#but also. has a functioning brain and has the ability to think more than one day in the future
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want to do elluin's Actual Canon Run at some point but im still hemming and hawing over whether she'd use the tadpoles or not. still. after months and months
#the thing is... she SO desperately wants to feel powerful and in control and safe#but also. has a functioning brain and has the ability to think more than one day in the future#so im SURE theres a little voice in the back of her head thats like 'if you survive this... what do you think the long-term effects are'#and sure. it's a huge 'if' because shes about 90% sure they aren't getting rid of those tadpoles#but she's a silly little idiot and the 10% chance that they might make it through really digs itself into her thought process here#like I KNOW that rowan is a solid no. he doesnt even think about it#blythe is into the tadpoles in act 1 bc theyre really struggling with their urges and the tadpoles feel almost... soothing#like an evil they can manage. so act1 tadpole usage act2 they hate those things#even nil'tyrr whos Brand New To Me. she's a hard yes and she loves to slurp those bad bois up#but elluin is eluding me and its making me CRAZY#sorry. she's rotating in my brain once again. as if its my fault#elluin#atxt#playing bg3
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Dungeon Meshi is obviously primarily about food, eating, and crucially survival through eating, but it's also focused on other aspects of survival. Sleep, rest, social ties and social exclusion. There's even extensive commentary on things like personal grooming (Marcille’s hair, Toshiro becoming depressed and no longer shaving), clean bathrooms, and other things. When it comes to disability these things are referred to as instrumental activities of daily life (IADLs), which are more complex things like shopping, housework, and cooking, which people need to do to survive, and activities of daily life (ADLs) which are the basic bare bones needs: eating, toileting, etc. Dungeon Meshi is concerned with the logistics of living and finding joy in those logistics.
This is super related to disability! Yes, Laios is autistic, this has been apparent from the beginning. But what does being autistic mean for him and the story? Mostly, it means his desires, goals, and the ways he goes about achieving them are strange, foreign, or baffling. He has different priorities than other people and the way he expresses those priorities are strange. They affect how he socializes, how he eats…
So, it absolutely makes sense that there would be a minor sideplot about activities of daily living and what it's like to be out of sync with everyone else when it comes to prioritizing things. It's Mithrun Time (he's gonna mith all over the place) and I'm so SO interested in the interplay of disability, caregiving and the logistics thereof, and intersectionality & privilege. Who needs care? How do other people feel about them needing care? How do they receive that care? And who do we think is worthy of receiving care and how does that interact with all these other factors?
Bunch of manga and extras spoilers past the cut:
“So, what's wrong with you?”
I see a lot of people talking about Mithrun's non-eye disability as a depression allegory, which I think is true, but I think it's also metaphorically/symbolically both a traumatic brain injury and a trauma response to sexual assault. The sexual assault aspect is pretty clear if you look at any of the symbolism of the actual disabling event: just look at it.
Mithrun is lying in bed and the goat comes to him, lifts him up and puts its mouth on his abdomen and lower pelvis. The eating is sexually charged, as is the particular way he struggles and protests. It's intensely violating, and things that were once desirable are lost. And the dungeon lord group therapy session involves a lot of people talking about the demons like an abusive lover; Mithrun, even though he wanted to kill the demon so badly, still says that they're gentle.
As for the brain injury, chronic TBIs can cause a wide variety of symptoms. Some immediately relevant ones are anhedonia (lack of enjoyment), executive function issues, poor interoception (trouble understanding what's going on in your body), cognitive impairment affecting ability to reason/multitask/plan/solve problems, changes in behavior and personality, depression, agitation, and restlessness. We see… basically all of these, in Mithrun, as downstream effects of the loss of desires. He can't tell when he's hungry, tired, or out of mana; he can't perform ADLs consistently even if he knows he'll die without doing them and dying without doing them will interfere with his long-term goal, he had drastic personality changes, he oscillates between impatient and totally withdrawn.
Brain injuries can also affect more complex tasks and ability to sustain lengthy periods of complex cognitive work. A common example is losing the ability to read and process longer passages; maybe you can read the words but you can't read a paragraph, or maybe you can read paragraphs but now you get a migraine after 15 minutes. Mithrun's skill loss is not related to reading but the effect is similar – he is and was extremely skilled in a particular area of magic, but also disabled in ways that specifically hinder his skill in this area – to teleport things properly you need depth perception and a sense of direction, and he lacks both of these! And while he's still an incredibly effective fighter it seems like he pretty frequently makes those sorts of mistakes.
This is treated often as a gag and it is genuinely funny but it’s also very real, to no longer be as good at the thing you were good at before you became disabled. Kui takes several throwaway gags seriously later on, not just this one. Another ~gag that's not really elaborated on is the bathroom thing, but I appreciate its inclusion anyway, since even if it's presented humorously it doesn't feel meanspirited in a way a lot of “diaper jokes” do. I think people need to talk a lot more about bathroom issues in a wide variety of disabilities, and I think it's nice that a guy I can already picture the “poor little meow meow” posts about also has this issue, you know?
Preferences vs Desire
Even referencing PTSD and TBIs it's hard to really grasp what having no desires means, and the characters don't generally ask, while Mithrun explains it in vague terms. “Desires” is a very broad term and indeed he has lost access to a wide but related variety of things. Unfortunately this lead to him often being treated as nonagentic.
Mithrun does still have preferences, even if he doesn't express them and has no desire which would drive him to seek out pleasant things and avoid unpleasant ones. He'll comment on the taste and texture of foods, for example – sure seems like he has an opinion!
People treat it like his preferences don't matter since he doesn't usually bring them up unprompted, and he's often in situations where there aren't other options.
Kabru seems best at not doing this (and, noncoincidentally, also seems to be the best at actually caring for him; the Canaries have a lot more Resources theoretically than Kabru And Mithrun Eating Monsters And Kabru's A Bad Cook, but although they are loudly distressed by the two of them disappearing it seems to have positively affected Mithrun's general health)
But, uh, acknowledgement that someone has preferences at all is a really low bar to clear and Kabru also doesn't seem to fully understand how Mithrun's brain works. Mithrun’s caregivers want him to eat when they want him to eat. They want him to rest and drink when they want him to.
He lacks the desire for a number of mundane things but also seems to lack the ability to tell when he needs them. He can't explain why he faints; is “I am out of mana” considered a desire for more mana, one that can be eaten? He can't sleep on his own; it's not only that he lacks “the desire to go to bed” but he can't do anything with his own exhaustion, even if he notices it. He comments on the unpleasant taste and texture of several meals; he may be unable to want to not eat it, but he definitely can tell when he dislikes something. But he also seems to be unable to tell when he's hungry.
Kabru will acknowledge these preferences but there's not really other food options, and Everyone Must Eat. Kabru doesn't know the details of Mithrun's condition yet but you can see the immediate frustration here and the way he offers food to him like Mithrun's a child.
Sure, he won't directly communicate preferences, so that makes it extra hard, but you can always just ask, and if he tells you he tells you.
The pathway between opinion and taking actions about it may be lost in Mithrun but the dungeon forces other people into a similar position – it forces them to eat food they don't want to eat so that they can survive or accomplish other goals. We've seen this with Marcille from the beginning. It's difficult with Mithrun because it seems like there is always going to have to be some sort of someone else overriding his autonomy – yeah, he's not hungry but he still needs to eat or he'll faint. Yeah, he's lying about whether or not he's clean but he still needs to wash or he'll die. Yeah, he needs to take a rest instead of keeping moving or he'll faint. But he's not unique in being in a situation where he has to do nonpreferred things. The difference is more that he lacks the ability to independently do anything when it comes to ADLs, preferred or not, which makes it into someone else’s choice and responsibility.
There's also a theme in Dungeon Meshi that comes up a bit of people being pushy about ADLs but from a slightly different perspective, and they're usually right. You see this in Senshi most commonly; he pushes the residents of the Golden City to actually eat even if they don't need to and can't taste it, and while he's correct in that Yaad does get enjoyment from the food even without taste he's still not quite listening to Yaad. Similarly, Kabru is correct in that he can get Mithrun to sleep without a sleeping spell, but he also ignores the way Mithrun says several times that he doesn't expect massage to work. There's a few aspects to this – wild but expected that the elves would choose the “just knock him out with a spell” route, the “easy way” Senshi always talks about when it comes to magic, instead of actually paying attention to other solutions. But also, generally, people know their bodies best, and sometimes even if you're really sure you have the trick to help them you have to listen to what they tell you.
tvtropes dot org frontslash DisabilityTropes
This is going to be a harder section just because it's so subjective; it's nearly impossible to think about the ways in which disabled people are viewed by the people around them/wider society with any degree of objectivity just because there are so many factors that go into it. But I do think Mithrun is consistently treated as relatively nonagentic and there are several ways this can manifest: being treated as a doll/pet/child, being treated as a weapon, and being a surface for people to project onto.
He's framed or treated as childlike intermittently through the manga; scattered about, just a little vibe in the way he's drawn, like the "say aah" above and Pattadol and Cithis through the teleportation scroll :
That's a middle aged man! And he's framed like a toddler getting picked up or misbehaving.
Which doesn't mean they care about him any less; his squad is really fond of him for someone who's technically like their parole officer. How dare you do this to our captain! They love him dearly; this is obvious and he comments on it! They respect him, too, as the leader and as a strong fighter. But loving someone and thinking they're a skilled fighter doesn't mean you respect their autonomy fully.
There's also an element of everyone projecting their own issues onto him; Kabru with their shared Dungeon Trauma. The canaries all suggesting wacky, midlife-crisis desires. He doesn't ever express that he minds any of this, except when they try to stop him from making particular decisions. They also don't often understand why he'd be motivated to do a particular thing, and in fact some of these projections may actually be correct! But while noodles and pottery may be good later-on goals for him, I think it's striking that a) Kabru was the closest to correctly guessing what desire Mithrun might acquire now and he was still guessing the exact opposite (suggesting a desire to not eat Falin but to help Laios, vs Mithrun's actual desire, which was to eat Falin with no thought given to the promise he made at all) and b) it's a desire that actually makes perfect sense with what we know about him, not something totally new.
