#but also my initial reactions and comparisons to the anime/manga
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I would say that Mashle has won as a series because when I first got into it I saw Lance and I was like "close enough welcome back kuroko tetsuya" but I've reached a point where Lance is so Defined as a character to me I no longer see Kuroko in him I forget he ever reminded me of Kuroko at times I just see him and go "it's Lance!!!! :D!!!!!"
#you know something i think is interesting is that lances hairstyle is very common and light blue hair is also very common#in anime characters that is but anyway not many characters actually have that exact look for some reason#my theory is that everyone knows that this character will inevitably be compared to kuroko 💀#like Kn/B's author was so successful in creating a guy so iconic....#but because of that and i think in general a lot of creators tend to shy away from creating characters that look similar to iconic ones#to avoid the comparisons#mash/le is a parody manga though so i wouldnt be surprised if the author purposely created lance on kurokos image as a joke#but the series ended up being so good that its difficult to compare the characters and i think that is lovely#well thats just my take im not the most avid anime watcher so i might be wrong and theres lots of characters that look like kuroko💀#but what im getting at is that mash/le got me to care about lance as a character despite my initial reaction which means it won#sorry i had to go back and censor mash/le i checked the main tags and realized in horror that my post is there and i cant have that
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This is gonna be a a bit of a controversial take but to me Farcille to me is not very appealing since Falin and Marcille's relationship is a bit too complex to be boxed into a simple ship. There's both gay, platonic and familial implications and I don't think I've seen this type of relationship in media before actually.
In the Anime they really went all in on the yuri domtext- I refuse to call it subtext because its not, in fact sub (jk) but in the manga it's a bit more ambigious. In both media though they're portrayed as close, like way too close just to be friends. I think this might have to do with initial impressions, Marcille treating Falin like a little sister while Falin treats Marcille more like friend.
If you've read the Manga there was an implication that at some point Marcille wanted a younger sibling, but apparently she ended up being the youngest and the last child (if my memory serves correct). When she met Falin, she was a bit shy, tomboy-ish, and seemingly carefree when they met, which can sometimes be perceived as someone being pretty childish. Because of that, in her mind Marcille may have somewhat adopted the idea that Falin is younger than her and such, and then her subconscious childhood desires made her think of Falin as a little sister. I myself is more receptive to receiving or initiating touch with my brothers since I'm comfortable with them, so I can see why they're comfortable being physically close often.
This may also be why she dislikes Toshiro (Shuro) so much, she was particularly defensive of her little sister. I kinda doubt Falin discussed ever wanting to get into a relationship so maybe Marcille wanted to beat back unwanted suitors? At the same time this may just be her being jealous and not wanting to let Falin go, which can be interpreted to be something due to romantic feelings for Falin.
Meanwhile, when Falin met Marcille her impression was that she was a cool academic girl that took interest in her and befriended her. Marcille is most likely her first friend at that point and quickly became her best friend. She clearly admires Marcille and good LORD have you seen that bath house scene?? It was much less yurified in the Manga since Marcille was clearlu tired from using ancient magic and was having delayed reactions but I really dont think that was sisterly in any shape or form, it seems far too intimate. Keep in mind she was the one who initiated the hand locking in the bath house, not Marcille, so that may imply sometjing. So this brings me to my final conclusions.
Marcille probably thinks of Falin like a little sister or at least perceives Falin as someone younger than her that she wants to take care of. At the same time though her relationship with Falin is also hard to define completely by familiar or platonic because Laois is literally there for comparison and their relationships don't seem very similar to me.
On the other hand, Falin most likely sees Marcille as her best friend, someone either her equal or greater in skill or talent. When she has a slightly embarassing problem (like her constant flushed cheeks) she wants help with, she trusted Marcille enough to go straight to her instead of figuring it out herself so that says quite a lot, considering Falin seems to be of the independent type and don't like bothering people. However, there are also some odd vibes regarding her behavior with Marcille that prevents me from also waving Farcille off, so again I hesitate to box their relationship nearly into a single category.
So yeah. No hate to Farcille but I think I'd rather label these two weirdos with "???" instead of just friends, sisters or girlfriends. It feels a bit more accurate that way.
#text#kursed rambles#delicious in dungeon#dungeon meshi#falin touden#marcille donato#farcille#might edit later
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I'm super late for this buuut I'm going to continue writing down some thoughts about Stampede. Haven't watched ep 9 yet, this will only be about 4 - 8.
So, I'm 8 episodes into Trigun Stampede, and my initial opinion of the series hasn't changed much. I'm still very much in love with the gorgeous visuals—there's more than one moment in every episode where I have to pick my jaw up off the floor! It's not just the action scenes with their creative camera movements, but also the pretty landscapes in the few quieter moments, or the way the series manages to portray horror and gore in a way that makes me physically cringe without going overboard. On the other hand, both pacing and characterization, while improving with each episode, are still a bit of a weak point for me in the new series.
The most beautiful thing about Stampede, though, is all the genuine enthusiasm and love I've seen for this series and the characters. I just love how positive the fanbase is. Reading the reactions or seeing people get creative after each new episode is almost the best part of watching! My dash is overflowing with love for these characters and their stories and I'm totally here for it! So I'm going to go along with that and will mostly just gush without restraint about all the things I love so far.
Obvious spoilers for Trigun Stampede (up to ep 8) under the cut (and also for the older series and the manga)
Is it just me or do the visuals get better every week? This series makes me want to run all the beautiful gifs and videos on an endless loop so I can just stare at them forever. I mean ... just look!
I go weak at all these long, long takes with their beautiful camera movements and Trigun Stampede definitely spoils me in that regard. And yet when the show's visuals most surprised me, it was in a totally different way. I wasn't prepared for the calm, contemplative scenes in the flashback with Livio and Wolfwood. Not only is their story itself heartbreaking and tragic—the soft 2D animation style, the silent film vibes, and music give these flashbacks a bittersweet yet eerie feel. They stand out from the rest of the series as if their story is part of a different, older universe. And how well that fits thematically with Wolfwood and Livio, whose entire lives have been revamped by the Eye of Michael. They have literally been forced into a new, more cruel story. Setting the flashbacks to the soft, lonely tones of a flute is ingenious; for me, this music captures the spirit and feel of the old series so well and triggers feelings of wistfulness and nostalgia, which made the flashback that much more emotionally effective. The soundtrack of the old series is iconic and I've tried not to make comparisons so far, because I feel like it sets up an impossible standard for any new adaptation. But again, this is where I'm starting to grow more and more fond of Stampede. I never skip the opening and I'm totally obsessed with the music video by Kvi Baba, which just bombards your brain with effects and colors and quick cuts until you become addicted. Studio Orange knows how to hook you with the visuals and they have proven that they can do not only loud and flashy scenes, but also quiet and soulful ones.
And I still wish we could have more of the latter. In my last review I said that I wanted this series to turn me into an emotional mess, and damn if Stampede didn't manage that more than once. It's the contrast between the quiet, sad and somber moments and the colorful, fast-paced, often gruesome action that draws me in the most. When Stampede finds that balance, the series is brilliant. And I could wax poetic again about Vash and how I think he's really the heart of this series because he embodies that contrast perfectly. I still miss his crazy antics from the old series and his funny and goofy personality, but I think there's also something to be said for this more repressed, softer Vash, for a much more open and direct portrayal of his issues like his depression, his eating disorder, his guilt and suicidal thoughts. Those things existed in the older series as well, but they were much more hidden under Vash's mask, often so well that they could even fool the viewer. And I don't mean to say that one approach is better than the other. Both have a lot to offer, and the more I think about it, the more I like that we now have two Vashs with similar problems and backgrounds, but with different personalities and ways of dealing with their struggles. I love haunted characters who are tortured by the narrative in increasingly cruel ways, beyond what any human should ever have to endure, and I love watching them getting back up and doing their best and smiling and fighting on and refusing to break down despite everything. Heroes are empowering. But there have to be moments when the mask comes off. There have to be moments when they're vulnerable and doubtful, moments when they lose their bravery and hope and either have to accept outside help or slowly pull themselves back together, because that's what ultimately makes them seem real and relatable and inspiring. I think this was done particularly well with ep 8. This is the lowest we've seen of Vash so far, and I hope that the flashback at this point wasn't just inserted to give viewers background on Vash and Knives and clear up some of the mysteries that have been building up over previous episodes. I hope that the issues raised by the flashback are also carried into the present timeline of the story, and that we get some strong character moments where Vash, for example, has to confront his past. A lot of things have been building up—Wolfwood and Livio and all the people trailing Vash, we have the tension between Wolfwood and Vash and their brief talks about ethics and morality, Meryl has the photo and so many questions, hints to Vash's identity as a plant have been revealed, Legato is hot on Vash's heels—at best, all of this should not merely serve as a setup for more brilliant action, but make for tense conversations between characters, drama and difficult decisions. I am more than curious where Stampede will take us! (And I really can't imagine how all this is going to be resolved in four episodes, so let's hope the rumors are true and we do indeed get more than 12 episodes.)
I could say so much more —about how the plants are portrayed in this series, about the atmosphere on the sand steamer, the awesome animation of the heavy machinery, the brief appearance of the Bad Lads Gang, about Brad and Luida.... But I want to talk very quickly about Meryl. I still think Stampede should take more time to develop her personality and her relationship with Roberto. By now I understand a little better the direction the show wants to go with the juxtaposition of the two: Roberto, the jaded superior who is trying to maintain a professional approach and would understandably rather stay out of trouble, and newbie Meryl, who is suddenly developing a personal interest in Vash and the events, and is tired of being a helpless and clueless bystander. So yes, I understand why they put her with Roberto instead of Milly. Roberto also gets a few moments where his character is more than a mere archetype or tool for exposition. And I hope they continue in that direction, because I think these two have a lot of potential.
The scene where Meryl stays in the control room of the sand steamer to trigger the cannon, and her speech to Roberto (and yay for the callback to Jeneora Rock and Tonis' injury!)—that scene had me crying and cheering for her. It was such an important moment. With all these superhuman men who are constantly getting riddled with bullets and losing so much blood that I feel sorry for their poor overworked kidneys and bone marrow that have to replace that amount ... yeah, it's easy to forget that Meryl is just a small human lady who has probably led a pretty sheltered life. (Not that life on Gunsmoke is easy for anyone, but it's different from the horrors that Vash, Wolfwood, Livio and co. have been through.) She doesn't have the physical strength of the other characters, and that makes her courage all the more remarkable and inspiring. The same goes for Roberto. In a way, these two are the characters that viewers can relate to the most, and I would love if Stampede didn't just use this fact to portray them as more or less passive agents who just uncover information and voice aloud all the questions that viewers are also wondering. Instead, I hope the series continues to show us what it does to ordinary human characters to witness these events, how it changes them psychologically, and how they begin to question themselves, their lives, and their values.
Because for me that's what Trigun is all about: what does it mean to be human, and how can we maintain our humanity despite this seemingly cruel and unjust life we're thrust into?
Anyway, I've been writing on this for so long that ep 9 should have dropped by now. So I'll dive right back in. It's actually quite nice to write these little reviews before watching the new episode, so that all the ideas and speculations are still fresh in the back of my mind. Since I'm expecting the new episode to be quite tense and heavy, with young Vash and Knives finally meeting each other, I'll probably be an emotional wreck for the rest of the day.
What a truly wonderful way to spend your Saturday!
#trigun stampede#trigun stampede spoilers#vash the stampede#meryl stryfe#HYPE HYPE HYPE#i'm so fucking excited#ep7 had me screaming and shaking my screen bc it was so tense#this show is so good#i love all of these skrunklies so much you have no idea#how is everyone so precious?#saturday has become the highlight of my week#shoutout to all the lovely fan artists writers reviewers gifmakers people sharing their hcs ... just everyone#i'm so happy to see all this love for stampede#no way this will only be 12 eps#fingers crossed#i'll go and watch ep9 now bye
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Personally, Crystal did well as an direct adaptation of the Manga and criticisms of the artwork were valid but often overblown. Really, I would say that my problem with it is how it doesn't push the envelope enough for being around the 20th anniversary of the overall series and can feel underwhelming in that respect.
Yeah, looking back on it the criticism of the animation was SO overblown, plus most of the egregious animation errors were fixed in the BluRay releases (a rather common practice in the anime industry, where animators are on a time crunch). I even said that back in 2014. I think a big reason is because Crystal was announced a couple of years in advance and so the hype was extremely strong, plus as you said it was the 20th anniversary so people were expecting something bigger. I think the animation would have been a letdown after so much hype, even if they went with the much better recieved season 3 animation from the get-go. Also, Naoko Takeuchi's style is beautiful and I think people wanted to see it replicated so they were disappointed by the more generic anime style.
I'm not denying that the animation of seasons 1 and 2 were often wonky as fuck because they were, but I wish people had been more willing to look past that and enjoy it for what it was. There were (and still are) entire blogs dedicated to screencapping some of the uglier animation, which felt pretty mean-spirited to me. Especially considering that those screencaps would often be in-between frames or characters from a distance, which look bad in basically every anime ever. I could make an entire blog dedicated to ugly animation from the 90s anime using the same tactics but there would be more pushback against it because the 90s anime is a sacred cow in this fandom.
But most importantly, I think we should remember that the blame for Crystal's limited success ultimately lies with Toei. Sailor Moon used to be their cash cow property in the 90s and made them untold money so you think they would owe it a little more respect. Instead, they've treated Sailor Moon Crystal like it's some untested, unknown new property that hasn't proved itself yet and so didn't get a very high budget. I do feel like Toei really dropped the ball. If they put as much care into Crystal as they did for season 3 and Eternal since the beginning, I feel like Crystal would have been a much larger phenomenon, maybe even on par with Full Metal Alchemist Brotherhood (which I feel is an apt comparison, as they're both properties that were popular animes that strayed away from the source material only to remake the anime to better follow the manga).
Like, as gorgeous as Eternal's animation and artwork is, the fact remains that it's still only two movies when it should have been a full season. We're not going to see Eternal for a couple more weeks but I'm kind of dreading seeing what they had to cut out from the manga in order to stay within the time limit. If they had devoted an entire season/12-13 episodes to the Dream Arc we wouldn't have that problem. I'm also getting pretty worried about the future of Crystal/Eternal and whether they'll adapt the Stars arc at all (which sucks because it's my favorite manga arc). Not to mention that it took literally 5 years to get the Dream arc adaptation (tbf some of that is due to Covid, but it still would have been over 4 years of waiting).
