#but also she wasn't like? advocating it on the show?

[mcktub]

    had   that   conversation   happened   a   year   prior,   maybe   her   words   would've   struck   him   in   a   not-so-funny   way.   now,   after   understanding   that   it   was   more   about   her   and   what   she   wanted   for   herself   than   him   and   what   he   did   or   did   not   do   for   her,   kendrick's   outrageous   expression   was   nothing   but   his   dramatic   self   joining   in   on   the   joke   instead   of   a   real   feeling.   though,   had   that   been   real,   his   reaction   would've   been   quite   the   opposite.   “   so   you   want   everybody   to   hate   me   ?   jokes   on   you,   i   don't   have   doubts.   ”   he   did,   every   now   and   again,   but   that   was   a   hypothetical   scenario   and   in   that   one   he   didn't   even   know   what   the   word   meant.   since   it   wasn't   real   at   all,   he   got   to   make   up   his   belief   system   as   well.   it   wasn't   like   she'd   try   to   prove   him   wrong   anyway.   “   i   mean,   i   agree,   but   i   like   to   play   devil's   advocate   a   little   in   this   case   too.   i   do   think   marriage   should   be   forever   and   you   shouldn't   go   through   with   it   with   someone   unless   you're   sure   you   can   handle   it   but   it   also   isn't   easy.   sharing   a   life   with   a   person   takes   a   lot   of   work;   adapting   to   their   lifestyle,   you   might   not   always   see   eye   to   eye…   if   you're   not   good   with   conflict,   it   can   get   toxic   quick.   ”   the   previous   year   one   of   his   students   had   parents   that   clearly   weren't   fit   for   marriage   and   kendrick   spent   a   lot   of   his   time   wondering   why   the   fuck   did   they   not   just   divorce   after   seeing   the   way   it   affected   the   kid.   “   i   want   something   pretty   to   show   that   i'm   taken.   ”   he'd   wear   an   engagement   ring   when   the   time   came,   that   was   settled.   at   her   compliment,   he   raised   his   left   hand   next   to   his   face,   putting   the   ring   close   to   his   eyes.   “   alright,   as   flattered   as   i'd   be   to   have   you   fighting   over   my   honour,   please   don't.   fights   kill   the   mood   at   parties   and   i   put   a   lot   of   effort   into   this   one   okay.   ”   he   was   already   taking   the   ring   off.   it   was   a   little   small   for   his   finger   anyway. 

kezia doesn't see herself as the marrying type, struggles to even date long-term without feeling like there's always going to be an inevitable end. and usually when there is, she's the main cause. the man in front of her is proof of that. a casual fling, fun, and the moment he showed any real interest she didn't know how to handle it. is simply glad they're able to joke like this, even if there is a lingering awkwardness that she still feels. a sense of what if, perhaps, though she'll never admit that even to herself. there's a smug curve of a smile, a slight shrug of her shoulders. " or is it the perfect way to propose ? the way i see it, if i plant those little seeds of doubt, you'll get cold feet and back out before we even make it to the alter. that way, i avoid having to wear some white dress, and you look like the bag guy. " of course, any real engagement and she'd flat out say no — or at least, that's the mindset she's in at this very moment. " besides, if you gotta ask someone for a prenup, you don't trust them enough to be committing to life with them. " he laughs and she can't help but to do the same, endearingly rolling her eyes at the sight of the ring on his finger. " because society decided that woman as a collective would want something sparkly to show that they're taken. " comments, realizes how annoying she sounds but she's strong in her opinions. " it suits you, really brings out the blue in your eyes, " she's quick to tease, smile growing genuinely, " but you should probably take it off if you want to be in with a chance of a new years kiss. don't want all the single ladies here tonight to think you're tied down to me, do you ? because if i was a fiancée, i'd be the type to swing if a bitch dare look at my man. "

[s1mpl3sp0ng3]

sometimes i watch golden girls and i just tear up remembering everything each cast member did for the queer community

estelle getty lost her nephew to AIDS and moved in with him during the last months of his life to take care of him. she started a foundation that cares for people affected by AIDS that's still there to this day. she saw one of the writers on her show was queer, walked right up to him and said "you're one of us!" and promised to protect him. she put her career on the line to become an outspoken ally of AIDS patients at a time when it would've been career suicide

bea arthur was a staunch gay and trans ally who donated a lot of her time and money to helping homeless lgbt youth. when she died, she left them thousands of dollars to stay afloat after she was gone. she was incredibly socially active in the queer community!

rue mcclanahan was a staunch advocate of marriage rights for gay couples and openly devoted her time and money for the fight for equality. she also openly participated in queer spaces and loved the community with her entire heart. she was intimately aware of gay mens' particular love for her character blanche and she fully embraced it

everybody knows by now about betty white's activism, but i'll say it anyway. not only did she join the fight for marriage equality, but she was a great mother to her lesbian stepdaughter. she participated in anti-bullying campaigns specifically against lgbt youth. she accompanied liberace to events because it wasn't safe for him to be out. she loved us and she fought for us just like the others

all four of them did SO MANY amazing things for us, and it makes me happy that we had people like them -- that we still do in people like dolly parton! we didn't deserve them. i wish i could've met all of them and told them how grateful i am!

[celaenaeiln]

I want to talk about Dick Grayson's beauty, sex symbol status, and how it all connects for a moment.

This is a prelude to an upcoming post but I needed to include this separately because the other was getting too big.

First of all Dick Grayson is a beautiful man.

And you're probably thinking "well, no duh. Everyone knows that." but what I mean is Dick Grayson was intentionally made to be beautiful.

For a little historical context, around the late 1950s the culture in the US was changing. It was around this time, that people began exploring and accepting what they called a "feminine man".

This was really taking place in cinema and stuff where they began to show softer versions of men doing "typically female roles" as heroes.

One example is the movie "The Man Who Shot Liberty Valance", a 1962 Hollywood film. In summary, it takes place in the midwest and is centered about Cowboys, gunslingers, the shebang. But the point is, there are two male leads in the movie - Ranse Stoddard (played by Jimmy Stewart) and Tom Donophon (played by John Wayne). Ranse and Tom are both the heroes in the film but with a key difference. Tom is like the sheriff of the town, loved by all and focusing his time on practicing his gun skills. The savior of women and normal people, he's the typical masculine hero. His face is rough and handsome. Ranse however was the new wave. He doesn't care about carrying the gun, he thinks it's uncouth and focuses much of his attention on sending the evil guy (Liberty Valance) to jail through laws. He doesn't want to kill and he takes a more advocative approach. He is also loved by everyone despite not being super masculine. Ranse's face is clean and almost dainty in comparison to Tom and Liberty Valance's.

Despite the complete opposites they are, both men are considered heroes. On one hand, you have the very male typical hero but on the other hand, you have the feminine male hero. At one point the evil guy laughs when Ranse walks in wearing an apron because serving tables is a "woman's job", but Ranse doesn't let it bother him.

How does this connect to Dick Grayson?

Dick Grayson is the feminine hero of DC. DC jumped on the pretty boy hero train.

That's also why in the Teen Titans (1966) comics, Dick keeps being referred to by endearingly feminine pet names by the titans which they seem to only use on him.

Standard gender roles: Men were expected to be strong, aggressive, and bold while women were expected to be polite, accommodating, and nurturing. Sound familiar about a certain duo?

But Dick? He plays both male and female gender roles in a time period where it wasn't socially acceptable to do so.

So my point is, Dick was created to blur the lines between gender and the way his character has progressed - he's meant to be the definition of a man opposite to male toxicity.

He can cook and do laundry whereas Bruce, the image of male dominance cannot.

This also falls into another role of Bruce and Dick's but it applies here as well in hindsight.

One thing people need to understand is that Dick was created to be the antithesis of Bruce Wayne. For all the gloominess that Bruce is Dick was meant to be the joy. He is the light to Bruce's darkness.

Which is why Dick often acts as the loving mother to the batfamily while Bruce acts as the stern father. Because Dick was created for the female role.

Part of the reason why I love Dick and Kory is because they do this at a time where girlbossing and malewifing wasn't a thing. Kori is consistently the dominant one when it comes to love in their relationship while Dick plays a softer, more "wife like" role. The way Kori is taller than Dick and buffer than him ✨

He is quite literally a queen consort - that is the role that Kori begs him to take after she is forced to marry someone her father picks out for her. But Dick refuses in tears because his morality cannot bear becoming a mistress and ruining someone else's marriage.