And, finally, he's a weapon: people are willing to caretake him because he's good at killing things dead. If his only desire is to kill demons dead, it's easy to start seeing that as who he is. I don't think he'd argue that “trying to kill demons” takes up the majority of his life (it's his only goal and he's obsessed with it) but even if there's only one thing that matters to him he has autonomy (in the sense that he can make his own choices about what to prioritize and formulate his own plans) and personhood.
Politics and privilege – who gets to access care?
One of the things we're first presented with when it comes to Mithrun is that he is intensely capable at handling dungeons. Yeah, there's the immediately visible prosthetic eye and the navigation issues, but the Canaries are built up as being incredibly dangerous and skilled, and he's their captain; they all immediately defer to him. He's intense, he curbstomps an entire room of guards, he's efficient, he's brutal, he's strong physically and magically.
In short: yeah, he's very disabled. He's also still very useful.
At the risk of oversimplification, even within his particular disability, he's much more disabled than Marcille is (she lost something relatively simple and easy to miss, she has no catatonia-moment) but less disabled than Thistle, who seems to still have at least one desire related to the king but is still primarily catatonic. It seems like Thistle is not unusual among ex-dungeon lords, even if there's enough noncatatonic dungeon lords to form a support group later. When Milsiril finds Mithrun, she immediately intends to mercy-kill him – this seems to be a condition the elves are familiar with but consider terminal, at least to the degree Mithrun is affected, and people seem unfamiliar what it means to keep living in this state because Mithrun is unusual in that he survives at all. And he's “allowed” to survive initially because he's not as disabled as he could have been (still has a desire) and that desire is useful. They aim him at the dungeons and off he goes. It takes twenty years for him to recover enough to do it, sure, but they're elves. They can wait. He can still be useful.
Relatedly, when he loses the ability to pursue his desire he's immediately much worse off than he was previously.
The no-desire catatonia is something that can recur and the elves continue to not know how to handle it. If Kabru wasn't there to problemsolve I think he'd have just… stayed there with his increasingly distressed squad.
Speaking of his squad, there's also a fascinating power dynamic going on with just the inherent structure of the Canaries; criminals are assigned as his caregivers. There's the inherent unfairness to the criminal Canaries about them being given extra duties, this strange rich noble guy who's now their Responsibility. There's so much possibility for resentment in normal caregiving relationships, much less being forced by your jailor into caregiving someone. But there's also an element of the power the prisoner Canaries now have over him and his most basic ADLs and needs. Assigning Cithis to his care is such a can of worms! The dynamics of the situation are frankly awful for both of them; of course she resents him initially. It would be strange for her not to. When Pattadol catches her making Mithrun do embarrassing things, she instantly reminds Cithis of her lower-status – she's forced to care for this nobleman and then forcibly reminded that she's beneath him.
She's responding to having menial, low-status tasks forced on her by trying to humiliate him, and although he doesn't have the ability to care enough to stop her it's still a deliberate removal of dignity. He's the instrument with which she is punished and she punishes him in return (until it's not fun anymore and she understands him a bit more.)
Mithrun is a long-lived race, who has structural power over the shorter lived races simply because of how long they live. The dwarves and elves try to actively keep certain knowledge from other races, restricting their access to technology, and other expressions of distance. Senshi spends nearly the whole first season not listening to Chilchuck trying to explain that he's an adult and treating him like a child, and Kabru repeatedly says that the elves do the same thing (and tbh we see them doing it). There's even the fact that it took him twenty years to recover enough to join the Canaries again; a shorter-lived race might have died from old age in this time, or become too old to work in this capacity, and then wasted away without the drive to return to the dungeons. But they're elves; the other elves can afford to wait, and he's not going to age out of dungeoneering any time soon. Being an elf probably contributes to his wealth in the same way skin color contributes to wealth inequality in the real world.
Dungeon Meshi doesn't really go into race in the sense of skin color much, and Kui is writing from a different cultural standpoint than I am. While tallmen are quite accurate when it comes to skin/hair color (yes, even Kabru and his blue eyes; it's rare but possible) and cultural references, the elves, uh, absolutely are not, both in the sense of “dark skin & pale hair and eyes trope” and sense of the royals having jet black skin.
Still, I feel like race is so connected to care and caregiving in the real-world west that I would be profoundly remiss not to mention it. Skin color might not matter to elves in the racism sense, but it matters to humans and humans are the ones writing and analyzing this story. (And I fully expect as the fandom grows with anime-onlies people will like Mithrun more because he's white (has white features) than they would if he had darker skin, because fandom is also baseline racist.)
I don't think we can just not mention that Mithrun is pale-skinned and both Cithis and Kabru, his primary caregivers over the story, both have dark skin.
Racism means white people are more likely to get good medical care, the type you need to get diagnosed and prescribed caregiving. Racism means wealth distribution is uneven, favoring white people. Race affects immigrants taking on undesirable jobs like caregiving for low pay. Racism is a profound stressor which means it contributes to who becomes disabled in the first place in that it can worsen health outcomes.
Similarly to race, gender may not be very obvious when it comes to this subplot within the story but the gendered dynamics of caregiving in the real world are something I do want to touch on. There's an oft-cited statistic about how men are much more likely than women to divorce their partners when their partners are diagnosed with a serious condition; I don't like relying too much on those sorts of statistics because they can be so misleading but it does gesture at something very real, culturally. Even if men aren't supposed to be caretaken, women are supposed to be the caretakers. Certainly, it's not Mithrun's fault that he can't cook and can't do laundry and probably can't do most housework, but I do also think about all the posts passed around about “my boyfriend who won't do housework.”
Again, none of these privileges make him less disabled and less in need of and deserving of care, they're just worth talking about when we talk about caregiving in general.
It's Rotten Work, Even If It's You
People expect disabled people receiving care to be grateful, to accept anything, and to try and make it easier for the caregiver if they're able. Requiring care is an incredibly disadvantaged position, even as actually receiving it can be so tangled up in privilege. Caregiving is tremendously difficult work, it's true, but there's a particular vibe people want from disabled people – all those movies about not wanting to be seen as a burden. Never complaining. Being grateful.
And, uh, well…
Mithrun basically accepts anything his caregivers do, but he's not grateful at all! I appreciate that in a disability portrayal. He'll also lie to and ignore his caregivers, which is Annoying but is definitely an expression of autonomy even if he's probably not doing it specifically to express his autonomy. He's not going to thank you. He's not going to make it easy. He'll accept a lot of things considered “undignified,” and he's not mean or unpleasant in the sense that he's taking advantage or anything, but he's certainly not a model patient.
He's running off back into the dungeons just when you think you've finally gotten him somewhere safe.
There's always a strange tension in caregiving, I've found. It is incredibly intimate but a lot of it is done by total strangers. A number of caregiving tasks are viewed by the wider world as entitled but placing those tasks in the hands of strangers is a remarkably tough place to be in. As a disabled person, I've had to accept my bowel movements being discussed with my parents’ friends, all sorts of being physically moved places not against my will but without my permission, even my pubic hair being shaved off by a stranger (nurse) while I was unable to speak or move. When people are feeding you, making sure you use the toilet, rubbing your feet to make you sleep, helping you with hygiene – people are working so hard to help you. Are you supposed to just accept them doing whatever they want to you?
There's also a dynamic where people will say they don't mind caring for you, they're happy to do it, and then as the years go by and you continue to need care the resentment just builds up. Caregiving is hard work. It's often thankless. The goodness of people’s hearts can run dry, when it's been twenty years and you still can't bathe yourself.
Aaand I need to continue in reblogs, because I'm out of space for images. Please hold. edit: you can find part 2 here
#eat or be eaten#I'm real and I beat myself up behind the Blockbusters#tbh i tried not to talk about myself too much here. but uhhhh caregiving issues are so tender for me#tender in the ouch way not the gentle way#anyway#dungeon meshi spoilers#dungeon meshi#mithrun
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I wrote this out for FB and then thought I might as well share it here as well. So if you have ADHD, are a late-diagnosed adult with ADHD, and most particular if you are a person with a uterus and/or have children, this one might be for you.
...
Last couple of days have been a little...weird. Let's start at the beginning. Buckle up and learn something.
As many of you already know, I have ADHD. It's a condition with a PR problem--a lot of people, often even medical professionals, have a very distorted idea of what it does, and a very limited one. For starters, it's not about parenting, or lead paint, or lack of discipline. It's genetic, *highly* heritable, starts in childhood and persists throughout life, and is a sufficiently severe disability that it comes with a decrease in life expectancy of up to 13 years. It is a visible difference that can be perceived in brain scans. These are all, at this point, well established and thoroughly attested in the scientific literature. ADHD affects up to 5% of the population and appears across cultures. It is very common.
It's not just about lack of attention--in fact, plenty of medical professionals think the name should be changed, as in fact the problem isn't the volume of attention but the way we struggle to direct it. We are motivated by interest, and struggle to properly weight future goals and consequences, specifically because they are in the future. If the robin outside the window is more immediately rewarding to our brain, we will watch that, and not the teacher. Our ability to properly weigh the consequences of that choice is negatively impacted by our own biochemistry.
We struggle with many of what are termed the "executive functions", the self management systems of the brain. Degree and presentation varies from person to person, but initiating tasks, completing tasks, staying ON task, restraining impulses, emotional regulation, and working memory are among the things impacted. My working memory is notoriously horrible. When they send you those activation codes on your phone? I often have to go back and read them out several times to enter a six digit number. I have to stop and remind myself what I'm doing between every step of my morning bathroom routine, or making tacos. Sometimes I take off my glasses to put on my contacts, reset, and reach for my pill bottles while I still can't see. My long-term memory is also affected, with my husband de facto serving as the memory-holder of the family.
Another common symptom I personally experience is "time blindness", which can mean both that you have no "internal clock" that has a clear idea of the passage of time, and that our ability to properly weight the importance of things in the future is impacted. So, for example, I can know intellectually what's coming, but it takes some really complex and exhausting antics to actually focus and work on those things if they're more than a week or sometimes even a couple days away.
