facing Sanzu "What?" he asks even though he heard him the first time "Can you help me ask y/n out?" Sanzu asks again a bit more harshly this time "No, do it yourself" Draken snaps feeling a bit annoyed about Sanzu's presence now. 

He feels Sanzu slump into the couch next to him when he gets up saying he needs a drink when the others ask him where he's going "Get me a soda!" Mikey calls out before losing to Smiley, again. When Draken walks into the kitchen he sees you sitting there almost like you were waiting for him. 

"Hey..." he mutters walking to the fridge "I heard you guys," you say without much emotion "Oh" Draken just continues to stare at the inside of the fridge not really caring about a drink anymore "I don't really like Haru like that you know..." you sigh leaning against the counter next to the fridge. 

Draken can feel a weight lift off of his shoulders "Oh really?" he questions standing up a bit straighter while closing the fridge, without grabbing a drink. "Yeah I kinda like someone else...someone a bit taller." you smile looking up at him. "That's nice to know" he smiles giving you his full attention now. 

kakucho

Kakucho really liked ran haitani, but right now he really wanted to punch his teeth in. "I'm real sorry about that sweetheart, are you alright?" Kakucho watched ran held your arm softly with a clenched jaw as he approached the two of you "Yeah I'm fine, don't worry about it" you smiled up at him.

"Hey, what happened?" Kakucho questioned walking up behind you softly pulling you out of rans hold. "Oh nothing, we just bumped into each other" you explain with a soft laugh while ran moved a bit closer to Kakucho squinting at him. 

"You should wear your glasses, then you'd see where you're going" Kakucho muttered pushing Ran's face away roughly "Come on my eyesight ain't that bad" he laughed standing straight realizing it was Kakucho who joined the conversation. 

"It actually really is, you need glasses" Kakucho sighs wondering how Ran's gotten this far in life being so blind "Oh yeah you should probably get glasses if it's that bad! But I have to go, I'll see you later kakucho?" you question looking at him with hopeful eyes. 

"Yeah, I'll come pick you up" he smiles nudging you with his elbow "Ok great, I'll see you later, bye guys!" you call out, running towards your class "You gotta set me up with her Kakucho" ran immediately says once you're out of earshot, nudging him with his elbow.

  "Yeah, not happening man," Kakucho says walking away from the taller boy "What? Why not? C'mon, help me out man" Ran sighed throwing an arm over the younger boy's shoulder "I'm not gonna help you ask out my girlfriend."

Kakucho is forced to stop when ran stops walking looking at him slightly shocked "Oh man I'm sorry, I didn't know you two were dating…that's my bad" Kakucho refused to look at ran knowing he was lying straight to his face. Ran didn't need to know that right now though, "It's fine, but yeah I'm not setting you up with her."

[becausebuckley]

michelle's buddie fic recs: week 47!

...plus a very special non-buddie fic!! an excellent reading week, once again. the 911 fandom has so many incredible writers!

this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading! some might also contain spoilers for season 8.

if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!

and i need you more than want you (and i want you for all time) | dykeries/@buddiesbian| 25.9k | E

Buck and Eddie's relationship changes over a series of phone calls. Along the way, their family finds its way back home to each other. there's something about phone calls for buddie that just hits so hard... doesn't matter if they're sex calls or emotional calls. this fic is so good, i devoured it!!

ball games | thesquinky | 8.4k | T

buck takes eddie to that lakers game, after all. buck and eddie at the lakers game!! kiss cams!! i was crossing my fingers someone would write a fic exactly like this and it did not disappoint <3

been there, done that (once or twice) | kaistinlove/@kaistinlove | 21.6k | E

the one where Buck wants to make a boudoir album and enlists Eddie's help as a photographer. i clicked on this SO FAST when i saw it!! so good so hot so perfect

DIAZ | mandolare/@confessionseddie | 3k | E

Buck wears the wrong jacket. buck needs to always wear the wrong jacket imo <3 so lovely!!

hold me like water | singomuse7 | 6.3k | T

Eddie's not the most oblivious person in the world and instantly understands what that closet joke meant, and instead of crashing out and blowing his life up about it, he gives Buck sensible advice and breaks up with Marisol. Cue 6k words of gay crisis during madney's wedding. i love love love this fic's eddie so much <3 so good!!

i belong with you, you belong with me (you're my sweetheart) | Distressed_Ladybug15/@cadiebug | 1.4k | GA

