#but especially gender

[faggling]

I'm having such a terrible gender time right now jfc

[byjove]

more than once????? lol?????

[kirby-the-gorb]

[aliosne]

Saw a post about working class butches in physical labour jobs and wanted to make my own, so: I love you butches who do childcare or early education. I love you butch nurses. I love you butch house cleaners and janitorial staff. I love you service industry butches. I love you butches who do sex work. I love you working class butches who do “feminine” jobs you are cool as hell

[choccy-milky]

⭐ HL x animal crossing ⭐

something for fun bc why not......i have free will their personality types?? maybe?? : seb = smug clora = peppy poppy = normal/sweet imelda = snooty ominis = lazy (or cranky tbh) leander = jock natty = sisterly

[ask-geralt]

I'm very sleepy but I've had another Edwin thought.

Before WWII, the unnecessary gendering of pink and blue was actually swapped; pink was associated with boys, and blue with girls. The reason it swapped after WWII is gay men sent to concentration camps were marked as such with pink triangles, and so the color became associated with femininity instead of masculinity. Tragic yet fascinating stuff, and absolutely worth knowing, as all things relating to concentration camps, especially in WWII, are. How to avoid history repeating itself, etc-

But why does that make me think of Edwin? Yes he's gay, but he predates WWII, and he's definitely not associated with the color pink?

It's because of all that, and he's associated with blue, of course!

Blue was the needlessly gendered girl color in Edwin's time, and he liked it even before he died, the blue cap Simon snatched off him, remember? I'm not 100% sure on if it's a one to one or if we've gone even harder on the needlessly gendering, but picturing every instance of blue related to Edwin as pink instead as a thought exercise for the fem vibes of his clothes is fun, to me at least.

[seagull-scribbles]

An enchanting neighbourhood

[sneaky-tank]

Working on building a cutie a new body.

Walking them through the configuration process of their new skeleton, taking measurements like a tailor, fine tuning offsets and sizes via VR motion tests.

Either ship of theseus conversion of their brain or taking a scan while holding their hand.

Helping them build the skills to control peripherals from limbs to sensors.

Starting the print for their brand new skeleton, nerves, and the tooling for molding their soft features.

Watching their body slowly coalesce from different lentil-like plastic pellets used artfully and intentionally.

Installing and sealing their brain into their skeleton, so they can feel and enjoy the process of being freed from their soluble support structure.

Manually washing them down with solvents to melt away all the support scaffolding, freeing up their joints for the very first time and testing their range of motion before they even have their motors installed.

Taking them out of the spray down station and dutifully bolting each of their motors in place, crimping ferrules onto the leads, and connecting their motors and encoders for the very first time.

Giving them a few moments to amble around on their own, doing the pre-overmolding checklist to ensure they can hold the right position as their soft features are molded on.

Finally, you lead them gently by the hand to the molding machine, they stand in place, and a suit of armor specifically tailored to them assembles around them to have the spaces filled with their soft artificial skin.

Indecent for the first time in their new life, you kiss them on the cheek and dress them in the standard hospital gown and guide them to the auto-tailor that has already sewn their new outfits of choice to perfectly match their new form.

For the first time in their life, everything fits. Perfectly. Not a single hitch or tear, everything just as tight or loose as they want it. They fill out their outfit perfectly and you stand there in awe even though this is your 6,735th time. It really never gets old.

This time is special though, because you'll be spending the rest of your unnatural lives together. This is the last hour of your last day, and you walk out for the last time. For the first time hand in hand with your gorgeous handsome beautiful cute adorable pretty breathtaking perfect partner.

It's time to enjoy eternity, together, no need to worry about 'in sickness or in health', and death will never do us part.

[lucabyte]

Happy PMD Red is on NSO day. Sadly I don't think King the Skitty and Muse the Cyndaquil will be returning to finish up their adventure regardless.

[peekaboo6293]

ivo’s low self esteem issues

[kacievvbbbb]

God again I’m just so obsessed with how far this family has come and how with every chapter they just behave more and more like a family and less what a family should be like.

Like a couple chapters ago Yor was still calling her Miss Anya and now that’s her mom. She would have never jokingly “lied” to her before and would have even freaked out at the mere question there was something less than normal about her. But here she is your honor this is a family.