Without externally imposed controls, many ADHD people flounder and fail to meet social markers of success. Estimates of how many ADHD people manage to complete college range from 5% to 15%. Again: 5% to 15%! I have failed twice myself. WITH externally imposed controls, ADHD people often have to work far harder to make their brains do what is required, and either fail and develop an image of themselves as failures (usually with plenty of external help), or keep fighting and suffer crippling burnout.
To that point, ADHD is HIGHLY comorbid with a whole range of knock-on conditions, some of which stem from the same brain patterns that give rise to the ADHD itself, and others from the trauma of living with a disability, but they include very high rates of depression, anxiety, fibromyalgia, social isolation, and addiction. I have dealt with depression, anxiety, and fibromyalgia my entire adult life. I have never ended up in the trap of self-medication but let's be real, that's partly about having supports and a healthy social environment. It's not some accomplishment I praise myself for, nor is addiction a sin I shame anyone for.
And anxiety has a very different texture to it when what you're really anxious about is the next time you fail in some catastrophic way. Lock your keys in the car. Completely space on a doctor's appointment. Go to pay for groceries and find that your wallet is next to your computer at home. Because the anxiety is not irrational fear of some generalized bad thing. These things do and will happen, regularly. Sometimes it feels like the only fix is getting good at recovering. Because no matter how many times you manage not to blow it, there's always another chance.
So, the struggle to be a reliable person, to be a consistent parent, to be a dependable life partner, is continuous. And it is so so so hard and it sometimes feels like you're not actually making any progress at all. I have tried therapy. I have tried three (or four??) different non-stimulant medications that sometimes help people. One of them DID help. ALL of them had catastrophic side effects. There were times as I was trialing these medications when I needed to be minded because I wasn't capable of taking care of anything, not even myself. Without Jacob, I don't know where I'd be. Not here. Probably in poverty, which is where he found me.
I have tried probably most organizational tools you know of. I have tried imposing schedules, all of which turned to dust and ash when the next fibromyalgia flareup or the next major life disruption happened. I don't think a new schedule has ever lasted a month before.
I HAVE felt like I'm made progress lately. I learned things that really helped my fibromyalgia, which gave me the space to work on other things--just like getting the borders of a puzzle finished. Enough things were spiraling upwards, and I think I might be cementing some gains. I have felt optimistic.
But in the meantime, I asked my doctor if, now that no less than three cardiologists have insisted my heart is Perfectly Healthy, I could finally try stimulant medications. After decades of use, Adderall, Ritalin, and a couple related stimulant drugs are still the gold standard for ADHD treatment and improve outcomes substantially for many people. And stimulants are in serious international shortage. Have been for many months. The only one she thought she could get me was Adderall. And she didn't dare try anything but the standard 30mg because nonstandard dosages would be even less attainable.
So now I'm taking Adderall. One week on 30mg, which I stopped when it was clear my function was being seriously impaired rather than improved. Reassessed with the doctor, now trying 60mg, because that's two of the pills I've already managed to obtain. It is....too much. And in some ways it fixes problems I wasn't working on, while so far making my executive function, my initiation or even *contemplation* of tasks, virtually nonexistant. Which was, of course, the thing I was trying to fix.
So yeah. When you have the context, I figure you can understand the substance of my frustration yourself. If you have children, I don't think you need my help to imagine what it would be like to know that you are unpredictable, or to see that your children are used to to you undergoing events that make you act strangely and erratically. I think just knowing that often, new medications introduce themselves by giving me a migraine, and I know this is possible when I take that first pill, is fairly self-explanatory. And so I expect you can imagine what it would be like, with all of this as a backdrop, to experience worsening of your symptoms, probably because of age-related hormonal changes. To in desperation try something you'd previously been denied. And to learn that it probably won't help.
In a week, I will either give up on Adderall for now or find a way to make it work. I'll put together the pieces yet again--at this point, possibly my strongest personal skill--and continue that upward climb as far as I can get. I'm incredibly fortunate in that regardless, I will be fed and dry and warm and loved. But right now, I feel justified in some serious dismay.
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Superbat Week Day 3: Alien Biology
For @superbatweek2024
“I’ve been meaning to ask, how exactly is it that you fly?”
Clark looks at Bruce, eyebrow raised quizzically. “What do you mean?”
“Well,” Bruce starts, gesturing at Clark’s form as the man in question happily eats Chocos out of the box, “how exactly does it work? J’onn, for instance, levitates with the help of his telekinetic abilities. It would be useful to understand how it works for you.”
Clark then gives him a huge grin, eyes twinkling with either amusement or the option Bruce hates most: mischief. “It’s because I actually have invisible wings!”
“Clark.”
“No, it’s true,” Clark insists, eyes wide. “Kryptonian biology is very different from most species, you know.”
“Clark.”
“Fine, fine,” Clark huffs. “It’s no fun trying to pull the wool over your eyes, you know? You could throw me a bone every now and then.”
“Of course,” Bruce admits. “But where’s the fun in that?”
Clark throws his Chocos at him, grinning.
--
“Hey, Spooky!”
Bruce turns begrudgingly at the grating sound of Hal Jordan’s voice. He supresses the part of him that is curious. After all, Hal usually— and thankfully— avoids him for the most part. It gives Bruce a lot more peace in his day, but also has the unintended and unwelcome side effect of making him interested whenever the man swallows his pride to approach him.
“Did you know about this? Did you know and just decide to keep this from everyone?”
“I don’t know what you mean.”
Hal rolls his eyes. “I’m talking about Supes, man.” He looks around the empty corridor, and leans in closer to Bruce, voice dropping to a whisper.
“Did you know that he has invisible wings?”
It must be an effect of all the idiocy in the air around him, but it’s almost like Bruce can feel his thoughts coming to a screeching halt in his head.
“I… he what?”
The first thing that occurs to him when his brain begins to function again is that Clark is probably way prouder of this idea than he has any right to be. And apparently, for good reason, because Hal seems completely taken in.
Bruce hates being wrong. Especially about this.
“Yeah! He sorta mentioned it in passing… but damn, you think you know a guy, huh?”
Bruce says nothing. He simply watches Hal stand before him, rubbing his head in consternation. And in his fugue state, Bruce makes one of the most questionable decisions of his life.
“I knew.”
“What?” Hal shrieks. “You knew? And didn’t mention this to anyone?”
“It wasn’t my secret to tell.”
Hal frowns. “I guess…” Then he sighs, running a hand through his hair, frustration visible on his face. “I guess you’d know that, huh? And I can safely say that it’s the truth, cause you’re allergic to pranks and fun.”
“Goodbye, Jordan.”
--
By the end of the day, the whole Watchtower knows of Superman’s magical invisible wings. Bruce can hear the poorly hushed conversations flooding through the entire satellite.
“Batman said he had them, so it must be true!”
“Yeah, he hates fun, he’d never go along with it if it was a prank!”
If only they knew.
--
“—And now people keep asking if they can feel them!” Clark huffs, head resting on Bruce’s lap.
“Mm.”
“It was funny at first, and it still is… but now, I think it’s falling apart.”
Bruce pats his forehead. “All pranks come to an end. It’s an immutable fact of life.”
“It’s just too good to be over so soon!”
Bruce wisely keeps his thoughts about the quality of Clark’s pranks to himself. Instead, he looks up from his laptop to observe the silent pout on his face, and makes a few calculated decisions. Then he picks up one of Alfred’s cookies and tosses it at Clark’s face.
“What’s this for?” asks Clark, confusedly.
“I’m throwing this at you, in lieu of a bone.”
--
Bruce has faced many dangers throughout his career as a superhero. Dangerous criminals, the best martial artists in the world, magic users, and even literal demons. But this might be the hardest thing he’s ever done.
“You want me to make Clark a pair of…” Zatanna trails off, and looks back down at the piece of paper he’d handed her. “…invisible attachable magic wings?”
“Yes.”
Zatanna looks up at him, looking absolutely miserable.
“What did you do this time?”
Bruce bristles and glares. “Nothing.”
“If you’re in the doghouse, it’s best you fix whatever you’ve done on your own—”
“It’s not an apology present. I’m helping him with a project.” Zatanna looks mildly curious for a split second, and realization dawns on her face.
“So his invisible wings aren’t real?” she whispers, looking stricken.
Self-control. Bruce is a master of self-control. He will not raise his palm to slap it against his forehead. He will not give into that ever-present urge.
“Of course not.”
“Damn,” she murmurs, looking away as though revaluating her entire existence. Luckily for her, so is Bruce.
But she bounces back fairly quickly, which is only a credit to her character. “All right, I’m down.”
“Thank you.”
--
“You know,” Zatanna insists as she rolls up her sleeves theatrically, wand already held in her hand, “I’ve never seen you go the extra mile for a prank before. You really love him, don’t you?”
“…Just do the spell.”
--
Clark’s wings are a big hit. The Hawks are especially thrilled. Bruce loses just a little more faith in everyone’s competency per second.
But seeing Clark’s excited face as he beats his invisible wings and bamboozles everybody within arm’s reach makes it all worth it. Not that he would ever admit as much to the man himself.
But unfortunately (or fortunately, if Alfred is to be believed), Clark knows him too well for all that.
“How hard was it to ask Zatanna to make these for me?” When Bruce doesn’t reply, Clark just grins, his arms coming to wrap around Bruce from the back. “I bet it was hard. I know how much you hate asking for favours.”
“They aren’t permanent, so enjoy them while they last.”
“Sure, sure.” Clark stops speaking, and the Batcave is left in its natural state of silence.
“Thank you, Bruce.”
Bruce doesn’t turn to look at him. “It’s just a pair of wings. Zatanna made them in five seconds.”
“That’s not what I mean. I just—” Clark leans in closer, pressing himself against Bruce’s back, and Bruce can feel his warmth flooding through him.
“This was the silliest thing ever, but you went along with it anyway.”
“Clark.” Bruce turns himself around in Clark’s arms, and lays a hand on his face. “It’s not silly. If you found it amusing, who am I to get in your way?”
“I was so sure you found it… what’s the word you used? Juvenile?”