For a second they just stand there, staring into Chris’ room, then Buck tips his head back and to the side so he can meet Eddie’s eyes. “Hi,” he mumbles, voice hoarse and overused from work. i needed a little hurt/comfort like this a couple of days ago and it hit the spot perfectly <3

jee- yun's big day | rainbow_nerds/@rainbow-nerdss | 6k | GA

“So, Jee,” Mommy says. “You remember how we visited Daddy at work before?” Jee-Yun nods. “Captain Bobby says you can come to work with me for a whole day!” Daddy looks excited, and Jee thinks about it. Daddy’s work is pretty fun, she thinks. Captain Bobby cooked some really yummy pasta, and Uncle Buck is always there, and so are Aunt Hen and Uncle Eddie. THIS FIC. this fic is the non-buddie inclusion of this week but honestly i don't even care, i need everyone to read it immediately. the loveliest cutest jee ever, and such a lovely ensemble of characters around her <3

make a spark (break the dark) | prettyunhinged | 4.9k | E

Eddie is gay. Tommy sucks. Buck and Eddie frot about it on the couch. this fic is how i realised that there's an ao3 tag especially for eddie's couch and honestly, she deserves it <3 so hot so buddie so good!!

my home is your body | coldbam/@coldbam | 16.6k | E

Buck and Eddie have vastly different nights at Pride. Then very similar summers. this was a reread and it still hits so very hard. the ultimate buddie fwb fic!!

my man says he loves me (never says he loves me not) | colonoscopys/@colonoscopys | 9.7k | GA

croakett: I don’t know what to do tubbalubb: me neither He stares at the screen. Is this the correct time to bring up Buck’s abs? buddie online friendship AND irl friendship?? sign me right up wow i love this!! they're so silly and they love each other so much <3

please, please, please | bookinit/@bookinit02 | 8.7k | E

buck doesn’t touch eddie anymore. eddie’s losing it, a little bit. honestly eddie i'd lose it too. this fic combines pining and getting together and touch-starvation so basically if there was a venn diagram of my favourite fic tropes this would be right in the middle <3

red + white + boom | onlythemessenger | 3k | T

Unexpected fireworks catch Eddie off guard after a bad week. Buck and Bobby help him through the aftermath. bobbyeddie friendship my most beloved <3 love how this fic portrays them!!

this mortal coil (shuffle) | eirabach/@eirabach | 20.1k | M

Maddie was never supposed to be Buck’s mother. Eddie was never allowed to be his anything. But three minutes and seventeen seconds later, here they are. this fic hurt but in the best way. love maddie here in particular <3

this world turns over | dottie_weewoo/@dottie-wan-kenobi | 4.8k | T

Before Buck stands up fully, Eddie reaches out with his good hand to pet Christopher’s hair, pushing a few strands out of his face. “Goodnight, mijo,” he whispers, getting only a mumble in response. A soft smile steals over his face, his eyes moving from his son to Buck. “Hey, Buck?” domestic and wonderful <3 this was a lovely morning read on the bus earlier this week!!

we are bound | EiraLloyd/@unlifeira | 7.2k | T

Every human was born with a prophecy. That was the deal, or so they taught at school. But Evan knew better. He wasn’t born with a prophecy. He’d asked and asked and asked, but his parents shrugged every time, and eventually, Evan stopped asking. Why bother when he already knew the answer he’d get? i love the style and structure of this fic so so much, it's gorgeously written!! a true treat <3

you're looking like you fell in love tonight | devirnis/@devirnis | 1.1k | GA

There’s an arm slung across his waist, a head on his shoulder, soft hairs tickling the underside of his jaw. He breathes in, the cobwebs of sleep slowly dissolving in his brain, and he smells — Eddie. i did fall in love tonight and it was with this fic <3 so so lovely!!

[lurkingshan]

(character game) Boston from Only Friends

You're so kind to send him my way, anon.

How I feel about this character

I love him a lot. I like that he knows himself, and he's so honest even when that means saying things people don't want to hear. I like that he's a slut and he just wants to do what he likes with no commitment and he doesn't get why other people are so goddamn pressed about that. I like that he has a moral code that makes sense to him, and doesn't feel the need to force himself to live by anyone else's code. I like that he's bitchy in a very fun way. I like that he recognizes when people are not his true friends and thus feels no loyalty to them. I like that he also recognizes when someone does genuinely care about him and is willing to try something different to meet their needs. I love him for real and if I could I would rescue him from his show.