I know this is a long tangent but here's where the sex symbol comes in. Dick was created to be the most beautiful figure in DC but him being beautiful is not supposed to be confused with him being objectified.

Being beautiful is just something he was born as. What people do as a result has nothing to with DC

Take this for instance

He's literally just showering and comes out of the shower to find a random little girl singing about his and batman's identities. Creepy? Yes. Very much so. So he chases after her and finds her gone. Well there's nothing he can do now, he needs to go back and analyze what's going on and contact the other titans-

Crap.

Look at all the women that are ogling him, and even the ginger looks as if he doesn't know if he's jealous or wants to join - but there's nothing Dick did to make them do that. He's literally minding his own business and got caught outside. Did he hit on the women? Did he seduce them? Did he purposefully show off and make a loud commotion because he wanted the attention? No!

Arguing that Dick Grayson shouldn't be a sex symbol just seems wrong to me considering that it's not a fault of his.

It's like telling Kori not to have large breasts and telling Dinah not to wear fishnets.

People still ogle them regardless of how they dress because they're just that attractive. You can't tell someone to look a different way because you don't like the attention they're receiving...that's literally the opposite of everything people should be fighting for

Arguing that Dick Grayson being a sex symbol is a problem because he's too beautiful and blaming the actions of other characters for thinking so is just...

it's wrong.

He was created to be beautiful to fight male toxic masculinity. He's woman coded for a reason.

We should be embracing him. He represents everything male freedom should be about. He constantly placed in a female role, in female positions-

In queer positions-

He's acrobatic, slender, and sensual. He's gentle, loving, and beautiful.

When has the beauty of a person ever been a reflection of their character? The way fandom is going, it's implying that because female characters make sexualized comments about Dick's body, it's somehow Dick's fault for looking that way. We're blaming him for his "womanizing" ways as if he hasn't put his heart and soul into every relationship he's had. And while we're busy calling him a womanizer, we conveniently forget that the women he's in relationships with have significant personalities of their own. We inadvertently reduce their beings to plastic bags, ignoring that they have broken up with each other because of being unable to resolve conflicting beliefs, different career paths, different lifestyles, and more. It's not a one way road with our treatment of Dick. It's a two way street because we're harming both Dick and strong women like Kori, Barbara, Bea, Shawn, and Helena by pretending what they believe in and live for is unimportant in love.

Instead we should be exploring how the objectification might have an impact on Dick's mental health rather than blaming DC for using characters to describe how hot Dick is.

All the beautiful traits of Dick Grayson - his ambiguous sexuality, his overwhelming love for people, his affection for his friends, the way he cries and feels for others - all of it is beautiful, is it not?

From his very creation Dick was meant to be someone who breaks gender roles. The constant attraction he receives from both men and women in all of DC's media is evidence of that. The Grayson comics push the boundaries of his sexuality as much as DC will allow. To be queer without coming out with it. He is the feminine hero.

Everyone seems to hate that he's being called a sex symbol but why does that bother you? Dick Grayson IS the pretty girl of the comic universe. He IS the babygirl of DC.

DC has created the perfect view of what it's like to be a woman through Dick Grayson and we're spitting on the most accurate representation of a female that comics have ever created by blaming them for expressing what it's like to live as a woman.

[waywardworldhopper]

I... don't know how I feel about this statement. I mean, the statement itself is well written, and I like how they gently go "hey if you want to do activism there are better options than harassing some internet comedians."

But just... validating the complaints with this kind of response seems dangerous, especially given Dropout clearly recognizes they're tenuous at best. Like, I'm all for them taking an explicit stance on Palestinian liberation and directing fans to charities, but it feels like giving these accusations the time of day is encouraging more harassment.

🍉🍉🍉

Additional resources to support the people of Palestine:

Demand a Ceasefire in Gaza

Palestine Children’s Relief Fund

UNRWA

UNICEF

Gaza eSims

[yumeka-sxf]

As if the season 3 announcement several hours ago wasn't exciting enough, now we have one hell of a new chapter 😭

It's just one tragic event after another...Martha can't bring herself to confess to Henry (and regrets it later), her letter gets censored so she's left waiting in vain to see him, she's basically forced to join the front lines or be killed, meanwhile Henry is struggling to figure out his own feelings but then has a total breakdown when he thinks Martha's dead, gets beaten up and thrown in jail, then is coerced by his father into marrying someone else. Gosh, these two just can't catch a break 😓

But my favorite part of this chapter is young Donovan Desmond's speech. What he says here so perfectly conveys the overall conflict of Spy x Family and sets him up as the ideal antagonist.

The series has shown us over and over how people are indeed liars, but it's also shown us time and time again how amongst all the lies, mostly through the Forgers, that people can still come to understand each other. Donovan's view is one of hopelessness - that true understanding can never be attained and human beings will always wage war, and while the series doesn't downright portray this as false, it does show that there is hope...that, even though people will never stop committing atrocities, at the very least, a middle ground of peace can be found even amongst those who lie to survive.

Donovan believes that we can never know the true intentions of others because we ourselves are hiding our own true intentions...the Forgers are hiding their true intentions, but in spite of that, they've come to love and understand each other. Like Twilight said when he first met Donovan, he won't ever stop trying to understand others and will always try to meet them "in the middle" if he can. Again, this is why Donovan is shaping up to be a great "final boss" who challenges the hopeful message the series has advocated so far. Another example of how, even though this arc seemingly has nothing to do with the Forgers, Endo still ties it back to them and the story overall.

Now the question for the next chapter is...who saved Martha? Also, judging by Henry's reaction when he first sees Martha in the present time (pictured below, chapter 72 during the bus hijacking arc), it doesn't seem like he had thought she was dead at that point. So he must have found out somehow before this that she had survived.

We'll have to wait until next time to find out! Even as the series hits chapter 100, Endo isn't done with this tragic love story just yet 😅

[inbarfink]

Okay, so here’s the thing….

We are still at a very early point in the narrative of ‘Fionna and Cake’ and therefore at a very early point in Simon’s character arc. It’s pretty clear that “I need to become Ice King again” is not the end point by any meaning of the word. But I am wondering where we’re going to go with this, cause… The series has yet to really tackle how miserable Ice King himself was a lot of the time. And how often he hurt people. 

Like, yes, I was an advent advocates for 'trying to bring back Simon Petrikov was a really really Bad Idea on Betty's part, it was more healthy to focus on making sure Ice King was as happy and healthy and harmless as he could be', but I am also fully aware that he started the show being both extremely lonely and extremely sad and also a serial kidnapper who was very much a danger to those around him. And as much progress as he made during the show, getting Ice King to that point was a very serious struggle with a lot of backslidings and problems.

'Friends Forever' is, for example, an episode that stuck with me for a long time as a really heart-wrenching demonstration how even in that late stage, when he has buddies and people trying to seriously take care of him - Ice King was still very capable of seriously sabotaging his own relationships and hurting others and himself.

And it does make sense narratively that, like, characters like Astrid and Fionna and Cake, all of whom lack the full context of what Ice King's life was like (Fionna and Cake really just saw Simon at his worst and only got snippets of clips of Ice King and since Astrid was born after Humans came to Ooo that means she was also born after the events of ‘Come Along With Me’) all see Simon as a downgrade. Because they really don’t understand how bad Ice King was beforehand. 

And thus is does make sense that with Simon's current mental state, and how he is surrounded lately with these kinda people who never really knew Ice King and don’t really understand how terrible and miserable he could be, and now hearing that his ‘sanity’ just took away magic and whimsy from some else’s whole universe, and how it feels like the actual gods of the multiverse are telling him that he should be Ice King, that he's supposed to be Ice King....

It makes sense that he might start kinda... romanticizing that time in his life again. 

You know, the big thing about the outlook that Betty should’ve accepted Ice King as who he is rather than basically destroy herself to bring Simon back wasn't about whatever Ice King or Simon Petrikov were better or 'cooler' than the other. It was about, like, embracing change. Not obsessing about a past where things were ‘Better’ but seeing what is the best you can do with things as they are. Moving forwards.

And we all know how Simon feels about moving forwards right now…

And obviously that's a pretty bad mindset, even if it's understandable how he got there...

And honestly, if we do explicitly acknowledge that, hey! Ice King’s life was often just as much of a depressive spiral as Simon's is right now! There might be an element of… resignation in Simon’s decision. 

Because Simon's downward spiral since getting cured is not a demonstration that he was better off under the Ice Crown's curse.... But, to him, more a demonstration that he doesn't need the Crown to screw up his own life anymore.