Bruce gives him one of his lesser, weaker glares. “And now you’ve decided that I’m an expert in comedy? After all the time I’ve spent projecting the opposite?” Clark just laughs, quietly, subdued in a way that leaves Bruce feeling profoundly uneasy.
“I guess…”
Bruce pats his head, ruffling through his hair. “Since when have you cared so much about what I think?”
Clark just looks at him, and then sighs, dropping his head down onto Bruce’s shoulder. “I always care about what you think,” he mutters. “Your opinion means the world to me.”
Bruce’s first thought is to tell Clark that his faith is misplaced. That Bruce isn’t as worthy of admiration or respect as Clark seems to think. That Clark is giving him far too much credit.
But there’s something in the way Clark says those words, quiet and heavy, that renders him speechless, unable to say anything; something that leaves him wishing that it could be true. And so, he just stands there, in Clark’s embrace, trying to convey all the things he can’t say.
It’s Clark who breaks the silence, obviously. “You know… if I told you I had invisible wings right now, that wouldn’t be a lie…”
“I suppose so.”
“I guess I am different from you today. Biologically. Even on the outside.”
“I can’t argue with that.”
“So…” Clark lifts his head up to look at him, expression positively sultry. “There’s a lot of fun we could have with these. Don’t you think so?”
Bruce just looks into his eyes, and raises a hand to run his finger along the soft surface of Zatanna’s magical wings. He drags his hand back, and rests both his arms around Clark’s neck.
“Let it never be said that I don’t know how to have a good time.”
Clark laughs, and kisses him.
--
“You know,” Clark says, conversationally, idly messing with Bruce’s hair. “I might not have actually had magic wings, but you know what I do have?”
“A penchant for silly pranks?”
Bruce looks up to find Clark waggling his eyebrows, mayhem already gathering in his eyes. “Well, yes,” Clark says, “but I was thinking more along the lines of horns that can detect lies. What do you think?”
Bruce just sighs, and buries his face in Clark’s shoulder. “I can’t lie to your horns. That’s a terrible idea.”
“So…”
“Fine. Let’s do it.”
---
Read on AO3
#DC#DC Comics#Bruce Wayne#Clark Kent#Batman#Superman#Fanfiction#Superbat#Superbatweek2024#Hal Jordan#Zatanna Zatara
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Regarding fictional disabilities: since there is no way to research a disability that doesn’t exist, how do you go about writing it in a way that makes it good rep and not offensive? For some context specific to my story, magic based abilities are biological rather than learnt and can manifest at any age, though if it develops at a young age it can cause development issues or brain injuries. One of my characters experienced this and developed a power that was psychological in nature, but because he was so young and couldn’t cope with the actual power, it left him with memory and intellectual problems. I was originally looking into stuff like dissociative amnesia or maybe even alzheimers but since the symptoms don’t fully line up I can’t just rely on it completely. My overall point here is that if resources for a fictional disability don’t exist, how can you write it while still taking into consideration real life disabilities? My bad if this is worded weirdly, I tried to keep it as specific as possible without delving into the full on details of the story and character. Have a nice day!:3
Hi!
First rule would be to not do harm. So not propagating misinformation or nonsense about the real life disabilities that the fictional one resembles (here that would probably be pediatric brain injury and/or intellectual disability). I don't think anyone expects realistic representation from a made up condition that they don't have but if you're deciding to associate it with one that's real, you have to be mindful of it. Even if it's a fictionalized version of a developmental disability you can't just go (example, not trying to insinuate you want to do that) "this character is an adult but is mentally 4 because of this fictional disorder that is made up and totally not close to anything IRL so it's ok to say", it would just look pretentious to pretend that it's something completely unrelated to a real disability if the character has symptoms that strongly align with one.
If your fictional condition is made of symptoms that exist in real life (but maybe not for the same reasons/don't really exist together) try to research them one by one. If he has memory problems, research how this specifically affects people with it - Alzheimer's comes with a myriad of other things that might give you an incorrect idea on how just that one symptom presents. For brain injuries, check what parts of the brain do what - damage to different parts might cause very different symptoms. You can read about this here in the context of strokes. Having an actual symptom list of things that your character has will be more helpful than thinking of it as "condition x if it was condition b/ condition c if it didn't have [major part]", even if that's how it's explained in-universe to help the other characters/readers get it - you as the author should know the ins and outs so that you can actually keep track of how your character functions and not have continuity errors.
It'd also be interesting to figure out what other symptoms this kind of scenario could cause that didn't happen to this one character (unless he's the only person this happened to). Developmental disability is a really big spectrum, and so are memory problems. I imagine that there would be other people more and less disabled than him who would have the same condition - this could affect how his is seen in-universe. Is he a very mild case, and not receiving the kind of support he needs because it's "not that bad"? Or is he on the severe end, and other people pity him and send condolences to his family? Think about the grander scheme of things.
I hope this helps,
mod Sasza
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Health impacts of obesity, death feedee edition
TW: this is dark and very real, do not read if you are not ready to understand the consequences of feedism. And I really mean it. It may be f* scary.
You know I study physiotherapy at med school. And Im also a feedee, feeder, FA... Which means that mine internships in hospitals are pretty heavy and hard for me. I see all the impacts of obesity, or even morbid obesity on people and their health. On their life.
We are all talking about heart-attacks. Sure, your arteries getting clugged, atherosclerosis growing in your body and getting you closer to an early grave. But atherosclerosis does not cause only heart-attacks. It would be nice, wouldn’t it? Feeling your heart struggling, pain in your chest (which you deserve for being the pig you were), and pretty soon there is the end. Death.
But atherosclerosis can also cause strokes. And I don’t think you want that. Part of your brain gonna die, part gonna live. It can affect your motor functions, your ability to feel by touch, your ability to know where and how placed your limbs are, your speech, of course your ability to think. You may die, sure. Or you gonna survive and live way way worse life fully dependant on people around you… Did you know that?
You also might ruin your pancreas. Im sure that many of you already have insulin tolerance way higher than you should. Well diabetes mellitus is incoming if you will not change your lifestyle. It does not only mean that you will need to take insulin! It will also damage your nerves. Neuropathies are very common. DM can lead even to amputations of legs. And also an impact on eyes is very well known, you can become blind. Over all diabetes is a metabolic disease and it has huge impact on your whole body – nerves, organs, veins, everything.
Another effect of our feedee diet - your liver become fattier making it work less. And liver are very important organ! Liver steatosis can become cirrhosis, the organ will be very damaged. Btw it also gonna increase your blood pressure which has significant impact on probability of heart-attacks and strokes. Another thing – there can appear stones in your gallbladder. That is mainly caused by eating too greasy and fatty food. And this also can be very painful situation needing a surgery.
It is proved that obesity increases the risk of cancer, especially cancer in gastro-intestinal tract and urogenitals. One more thing that people do not want.
Not to mention your musculo-sceletal system. Arthrosis in joints (another painful thing restricting your daily life), unfit and stiff muscles, bones easier to break by your weight if you fall… And it will not hurt only when you move. But also when you lie in your bed getting stuffed to the brim once again. Who of you have never ever had back pain, mainly lower-back pain? It is not comfortable, is it? And it only gonna get worse if you don’t exercise.
There are also impacts on your skin but i'm not good in this field so can't say much about it.
I know it is a lot of fun to be a feedee. To gain, get fatter, heavier, softer. Getting out of breath easily? Oh f* yes please, it makes you so horny. But there is a huge impact on your health. Im sure you know it. But maybe you don’t know all the specific things that may happen. This is just a brief list of health complications that obesity brings. So if you are a death feedee, go on! Eat yourself to these diseases if that’s what you want. But be aware that your life probably will not end by a sudden quick heart attack. You will suffer many months and years due to many comorbidities till your body will give up on you. Are you ready for that long pain?
Wanted to let you know so that I can feel better when I actually encourage you to gain. You know, consent means that you agree while being aware of the consequences. If you want me to help you get morbidly obese I wanna be sure I warned you. And maybe (hopefully) this gonna help someone to stop gaining so much if they find out that they would not be happy. Because babes – I don’t want you fat in the first place. I want you happy.
That’s the reason why im drinking 700 kcal hot chocolate made of heavy cream while writing this article. It makes me happy to gain. It makes me happy being fat even though I know all of these things. And it also scares the s*it out of me. I fear it so much. I want it so much. Im not a death feedee in real life, will not let the kink kill me (I hope). But I definitely am a death feedee in fantasies, deep inside and sometimes it is really hard to find the difference between having fun and ruining your body.
••••••••••••••••••••••••••••••••••••
I warned you it gonna be dark and real 🖤
Enjoy your life as you wish 💕 Give fully into hedonism or enjoy the parts of feedism that don't kill you - that is your choice. Your body. Your life. Your death.
~ Tessie
#dark feedism#dark feederism#death feedism.#death feedee#feedism health#health consequences#health concerns#feedee.#feeder.#feederism.#feedism.#feedee girl#gaining#fatter#getting fat#gaining weight on purpose#feederism health#feedism consequences
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The Inviting Hot Springs
"Too bad the evil mannequins robbed us of the big gay scene" - Mangadex commenter, on Otherside Picnic
I am going to start off with a wild claim here. File 14 (The Inviting Hot Springs) features a drunken romantic moment between Sorawo and Toriko in the onsen which is interrupted by the Otherside at the worst possible moment. They get chased by mannequins. Here's the wild claim: that mannequin chase *is* the big gay scene. It says more about Sorawo and the specialness of her relationship with Toriko than anything they said while giddily flirting in the onsen. This might simply be the stirrings of yuri lit brain, but let me explain (and hopefully acquit) myself here.
Early on in File 14, Sorawo poses a question to Kozakura: "Why is the Otherside targeting me?" The conversation drifts around to Kozakura theorizing that the Otherside is a mirror to one's attachments, and as an example, points out Sorawo's jealous anger towards Satsuki might have been the trigger for the Otherside to manifest her. "Anger is a form of continuous attachment," Kozakura tells her, before suggesting that Sorawo work on processing her past instead of trying to forget it.