Tl;dr- The fandom's initial reaction to Crystal was overblown and Toei has dropped the ball.
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It’s long...(fair warning) ✰
Shingeki no Kyojin 139 (Theories)
Since everyone is throwing around their theories from the wild to the more likely, I thought I should contribute. After all, it will be the last time we can theorise this amazing manga full of all its twists and turns. Like most, I do agree with the popular fan theories simply because this manga is consistently unpredictable with each chapter. Let’s face it, some stories are easily picked apart these days and finding one that continuously has you thinking about what could occur is a winning tale. So first, I will start off by saying that I am so sad that Shingeki no Kyojin is coming to an end. But! I will never forget this amazing manga as I have grown so attached to the characters and the story as you can tell from the past nearly 9 years of running this blog. So, thank you yams for being such a genius! Regardless of the ending, it will go down in history as one of the best stories I personally have ever read and witnessed.
With typical fan theories, I won’t go into them too much as I feel the concept of the “time loop” has been written about to filth and I think it is very blatantly clear at this point that the concept of a time loop is very likely in one way or another given the overall concept within aot/snk in general - there is a obvious manipulation of past, present and future. I will hold my hands up and say that I definitely do agree with ‘some’ popular fan theories and will list a fair few below in brief detail - as I do think they are highly likely to be true in some way or at least implied within the last chapter. Now, with the usual leak dates coming up on the horizon, I wanted to put my input in before hand. Although, because of recent prosecution warnings for leaking the final chapter - I would advise others just to wait for the 9th of April on official release for concrete facts rather than speculations and leaks simply because we have seen with past few chapters that a lot of false spoilers get released and I think with the final chapter it would be wise to wait as I have previously stated on here that it will be the ‘revelation’ chapter that ties this manga together.
So! With the typical fan theories, we see the likes of:
Eren being the baby daddy to Historia’s baby
Eren sacrificing his reason for living - freedom. By being the greater evil to bring about the greater good
The baby itself could become the new beast titan or baby Eren/Ymir reborn
Eren isn’t dead, but on Paradis by way of transferring his subconscious into a crystallised version of himself
Eren and Ymir have struck a deal
And of course - the time loop concept
…The list is endless of popular fan theories. It would be silly not to agree with any of them given the story and where we are currently at, its very clear that Historia, Eren and Ymir will play a big part somehow in the final chapter (if not id be genuinely shocked) since majority of the past few chapters they have been absent in full form and I feel this needs to be explained. After all we still haven’t seen the full extent of the memories of past/future that Eren was aware of from his contact with Historia and his connection with Ymir in Paths. We saw 137 being predominantly Armin based, 138 being Mikasa based and I think it is only reasonable given his absence as the initial protagonist that Eren will be the revelation within 139. Ultimately culminating EMA / the trio as a whole. We began with them, so it only makes sense to end with them (albeit separately as individuals).
Moving on, as you can see I agree with said fan theories as I think any route could be possible! The thing with Shingeki no Kyojin is that it has many hidden ‘Easter eggs’ (how fitting given its easter), whether it be in the background of scenes, characters wording, placement of scenes/characters, flashbacks, paths and even in the opening and ending credits of the anime we see hidden meanings through imagery. It has all been laid out very well for our finding, its just if we have an intuitive enough imagination to pick it apart and figure things out. This leads on to my own theory/theories (it can go any way and I wont sugarcoat it - I could be reaching)
I generally have 2 theories that run about in my head with how the story itself could turn out or how it works. Both theories kind of tie together in one way or another featuring predominantly Eren and then Mikasa or overall ‘Ackerman’ blood/gene concept and its potential involvement in control of said time loop. I will do my best to include manga panels to give visual insight to the points.
To begin, I want to touch on Mikasa's “dream” in 138 - although devastating, I think it is being taken as the opposite of what it was and personally I see many looking at it through rose tinted glasses. This wasn’t an alternative universe (in my opinion), this was Mikasa’s Ideal life - her dream. When it comes to Eren as a connection to Mikasa, he is her reason for being, even in death she chooses not to part with him for her own good and creates a dreamlike reality for herself to make herself go through with the deed. She as a character has dominantly surrounded her existence on Eren, he is categorised many times within the manga as ‘home’ - like other fan theories have stated, it has been mentioned many times Mikasa referencing the word ‘home’ and also how she wants to ‘be close to him’ because it gives her comfort and strength. The Ackermans as a whole have attachments to people and this is where they ultimately gain strength from. Without any of the Ackermans ‘attachments’ being in danger or being killed, their powers wouldn’t be awakened and without them I feel their strength almost weakens until they find a new reason for living to keep moving forward. I’ll touch more on the ‘Ackerman’ theory later as its one of the open loopholes still currently alive within the manga.
Mikasa has always been a character that confuses me, particularly with the way she acts and things she says or thinks. She has said many things that don’t make sense unless she has a certain belief system or knows of things from past lives.
Examples:
As you can see and I will produce more evidence of such comments further in. She implies that she either believes in reincarnation or she is aware of different periods within the said time loop. She speaks of starting over, being dead and returning and implies in different ways that she is scared of the same thing happening again. The last panel - what plan is she on about here? Her own plan. In my opinion it is - "Don't let Eren die". As we have seen, that may be what has to happen. It's fate. She interferes with this and never lets him go.
Mikasa does have an unhealthy bond with Eren, I do think he loves her ( I’m not dismissing that ) but do I think its the type of intense love she feels? no. Some things she has came out with has even shocked other characters and countless times her comrades have tried to ‘break the barrier’ to get her to realise her way of thinking when it comes to Eren is unhealthy. Hence why I think we seen Jean in this particular scene below so frustrated
not because he himself has feelings for her, but because she’s not letting them get through to her that she is refusing to believe Eren could ultimately be a changed person (which he definitely is, I’ll not go into my rant of why he isn’t ‘evil or a ‘monster’ because i’ve done so already) but overall, Mikasa constantly makes excuses for Eren and doesn’t recognise it, her life revolves around being close to Eren and she gets very emotionally troubled at the idea of not being with him or him ultimately taking a path that doesn’t involve her. We even seen Annie question her and this wasn't many chapters ago and she replies with the same mindset of bringing back "the old Eren". He is not the person he once was particularly as a child. Something that is implied at beginning of manga, it opens with them as children and somehow links with 138.
As stated by Armin below we see him even explaining to Mikasa that Eren’s never close, he always takes his own route and that ultimately both Armin and Mikasa aren’t his reason for living. Let’s face it - Freedom is Eren’s reason for being, his only desire. Armin has also expressed disbelief and almost frustration at her way of thinking when it comes to him (below examples) I think in a way the famed ‘table scene’ was Eren trying to break the bond, but he’s not doing that for no reason, its implied he does it to protect them, but it could also be because of what he has seen in memories past and future - he has perhaps became aware of Mikasa’s involvement within paths and the loop. He has to try to alter her way of thinking to protect her, but maybe also himself.
Armin + Other comrades reactions to Mikasa’s mindset
Another visual point to make regarding Mikasa’s ties with previous loops and Armin, was her comment made about him at a very early stage in the manga just after Eren had been eaten by a titan after saving Armin - leaving his fate at this point unknown.
this is implying that Mikasa has some knowledge of previous times Armin has helped them with his ‘ability’ which if we are referencing him as a character is his methodical intelligence. But, even here he is confused by the comment, simply because at this point there has been no signs of Armin’s usage of this ability - mainly fear and lack of confidence with that in comparison of his peers. We don’t necessarily see this until perhaps even a chapter later and as far as we are aware, Mikasa doesn't follow through with “i’ll tell you about it later”.
I don’t know about anyone else, but it seems odd she has such an attachment to Eren like this that is so intense. It’s not normal to be as intense as she is about someone unless she is used to losing that person over and over. Even as children Mikasa acted possessive over the ‘concept’ of Eren dying - it wasn’t allowed to happen. She doesn’t have this intense reaction with Armin or other comrades. She fixates on the idea of Eren being her saviour, the one to give her a ‘home’ and a ‘purpose’. Mikasa consistently opposes his death and his death alone, I can only see this from a standpoint that deep within her own memory she has experienced his death countless times before. She even uses force a couple of times to increase this intensity. Here are some examples of this even in childhood -
There are many more examples of this throughout the manga and her refusal to accept that what she doesn’t want, may just happen. Now this might just be my over active imagination or my own ability of media studies kicking in. But, previously I had been under the impression in the presence of a time loop that Eren was in charge of it and controlling it, that somehow it would constantly reoccur when he himself died and he would have to come up with a way to either prevent his death or ultimately stop the timeline of the titans. Whether that be under making a deal with Ymir herself or by essentially “breaking the wheel” and turning others against him to show Eldians as triumphant heroes.
However, the more i’ve thought about it and given the revelations of 138 - i would be more inclined to say it is Mikasa Ackerman herself due to either her specifically or her Ackerman gene. There is something about the bloodline that is missing and we have not had the fabled Ackertalk or much explanation of how they work (something I’d like to see covered in 139 - although i feel it will be an Eren chapter, I also think it will include the visions Eren has seen to give an explanation of why the previous 138 chapters played out the way they did)
I think there is a possibility Eren had to break the wheel on the loop, Mikasa would go back each time and always Eren would die, something we’ve established she tries to prevent and never accepts. The only escape was her accepting his death therefore he did everything he could to push her away, break the bond and push her to kill him to end the cycle (since he’s seen the future). As I have a hunch previously in other loops he was not killed by her hand - it had to be her to break the cycle or vice versa (but we will get to this).
there is hints of this in the “Lost Girls” OVA. Yes, I am aware it’s said that OVAS are not necessarily canon per say, but I don’t think it would have so many open links if Isayama himself didn't want it to. This particular one gives many hints to Mikasa’s involvement in the loop and alternative universe theories. The anime adaptations are on point with showing us details we only recognise after more plot points are revealed. It may explain the headaches, every time Eren dies, she reverses the loop or changes realities. This ailment could be a product of her memory issues. In the OVA we see Mikasa in real time thinking about Eren and his constant state of taking his own path.
After this moment, the said “Scene” she speaks of is revealed to us. Another example of Mikasa’s dreamlike state or perhaps another timeline? We are taken back to the time where she had given up, had ran out of gas, a titan was approaching and she was ‘lost’ - her reason for being was gone and she knew her death was coming, but also in the manga during this scene she is “worried” she’ll have to start again (above in examples). This again implies she knows something we don’t. We then hear Mikasa’s voice speaking to Mikasa herself, telling her that if she simply didn’t like this reality she could choose the place she wanted, but as we have seen before - she can’t stop his death.
The peculiar scene in this OVA that got me intrigued by this theory is the masked figure and young mikasa scene. Mikasa is rushing to meet with Eren and Armin to escape the walls in a hot air balloon, but she has to be there by a certain time or the plan fails. As she is running she is stopped by a mysterious masked figure who asks her to join in on his hypnotism trick to spectators. Comments he makes involve him telling her that her ‘friend’ will ultimately leave her and that she couldn’t accept his death and created this universe. Also, that he is no one, but someone at the same time. I think this holds great significance since the strange thing about this is that his voice mirages into a distant adult Mikasa.
implying that she has to ‘kill’ a part of herself or she has to die to prevent and hault the loop. She has to return from her idealistic dreams of keeping him alive as it will only fail otherwise. Upon hearing of Eren’s yet again untimely death within this universe, she begins to have memory flashes of multiple scenes appearing within her eyes with a typical media ‘rewind’ sound as she wakes up back in the street with no gas and a titan approaching but... she says something I find interesting and links to what Eren says at the beginning of the manga
“the feeling I’ve had a really long dream”
We witness Mikasa have these “headaches” multiple times within the manga and in the anime they are heavily focused on whenever it happens, which we can only recognise that this is an important part of the story itself. Eren too has random headaches, just not as much as Mikasa, he mainly experiences them when he accesses new memories. However, what if Mikasa too is affected by memories she cannot tap into or it is paths/ackerman gene warning her she is repeating past mistakes?
Notice how there is a lot of emphasis on the word ‘again’ when it comes to her headaches or the thought of losing Eren. It is constantly repeated. I think it is highly likely she only remembers some parts from previous loops, but the one that sticks is simply - she has to save Eren each time, but fails. Everything begins again after his or her’s demise. Perhaps each time Eren is the one who dies first, creating a somewhat butterfly effect. That maybe Mikasa has died once like she implies in previous example. However, the one to die first (in this case primarily Eren) loses all memories of the past loops - again this is implied as Eren does tell Mikasa he cannot remember his dream. I think deep within his mind Mikasa does remember, but given the fact she has potentially reversed the outcome many times...her memory is simply warped - that or she died in the previous loop and lost those components.
Will she not remember due to her memories being altered in her death?
Either way something needs to change. Eren Kruger says this in Eren’s attack titan memories. They are doing something wrong.
I believe Eren in 138 within Mikasa’s dream, was trying to tell her to move on, not necessarily forget him, but at least accept his passing - to stop the loop reoccurring, he influenced part of her reality...maybe with the help of Ymir. In a way it could be implied Eren almost regrets wrapping the scarf around her (this is heavily emphasised as a symbol of their relationship), for me the scarf seems like a softer symbolism for a chain - a binding if you will. By wrapping it round Mikasa he binds her to him. He has always insisted she should throw it away, even in 138 within her own conjured reality he says the same. She needs to kill this part of herself or “the same history” will be repeated. I do have a HUGE feeling in my heart, head and gut that Mikasa may need to end up dead first as I do have another HUGE feeling that Eren is not dead (maybe its wishful thinking, but his death doesn’t make sense right now, so Yams I trust in you for explanation). His death seemed too convenient.
Now, before I go onto “Ackerman” gene factors, I’ll briefly bring in another peculiarity I have always had about a particular scene in the beginning of the manga. After it is decided Eren will carry the boulder to plug the wall, Eren (the attack titan) seemingly loses control and succumbs to pure rage, in turn he attacks Mikasa. Something he hasn’t done against humans unless its free will.