All the people I ship romantically with this character

Anyone who knew me while Only Friends was airing knows I was suuuuuch a Boston/Nick girlie. They were THE ship for me in OF.

That said, I very much support Boston in his non-monogamous endeavors, so I also support him fucking anyone else he likes, or even doesn't really like but just wants to take for a spin.

My non-romantic OTP for this character

Boston X NYC. I am happy for him that he's leaving his horrible "friends" behind to start over somewhere new where his particular brand of snark and bitchiness and sluttery will be deeply appreciated.

My unpopular opinion about this character

I think my opinions of him are quite popular in the tumblr community, though the wider show fandom and the show writers themselves are a different story. I stand firm that he didn't deserve the ending he got and the story punishing him was wrong wrong wrong.

One thing I wish would happen/had happened with this character in canon

Changing his ending is probably the way I would use my one wish to the Thai BL genie. I would have loved to see he and Nick get their temporary time to enjoy being together as a couple and honor that this relationship was meaningful to them before they parted on good terms when Boston left for NYC. It's the ending they deserved.

Give me a character ask game

[dracyab]

When I first heard about the new game in September last year, I was excited, and the photos I saw of the new setting looked really cool! but then as soon as the game was announced and I heard it was a new game with Max, I was excited, until I watched the trailer and saw how everything was changing. This wasn't them creating a game with Max Caulfield because they wanted to continue her story, this was DeckNine creating a game with a popular main character because they knew they could make money and bring back old fans, even if we knew they were going to taint her legacy. Because what does digging up a grave matter if there's gold housed inside?

It was always a cash grab and never about the story. Like said in the posts above, it was always about using Pricefield as a tool and then to break them up as a plot device to drive their versions of the characters into the situations they wanted them in, so that they could create this story about yearning for a new partner when the love of your life has broken up with you for whatever reason they give (idk I haven't played the game).

DeckNine doesn't care about its characters, they care about money, and they care about making stories that passably fit into the life is strange universe. But Life is Strange is a series that is about its characters and how they feel othered from the world around them. Life is Strange, as said above, is completely and totally about the queer experience of not feeling like you belong in the world around you. They're games about then coming to terms with the people who do care about you and whom you care about, and finding a way to make the future work with them even if you have to let everything crash down around you.

Because you matter, and the people you love matter even when the world tells you that you don't.

"but it's realistic that they would breakup"

Not the point.

"But they had a lot of trauma the re-"

Also not the point.

"But at least she's a-"

Absolutely not the point.

Y'all trying to justify a narrative choice from within the narrative constraints.

That's a mistake.

Just like how many people never understood why so many would pick Bae ending, so many people just don't seem to get what the pairing meant overall.

Y'all realise what this pairing meant to people when it came out?

Despite the issues with the ending, the adoration and love the pairing has to this day has been earned by the game - it's inseparable from the franchise and it's reception.

It wasn't just another pairing. It wasn't just something that existed as bait or something within fanon or something developers never committed to.

Through the years plenty of ships get baited disingenuously while throwing the audience nothing but breadcrumbs - for example the disaster of Sherlock fandom, the mess with Supernatural, Teen Wolf, Voltron and so on. Or the way Blake/Yang in RWBY were the most blatant baiting that got no on-screen development(despite all the setup that show ignored for years) till the moment the show literally was getting axed and they wanted to milk LGBTQ+ community for money one last chance.

And some shows would stumble into something important but fail to realise it and thus end up squashing it - ask Buffy fans about Tara and Willow or The 100 fans about clexa.

There were LGBTQ+ pairings in video games too but rarely they would be so front and center and very often would be playersexual.

This wasn't what Life is Strange ended up being.

Life Is Strange, at the very core is about queer experience - about fitting in, about making connections in the world that rejects you, about finding beauty in the life that hates and hurts you - Max and Chloe's relationship is the key to the entire game.

For some that meant letting go but for others? It gave the chance to fight a trope no matter what and to get an ending, albeit flawed, where a WLW pairing they liked can be happy and face the future together.

People lived through those two characters and their experiences finding something genuine to relate to.

Max and Chloe were that generation's Korra/Asami, Willow/Tara, etc.

Even DONTNOD recognised that in the end and treated it with respect.

Double Exposure might not pull a BYG outright but it sure does everything to kill the happy memories a fandom made about the pairing - to go back through every single ray of sunshine one ending got and subvert it, taint it, reject it.

