#but also the fact that I only have one account on there so I don't have to decide where I'm putting something

[miller-n-morgan-2]

Take Me Home

4. John Fucking Marston

Arthur Morgan x Texas Red!Reader

A/n: GUYS I GRADUATED MY FROM MY COURSE! i give you this chapter as a token of my celebration... now I just have to make sure I don't have any models fall off the runway in my line up lmao

Summary: The newest arrival makes his way into camp, and inadvertently becomes the reason that chaos begins to spread. Luckily, his new uncle Arthur is there to carry the woes on his broad shoulders.

Warnings: mild swearing, canon typical violence, birth?? mentions of past death and Arthur remembering his deadbeat dad days. drinking, mild alcohol abuse?? also Hosea is a real one we love Hosea

WC: 4.5k

“Need I remind you of the price you’re gonna pay?”  “She’ll be safe with you. The boy, too. I ain’t leavin’ them in incapable hands.” “But you’re leaving them,” Arthur reasoned, trying his best to make any last effort to save what could have been, but he knew his found brother would not be changing his mind. His only thought at this point was to beg him to stay. If only because he was the one who asked. “Don’t do this. They need you, we need you.”

A week after the heist, Arthur’s shoulder was feeling better… but his head was hurting like hell. 

In fact, on this specific night, nearly everyone’s head was throbbing on account of the wails and cries of terrible pain coming from the edge of camp. 

Abigail had gone into labor around five hours ago, and the little baby had still not come into the world yet. As of right now, the men were huddled close to the fire, passing around a fresh bottle of whiskey in attempts to pass out so they could get some sleep. Meanwhile, the women were rushing to and fro about the camp, working their asses off to bring a new life to the gang. 

You figured it would help you bond with the boys more if you sat with them, moaning and groaning about the noise… but you’d much rather be helping, making sure nothing went wrong in the tumultuous process of birth. 

It wasn’t until close to one in the morning that a tiny baby boy was born, strong as ever, with lungs so powerful they could blow a lark out of a tree. His cries replaced Abigails, but after all that time, everyone was pleased to know the delivery was over, and both parties were healthy and sound. 

The men did eventually pass out, all except two. 

Arthur and John were up till the crack of dawn arguing, and it didn’t look good from an outside perspective. 

You were about to take back towards your tent when you came across them, hurriedly getting out of their line of sight so you could listen without suspicion. You knew you had no right to eavesdrop, but with everything you’ve heard from Abigail concerning John, you were bursting with curiosity in a way that turned your stomach. 

“I don’t see why I need to be convinced otherwise,” John ripped into his dearest friend, and even from behind a wall of tented fabric, you could imagine the look on his face. 

“You’re makin’ a mistake right now, and you ain’t gonna see it until it’s too late.”

“How would you know? S’not like you did any better,” the tone of his voice was bitter, almost. John caught himself, taking a step back and breathing more evenly after his fit of anger. “I didn’t mean that, Arthur… but you oughta know where my head’s at.”

Arthur was silent, and you wished more than anything you could see the look on his face to determine how Marston had gotten to him. Was he saddened or angry? Maybe even confused? You didn’t know, but you didn’t have long to dwell on it. 

“You listen here, boy,” Arthur’s voice sounded threatening, intimidating. It was perhaps the scariest you’ve heard him speak. “You ain’t got no idea what’s comin’ to you if you leave. There will be no place in hell you’ll be able to hide from the decision you’re about to make. It’ll follow you the rest of your days, and haunt you when you’re dead, you understand me?”

John didn’t speak, didn’t answer or even mumble an excuse, he just walked away. He walked towards Abigail’s tent, ducking his head under and closing the front panel. You stood there stunned, afraid to move… but then Arthur came up around the backside of the area and scared the shit out of you. 

“You hear all that?” He asked, a slanted look in his eyes and a distaste for you in his tone. It might be the remnants from his past conversation, but you hate the way it sounds. 

“Arthur,” you caught your breath from the fright he gave you just in time to mumble out an apology. “I’m sorry, I know I shouldn’t be listenin’, but Abigail’s been telling me things and I just…”

He managed to huff out one silent breath of a laugh, shaking his head. 

“Don’t be fretin’ on my account, I ain’t mad at you.” 

You sighed in relief, stepping closer to him now that you didn’t feel so burdened. 

“I don’t know him very well, but what I’ve seen… he doesn’t know his head from his ass. Is he really gonna leave?”

“I don’t know,” he started, crossing his arms and letting out a small yawn. He’s just as tired as you are. “I think I just bought a few days, maybe more, but who knows.”

“You think he can change his mind?” You relaxed your demeanor in front of him, but kept your head on a swivel just in case

He was so tired, you felt bad for keeping him awake, but you figured these thoughts were weighing heavy on him, and it might be good to get it off his chest. “He’s far too stubborn to do it on his own. We’d all have to raise hell for him to think badly of his own choices.”

You frowned, turning towards the tent of the new, young family… There were already so many problems in their unit. 

“Poor Abigail.” 

She’d be alone, and with a child to take care of. And meanwhile John would be scott free and having the time of his life.

“She’ll be alright, her and the boy. I’ll make sure of it,” he nodded towards where you were staring. “Around the time he started acting up, I told her I’d marry her, be the kid’s father if she wanted me to.”

Your head snapped around to him, and you processed his words. Abigail told you about part of his offer, because you’d given her the same one, sans one detail…

“You’re gonna marry her?” 

“Only if she wants me to, if John leaves.”

Good to know… but not really. It looks to you like John is pretty set in his ways, even if he ends up staying through the week, or even more. 

You nodded to him, but you hated the notion that he could already be promised to another person, even if you had absolutely no plans on pursuing him yourself. It was a small little envious monster that crawled in the pit of your stomach, and for a split second, you felt yourself resenting Abigail, who thus far, had become your closest friend after Arthur. 

“I actually offered the same,” you laughed, shaking your head and kicking your boot into the ground. “Not that it would last, but I just wanted her to know I was willing to help.”

“The whole gang chips in here and there, bein’ a family and whatnot… She’ll never go without help,” he assured, his posture becoming heavier with each minute passing. 

“Yeah,” you cleared your throat and stretched your arms out, faking a massive yawn that looked real enough to pass you off. “It’s probably time we all turn in, huh?” 

For some reason he seemed vaguely sad for the interaction to be over. 

“Just about… I’ll catch you later, then,” he waved you off, heading back to his wagon and you to your tent. Even though they were relatively close, the entry points were on opposite sides.

You fell back into your cot with a heavy exhale. It’s been a long night, and with a crying baby in the camp, it’s looking to be a long next few months. 

-

The next few days were wonderful, despite the ill attitudes of a few grumbly men, Arthur not included. 

Dutch has been going on and on since the birth of the baby that the newest member should be given a worthy name. You assume he suggested his own namesake a few times, but since he’s been nothing but playful about the whole thing, you know he isn’t too bitter when they do finally settle on a name. 

Abigail picked it out, and you understand why. 

John Marston Jr, or as the two have taken to calling him already, Jack. 

You were surprised to see that waking up in the late afternoon the day of the birth, John was being… really different. He was putting in effort to help Abigail, he was making sure the others knew of all the information as it came, and most importantly, he was being positive about the whole situation. You suppose Arthur did knock some sense into him, and it was evident in how he was carrying himself. 