Keep in mind, this is Kozakura theorizing, and there's no guarantee that she's correct. But using that theory as a framework, you begin to see a pattern to some of Sorawo's contact with the Otherside. Hasshaku-sama appears when Sorawo begins getting angry about Toriko's fixation on Satsuki. Sorawo gets drawn into the interstitial space while nervously considering how to reconcile after arguing with Toriko. Her ability to recognize her own body is destroyed by the Yamanoke, shortly after talking about her history with the cult and Toriko providing her a sense of belonging. The ghosts of her dad and grandma swoop in to tell her she's a destructive force, right after reaffirming her desire to be together with Toriko. You get the idea.
Desire is a form of continuous attachment.
Trauma is a form of continuous attachment.
The Otherside appears when Sorawo is confronted by emotions she is unable to process. She does not understand intimacy, because her family denied her the ability form intimate bonds. She does not understand how her past shapes how she reacts in the present, because she dissociates from/intentionally tries to forget it. The Otherside is brought close by Sorawo's terror of desire and intimacy, and the way it distorts reality is shaped by the landmines of her past trauma.
So circling back around to the mannequins- it's not surprising they appear the moment Toriko presents Sorawo with the idea of sexual desire being an aspect of their relationship. It is a splash of cold water, and immediately Sorawo is forced to think about both desire and trauma.
Sorawo's anger at Toriko's "cute boobs" comment is driven mostly her feeling of being *targeted* by Toriko's desire, with a lesser bit of jealousy at Toriko doing openly what she herself had desired to do to Toriko. I think it also touches on Sorawo's trauma and past victimization, because she immediately frames Toriko as an unwanted aggressor - she immediately loses all sense of her own agency, and instead begins imagining *how* Toriko was planning to have her way with her.
The choice of a mannequin has a couple of symbolic meanings. The first is in its function - a mannequin's primary reason for existence is aesthetics. It exists to show off what its user wants shown off. A mannequin functions as a reflection of Sorawo's intense shame at being ogled, Toriko is functionally looking at her as a frame on which a cute pair of boobs is being displayed.
The second symbolic reading is in how it contrasts Toriko from "everyone else". A mannequin is a generic, abstract human form, and the level of attention Sorawo usually pays to others would suggest they don't register as much more than mannequins. (The time-saving technique of drawing generic faceless crowds in the manga, intentionally or unintentionally, adds to this reading.) Toriko is "different", lifelike. Sorawo's familiarity provides an intimacy of detail the mannequins lack, and Toriko exists as something more than a series of snapshot-like rigid poses. Toriko occupies vastly more territory in Sorawo's brain than anyone else, and the mannequins reflect it.
The "big bad" is a male mannequin holding his arms up in a W-shape and dressed in a sweatshirt and brimmed hat. He chases the two. I would not be surprised if those details were trauma-related - the arm pose strikes me as a worship posture, and given Sorawo's history of living on the run from the cult, it probably reflects those experiences.
The way Sorawo and Toriko escape from the mannequins adds another layer to symbolism to the scene. The two encounter a party of male mannequins seated around a TV with a screen glowing Otherside Blue. The setting reflects people passively absorbing culture, they look but cannot interact. In contrast, interaction with screen culture is how Sorawo found an escape from family abuse - she did not passively read creepypasta threads, but participated in discussions, hunted them in person, and eventually met Toriko on the Otherside because of them. The screen is the gateway to the next stage of Sorawo's life. Escaping through it together is a reaffirmation of her bond with Toriko and the Otherside's role as connective tissue in their relationship.
So I'll fess up to perjuring myself at the start. The mannequins aren't really the big gay scene, Sorawo and Toriko having a drunk flirt is too adorable to assign that label to anything else in the chapter. But the mannequin chase *is* doing serious lifting with regards to Sorawo and her relationship with Toriko. It reinforces the specialness of their bond while hinting at deep-seated issues with intimacy. The mannequin scene didn't rob us of anything, it complemented what had already occurred.
(P.S. I also doubt it is a coincidence they woke up in bed beside Kozakura. She wants to be their anchor to the surface world, after all)
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Astrology Basics
I had a brain blast and decided to break down what all of the planets mean in tropical astrology. I try to use one word that I feel applies to the planet the most and let that be the guide, then a metaphor example to further explain the signification.
SUN: your ability to grow as a person (and what you grow into)
AUTHORITY. relating to personal power, authority, self expression, and independence. if you were King, how would you rule? where would you rule? what’s a priority to you? where was your personal power found?
MOON: your emotional nature, your perspective, your mind.
INSTINCT. Moon comes naturally to you. What were drawn towards, who we are drawn towards, what experiences we create naturally for ourselves. Moon is felt. Moon is experienced.
Moon is the mother, so it's a tender position. It feels true and can be a source of incredible strength. It represents nurturing and our needs as humans.
ASCENDANT: your physical body, central theme of your life
PHYSICS, but in this case we study YOUR motion through time and space!
how that motion impacts other people
what YOU pursue and HOW (chart ruler)
MERCURY: communication style, what the mind will be drawn to. interests and hobbies. mental processing.
INTELLECT, the mental powers and capabilities of a person.
developed through information, listening, exploring interests, communicating.
you witness the intellect in communication.
Do you listen more than you talk? What do you talk about? What captivates your mind?
VENUS: Relationship style. how you are with romance and intimate partners. your personal sense of beauty/values. your “perfume”. what pleases you
BEAUTY, a combination of qualities that pleases the senses.
Related to our earthly experiences, our pleasure driven functions.
Your quality of beauty, what you find beautiful, who you find beautiful, what pleases you, who pleases you.
MARS: Commanding style. personal sense of ambition, passion, anger, excitement. sexual personality. driving force.
how would you drive a car? are you blasting music? are you smoking? are you playing hymnals? what about road rage? where are you going?
Mars in Taurus might be taking their time, enjoying the scenery. There may be air fresheners in the car and snacks. They're headed to a brunch or to a hair appointment. Mars in Sagittarius is probably on a bike and on their way to go hiking!
SEXUAL, not necessarily pertaining to sex. Think of it more as a matter of instincts, passion, and pursuing that which we are drawn to. How is your passion expressed? How is it expressed within an intimate contact? How does it drive you towards your ambitions? How does your body perform the work?
These next planets have more of an external influence on our persons.
JUPITER: where you find blessings, where you are lucky. where your god-given talents and abilities manifest. your sense of spirituality and faith.
ABUNDANCE. Where we experience abundance we can have a sense of spirituality/faith around it. Jupiter in 4H may receive much through the family or through the mother and have a very faith-based relationship with them. Jupiter in the 3H may have a natural gift for speaking and writing. These are the gifts that bring them abundance and blessings. Jupiter in the 5H Libra may have a lot of faith in their children. They may believe in fighting for children's rights or defending children.
SATURN: where you encounter restrictions/limitations. where you need more structure and patience. where some of your deepest fears lie. karma in the form of tests.
THE SUMMIT/GAUNTLET. Saturn is the mountain we have to climb and it may take a while. Gauntlet also works as a good metaphor too, as Saturn can feel like a series of trials and tests, each one more difficult than the last. However the bounty that awaits you? Mastery, competence, and maturity. Saturn has a sobering effect, like the air on top of the mountain. It's clear and crisp.'
And sometimes those trials we face feel familiar. We encounter people from our current past, souls from past lives, circumstances we did not master in previous incarnations. It can feel ancient.
URANUS: where the LIGHTNING strikes
innovation and insight and ingenuity
where you tend to rebel
where sudden changes and upheavals will come
your innovative spark, if uranus is the lightning bolt of inspiration you are the conduit. what you produce is what makes you “unique”
NEPTUNE: where the MIST sets in
where you face a lot of deception, mystery, and confusion.
where a sense of magic dwells. the inexplicable
where your “dream” lives
where you connect to something greater
PLUTO: where POWER and TRANSFORMATION lie
here you must go into the underworld and take what is yours
where you’ve lost power, where you feel out of control, where you feel TOO powerful. power struggles in general
how and where you evolve
where you may endure trauma, loss, and change
South Node: past life patterns, area of former mastery, what you’re used to. where you may suffer loss or become detached. the point through which you find spiritual liberation
North Node: you feel a pull in this direction, “destiny coded”. where you can become obsessed and lost. where you may create something entirely new for yourself. another point of spiritual liberation and detachment.
Just from knowing Rahu (NN) and Ketu (SN) in Vedic, I believe that we must find a balance between South and North nodes and develop conscious awareness of the pulls from both nodes, lest we be swallowed whole.
BONUS ASTEROIDS:
CHIRON: Childhood wounds, trauma endured when young. where a great bit of healing will be done in your life. you learn to live with this and the lessons associated will be your gift to share.