Picking the Bae choice when playing Double Exposure is the Narrative constantly telling you how wrong you were to expect happiness when you picked the ending where the pairing is intact and how acshually it isn't intact!

It doesn't kill the characters but it sure goes an extra mile to kill what those characters MEAN to the audience.

Realism, plausibility and so on come after - it's what a writer does when they decide on a path. A writer doesn't just do something because it makes sense and is out of their control - they decide to do it and then make it make sense. Whether they succeed or not depends on how good a writer is.

Double Exposure isn't the story about a breakup. It isn't the story about two women dealing with their trauma.

Double Exposure treats an iconic pairing people cared about as a backstory element - nothing more.

Deck Nine expects the audience to accept what happened and move on to shiny new cast and possible new LIs.

The writers of Double Exposure are telling you - "look, this doesn't matter. Now here's a new mystery you can solve and new cast and look Max is back and you liked using her powers right? Use powers to do stuff."

To this developer team the core element of what made the franchise so important to its audience is nothing more than a leftover plot thread to "write around".

Because to these writers queer experience apparently starts and stops with searching for a relationship - someone being in a relationship that's not part of the story or someone being comfortable NOT being in a relationship at all just don't exist.

What Deck Nine writers seem to be doing is treating it as disposable or interchangeable/replaceable, while also inadvertently tainting whatever comes after with fandom rage.

The worst thing that can happen to a new character is being "the next love interest" - because people channel their frustrations towards the character (or in some worst cases, please don't do this, the actor).

Where there was an iconic part of the franchise Double Exposure, intentionally or not, sets up a toxic battle ground.

That's the point - treating LGBTQ+ audience as sales numbers, manipulating us, treating something that has been a formative experience to so many lives as disposable, or worse yet - malleable.

(And yes there's also a wider issue with Deck Nine and the working conditions there, misogyny, the nazi imagery and the rest but I don't think this is that disconnected from that? How they treat their audience and subject matter is a reflection of culture inside.)

[dykedvonte]

I find the line "I have to believe our worst moments don't make us monsters." Fascinating because it comes from Anya, and I feel she really proves it the best.

For obvious reasons most people are in the "Anya did nothing wrong" camp and for good reason but there is a single action that I don't think she did well and it was her suicide. Specifically her method.

Realizing that Anya took Curly's painkillers was horrifying to me. As a Nurse I have no doubt that she'd know how terrible dying from overdose is. She had access to a gun which is well known for having a far more instant and far less painful death. And despite everything falling apart around her, knowing how bad Jimmy was, she still left Curly alive.

I don't think I thought about it much like that at first but the longer this game has sat with me the more horrified I am by the action. Curly is man who has been horribly disabled and is completely unable to help himself and he is very much a human being who does not deserve to be anywhere close to that amount of pain. Those painkillers were one that the few things that could give him any amount of relief and Anya took them.

She could have shot herself and left the painkillers for whoever was left to help Curly. She could've shot Curly and then taken the painkillers. She could've shot them both and quickly put an end to their misery, yet she didn't. Anya had a great amount of her agency stripped away from her, to the point that she didn't deem life to be worth it anymore and ended it, right next to a man who couldn't make that choice for himself even if he wanted to.

It is easily her most horrific choice and yet, she's still an angel.

(Please don't take this as Anya slander, I genuinely love her so much. I just find this to be an incredibly interesting thing)

I do subscribe to the idea that Anya realized that Jimmy was hitting Curly when giving him his medicine but didn’t intervene. I also don’t think her taking the pills from Curly as monstrous mainly because (while she knew he suffered worse with out them) she likely also knew they were basically bandaids on a bullet wound.

I have this sort of belief that that statement can only really apply to Jimmy in the inverse. Like some statements in the games aren’t meant to apply to all characters and not in every context of every action they do. It’s the idea that no one should be responsible for Jimmy’s actions but himself but they are forced to by him or the environment. Everyone is experiencing their worst moments but no one is a monster outside of Jimmy due to his inability to take responsibility and how he escalates the severity of the situation through his bad choices. Even then it’s not one moment that makes Jimmy a monster it’s the culmination of every moment that prove his inability to be anything but in this scenario.