You weren’t sure how long it would last, but you felt relieved. Not only for Abigail, but selfishly, for yourself. If John sticks around and pulls his weight, Arthur doesn’t need to be tied down to a family. Not that he would ever see it that way, but still. 

You didn’t know where you stood with Arthur. He was a dear friend, you knew you could say that by now. You think that maybe the playful banter between you holds more than just friendship, but you can’t be sure, and you’re too damn chicken to test the waters. And obviously, a plain and simple conversation is entirely out of the question, because of ridiculous reasons you don’t care to list off. 

Maybe you’ll never know, and you’ll always be playing the game of ‘will we, won’t we’, unable to come to a sound conclusion. You think you’d be well enough with that, even if you never settle down with anyone. 

It’s a terrible absolute, and you should have never decided on it, but you think that being open ended and in this endless cycle of banter with Arthur is better than being in a committed relationship with anyone else. It makes the one on one interactions with him that much sweeter, though. Like today, when it was both your turns to watch baby Jack. The others were working on something in the town, and Abigail and some of the women were napping, having taken care of him through the night.

“He might be hungry,” you suggested, laughing at Arthur’s attempt to sooth the wailing infant. 

“I get hungry too, y’never see me cryin’ about it,” he was joking, clearly. He shook his head and reached for the glass bottle Miss Grimshaw had prepared this morning. 

Jack fed on the bottle and stopped crying, and in the aftermath, you paused to watch the scene before you. A big, gruff outlaw, with his hair tousled and shirt out of place from tiny hands fisting at it, and relaxed in his arms, a tiny baby being bottle fed. It was such a contradictory picture, but one you couldn’t tear your eyes away from. 

“Cute,” you mumbled, nearly under your breath, but he heard you. 

“He’s somethin’,” he chuckled, a small smile on his face when mentioning the boy he held so close. Arthur was many things, but amongst them was gentle. He was a kind creature by nature, that had only been hardened by experience, and these soft moments let his internal goodness show. 

“I meant you,” you teased, and he rolled his eyes, shaking his head. He didn’t even know how to respond for a second. 

“I’m quite the opposite, but I’ll thank you for the thought.”

As tough as he was, and as rightfully boastful over his skill with a weapon or with his bare hands, he seemed to negate himself often. His intelligence, his artistic talent, his looks, even his presence during group gatherings. It saddened you, and you didn’t even know the root of his struggle.

“Why you always doin’ that?” 

“Doin’ what?” he asked, his head tilted to the side and a narrow look on his face. 

“Bein’ mean to yourself…” you answered, sitting down on the other end of the log he was relaxing against. 

What a treat it would be for Arthur to see himself through your eyes. He’d never think poorly of himself again. 

“M’not, just the truth.” 

And that was even sadder. Who on earth ever convinced this man that he wasn’t good enough? Whoever it was, you’d like them to be on the other side of your pistol’s barrel. 

You huffed out a sigh, leaning forward so he didn’t have to strain his neck to look back at you. 

“Y’know it’s too damn bad, I happen to think you’re a pretty decent person. I pity anyone who thinks otherwise,” you spoke firmly, laying it on thick so that maybe he can come to terms with believing you. 

“Is that so?” 

“Mhm, very much so…”

He looked back down at Jack, trying to distract himself from your complimentary onslaught. He didn’t much care for compliments, so he wasn’t even sure how to receive them, if he accepted them at all. He has a very strong belief system, and it’s constantly just a mantra of things like ‘I am a bad man, I do bad things, I am dangerous, I am getting old, I am ugly,’ and so on. He didn’t understand how much he had hurt himself by forming those beliefs in the first place. 

You sat with him in silence for a few minutes, just watching Jack finish the bottle and settle into Arthur’s arm for a nap. He slept a lot for someone that cries through the night. Hearing the soft cries in the night isn’t peaceful, but it’s better than the anxiety and feeling of dread his cries brought you the first day, when John was set on leaving. 

You keep replaying a moment from that morning in your head, when the sun was just over the ridge, and you were heading to your tent… 

“Arthur?” 

“Yeah?” He turned his head again.

“The day he was born… that argument between you and John,” you wanted to make sure you phrased this correctly, unsure if it was a sensitive topic. “He’d apologized for sayin’ something… Sayin’ that you didn’t do any better? What was he talkin’ about?” 

Arthur took a deep inhale and shifted around in his seat, the ground beneath him feeling like it could cave in just at your words. John had struck deep with what he’d said, but having to rehash it, and with you… it wasn’t a thing he’d ever do for fun, to put it nicely. 

“I mean, him talkin’ about leaving Abigail, and you givin’ her your offer… You’re already better than he is.”

“I wasn’t always,” he shook his head. “Holdin’ him like this, it makes me remember just how terrible I am.”

You sank down from the log and scooted closer to him. No one in camp was around to see, so you didn’t bother looking. His eyes got foggy without even going into detail, so you didn’t push… but he seemed to open up on his own. 

“I had a boy when I was John’s age. Same situation n’ all,” he shook his head, trying to keep his sights on the ground in front of him. The longer he held Jack, the worse this feeling got, but he knew it wouldn’t ever go away, not really. Not with a new and constant reminder of his past. “His momma and I, we didn’t get on too well, so I kept with the gang. Didn’t ever come around except when we passed through that town. Could count on two hands the times I saw my own son…”

You didn’t know what to make of this. He has a son? Does he keep contact with him? You’re unsure if you want to know all the details, because hearing it as is, sounds messy. 

“Where does he live?” 

You had no idea that you’d just asked the worst question in response… but how else were you supposed to know? This was the first you’d heard of Arthur’s son. 

“He uh… he died, about three years ago,” Arthur shook his head, swallowing back the lump in his throat, though his teary eyes persisted. “They both did... I came back one day, and found two crosses in the yard. I asked around, townsfolk said a group of robbers came through and raided several homes.”

“Arthur…” you grabbed his arm gently, trying to convey your sympathy, and your sadness. 

“I knew it had been my fault. If I had been there, my son would be alive, his mother, too.” 

A cloud had rolled over the sun, and shrouded in a temporary shade of darkened light, the mood felt heavier than even his words could convey. This man and his layers, being peeled away before you… it was both touching, and terrible. You had no idea a man was capable of feeling so deeply, of being so open about his past and regrets. You’d never seen a man cry before. 

“Issac and Eliza were their names,” he finally looked at you, tears escaping his eyes at a rapid pace. He let them fall, somehow knowing you wouldn’t judge him for it. “And they aren’t here because of me.” 

You gently raised a hand and wiped his cheeks with your thumb, leaving your hand there for as long as he would let you. 

“I’m so sorry, Arthur…” 

Nothing you could say or do would help to heal his wounds, but you wanted to try. Wanted to be there for him, whatever that meant. You and him got on well. You were friends, but there was competition between you, all a part of your banter. You supposed you’d feel inclined to let him win in any circumstance from now on, just because you couldn’t bear to make him upset. Seeing him this way broke your heart, but it also empowered you in some way. To be more empathetic, and kind, and to not let your anger get the better of you. You’ve proven to him in the past that you were a hot head, no pun intended. You would have to be mindful of letting yourself fly off the hinge to him in the future. 