My favorite thing about spy x family has always been how consistently Yor has Anya’s back no matter what shit she gets into Anya akways stands ten toes down because she knows Yor is always rocking for her. I think a lot about how the way Loid chose to comfort Yor and reassure her abilities as a mother is by telling her that she makes Anya brave because she know Yor will always, always protect her and just what else is a parent than someone that makes you brave?

It’s even more poignant to come in a chapter where we are introduced to Anya’s birth mother for the first time and there’s definitely the similarity being drawn. Yor loves Anya would give everything up for her but would also do anything to make the world safe for her. When Yor felt there was no reason to go on with her spy work she thought of the little family she’s made for herself, of the little troublesome girl she’d risk it all for and she just knew that there were still people worth making the world safe for.

God I love this family

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[wonder-worker]

A central element of the myth of [Eleanor of Aquitaine] is that of her exceptionalism. Historians and Eleanor biographers have tended to take literally Richard of Devizes’s conventional panegyric of her as ‘an incomparable woman’. She is assumed to be a woman out of her time. […] Amazement at Eleanor’s power and independence is born from a presentism that assumes generally that the Middle Ages were a backward age, and specifically that medieval women were all downtrodden and marginalized. Eleanor’s career can, from such a perspective, only be explained by assuming that she was an exception who rose by sheer force of personality above the restrictions placed upon twelfth-century women.

— Michael R. Evans, Inventing Eleanor: The Medieval and Post-Medieval Image of Eleanor of Aquitaine

"...The idea of Eleanor’s exceptionalism rests on an assumption that women of her age were powerless. On the contrary, in Western Europe before the twelfth century there were ‘no really effective barriers to the capacity of women to exercise power; they appear as military leaders, judges, castellans, controllers of property’. […] In an important article published in 1992, Jane Martindale sought to locate Eleanor in context, stripping away much of the conjecture that had grown up around her, and returning to primary sources, including her charters. Martindale also demonstrated how Eleanor was not out of the ordinary for a twelfth-century queen either in the extent of her power or in the criticisms levelled against her.

If we look at Eleanor’s predecessors as Anglo-Norman queens of England, we find many examples of women wielding political power. Matilda of Flanders (wife of William the Conqueror) acted as regent in Normandy during his frequent absences in England following the Conquest, and [the first wife of Henry I, Matilda of Scotland, played some role in governing England during her husband's absences], while during the civil war of Stephen’s reign Matilda of Boulogne led the fight for a time on behalf of her royal husband, who had been captured by the forces of the empress. And if we wish to seek a rebel woman, we need look no further than Juliana, illegitimate daughter of Henry I, who attempted to assassinate him with a crossbow, or Adèle of Champagne, the third wife of Louis VII, who ‘[a]t the moment when Henry II held Eleanor of Aquitaine in jail for her revolt … led a revolt with her brothers against her son, Philip II'.

Eleanor is, therefore, less the exception than the rule – albeit an extreme example of that rule. This can be illustrated by comparing her with a twelfth century woman who has attracted less literary and historical attention. Adela of Blois died in 1137, the year of Eleanor’s marriage to Louis VII. […] The chronicle and charter evidence reveals Adela to have ‘legitimately exercised the powers of comital lordship’ in the domains of Blois-Champagne, both in consort with her husband and alone during his absence on crusade and after his death. […] There was, however, nothing atypical about the nature of Adela’s power. In the words of her biographer Kimberley LoPrete, ‘while the extent of Adela’s powers and the political impact of her actions were exceptional for a woman of her day (and indeed for most men), the sources of her powers and the activities she engaged in were not fundamentally different from those of other women of lordly rank’. These words could equally apply to Eleanor; the extent of her power, as heiress to the richest lordship in France, wife of two kings and mother of two or three more, was remarkable, but the nature of her power was not exceptional. Other noble or royal women governed, arranged marriages and alliances, and were patrons of the church. Eleanor represents one end of a continuum, not an isolated outlier."

[scienceandfandoms]

Okay so we know that there are a disproportionate number of TME trans people appearing on Dropout, both by numbers and even more disproportionate by number of episodes, relative to TMA trans people. But I also find it worth mentioning that we just don't get to be on the silly game shows at all? Probably the most clippable shows, the ones I see circulate the most, are from Game Changer and Make Some Noise. They're certainly what drew me to Dropout.

Guess we're just not marketable enough. If you're REALLY lucky maybe you can be in the show about being pedantic or one single season of D&D. Otherwise fuck you

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???