With Anya you must remember she did have the code to the gun. Yeah, she could’ve broken it open but who’s to say how easy or how long it would’ve taken. Not to mention, there’s this misconception that she wanted the gun to kill Jimmy which isn’t true. She wanted the gun to defend herself in the case he got aggressive which is an important note of Anya being the only proactive person on the ship vs reactive. Locking the door, knowing there was no way in was likely a duel mercy for them both. A person in his state would die relatively soon without constant care and she has ample time to pass. It’s a hard decision to make for herself and someone else but it was the easiest even if it caused more damage than it was ever meant to cause.

It’s a sort of parallel to how Curly made choices he thought would help Anya and everyone but ultimately doomed them all further. Jimmy got what he wanted in both scenarios of crashing the ship and wanting Anya gone. What happened on the Tulpar will go down as a tragedy if they are ever found, a mystery if not but certainly not in a way that Jimmy wanted. Anya and the pregnancy are effectively gone but he’s still facing the repercussions for it.

There’s this idea that it’s controversial to say that Anya was anything but perfect and while I don’t think she did anything wrong, she certainly didn’t make the best choice in telling Jimmy but that again was because of the situation and environment she was in. We don’t know why she didn’t wait on Curly after their conversation in the cockpit, we know that was the plan and we know Jimmy finding out through her alone was the catalyst to the crash within like the next hour, yet you can’t really blame her. We don’t know why Jimmy came to medical nor what anyone else was doing. It can be considered her one mistake but then again we can’t blame a reasonable action on someone’s unreasonable response.

I think that’s a big aspect a lot of people look over in the characters actions. Most of them are normal, reasonable, human. But the systematic responses to them and Jimmy’s are unreasonably harsh and punishing.

This has gone off in a tangent from what you originally posed but I genuinely think of what might do happened if that confrontation happened with Curly there and away from the cock pit. I assume it’d happen in medical or even utility, hell, an area away from anything sensitive but what if? If the ability to do something awful wasn’t at Jimmy’s finger tips, if there was more than one voice in Curly’s head during that moment, what would’ve changed?

When I look at Anya I see her as having the best responses to anything happening during the events of the game but the environment, systems against her and even the other crew mates to an extent made it so it would inevitably backfire on them and mostly her hard.

[midnightsunnyday]

I get that people need to get paid, but Solmare has the habit of giving us low quality content and expecting us to pay for it for a while. That and I think the biggest gripe that most people have is the fact that this content is being charged at all. Obey Me! shouldn't be charging its players the option to date in a game where the center point IS suppose to be dating and romance, especially since the game has been lacking in both departments for a while, something that many people have consistently complained about. Tell me why am I getting the option to pay to date a character in a game about dating? Why is that not an initial feature in your game already about dating? Why does a game that advertises itself as an otome and baits people with ads about it have very little otome elements in it? That, and the majority of the complaints don't care about or want the bundle. That's not an added benefit. That's something I already have access to and can get any time, and adding a "dating feature" to it that's not actually a dating feature and that's not even fully voiced with a picture is not going to change the fact that Solmare literally just slapped a half assed attempt on something they already have available. In fact, I think that makes it even worse lol. And to use the two biggest whale catchers in the fandom makes it so obvious of what they're doing. Like yeah, make your money, but the fandom is tired of mediocrity and excuses, though I do agree that harassing people isn't the way to show that.

Going to play Devil's Advocate (ha) here for a moment, as someone who has experience working in the industry & game development:

Remember, every single time that any new feature is added to the game (even if that new feature is "just a new artwork and phone call") it means that Solmare is -

Paying artists for the new artwork

Paying writers for the new scripts

Paying the voice actors to record the new voice lines

Paying the game devs, coders, debuggers, etc, to actually implement the new feature into the game without breaking anything

Paying for QA

Paying the translators for all the different language versions (Obey Me is currently available in 4 different languages)

Paying the localisers for all different language versions

Etc, etc

This is all on top of the monthly costs of keeping a live service mobage like OM running smoothly. Anything that isn't paid for by the players is being operated at a loss. This isn't a flaw with OM itself, this is a fact that exists on an industry-wide level.

Secondly, while any concerns about the price are entirely valid, I think that a lot of people are glossing over an important point - Solmare is not charging you $30 for a Date Ticket. Solmare is charging $30 for a BUNDLE, which includes the Date Ticket as well as 300 DP. So this is similar to all the other sales bundles that have been rolled out in the past.

And the price is consistent with the standard price for DP in Akuzon. It has always been about $30 for 300 DP, so the price has not actually changed or been increased. This is an optional, $30 bundle for 300 DP that essentially includes the Date Ticket as a bonus for free.