“Even if John doesn’t leave… I swear I’m gonna do right by this boy,” he let out, his voice trembling but his words were of certainty. 

You felt a tear roll down your own cheek, and did nothing to stop it. This moment, whatever it was, you wanted to feel it. Wanted to keep it buried within the depths of your soul. 

You’ve been on the run for four years now, and in those four years, you’ve been on your own, making some sort of fantasy world for yourself where death was just the thing at the end of a duel, and you never had to pay the toll of those losses. 

You’d not been living in reality, and coming to this gang, meeting Arthur… it must have been preordained. It must have been fate. He himself, day by day, was restoring your humanity, and your ability to feel something that wasn’t just a farce.

“Thank you for telling me,” you whispered, but being so close, he heard you clearly. 

He let out a huff that you suppose was meant to be a soft laugh. “You don’t just hear me, Red… you listen to me. I guess I’ll keep on tellin’ you things.”

And soon both your attentions were pulled back to Jack as he stirred slightly. 

You took a turn holding him while Arthur went to grab some food, and you found you rather liked this particular baby. He was a sweet little thing, not so bratty like the tiny cousins you grew up around. You can only hope he’ll stay this sweet as he grows older. 

-

A month had passed, and John was getting more angsty. 

Arthur was honestly surprised he had lasted this long. It seemed impossible that he stuck around, especially when he had to be the one to take a turn with the baby during the night. 

Fights had broken out with various members of the camp, mostly over John and his unwillingness to help anymore. Dutch had chewed him up and spit him out, and after that, John had made up his mind, for certain this time. 

“You ain’t leavin’, just sit down,” Arthur pulled him back by the shoulder, trying to stop him from packing up and saddling his horse.

“What makes you think I would stay with a bunch of folk who hate me?”

“We don’t hate you, you’re bein’ ridiculous. Sit down, we’ll talk about it.” Arthur tried to reach out for him again, but John pulled himself back and out of the way, two steps from the hitching post. “Boy, you’re not goin’ anywhere-”

“I’m leaving!” John burst out, taking Arthur by surprise. This wasn’t just another hissy fit or tantrum where he would eventually let it stew over. He was really gonna do it. “The kid ain’t mine, I counted back. She’s just try’na tie me down, Arthur... I feel for her, but I ain’t stayin.”

“Need I remind you of the price you’re gonna pay?” 

“She’ll be safe with you. The boy, too. I ain’t leavin’ them in incapable hands.”

“But you’re leaving them,” Arthur reasoned, trying his best to make any last effort to save what could have been, but he knew his found brother would not be changing his mind. His only thought at this point was to beg him to stay. If only because he asked. “Don’t do this. They need you, we need you.”

“You don’t need me, Arthur. You’re the better one, always were…” 

“C’mon now, you know that ain’t true. S’just another excuse,” he waved his arms around, trying to emphasize just how stupid it sounded. Yes, it’s all Arthur’s fault that John is leaving. 

John doesn’t even answer Arthur, he just turns heel and readies his horse, all while the older of the two stands by and ridicules him for what he’s about to do. All John can do is tune him out, and pretend he doesn’t hear the distant crying at the other edge of camp, where Susan is trying to console a tired and emotionally devastated Abigail. Their son sleeps in Tilly’s arms, oblivious to anything happening around him, but what’s to come will put a damper on his previously bright future. 

By the time John is on his horse, loaded up and ready to head out, Arthur grabs hold of his leg, yanking it back from the stirrup. He looks to his eyes one more time, to see if there’s any guilt, any resolve, anything that might show he knows what he’s doing is wrong… but he only sees annoyance and pride. Two things John Marston usually wore on his face. 

“If you leave this camp, you best never come back again, ya hear?” 

And for the first time that night, Arthur saw just a shred of fear in the younger man’s eyes. 

“I hear,” he nodded, the fear turning into sadness in this last moment. “It just ain’t worth it no more.”

And with that, he turned his horse, and left the camp. 

Arthur went storming through the camp after the interaction, needing to find himself a drink. 

-

You were angry and rightfully so, stomping back into camp like a bear hunting its prey. Walking up to the campfire, there were only a few left awake. Pearson and Hosea sat, hunched over and with half full whiskey bottles in their hands. Probably from the stolen stash, the brand was decent.

“Anyone seen Arthur?” You asked them both, knowing that at least Hosea could tell you. 

“He passed out ages ago,” He nodded towards his covered wagon near the trees and rocks separating your space. “John left camp tonight.”

“I know, I caught him outside the saloon,” you sat down by them, reaching out for either bottle they were willing to hand over. “Gimme some of that, will ya?”

And of course, drinking was the solution at the end of the day. 

After a while, Pearson dragged himself to bed, leaving you and Hosea to sit and stew by the fire, milling about your tumultuous thoughts. You should have known he’d ask for details of your run in with John. 

“I was out scouting today… realized I needed to go to town for a pair of socks, mine got holes too big for sewin’,” you began, gaze trapped on the fire, the alcohol making it harder to focus on anything else at once. “Came outside and found him hitchin’ his horse.”

“You were the one who approached him, then?” 

“I thought about just wavin’, I thought I’d be seein’ him back here… but then I looked at his saddle. He was packed up for the trek of a million miles,” you sighed, taking another big swig of the pricey whiskey in your hand. You would finish the bottle in no time if you kept up like this, trying to quench your raging thirst for something strong and potent.

“What did you say to him?” 

“Nothing really, not at first. Just asked how the day had been, how Abigail was. I haven’t been here since this morning. I guess they started fighting real bad after I left. Dutch tore into him, too,” you spoke heavily, suddenly the swigs you were slamming back were making you a bit less understandable. Hosea though, was easily able to listen, because after years of Arthur’s drunk slurring, and having to make out sentences between, he was practically an expert. “All I said was that he shouldn’t leave, because he’ll regret it.”

“And I suppose that didn’t help.”

“Nah, he just told me where to shove it. I think he’s scared… not of the kid, and not of Abigail. I think he doesn’t wanna end up like his father. Arthur’s told me something about it, but in my opinion, he’s trying to get out before the resentment turns to abuse n’ all that.”

“I reckon you're right. We all told him time and again he’d be a good father, but he’s stubborn as they come, and when his mind’s made up… there’s no stopping that boy.” Hosea shook his head once more, his sadness reflecting in the light of the fire. 

“I guess Arthur’s gonna marry Abigail, now…” you knew you were just trailing into your thoughts, and that while getting more drunk, you shouldn’t be saying them out loud… but you couldn’t help it. Selfishly, on your ride back to camp, this is all you thought about. 

“He offered, it’s up to Abigail to accept,” he said gently, raising his brows in thought as well. He doesn’t see it as a good match, but he thinks it’s honorable that Arthur would do such a thing. 

“I hope she doesn’t,” you murmured quietly, but it seems he still heard you. 

“What was that?” 

“Nothing, m’just gettin’ drunk.”

He chuckled under his breath, his side eye remaining on your features just a while longer before he stood up, patting you on the shoulder. 

“Don’t drink too much more. You’ll pass out before making the trip to your tent.”

And then he left you alone. With your thoughts and a bottle of whiskey in hand, who knows what more you could do in a situation like this. It was better to cut your losses and just turn in… so you did. 

