#but don't act like I'm tagging this shit with

[glorious-spoon]

Easy as That [9-1-1 | Buck & Eddie | 1/1]

in honor of 9-1-1 day, please enjoy this little episode tag for 7x04 that i recently found in my drafts. because i really wanted to see the conversation between buck and eddie after all that

850 words episode tag | apologies | friendship

-

The first words out of Buck's mouth when Eddie pulls the door open are, "I figured I owed you a proper apology."

"Yeah," Eddie agrees mildly. He's got a crutch tucked under his arm, which makes it difficult to maneuver the door, so he lets Buck deal with it even though he's got a pile of takeout bags in one hand. Apology takeout, no doubt. The bags are stamped with the logo from Anarkali's, and he can smell curry and ginger. As bribes go, he could have done worse. Eddie is weak for their chicken jalfrezi. "You kinda do."

"Not kinda. I was—I was so out of line, Eddie, I'm so sorry."

"Shit happens."

"What, as easy as that?"

Eddie snorts, heading back into the kitchen without bothering to look back and see if Buck is following him. He is, of course. He always is. They already talked on the phone last night, when Eddie was loopy on painkillers and feeling kinda bad about winding Buck up as much as he did. He's less stoned now, and his ankle fucking hurts, so it's a little sharper when he says, "I was always gonna forgive you. You want me to drag it out?"

"Well, when you put it like that, no. But still."

Eddie sighs. It's a character flaw, probably, that he can't resist Buck's face when he looks like this. "We'll get past it. Just like you and Chim did after he decked you that one time. Okay?"

Buck presses his lips together and nods. He sets the bags down on the table and says, "I don't have to stay. If you want some space."

"I don't want space. Maybe an explanation." He nods toward the kitchen drawers. "You can get the forks. I hope you brought enough for both of us, because I'm not sharing."

"Yeah. I—I figured if you didn't want me around, there'd be leftovers."

"I always want you around, you idiot."

"Even after I broke your ankle?"

"It's just a sprain."

"That feels sort of like missing the point, Eddie."

"Listen," Eddie says. He eases himself into a chair, propping the crutch against the table next to him. In the kitchen, Buck pauses with the silverware drawer half-open, takes a visible deep breath, and turns back toward him with a pair of forks clutched in his hand. "You acted like an idiot, and somebody got hurt. It happens. So now you're gonna bring me a fork, sit your ass down, and tell me what's going on with you. Okay?"

"Okay," Buck says, pushing the silverware drawer gently shut. He brings the forks back to the table, sets one in front of Eddie, and reaches into the bag to pull out the takeout containers. 

There's a few minutes of silence while they get everything dished out, and then Eddie takes a bite of his jalfrezi, takes a moment to savor it, then says, "Okay. Talk."

"I mean, I don't know what to say," Buck says evasively. Eddie gives him a look, and he sighs. "Okay, I—I was jealous. Of you, and—and Tommy."

"Tommy," Eddie repeats.

Buck nods, his gaze fixed on his takeout dish, which he's sort of poking at like he expects it to come to life. Eddie reaches across to steal a piece of coconut curry. Buck doesn't even try to knock his fork out of the way. It's kind of amazing how much he looks like a kicked puppy right now. "I—I guess, I thought, you know, I thought he was so cool, and you thought he was so cool, and all of a sudden you guys were hanging out all the time and you kept saying how well you two clicked…"

"I was messing with you. You get that, right?"

"I mean. Now, yeah. Then I just felt like…I don't know. I—I should have talked to you, instead of—but I didn't mean for it to go down like that. I swear."

Eddie nods, chewing the inside corner of his lip briefly. "It was still a dick move."

"Yeah," Buck says. "It was."

"Well, as long as you get that."

"I really do."

"And you and Tommy are cool, now? You kissed and made up?"

Surprisingly, Buck's face goes bright red. Eddie raises his eyebrows, and he says, "Y-yeah, we're—we talked, and—we're good, yeah." He opens his mouth, makes a little stuttering noise, then says, "We're, uh, we're actually hanging out this weekend."