However, a part of me has always felt that this could be the attack titan itself (in past inhabitants and memories) recognising her as a threat and trying to rid her of the world first to avoid the loop of Eren dying first to Mikasa controlling the loop to return to try to save Eren - nothing changes. This is what I meant by “breaking the wheel”, we have saw it in other tales, things can’t change unless you choose a different path than the same one with the same brutal cycle. As Kruger says, to save Mikasa and Armin, Eren has to change things - this could be to separate not only Armin, but Mikasa from him, that maybe in previous loops...they follow him. In this instance, he has definitely separated Armin and by way of second hand - Mikasa too. Hence why Ymir says goodbye to Eren in 138, he is free. Another notable concept is that aot/snk is made up of trios, we see it in:
Eren / Mikasa / Armin
Reiner / Bertholdt / Annie
Connie / Jean / Sasha
Hanji / Erwin / Levi
Levi / Farlan / Isabel
Kenny / Levi / Mikasa
It would partially make sense for the trio to be the reasoning for the ending. Almost illuminati based - very yams style.
Why not Mikasa?
Lets talk Ackerman and a slightly different theory, but with relation!
(Obviously, I cannot provide much evidence to support any Ackerman based theories other than what has already been provided, which isn’t a lot to be fair. Dammit Yams)
I want to briefly start off on the Ackerman front with a brief comparison of our two currently known Ackermans: Levi and Mikasa. The main categorising difference between these two is that Levi moves on regardless of what happens to him or his comrades or his ‘attachments’. He also does not appear to experience these headaches, some say he does, but I can’t find evidence. Isayama shows these headaches with a throbbing sign around Mikasa’s head - so unless the Ackertalk happens and Levi confirms it, its still absent in theory. Levi treats Ackerman-ism as moving on, making choices with no regrets (as his backstory indicates) and even in current states he has said he doesn’t regret his decisions. It is why he is able to move forward and keep surviving. Its simple...his mindset is stronger than Mikasa's, she is the weaker link. This could be due to age difference and overall past experience, Levi has more life experience as an Ackerman to have mastered his emotion and reactions to outcomes - he accepts the bad.
Mikasa is weaker in this regard, perhaps if you link it back to the theory of her control of the loop...due to this weakness she creates the loop since she can’t accept his death and tries to return to make amends. I think in reality, Eren knows due to the attack titan ability - he will die. Hence why he appeared so shocked upon making contact with Historia to then very depressed and detached before vanishing in Marley. He became aware of the outcome and I don’t know about anyone else, but I’d be depressed too after finding out my life was made to end especially since all he wanted as a character was Freedom. Eren x Freedom will be the only canon ship at this rate.
However, I do think the only way she can create said loop is through her Ackerman gene. Ackermans are products of ‘titan science’, they were genetically engineered (if you want to put it that way) to have titan like abilities while still maintaining their human form and sense of self being. Created to protect the Fritz family (royal blood), to eventually being ostracised for their dismissal of the plan to wipe Eldian’s memories. Therefore banished, but allowed to live, I can only see there being one reason why - they would be still useful at some point and their deaths/extinction would be wasteful.
From what we know and can tell from mere viewing, the Ackermans are very skilled and powerful beings that have ‘hosts’ or attachments (I like this name better) to channel their goals, strength and energy into. They were made to protect, fight and survive. The only surviving Ackermans are Levi and Mikasa.
They cannot be affected by the founding titan and their memories cannot be altered. But, this brings about another question. Why were they created to protect the founding titan, yet could not be controlled by it? The theory with this bloodline is that they can do more than what we see, that they themselves don’t know it yet. One in particular can alter realities - that being Mikasa (as we don’t have mass amounts of information on Levi’s experiences other than his surge of power awakenings demonstrated throughout the manga to confirm his part) due to fact Levi really only knew he was an Ackerman within his 30′s after the previous Ackerman - Kenny, dies and informs him of this. Mikasa has always been aware.
Mikasa’s ‘Power’ ultimately has something to do with the Attack Titan and the Founding titan - that being Eren and Ymir combined. In past loops, I believe each time she has seen Eren die she has said “see you later, Eren”... hence the ending of 138 and the beginning of the manga. Isayama did say the beginning would relate to the ending. Each time this happens they are transcended to the point Eren wakes up at the tree within the walls to begin once more, its the only clear explanation for why Eren comments of her hair length. The attack titan itself is the component of Ymir that captivates her freedom, it continues to move forward for 2000 years each successor until one has the power (the desire for freedom like her) to release her from enslavement to the power of the titans. In this instance Eren too has been a slave to the power, lets for arguments sake blame Grisha for passing it on to him.
Again, with the Ackermans there is something I’ve always noticed between Levi and Mikasa - they have never touched skin to skin. It has always been over their clothing. I wonder if their Ackerman powers may stem similar to how Eren draws memories from contact with the royal family, i.e. Historia. They need to touch in order to access Paths and manifest it into their control. Eren is aware of this due to his connection to Ymir - there is heavy implied material to denote the idea of Ragnarok and reincarnation. Eren is the reincarnate of Ymir and previously I don’t think they were aware of this.
For anyone not familiar with the term “Ragnorok” - its definition has multiple meanings in Norse mythology. Particularly - development, origin, cause, relation and fate. It is a series of events that often lead to a great battle, the deaths of multiple people of importance to the ultimate end revelation of the world being remade and fertile (the opposite of Zeke’s plan) with the remaining ‘gods’ returning and ‘two’ human survivors repopulating the world. I personally believe this to be either two of these: Levi and Mikasa or Eren and Historia by the way of Ymir as the ultimate god, but just in different ways. The Ragnorok element is particularly of importance within Germanic studies, this would connect with Shingeki no Kyojin since it is implied its set in early germany/europe and given characters name origins - it makes sense.
The two human survivors are that of Lif and Lifbrasir (shown below) who survive by ‘hiding’ in the woods while the great battle commences.
They repopulate the world starting with a daughter. In germanic regions, the concept of mankind originated from trees is an ancient notion “the tree of life” essentially. Trees have a massive importance and connection in Shingeki no Kyojin, we see Eren wake up at one in the beginning, the main Path coordinate resembles a tree, Ymir originated from trees and being within the woods would indicate “trees”. This would make me more inclined to believe the Eren and Historia theory to be likely, simply because Historia is all the way back in Paradis and potentially Eren himself by transferring subconscious. To me it seems very likely the leaked final panel released by Yams himself is Eren holding a child rather than anyone else as whoever this figure is tells the child they are free and this could only relate to both Ymir and Eren, the ones who sought freedom. This could mean in this instance Levi and Mikasa are the ‘gods’, the ones with the power to restore and mend, again through the concept of the Ackerman Gene being more than what meets the eye. Ymir will be reborn ultimately and no longer enslaved as will Eren.
Ragnarok and Shingeki no Kyojin combined have connotations of ‘fate’ being a big part of their depths. It is fated. Everything is. Just like Eren’s death and potentially ability to be reborn into another timeline. Just like Eren’s fate to obtain the founding titan and attack titan, both very powerful titans in the manipulation of time and events. Eren makes a statement around chapter 123 in Paths when talking with Zeke that if someone tried to take his freedom, no matter who, he would remove theirs. That he has been like that since birth because he was “born into this world”.
Zeke: “Since birth?”
this further implies fate. He was born free, he expresses detest for people who aren’t free and bound by something, 2000 years, Ymir etc. This only ties together if Eren himself in past lives was someone with the same views and personality traits, like Mikasa, except hers are the opposite. Paths has always been there and everything that has happened in the past is imbedded within its clutches through Ymir. These two titans needed to be combined, Grisha was informed by Eren himself through Kruger and future versions of himself that he had to obtain the founder or nothing could be changed. Grisha is even seen asking Eren to show him everything that happens, whether carla dies etc. He did not have full control, this was made for Eren’s inhabitant period and he did not have access to all memories due to only being able to access the ones the future successor sends back in time. Like the mirror scene for example, Eren is speaking to someone else, not himself. Grisha was only instructed to go within the walls and have a family. Eren was instructed to save everyone. Remember that the common rule with time is that you cannot change the past or it significantly alters the future.
I believe all the memories (the ones we are seeing even now) are actually in paths, the story has always had an indication it is being ‘narrated’ by someone - in most instances this is Armin. This has implied he will survive into the future, but that others may not. How this will happen...I can only theorise that Ymir will factor into who lives or dies. She will need to leave paths however, the only way the titan curse will end is if she leaves and no one is there to build titans. She will be either reborn to capture her freedom or reborn through Eren for them both to obtain the same dream. There has been multiple theories that some other titan other than the attack titan could be the key or another character, like that of the Ackermans or armin for example as I do think the trio concept is likely. But, remember the manga is called “Shingeki no Kyojin” meaning “the attack titan” - its always been the key and Eren is that key...again, key? Eren. scarf? Mikasa. Equals symbolism.
At the end of the day, the characters who I feel personally will tie together the ending are Eren, Ymir, Historia and Levi, Mikasa, Armin - both trios on different sides of the coin. Just remember, this isn’t the type of story where the characters get what they desire and that they could die without obtaining these desires. Erwin died before learning the truth of the outside world. Hanji died. Sasha died, Niccolo lost her. Floch did not live to see Eldian rule. Levi may have killed Zeke, but what for? He killed a different version of him, not the one who murdered innocents in Shinganshina. Levi lost every attachment of his. Mikasa lost Eren. I’d be angry and sad for him, but Eren also could lose his freedom by striking a deal with Ymir for her own freedom. But! he could free the world and his friends through both Mikasa and Armin, the chain will break, the titan curse will end and he will cease to exist or be lost in Paths dormant, unlike Ymir for 2000 years. This would be a good culmination of Eren’s character, extremely heart breaking, but fitting. A character who only sought freedom for humanity. He is humanity’s hope after all. Remember, Kaji Yuki (Eren’s Japanese voice actor) expressed extreme sadness at learning Eren’s fate from Isayama. It has always been a manga that indicates a bittersweet ending, so this could also be highly likely. (Eren is my favourite character...so this guts my heart from my chest)
To conclude, these are merely my own speculation of the final events within 139 and although sad of its ending, my excitement for this final instalment knows no bounds. I can only wish for the best and I know Isayama will deliver.
#this is LONG#prepare yourselves#snk theory#snk theories#snk 139#snk 138#aot theory#aot theories#aot 139#snk spoiler warning#snk#aot#shingeki no kyojin#attack on titan#eren jaeger#ymir fritz#historia reiss#levi ackerman#mikasa ackerman#the ackermans#ackerbond
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SnK Episode 67 Poll Results (for Manga Readers)
The poll closed with 254 responses. Thank you to everyone who participated!
Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.
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RATE THE EPISODE 246 Responses
The response to this week’s episode remains overwhelmingly positive, with 97.6% of responses giving it a score of 3 or higher.
This is the first episode where I have absolutely no criticisms, so im quite happy with how it turned out.
Voice acting was top tier
perfect
Emotional
Great Job! I'm glad my favorite character's death was so emotionally misered.
Forget Attack on Titans, this episode was Attack on my Feelings ! 😭
I want to rate it a 1 because of Sasha but a 5 because of how well it was done... so 1.5
Absolutely loved it
Perfect
ASIDE FROM SASHA’S DEATH, WHICH MOMENT WAS THE MOST EMOTIONAL FOR YOU? 247 Responses
Connie’s heartfelt admission to Jean seems to have stolen the hearts of the plurality of responders (36%). That is followed by a tie of 18.2% responses noting Eren’s breakdown or EMA’S tense reunion as the most emotional moment for them. In third place is Gabi’s tragic declaration about her struggles with 11.3%. Other responses were, in order, Jean lamenting all of the deaths occurring, Gabi and Falco realizing that Zeke betrayed them, Hange scolding Eren for forcing the SC to intervene in Marley and Levi and Eren’s confrontation.
Connie telling Sasha and Jean that they're special to him made my heart hurt knowing what was going to happen mere minutes after. I honestly saw me and my two best friends through them, and it was gut wrenching seeing Connie and Jean's reactions. Even Mikasa's reaction broke me, to be honest. They all lost a huge light in their lives.
WHICH MOMENT SURPRISED YOU THE MOST? 222 Responses
So this question was meant to only go on the anime watchers poll and ended up here somehow. Thanks to the 222 who were good sports and responded anyway! :P The most shocking moments that took place in this chapter/episode was the revelation that Eren went rogue from the Survey Corps, that Zeke was collaborating with the Survey Corps, how the Survey Corps treated Eren, and that some Paradisians seemed to be turning to nationalism, in that order.
Not sure why we're being asked as manga readers which moment shocked us the most since we already knew everything that was going to happen this week
HOW MUCH DID SASHA’S DEATH HURT YOU? 249 Responses
When it came to Sasha’s death, it would appear that it broke the hearts of the overwhelming majority of responders, with 81.1% giving it a rating of either 4 or 5 on the tragic scale.
Broke my heart and I'm still crying over it three days later. Honestly though, it was greatly done.
3 years later it hit me, Sasha is dead ;_;
Cried my whole soul and body. Rip sweet Sasha
I thought Sasha's death would've been more emotional.
WHOSE REACTION TO SASHA’S DEATH AFFECTED YOU THE MOST? 250 Responses
Sasha’s death elicited various reactions from the main cast. Two different responses tied at 36.4% noting Connie and Mikasa’s reactions to Sasha's death as the one affecting them the most. This was followed by Eren’s at 13.2%. The rest were, in order, Armin, Jean, Levi and Hange.
I don’t cry at fiction much, but Sasha’s death got me more than I thought it would. I feel like seeing Armin and Mikasa’s reactions in particular is what got me.
The way they animated Armin and Mikasa bawling over Sasha's body and the inclusion of Call Your Name made it all the more emotional. I think by "Assassin's Bullet" they also meant a bullet through my heart because man did that hurt to watch. 😭🤧
WOULD YOU PISS YOUR PANTS IF LEVI WAS GLARING AT YOU WITH MURDEROUS INTENT? 248 Responses
A bit of a joke question, but we wanted to know if Levi appeared as threatening as he seemed. 80.2% seems to think so, admitting their incentive to piss their pants. In contrast, 19.8% don’t think the Captain’s such a scary guy!
THE FULL VERSION OF “ASHES ON THE FIRE” BY KOHTA YAMAMOTO (THE PREVIEW SONG) IS NOW OUT. IF YOU’VE LISTENED TO IT, WHAT DO YOU THINK? 236 Responses
“Ashes on the Fire” has been released to rave reviews, with 88.1% of responses giving it a 4 or a 5. Nobody gave it a 1, either. Yamamoto-san, thank you!
OVERALL, HOW WELL DO YOU THINK MAPPA ADAPTED THE MARLEY ARC? 251 Responses
In spite of the relatively vocal complaints about the adaptation of certain elements of the Marley Arc, it would appear that the overwhelming majority of responders seemed pleased with it, with 51.4% giving it 5 and 37.1% giving it a 4. 1s not present.