Laying down on your cot, you expected sleep to take you. It should have, given how tired you were, but the single notion kept echoing in your head over and over…

Arthur Morgan isn’t mine, and he never was.

Tags: @photo1030 @sheepdogchick @snoopysshark @strvberrydoll @yyiikes @phantasyy @puffyhairedhipster @scorpio-echo

[approximateknowledge]

the seed engine gender situation

(i found a fascinating little tidbit that massively adds to an earlier observation re: the transfem kirito situation)

ok so *about volume 5*

ive already talked about the whole situation with alo having manual character gender choice while later games such as ggo use brainwaves, and the implications this has for character generation

^volume 3 (note the word "chose")

^volume 5 (egg-cracking character generator)

and the fact the avatar from the former got converted to the latter game with the knowledge that the gender was almost certainly a "stuck" variable when the ggo engine got to work on it

^also volume 5

ok so all of this is established stuff ive posted about before

but id go a step further actually, specifically because of a certain little inconsistency i found

ok so, when the guy tries to buy the account for the rare avatar-type, right, there's this exchange

^the sheer reaction here; this avatar type is *extremely* rare

^and then this exchange; but hold on! that doesn't line up with what's said 2 fragments earlier!

and indeed! the account *isn't* 3 years old at all! it's not the sao one, it's the alo one!

^end of volume 4! it's not the original account! its only playtime is the time she played in ALO! it's only a couple months old!

so why the rare as fuck avatar?!

well!

i theorise that the M-9000 type avatar is a failsafe, specifically for converted accounts from manual-gender-choice games that don't align with the brainwaves

it's not a "reward for playtime" at all, its rarity comes from how weirdly specific the generation criteria are

it's an avatar literally *only* transfem eggs from converted accounts get!

it's been right there the whole time hidden between the lines!

^dense fucking egg

[ringsreforged]

Natalie's *deep* Haladriel thoughts - BEWARE

Pau - When you read this later, let me know if you want me to move it to my personal account, yeah? If it even still exists...

I’m not really sure what this post is going to end up being. A defence of the show and the separation? In part! A critique of the show based off leak spoilers and my own gut feeling? For sure! A desperate ramble in an attempt to get my head in order? Absolutely!

I will say before we dive in that I’m absolutely a Haladriel shipper, but the way I ship isn’t always in line with fandom. I ship what I see as part of the narrative because it’s the narrative, and everything else is a bonus. I make this distinction because I think this is why I’m so okay with a lack of scenes when some others are not, and I don’t want to come across preachy. I don't think I'm in any way superior for this by the way. In fact, I wish I could be more *normal*!!!!

If you came to this show for Haladriel alone, and simply want to see them share scenes week to week – that’s your prerogative. I’m not trying to say you shouldn’t feel that way. What I might try to say is that I don’t think that makes the shows bad or suggests that the writers have baited with this relationship. I think that’s ultimately what I find frustrating…

But anyway, let’s get into whatever this is. A reflection on expectations, a five-season arc, and those STUPID spoiler leaks…

AND THERE WILL BE SPOILERS. STAY AWAY. HISS.

Alright, so this post is mostly brought to you by a sinking feeling I have that the leak spoilers are real. Because everything in that episode 7 promo matches up.

STOP READING if you don’t want to know the spoilers. And honestly? STOP READING IF YOU THINK YOU WANT TO KNOW because living with this knowledge has truly made this season less enjoyable for me (credit to it, then, because I still think it’s incredible). IF I’M MAKING YOU PANIC, STILL STOP READING because there very much is a world where these spoilers aren’t that bad in context…but I prefer to keep my expectations low…

Have you gone???

HAVE YOU GONE?????

SPOILER TALK

Okay.

So, the leak spoilers say that there is no kiss between Sauron and Galadriel (which, honestly, I have no great issue with – more to come on that later). Instead, the kiss is ELROND AND GALADRIEL, and I absolutely do take issue with this.

I can only hope and PRAY that it works in context, but I can’t get my head around it. And yet, the promo…it’s all falling into place. Elrond will be sent to discuss terms with the orcs before the battle. He’ll see Galadriel in chains, and he’ll ask for a moment to say goodbye. Adar will allow it because he’s a gent like that. This is where we get the chin touch with the thumb everyone speculated over and then…HE LEANS IN AND KISSES HER TO PUT A NEEDLE IN HER MOUTH? SO SHE CAN RELEASE HERSELF LATER??

To clarify, most of this is my spec, but THE KISS TO PASS HER A NEEDLE IS A REAL LEAKED SPOILER THAT NO LONGER SEEMS FAKE.

It's just…so convoluted and weird??? Does he store needles in his mouth like a squirrel? Why couldn’t he have slipped the needle into her hand??? WHY ARE YOU PUTTING ELROND’S LIPS ON GALADRIEL’S?

And look, maybe this spoiler IS still fake! But the details were so specific, and everything about the context seems to be accurate, so that feels like it would be a bonkers coincidence to me. Maybe when we actually see it play out, it will be fine.

But that does bring me back to the Haladriel of it all, just briefly. With my whole heart, I do not need them to kiss. After season 1, I didn’t think it would be possible, and I’m okay with that. But if you’re willing to let ELROND’S lips touch her, then MY GOD, you could have let Haladriel have ONE kiss where she’s trying to distract him or some shit. OOF.

My only relief is that it happens next week, so we can hopefully get it out of our systems and enjoy the finale.

That said, if these leaks are true then that also means the finale leaks are true. Now, I actually never wanted to see any of these spoilers (hence me making it VERY CLEAR what this post is about, because I wouldn’t inflict this stress on anyone unwillingly), so once I got the Elrond kiss details, I tried to get away without seeing much else. But there was some information on the big Haladriel scene.

I’m actually not going to detail it here, because – overall – I think we’ll still super enjoy it (just…lower those kiss expectations) AND because I don’t think all of it was spoiled. At the end of the day, there will be plenty to unpack, they’ll be back on our screens, it will be meaty, it will be layered. I’m really looking forward to it, in general.

My one fear is that it’s a season 1 finale repeat. And again, that won’t necessarily be bad per se, but it will feel a little bit underwhelming. Now, I’m not somebody that wants a true corruption arc for Galadriel. Normally, I love that shit, but not in this IP and not with this character. I want to see her explore her darkness, I want to see her face it and accept it, and I certainly want to see her be tempted…but I don’t expect or believe we'll ever actually get the whole ‘dark queen of Mordor’ vibe. Prisoner? Maybe. But not an actual dark queen.

That said…surely this scene doesn’t play out the EXACT same way as season 1? Sauron shows her a vision, she’s tempted, but ultimately resists and tells him she’ll never be at his side. I just don’t get why we’d repeat that, when there are so many other options that still keep Gal on the side of light.

I keep coming back to Galadriel’s line to Elrond in episode 4 – when it comes down to it, he has to choose to defeat Sauron and sacrifice her. I feel like if I hadn’t seen the leaks, then I would be 1000% expecting this to be the outcome. Especially with how Elrond’s theme comes in at the end of The Last Temptation track. He comes upon the confrontation but chooses to do the thing that will harm Sauron in the long run, rather than the thing that will save Galadriel.