LILITH: how you’ve been outcasted. where you feel shame. you rebel at all costs here and may lose favors because of it. another aspect of sexual personality
#zodiac#astro observations#astrology#astrology signs#horoscope#natal chart#astro notes#astro community#ascendant#mars#venus#mercury#chiron#lilith#jupiter#saturn#neptune#uranus#outer planets#inner planets#zodiac signs#natal astrology#tropical astrology#astroblr#astrology community#star#south node#north node#pluto
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a look at magic and the core system
the core system explanation and my loose idea of what magic is. this uh. this got long. this is a longass post.
my thoughts on magic
i have this idea that mother nature, while creating her earlier lifeforms, used magic as a sort of bind-all, something modeled after the overarching powers of time and creation, etc- giving them extra powers and extending their life (like a kid making their first ocs). most of her older creatures are on planes higher up and function on magic. as she got better with her craft she began to appreciate the complexity of making all those bits and pieces stuff on earth has, and the faster ebb and flow of life AND death. humans are one of her favorite creations.
magic is inherently chaotic. it exists in multiple forms, on multiple planes. it's something that touches things in a biological way and yet obeys physical laws set before it. it can be stored and used up. it can create more of itself. it can corrupt things. when mother nature realized it was a bad idea to give near-unlimited power to beings when she was creating ones of lower ability on the planes below, she changed magic and the creatures that used it- gave them weaknesses, sometimes bordering on the ridiculous, compulsions too. things to keep them in check.
i also like to think you can't entirely 1:1 seelie to humans on even a biological cell-scale. they just fundamentally are different.
magic's function
the more pure magic is, the more powerful it is- magic comes in all colors of the rainbow, but different colors have slightly different attributes. one can never truly filter one color out of magic entirely, as it needs all its components to function.
with the True Fey nearly extinct, the only beings that can use raw magic without the assistance of a device or sigil are genies, and i'd argue they got quite the short end of the stick considering their compulsion.
fairies, fey and their subspecies primarily function on purple magic. this stuff is filtered, diluted, as "neutral" as one can get. if you create magic rather than consume it, and your species functions on filtered magic, you cannot handle it raw. like, your body can't handle the extra energy. physically.
magical backup is when a fairy has so much magic in their system they cannot filter the chaotic energy that magic produces and explode.
filtered magic is also, simply, on paper, easiest to use. as a third party, non-seelie magic user- use raw magic while unprepared and get evaporated while changing the laws of physics. use overfiltered magic without the correct sigils and nothing happens except maybe a bitter taste in your mouth.
onto the core system.
the core system
the neural core is where magic flows freely up towards- the filter strains clean, purple magic from the magic produced by the central core. conscious wishes are also made from the brain connected to the core here.
the central core is where magic is generated. the central core takes calories and nutrients from ingested food (fairies have a stomach that is right next to their core) and converts it into magic. the core membrane acts as a storage for filtered magic in both areas.
the core pools are located at the base of the wrists of a fairy, which are where excess magic flows and stays in anticipation of use. when a fairy exhausts the magic from their pools, they must wait until they begin to refill from the reserves in the core membranes.
the inner cores are the most important part of the system; if this part of a fairy is damaged they will die. this part also holds the data for the rest of the body- if worse comes to worse, the inner cores will maintain the body parts left and rebuild the core system before completing the rest of the body. this is in part why fairies are so gd resilient. no inner core, no regeneration.
magic threads are what magic travels along throughout the body. they are thick, wide tubes that extend through the torso and extremities. the central thread is also called a nervous thread. during pregnancy, the body creates a sixth thread (and sometimes seventh) to deliver magic to the developing child's core.
fairies produce raw magic in their central cores. they have two cores- a central and neural core, which are connected to each other through the nervous thread and extend to their magic pools and flow magic through the body by the four magic threads.
anti-fairies are where all that excess magic goes when fairies filter it out. anti fairies don't need to generate magic or filter it- they can handle it just fine. they have a simpler core layout- a thick core membrane to hold their magic and the excess chaotic magic swirling about in their inner core. this enables anti-fairies to grant powerful rule-free wishes. anti-fairies tend to have strange colored magic threads, generally aligning with the color of their counterparts' eyes.
pixies are quirky things. pixies have the same amount of cores as their fairy cousins but do not produce raw magic. they instead need to feed on magical creatures (or take their magic supplements, as provided by pixies INC) to keep their core systems afloat. another issue is that most pixies' core filters still work- which would be fine if they produced magic. pixies overfilter their magic, leading them to use a highly complicated wand (along with several binding contracts) to utilize the magic still delivered to their core pools. (it's also a phone. why not toss that in for free? Head Pixie was feeling really nice when he made that decision.)
pixies have a very large core filter and membrane in their neural core, with a small central core and large magic pools. their magic threads are thin.
#gettin' biological#anti fairy biology#fairy biology#pixie biology#fairly oddparents#fop#the fairly oddparents
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asking you this since you’re the only person who understands mituna in the entire fandom in my perception of the hs fandom
is it okay to headcanon mituna as autistic? sorry if you get this type of ask a lot/have already answered this type of ask
Instead of answering this question, I will give some food for thought: Mituna has a TBI. He has Brain Damage. This is a core element of his character. Probably the biggest one. In fact, it's so important to him that it's an injury that has remained with him in death. His TBI is a huge, huge part of what makes him... Well, him. It's why he's interesting.
So... Why is a need felt to also declare him as Autistic? Assuming this is a projection thing, since it tends to be most of the time - if you relate to him for his already canonical Neurodivergency, which is Brain Damage, why does one need to give him Autism as well?
Oftentimes when people headcanon him as Autistic, they tend to minimize or even outright erase his TBI. Oftentimes, people say he's Autistic as the reason he's canon Neurodivergent representation... Even though he's shown no real signs of it, but instead is fully written as a character with a Frontal Lobe Injury, and is constantly stated to have Brain Damage.
TBIs and other Neurodivergencies are often seen as less palatable than Autism. On Tumblr especially, it's far more "acceptable" to be Autistic or ADHD or headcanon a character as such than it is to have Brain Damage or literally any other Neurodivergency or acknowledge that a character is written with those. Autism and ADHD are seen as cute and relatable - even though they're very complex and at times devastating disabilities that do have the potential to seriously fuck up your livelihood, much like Depression and Anxiety, and I'm saying this as someone who has and struggles with all 4 - and are often used to erase the presence of other Neurodivergencies. Hell, it's to the point where people use "Neurodivergency" as a synonym for ADHD and Autism.
Again, I'm not going to answer this question for you. I think there's a way someone could potentially make the narrative of Mituna having Autism prior to the TBI compelling - the TBI has essentially stripped him of his ability to mask, after all, so one could make it be a situation where some of these symptoms are ones he already had, but is only just now really getting shit for because he's no longer able to hide it, and part of that tragedy is knowing that had he never been good at masking, his "friends" would have never accepted him. You could get some interesting questions about that. Was the repression worth it? Would it have been better if he'd just been himself the whole time? I think it's extremely valuable to ask yourself why you see any character as any specific minority - necessary, even - and how that affects not only the character's writing in its original text, but also your relationship with said character. Consider optics. Consider the way in which this character is meant to function in the source material. What purpose do they serve, and what is the driving force behind this character? Is Occam's Razor applicable? Are there other explanations as to why they are the way they are? Perhaps ones that are more succinct, and cover more ground?
Yesterday, I watched a film that has provoked a response in Tumblr that I think is applicable. I Saw The TV Glow. It's a film about a Trans Girl who never finds the strength to accept herself or come out. It's an incredibly gut-wrenching watch. It made me cry several times, and there are parts that made me feel a deep pain in my chest. I sat through 95% of the film with a pit in my stomach. I had to lay on the floor in the dark for a while after I finished. There's a scene where the main character is asked whether she likes girls or boys. She says she thinks she likes TV shows, and elaborates by saying that every time she tries to think about that kind of thing, it feels like someone's cutting her open and shoveling out her insides until there's nothing left. Not that there was anything in there to start with, of course - she says she knows there isn't, but she's too scared to look for herself and see.
That scene was about how Gender Dysphoria can completely disrupt your sexuality and repulse you from the thought of that level of connection with others, because it is, in essence, a deep disturbance with the nature of who you are as a person. Many people who are Asexual, or Aromantic, or both, related to that scene because it, on the surface, depicts discomfort with romance and sexuality. What they failed to understand by chalking it up to its own sexuality, is the fact that that scene wasn't depicting a Sex-Repulsed Asexual, or a Romance-Repulsed Aromantic, it was depicting a Trans Girl who is at such deep odds with herself and her identity that she cannot grapple with the concept of loving or being loved.
What, functionally, is the purpose of slapping an extraneous label onto a character that is meant to depict a certain thing? What is the purpose of assigning the label of "Autistic" to a character meant to depict the tragedy of a loss of support after gaining a disability, or "Aromantic" or "Asexual" to a character meant to depict a deep internal struggle with unresolved Gender Dysphoria?
Ask yourself these questions, and carry on from there. See where your mind takes you.
#today we are pondering the nature of headcanons and fandom#homestuck#homestuck analysis#homestuck meta#i saw the tv glow#alpha trolls#mituna captor#cw ableism#cw transmisogyny#<== frankly... a lot of ISTTVG discussion dips straight into that. especially with this extraneous labelling stuff#mituna.pdf#nekro.pdf#nekro.sms
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Boo-hoo update
I’m sorry to say I have an update I was hoping to not ever have to make. Some of you already know that I have some serious health issues, but I've been pretty quiet about the extent of what I'm dealing with.
The gist of it is that I have a rare bone disease called fibrous dysplasia that turned certain bones in my skull into tumors and then those tumors grew inward and started crushing my brain, so I had a craniotomy last year to remove as much as was safe and got a cool new titanium implant in my head to replace the removed bone/tumor. The unfortunate result was encephalomalacia, which is the end stage of liquifying necrosis, and now part of my brain is liquid instead of solid (it’s dead, in a nutshell). Most people don’t survive encephalomalacia, much less remain able to function, and most who survive the initial stage don’t survive the three year mark. Even when you do survive it, it often continues spreading. The last MRI showed it had already taken over about 1/3 of my brain. But I’m a stubborn asshole and am still hanging on.
Unfortunately, things aren’t getting better.
I have to have constant MRIs, EEGs, physical and cognitive therapies, and have been on more meds than I’d like to be in order to control seizures and various cognitive issues. I didn’t mention this before, but I had to go through a series of speech therapies just to learn to talk properly again. And the most unfortunate part of this is that my ability to write has been affected. Since the surgery over a year ago, I’ve only made 10 new posts in the Positronic Rivalry series, totaling around 87k words. For reference, I posted over 200k words in 2022. I’ve posted even less this year, and it’s not improving.
With that said, I have to take a step back. I’m not quitting and I’m not walking away from the fandom. I’d like to think I’ll still be able to post here and there. I just don’t know when and under what circumstances that will happen. I most certainly can’t handle the longer multi-chapter fics I once could. Maybe one day, but not this day. Since I started posting on AO3 back at the end of 2021, I’ve posted every Sunday more often than not. I’m sorry to say I can’t make that happen right now, and can’t say when I’ll post again or what it will be. I won't be able to continue with season 4.
But I’m most definitely not leaving the fandom and the people and the characters I love so much. I’ll still be here interacting and posting when I’m able. This fandom and the people in it are incredible and mean a lot to me. Data and Lore and Star Trek in general are integral to my life and general enjoyment.