‘Cause as both as Ice King and as good ol’ ‘sane’ Simon Petrikov he is just as capable of being lonely and depressed.

And just as capable of losing his own identity.

And just as capable of pushing his loved ones away and ruining his own life.

And just as capable of becoming a weirdo obsessive.

And just as capable of making little girls cry.

He even started kidnapping people again! That’s the Ice King Classic!

So on some level, maybe Simon is resigned to the fact he’s always going to be SOME sort of screwed up lonely sadman who hurts others. And if that is his fate, he might as well be the screwed up lonely sadman who is mostly oblivious to how sad he really is and can shoot ice from his fingertips. And his arc is going to be about realizing that, whether he is Ice King or Simon Petrikov, healing and change ARE always possible for him.

But we’re gonna have to see where it goes…

[wobbmin]

PEAK HAS LORE

OH MY ACTUAL GOD I JUST LISTENED TO BITE ME AND IT'S PERFECT! Not just because it's a banger, but the actual meaning behind the song in relation to Cyn is EXACTLY what I've wanted with her this whole time.

At first, I wasn't sure if the singer was supposed to be Uzi or Cyn, but later on it seems to definitely be Cyn, especially at the 1:00 mark saying how she's so far gone and even says "eat my heart, take my soul, let it burn you" which is exactly what Uzi did.

So, knowing that Cyn is singing, it makes the part at 2:13 VERY interesting

"You should let me go I'M NOT WORTH SAVING We won't let them know

Let them carry on LET THEM SWALLOW YOU You won't save me too

WE WON'T LET THEM SWALLOW YOU"

If it is Cyn singing, then this part is the real Cyn saying to not only not worry about saving her, but also to not let the heroes know she's still there so they don't have to feel sorry and can move on. Most of the other lyrics seems to be the Solver singing through Cyn.

This. It's exactly what I've wanted.

The real Cyn truly was still in there somewhere, but that latter part of what she's saying is why there’s no actual “she’s still in there” moment.

I have long been an advocate of “Cyn is also an unwitting victim of the Solver” ever since episode 5 - hell, ever since that brief glimpse of her in episode 4 - and this confirms it. I so badly wanted Cyn's real personality to shine though for a moment, maybe to apologize and/or ask to be killed and freed, but it just being part of the song in the background makes it even more tragic.

Cyn knows she must be stopped at all costs, and she would rather her family think she’s either already gone or never existed than make them get hung up on trying to save her from the Solver, especially after seeing the lengths and dangers N went to to save Uzi from possession.

It’s such a beautifully sad fate. I don’t know if it’s the Solver or Cyn herself now living in Uzi’s tail (the latter would explain why it’s suddenly friendly to her after she ruined everything for it), but one thing is clear: Cyn cares about her family and wants them to win, even if she has to die.

It’s weird. After the finale left me with that classic, inevitable, “now what?” hollow feeling when a show ends, listening to this song on its own gave me one last closure with the series I didn’t think I’d get. Like, I genuinely can't describe the feeling in my chest when I realized what I was hearing after thinking the last chance for it to happen had already passed. I am so happy right now.

(Yes, I know I could have heard those lyrics in the original video, but I'm bad at picking up on lyrics mid-action, and a part of me feels like some time to marinate on the ending helped make this realization more impactful.)

Thank you, Murder Drones. Thank you, Glitch. Thank you, Liam. This has been the most fun hyperfixation I’ve ever had, and I don't expect it to end any time soon.

[rootspiral]

Agatha All Along deep dive: episode 3 part 3

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

lilia: falling through time, desperately trying to help alice

agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene

I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.

baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others

alice's smile at seeing a vision of her mom T-T

why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.

we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.

daang great zombie makeup on the teacher lady

lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile

agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that

I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.

while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate

agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!

@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!

of course these two don't know what a sous vide is, one is dirt poor and the other eats people.

I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb

the shock and terror on her face when she hears nicky crying

another great special effect achieved only with lights and the cast shuffling out of frame

they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.

kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds

agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.

and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more

patti during that hot ones episode

NOW YOU GUYS REMEMBER HER. and of course it's alice who does

your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)

how it started: jen pushing lilia out of the way

how it ended: "you are my sister in the craft" 🥲

I love you patti lupone

alice is strong! alice is noble! alice is pure of heart!

gee i wonder why

they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"

agatha shoving everyone and then kicking jen twice for good measure

my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.

And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.

Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?

I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!

we get to episode four tomorrow, and y'all know what, or rather WHO, that means!

go to episode 4 part 1

[percyluvr]

hiii !! could you please do percy x apollo reader where she's like this super sunny girl and everyone thought that her and her ex were perfect together but her ex ends up breaking up with her after losing interest. and maybe the breakup kind of splits everyone into sides because it was healthy but also heartbreaking (and percy, without even knowing, is somehow is her #1 advocate to everyone even if they don't know each other / barely ever talked before) and everyone watches as she slowly loses her spark and stops showing up for things, stays in bed all day, stuff like that and percy suddenly feels her absence and has enough of it and helps her pick up the pieces of her heart. he doesn't really pressure her to date or anything he just tries to be there for her by brightening her mood and teasing her and stuff and eventually he helps her move on from her ex. and like maybe a couple months pass of them being friends but also lowkey more than that and she confesses to him after annabeth or her friend makes her realize that she actually like LIKES percy when she loses it in a mad or a sad way at the sight of him with another girl (and she usually has her emotions in control) but yeah thats basically it !! thank u for reading this :)) hope ur having a good dayy

percy jackson x daughter of apollo!reader summary: your boyfriend breaks up with you and percy becomes your #1 defender, falling in love with you in the process wc: 4286

You, along with pretty much everyone else at camp, thought that your relationship was perfect. Being with your boyfriend was like a fairytale to you, but apparently it wasn't for him.

"Hey, so um, thanks for meeting me. I hope this isn't too random, but I just don't think our relationship is working anymore, and I think you feel it too," he says, looking into your eyes. If you weren't so in love with him, you probably would've smacked the crap out of him for this. You'd never been happier in your relationship, and he thought it wasn't working? You weren't quite sure if you were mad or sad in this moment.

"Oh. If that's what you think, then I agree," you reply, sadly smiling at him, trying to pretend that your heart wasn't breaking into a million little pieces.

"Alright, I still really like you and I hope we can be friends still," he says, and you know that he's saying it without malicious intent because he really is a good guy, which makes you even more frustrated.

"Sure, of course we can."

He gives you a hug and tells you to have a good day.

How are you supposed to have a good day when you just got dumped by the love of your life? You genuinely wished you could be mad at him, but he was just such a genuine and nice guy that you couldn't. You know that he only said it out of the good of his heart and because he didn't want the relationship to actually go downhill, but you were still frustrated and sad.

As if your day wasn't bad enough already, news of your breakup had already spread throughout camp, and everyone was looking at you with sympathetic looks. You had hoped to the gods that you could go at least a day before this happened, but of course not.

You got your food and sat down at your table, your siblings immediately crowding around you and asking you questions and trying to comfort you. You could hear people at the other tables talking about the breakup, and from what you could hear, people were taking "sides" in your breakup, even when they thought it was mutual.

"Hey, I heard about what happened. I'm so sorry, but we're all here for you, okay?" You hear one of your sisters say, but it doesn't really register. At this point, you feel numb, and you aren't really hearing anything people are saying anymore.

Later that day, you're sitting by the river, small sniffles being all you can manage to muster up after crying your heart out for the last 45 minutes. You're looking out at the water, thinking about what went wrong, when you hear footsteps approaching.

"Are you okay?" You hear an unfamiliar voice ask.

You don't even bother looking up. It's probably just another person here to tell you how they're on your side.

"No, but it's fine," you reply.

The person sits down next to you, and you finally look over, finding Percy Jackson sitting to your right.

He looks back at you, "hey, I'm Percy. Sorry if I'm interrupting, but I was just coming over to swim and I heard you crying."

"No, it's fine. I don't own the beach," you weakly laugh. "My boyfriend broke up with me today, if you're wondering why I'm crying."

"Yeah, I heard about that. I'm really sorry that happened to you, you seem really sweet."

"Thanks, but it's okay. He wasn't rude about it or anything, just said that he didn't think our relationship was working and that he hoped he could still be friends," you muttered.

He makes a sympathetic sound then says, "that's almost worse. I'd hate to be on the receiving end of that, especially if the person is genuine."

"Yeah, it really broke my heart. He was so genuine about it, and that's what really hurt. He still cares about me but he just doesn't love me anymore," your voice cracks in the middle of your sentence, and you look back at the water.