I hope so badly for this, but I do worry that it will go the other way. What if it parallels Gandalfanger’s destiny/friend choice, and Elrond chooses her because THAT is how light wins or some shit? Not that this will be a bad scene by any stretch – I love their relationship and want to see their FRIENDSHIP (grrrr) reforged…but, again, the S1 finale! Sauron left her in the water, and Elrond was there to save her.

There’s also Galadriel’s conversation with Adar in the most recent episode – you succumbed, I resisted – but I guess this could go either way? He succumbed, so she resists. She insists she’s able to resist, so she succumbs. URGH. MY HEAD.

There MUST be a difference. SURELY??? Like, this season has been so well written…I just can’t comprehend the copy and paste.

Again, this isn’t anything close to a deal breaker for me. I firmly believe the showrunners when they say this relationship will remain the core of the show, but…hmmm. Okay, on that note…

DAMAGE CONTROL – MOVING ONTO THE DEFENCE OF THE SHOW

So, this is where I want to get into some stuff that I just…don’t agree with that I’ve seen being thrown at the show by shippers. And I’ll reiterate here that I’m truly not telling anybody what to feel. You can hate the show for its choices and feel how you feel. You can express yourself in your social media spaces, and if anybody doesn’t like it they can mute/block/unfollow. This chunk isn’t really aimed at you guys.

This is more for other people like me, because I’m cursed to be somebody that generally wants to just…enjoy things for what they are, while also being susceptible to the mood of others. I want to scroll tags and have a good time, rather than see negativity because it lowers my mood (this isn’t just ship related by the way, I really love this show overall…it’s just this tag that has been impacting my mood most this season). Regardless of the nonsense that might be in episode 7, and even if the finale scene is a repeat of S1, I’m still going to want to focus on enjoying what we get, enjoying the narrative being told etc. So, for those of you that have a little sinking feeling in your gut after the first half of this post, hopefully this second half will help.

This isn’t a ‘typical’ ship. This is a true ENEMIES ARE ENEMIES dynamic where the bad boy is ultimately going to be (is already) pure evil, and where our heroine is the embodiment of light. There are certain things that we just have to accept when it comes to loving this dynamic as part of the show – there will never be another season like season 1. Nor should there be?

Do I wish for s3 to have them in close proximity for at least a few episodes? Of course! Do I think it’s possible with or without finale spoilers? Absolutely (given how quickly characters travel from place to place on this show, they could end the season at opposite ends of Middle Earth and this would still be on the cards…). I’m also anticipating Season 4 as a good time for them to be in full MIND PALACE mode – where the rings are all ringing, but Galadriel hasn’t yet worked out how to shut him out yet. By season 5, there might just be one final scene before the final battle. But, again, I really do think there needs to be a little bit of acceptance of that. Or, at least, expectation of it.

Something I really want to push back against is this idea that Haladriel was baited or teased, but the writers don’t actually care for it. Honestly, that’s nonsense to me on a couple of levels.

First of all, almost EVERY dynamic this season has been reduced to a handful of scenes here and there. The most consistent relationships have probably been Annatar and Celebrimbor, and Durin+Durin+Disa (off the top of my head). Elrond and Durin (probably the other most popular dynamic of S1) have been apart all season, Elrond and Galadriel have too. Isildur popped up to say hello and we might not see him again.

When you actually stop and look at this season…Sauron and Galadriel had to be separated. She could not be anywhere near him while he’s working Celebrimbor, and there’s no world in which they were ever going to change that narrative. And yet, the Sauron and Galadriel dynamic has been consistent across the season. With Galadriel predominantly (and depending on how the finale goes, I may have thoughts on this), but it has also been easier with her because people have talked with her openly about Sauron. It’s been harder on his side, but the fact that Mirdania seems to have been cast to look like Galadriel honestly – right now – feels like it was done with the express purpose of giving Sauron a Galadriel reference.

Again, I’m not saying you have to like the lack of scenes, but it’s not bad writing to respect the overarching narrative of an ensemble show. Galadriel’s season has been all about him, and we’ve had countless insights to make that clear – building up to their final confrontation. If Sauron was running around mentioning Galadriel every five seconds with Celebrimbor or with the dwarves, it would be horrendously out of character.

This next comment is…somewhat dependent on the finale…but as somebody that loves Elendil and Miriel, everything in Numenor has been somewhat crammed in. I would firmly argue that the Galadriel/Sauron dynamic across this season has been treated with care and reverence, all building to a climax designed as the high point of the season. Will we be 100% satisfied? Who can say! But it IS what the season is building to.

I think this brings me around to a particular gripe I have, and maybe the people that believe this came to the show after S1 had fully aired or something…but there’s this idea floating around that the showrunners don’t like this dynamic and are just giving it crumbs to bait people into watching. This makes me want to scream.

These showrunners literally took a few lines about Galadriel being tempted by Sauron and PITCHED THE ENTIRE SHOW OFF OF THAT. The Tolkien estate wasn’t only pitched by Amazon BUT CHOSE THIS PITCH OVER ANYTHING ELSE. Season 1 was written pretty much like a prologue centred around GALADRIEL AND SAURON HAVING A PERSONAL CONNECTION WITH ROMANTIC UNDERTONES…and guess what?

They wrote all that…they filmed ALL THAT…before knowing anything about the audience reaction! That was ALL the showrunners, the writers, the directors, the actors. They ARE the narrative. They are not bait.

Does that mean the fundamentals of their dynamic will always please you, individually? No, of course not. Some people want outright romance, some people want soft Sauron, some people want Dark Galadriel. Will they kiss? I doubt it. Do I wish they would? Sure! Will they be separated again next season? Probably! Will I also wish that they could at least be stuck together for a run of episodes again? Absolutely!

But the idea that any of this is bait, or unimportant to the show drives me a little bit bonkers.

I guess my personal feeling of frustration comes from the fact that I feel so lucky they are exploring this show from the perspective of this dynamic, regardless of specific details/scenes. I’d bet my house (I don’t own a house) that every other pitch hinged on Elendil or Isildur as the protagonists of the show. Now, I love those dudes, but just IMAGINE? The fact that we’re on this path at all is still WILD to me.

ANYWAY, this is what happens when Paulina goes on holiday and I have nobody to ramble too. Sorry for the explosion, but I’ve been dreading the stupid kiss spoiler since I stumbled on it after EPISODE BLOODY 3 and so I needed to vent somewhere.

TL;DR: You are welcome to feel the way you feel, and if you hate everything you go right ahead, but maybe this makes sense to somebody. IDK. IDK.

[read-marx-and-lenin]

heyo- a friend is trying to get me to read 1984 because 'it'll totally change your worldview on government and anarchism', but i've heard some bad things about the book itself/george orwell. should i read it? is there anything similar/more theorylike i could read instead?

thank you! your blog rocks <3 <3

Go ahead and read it if you want. It's a classic entry into the genre of dystopian science fiction and it has spawned many imitators since its publication. However, if you're looking for actual theory or history, you won't find it there. I would recommend Pat Sloan's "Soviet Democracy" or Anna Louise Strong's "The Soviets Expected It" and "The Stalin Era" if you want real accounts of the Soviet Union under Stalin.