I've been a bit bothered how Mappa follows the Manga like a slave, using the panels as scenes and not adding anything in between. Sure it works for Manga, but it feels weird to me to watch in Anime how Eren grabs Armins hand and they don't give a transition where Armin pulls him in, but just show him inside the airship next. Just little things, but bothers me a bit. Overall I'm really enjoying their choices.
The show looks BETTER
I was fine with the episode. The quality of animation dropped but I understand that every scene cannot be animated on highest level. MAPPA has done a great job with the Marley arc. They shown the character development and bonds between the warriors perfectly. We had some cuts here and there but overally was okay: 8/10 for me.
I’m so pleased that MAPPA has taken the anime. I’m still more of a fan of this particular series’ manga than anime though.
DID SASHA’S DEATH AFFECT YOU MORE WHEN YOU READ THE MANGA, OR SEEING IT ANIMATED WITH VOICES AND MUSIC? 249 Responses
As noted above, Sasha’s death seemed to be a hard hitter for most. Comparison of the adaptation vs the original allows to discern which hit the readers/watchers the hardest. Just one percent shy of a majority (49%) thought that the anime made it much more tragic. 30.9% noted that the impact was roughly similar across both mediums. On the flip side, 10.4% thought that the initial depiction of it in the manga was the hardest hitter. There were also a couple of write-ins.
I dont remember I sped run reading the manga, kinda regretting it
I knew it for the first time in the manga, so it had a more powerful impact (I cried for a whole week. Not kidding) and the anime managed to make me cry as hard as in the manga. Though, I already was aware and grieved so it wasn't as bad
Got Spoiled :( so kinda meh, saw it coming
When the music kicked in after Connie announced she was gone, my heart broke into a million pieces.
Let's be honest, Sasha's role was over after she killed the titan in the village and saved Kaya. After that she was just there. She got zero development, zero important moments, zero depth. Her death effected many characters and helped them to develop. Sasha's death was sad but at least brought some important changes in others.
Not a Sasha fan so I was not really that affected but having a death in the series always feels sour
I think for me, they're both even.....mostly. There's just something about having been waiting for the chapter leaks on reddit with a bunch of other people and most of us collectively grieving at the same time. Once bigger pages of the chapter started coming out, it made me cry. I didn't even cry during serumbowl when I first read it and that had plenty for me to be even more upset about.
Honestly while reading manga I hated that Sasha’s last word was „meat”, it seemed so ridiculous. I’m happy MAPPA made it look more serious with music. Actually everyone’s reaction for Sasha’s death had more impact on me than the death itself
HOW DID YOU FEEL WHEN YOU SAW GABI KILL SASHA IN THE MANGA? AND HOW DO YOU FEEL SEEING IT AGAIN NOW, KNOWING HOW GABI’S ARC DEVELOPS? 247 Responses
Gabi is perhaps the most controversial character introduced post-time skip. Whether you’re a proud member of the Gabi Gang, proud hater of the 12 year old or just a neural party, everyone can admit that. With Sasha’s death at her hands, many seemed to offer up their opinion on the kid, back then and now. A slight plurality, 31.2%, stated that they did not hate her back when 105 first released and they don’t hate her now. 23.1% note that although they were rather upset with her back down, they are not (upset/angry) any longer. On the flipside, 25.5% state that they still hate the kid, as they did back then. Finally, some were simply neutral. Classic.
Quite a few write-ins, as well.
I hated her in the manga but after watching the anime, I’m not happy about it but I understand why she did what she did and don’t hate her as much anymore.
I was extremely upset about it before and am still extremely upset about it now, but for different reasons. I hate her less but am not any less annoyed by her brainwashed hatred of the Paradisians, although I understand her much better and realize and empathize that she's just a kid who's been used by her country in the worst way.
Gabi Braun Must Die
Broke my heart and was upset, but understood where she was coming from (thought about her perspective only)
Sasha shoulda killed this cunt while she had the chance
It’s war, she did as she needed to. Her arc is fantastic
love hate relationship
I didn't like her but not because of Sasha death (that's war consequence) and it's the same now
I really hated her with my whole heart and soul, but now that it has been all explained, that she had character development, I even like her now
I used to be angry about it but I understand why now, Gabi is just a victim of Marley’s control just like anyone else is, it’s a shame this is the results of it. She’s still at fault but I can’t hate her so much for it
I feel tired of Gabi hate. I disliked her in the manga back then but now I feel neutral towards her, because she has changed. Yet, I wish she took less screentime.
SORRY for ranting! I don't understand the hate on Gabe. Yes, I know she killed a Paradise character which was present in series since its beginning and I understand Sasha's fans are upset Sasha is not here anymore because of her. but those people do not analyse Gabe as they should be. Every character belongs to a different side and each side is blinded by what heir belives in. It is okay to not like Gabe but I don't tolerate hate on her. I THINK THIS QUESTION SHOULD NOT HAVE BEEN INCLUDED AT ALL.
Initial hate, understanding after some thought
Understanding her situation I know I shouldn’t hate her, but I’m choosing to be petty and hate her anyway
I liked her much more than I like her now. She was a much better character back then, her killing Sasha (a one-note comedic relief) was cool and brought some spice to the story. Now she just exists to spout themes and convenient exposition and to be an aimbot
i dislike her, even if i understand her
I dont like Gabi. Never did. It isnt because she killed Sasha tho. I just dont care for Gabi tbh BUT i can totally understand her actions and do not blame her for it after seeing the destruction and killings
I was and still am upset about Sasha's death, but from the start I blamed it more on the circumstances than Gabi.
I loved her then, I love her now and it probably wouldn’t change even if she killed my favourite characters. She’s my cinnamon roll
Gabi did nothing wrong, killing a soldier in the battlefield is not a crime.
See, I WANT to like Gabi since she's obviously changed, but knowing she killed Sasha nonetheless will ALWAYS prevent me from having any love or respect for her. She will always be my most hated character
MAPPA ADDED AN EXTENDED SCENE OF FLOCH AND OTHER SURVEY CORPS RECRUITS BEATING GABI AND FALCO. HOW DID YOU FEEL ABOUT IT? 240 Responses
MAPPA added an extra scene of Floch and Friends raining down copious amounts of gratuitous violence upon two 12 year olds (MAPPA is pro-child violence???????? Find out when 111 is adapted). 48.8% seemed to think that it was a decent addition, even if just for the SC’s characterization (or perhaps you enjoyed seeing that?). 22.5% thought it was a bit over the top to feature. Finally, 16.7% did not care.
I didn't like it. But, it was def a believable reaction from them.
I just wish it was enough to kill her
I liked the additional characterization of Floch & co.
Great addition, it was implied in the manga so the scene fitted well. Still, it was horrifying to see how vile the scouts were to two kids
How about an option where we're glad Gabi got beaten to a pulp but not when Falco was?
ORA ORA thing, but we viewers get hurt too.
Didn't feel bad about Gabi getting beat up, but I did feel bad seeing Falco get beat up. Poor boy didn't deserve that
A nice addition
I thought it was a great choice to highlight the continuing violence and feelings of vengeance from both sides even more. and I thought it contrasted really well with Jean's decision not to throw the kids out of the airship.
The people glorifying this scene annoy the shit out of me
It's a good way to hint the "Yaegerist" perspective to anime onlies
MUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDA
The Gold Experience memes are funny
It was an IC scene for people like Floch + I feel bad for the kids
The way they shot that scene made the recruits seem like mindless, gross-faced animals storming towards the kids to beat them up. I liked how they were dehumanised like that, considering that most faces amongst them belonged to the ones who support the rumbling.
It hurt to see that but good scene though
Feel empathy for Gaby. Violence don't solve problems
Now THAT'S what I call fan service! Who needs big-boobed, big-ass females or shirtless guys with and when you can just have the most hated character get the tar beaten out of them xD
I can see why they did it. MAPPA's not dumb and I'm sure they anticipated a massive onslaught on hate towards Gabi specifically, so it was their way of trying to satisfy the haters. Falco didn't deserve it tho.
It was a good addition
GREAT JOB MAPPA
I hate Gabi too but that was too much beating up a child, yet it also showed how shit Floch and the others are.
Apparently some people never noticed that Gabi and Falco got beat up, probably because it happened in the background. So it was good for MAPPA to call attention to it.
I love Gabi but she had that coming. No need to hurt Falco though. :(
OVERALL, HOW WELL DO YOU FEEL MAPPA EXECUTED THE REVEAL THAT ZEKE IS A TRAITOR TO MARLEY? 240 Responses
The reveal that ZOOK has been working against Marley for years on end is one of the most important ones in the series, really. So it was important to have it be executed in a rather decent manner. The vast majority of the fandom thought that MAPPA did a fine job. 52.1% gave it a rating of 4, 27.5% gave it a 5 and 17.1% gave it a 3. The couple of the other respnders gave it a 2, with no 1s.
IN THE END, DO YOU THINK EREN’S ACTIONS IN MARLEY WERE ULTIMATELY JUSTIFIED? 242 Responses
A question to remember… Were Eren’s actions in Marley ultimately “justified”? A plurality, 44.6% seems to think so. In contrast, 24% disagree. And 31.4% still aren’t sure to this day.
SIMILARLY, DO YOU THINK THE SURVEY CORPS WAS ULTIMATELY JUSTIFIED IN TREATING EREN AS THEY DID? 244 Responses
When it comes to the SC treating Eren as they did, the division is much less pronounced however. The majority, 60.7%, think that the SC had quite the justification for treating Eren as they did. On the flip side, 19.7% think that there was such justification for behaving in such a manner towards Eren. Finally, the same amount of responses stated that still can’t be sure to this day.
NOW THAT WE’VE GOTTEN A CLEAR SHOT OF YELENA, DID MAPPA DO HER JUSTICE? 243 Responses
YELENA is here. Queen 👑. Or well, maybe not. Who am I to say? In any case, her appearance was received well. 52.7% thought MAPPA did very well and 33.7% went on to declare their love for her. Just shy of 10% noted that MAPPA could have done a little better though.
Kinda wish her hair was like neon or something idk
Need more eps of her to decide, she didn't get much screentime and lines here.
I don't like Yelena, but yeah I guess they did good.
In the manga she was a creepy-looking person. MAPPA made her unique, interesting and mysterious. I love her voice and her stoic, relaxed self. MAPPA did a good job.
QUEEN!!!!!
Great adaptation but I still don't like her as a character
Don’t care about her
don't really care
I hate her and I don't care about her.
WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 247 Responses
Such a colorful chart for this one. It would appear that slightly over a quarter look most forward to seeing Crykasa at Sasha’s grace. Slightly less (21.9%) want to see Sasha enjoying Niccolo’s cuisine. In third place is the scene with Connie, Jean, Mikasa and Niccolo at Sasha’s grace. The rest are, in order from most to least, Onyankopon and Yelena teaching the Survey Corps about the Port, EMA talking at the shooting range and Hange and Armin learning about Marley’s technology.
HOW HYPED ARE YOU FOR THE UPCOMING TIMESKIP FLASHBACKS? 239 Responses
The time skip flashbacks seem to be a hit. A little over 51% are super stoked about seeing them animated. Slightly under 24% state that they’ll enjoy them, but are looking forward to other things more. In contrast, 22.6% are ready to go crazy (from a positive standpoint)! Wooo!
Enjoying AND dreading it at the same time
I just want the centipede
Boring. The only thing what interests me is Historia teasing Mikasa about her crush on Eren. The rest is too jolly.
I'm looking forward to see Yelena's insane self be animated. That, and more Zeke.
THE MOST RECENT LIST OF FUTURE EPISODE TITLES SHOWS THAT EPISODE 12 WILL LIKELY END AROUND CHAPTERS 109-111, LEAVING CHAPTER 112 (EMA’S ARGUMENT) FOR EPISODE 13. EPISODE 67 WAS ALMOST ENTIRELY ADAPTED FROM CHAPTER 105, PROVING THAT ADAPTING DIALOGUE-HEAVY CHAPTERS FAITHFULLY CAN EASILY REQUIRE THE FULL 20 MINUTES. WITH ONLY 16 EPISODES - AND SO MANY WHICH ARE DIALOGUE-HEAVY - DO YOU THINK THINGS WILL END OFF WITH THE INITIATION OF THE RUMBLING (CH. 122), AS HAS BEEN SPECULATED BY MUCH OF THE FANDOM? 238 Responses
The manner in which the Season will end is a mystery to even the manga readers. Where will it end? Will it have many cuts? These are the questions. 36.6% seem to think that MAPPA will somehow manage to both end it at Chapter 122 and cut as little as possible. 26.5% don't believe ending on 122 is possible. 12.2% do believe MAPPA will end the Season on 122, but only with many notable cuts. Finally, just a little under 20% are simply not sure. There were a few write-ins as well.
I hope not, too many cuts would be required
The is no way they're making it up to 122, at first I thought they were going to finish it off with Eren's head getting blown off in 119, but now that seems like a reach too. Now I think MAPPA is probably going to end this first half of the season with Eren and Pieck's "where is the enemy?" and the warriors arriving to Shiganshina
I’m not sure right now so I’ll have to see for later episodes for the cut-off point, if it isn’t the Rumbling then it’ll be when Gabi shoots Eren
MOVIE
I'm conflicted. I'm sure they'll end at rumbling because it's the only reasonable point to cut it, but I feel like they're running out of episodes. Then again I'm feeling the same about the state of Manga, there's just too little chapters left to end things up well.
I don't really want to think too much about it, I just want to enjoy the anime lol
I fully expect 119 to be the end
What was the point of rushing Reiner's chapters if you are going to slow down later. Goddamn it MAPPA.
It'll really depend on the pacing for the next couple episodes, but I'm with a bulk of the fandom that see Chapter 119 Two Brothers being the end point for The Final Season. IF they were to skip the opening and maybe the ending, I can see them transitioning from Eren's head getting blown off immediately into his transformation and the beginning of the Rumbling. But even that is quite farfetched.
I have no idea, I'm a little worried now. Wouldn't be the first time a lot of content gets cut but if they insist on reaching ch. 122, I just don't see how you do that without butchering a lot. If that happens, it would probably lessen my enjoyment of the season.
Yeah, I think it will have a lot of cuts, but I believe that it will get there because Ymir falling in the tree was in the trailer
ADDITIONAL THOUGHTS ON THE EPISODE?