"Jeez, that seriously sucks. But hey, I'm sure it's not you that was the problem, maybe what he wanted in a relationship just changed?" It sounded like he was going to say more, but you made a sob-like sound and he immediately shut his mouth.

"I'm sorry, I'm really not good at this," he says awkwardly after a moment of silence.

"It's okay. If it helps, I do feel a bit better at least. You're not as bad as you think you are," you look over at him and he's already looking at you.

The two of you talk a bit more, before you excuse yourself to your cabin, not telling him why, but he suspected that you were going to cry more, and it made him sad to see you like this.

The two of you weren't friends, you were barely even acquaintances, but Percy now felt responsible for defending you. Every time he overheard a conversation where people were taking your ex-boyfriend's side, he would walk over there and set them straight, telling them how great you were and how the breakup wasn't your fault at all, and he should've been grateful to have you, even though the breakup wasn't messy at all.

People started to joke that he was the leader of your fan club, which secretly made him feel all weird inside. At the time he didn't know what he was feeling, but when he looked back at it, he knew that this was when he started to fall in love with you.

If, even a month ago, someone would've told Percy that the girl he'd always had a tiny crush on would've been single, and he was now openly defending you like his life depended on it, he would've first told them there's no way you did anything wrong, so what was he even defending you from? And second, he absolutely does not have a crush on you. Lastly, he would ask if you were really single, but not that he was asking for himself, he was definitely asking for a friend.

"Dude, you need to calm down defending her. She's not gonna let you hit just because you're taking her side," some camper makes the mistake of saying to his face.

"What the hell is your problem? Not everyone is trying to get a girl to 'let him hit.' Some of us are just decent human beings defending our friends," Percy says, before promptly soaking the guy in water and walking away.

This incident was just one of many where a camper makes the mistake of talking bad about you. At this point, he was one of the two people at camp that didn't know he was falling for you. You were the other, obviously, because how could you know someone else was in love with you when you were busy wallowing in your sorrows in your cabin?

About a week after you were broken up with, you began to distance yourself from all of the activities at camp, including the ones that once brought you so much joy. You'd never thought of yourself to be someone that would drown in their own sorrows, but then again, you'd never really experienced anything that would've proved yourself otherwise.

So, here you were, cuddled up in bed under about 5 blankets, mascara stains under your eyes, a box of tissues next to you, and another romcom on the TV, when you could've been outside doing archery or in the infirmary gossiping with your siblings like you would've done before the breakup. Your heart was aching so badly that you could barely even wake up in the morning. After your talk with Percy, you thought that it was easing up, even though that was only hours after the breakup actually happened, but you couldn't have been more wrong.

After a few days of this behavior from you, Percy was sick of it. He was sick of not being able to see you, and he was sick of you being sad. He went to the Stoll brothers and asked them to smuggle some ice cream in for him, as well as a stuffed animal and paid them extra to do it as fast as they could.

Every few hours, your siblings and friends would come into the cabin and check up on you, sometimes staying to watch a movie or two with you before leaving again and telling you to come get them if you needed anything. You heard the door to the cabin open again. Thinking it was just another one of your siblings, you ignored it and continued watching your movie. What you didn't expect was for Percy Jackson to be standing in front of you mere seconds later.

"Hey, I'm sorry it took me so long to stop by. I brought some ice cream, I don't know if it'll help or if you even like this flavor, but I thought it might help," he says, an awkward smile on his face, awaiting a response.

"Oh, well, thank you," you say, wiping your face, now slightly embarrassed about the mascara that was staining it.

"Hey, don't worry about the mascara, I get it. Well, I don't get it get it, but y'know what I mean, right?"

You let out a small laugh. "Yes, Percy, I get what you mean."

"Oh! I also brought this teddy-bear. It's the sunshine care bear, 'cause you're an Apollo kid," he smiles.

"Aww, thank you so much, Percy. It means a lot to me. Do you want to stay and watch movies with me?" You ask, desperately hoping he'll say yes.

"Yeah, yeah, sure. I'd love to," he replies.

You scoot over in the bed, patting the spot next to you, signaling Percy to sit down, and he obliges.

"So, what are we watching?" He asks.

"Well, I'm starting to run out of romcoms, so I've started to rewatch some. We're about to watch 10 Things I Hate About You," you say with a smile.

"What's it about?"

You explain the plot, and he listens with genuine interest.

This situation happens a few more times, before he finally asks you if you're ready to come back to camp activities. He doesn't add that he misses you when he's out there, but he desperately wants to. He refrains from any flirting because he doesn't want to pressure you, but it kills him to not be able to tell you how much he already likes you, even after just a few days of hanging out with you.

You tell him yes, and you'll be back to doing your activities tomorrow, to which he's overjoyed. He's never been happier in his life, and the two of you aren't even dating. Even when you are ready to date, if you still don't like him, he realizes that he would be happy just to be your friend.

When you're back to your regular responsibilities at camp, you realize just how much you've missed it. It takes a bit before you get back into the ropes of archery, but one wouldn't say you were bad. As an Apollo kid, you could never really be bad at archery, which you appreciated. Once you'd gotten the hang of it again, you realized how much you missed it. Archery had always been relaxing to you, not just because you were a daughter of Apollo. Even before you'd come to camp, your mother had you in archery lessons, and you'd enjoyed it even then. You were fully concentrating until you heard a familiar voice calling to you.

"Hey, I'm glad you're back out here. It's so good to have you back," Percy says, pulling you into a hug, the very first hug the two of you had ever shared. It was surprising at first, but you quickly melted into it.

"Yeah, I'm so glad to be back out here. I missed it so much. I owe you so much for getting me out of that bed, I was miserable."

He blushes. "Nah, it's fine. I knew you would feel better being out here, you love it too much to stay holed up in there, even if those romcoms were good," he jokes.

"Right? I knew you liked them," you say with a smile. "But yeah, you're right. I love being out here with everyone, and I love archery too much to give it up to cry over a boy."

He solemnly nods. "Yeah, I just can't tell you enough how good it is to see you out here. You look so much better, y'know? Your skin is like, glowing again."

You smile. "Thank you," you're about to say more when you hear a voice, specifically a voice belonging to the last person you wanted to see right now.

"Hey! It's good to see you out here," your ex-boyfriend says casually, as if he didn't rip your heart in two and cause you to become a hermit for 2 weeks straight. Percy gives him the nastiest look you've ever seen in your life, and try your best to contain your laughter, but you end up letting out a weird choked sound which earns you a smile from Percy and a weird look from your ex-boyfriend.

"Sorry, swallowed wrong," you say to him.

"Oh, alright?" He says confusedly, before trying to give you a hug, to which you not-so-accidentally swerve. He raises his eyebrow and you shrug.

"Uh, anyways. Yeah, good to see you too," you say before walking away with Percy, leaving your ex-boyfriend standing there confused. You didn't mean to be so rude, but you really couldn't stand being in the same vicinity as him right now.

The next day, you're in the infirmary, gossiping and laughing with one of your sisters, when Percy walks in, clutching his arm. You immediately get up, speed-walking over to where Percy is now standing.

"Hey, what happened?" You asked him, ushering him over to one of the beds.

"Was just doing some practice sword-fighting with your ex-boyfriend and he stabbed me right in the arm. I would've just gone to the ocean and healed it with the water, but I wasn't sure if it would heal this," he says before moving his hand from the deep gash on his bicep.

"Oh sweet Apollo, that was not an accidental stab. Sit here, put your hand back over it, I'll be back in a second," you say before rushing off to collect some supplies.

When you come back, you see Percy sitting with his eyebrows furrowed, muttering some unsavory things under his breath.

"Here, give me your arm," you request, to which he obliges.

You gently wrap his arm with gauze, noticing how intimate your position was and feeling awkward. You didn't want to mention it, not knowing if Percy felt the tension too. You tried to finish up as quickly as possible, hoping the awkward atmosphere would vanish. Unfortunately, it did not. When you finished, you noticed that Percy was staring at you with a weird look in his eyes.

"Um, I'm done, if it still hurts, I can get you some painkillers," you say, scratching the back of your head awkwardly.

Apparently, this breaks him out of his strange trance, and he nods.

"Yeah, uh, painkillers would be good," he replies, still in a slightly dazed state.

You rush out of the room as quick as you can, trying to avoid his gaze. When you were browsing the painkillers trying to find the best for his situation, you kept replaying the scene in your mind. You were trying not to be delusional, but you swore that when you caught Percy staring at you, he started to blush. You pushed it out of your thoughts and brought the medicine to him.