Orwell never actually visited the Soviet Union, and 1984 is based not on his own personal experience with the country but instead on Western propagandistic views of the country and his own displeasure towards the fact that during World War II, when the UK and the USSR were allies, the British press was much less keen to publish anti-Soviet works right at the same time he was trying to get Animal Farm published. You must also understand that his wife worked for the UK's Ministry of Information as a censor and Orwell himself worked at the BBC producing wartime propaganda. It is not a coincidence then that the main character of 1984, Winston Smith, is a censor and propaganda official working with the fictional "Ministry of Truth" and eventually finding himself battling against state control of information.

Ironically, after stylizing himself so much as a defender of liberty and freedom against the "totalitarianism" of the time, Orwell would write up a list of alleged subversive writers for the British Information Research Department, a secret department tasked with publishing anti-communist propaganda during the Cold War. Some of this propaganda would end up being a comic strip version of Orwell's Animal Farm. There is a significant throughline in both Animal Farm and 1984 that clearly betrays Orwell's political views. In both works, the proletariat are depicted as nothing more than idiots and sheep who follow the orders of anyone willing to give them work and are easily duped by intellectuals. In 1984, he phrases it as the proletariat being more "free" simply because they're so insignificant as to warrant no government surveillance.

In 1984, the fictional society of "Oceania" is a far cry from a dictatorship of the proletariat. The proletariat have no political power, they all live in slums and are mollified by bread and circuses. How is the building of the slums organized? Where does the money go when one buys their bread? We are not told anything about this except that the process is slow and inefficient. The story isn't interested in material concerns. The "proles" do their work, we are told, but we are never shown much more than informal labor. We don't know who is telling them to work or how they are getting paid. The "Outer Party" is supposedly the white collar "middle" class of Oceanic society, but despite the amount of focus the story has on this class, we are never shown a single Party member managing a workplace or poring over receipts. We are to believe that the proletariat are simultaneously left to their own devices and unmolested by the state, while also completely under the control of the state through invisible mechanisms that are never elaborated upon. While Winston will complain endlessly about his own quality of life, not once does a single prole gripe about their job. The cost and quality of goods come up sporadically and only to illustrate the deterioration of English society under Party rule, never to illustrate any material basis of said rule.

Even more at the periphery are the colonized peoples (although never described as such) within the war-torn areas never under the permanent control of any world power. All three of the global superpowers are said to be in a constant struggle over the control and enslavement of these super-exploited workers and the resources of their nations, which are said to make up a significant proportion of the material resources of each superpower, however at the same time they are not considered to be part of the proletariat and are dismissed as entirely disposable and unnecessary for the maintenance of any of these superpowers. To Orwell, it seems, colonialism is simply a thing the colonizers do out of habit and not a phenomenon with an actual material basis or actual material effects. In turn, the colonized are not actual people who might take umbrage with the constant conflict imposed upon them, but rather chattel that is perfectly content to be traded back and forth among the colonizers.

The importance of the middle class in society is a recurring theme in 1984. For example, the Trotsky-esque political treatise Winston reads within the story, "The Theory and Practice of Oligarchical Collectivism", begins with a twist on Marxist historical materialism - while it recognizes the role of class conflict in human history, it asserts a transhistorical narrative of the eternal existence of three separate classes within society since "Neolithic times": the upper, middle, and lower classes. It is then asserted that it is the middle and only the middle class that is ever revolutionary, and that when it appeals to the lower classes it does so only to use them as a cudgel against the upper classes and never out of a genuine concern for their wellbeing. The treatise, idealistic as it is, provides little definition of these classes. The lower classes are described as "crushed by drudgery" and in a constant state of servitude that places them incapable of achieving political consciousness, something reserved solely for the upper and middle classes. The upper class is defined simply as the "directing" class, and the middle as the "executive" class. The identity of the middle class within Oceania is made clear: they are the "Outer Party", the white collar intelligentsia and managerial class which Winston and Julia belong to. One must assume Orwell viewed himself as a member of the middle class as well. If this section of the book is at all reflective of Orwell's own views (and to be clear no part of the book refutes this outlook,) then Orwell's rejection of Marxism-Leninism is rooted in his view of the vanguard party as simply a mechanism for the intelligentsia and bureaucrats to trick the stupid proles into overthrowing the bourgeoisie, rather than as a genuine means of proletarian liberation.

The politics of the Party are entirely idealistic in nature. "Big Brother" dominates through control of ideology and speech. The goal of Ingsoc, the ruling ideology of Oceania, is to make dissent impossible through the thorough alteration of language and the removal of words which could represent ideas that are not in line with Ingsoc, a process called "Newspeak". It is explicitly stated, however, that none of this ideological control is directed towards the proletariat, which is said to make up 85% of Oceania's population. The proles are not expected to learn Newspeak, they are not monitored by the telescreens, because as is stated quite frankly in the book, "the masses never revolt of their own accord, and they never revolt merely because they are oppressed." That this line is given by the villain of the story is unimportant, because the story never refutes it.

While Winston routinely repeats his belief that "hope lies in the proles", he is consistently met with scenes that challenge his faith whenever he winds up interacting with the proletariat. His conversations with proles reveal their total lack of concern with politics or history. He hears a crowd erupt into chaos and briefly hopes it's the proletarian uprising he is waiting for, only to find it's simply a riot over consumer goods. They are more than once compared to animals. While it is said in exposition that intelligent members of the proletariat who might end up fomenting dissent are eliminated, this is never actually depicted. We don't see Winston meeting with a single intelligent and politically conscious prole. The most intelligent prole he meets turns out to be a secret member of the "Thought Police". And so, the concept remains theoretical.

Winston is depicted as an ardent materialist, desperately defending the notion of external reality against deranged idealists who believe that through control of thought, control of reality becomes possible. But the world he lives in is not material. It is fictional, of course, but more than that, the fictional world described operates on idealistic principles even from Winston's own perspective. Winston's worldview is a faith based one, appealing not to any material basis for liberation but purely to emotion. It is love and the spirit of humanity that is the basis of freedom, and material freedom springs forth from it. Anyone who thinks otherwise is merely a trickster trying to control the masses.

Orwell rejected the material basis of history because he rejected the idea of a revolution on a material basis. To him, the revolution must be an ideological one, and the problem lie not in how society and the economy are organized but in the existence of hateful "authoritarian" ideologies governing the world. He believed the material basis was already here, that industry alone was the solution to material inequality, and so we must concern ourselves now only with the idea of equality and freedom, and from an abstract and universal viewpoint to boot. It is intolerable to him that a revolution be fought against an actual enemy in the real world. The problem is not that the capitalists are in control of the means of production, the problem is that the workers are too stupid to disobey them. A real revolutionary class would spontaneously throw off its own shackles through thought alone. It doesn't matter that Orwell was a lackey and a snitch, because in his mind he was freer and smarter than everyone else.

The bravery of Winston Smith was in recognizing the existence of a material reality that lies and propaganda could never destroy even while being tortured into believing such absurd notions as "two plus two equals five". But Orwell was never tortured into any of his incorrect beliefs. His incorrect beliefs stem purely from accepting the official narrative that he was fed and refusing to investigate its veracity for himself. Orwell's writing was used as propaganda against the designated enemy of the UK throughout the Cold War, adapted countless times in the forms of radio plays, TV shows, movies, and comic books. He never made an effort to actually travel to the Soviet Union to find out if what he was told about the country was true. All the other upper middle class "left-wing" intellectuals he hung out with seemed to be just as concerned as he was with the rising tide of "totalitarianism" and the supposed excesses of the Soviet Union, so why shouldn't he agree? He was in this regard no different than the Western "socialists" of the modern day who have no shortage of vitriol towards China or North Korea. Yes, he might performatively rail against chauvinism and nationalism, but only enough to ensure that he wouldn't be seen as a conservative. He still knew in his heart that his country was surely better than those barbarous communists in the East.