"Without me?" Eddie deadpans, and Buck looks so stricken that he has to laugh. "Kidding, I'm kidding, come on. I'm glad. I knew you two would get along."

"Yeah," Buck says. He lets out a shaky little laugh, then nods a couple of times and says it again. "Yeah."

Eddie raises his eyebrows, but Buck's not looking at him. He's busy spearing a piece of curry, and this time when Eddie tries to steal a bite, Buck smacks at his fork until he retreats, a juvenile little ritual that probably shouldn't make Eddie feel so light. He knows he's not getting the full story of what's going on with Buck, but that's okay. They're okay. He'll find out the rest of it eventually.

[findafight]

I do think it's wild that I used to be pretty neutral and even slightly supportive of byler, while not thinking it could (or should!) be endgame. But now I'm like. Actively bitter towards it just based on how I've seen fans act? I'm fed up with it. With theories (however plausible or outlandish) being treated as fact. Of the "canon or youre not a REAL fan" attitudes that are increasingly extreme.

Last July I was sent a dozen hate anons a bit over a year ago for saying I didn't think it made sense for byler to be canon within the final season, because what we have textually seen on screen has not prepared for the 180 Mike's relationships would have to take, but I've seen others get weird hate asks too. I also see what a large portion of shippers are calling "proof" and it's either something that is up for interpretation (which is fun and fine! But not definitive!) or they just made up. I've seen multiple people say milevens are toxic and homophobic etc but here on Tumblr I haven't seen that at all. (I'm sure there have been! But on Tumblr I think there's maybe... Three or so active milevens lol [I am not one] and they stay in their lane unless it's to beg bylers to stop cross tagging)

I've seen bylers make posts about mileven that are incredibly rude and act like they're superior for it! There's ableism and biphobia and homophobia and misogyny and all sorts of shit that always happens in fandom, but the level I've seen from bylers is bonkers (and yes! I am talking about bylers being homophobic! Acting like a character being gay only matters if he's in a relationship is homophobic!) I've only seen bylers consistently cross tag. I've seen them disregard all three characters involved with the love triangle and their motivations just to make byler happen, and it often comes down to them making all three two dimensional tropes and souless boring caricatures. The amount of denial around El's feelings is pretty offensive, and also boring!

I just think. Perhaps. If you don't like when people are consistently annoyed at the group of shippers, perhaps re-evaluate to see if you are the "positive community" you claim to be, or are actively attacking people who do not adhere to the increasingly rigid criteria you have decided are required to be considered a shipper, and immediately declaring someone who doesn't an "enemy".

[whousestypewriters]

i don't know why i'm here - j.h x reader

pairing: jameson hawthorne x fem!reader

requested: yes / no

warnings: swearing

a/n: hellooooo this is a long overdue fic but i was in a jameson mood hehe so here we are babies. also this is set in a boarding school :))

taglist: @midiosaamor, @reminiscentreader, @ravenclawdirectioner, @tornqdowarnings, @benny1989fredd,

@foolish1girl, @off-to-the-r4ces, @emelia07, @delicatepoett, @kozumesphone, [if your name is white it means i couldn't tag you]

jameson hawthorne is smart. dangerously so.

but you're smarter. and you prove it on the days when you win tests and pop quizzes.

most of the time only by one point, but still. beating jameson hawthorne is something you relish in. its not often that the only hawthorne brother that attends mightwood academy shows weakness.

and ever since the time you beat him on your first day and first pop quiz he's been out to win back the coveted spot at the top of the class.

so what started as a petty competition has now grown into the largest rivalry on campus. everybody knows about it. its gotten to the point where if people see you walking towards your room with a frown etched onto your face, they know to get out of the way. or the same way if they see jameson sauntering towards you with a smirk on his face, they know to lean in to watch.

most of them can't tell if you're about to rip each others throats out or starting making out. it could go either way honestly.

and right now as you watch jameson idly walk over to your desk - the teacher not even bothering to tell him off; he's the jameson hawthorne, why would she tell him off? - you decide you want to rip his throat out.