It's amazing seeing how each week, something with SnK trends! ^^
It still baffles me just how much people insist on hating Gabi, especially when her arc has shown tremendous growth in the manga. Reiner was no better than her when he was a child and continued to insist that Paradisians are devils and chose to further destroy their lives even after sleeping under the same roof as the 104th for 3 whole years and forming personal bonds with them. Yet, his actions are forgivable but Gabi's are not? Both characters have shown remorse for their former beliefs and misdeeds against Paradisians. Both realized that they were in the wrong. The characters have forgiven Gabi. Why can't y'all do the same? People who want Gabi to suffer are no better than they accuse her of being.
Well done episode which managed to capture the emotions of sasha's death perfectly
monke
I really appreciate Gabi as a character. She has spunk and a strong character arc in which she changes and grows more than anyone in the last 30 chapters of the manga, save maybe Mikasa (ignoring how Eren, Reiner, Armin and maybe a few others changed during the timeskip). It makes me sad seeing people wishing for her to die and praising Floch and the others for kicking her.
Gabi absolutely deserves the hate she gets
I absolutely love to see the anime-onlies mass hate of GabBitch, does my heart good xD
Boring ,too much Gabi she is annoying
Time to strap in: wild ride ahead!
Gabi Braun is the WORST character, her arc was poorly written and the moment she kills Sasha solidifies her rightful place as most hated character
No development has made me stop hating Gabi. The wound of Sasha's death will ALWAYS overshadow any crocodile tears Gabi may cry.
Kudos to Jean's and Connie's voice actors. Emotions were so raw and natural.
so good! they're really nailing down the emotional beats so far!
Dialogue-heavy but still amazing! Also the music was great
I didn't felt anything when Sasha died. Even the first time, in the manga. She hasn't enough personnality for me to care. Erwin and Bertolt's death were more saddening for me. Stop hating Gabi. She was in grief and she did what Marley brainwashed her to. And Sasha killed people right in front of her, so…
1 chapter was too little to be adapted for an episode, you could tell some scenes were stretched to fit the runtime
The music they chose for the scene of Sasha passing was also the same music they used when the Survey Corps first donned their capes and Eren found out Marco was dead... man, that song is gonna hit harder than ever now
It didn’t help with the overwhelming amount of hate Gabi is getting. I hope Mappa does her justice because she’s a great character but the Anime only seem to hate her because its a “funny” “popular” thing but it really isn’t... shows who really is paying attention to the story and the people who are watching it because it’s popular and trendy
People who are hating on Gabi do not understand the themes portrayed in AoT
Pretty solid overall. Wonderful bits of animation such as the ODM bits and the solid character acting from Sasha going down, Mikasa and Armin is distress, personal highlight being Gabi's reload animation. Good ost choices, nice addition of Samuel and Daz to foreshadow their conflict later on in the story, and great work from Connie, Gabi and Eren's VAs.
Friendly reminder that just because we hate Gabi does NOT mean we don't "understand" the story or themes. We just don't care because Gabi is a bad character.
U mad at Gabi for what she did ? Did she kill Potato girl for no reason? Imgine a kid, at least 3 years younger than the 104th, made fighting on WARS and praised for it, brainwashed by Marley that Paradisians are devils, and these devils came in her home, killing her friends and this WOMAN killed in front of her eyes two people who tried to protect her. Don't be mad at Gabi. Grieve for Sasha, okay, but stop hating Gabi. You're the worst when you do it
Hey Gabiatans: as long as you're not threatening the VA or other RL p olle, it's PERFECTLY fine to hate Gabi. Period. We don't have to like her, and it's not like we don't "understand" her just because we hate her. I "understand" a lot of Germans were forcibly coerced into joining the Nazi regime, but I don't have to pity then for any consequences that came for them.
Leviiiiiii
I was surprised that Mikasa and Armin crying over Sasha had no voice over. I thought it was still effective but I'm not sure if I prefer it. Other than that, the character animation was amazing this episode. Gabi's hands as she reloaded the rifle and Armin crying were my favorites. Overall, everything was pretty perfect and I love it when a chapter gets adapted in full with basically no cuts. One of the best episodes in the series and a proper send off for Sasha.
Wonderfully done episode! They truly did Gabi and Falco's perspectives justice. Also, seeing Eren's expressions and reactions in animated format was clarifying and super well done, too!
WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 227 Responses
Thanks again to everyone who participated!
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TPN S02E06 - Initial Thoughts (anime-only)
hhh everything went wrong with my reaction video this time - the video is lagging (so i replaced the screenrecording with the actual episode), also facecam broken so my friends won’t get to see me tearing up and the wrong mic input was recorded so I’m sorry for the shitty quality. I’m so upset :(
Edit: Google Drive Link! :)
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I don’t even know what to really talk about because I liked everything?? it was such a good episode and I just... AHHH. I wish we had so much more of THIS. please give them more seasons.... ik its already too late for that but pleaseee fidusdj- they just... do so well when they adapt imo. the whole comparison panels I’ve seen of the interactions with Norman, I just... genuinely think it’s such a highpoint and they did so friggin well.
I just... I’m so sad this will likely be the last season. I hope we’ll get more, in whatever form. I know there’s the manga and unless we get an announcement about more anime content at light speed, I do plan on reading it! I just... I love the anime. And it’s art. The manga’s art is unique but the style isn’t my jam and some stuff just looks a bit too stylized for my liking hhhh-
That won’t stop me but... it does make me emotional, I guess.
Let’s hope they stay on this path now that they’ve joined back in with the manga, somewhat (still, you couldnt even give them 12 episodes??).
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. the reunion
It gave me flutters!! it’s so nice and intimate and sweet and dusdhj- THE NORMAN SQUISH. And him noticing Emma’s ear is gone TvT Her sweet, kinda embarrassed “I left it back at home” efiojsd
also the clothing line here separates the two groups, alluding to the conflict between them later in the episode. They’re strangers on two sides, and Norman is the only connecting piece.
I didn’t really dislike anything aside from Ray being left out. I just wanted them both to run for him I guess :( though it makes sense to be more distant, he also was at the shipment itself but idk, it just makes Norman seem so,,, rude that he doesn’t acknowledge Ray at all until Emma is like “hey btw I brought him too” :”D
Slap kinda deserved, on multiple fronts haha-
Though the mutual “baka” calling between Norman and Ray was adorable duihdasjdas
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. Emma’s arc
a few days ago, I made that whole “anime emma’s arc” post about her feeling useless and how that might come into play - and I do hope they address it and I think they kind of are? Because GF arc Emma was always ready to have her way, even if it seemed impossible.
Either way, I feel like part of why she didn’t speak up is kind of as alluded to, that she doesn’t feel like she has the right to when she doesn’t know any other way right now. And I hope that in the next few episode we will see her headstrong and do things and be pro-active and kind of challenge that and Norman.
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. Norman (+ his crew)
It was kind of on the nose when Norman held that whole speech about what she had said before, a small hint to it would have been enough I feel like, for the audience -- because I think realizing that part of his motivation in all of this was just her words and that he wanted to do that for her (I think that’s the implication) is really sweet. He is kind of the carrier here and I hope that will change because it feels like we haven’t earned this bio weapon at all - which is okay, because it probably won’t be the solution, so it’s more of a plot-moving element than an actual solution. And I hope that whatever the solution really does entail will feel less like an ass-pull and more deserved.
I feel it may have been interesting to have a pov switch somewhere in ep4 or ep5 to Norman and what he’s been up to. The reveal was kind of “...? okay?” anyway so I feel like that would have made things a little interesting, but I also really enjoy getting to know his squad now.
I’m also HIGHKEY SUS (all alarm bells are ringing) at Norman being like “Oh I just did tests” like.... BABY. PRECIOUS SON, ARE YOU PRETENDING EVERYTHING’S FINE AGAIN?
The fact that Norman didn’t bother explaining further just solidifies (to me, anyway) that he’s avoiding talking about it somewhat. He spoke about it very distantly and from an objective viewpoint.
Alone getting that tattoo on his chest must have hurt a lot. So. Please, give me a lot of angst, CW.
I hope both him and his crew will get some flashbacks or trauma moments to really solidify how badly they’ve been treated (and deliver some juicy angst).
I really loved the close-up on the meat Barbara was eating in that scene too. I felt like it didn't even have to spell it out for us that they're eating demon meat but. Oh well - it was well conveyed but I guess the characters had to confirm.
I also love that whole part about how he’s always cold to them auidhjhs - I really do feel like making a gif out of that haha.
Lambda person: “Boss?” Norman: “What? :/” Emma/Ray: “Norman!” Norman: “Yes? :)”
Also only vaguely related but what’s with people who are made to be eaten, in a state of “dead??? who knows” and then coming back as a “boss” :D Yes I’m talking about beastars.
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. Mujika
Norman called her the “evil-blooded girl” and the old guy called the temple “evil-blooded” too. And he said it wasn’t a place for kids to be --- and he likely assumed that they were demon kids.
Also some nice clue before we even know to connect Mujika with the temple.
A demon temple that’s “evil-blooded” and too dangerous for demon kids?
It could just be because it’s a ruin, but he IS praying for the world to change there. Mujika seems to be able to maintain her form without eating humans, so maybe that’s what this is all aiming towards.
I guess it also means that the statue with the violet veil is Mujika??? She does have purple hair I suppose.
At first, I was surprised that Norman recognized her just by the description - there’s more than one demon girl :D but I guess only one demon girl who doesn’t need to eat humans? - and I thought he may have crossed paths with her.
But for that to be the case AND for him to assume she’s alive because Emma and Ray have met her, it can’t mean he actually MET her. Because well, RayEm met her like 2 months after his shipment. Assuming he didn’t break out immediately, he couldn’t have met AND tried to do something to her (likely kill). So my guess is that she’s some sort of legend or diety or just like, commonly known and she’s supposedly dead and he’s shocked because she isn’t.
He also first asked “where did you hear about that?” assuming he also only heard about it. Norman's reaction to them having met them also isn't "when?" (so he could confirm if it was after or before his supposed encounter with her), it's shock that they met her AT ALL. Which to me, implies that she's supposedly dead (which lines up with the temple in ruin, so something happened to her line, or whatever she's a part of). And since Norman couldn't have met her before their escape (Mujika hasn't seen a human when they meet the GF escapees), that's my conclusion.
Assuming she’s dead also makes sense since her (religion’s) temples seem to be in ruin. maybe that’s why no other demons seem to have that ability (that we know of), because it was lost when her presence was destroyed (therefore the ruins) or something of the sort.
She’s never seen a human before apparantly though, so I’m not sure what exactly that means. She doesn’t seem to have wanted freedom for humans prior to meeting them either (she only seemed hesitant about eating them after all that), so I’m not sure what her own motivation in having that sort of religion would even be.
There’s of course also sonju, so maybe it is after all a religion-thing? Who knows-
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As I’ve talked about before, I think it makes a lot of sense if the demons are part of the solution, I’m just really curious what that solution actually entails for the demons / what exactly Mujika is. I still think it’s plausible that another promise between Mujika and Emma will happen, considering the narrative mirroring TPN does a lot.
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. other random stuff
there’s mass production farms! I shouldn’t be surprised, but I hope we get to know more about those (likely not since yknow 5 episodes left and all that)
I also liked how they showed the different plants while talking about it, mirroring how we too mutated plants and some animals to further benefit our needs and exploitation...
The pep talk from Ray was good and the sunrise was SO BEAUTIFUL, TAKE ME NOW ANIMATORS
generally the animation, especially in the trio scene and the lambda squad hideout scenes, was so BEAUTIFUL
I liked that I kept joking about how the WM system was rly insecure if a random guy just dropped the pen for Krone to find, but NOW WE HAVE CONFIRMATION IT WAS INTENTIONAL and Smee is truly the MVP / big brain puppet master of this series.