You're totally justified if you don't want to spend $30 on this. I'm definitely not arguing that. While I think that this feature isn't as bad as some people are saying (I never would have expected any new features to be totally free) I do think that Solmare could have rolled this out in a better way than they did.

I think that most, if not all, of the complaints would disappear if they simply offered different bundles for different price tiers. This is something they've already done in the past, even! Just give people alternatives, like...

$1.39 for the Date Ticket by itself

$10 for 100 DP + Date Ticket

$20 for 200 DP + Date Ticket

$30 for 300 DP + Date Ticket

And so on. I think this probably would have alleviated many people's concerns, and would have made the new feature more accessible for more players.

Now, I don't think that harassing the official Twitter account is the way to go about communicating your thoughts. There's a difference between genuine constructive criticism/feedback given in good faith, and needlessly rude hate comments. "Fuck you, hope your game goes broke" doesn't help anybody, and will only make Solmare less likely to listen to the EN fandom. They've dealt with a lot of harassment from Western fans before, including death threats, and you aren't communicating anything useful or constructive by sending hate to the EN social media account.

Solmare has a Support team that you can email, if you have feedback and you actually want to reach the JP game devs. If you want to let them know that you want other/more affordable options for the new Date Ticket feature, this is the best way to do that. Just remember to be civil, since harassment and hate mail are extremely likely to simply be thrown out before it reaches the hands of anyone in charge.

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[kenzan-kiwami]

everybody claims to be a kashiwagi enjoyer but the only time anyone ever talks about him is to say he's the hottest piece of meat in the series

[kittymizuki]

i think about this so much in the context of mizuki's gender being listed as "unknown" and how trans ppl often cannot talk about their gender even if they wish to? even if a trans woman wants to be properly recognized as a type of woman, the world isn't really a safe space that she can comfortably be like "i'm a woman" bc if she were to do this she might either be accused of lying or being male. this reality is precisely why mizuki always avoids making definitive statements like this so she opts to saying things like "i'm just me" or "i just like cute things" bc she can't assert her identity without any pushback and she doesn't want anyone else to decide her self for her (there's also a lot to say about this in the context of transmisogynistic caricatures/stereotypes in anime & manga and how they're often subjected to "humor" that draws attention to their "maleness" and how mizuki as a fan of anime, films, etc. uses her genre awareness to navigate the world but that's a different topic).

i also think ppl often don't go up to others and say "i'm a girl! i'm a woman." bc that just isn't how ppl tend to talk? literally no girl in this game introduces or talks about herself in that way. the idea that mizuki has to use that kind of language to be legitimized in the first place is inherently disrespectful to her as a person especially as someone who's tired of having to explain herself or feel like she constantly has to prove something to ppl who don't even care enough to listen. she also doesn't think "why don't ppl see me as a girl" and instead she's thinking "why can't ppl accept me for who i am" bc it isn't just about Being a Girl, it's about how being transfem affects that perception. it's about how even when someone sees her as a girl, there's that asterisk. she doesn't know how to reach point of feeling like she's truly accepted bc of this and the closest she's gotten is niigo seeing her as a cis girl, which isn't even subtext, it's just implicit to the entire premise of her narrative.

so even if mizuki doesn't directly say "bc i'm a girl" or "accept me as a girl" when her classmates ask her why she does the things she does, it's a huge mistake to assume that she doesn't wish to be recognized as one bc this ignores wider context abt transmisogynistic hypersurveillance and objectification of transfemininity as a form of erasure of personhood and dehumanization? mizuki is someone who strives to assert her positionality as a woman as is both an assertion of how the standards of womanhood affect her and how she wishes to navigate the world as a woman in spite of this. this is made even more interesting by the parallels with mafuyu whose character arc is largely about how womanhood as a coercive state is pushed upon her by her mother and society, but it's also equally pushed upon mizuki as a trans girl very violently and is an aspect of transmisogyny, and trans women inherently fail to attain the standard of womanhood while being policed for this, so mizuki's position as a woman is against the imposition of womanhood (mizuki even when being "cute" is still not the ideal girl, bc her idea of fashion is lolita, and we know how lolita exists within so much of broader culture being for non-conformity and reclaiming femininity). there are always ppl trying to argue that mizuki can't be trans or that ppl are "boiling her down to her gender" (which is just pressure to stop calling her a girl) bc mizuki never explicitly said that she wanted to be recognized as a girl, she said that he just wanted to be herself, and she said that she likes cute things, so she is not trans, right? this is obviously transmisogyny, but such interpretations are interesting on the metatextual level to me bc they're the same form of transmisogyny that mizuki is subjected to within the story in that they're all saying "it would be a pain to be a girl, so you should just be content with being a 'boy' [Abnormal girl, nonperson, thing] who just likes cute things or some other ambiguous existence." bc these ppl refuse to engage with how the primary groups who know mizuki never draw attention to these things bc they see her as a girl and the thing about day to day life is that we all have to make assumptions to some degree about ppl we don't know or aren't close to based on their external presentation. however, we also have an understanding of mizuki's internal world.