"well, well, mea vita-" the stupid nickname he calls you grates on your nerves. he won't tell you what it means and apparently latin is the one language you have a personal problem with and refuse to learn it. or maybe you just don't want to know what stupid insult he's calling you.

"what did you score?" he asks placing his test paper on the table, the red one hundred at the top a taunt left for you.

"an ehjdfnphs," you mumble.

"a what-y what what?"

"an eighty-six," you snap at him. shoving your paper down onto the desk, grabbing your bag and storming out of the classroom, ignoring the teachers calls.

maybe it was the fact that you had had a fight with your mother that morning, because she wasn't letting you come home for the holidays and demanding you stay during the schools winter break. or maybe it was the fact that jameson was acting like and ass and you finally had enough.

which ever it was, it doesn't matter. you lost your shit in class so thats going to be a detention on your record and thats going to be another week of tormenting from jameson.

you exhale when you swing the door to your room open and launch your bag onto your bed. sitting down in your desk chair and shoving your head in your hands.

a sigh leaves your lips and instead of wallowing in your idiotic decisions you decide to throw yourself into the one thing you're actually good at. studying - and sending an apology email to the teacher which will hopefully decrease your detention time.

time passes fast while you're buried in your books, words and notes fly past you as you read over the material you seemingly failed at learning well enough to score an eighty-six.

a knock at the door has you jolting awake - you don't even recall when you fall asleep but judging by your dry mouth and patch of drool on the desk you did.

yawning you get up and open to door surprised when you see a dishevelled hawthorne standing there.

"jameson?" you look over at your alarm clock on your desk. "it's eleven pm, what are you doing here?"

his words are soft, "i don't know." but he holds out a bowl candy in offering. "you missed dinner though i thought i would come and make sure you ate."

it must be the sleep deprivedness acting on your behalf, because you actually step back and let him in with a soft smile. his eyes widen in surprise as if he was expecting you to take the bowl and slam the door in his face - which if you weren't hungry or tired you probably would've done.

"so this is what your room looks like huh?" jameson's question is quiet. he scans the room as is he's remembering every detail about it. which you really wish you had time to clean up now that you think about it; the dirty dishes stolen from the kitchen, the scattered homework and the unfolded laundry piled on your bed doesn't exactly scream responsible.

"mea vita, have you even left your room to eat today?" he asks concern clouding his eyes.

"jameson. why are you here?"

he's quiet for a moment. "... i'm sorry about the way i acted earlier, it was a dick move to do that in class when i could already see you were in a bad mood."

"it was- wait how did you know i was in a bad mood?"

"i could just tell," he shrugs and sits on your bed. "but i really am sorry, i let the stupid feud get into my head."

it must be the fact that he brought your favorite candies in the bowl, or the gentle look on his face that makes you move towards him and sit down next to him.

"i'm going to win next time." why did you say that?

and just like that the calm in the room evaporates and jameson's devastating smile returns. "or so you think mea vita."

"I will, today was just a fluke."

challenge sparks in his eyes. "oh really?"

you inch closer getting in his face, "oh yes, i will. you're going to watch me win jameson hawthorne."

his eyes drop to your lips and your stomach drops - why is one look making you feel this way? this can't be good. "it would be an honor to watch you win, mea vita."

he bends down in a question and you nod letting him.

kissing jameson feels like falling. it feels like winning and losing at the same time. your breath hitches and you feel your composure about to come undone.

kissing jameson feels freeing. like you'll never have to pass another test as long as he there.

it feels like victory.

a/npt2: guys its 1am and i'm struggling to keep my eyes open so if that ending isn't good enough just let me know and i'll add a second part :))

[lunarharp]

if i just told you i love you would this world change

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[flying-cat]

It was crazy watching bkdk go from the most hated ship to the most popular ship in the fandom

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[actual-corpse]

Saw a YT vid with the title, "Fandom Can't Handle Asexuality"

You're right, they can't... Because it doesn't fucking exist to them.