"Take two to four of these every six hours, and the pain should be gone in about two to three days," you said, handing him the container.

He nodded. "Okay, thank you. Maybe you can prescribe some pills to calm your ex down or something," he joked.

You laughed softly. "I wish we had any that would help. Just try to stay away from him. The breakup was his idea so I really don't get what his problem is," you say.

Percy shrugs, and the conversation ends.

Over the next few weeks, you see Percy in the infirmary more than you've seen him there in the past 4 years combined, which is odd, but you don't really think much of it. The injuries are all very small, and he could definitely heal most, if not all with water, but you don't comment on this, as you've really been enjoying having Percy's company during the day.

A few months pass on, and it's another slow day at the infirmary. You're talking with your sister and drinking lemonade, when something outside catches her attention.

"Hey, do you mind if I leave for today? I saw my man walk past just now. I'm thinking today is the day I confess!" Your sister tells you.

"Yeah, sure. I doubt anyone else will come in today anyway. Go get him, girl!" You encourage.

She basically runs out of the infirmary, making you laugh.

A few minutes later, Percy is back. You weren't expecting him back today, as he'd already been here this morning, but he was always welcome.

"Hey, Percy. What happened now?" You ask.

"Oh, I'm fine. A bunch of other people are going to the beach later, and I was just wondering if you were going to be there," he says shyly.

"Hm, I guess it really wouldn't hurt. When did they say they'd be there?"

"Uh, they said they were planning to go in around 30 minutes, I think," he replies.

"I mean, there's no one else scheduled to be at the infirmary today, but it's pretty slow today, so I guess it'd be fine," you conclude.

"Alright, awesome, cool. I'll see you there then," he said before rushing out. You looked out the window and the sight of him jumping up and down and cheering made you laugh harder than you'd laughed in a long time. He looked back through the window and saw you already looking at him. He gave you a pained look and ran off.

"Wow, I sure choose normal people to be friends with," you mutter to yourself before writing a note and putting it on the infirmary door saying that it'd be empty for the rest of the day. You went to your cabin and began changing into your swimsuit. You put a pair of jean shorts and a yellow tank top on over your swimsuit and grabbed a towel.

You talked to your siblings that were in the cabin for a bit before heading down to the beach. You spotted Percy sitting on his towel, looking at everyone else that was swimming. You put your towel down next to his and sat down.

"Hey waterboy, whatcha lookin' at?" You asked.

"Nothing really, was just waiting for you so we can swim," he says, smiling over at you.

"Alright, let's go then," you say, taking off your shorts and tank top as Percy watches, not noticing how intensely he was staring until you cleared your throat.

"Are you going to just sit there and stare at me, or are you gonna come with me to the water?" You teased, causing him to blush a deep red.

He immediately takes off his shirt, revealing his toned abdomen, which you should've expected, he was a swimmer after all. You were in awe, but he spoke up, "now look who's staring."

He grins at you before grabbing your hand and running to the water. Your shorter legs had a hard time keeping up with him, but you somehow managed.

The two of you splashed and swam until the water began to get cold. You both raced back to the towels, bundling up and sitting on the beach.

"Hey, we're going to have a bonfire, if you guys want to come," Connor Stoll says to you and Percy.

"Yeah, sounds cool," Percy replies for the both of you.

"Alright man, awesome. We're going now, so."

You and Percy grab your stuff and follow Connor to the campfire.

As the sun sets, you're all chatting and roasting marshmallows.

"Hey, Perce. Thanks for inviting me, and thank you for helping me get over my break up. We weren't even really friends before and you still helped me. I don't know what I would've done without you," you confess.

"Yeah, yeah. It's no problem. I mean, you're really sweet, and I'm glad to call you my friend now, too."

You smile, and spend the rest of the night quietly talking to Percy, which catches Annabeth's eye.

The next day, you hear a knock on your cabin door. You open the door to probably the last person you would expect to be there, Annabeth Chase.

"Hey, what's up? Who're you here for?" You ask.

"You," she says, causing your eyebrow to raise.

"It's nothing bad, at least, not for me."

"Uh, okay," you say, stepping out of your cabin and closing the door behind you.

Annabeth sits down on the steps, and you follow.

"So, I noticed you and Percy last night at the bonfire," she says with a small smirk on her face.

She must've seen the confused look that flashed across your face, because she laughs. "You two were all over each other, I swear. You two are so in love it makes me sick. There's no way neither of you have noticed this. I'm not even going to bother bringing it up to Percy because he has seaweed for brains, I swear. But you're smart, so I'm saying this to you. You two like each other, and it's physically paining everyone else at camp to see you two pining over each other like idiots. Please, for the love of the Gods, tell him how you feel, because I guarantee he feels exactly the same. That's all."

If there was any time to take a bow, it would've been after that speech, you think.

"Well, after that I guess I have no other choice," you joke.

This seems to satisfy her, because she gets up and pats you on the shoulder before walking away and wishing you luck.

Later that day, you decide that you're going to tell Percy how you feel, consequences be damned. I mean, if Annabeth Chase is telling you to do something, you better do it.

That night, you're standing in front of the Poseidon Cabin, mustering up all your courage to go inside and confess your feelings to Percy. You open the door, and all your confidence that you had conjured up fizzles right out when you see Percy sat on the floor talking to some girl that you didn't know the name of. His eyes catch yours, and you feel the tears forming. You turn around and run out as fast as you can, not caring how crazy you look running through the camp and crying. When you finally reach the beach, you sit down. You didn't expect Percy to follow you, so when you heard footsteps and heavy breathing, you jump up and scream.

"Hey, woah, you're very fast," Percy says in between heavy breaths.

"What do you want?" You ask, tearing streaming down your face.

"Wait, what's wrong?" He asks, clueless.

The question only makes you cry harder.

"Hey, c'mon, don't leave me in the dark, we're friends, right?"

"Yeah, and I guess that's all we'll ever be," you snap.

"What are you talking about?"

"Percy, please," you say, exasperated.

"I don't know what you're talking about, okay. Please just explain."

"Okay, fine," you say, trying to control your crying. "I was going into your cabin to tell you that I like you. No, I don't just like you, I love you, Percy. That's what I was going to tell you. But then I saw you in there with that girl, and it upset me, but at least now I know you don't like me back, so that's awesome."

"Hey, hey, slow down now. Who ever said that I don't like you back?"

"What?"

"You just said that I don't like you back, but I never said that, okay?"

"But what about that girl?" You ask.

"She's from the Aphrodite Cabin, she was helping me figure out how to tell you that I like you. No, I love you," he says your name, and you feel the blood rush to your cheeks.

"Oh," you say, now feeling extremely stupid.

"Yeah."

"Well, um. I'm sorry for freaking out on you," you manage to squeak out.

"Hey, it's fine, okay? I probably would've done the same thing if I was you, don't worry about it," he says, grabbing your hand in between his two larger ones.

"So, um, what now?" You ask.

"Well, we could always kiss," he jokes, not expecting you to actually say yes.

When he feels your full lips on his, he feels like crying, and he thinks he actually does, if the salty taste in his mouth is any sign.

You kiss for what feels like hours, breaking apart for air.

"So, uh, what would you rate that kiss out of 10?" He jokingly asks, breaking the silence.

"Um, probably a 9. But I could rate more accurately if I got to experience it again," you say, and he immediately takes you up on this, crashing your lips together in a somehow more passionate kiss than before.

a/n: okay so i DEFINITELY went crazy with this, but it was just such a good request so thank you saur much and i hope you like this !! i tried to follow it as closely as possible but i got kinda carried away on some parts,, this is also the longest fic i've ever written on this app so do with that what u will

[the-sage-libriomancer]

actually one thing i like about Romantic Killer that doesn't get talked about much is how Anzu definitely needed the jolt to her routine when Riri showed up. like it's perfectly fine that she doesn't want a boyfriend and isn't interested in love, but she also didn't have any friends, wasn't going out to do activities or hang out with people, and never put any effort into bettering herself. her life outside of school was literally just video games and chocolate - it looks like she relied on playing video games with her classmates during middle school, then stopped once it became socially unacceptable (or just too difficult) to keep up the relationships and then never made any friends outside of Saki. that's not healthy!

i mean yeah, the "getting trapped in a dating sim against her will" thing is completely unfair for Anzu, but it's probably what saved her from getting too comfortable with avoiding people. as much as i laugh at/relate to Anzu gushing over her husbandos, you really get the sense that pre-series Anzu doesn't like real people all that much specifically because they're not fictional people with fictional emotions. the way she opens up to Kazuki, Junta, Hijiri, and even Riri is genuinely a joy to watch, and even if it's only because of Otome Shoujo Cliches come to life, doing things like getting a job and going on dates are all great ways for Anzu to break out of her comfort zone.

basically i love that the story doesn't force Anzu to fall in love or accept an unwanted romance, but it isn't advocating for her antisocial lifestyle either. the main message of the series is first and foremost "connections with your fellow humans matter whether you like it or not" and it's a lesson that Anzu actively has to relearn after locking herself away from people for most of high school.

and i think that's neat.