Yes Orwell was sexist and homophobic, and despite his best efforts he remained plagued by racist and antisemitic attitudes, but in addition to all that his books promulgated a view of the world entirely in line with British bourgeois values, which is why they were so eagerly used as propaganda by the British government. The Nazis were bad and the Soviets were bad because they were both authoritarian, and the differences between them were negligible and unworthy of mention. The references 1984 makes to the shifting alliances in Oceania, "we are at war with Eurasia" becoming "we are at war with Eastasia" and vice-versa, are most likely allegories for the shifting alliances of Britain at the time, how they viewed the Soviets as an enemy before the war, as an ally during the war, and as an enemy again once the war was over. Orwell viewed himself as above all of this simply because his view of the Soviets never changed at any point throughout this.

[unopenablebox]

i admit that i find it a little bit frustrating how Wildly Astonished other antizionist jews act when i tell them my israeli jewish family have lived in the region since [some unknown length of time before 1800 when there start being records about it]

[mad-hunts]

okay, but this has probably been done before, but i might be having thoughts about a version of the devil that mayyy be partially inspired by the mysterious stranger by mark twain (+ yes, i know that's technically a story about a cousin of satan under the same name, but SHH lolll) and that would be in the way that they're always seen wearing a full-set of armor or like. something that bears a striking resemblance to what they used to wear during the victorian times, but gives off like... gothic and vaguely religious / angelic vibes when they're not wearing armor.

and by that, i mean just imagine them wearing the most extra looking ruffled blouses / tail coats / almost robe-esque clothing. and imagine them having snake eyes too + having a quiet yet domineering presence — though possibly one that's fully hard to pin down because instead of being hot-headed and a misandrist like most iterations are, they are both a sadist and surprisingly empathetic at times + this is possible because to be a sadist, you have to feel some level of empathy.

IDK, i was just thinking about this for some reason today ahahhh. them actually having goat-like eyes when they're not disguised was also something i thought about because of how one of the main animals the devil is associated with is goats... BUT yeah

[magentagalaxies]

one of the absolute funniest moments on scott's tour that i wasn't able to capture on camera (for obvious reasons) was at the meet and greet after the nashville show these two older gay guys mentioned they were reading scott's wikipedia page before the show to find out more to chat about at the meet and greet and like. idk if this is just because i am very familiar with scott's wikipedia page but you could tell that was the extent of their scott knowledge (which is valid not everyone is researching a documentary on the guy)

but then they asked about the poster for the lowest show, which they'd never heard of before their wikipedia reading, specifically this quote:

"The posters—featuring Thompson lying supine on the ground with a big wad of semen dripping down the side of his face—went up around the city on September 10, 2001"

and they were like "wow we'd love to see those posters hahaha" and i immediately jump in like "oh i have that photo on my phone give me like 2 seconds"

to be clear: these guys had not interacted with me or acknowledged my existence the entire conversation. they had their backs to me when they were talking to scott, i did not introduce myself as directing the documentary since i wasn't filming and they didn't ask who i am, etc. but my brain was like "oh someone wants to learn more about scott? my time to shine, let me pull up that folder in my camera roll". even scott was like jfc here they go again.

anyway i barely had to scroll back in my doc research folder so i immediately held out my phone to the guys and showed them this

it's a photo taken days after 9/11 of scott in front of the posters for his show which was supposed to open the following week

so i hold out my phone and explain this thinking like hey i'm being so helpful these guys wanted to see this aspect of scott lore and i gave it to them!! meanwhile these two old guys are like i can't even focus on the poster anymore i am standing next to scott thompson and also WHO THE FUCK IS THIS CHILD AND WHY DID THEY JUST HAVE THIS ON THEIR PHONE?

another one of the funniest tour moments was after meeting up with some gay guys in their 70s who were friends-of-a-friend-of-scott and immediately befriending both of them we were about to leave and i asked for their phone number and scott just rolled his eyes and was like i'll give you his phone number in the car as though he was saying "jfc jessamine this is ridiculous even for you". he never ended up giving me the old guy's number

[sherlock-is-ace]

.

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[cuntwrap--supreme]

I don't think my pothead neighbor actually knows how to smoke weed. He's out on his porch with a blunt and is straight up hacking his lungs up. He sounds like he's severely ill. But nope. This is just the morning routine. Wake up and inhale that pot smoke in, apparently, the most painful way, tears in his eyes, SoundCloud rap in his (and everyone else's because goddamn does this guy not understand he lives in an apartment) ears, hope in his heart. Or something.

[bumblebeebats]

The IRS LOOOVE to ask me questions like

Have you ever:

never not received dividends of a divisionary nature through the operation of a state or federal corporal mutual fund, and paid pecuniary expenses related to Article 805A(b).e, or

been gifted more than $2,000,000 cash or the equivalent in yachts or racing horses from a foreign monarch, and

not been actively involved in assessing fewer than two digital assets prior to 2021, or not more that two non-relational nontaxable assets after Jun 7th, 2022 (see Schedule 8, box 17a)

☐ Yes ☐ No ☐ Other

[pulsedemonremastered]

bit by the worldbuilding bug . was trying to think of a name for the pkmn fanregion ive been cooking off and on for a couple years &realized i never even considered the geography of the place

[m4niackkyun]

Hi. (Announcement in the tags)

[unproduciblesmackdown]

would have too much to say that inevitably repeatedly breaking things up into tweets wouldn't be a pain but already going back like, lets check out andor episode one again in full true connoisseur mode and i'm not pressed if i make it into a proper in order rewatch, also when the bonus for me is that i'm always more likely to better keep track of names or faces or pick up on something that was supposed to be like a straightforward plot moment or whatever else, right, though i didn't have any especial problem with that. anyways i'm just already like oh this entire first sequence fucks, and i didn't really go into this that skeptically but do remember like yeah first time around it was like with this intro premise alone like ah i see this fucks then

like first of all an initial shot choice that is stylish, which tells us that there will be stylishness. fun that the couple evil [police procedural] characters are great at being pathetic zero charisma soaking creepy & wet disgusting in their own special ways, but cassian is getting rained on all the time he's cutting the plumbing line he swam here soaking wet literal treatment

things feeling figuratively and literally grounded (walking, only seeing that walkway, streetview, no soaring establishing shot to show This Isn't Your Ordinary City (scifi edition)) like, also still clear enough it's scifi but really with the Magical Realism type of approach, which i do imagine i enjoy more

the scoring is so good. BANGER of a track used when walking into the bar, also used later when dropped into the introduction of his beach getaway new life scene, brief as it is. the sexy edm style track, and it Is also like "well i mean. sure then" getting so far into this scene before it's evident like oh you're not actually here to have sex. pretty flirtatious w/this proprieter but it's like, maybe discreetly acting natural, maybe just acting naturally for real and it's just like that, we've all been there re Blend In, Follow Their Lead as a rule for operating anywhere ever, presumably relevant here, the Everyone's Wary nature of the whole series....tbt talking about jyn like yeah idk maybe her brand of wariness that's not charismaticly intense enough nor closed offedly intense enough is like, itself confusing or whatever but absolute "what's not to get or like" sense from me, and naturally cassian cropping up like it's your wary kindred spirit