mizuki makes such a good study of how fandom parses/engages with gender and the nuances of ambiguity around womanhood especially when transfemininity is involved.

[camzverse]

i could probably like or even love william afton if he made any fucking sense to me as a character

[aerithisms]

i still have so many questions about the ff7 remake story. why did aerith even have knowledge of the future in remake to begin with? from a watsonion perspective, why does she lose that knowledge after the end of remake when sephiroth doesn't? (i'm fully aware the doylist reason is that having a character who knows the future would totally break the plot but i'm still curious if there's more to what they were doing with aerith's remake character or if this is it). what was her motivation to encourage the party to fight the whispers in the original game when she knew the party would defeat sephiroth in the end if events followed fate? was it simply that she wanted the chance to live? because that makes me want to lie down and cry!!!!

[kittydoremi]

I get the points you're trying to make, and I hope I'm not being rude by pointing some stuff out I disagree with.

But there's plenty of evidence that I showed above that implies Sonic and others remember select things from 06. And Sonic is heavily implied to remember Elise at the end of 06. He wouldn't go out of his way to run past her for no reason. Elise even said he was calling out to her. The look Sonic gives her isn't a look he'd give to a stranger. His smile says everything. He remembers her.

Also I don't think that the sonelise romance should be removed because some don't like it. Instead of removing it, just expand upon it. Develop it more.

As it is in the game, it's underdeveloped. But what there IS of Sonic and Elise's relationship is still sweet. You still see it develop and can tell why Sonic and Elise care about each other. It has potential. And despite people in the fandom being vocal against it, there are still people who love Elise and SonElise and want to see more of the character and the ship. There's enough there to be built upon instead of removing it. Sonic can have more than one love interest.

You shouldn't throw the ship out just because it has flaws. Sonamy has flaws, so does KnucklesxRouge, silvaze, ect.

No ship is perfect

I don't think it's neccesary to make Sonic and Elise's relationship into a non romantic one or a parallel to Shadow and Maria. You can still expand on Elise as a character while expanding on her romance with Sonic.

And also I don't think the Amy glitch should factor in to this at all. It wasn't intended to be part of the game at all. SonElise was the ship that was being more pushed by the game. Yes you have an option to choose Amy, but overall sonelise was the definite ship of the game.

And as far as the twitter takeovers go, I do agree with them being semi canon to an extent. But the thing is that the takeovers themselves aren't canon. They're mostly for fun. It's only when an element from the takeovers makes it into the games is when an aspect becomes canon.

About Sonic and the others forgetting the events of Sonic '06 + The Twitter Takeovers are semi-canons

Okay, here we go... I saw some people mention this answer about Sonic forgetting Elise and being upset about it, and thankful that the Takeovers are "not canon", so I'll share my point of view on that and talk about why the Takeovers are semi-canon! (oh boy a long post-) ~~~~

To start: "But Sonic forgetting Elise is absurd! He was the one who put out the flame with Elise, they both should have known about each other." No. They shouldn't have. From the moment the flame went out, everything was reset and started at the point where Sonic was going through the festival. There was no invasion by Eggman at that moment, Elise was not kidnapped, there were no Events of 2006 EVEN though the game is canon. THIS has ALWAYS been a fact since the game's release. And it keeps gaining strength with new media (Sonic x Shadow Generations and mentions that Sonic make in external media).

And I dare even more, not even Silver should know about the events. But if he knows, it's only him and Mephiles, who was ERASED from existence and ended up in WhiteSpace, the Limbo of Sonic's Universe. (As for Silver, he constantly travels through time, he could be the only one who remembers, but I doubt it a little) But the point here is: The representation of the flame going out at the end of 06 is that everything was rewritten in a new way. Things didn't happen that way and that's it.