[silvermoon424]

wait, the Golden Girls were allies irl? That's awesome!

Yeah, all 4 of them were amazing ladies who championed progressive causes throughout their lives.

Estelle Getty (Sophia): Was a huge advocate and ally during the AIDS crisis. She personally cared for her gay nephew as he was dying of AIDS and later opened up an AIDS hospice in his hometown in his honor. As of 2023, the hospice is still operational. She also just outspokenly supported the gay community in general during a time when it wasn't popular to do so.

Bea Arthur (Dorothy): Another outspoken supporter of queer rights and even left an endowment worth hundreds of thousands of dollars to the Ali Forney Center (an organization for homeless LGBTQ+ youth in New York City).

Betty White (Rose): She was not only an LGBTQ+ icon and ally, but also an ally to the black community and an animal rights advocate. Like Estelle Getty, she was very active during the AIDS crisis trying to spread awareness. She also told off racists in the 50s when they cried about her having a black dancer on her show (she literally told them to "live with it" which is ICONIC).

Rue McClanahan (Blanche): Another outspoken LGBTQ+ supporter. She advocated for same-sex marriage in the US.

Additionally, a lot of the writers for Golden Girls were young gay men, and there are stories of how open and accepting the actresses were towards them.

[daenerys-apolog1st]

Ok, I already posted this on TikTok, but I just thought I'd reiterate my thoughts here:

People that compare Laenor's situation with Robert's and try to use that to justify everything the Greens said about/did to Jace, Luce, and Joffrey have either watched both shows with their eyes closed and headphones on full volume or are intentionally being obtuse about what's going on in these situations.

First of all, I'm going to say upfront that I'm only talking about the respective shows here. In the books Jace, Luce, and Joffrey are in all likelihood 100% Laenor's biological sons and there's plenty of evidence to that point, the "bastard" rumors were just an attempt by the Hightowers to discredit Rhaenyra and her sons' claims. However, in the show they decided to make these rumors true because the writers are overwhelmingly Team Green and decided to sacrifice the original story as well as any kind of coherence in order to push the "both sides are bad" narrative---both points, I'll make posts about later on, but are beside the point here.

So, with all of that said:

Firstly, Laenor is 100% aware of Luce, Jace, and Joffrey not being biologically his- (and I say "biologically" because it's made clear in the show that he views these children as his own and has essentially adopted them).

Rhaenyra and Laenor quite literally have an entire conversation about it in Season 1 where he apologizes to Rhaenyra for being gay and not being able to give her children- (either because he simply can't with her, or because of infertility---because, in that same conversation, it's clarified that they did "lay together" and try but nothing came of it) -and Rhaenyra tells him that she's not sorry he is who he is at all because he's a good man.

However, as mentioned previously, Laenor is shown to be perfectly happy with the situation as is---he still views Luce, Jace, and Joffrey as his children and calls them his sons, and never once does he mention anything about "blood" or even seem unhappy that they're not his.

Secondly, everyone else that matters in the situation is also aware of their parentage, and doesn't give a fuck and supports them.

Corlys, the current ruler of Driftmark and Laenor's father, is also shown to be well aware of Luce, Jace, and Joffrey not being Laenor's blood---he and Rhaenys have a conversation about it during Laena's funeral where Rhaenys suggests changing the Driftmark heir from Luce to either Baela or Rhaena, since they can just say it's in honor of Laena and not cause any fuss.

However Corlys, when Rhaenys suggests this, tells her- "the blood doesn't matter, only the names, and they are Velaryons" -which, frankly, says everything that needs to be said about the situation and brings up the point that---whether Laenor's biological children or not---they were basically adopted and are, for all intents and purposes, his children so calling them the "Strong boys" or railing against the people calling them "Velaryons" is both tone deaf and disrespectful as fuck. But anyway-

Corlys, throughout everything, never wavers in his intention and support of Luce inheriting Driftmark and Rhaenys---even though she perhaps disagreed---knew this, which is why she defended Rhaenyra and her sons in that ridiculous "trial" held by the Greens.

Baela, who would likely be the one to inherit Driftmark if the succession was in question, is also shown by this point to be aware that Jace isn't Laenor's blood, but she's also shown to not give a fuck. She loves Jace and views him as a Targaryen, which he IS, case closed.

And while it's not shown whether or not Rhaena was aware, although I'll bet she probably was, she was going to marry Luce and therefore inherit the Driftmark throne anyway---and the throne would then pass to her children, grandchildren, etc.---which also closes the case for that matter of succession as well.

The ONLY person who opposed it was Vaemond who, I'll remind everyone, WASN'T advocating for Driftmark to go to Baela or Rhaena---the next logical heirs, if Laenor's children were off the table---he was advocating for HIMSELF to get the Driftmark throne. He might've said he was doing it for his family and honor and whatever, but he WASN'T---he was just being greedy and wanted Driftmark and its power for himself.

And, another reminder, Luce didn't even WANT Driftmark because- "that would mean everyone is dead" -which shows that he actually cared about his family since he was willing to forgo power and wealth if it meant his family was still alive, which---call me crazy---makes him more honorable and more worthy of inheriting Driftmark than Vaemond, who openly called Rhaenyra a whore in public court and ignored his brother's CLEARLY STATED wishes.

That covers the Driftmark succession, since the main issue with bastardy in noble/royal society was inheritance, and Jace inheriting the Iron Throne was never in question since the throne is passed through the ruling family---the Targaryens---and Rhaenyra was his mother, so the throne passed to him through her. There's no issue there.

Not to mention that, say what you want about Viserys---and I will eventually, literally the entirety of the war could've been avoided if he wasn't such a moron and actually had a backbone---but he was the king and the king's word is LAW, he said those boys weren't bastards---something supported by the family/house who would've actually been hurt by the bastardy in any way---so, legally, those boys weren't bastards, blood or not.

----------

Moving on to Robert's situation, it's completely different in every possible way.

Robert is shown, in detail, to not be aware that Joffrey, Marcella, and Tommen aren't his children---and Cersei had bastards intentionally, without his knowing.

Robert and Cersei definitely did NOT have the same arrangement that Laenor and Rhaenyra had, and it's shown in multiple ways that he and Cersei COULD have had children together. They originally had a son together, although that child died, and Cersei explicitly tells Ned Stark that she was happy that she didn't have Robert's kids and that she intentionally- "finished him off in other ways" -so that there was no way he could get her pregnant.

Cersei also, in contrast to Rhaenyra, did everything in her power to make sure that Robert never knew that "his" children were actually bastards---she had TWO Hands of the King killed, as well as who knows how many other people, in order to make sure that Robert stayed in the dark. Which shows that---unlike Laenor---Robert wasn't aware of it and definitely WOULD NOT have been fine with it, and succession IS actually a problem in this situation because of it!

If Cersei's children were in line to inherit titles, power, etc. from HER House and family---the Lannisters---then succession wouldn't be an issue, since they'd be inheriting it through her. However, they're inheriting the Iron Throne and the Seven Kingdoms which were being held by the ruling family, which---as of Game of Thrones---were the Baratheons, of which they were not. Not to mention that every Baratheon family member was vehemently AGAINST Joffrey inheriting the throne and no one was in his favor.

Even NED, who gained NOTHING from Joffrey being disinherited and would even LOSE power---since Sansa, and therefore his blood/family/house, would no longer be marrying into the ruling house/family---was like- "oh no, Robert wouldn't be okay with any of this, I need to make sure the rightful heir sits the throne" -which is exactly why HIM being vocal about bastardy is honorable and Vaemond's wasn't.

Ned was actively letting go of power in order to do the right thing, and he was doing it for the right reasons and to make sure that he did what Robert would've wanted if he had all the facts, meanwhile Vaemond wanted to GAIN power and didn't care about Driftmark going to the blood heirs, Baela and/or Rhaena, nor about honoring Corlys' wishes. It's selflessness vs. selfishness.