It did seem kind of weird that Norman just left like "yeah this will probably be discovered soon. anyway, I'm leaving you here to go to my base, see ya" - LIKE BRO TAKE THEM WITH YOU SO YOU CAN PROTECT THEM IF THEY SHOW UP LIKE, TONIGHT
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Survey #369
“so close, no matter how far / couldn’t be much more from the heart / forever trusting who we are / and nothing else matters”
What are three emotions you experience regularly? Sadness, shame, and stress. Is there someone right now whom you really wish would care for you? -___- Does your job allow visible tattoos? I don’t have a job, but quite honestly, I probably wouldn't take a job that didn't. I just love tattoos a lot and plan on having many, and ignorance and old-fashioned bullshit isn't gonna stop me. Do you know anyone that’s transgender? Yes. Do you think dress codes are unfair? In some places, like schools, yes. Are in a relationship? Tell me about it. I'm not. How is your road rage? I don't have road rage. By god does my sister, though. Favorite cosmetic brands? I don't wear makeup nearly enough to have a preference. The beach or the pool? The pool. I hate the feeling of sand, plus the salty wind and heat. Manga or anime? Anime. Favorites for manga? I've never read any. It's tempting to read Deadman Wonderland since it continues off the very short anime, but I just don't want to. Manga isn't my style. Favorites for anime? Fullmetal Alchemist (including Brotherhood), Ginga Densetsu Weed, and Deadman Wonderland. Favorite academic subject? English. A card game that you’re good at? I'm not exceptionally good at any. Do you eat breakfast? Pretty much always. A popular book you haven’t read yet? To Kill A Mockingbird, to name one I feel like everyone had to read in school. Do you like sweaters? I'm an oversized hoodie person, really. I don't like the look of zippers. Do you like sushi? Never tried it, never will. Do you wear prescription glasses? Yes. I badly need a new pair, because I can't see for shit. Generally, are you more likely to blame others or yourself for problems you experience? Myself. What is one thing about your life that you don’t ever see changing, even if you might wish it would? I have a feeling I'll always have some degree of social anxiety. I'm sure there are other things just not coming to me. At what point in your life have you been the most social or had the most friendships? And at which point have you been the least social? I had the most friends in my childhood years, probably. Or high school when I actually had a friend group. I'm sure I was most social as a kid in elementary school, not dealing with my social anxiety. I've been the least social like... now, honestly. I go essentially nowhere and have very few friends. Do you prefer to have a few close friends or a bunch of random acquaintances? Which would describe what you have now? I want close friends. I have like... two or so close friends and a handful of acquaintances. I don't know which I have "more" of when you consider the actual level of friendship/"quality" I guess. Do you journal? Generally, what do you write about? Do you find it helpful to get your thoughts out that way, or do you prefer another form of self-expression? I don't actually journal, but you could consider these surveys my "journal." I guess it's kinda why I do them so frequently? Like it lets me get stuff that's going on out, so I find it kinda therapeutic versus keeping all my thoughts jumbled up in my head. Have you ever been somewhere and REALLY didn't like a food that you were expected to eat? How did you deal with this? Are you someone who is likely to suck it up and be polite or refuse and save your taste buds? To start off, I am VERY bad at sucking it up and eating something I don't like. My gag reflex is very strong, and I'm also extremely sensitive to textures I don't like, so my reactions are just very involuntary. I can try to subdue my expression when I dislike something, buuut that's extremely difficult. But anyway, yes, I've been to places where I definitely disliked the food, especially this one occasion where we went to a local Southern cooking restaurant that literally ASSUMED you want the staple foods and sweet tea, none of which I enjoy. While everyone else was eating, I just very awkwardly sat there doing nothing and pretty much panicking over looking rude. Thank god, Ashley's father-in-law noticed and called over the waiter for me to actually order something, the way it should be. I was very thankful but still felt bad. What is one way in which you compare yourself to others? In this comparison, do you regard yourself as better or worse off than the people to whom you usually do the comparing? I am very bad and comparing successes with others, but only in ways that demeans me. Like I look at others and am just like, "Why aren't I there yet?" It always leads to anger and disgust of myself. What is something you’ve been particularly grateful for lately? I've thought a lot lately about how thankful I am to have my mom. She does so very much for me, and I don't think I could absolutely ever repay her in full. I wish I could. She's a damn superhero. What kind of change or opportunity would be the biggest help in your life right now? I was initially going to say getting a job, but thinking about it, getting to my goal weight might be an even greater help. It would help my leg pain, not having to carry as much around, I'm sure my hyperhidrosis wouldn't be as bad (I hope), and it would MASSIVELY affect my happiness. Like I cannot tell you how negatively my weight has damaged my self-esteem, confidence, and peace with myself. Is there one emotion that you experience more often than any other? Is there an emotion you rarely ever experience? I'd say I experience stress more than anything. I'm always thinking of something that's causing a ruckus in my life. A rare emotion for me is uhhhh jealousy, even though I've dealt with it more lately. What is one illness you are afraid of having? Do you know anyone who has faced this illness? The disease that I think scares me more than any is Alzheimer's/dementia. I just... cannot possibly imagine. How do you tend to behave when you’re sick? What kinds of things do you like people to do for you, if anything, to help you feel better? I'm very mopey and tired, and I can be a bit more irritable. I really, really appreciate help with things like chores when I'm not feeling well. When was the last time you did something you were proud of? Were other people proud of you as well? Does it matter to you whether or not other people care about your accomplishments, or is your own satisfaction enough? It's a very small thing, but I weaned down from having two cans of soda a day to just one. Mom is proud of me for it, which I appreciate a lot. Admittedly, it does kinda matter to me that those who know it's a big deal to me see and care about my accomplishments. I'm bad about needing external validation. What is your least favorite thing about the season you’re currently experiencing? Are you okay with most types of weather, or are you only happy under certain conditions? Ugh, the heat. Spring and summer are miserable to me because I veeery much love the chilly weather and no damn humidity. Have you made any changes to your style or “look” lately? How often do you change your appearance, hairstyle, fashion, etc? Or is it a pretty constant thing? No; my style is pretty constant. What was the last thing you felt hopeful about? Do you think there’s a good chance of whatever-it-is working out in your favor, or not so much? Getting a job at the tattoo parlor. I'm fearful that they won't be open to the position I'd like, so I'm trying to not get my hopes up too high. We'll find out in two days. Have you ever “recovered” from anything? What does “recovery” mean or look like to you? Yes, a traumatic breakup. I'd say recovery is just healing as much as possible from something, be it physical or emotional. What are some ways your childhood differed from those of others around you? Do you think this difference was harmful or advantageous in the long run? My dad was an alcoholic, if that qualifies. That definitely isn't a *normal* thing for someone's childhood. I think it was harmful, honestly, especially because I've had more than a few nightmares about my dad drunk. When was the last time you did something out in nature? Do you notice a dip in your mood when you don’t get enough of the Great Outdoors? Oh jeez... Probably not since Sara and I went catfishing with my dad. I wandered around with her some as she ventured for toads, haha. I don't really notice a dip in my mood, just because I'm so used to being indoors. I do prefer getting some time with nature, it's just hard and uncomfortable with how easy I sweat, and my knees sure do cuss me the fuck out in the form of a billion cracks if I walk much (by my standards...). What did you dream about last night? I had two dreams, but I only remember one, in which a giant green tree python was eating me backwards so I was conscious through it all. No hard feelings, I still want one as a pet, haha. They're GORGEOUS snakes and no, absolutely cannot eat you even if it tried its damnedest. What were your childhood dreams? To be a paleontologist, then a vet. What are your dreams now? If we're talking career-wise, to be a nature and wildlife photographer that gets to travel a lot. What are some Halloween costumes you would like to wear in the future? I've mentioned that #1 on my list is Ms. Oogie Boogie, then uhhhh... wow, I'm surprised I'm blanking, because I know there are lots I've thought of. Were you born with hair on your head? Yes. Would you rather have a home birth or hospital birth? I'm not having kids, but holy mother of fuck I'd have my baby at a hospital with a goddamn epidural. I do NOT know how some people can do it naturally, bigass props to them. Do you currently live in the house you grew up in? No. If not, what do you miss about it?^ It was just in general a nice house, the best one we've lived in. We had a pretty big yard too, so lots of room to play around as kids. What’s your favorite type of yogurt? I'm not a big yogurt person, really. What were your high school’s team colors? Red and white. Who were your best friends in high school? Hannia, Girt, Maria, Megan, Dennis, Dakota... What would be the best surprise you could receive right now? A tarantula. *puppy eyes emoji* Were there any subjects in school that were really easy for you? If so, what? English courses were very easy for me, and I was pretty good with science. Did you ever skip a grade or get held back a grade? Not like, a whole grade, but I surpassed Writing I in my last college endeavor and started out in Writing II instead. What’s your favorite rock band? Oh brother, you can't ask me this. Who’s your favorite country singer? I consistently like Tim McGraw a bit. How many drawers does your dresser have? My dresser is unnecessarily big. There's like five or six. Have you ever taken a picture at the perfect moment? Yes. One of my favorite pictures I've taken was at Ashley's gender reveal for Emerson; even she didn't know. When her husband pulled the fog thing and it was pink, her expression was just priceless. Was your first car used or new? I haven't had my first personal car. How did you discover your favorite band? By going through my mom's CDs when I was getting into rock music. Ozzy was the first truly metal and not rock band that I ventured into. What was the last big decision you made? BIG decision... I don't know. Probably dropping out of college. What is your favorite thing to go shopping for? I love window shopping for pets online, haha. What was the last thing you changed your mind about? A political stance. Who was the last friend you saw, and what did you do together? Oh yikes, it's been more than a while... It may have been Girt? In which case we probably watched TV or played board games together. Who tends to show up in your dreams? Do you ever wonder if you appear in anyone else’s dreams? Jason just loves to show up in my dreams more than anyone else. I don't really wonder that, no. What is something you wish you could say to someone who is no longer in your life, or something you wish they could know? I wish I could tell Bryar (Jason's friend I got in a fight with) I misunderstood something he said to me ("martyr" has two different definitions, and I somehow didn't know the modern one at the time) that made me seem like an absolute, attention-seeking bitch. It's so fucking embarrassing to look back on, because I agreed with him because I thought he meant it as I would die for my beliefs, which is true. What worries you most about your future? Whether or not I'll ever be in the physical shape I want to be in again. Or if I'll have a stable job. What is something you do to feel better when you’re scared? Find distractions, like funny YouTube videos. I also engage in deep breathing and grounding methods. What is the strangest book you have ever read? How did you find out about it? Oh my god, in elementary school, we read a book where everything a boy touched turned to chocolate. Weird book. Do you prefer to watch movies or tv alone or with other people? Is there anything you refuse to watch alone? Other people, definitely. I like having someone to talk to and comment on what we're watching. There's nothing I won't watch alone. What was the subject of the last video you watched? It was a let's play.
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Notes From the 2020 Myanimelist.net Challenges - Part 1: Anime
You don’t need me to remind you how much 2020 sucked. It was definitely a hard year for me as well, especially since health problems (fuck cancer) pretty much kept me on the couch, in the hospital, and out of work for 6.5 months out of the year. Add to that the current events, almost daily anxiety attacks regarding the current events, and my main escapes being cancelled, 2020 was definitely a rough one.
That being said, when I was more cognizant and not suffering from executive dysfunction, I did watch some pretty good anime this year.
I will now continue with my yearly post about some of the anime I watched and manga I read for this challenge, starting with the anime side. While I didn’t finish the challenge by the site’s deadline, I finished before the end of the year, which was better than last year’s attempt!!!
Like the previous 2 years, I will talk about some honorable mentions/anime I had thoughts on, followed by my favorites from the challenge.
Let’s do this.
Honorable Mentions/Other Notables:
Inferno Cop - completed for the task “Watch an ONA”
Inferno Cop is, well, a cop, whose family was murdered by the organization Southern Cross. Now, he is tasked with fighting that organization and keeping the peace in the city of Jack Knife Edge Town.
My reaction to watching this anime was pretty much this:
youtube
This anime was honestly kinda funny. I’m usually not into the stuff that’s bad/over the top on purpose (I guess they would call it Stylistic Suck), but this anime made me laugh really hard at points. I feel like it also helped that each episode was about 4 minutes each.
My favorite part was honestly this:
youtube
Believe it or not, it makes just as much sense in context.
There are definitely worse ways to kill an hour.
Strawberry Marshmallow (aka Ichigo Mashimaro) - completed for the task “Watch any anime recommended to your Favorite Anime”
The slice-of-life adventures of 6th-grader Chika, her friend and classmate Miu, 5th grader Matsuri, British transfer student Anna (who transfers to Matsuri’s class), and Chika’s college-age sister Nobue. Hijinks ensue, usually initiated by Miu.
This was recommended to me because one of my favorite anime listed on my Myanimelist profile is Azumanga Daioh. I feel like this one is a little more hyper (if that makes any sense, it’s honestly the only word I can think of for this), but still fun and not a far-off comparison.
Pretty much your basic Cute Girls Doing Cute Things anime with some zany hijinks thrown in. It was cute and funny, though I feel like this is one you have to be in the mood for, similar to when I watched The Irresponsible Captain Tylor for last year’s challenge. I still had fun with it and it made me smile. The last episode was actually pretty heartwarming, and the fact that I watched it on Christmas Day was a cool coincidence.
Canaan - completed for the task “ Watch an anime that began airing the same year you joined MAL” (2009, in this case)
Maria Osawa, a photographer, is on an assignment in Shanghai with her colleague, Mino. They end up in the middle of a conspiracy involving a mysterious virus, a deadly terrorist attack, rival assassins, and a white-haired lady named Canaan, who Maria apparently knows.
This anime actually came up for multiple tasks in the challenge, so I pretty much had to watch this one, lol.
This anime was a bit dark at certain points. There was a bit of an interesting mystery, as well as pretty good action scenes, especially the fights between Caanan and Alphard, the main rival assassin. I honestly ship Maria and Canaan; I wish the anime just came out and had them get together, because some of their dialogue can get a little gay-baity at times, but it was still precious. Some lapses in logic and artistic liberties, but still pretty good.
Ginban Kaleidoscope (aka Skating Rink Kaleidoscope) - completed for the task “Watch an anime generated randomly using spin.moe”
Tazusa Sakurano is a figure skater who dreams of going to the Olympics. After a fall on the ice where she hits her head, she wakes up to find herself sharing her body with the ghost of Pete Pumps (yes, really), a Canadian stunt pilot who died during an air show. Tazusa has to get used to sharing her body with a ghost while trying to realize her dreams, and Pete helps her out, too.
I honestly thought this anime was kinda cute and heartwarming. Funny at times, too, especially when Tazusa is first getting used to sharing her body with Pete. I thought it was nice that Pete helps Tazusa with her skating later in the anime
Your Name (aka Kimi no na Wa) - completed for the task “Watch an award-winning anime”
Mitsuha is a high school girl who lives out in the countryside and dreams of moving to the big city. Taki is a high school boy who lives in the city and has a part-time job, living a pretty busy life. One day, they find that they’ve switched bodies! They then try to find out about each other and find an answer to why they temporarily switch bodies every now and then.
Yes, I gave in to the hype, and yes, I loved this movie. And yes, I cried.
This movie was honestly beautiful. The art looked great, the story was interesting, the plot twist was unexpected, etc. Not the best anime movie ever like everyone says, but I still loved this one.
Favorites From the Challenge:
Ping Pong the Animation - completed for the task “Watch an anime with a score of 8.00 or above and an episode duration of 16 minutes or more”
Makoto Tsukimoto, aka Smile, and Yutaka Hoshino, aka Peco, are childhood friends who are part of the ping pong club at their high school. Peco wants to be the best in the world, while Smile mostly finds ping pong as a way to pass the time. The anime shows them playing in and trying to win the championship, as well as them getting better and their various feelings throughout.
Might as well continue the tradition of watching a Masaki Yuasa work for the challenge. He most certainly did not disappoint here.
This made me think of how I felt when I watched One Outs for last year’s challenge. A different take on sports anime than usual, focusing on more of the psychology of the players and their histories. The two friends weren’t together all the time, though their bond was still there. I honestly binged this one in a couple days, that’s how much I was invested.
The art style is very interesting and unique, which was a major positive. I found this anime to be great overall.
Mononoke - completed for the task “Watch an anime that finished airing with 11 or more episodes and has a synopsis by MAL Rewrite”
A mysterious Medicine Seller wanders Japan to slay malevolent spirits called Mononoke. In order to do so, he has to figure out their Form, Truth, and Reason, along with psychological analysis and talking to the people caught up in the Mononokes’ schemes. Only then can he use his special sword to exorcise the spirits.
Unique art styles definitely seem to be a trend here, a complete coincidence on my part.
This reminded me a lot of the anime Mushishi, except on acid or some other drug like that. I like that this is an anthology of sorts, with the 11 episodes divided up into groups of 2 or 3 episodes per plot arc. The art style was unique and very pretty at times, and I found the psychological aspect very interesting too.