"But it's absurd. Sonic would never forget Elise, they liked each other!"

I know that in some way there are fans of Sonelise, but I don't think it's right to support their romance so much when it was rushed and totally done in a hurry to make us get some kind of "emotional attachment" to Elise. Elise was the one who showed the most interest in Sonic, even kissing him (geez...), while Sonic, even choosing Elise in the "Trial Of Love", sometimes the game still throws you to Amy's option in a strange glitch. Which doesn't make much sense since theoretically he "would be in love with Elise."

Elise had the potential to be an excellent character and I still believe in that! She was introduced in an obscure game (just like Silver) and we can't deny that fact. She always couldn't cry because she had sealed the Iblis Trigger in herself, she lost her father and had no mother and yet she was the governess of the kingdom of Soleanna. Have you ever thought how much she could have stood out by working on this issue of pressure that she suffers in a deeper way? Instead of Sonic's entire campaign revolving around a somewhat embarrassing romance, have you ever thought how incredible it would be if it focused on how far the line of our responsibilities goes and the fear of failing everyone? Elise could potentially even be an incredible parallel for Blaze being what she is, even if indirectly! There's the other idea of ​​Sonic and Elise being a parallel of sisterhood like Shadow is with Maria, and that's much more captivating than a romance, and I'm sure we'd get much more attached to her knowing that!

Sonic 2006 and plot holes...

Sonic's campaign is the weakest;

Elise is a character who has potential for much more than what we were given;

the time travel issue has many holes like the Blue Chaos Emerald being with Elise the whole time;

Blaze is in the game and we don't even have an explanation for it;

We're very vague about Silver and his future; So, the fact that Sonic and the others "forget" the events is something canonical since the end of the game and has always remained that way.

Now, about the Twitter Takeovers:

The Takeovers are silly and focused on humor, but that doesn't mean there aren't writers behind them!

(Social Media Manager for Sonic's official Twitter account.) This same script is thought by the entire team, since the company's characters are acting! There is a lot of work behind it, which must be recognized! In other words, the information becomes "canonical", since it covers and gives us answers about things that we don't have in the games yet. It's an expansion of the characters, the universe and the story that hasn't been told or fully explored yet, and that's fantastic! The questions are selected based on what they can probably tell us. Whether it's just about Sonic's fur or Shadow's taste for coffee, or even about the Super Transformations and the relationships between the characters. They are Semi-Canons. They are information that adds to our knowledge as fans, but they are not necessarily real, like Sonic breaking the fourth wall. As a fandom, we have to know how to separate some things! That's what makes the Sonic universe unique. Everything can be considered more clues to add to the franchise, but we need to know how to understand the reasons and whys behind it!

Conclusion

I still hope that if Sonic '06 gets a remake, they'll do a good redemption of it, because it deserves it! And who knows, maybe we'll see more of it in the future?

If you want to comment, feel free, this is an open field for that discussion. Just keep it respectful and friendly! I'd love to read and participate too!

Thank you very much for reading! Sorry for the bad English... Stay determined! 🤍

[arosnowflake]

The problem with BOTW is that it's obnoxiously popular in the LOZ fandom to the detriment of other games but also unfortunately it's genuinely really really fun to write fanfic for.

[vynegar]

bustafellows ch 2 questionnaire guide

screenshot of the list of questions in chapter 2, with the responses color-coded per associated LI. there’s also a text version. under the cut for spoilers

1. I usually point out someone's error. [YES] (Limbo) or [NO] (Scarecrow)

2. I prefer doing things alone without help. [YES] (Helvetica) or [NO] (Limbo)

3. I like choosing a present for someone. [YES] (Scarecrow) or [NO] (Mozu)

4. I am theoretical person, not emotional. [YES] (Mozu) or [NO] (Helvetica)

5. I am prepared for as many contingencies as possible. [YES] (Shu) or [NO] (Limbo)

6. I am curious person. [YES] (Scarecrow) or [NO] (Shu)

7. I like taking care of others or animals. [YES] (Mozu) or [NO] (Helvetica)

8. I consider a question in all its bearings until I understand. [YES] (Mozu) or [NO] (Shu)

9. I am interested in social problems. [YES] (Limbo) or [NO] (Helvetica)

10. I often regret about some mistakes I made. [YES] (Limbo) or [NO] (Scarecrow)