So yeah, these situations are nowhere near the same, so please shut up about it.

[dedise]

comprehensive list of things CriMi fans need to accept:

both JJ and Reid were valid in their reactions in season 7: JJ didn't have a choice, as much as she saw her friends hurting if she had told just one of them that Emily was alive Emily's life would have been in serious danger; likewise, Spencer had a right to be hurt by it, and as a recovering addict it's fair that he might have thought of relapsing. both points of view were fair, JJ's comment on Reid's profiling skills was probably made so that Spencer would talk to her

people getting hung up on Rossi's comment of what he had done to the black kid when he was a child in the 60's (or around then) are incapable of accepting that people can change, and that the world isn't black and white. wether it truly happened or not, it happened during a time period where racism was, in fact, the norm, and where Rossi might not have had an easy time either (Italians weren't exactly liked by Americans at first, that's a fact). it was poor person versus poor person, an unlucky and uncomfortable situation. the fact he was wrong in his actions doesn't mean he wasn't able to grow and become better, people change

JJ's character ended up being used to shoulder everyone else, she was demonished in lieu of elevating others

Derek's "Devil's advocate" persona was unnerving, he was never right in his assumptions. sometimes he was an horrible friend, referencing to when Penelope wanted to visit the guy that almost killed her and Reid in the season 9 finale. get a grip my dude, emotions are conflicting

as much of a light in the darkness Penelope is, she was objectively too much sometimes. her being unable to keep secrets is not quirky or cute, it's embarassing. y'all defend her because she is a fictional character, if you had someone like her around you probably wouldn't be able to stand her

Hotch leaving the way he did did not make sense. he didn't leave when his wife was murdered while their son was in the house, bfr

Jason was NOT a good mentor. he brutally ignored Spencer's addiction (technically it was his problem, as Reid was his protegé), called Hotch on his birthday even tho he had the weekend off, and probably knew Hotch and Haley were having issues. he was kind of a dick tbh

Haley had her rights. she married a lawyer, not a fed. they had a child. she was worried and wanted her son to have a father, and Hotch to know his son

fans baby Spencer way too much. he's a grown ass man, the fact he's "hot" doesn't mean he can't make mistakes. "uwu autistic" he's an adult

the CriMi writers jump from one money bag to the other; when Hotch left Spencer became the sole focus of everything, now that Spencer isn't in the show anymore they're queerbaiting with Jemily, and their quirky one liners for Voit are just cringe

they're trying to paint Voit as the new Foyet, only problem is that Foyet was actually terrifying, and had a sarcastic and cynical sense of humor. Voit tries, and fails

Evolution is NOT good. the team went from incredibly smart to a bunch of idiots, Voit did not need to appear for season 17, let alone 18. Bailey's "master plan" to dismember the BAU is empty, he tells them "don't", they do, and nothing happens to them. he's there as a place holder because the writers needed a way to reach the 45 minute episode mark

the "family dynamic" in Evolution does not exist. they left Rossi to his own devices for a whole year, where's the family in that?

Luke Alvez is a good character, argue with the wall

"BAU gate" existed for years, the Unit Chiefs knew, yet Hotch didn't say anything, or Penelope (master hacker) wasn't able to close it and track the creator? yeah, no, that plotline sucks

Will DOES NOT deserve the hate he gets. he's a great husband, great father, Jemily shippers are hating on him because it gets in the way of their fantasy ship

back to Derek, when he was angry he said hurtful stuff indeed, unfortunately tho some people do react that way, it's very realistic (also considering that due to what happened when he was child, he tends to be distrustful). he's very well written, and people ignore that at his core he is a teddy bear. he's complex, and it is interesting to see the two worlds collide lmao

every BAU member is human, they all have good and bad qualities, humans are not monodimensional

maybe I left something out, lmk your thoughts (asks are open if you wish to stay anonymous)

[crumblinggothicarchitecture]

if you ever did an in-depth post about ‘you need to calm down’ i would love to see it because that is my most-hated taylor swift song. like why are you comparing your beef with katy perry to homophobia 😭😭😭

As a lesbian- I have a lot of feelings pent up about "You Need to Calm Down" and all of them are negative.

At the songs core- Swift is showing herself to be horribly ignorant. Are we really all going to accept her propping up the idea that homophobia is the same as having a public disagreement with another celebrity? Not only is she negating the power dynamics that often exist within the propagation of homophobia, by insinuating that homophobia is the same as a disagreement between equals in society, but she is also trivializing it down to a simple disagreement over career related bullshit.

Not to mention that she is NOT an ally- I cannot stand the people who think she is a left-leaning, feminist, LGBT advocate. It's like they have created a fanfiction concept of Taylor Swift in their heads.

She profits off the LGBT community when it is most beneficial- but when legitimate rights are being stripped away, she is silent.

Taylor Swift is really good at commodifying social trends without actually risking anything. She waits until it is safe- then pretends to speak up for people's rights, when, in reality, she is just finally able to turn the social trend into part of her brand. Therefore, she gave a stupid line in the song "Welcome to New York" (2014) about how New York City is somehow a utopia of gay freedom (not true but whatever), and then in "You Need to Calm Down" she was profiting off the excess of emotion and democratic enterprising seeping off the US Election cycle.

Her first use of this profit-first tacit happened in 2014- what happened in 2015? The US supreme court legalized same-sex marriage. Swift simply saw the social trend- and captialized off a topic about which the youth were passionate.

The second time, in "You Need to Calm Down" she published this song in 2019- firmly within her faux activist era, and well-aware that the youth were interested in politics. This was right before the 2020 US election- she once again saw the increase of young people paying attention to the ideological split within the country- bearing in mind her target audience skews young, progressive, and American, she pounced on the opportunity to capitalize off their impulse towards supporting ideological-progressive media. As we all geared up to vote down the conservative-leaning Donald Trump, who aligned himself with right-wing religious ideologies standing to threaten the previous supreme court decision on Same-Sex rights, Swift swoops in with a silly pop-beat and a fake country accent to pretend she is the savior of the young and gay.

If it wasn't so shady- it would be a brillant use of rhetorical analysis to sell product. Capitalism has made a cynic of me- I fear.

Swift saw the fear of young LGBT people- during an election cycle-and decided to profit off that fear not through distancing herself from them, but by pretending to care. Notice, again, how she only mentioned gay rights during these very specific cultural conditions which allow her to somehow make a profit off ideologically aligning herself with one side of an issue or another.

Personally, I find fake care even more heinous than outright hatred.

Once again- in this current year she is using the endorsement of a US presidential candidate to further her own brand and try to re-affirm her place within the general rhetorical circles of "progressive and therefore morally upstanding individual" to the youth.

It's all a calculated move to shake-off whatever negative press she got through her associations with right-wing Footballers and keep her prime audience of young Americans.

I have much more to say on this topic- but for now, this is where I leave you. I have to go eat lunch.

[melminli]

Devil's Advocate II

pairing: hazbin hotel x fem. reader

summery - after you died, you didn't really find it surprising to end up in hell. though, what you did find quiet amusing was that your life down here sucked just a bit less than the one before.

word count: 1.5k

contains: cursing, strong language, sinner reader, violence, religious themes (obviously), sexual themes, demon horniness

part I

"So...ya and that pretty lady over there seemed to be pretty tight, if ya know what I mean." Angel Dust asked curiously, ready to hear some tea. He grinned as he tilted his head to the side flirtatiously. "She some ex of yours, or somethin' like that?"

Husker just looked at him with his usual grim look while he was cleaning a few glasses. Then his gaze briefly wandered away to your figure, who was forced to deal with the Radio Demon and the Princess of Hell. Yeah, you haven't really been successful in getting out of this hotel yet.

"None of your business." He said with his monotone voice and let Angel hang his head in disappointment. "...I'm far too sober for this shit."

A groan could be heard. "Oh, come on, ya grumpy cat! Don't leave me high and dry, I know there's some good story to be heard!"

Before Husker could leave him hanging one more time, a red demon manifested next to them, much to their surprise. "I would also like to hear this good story, if you wouldn't mind sharing it with us, my good friend!" Alastor expressed his interest and looked menacingly at the barkeeper for a few seconds to make it clear that he did not have the privilege of turning his request down.

Fuck you, Larry. This is all your fault. "...we go back a long way." He reluctantly shared the information. "She was obsessed with money back then too, so I saw her in the same casino as me sometimes. Though, she died a long time before me, so I've only really known her since I went to hell." He summarized as briefly as possible.