This anime isn’t for everyone, and it can get a little confusing at times, but I liked it a lot.
Silver Spoon (aka Gin no Saji) - completed for the task “Watch a listed Gourmet or Isekai themed anime” (Gourmet, in this case)
To get away from the pressures of home life and high expectations, Hachiken, on the advice of one of his teachers, decides to go to an agricultural high school, thinking it would be laid back. When he gets there, he has a bit of a culture shock and learns about farm and country life, including taking care of livestock and making fresh food.
I liked a lot of the characters in this one. I like the friendships Hachiken gets into with his classmates, especially a girl he meets on the first day and his assigned partners in rotations on the farm. This anime was also kinda relaxing too, and another one I was able to watch several episodes of without realizing.
Aggressive Retsuko (aka Aggretsuko) Season 3 - completed for the task “Watch an anime with a main character that is a professional in their field”
To pay off some debt that Retsuko incurs, she gets roped into helping out an underground idol group who is trying to make it big.
Honestly, this season hit me with all the feels multiple times. I loved seeing Retsuko take charge in several of the episodes. A lot of what I loved about the previous 2 seasons of Aggretsuko were here. Definitely made me laugh several times.
Princess Jellyfish (aka Kuragehime) - completed for the task “Watch a Noitamina anime”
Tsukimi is a shy, awkward outcast who loves jellyfish and lives in an apartment building, Amamizukan, with a few other awkward outcasts. One day, while out at a pet store, she meets a confident woman while trying to save a jellyfish from improper care. This confident woman, who is revealed to be a guy, Kuranosuke, who likes dressing like a woman, plants themselves in Tsukimi’s life and helps her break out of her shell.
This wins Best Anime for this year’s challenge. I found myself relating to Tsukimi a lot, being a socially awkward nerdy outcast. To be honest, I found myself headcanoning most of the characters (especially Tsukimi) as being autistic. I loved the relationships between the characters and I found a lot of this anime really relatable. The two main ladies (I say that loosely because Kuranosuke isn’t technically a lady) were my favorite characters.
This anime was so cute and so heartwarming. I’m planning on reading the manga now to see where the story goes. I’m glad I finally got around to watching this one.
#anime#myanimelist#myanimelist.net#thoughts of the day#inferno cop#strawberry marshmallow#ichigo mashimaro#canaan#ginban kaleidoscope#skating rink kaleidoscope#your name#kimi no na wa#ping pong the animation#mononoke#silver spoon#gin no saji#aggretsuko#aggressive retsuko#aggretsuko season 3#princess jellyfish#kuragehime
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How much of Snake character has grown since he work for Our!Ciel?
【Related post: Comparative Analyses Musical Snakes】
Dear Anon,
Don’t worry, Tumblr did not send your ask into the abyss, I was just slow. Apologies it took so long to get to you!
Erm… I would say that Snake either didn’t grow, or if he did, we simply can’t tell. Please allow me to explain why I think so.
First of all, I would like to discuss what “character growth” is in my opinion. In my opinion, a character has grown: if in a given type of situation, they behave in a way that is different than how they would have prior to certain events in their life. Let us look at whether this applies to snake, and if so, how.
But! Before we start, I wish to point out that regardless of what Snake does, it is VERY hard to tell whether it is his chosen action, or that his action is merely the reaction dictated by what snakes he happens to have brought with him. Depending on which snakes Snake has on him, his action and reaction are bound to differ, after all. We don’t have confirmation whether:
Snake is a puppeteer who ‘uses’ the snakes to explain his behaviour,
or whether he is simply the objective agent who represents the animals.
In the case of 1, there is something to be said for his behaviour, but because he does not always have the same set of snakes on him, it is still very hard to determine whether he has “grown”, or whether it’s simply a different side of his personality (i.e. a different snake) talking.
In the case of 2, then there really is no indication whatsoever possible for any growth, as Snake has only spoken like 3 lines as himself in the entire manga.
So, now with this in mind, let us start.
Circus Arc
We first meet Snake in the Circus, and his attitude was relatively antagonistic. Given how Sebastian quite actively trespassed, however, I wouldn’t say this ‘antagonism’ is out of place.
Throughout the arc, Snake remains more or less equally antagonistic towards O!Ciel and Sebas, but that’s because they are strangers to him, and later he even learns that they were actively infiltrating his family’s tents. As such, I also don’t blame Snake for this behaviour.
It is more important to look at his behaviour when he is around people he trusts, But in chapter 28 we also only see a relatively held-back attitude; but given how he is just there to convey a very hard message “hey, these new people you hired are baddies”, I also don’t think it is weird to act that reserved.
Throughout the Circus arc, we don’t actually see a lot of Snake’s behaviour under non-stressed circumstances.
Mansion Murder Arc
The Mansion Murder Arc is the second time we meet Snake, and his behaviour is still very antagonistic. But as he believes (justly) that Smile and Black were responsible for the disappearance of his family, this antagonism again, is entirely justified.
The moment he hears from O!Ciel that they were ‘trying to help’, Snake mellows down immediately, because the conflict for Snake was then solved. Again, nothing special. The only thing we can say for Snake is that it seems he is gullible and naive (More on this later).
After Snake has mellowed down, we see how he has lost the edge he used to have before. But like I said before; it is because the conflict was resolved, not necessarily because he changed as a person.
There can only be mention of “growth” if we had an example from before the Circus arc with comparable circumstances. IF we did have evidence of Snake NOT mellowing down so easily before being employed by O!Ciel, and could compare it to this current behaviour, THEN we could speak of “growth”. However, this is not the case.
Campania Arc
In the Campania Arc we see a very cute Snake around his “new family”. It seems like a stark contrast with his behaviour with his “old family”. But like I said above, we don’t have any evidence of Snake’s behaviour with his old family under non-stressed circumstances, so we can’t say this is the result of “growth”.
Unlike in the Circus where his ‘freak status’ was an appeal, he now feels out of place with an Earl in public. This is something that is also entirely understandable.
One of the most important moments involving Snake is O!Ciel telling him to be proud of himself. We see him being obviously happy to receive such words, but we also can’t tell whether there is “growth”, because he never had to deal with such a situation before he met O!Ciel.
Before he met his old family, he was treated like a curiousity and definitely not considered ‘a person’. After he met the Circus members, he learned to embrace the ‘weirdness’ together with the other ‘weird’ Circus members, and turn it into an attraction point. But Snake was never expected to embrace his ‘weirdness’ among ‘standard’ people. Being ‘weird together’ is MUCH easier than being ‘weird’ alone.
His cuteness is the most obvious difference in comparison to during the Circus Arc. But as we can see here in chapter 50 (before he met O!Ciel), he was already that cute! So again, this cuteness is not the result of “growth”.
When the Campania was sinking, we see Snake take big action to save his friends by sending Keats to help navigate. This is really heart warming as an act to save his ‘new family’. But it is not something he had not done before already for his old family.
After his old family disappeared, he literally travelled all the way to London, and again all the way to the Phantomhive County ready to commit murder, after all.
Werewolf Arc
Snake was a passive character in the Werewolf Arc, and we also don’t see any indication of how he has changed as a person.
Sebastian was doing most of the investigation and was always the one who initiated the actions taken by Snake. Sebastian only brought Snake along because he needed his animals to do the work for him to minimise the suspicion by Wolfram. Sebastian was already altogether way too active for Wolfram’s taste, so by ‘shifting responsibility to a wild animal’, Sebas could pretend he was not actively involved.
Beyond
In the Arcs beyond the Werewolf Arc, Snake also fulfills more or less the same role as before (an incredibly cute and gullible sidekick in humanoid form). Just like with all Snake’s actions before, we don’t have any framework to compare to get a telling ‘Before O!Ciel’ vs ‘After O!Ciel’.
Conclusion
In conclusion, because the contents we have of Snake are not comparable, we cannot establish whether this character has grown or not. We only get to “get to know him better”.
Later we might see how Snake has grown as a character as he spends more time with O!Ciel, but unless we get a backstory of his, we will never see whether he has changed as a person because of meeting his new family.
If we DON’T get a backstory, than the only thing we can work with now is Snake’s gullibility. If later Snake proves to be more sceptical than he is now (blindly believing O!Ciel???? Blindly trusting the person you were SO determined to kill????), THEN we might speak of “growth”.
Otherwise, we’ll just have to enjoy ‘getting to know him’, which is great too. Not all characters need to grow in a story, and especially not minor characters.
#Snake#Character Analysis#Circus Arc#Campania Arc#Werewolf Arc#Green Witch Arc#Emerald Witch Arc#Mansion Murder Arc#Character growth#Growth#Can't tell... we can't tell
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BnHA Chapter 239: We’re Fucked
Previously on BnHA: Actually it’s been two weeks, so I barely even remember. Let me just... take another... Ah, right. So Tomura brought it up a notch to Goth Level x20 and destroyed all of his Surplus Hands in a fit of independence, and Re-Destro was like “!!!” and then turned himself into a giant robot as a counter-flex. Meanwhile Gigantomachia continued to smash shit and also defeated Orange Leaf because lord knows Dabi was never actually going to get around to it. Compress called Ujiko and was all “hey can you please stop your guy because I’m afraid he’s going to smash us once he’s done smashing everything else,” but Ujiko was all, “listen if Shigaraki dies then he dies!!” But I’m pretty sure Shigaraki isn’t actually going to die. Re-Destro, though? He might be dead. Guess we’ll find out.
Today on BnHA: Nope, Re-Destro isn’t dead. So it goes like this: Tomura, who is now incredibly hot by the way, annihilates the entire fucking town leaving only bits of rubble, basically. Everyone is all, “LOOK AT THIS ARE YOU FUCKING SEEING THIS HOLY SHIT” and basically just watching in awe. Re-Destro chops off his own fucking feet so as not to be disintegrated himself, something which everyone is way too fucking calm about tbh. And in the aftermath Tomura stands there all “lol I won,” and RD is like, “yeah you sure did,” and I was expecting Tomura to be all “well anyways, [kill]” but instead RD is like, “HERE’S THE KEYS TO YOUR NEW ARMY” and Tomura is “HEY COOL” and SOMEHOW THIS IS SO MUCH BETTER AND WORSE ALL AT THE SAME TIME. Heh. Anyways where’s that comic with the dog in the house that’s on fire. That about sums it all up.
(All comments are my unspoiled reactions from my initial readthrough of the chapter. I did a quick edit for grammar and clarity immediately afterward, but aside from that there are no changes, and even that was a rush job since I was late in reading the chapter this week. I basically have not edited this at all lulz.)
sounds like someone is about to get the official Gigantomachia Seal of Approval at long last! sure did take this boy a while to get accredited, but he kept at it! there’s a lesson there, folks. if at first you don’t succeed, stop sleeping for two months and then power-hallucinate your way to success
so we’re opening with Hanabata and his van! I sure hope this mofo is about to die, because mofos need to start dying already. I’ve loved this arc and we’ve had some really great times, but I never did have much patience for this particular point of any given arc. side villains need to know when to die. respect for Kizuki, at least she had the right idea
on the other hand we are being gifted with some pretty fun panels, such as this
wah, his shoes. heh
oh my god
did he slam into the van when it hit the brakes to avoid Tomura’s Destruction Radius. ouch
so he’s narrating about how some crazy shit is going down over where Tomura is. and that “our story was at a standstill, but now...”
listen, that “but now” had better mean that you’re about to de-standstill and wrap things up
-- holy shit
I’m not -- Tomura, what!?! you’re hot?! is it just me?? am I fucking losing it?? what the fuck. can you seriously just cut off anyone’s fingers and they’ll magically grow 40x hotter!? somebody count Aizawa’s fingers for me
shit. this isn’t even my normal aesthetic! Tomura you’re crossing genre barriers here. I can’t speak for everyone, but I deeply suspect that you’re appealing very widely right now
the moral of this story is, eyeliner. that’s it. that’s the moral
in other news, Twice shouting “hang in there, Giran!” speaks for all of us, I think, and he had better get a medal for being VIP of this fucking arc. and Giran, it’s good to get some exercise
so who is this monologuing now?
is this a flashback to All for One? or RD getting all philosophical as the countdown inches ever closer to his doom?
like, this could seriously go either way here. huh. full disclosure, I’m doing my best to speedread here since this recap is late, so I’m not taking much time to think real deeply or try and process every little thing this week
now RD is going “guh!” and failing to get with the times
yeah dude, we established this already. Tomura is doing a lot of things he shouldn’t fucking be able to do. because he’s awakening. you’re the one who fucking said it just last chapter. quit being so damn shocked
lol now he’s thinking “if I can just get out of range...” ha, good luck. does he even have a fucking range now
omfg. you guys
being on the villains’ team for an arc is so much fun. so nice to be able to shamelessly appreciate the senseless destruction
okay, not quite as hot now. but from the right angle, though. damn
anyways. he cray. we get it lol
now he’s shouting “I’ll break you to pieces!” all gleefully and, like. destroying the entire town, it looks like. possibly
okay but seriously I think he really is. he really fucking is, you guys
I’m simultaneously grinning at how badass it is and thinking in the back of my mind about how our actual heroes are so!! fucked!! once this arc is over and done with sob
like, hey Tomura, what was your overall goal again? destroy the entire world? oh, yes, right. and what exactly is stopping you, again? literally nothing but a handful of sixteen-year-old heroes in training? whom I’m deeply attached to? yes, that’s surely going to end well
sobbbbbbbb
we’re so. goddamn. fucked
also, when did RD transform back into his little guy form? why do I suddenly almost feel sorry for him. well maybe not sorry so much as I feel pity. though once again, weekly reminder that he invited them himself, and they probably would never have clashed had he not decided to start shit for absolutely no fucking reason
let this be a lesson to all other villains! if you’re still thinking the League is an easy mark now that AFO is ~out of the picture~, let Overhaul and Re-Destro serve as examples of what happens when you underestimate the new boy in charge
and when I think of it that way, it makes me want to warn Tomura not to get too cocky and make the same fucking mistake. AFO and All Might may not have much in common, but one thing they do share is a knack for choosing worthy successors. though I still think that in AFO’s case, “placeholder” would be a more accurate word
anyway so where were we. -- oh yes
I wonder how many pages do we need of Tomura cheerfully decimating shit and RD watching in terror. this is a manga-only complaint though, just to be clear. in the anime? this shit is going to be fucking amazing. Tomura cackling maniacally while the world crumbles to pieces around him. metal af
by the way I love how RD has gone pants-only now that he’s back in his Bruce Banner form
I really shouldn’t be complaining that this chapter is going by so quickly, given that I’m trying to race through it, but literally the next two pages are just more of the same shit
town: destroyed. RD status: defeated and pants-only. plots advanced in the last three pages: none that I can actually see
oh shit. wait
what the -- holy --
okay lol. nevermind. here I thought that was Tomura’s foot on the previous page. and I didn’t notice RD’s feet had been chopped off on account of I thought the BLOODY STUMPS OF HIS FEET were his shoes, I guess. despite the manga establishing multiple times that he was only wearing pants. I only pointed it out specifically twice myself. wowwww
just. I’m running on four hours’ sleep here but feeling pretty all right considering, so I thought I was doing pretty good, but I GUESS NOT lol. one of these days I’ll learn that if a giant two-page spread appears to be a waste, it’s far more likely that I’ve just completely failed to see some very obvious thing of critical importance
anyways. ohhhhh yesssss
[raises hand] me! I know!! it was him calling you up out of the blue and being all “hey come here I want to start a whole battle”!!