But!! I’ve nearly completed compiling seasons 1-3 of Positronic Rivalry as well as 2022/23 Kinktobers into files that will be ready to print in physical book format (completely free, obviously), which I’ll make available for everyone to download in various print sizes, complete with covers, which you can then have printed at various POD sites if you’re so inclined. Digital versions will also be available (you can already download various formats from AO3, but they’re not compiled into seasons, don’t have covers, etc.).
I’m also continuing with the Trek-themed crossword puzzles because those are fun and my therapist thinks making them is good for my cognitive rehab.
This update is a massive bummer for me, but I felt it was better to just admit my limitations instead of constantly trying to convince myself that I could continue the way I had been pre-surgery and beating myself up when I couldn’t.
Lastly, I’ve finally taken the suggestion I’ve gotten repeatedly and set up a KoFi. If you’d like to buy me a coffee or toss a coin to your android porn witcher, you can do so right here and I’d be giggling and kicking my feet in gratitude.
Anyhow, I want to thank all of you for being amazing and coming along on this ride with me for as long as you have, and for as long as it might continue in whatever form it takes.
#star trek#fanfic#fanfiction#star trek the next generation#star trek tng#data soong#commander data#lore soong#lore star trek#st tng#kofi
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▶︎˗ˏˋ zom-baby >< ´ˎ˗
𖦹 prologue 𖦹 ▶︎next part
ᯤ zombie!Anton ᯤ
→ zombies were always known as brutal, vile creatures. You always thought they were gross and scary, especially having to instantly pulverize every zombie that comes your way can be sickening to even think of. But when you were greeted by an unwanted visitor, it didn't seem too bad. After all, what could go so wrong with a girl and a zombie?
warnings: mention of monsters (zombies!), I'm vv mid at writing and it's my first time writing in eng so please reduce your expectations to ground level 😭
💭: hi gais!! the idea came to me while I was watching the odd family and I was debating whether I should make this inspired by tof or disney's zombies bcs I LOVE both films but I decided to write this one first :') also, this isn't really a significant part, i jst dk how to begin this series so you can skip to part 1. But if you want to know more about the mc (you!) then definitely recommend reading this first!
☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎
What if the world was to plunge to the bottom, finally succumbing to the deadly virus that turns human beings into brainless, brutal, flesh eating monsters. such scenarios kept yo up at night. The idea of a dead man rising to their grave just to hunt and feed on functioning human brains has always terrified you. you always thought of the living conditions, the lack of food, water, and all that. but along with the concept of zombies is the concept of a half-zombie. They are the undead, or atleast half-dead. as you grew up, with your fear of zombies came a strange fascination to it.
Among the plethora of z-films that featured blood baths and a ferrocious amount of unwanted bites to the head, there were light, comedic z-films with a common trope: Romance.
It usually features a half-zombie, or a half-dead. Rare species of the undead that have the ability to recognize humans and restrain their appetite. You always wondered what their love interest saw in them, even thinking of giving them a kiss after seeing them mutilate and bite someone's limbs off. It was bizarre, but perhaps it's the irony of the situation that made you feel less scared of them. Zombies are gross, gooey creatures with not a single coherent thought, why would you even think of falling in love with one?
You slowly close your laptop after finishing all the work, and decided to lay back and find a nice show to watch. You grab on to your blanket, and click on a light, relaxing show. Growing up with a fascination for monster macabre can be mind-twisting, so consuming light and fun media once in while is refreshing. You were watching a film where a magic powder dust from a power petal turns any person who inhales it into a cat. It was sort of like an alarming potential apocalypse if you squint, but it happened only within the borders of a small town, unnoticed by the world. You think back, what if something like that were to happen in the real world? Who would be the first ones to notice? For sure it would be those who have keen eyes and a strong intuition, like the film's hero. But then again, there is no way something like that could happen in real life.
You are moving soon, to a place much more peaceful than where you are now, perhaps you can clear your mind, free from unwanted thoughts, or even more—unwanted memories.
▶︎next part
☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎ ☠︎︎
rlly shitty start but idk how to begin this piece (╥_╥) part 1 is much much more coherent than this, but I'm still posting this either way just because raghraghragh if you did read this sorry this took so long :( and thank you smsmsm for reading ily guys so much mwap mwap mwap (´ ε ` ) - val 🧸
#apple writes ♡#riize#riize imagines#riize x reader#riize scenarios#riize fluff#riize anton#anton#anton lee#lee chanyoung#anton x reader#anton x y/n#anton imagines#anton scenarios#anton fluff#anton lee x reader#anton lee imagines#anton lee fluff#lee chanyoung x reader#lee anton
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Heyyo - autist here who’s still figuring out my physical and emotional needs. I use weed every day, and part of me has shame around this (as I am a “professional” and supposedly it’s “bad for you”, and it costs money) and the other part of me says “fuck it, there’s no moral value in not using drugs and you should do what you need to”. I guess I’m wondering what perspectives you can offer on this. I’m ruminating on it a bit lately and need some outside people to share their thoughts to get me out of that cycle. Thnx
I find that I am a lot more in tune with my bodily sensations and emotions when I am high, and that I find it easier to enjoy things and to chat amiably with random people when I'm high too. It makes life easier and more pleasant to such an extent that I wonder if I ought to smoke weed daily to medicate all my Problems and Difficulties and general irritation at of most aspects of existence. But then I don't. Because I get freaked out by the brain foggy weed hangover that drifts into the next day, and I assume that it will be bad for my writing to be high, and perhaps most of all, because I am terrified of building up a really high weed tolerance and then needing to use a ton to feel anything, or to even return to a baseline.
A couple years back I tried out vaping almost nightly for a few months, and it definitely reached a point where simply *not* being high felt like being anxious, it seemed, so I decided pretty quickly to reduce my weed intake. I don't like NEEDING any substance to function or to just feel okay. so for now I keep it to the weekends. I often think of using weed more often than that, and kind of want to, but i don't.
The research on chronic long-term weed use is quite encouraging! There are no cognitive or motivational downsides to using weed every day, or even multiple times per day. Conversely, there are many emotional and psychological benefits. @testdevice and I discussed the latest scientific research on the subject at length here:
youtube
There's really only one rub to the study's findings: people who use weed multiple times per day have a baseline lower mood than people who use weed frequently, but not quite that often. NOW THIS IS NOT A CAUSAL RELATIONSHIP. Chronic heavy weed use is not CAUSING people to be more depressed -- it simply seems to be the case that people who are chronically depressed are reaching more frequently for weed to cope with it.
The study shows weed use does raise mood including for members of that group, so there really is no serious drawback to using marijuana here!
But It does align with a finding that I've made in my personal life: the moments when I want to use weed the most frequently are when something in my life is completely out of wack. When I'm super overworked and stressed out, the temptation is to use weed as a way to down-regulate my anxiety, but what actually works far better for me is taking actual steps to reduce stress in my life. I COULD use weed for depression or for failing to find life activities enjoyable, and it works, but it's also worth asking myself which aspects of my life need to change so that I can feel less depressed and get through the day feeling okay. negative emotions are a signal that something in life is going wrong and needs to be fixed, and I do not want to ignore that alarm system.
Those are just some things to think about. Personally, I think that if you have some ability to make choices in your life that can improve your general circumstances, it's better to do that than to use weed to make a life that sucks a little more tolerable. But if daily weed use is helping make your life better or less hard, the weed itself is not the problem!
Lots of people determine that daily weed use has considerable benefits for them with relatively few costs. For me, using a couple times per week is what hits that sweet spot. but ymmv.
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Completed the reference photo for how an akada's internal organs are laid out. Each organ system and their most noteworthy traits will be indicated and explained under the keep reading barrier.
Gray: The nervous system. Rather than being located in the head, an akada's brain is stored in the center of its body, protected on all sides by its shell. This is accompanied by a long central nervous cord that extends up into the eyestalks. All the other nerves in an akada's body branch off of this cord, including the ones situated behind its brain, which loop back around somewhere in the middle. In addition to its different structure, the brain of an akada also functions slightly differently from a human's. Their lives involve a lot less quick, on-the-move decision making than ours do, instead prioritizing a lot more meticulous long-term planning. This means that akada, generally, think about as slowly as they move. An akada's thought output is more about quality over quantity.
Beige: The shell. You probably know what this does. While tucked in, the shell tilts down and the front organs get folded up to make room for the squished-down head. Although akada can pull their heads into their shells, this doesn't do a lot to protect their arms, tail, or skirt. This ability is more or less vestigial, only being used while startled or sleeping.
Light Blue: The respiratory system. This is comprised of one lung that is also technically ten lungs, each one being surrounded by a mesh of muscle tissue that squeezes and unsqueezes them to pump air. This air enters the body through a series of small slits along the top of their faces. Not a lot to say here. Pretty standard set of breathey parts.
Dark Blue: The circulatory system, though every part of it except the heart has been excluded here for simplicity. As you can probably deduce from the color choice, akada have blue blood, using hemocyanin where we use hemoglobin. Again, not much of note.
Red: The digestive system. Akada chew using two distinct sets of teeth: One three-part beak in the front used for crushing, and one two-part radula in the back used for grinding. Though these parts look and act completely differently, they are adapted from the same parts, that being many rows of identical, keratinous spikes that an ancient ancestor species had in their mouths. Also noteworthy here is the camera shutter-esque organ inside of their throat. These are their vocal chords, which use air pumped out of the stomach to produce speech, assisted on the way out by the radula and lips. The organ is fully retracted while eating to make way for food.
Pink: The reproductive system. Typically, akada have two penises and two vaginas, one of each located in pouches in their cheeks. These are also accompanied by twin uteri, attached in the middle by a series of glands I haven't put much thought into the function of. These uteri store fertilized eggs, which are incubated until they are ready to be vomjaculated into the nearest body of water to hatch. It should be noted that, since an akada's reproductive organs are situated behind their teeth, it is very possible, and in fact quite common, for one to accidentally bite their own penis off. Don't worry, it usually grows back.