anyways then having fun in there. looking at the required sexy hologram dancer like hmm they're a little space androgynous. a little space gnc af. the guys who are just immediately pissed off b/c the supposed new customer is getting preference. the delay after the proprieter lady is like Behave to them and cassian looks at her, then them. his immediate brooking no nonsense w/the two as soon as they're all hostile mode at him about all of it, at least in terms of like, not playing it utterly neutral. the It's Political times of him asking about a woman from kenari, proprieter lady going for both a) how about this other planet of origin and [names an inferred similar feature] as well as this kind of establishes already that [from kenari] can be space racially profiled, since cassian doesn't have to explicitly confirm that's where he's from too, and her inferring this is a Preference that can be catered to around physical features, and certainly once cassian's Wanted about this, the urgency around maarva & co asking who they've ever told that cassian's from kenari is sure like ah, space borders, space immigration, space [indeed the racial profiling when the soaking is he creepy or wet pathetic heinous cop pulls up an Image], the repeated like space colonialism and space indigeneity and space resource extraction that gets to come up more with [i've been in this fight since i was six years old] flashbacks....it's great like, the magical realism aspect where it's like [yeah Real Life but slight au] feeling immediately relevantly recognizable and as viscerally dramatic as you'd want, like, everyone's daily lives involving this inherent lack of safety that can turn into the stress of imminent danger on a dime. also the eventual b) asking if he's a Boyfriend or Husband like, space gender, magical realism style where it's like of course the space misogyny power disparity they'd be on the lookout for, might be vulnerable to a partner who is a space man. oh and then also the shift when he says it's his sister he's looking for, from more guarded to sympathetic when it's like, the context then isn't the woman's vulnerability being heightened if this is someone here out of like, a possessive angle, and rather that he's now not only presumably sympathetic to her as well, but potentially some of that vulnerability being extrapolated to him as well. which is not inaccurate

obsessed w/the Long Shot where cassian's getting held up by the two company sentry guys and it's him close up center frame slightly from above and just tearing it up acting while we only hear the other two for a good while until they wander in out of focus, that at first we also can't see and thus can't immediately Know they're talking to him....as well as again establishing like, yeah this is a prequel where we know our protagonist won't die no matter how [people are definitely dying] the situations are, yeah we know he's cool action guy even, but he's not operating in a story here where it's all about his protracted solo epic action sequences, he wants to avoid those, other people want to avoid those, everyone's better off operating more stealth mode if they can help it, but also that it doesn't matter to him that We know he's not gonna die, he doesn't know it, and Everyone knowing those stakes and reacting to the stress rather than being like stoic too epic to be at all fazed badasses. d luna crushing it, everyone's great but yeah sure acting as hell huh

also this time around i was just so much more noticeably affected by like oh i feel bad for this guy who's realizing his buddy who also sucks is dead and now that he's in over his head majorly life and death....everyone acting in every part is just going ham like bevy of these varied performances in varied roles and nobody dropping the ball in the least. while it's obvious too that like, feels bad for the panicky source in rogue one intro as well but cassian can't give much away then b/c he's not the protagonist and it's all very mysterious at this point. and that in addition to upping the surprise, it's presumably nonzero meant to be a kindness from him to take the time to comfort the guy before then blowing him away. whereas here the guy sees it coming and like, really brought this upon yourselves and you made this potentially life or death for cassian from the start, as he was aware, but this time it's like yeah cassian wasn't expecting that to turn into [bad luck, that headbutt killed you. and/or also the fall] and is Not so mysterious to us so can be clearly surprised and less than thrilled about things as well....but feels apropos that also w/ this intro of these two rando sentry guys from the bar who the proprietor was like yeah they're not really cops but they annoyingly like to act like it, it can be a bit more genuinely pathetic vs the Pathetic(tm) quality of the like imperial space feds characters. like oh i do feel bad for this guy and all the time he has here to plead for his life :( but doesn't feel like it's meant to be some [dun dunnn?] moment re cassian b/c it's like, tells us the stakes, tells us he's not fucking around and Will shoot someone but we've also been told he's not like here to be, or feel, badass invincible, is not unaffected by fear of death nor of having killed someone / death in general, but also Will be blowing you away if need be, also speaking to like, he's run calculations before abt like, whaddaya gonna do, what are the risks and which are you willing to take, and obviously has fought before and if he's ever killed someone before it wouldn't be surprising, some like "my god i've never done that before / now i'm out for blood, never look back" factor does not seem to be relevant. but fr was fun to be surprised by like oh i feel bad for this guy this time around lol noticeably much more than affected me the first time around. true [oops in over your head] vibes but which also then speak to like, yeah probably would've stopped pretending to be cops, just feels like yeah he's more distant from [uh oh, attention from Empire cops now] figures so it's like, ah, you bring it upon yourself but. i'm not quite sure what got me this time around lol, again i guess just more ability to focus on details and thee moment b/c i'm not like, needing to intently devote my attention to potentially following names and faces and plotlines b/c it's the opening scene here and don't get lost before things even happen. maybe it's having subtitles on where i'm all the more sure of the dialogue and him talking about "we'll go in together" has me like "there but for your fucking around, no need for this, i remember the vaguely friendly acknowledgment before your egos were bruised and you got hostile about it and escalated it to This" maybe it's even him offering a story and phrasing it like "we played too hard in hitting" when i have this like, vulnerable association lol like if anyone's upset / distressed enough And there's the immediate proximity / presence of something meant to be like, purely fun, where even talking about Playing may be enough to be like oh no lol, even when that's not really what happened. again, the acting from everyone, maybe it's just focusing all the more on that, wherein truly epic seeming distressed and miserable, maybe it also helps that we also get shots of more diego luna acting which is also to the effect of: pretty distressed and miserable, soaking wet. i dunno but i'm like hell yeah being all the more caught up in whatever.

also that this was like, oh a seeming potential thread establishment? and of course "whoops killed two guys" is indeed an established thread, the [looking for his sister] remaining latent as the setup to that inciting event and otherwise like, just something he does, characterization and [backstory thread] relevant, but only that. and yet, the way that opening scenes are generally meant to do, this whole sequence conveying plenty about how things are going to be, establishing overall contexts, thee vibe, that the soundtrack fucks, that nobody's messing around here in the least like. just as these first minutes didn't have to go so hard, so neither will the rest of the series have had to. i also didn't have to say all this or post at all but i get hype and when i have anything to say i really do. no concision. oh shit and we end with like the directional reverse of the first opening stylish shot but w/cassian in frame as well yeahh boyyee

[mrnnki]

I wanna condense to a single blog so badly but I have so much stuff across all of my blogs that It Would Not Go Well

[brittlebutch]

have been thinking about Until Dawn again -- do we ever like, fully understand what Josh had planned for Matt and Emily? Like, did he steal/hide her bag or something to get them out into the woods? Or was that just some kind of coincidence that played out like he hoped it would?