[gxlden-angels]

do you have any thoughts on the story of abraham and isaac? my parents talk about it and praise abraham for being willing to kill his son which..... scares me to say the least, and i'd love to hear your perspective as someone who seems more well-adjusted

Where I am now, it disgusts me more than anything. The interpretation of "I'm willing to sacrifice your life if I was told to" feels like the step before "I put you into this world and I can take you out of it." It's entitlement to a child, who is an independent individual, just because they are dependent on you for survival. I prefer the interpretation of understanding the actions you're taking and the reasons why (like how there's multiple religions that don't eat pork because it was so unsafe to eat at the time), especially if it's at someone else's expense.

Where I was in the thick of it all, it gave me morbid comfort that scares me now. I had fantasies of being a martyr for the church and the idea of being the next Isaac was just so appealing. Being a hand-selected sacrifice chosen by the Good Lord Himself? Sign me the fuck up, babey!

I think if I admitted that to my family, they'd be horrified.

It's another one of those stories or beliefs where I think the majority of christians just regurgitate what they've heard. It's a point of pride and devotion, but there's no personal reflection or cross-cultural awareness of it. Lean not unto your own understanding and whatnot. It's the potential that scares me the most, like the Quiverfull movement with the Duggars or Turpins. I'm sure there's stories now, but I can't remember them off the top of my head

(Also I will be telling my therapist someone on Tumblr called me "more well-adjusted" thank you anon)

[californiaquail]

was hanging out with someone today and she was talking about how she would shoot the hawks and eagles if they went after her indoor/outdoor cat and i had to struggle to keep a straight face. there is an EASY fucking solution to this problem that doesn't involve killing federally protected wildlife OR your poor damn cat. who got in a fight last night and left fur all over the place.

[prentissluvr]

just saw someone saying that jared's acting in spn was bad... gonna commit heinous crimes

[coldercreation]

brb about to go down a research rabbit hole lol

Question of the day!

Why is showing ‘disinterest’ such prevalent thing when it comes to building friendships and relationships?

I have talked about this here before in my rants lol, but it just always frustrates me. Like, you know those arbitrary ‘rules’ in dating that you shouldn’t show too much interest or get in touch too soon, or be too ‘intense’ or interested? Like, obviously don’t be a stalker and read the room etc, but I mean if you're just a regular and safe 'well-adjusted' person, why is you showing genuine effort and interest seen as a bad thing (I don't mean love bombing, that's a whole different thing)? If you genuinely like each other, why is the social rule saying that you shouldn’t show that? Same goes with friendships, why is showing interest in the person you want to get to know sometimes, somehow, a bad thing? To a point that some people can get put off by that effort someone is showing to get to know them? Not saying everyone is like this, because I know there are so many people who aren’t. And plenty people also disregard these social rules because they aren’t actually concrete rules. 

This is just a social construct and I’m trying to figure out why it is, because it seems counter productive? By what logic does it work? How are you supposed to make friends/date, if them showing interest in you makes you exit the relationship/ghost/breadcrumb?

How long are we supposed to only talk in one line texts about surface level stuff, to avoid being too much/too intense, before it’s acceptable? How do you know you’re following the same social timelines with the people you’re trying to get close to, when there’s no actual set rules? Someone might think you have to wait three days after a date to get in touch, but someone else will get offended if you take longer than two. But the next day or the same day is too desperate to some folk? And I'm talking about this from the point of view of someone who doesn't have trouble reading social cues/expectations. Can't even imagine dealing with this mess if that wasn't the case. Like what's the point of having these 'rules' if it just makes things more difficult for everyone? :')

These rules, technically, don't need to exist at all. It's all made up, based on... Something? We can always dismiss them ourselves but I'd like to know why they came to be and why we keep upholding them. I want to know the social purpose y'know? Is it a safety thing? Protecting yourself and not wanting to be vulnerable? That'd be valid, of course. But it does seem self sabotaging as it blocks people from actually making the connections they say they want to have?