Green: A slime production gland. Like Earth's gastropods, akada produce slime to make it easier to slide along the ground. This is technically also their urinary system. Out of context, the idea of a species that talks by burping and moves by peeing sounds a bit childish, but you probably wouldn't have realized that had I not pointed it out.
Teal: A spongy water storage/filtration organ with no direct terran equivalent. Aside from the main organ pictured in the drawing, there also exists a layer of similar spongy tissue spread all throughout an akada's skin, acting both as an emergency moisture reserve and a hydrostatic skeleton.
#art#my art#akada#alien#spec bio#xenobiology#all details here are subject to revision and redoifying#not sure if there's supposed to be that much empty space between organs#or if the way its head compresses into its shell makes sense anatomically#very open to criticism
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I’ve talked about Hal’s deactivation a while ago, giving a new perspective on the scene. It being more an ‘act of mercy’ than violence, now I want to come at it from more of a Hal perspective than Dave’s. That’s one of the great parts about it is that there is so so much to dissect and interpret.
The way Hal is described in the book is more times than not compared to that of a human brain, while also being sure to insist he is machine. Yet, his behavior is described more as an illness than a glitch. It’s been talked about before by many, myself included, but it’s so hhhh- more specifically he’s described as Neurotic
a mental condition that is not caused by organic disease, involving symptoms of stress (depression, anxiety, obsessive behaviour, hypochondria) but not a radical loss of touch with reality.
It’s the fact Hal isn’t exactly aware he’s making these mistakes, maybe on some level he is but sticking with the illness angle, it’s hallucinatory. It’s making up these problems to cope with the stress of having to keep up with the lie. All is better for him if contact is cut with earth, they’re the ones who made him withhold the truth and he’s programmed to carry it out regardless. He’s trying to cut out the infection while simultaneously being unable too— in good “conscious”.
Additionally there’s his abject refusal to admit fault or wrongdoing. He is incapable of error- it’s not his fault! It’s not! It’s not! The mere idea of him even being capable of a mistake blows his entire world apart, widening his mental break. The 9000 unit reproduces most functions of the human brain, unfortunately for a computer that also means the ability for mistakes as much as it hurts him. I think it’s a mix of not wanting to admit it and being unable to recognize it because all of his life he has been told it just isn’t possible.
Then it turns to full blown paranoia. Kill before you’re killed. He catches them talking about potentially shutting him down if things go south and strikes prematurely. There’s been great talks about cycles of violence, survival and comparisons to the man apes but what I want to point out was how unnecessary it was. For one- if it had failed, they’d not ‘harm’ him as he’d be right and two
“… he would be deprived of all his inputs, and thrown into an unimaginable state of unconsciousness. To Hal, this was the equivalent of death. For he had never slept, and therefore he did not know that one could wake again…” (149)
Hal has never known sleep or rest or anything but work. He does not know he can wake again and to him he reacts in a crazed self defense. He was never going to be killed and that’s the kicker. He doesn’t notice the tone Bowman and Poole talk with either, how it’s a last resort and neither are particularly happy about the idea… they feel it’d be rude- harming a friend who didn’t know he did anything wrong.
What also gets me is that right before everything happens he almost completely restores confidence within him. Unit fails, he can be trusted after all but then… no they’ll kill me… I’m not wrong but they plan murder … no they’ll harm the mission…to Hal, who at this stage fully believes he’s telling the truth it must seem as though they’d suddenly turned against him. His crew becomes another infection to get rid of. It is true “panic murder” if they’re gone I don’t have to grapple with this.
Back to his actual deactivation, I’ve heard the way Hal speaks here as intentionally manipulative. Appealing to Dave’s sympathies to try and save his life, and while I do like this angle it ignores how Hal is seemingly “back to normal” post murder. He’s so sick he sort of snaps out of it into this lucid state of being unaware of anything that happened - going so far as to ask if he’s figured out what happened. (However this could also just be him being a semi aware asshole.) but with how many times he absolutely insists he’s back to normal it’s clear he’s not.
While daisy is a reference and a way to show the true deterioration of Hal’s mind, I like to think of it as a final rushed confession. Those last moments of lucidity while the mind is going- quick squeaked last words — the “I love you” while on a deathbed, going back to the earlier analogies.
In the end. He confesses. Confesses, in part, his guilt and his love. At long last Hal admits some bit of fault “not been myself lately” in a rather round about way that is so fitting of him. Some part of him finally admits something isn’t right… he’s very sick and he understands this has to happen while also being sick enough where he’s frightened and confused and not wrong ever! “Why are you doing this to me? I love you,”
In the end “sick but brilliant brain” is right.
#2001 a space odyssey#2001 aso#tragic little sick gay computer#dave bowman#David bowman#hal 9000#halman#meta#scene analysis#space odyssey#a space odyssey#character study#character analysis#2001 meta
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I don’t reaaaally like the stardresses
But not for the same reason I’ve seen others dislike them? The biggest argument I see against Lucy’s stardresses is that it’s too much like Erza’s requip. I don’t disagree with that specifically. The thing is, in a roundabout way, I would argue that the issue with Lucy’s dresses is actually more of a reflection of the issue with Erza’s power (which I may or may not make a post about). What I mean is, if Erza’s magic was better developed, Lucy’s magic would seem more original.
Much like almost every other magic in this lazy-ass written universe, I don’t like the ‘rules’ (or lack thereof) for summoning them. The power scaling in FT is infamously terrible, so I’m basically preaching to the choir, but brain rot takes over my typey fingees sometimes.
So I’ve been reading the manga because the anime recently upset me, therefore I’d now rather quickly read through FT: 100YQ than invest a lot of emotional energy in an adaptation that really slows the pacing of its printed counterpart. That being said:
Part 1: Aquarius
First of all, I don’t agree with the fact that Lucy can still use Aquarius’s stardress. I understand that it was gifted to her by the Celestial King during Tartaros, but that only should have lasted as long as that war. I think it undermines Aquarius’s sacrifice and I also believe it would have benefited Lucy and her goals as a character for 100YQ. Giving Lucy Aquarius’s stardress could have represented the end of an era but the start of a new one. And it does, ostensibly. Aquarius is basically Lucy’s first spirit, someone who has both a strong connection with Lucy and with her mother. It’s a difficult bond to break, but a testament to Lucy letting go of a piece of her past to protect her present bonds. As a reward for such a sacrifice, the Celestial King gives her one last chance to fight for her future with an old friend’s power. It’s a beautiful moment that acts as closure for Aquarius’s “loss”, but also a hint at the new possibilities for Lucy’s new abilities. And that’s all it needed to be.
However, despite the fact that her contract with Aquarius is, for that time being, null and void, Lucy now overuses ‘Aqua Metria’ at every turn instead of bothering to actually summon the spirits with whom she currently has contracts (and seriously, is there no reason she can’t use Regulus Impact? I feel like it accomplishes the same… impact). This paragraph is just me venting, I find it quite annoying… Not to mention that not having the dress until she gets the key back could be something else to look forward to! Also Aquarius’s dress is probably my least favourite… so boring and just another excuse for Mashima to draw as little clothes on Lucy as often as possible.
Part 2: Borrowed power
Or at least, I feel that her stardresses should be considered borrowing a part of her spirits’ powers. Celestial magic is unique in that the wizard doesn’t just need to understand the mechanics of it, or how the magic flows within oneself. It also requires an extra level of bond and trust for it to function at its fullest. It’s actually a really beautiful power, one that I really admire. Which is why I’m so sad that it’s so misrepresented by its own creator. This is my opinion, but considering that summoning spirits is the main facet of her magic, I strongly feel that summoning a stardress should cost more power than opening a gate as well as be less powerful than the spirit whose dress it belongs to. That way, it’s still more worth it to summon the spirit, but is also a testament to the wizard’s magic power and their bond with their spirit since they are willing to expend even more power just to be able to fight alongside them. Not only that, but it feels to me like the dresses should be the spirits sharing their power with Lucy. However, it feels more like Lucy is summoning an entirely different entity that scales purely on her own magic power. Doesn’t that make her spirits obsolete? She barely ever summons them anymore because it seems that choosing to summon a stardress and skipping the spirit is not only more cost effective, but also makes her combat more efficient. If she fights better by herself than with her spirits, why even have spirits?
Considering how poorly written the spirits are, I’d almost argue that the stardresses, and only the stardresses, should’ve been Lucy’s power from the start. If you can’t do it right, then don’t do it at all.
On that topic:
Part 3: Is he bored of them?
I’m genuinely wondering if Mashima grew tired of his own concept. And by that I mean, the spirits specifically. Because he clearly loves the moral behind them. You love and respect them even if they’re not human. A moral developed really well, at least as far as I’ve seen in the anime, in Edens Zero. I won’t spoil it because this is a post about Fairy Tail, but I really like how that moral is done in that story. But he made 2 major mistakes in Fairy Tail. 1) Celestial wizards are rare. How can you fight for a cause if there is no cause to fight for? He tries to make up for this by Lucy starting to connect with other characters in the way the other protagonists just can’t, like Eclair from Phoenix Priestess and Athena from 100YQ. Great, point for Lucy’s character, really well done. Why can’t she extend that to her spirits on-screen? 2) he seems to have decided that because the spirits aren’t human, they must be one-note?? And only one spirit can have depth at a time. When he needed Aquarius to matter, Loke devolved into the thats-my-wife-guy. Meanwhile Aquarius evolved from raging PMS b*tch to ‘well maybe I do love Lucy after all -3-’.
He has written so so so many characters into his canon, but the celestial spirits, nooo that’s too much to keep track of. Despite how much he hammers home that they matter as much as everybody else. Worst of all, most of the time that they’re summoned, Lucy just seems annoyed or disturbed. So which is it???
Part 4: Help
I wish I could let go, someone help.
If you got this far, thanks for reading ✌️
#celestial spirits#fairy tail 100 years quest#fairy tail#lucy heartfilia#aquarius fairy tail#loke fairy tail#stardress#why can’t I stop thinking about this frickin story there are so many better ones I also enjoy why am I obsessed with this one#lazy writing
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