Angel Dust raised an eyebrow. "That's it?" He asked, a little disappointed, even though he hadn't expected the man in front of him to be a good storyteller. "How did she die?"

Cat eyes looked a little nervously at the two people in front of him, while he didn't make a sound. How unfortunate, Alastor thought to himself, and his sharp teeth showed as he understood the situation. "Looks like Husker isn't allowed to tell us this information. That's very interesting! Very interested indeed..." He laughed, and his creepy gaze shifted briefly to your figure. "Seems like we need to find out directly from the source."

The once Overlord looked over at Angel Dust with slight concern and saw how the spiders' eyes were also glancing towards your form. It wasn't that he didn't trust you, but demons as reckless as him fell into your trap like flies to a web. Besides, it wasn't like he was on your best side right now. "I'd be careful." He said to the crowd even though he didn't give a rat's ass about Alastor. "She's not known for making packs with demons left and right for nothing, and I can assure you there's not the slightest chance of escaping from her contracts once you're in it." He said and added. "That's the price for holding up her end of the deal without any sneaky tricks, I suppose."

Well, that sounded unusual. After all, it was normal that one Demon after another stabbed the other in the back, there was no such thing as trusting the other person's word. But maybe that was why you were so popular. "Calm down, I'm not gonna sell my soul to her." Angel laughed. I couldn't even if I wanted to.

Husker placed another clean glass on the counter. "It doesn't have to be your soul. She'll find something she wants from you, and she's good with her mouth, so you'll give it to her. They all do in the end." He said and reached for a bottle of whiskey, ignoring the two incredulous looks he received. He took a sip and was initially confused as to what was going on with the two until he realized what he had said and choked on his drink. "Words! I meant to say words, damn it." He corrected himself.

Alastor didn't blink for a few seconds, and Angel, on the other side, just laughed amusedly. Maybe he wasn't so wrong with his first guess, after all. "Of course ya were."

"Well, thank you for your kind hospitality, but I'm afraid that I'll be taking my leave now." You spoke to the two girls. As much as Charlie regretted it, she couldn't convince you to spend a few nights at the Hazbin Hotel. Apart from the fact that she would have had a new guest, it might have enhanced the hotel's reputation if someone as renowned as you had visited. Though, unfortunately that didn't work out.

I've messed up again. Charlie tried not to look too depressed, even though she really was an open book. "Oh, all right. Thanks for listening to me."

You smiled while rubbing her shoulder. "Of course, darling." You replied, but that didn't really seem to cheer her up. You couldn't help but be a little gentler with her, she had a good heart for a hell born. "Let's make a deal." You suggested to her as an idea popped into your head.

Right after the sentence came out of your mouth, Vaggie narrowed her eyes and stepped protectively in front of her girlfriend. "Charlie doesn't make deals with demons like you." She said protectively, and you leaned closer to her at what she said. Your pupils narrowed to slits and two more eyes opened menacingly on your face. "What do you mean with demons like me, little lady, hm?" You asked her as the light in the room began to flicker, and you saw her continue to stand her ground, even though you could smell the slight fear emanating from her.

You pulled back again and returned to your normal self. "I'm just kidding, I know I'm a greedy bitch." You laughed out and saw how Vaggies eye twitch in irritation while Charlie laughed along a little uncomfortably. "Well, even though I wouldn't mind making an official deal with the little princess, I was thinking more of a friendly kind of deal." You suggested. "I'll put in a good word if the subject of your hotel comes up with anyone I know, and in return, I'd just like to ask you for a teeny tiny favor."

That didn't sound so bad. It would be good for their image if someone like you would spread a few good things about the hotel. Before Charlie could agree, Vaggie straddled back in. "And what does this favor involve?"

You conjured up a collar with a bell and an old Poloroid camera with a snap of your fingers. "Make Husk wear this and take lots of photos of it. Preferably of the process too, 'cause I'm working on some thank you cards for my company." You say and put the two things in her hands. You then remembered something. "Oh! And give this to him too." You added and handed Charlie a piece of paper. "That bastard owes me sixty thousand dollars 'cause of that Berry guy, or whatever his name was."

You were about to turn around and walk to the door when you met two red eyes right in front of you. "Leaving us so soon, what a shame." Said the Radio Demon with a smile as you took a step back so that you were no longer face to face. "Your presence turned out to be quite entertaining, I too had secretly hoped that you would give our great hotel a chance." He announced, pointing his funny stick at you.

You pushed it aside with your finger. "Well, thank you, Blossom, but I'm afraid my presence is in demand at other places." You pronounced not very regretfully.

He raised an eyebrow and would find your nicknames more amusing if he'd understood the reference. "And where would that be?"

You looked neutral. "I actually have a massage appointment at six. See you then." You said goodbye and went away with a poof after you clapped with your hands.

A few seconds of silence passed after you disappeared, and Vaggie looked at the objects in her hands again, a little questioningly. "So, what's the best way to go about this?" She asked Charlie, who was already looking thoughtfully at the bar. "Let's ask him first. Maybe he's in a good mood."

Vaggie looked at the man in question and saw him drinking a large bottle of alcohol before throwing it in the back to get his hands on another one. "Sweetie, do you know Husk?"

[sophie-frm-mars]

I'm not sure how much people are talking about Aaron Bushnell having engaged with online leftist media, but the records show that they were a viewer of a bunch of different twitch streams, including mine, and subscribed to a bunch of patreons, including mine. I'm not going to inflate my importance here, the livestream link was sent directly to Talia Jane and Anark, so those are probably the voices Bushnell felt the most connected to and followed the most directly, like idk if they also subscribed to someone's patreon after watching a video abt Cars 2 or whatever, I'm not trying to examine whether social media drove the self immolation because I think that's disrespectful to the memory of someone who literally died screaming Free Palestine. I don't personally know of any leftist creators who directly advocate political suicide, and I know that we all share in the political understanding that underscored Bushnell's decision.

I've already made a point of telling my patreon server that my politics are about growing into each other and supporting one another and that if anyone asked me if I thought they should do what Bushnell did I would say no absolutely not.

I'm ruminating a bit on the nature and meaning of the protest, because a lot of people are engaging with the image of a man in fatigues on fire, standing proud and declaring "FREE PALESTINE", while I've seen others talking about the fact Bushnell's username on several platforms was LillyAnarKitty, mourning the loss of a potential trans sister, talking in depressive terms about the act of suicide, to which I think the people who are engaging in the more macho interpretation of the protest are saying "no it was cool and masculine, it wasn't suicide in the conventional sense it was about principle!" I think there's room for plenty of both. For the record LillyAnarKitty used he and she pronouns in discord servers.

Andreas Malm's approach to self-sacrifice and self-endangerment is that we as subjects of the imperial core are in a sense, precious. Valuable. We are supposedly what it is all for. The imperialist project must be doing it for the citizens of the imperialist nations because if it isn't, then it has to nakedly admit that it is doing it all for the intense power and wealth consolidation of a tiny tiny number of soulless ghouls. Therefore when we put ourselves in harm's way in a way that says you would have to destroy me to get to the thing I care about, we leverage the implicit value of ourselves for our principles. A planned protest by Palestine Action against the London Stock Exchange was allegedly going to involve locking the actionists' necks onto the mechanism of the door into the LSE making it impossible to enter or leave without probably killing them, for example. I think that Bushnell's self immolation sits on a sort of dissonance, my life is precious and my life is worthless. My life is precious and so you should care about the obvious tragedy that I am enacting and my life is worthless if thousands upon thousands of Palestinians are killed as part of the project that enables the life that I lead.

There is also the way that people have debated the meaning of "complicit in genocide" - Bushnell worked in USAF Intelligence and the US has active troops in Palestine, it's possible that they were already culpable in an unknowable number of deaths without having set foot there.

In one sense it's a little pointless to debate the fine details of the meaning of Bushnell's protest in the same way that it's pointless to pick over any feelings of responsibility that I and I know other people that we know they watched are feeling. When I first saw the video I was struck by the language, by their concise and astute analysis and I knew, without knowing just how closely that they were plugged into the same intellectual and political milieu as us. In that same sense I think that they already described what they did the best that any of us are going to be able to:

“My name is Aaron Bushnell. I am an active-duty member of the United States Air Force, and I will no longer be complicit in genocide.”

“I’m about to engage in an extreme act of protest. But compared to what people have been experiencing in Palestine at the hands of their colonizers, it’s not extreme at all. This is what our ruling class has decided will be normal.”

"Free Palestine."