I’ve been trying to find any research on the social behaviour regarding this, but I’m not sure what to even look up lol. Especially because I think the way we interact and behave has changed so much just in the last five years even. 

I just find it so curious that there’s so many headlines about loneliness epidemic, but people also recoil away from others when someone does show them genuine interest and wants to talk to them.   

I’ve had this initial ‘disinterest’ stage happen in the friendship context more. Also sudden, out of nowhere, communication ending/ghosting disinterest when trying to make friends (like please hurt my heart some more I beg u lmao). I haven’t really dated in the last few years so I don’t personally know how that field is at the moment, but I know ghosting is really common and people actively try to hold back from showing interest at first, even if they are reallyreally interested.

Maybe I’ll try looking more into the effects on social media etc, there’s a lot about ghosting in that context. But I just feel like it’s not quite what I mean, because I feel this disinterest phenomenon thing is separate from ghosting. 

Anyway! Happy Sunday loll xx

[wildflowercryptid]

something that's been weighing on my mind ever since learning about the situation with ezra / toonimal is seeing how these predators will take the active hostility that is frequently directed towards minors in online spaces to their advantage and use it to prey on vulnerable children. i think that we as adults in online fandom should probably come together and maybe rethink the language / manner we go about interacting with kids bc clearly the way things are rn is causing active harm.

like obviously, if you're an adult and aren't comfortable with minors interacting with you or your content, you should be allowed to set that boundary and should be vocal about it, ( especially if the content you create isn't safe for them to consume. ) but i don't think talking to them like they're a blight on all that is good and holy is the way to go about it. maybe just saying you're an 18 plus account will suffice, you don't have to tell them to fuck off.

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[necrotic-nephilim]

What's so fun about BruJay as a ship is Jason's sheer obsessive devotion to Bruce. Jason is possessive over Bruce, to the point he doesn't care about the deaths of others so long as he has Bruce's attention. A part of the UTRH arc this isn't talked about enough is that Bludhaven fucking explodes mid-way and Jason won't let Bruce see if Dick is alive.

batman (1940) #650

A lot of discussion about UTRH paints Jason as this anger-driven cold, calculating machine up against Bruce when it's so clear that his love for Bruce is what drives him at his root, even if he won't acknowledge it. He says it himself, he would've done anything if it was Bruce who'd died instead of him and his anger is rooted in that possessive devotion not being reciprocated.

batman (194) #650

BruJay as a ship always to be, to some level, unrequited. Even if Bruce loves Jason back in that way, he'll never be that obsessed with Jason. Jason will always view Bruce's love for Dick or Tim to be a distraction, proof that Bruce isn't dedicated enough to him. Jason has the need to always have Bruce's attention, even when it could come at the cost of Bruce's other loved ones. Something something cannibalism as a metaphor for love in how Jason wants to consume Bruce's whole existence. He can't let Bruce leave him again, can't let Bruce love or grieve anyone else. Forcing Bruce to choose between Jason and the Joker isn't just about confronting Jason's killer, it's about confronting the other person who exists as this duality with Bruce and consumes so much of Bruce's life. That's the role Jason wants to fill, calling himself Red Hood and forcing Bruce to look at what he's become. But still loving Bruce and wanting more than anything for Bruce to reciprocate that love in the way that Jason understands. I just think it's good soup and rife with Dynamics that are underexplored with them.

[flufflecat]

Can someone explain what the narrative stakes are even supposed to be anymore in jjk. All the characters are essentially guaranteed to die, the current cast is comprised almost entirely of characters who showed up 2/3rds into the story and we're supposed to care about them for some reason, and I do not even know what the threat is supposed to be anymore. The apocalypse? Destruction of an amorphous innocent society? Like has ANYTHING been shown of "here's the regular world that apparently needs to be saved" or are we just supposed to assume "this society is just Real Life+, so you're REQUIRED to care if some guy threatens to kill all humanity, because one of those humanities may be... a child" or something. Can you spare two seconds to show anything other than some magic randos fighting, or is it just a superhero story all the time now, minus the fun. Remember when yuuji had friends.