heeeeeeeh
god I’m living for this. the brief swell of pity is gone as quickly as it arose lol. finish him off boiiiii
OH FOR FUCK’S --
DID YOU GUYS SOMEHOW FAIL TO GET THE MEMO. DID THE ENTIRE TOWN CRUMBLING APART NOT CLUE YOU IN THAT IT WAS TIME TO HEAD IN THE OTHER DIRECTION
jesus. I would be impressed by their loyalty, except that none of them have given a fuck about the 100,000 hapless redshirts who’ve died fighting for them, so it seems pretty damn hypocritical for them to care so much about this one fucking guy. especially when his stupid plan singlehandedly destroyed everything your organization has spent their entire lives working for. in, like, an hour
anyway, Tomura is back to being hot again guys
motherfucker is fully aware of just how much everything is lining up his way right now. finally his childlike self-assuredness actually has some sort of basis in fact. you are exactly as badass as you think you are, sir. must be nice. you enjoy this; you deserve some nice things just this once before everything goes to shit again after this arc
holy shit, even Hanabata’s quirk is failing in the wake of that see-you-in-hell grin
I’m telling you dude, you should have been driving the other way. not that there’s any point now. enjoy your final seconds on this earth
LOL
“meaningless casualties” lmao that is the most pompous variation on “DON’T YOU GET IT, WE’RE ABOUT TO FUCKING DIE” I’ve ever heard
wow, so wait, is RD trying to beg for their lives now??
that’s a surprisingly classy move. unfortunately I’m fairly sure Tomura is going to show you exactly as much mercy as you were prepared to show him just a few minutes earlier. well maybe a little more mercy, since you were going to take your sweet time and he’ll probably end things quickly in comparison
anyway so now RD is having an internal dialogue with his dead great-grandpa about how Tomura turned out to be the living embodiment of everything they were fighting for
and actually, he’s not wrong when you think about it. which just goes to show you how deeply flawed their philosophy really was. there’s a hugely important distinction between “freedom to be who you are” and “freedom to do whatever the fuck you want, including hurting and oppressing others”
anyway, so in the end he didn’t ask for mercy. “I picked a fight with you and lost. if you mean to kill me, then get it over with.” well I guess that is still classy in its own way though
also, Machia is staring at Tomura and seeing this
which is an awesome visual, and I love that Horikoshi went with that instead of more internal monologuing. nothing else even needs to be said
-- !!!!!!!!!!!!!!!!!!!!!!!!!!!!!
HOLY SHIT
SDFSLDKJFLJS HOLY SHIT
yooooooooooo. oh shit
I did not see that coming. should have, probably. there was a lot of buildup to it in hindsight. Tomura and the gang started out the arc flat-out broke, and now at the end of things they acquire a company with precisely the resources they need. manpower, cash, and technological innovations. oh shit. oh shit
oh my god the look on Ujiko’s face. this worked out better than he ever could have hoped
pausing it here because I did in fact laugh and I love it. [pats]
this boy has a 5/5 intelligence score in the character databook. he’s a genius. nothing gets past him. his reflexes are too fast
aaaaaand that’s the end of the chapter. well, then. to reiterate: we are well and truly fucked y’all
#bnha#boku no hero academia#bnha 239#shigaraki tomura#re-destro#bnha spoilers#mha spoilers#makeste reads bnha#well that's just great#now he has an army *and* a hulk#on the bright side#having seen what this army is capable of#I don't think we need to worry too much about that particular new asset
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Pop Modernist Dystopia
In an interview with Peter Bogdanovich shortly before his death in 1976, Fritz Lang said of Metropolis, “You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale – definitely. But I was very interested in machines. Anyway, I didn't like the picture – thought it was silly and stupid – then, when I saw the astronauts: what else are they but part of a machine? It's very hard to talk about pictures—should I say now that I like Metropolis because something I have seen in my imagination comes true, when I detested it after it was finished?”
Lang wasn’t alone back in 1927 when the film was first released. Critics applauded the striking visuals and the ambitious technical achievement, but lambasted the trite melodrama and cheap platitudes. In a vicious New York times review, H.G. Wells attacked the picture’s anti-progress, anti-technology message, accused it of ripping off several earlier works (including his own), and called it “quite the silliest film.” It was also attacked as a bunch of simpleminded and heavy-handed pro-communist propaganda, while at the same time and ironically enough it was hailed by the Nazis for portraying the overthrow of the Bourgeoisie.
(As a quick sidenote, Lang’s wife, novelist and Metropolis screenwriter Thea von Harbou, became quite infatuated with the Nazis after they took power, which led to a divorce shortly before Lang fled to the States in 1936.)
The story, admittedly, is pretty trite. In the year 2000, 2026, or 3000 (depending on which cut you see), there is no middle class. The top .001 percent of superwealthy intellectuals live in unimaginable luxury in the towering city of Metropolis, while the teeming masses of impoverished proles work the monstrous machines in the underground factories. Freder (Gustav Fröhlich), son of Metropolis’ ruler, falls for a poor worker named Maria (Brigitte Helm). Meanwhile an engineer with a beef builds a humanoid robot to exact a little revenge, and the workers begin muttering about conditions and revolution. There are another half dozen storylines at play, but we’ll keep it simple here. There are some disasters, some rioting, things go a little crazy there for awhile until everyone learns they can live together happily. Yes, well. But the story hardly matters. Background becomes foreground in a film so packed with unforgettable images.
Produced by the German studio UFA, Metropolis called for 13,000 extras, over 200,000 costumes, and a city’s worth of monumental sets. It took fifteen months to shoot, over which time its initial 800,000 Reichmarks budget ballooned to over five million.
At the Berlin premiere for distributors, Lang’s directors cut ran about 153 minutes. Everyone, particularly Paramount, who’d signed a distribution deal with UFA, felt the film was way too long and the story far too tangled and confusing. That Berlin screening would be the one and only time anyone saw a complete version of Metropolis for the next eighty years. Paramount took the print and cut it down to 92 minutes, excising a number of characters and subplots, as well as the perceived commie propaganda. Then they brought in a new writer to concoct a new story to replace Lang’s original intertitles. UGA took Paramount’s version and cut still another ten minutes out, and other international distributors made other cuts of their own.
During its first theatrical run, Metropolis brought in a pitiful 75,000 Reichmarks. The brass at UFA was not pleased. Neither was Paramont, and the film ostensibly vanished. From that point, the history of Metropolis became as tangled and complicated as the original plot about class struggle, dehumanization, several layers of betrayal, a couple illicit love affairs, and robots. Beginning in the early Seventies, a number of attempts were made to restore Lang’s original complete vision by splicing together scenes from assorted international versions, but the story didn’t come to an end until 2008, when, much to everyone’s surprise, a print of Lang’s original 153-minute version was discovered in an archive in Argentina. The print was cleaned up, remastered, and released by Kino International in 2010. Two scenes from the Argentinian print were unsalvageable, so the 2010 version ran 148 minutes, five minutes shorter than Lang’s director’s cut, but what are you gonna do?
Until his death, Lang would tell the story that Metropolis sprang into his head fully formed upon seeing the towering skyline of Manhattan for the first time. He, his wife, and a German film critic were sailing into New York harbor for the U.S. premiere of Die Nibelungen in 1924, and Lang was mesmerized by all the skyscrapers. Immediately he envisioned a film about a magnificent city of the future. It’s a good anecdote and one he told quite well, but the only problem is by the time they first arrived in New York, von Harbou had already sketched out the story upon which the Metropolis script would be based. There’s no denying, though, that architecture would play a central role in Lang’s visuals. He supplied the film’s staggering architecture and machinery while von Harbou provided the human melodrama and social commentary. Lang was inspired by not only the Manhattan skyline, but a number of radical architectural movements of the time, from Art Deco and Bauhaus to Futurism, elements of which he would mix and match in order to design his own magnificent vertical city. His designs for Metropolis would in turn later go on to inspire not only other filmmakers and production designers, but artists and architects as well. And in the end, it’s the film’s visuals that stick with us far more than the plot: the new Tower of Babel, the robot-like workers marching into and out of the underground factories, and of course that insidious engineer Rotwang’s Maschinenmensch which itself was inspired by avant-garde sculpture of the early 20th century.
In a way that is absolutely key to understanding Metropolis’ unique and singular position within not only cinema, but the culture at large. It remains to this day a lynchpin between highbrow and lowbrow, the most enduring and influential embodiment of what might be called Pop Modernism.
The world’s first feature-length (and then some) science fiction epic took the Modernist art and architecture of its time and transformed them into a vision of a dystopian future that was at once a staggering achievement of cinematic art and imagination as well as a simple message film aimed at a populist audience. Despite the initial critical and audience reaction, and despite having been butchered by distributors, it would go on to inspire artists, architects, filmmakers, writers and musicians across the board. The Los Angeles of Ridley Scott’s Blade Runner and the Gotham of Tim Burton’s Batman both owe a great deal to Lang. Madonna, Lady Gaga and countless other pop acts have grabbed imagery from Metropolis to drop into their music videos. Respected composers, indie acts and electronic industrial outfits have all composed new scores for the film. Osamu Tezuka insists he only saw a single still from Lang’s picture, but that was enough to inspire his own Metropolis manga, which was turned into an award-winning animated film in 2001.
Perhaps the most perfect and telling example of Metropolis’ place in the Pop Modernist spectrum came in 1984, when producer and film composer Giorgio Moroder edited and released his own 80-minute version of Metropolis, which by that point had fallen into the public domain. Moroder replaced all the intertitles with subtitles, ran the film at a slightly faster speed, slapped on a pop soundtrack featuring Top-40 acts of the day like Loverboy, Pat Benetar, and Bonnie Tyler, and worst of all colorized it.
Film purists were outraged, assailing Moroder for mangling and desecrating Lang’s film in such a crass and cynically commercial way. But the critics at the time neglected to consider several things. First, a British distributor had already released a colorized version (quite the unfortunate rage at the time) with subtitles replacing the intertitles. Although the Moroder version clocked in at a zippy 80 minutes, this was simply the result of removing the intertitles and speeding up the film. Fact was, his version was the most complete version of the film available at the time. And most importantly, that pop song soundtrack, as painful and outdated as it sounds today, drew a much younger audience who would normally have no use whatsoever for a silent movie. He transformed a classic example of silent German cinema into a long music video, and the newly-born MTV generation bought it. The film brought in a darn sight more than Metropolis had upon its initial release. Moroder’s version, cynically commercial as it may have been, rescued the film from the museum and gave it a new life, introducing it to a whole new generation who were likewise dazzled by the stunning visuals, and who would then go on to incorporate the imagery into their own art and films and music. So 90 years after making an ambitious art film aimed at a popcorn crowd, Lang continues, if unintentionally, to dance that line between the High and the Low, kinda like Andy Warhol.
Funny thing is, from Moroder to Club Foot Orchestra to Lady Gaga, the more contemporary artists co-opt Lang’s film, the more timely and timeless Metropolis seems, and the more ephemeral and pointless everything else seems in comparison.
The final, sad irony of Metropolis’ long and complex history, blasphemous as it may be, is that for all the understandable ballyhoo surrounding the discovery of Lang’s complete original vision, and of at last having a pristine, remastered edition (minus those five minutes they couldn’t salvage) finally available again, I’d still argue the 92-minute Paramount version was the better picture.
by Jim Knipfel
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FRUITS BASKET EPISODE 25!!!
Wow. We finally made it to the end of the 1st season! And we’re still alive and maybe just a little bit dehydrated from all the tears that have been spilled (stay hydrated, guys). Phew. It’s been an experience.
I know I said I was gonna write a review/recap on some other points of the 2001 True Form Arc but honestly... I’m tired lol And I can forgive and even like a lot of what the 2001 anime did, but the last few minutes after the climax of the True Form arc piss me off the more I think about it so I’m just gonna leave that job for future me who might come home drunk from a party and suddenly decide to ramble about it. Like God intended.
- (Ok, this is the last last 2001 comparison I’ll make... until my next one), but I do kinda like that 2001 took the initiative to put Kyo’s backstory with his mother together with Kyo’s backstory with Kazuma as a side by side comparison... But, I guess it kinda shifted the whole point of the True Form arc to be about that rather than it being centred on Kyo and Tohru. Still an interesting choice!
One of my favouriteeee flashback moments! It’s so gentle! And baby Kyo is so adorable!
Kyo fighting in the stereotypical shonen anime way of fighting is just everything I needed to confirm to me that he truly thinks he’s in a shonen. Thank you, anime.
Ugghhhhh. Everything about the concept and the act of the ‘Cat’s room/prison’ is just... ugh. It’s probably the most disgusted feeling I get from this anime. I’m not criticising the writing at all, it rises the stakes and gives the protagonist something terrible to fight against. It’s just the whole thought around a ‘so called’ family or clan creating something like this for someone who did nothing but be born just makes me feel a bit ill.
(Lol and clearly Kazuma shares my thoughts!)
But this scene portrays one of my favourite things about Kazuma. Kazuma is a character that writers could very easily portray as perfect and without fault as he is literally and figuratively the teacher and one of the few adult guiding lights of the story. But Takaya-sensei gave him not only opportunity for fault but also opportunity for growth. Not once but TWICE. I love love the fact that while he adopted Kyo mostly out of guilt and atonement for how he’d treated his grandfather, it later turned into a genuine love and want for Kyo’s happiness.
And I LOVE the fact that he feels bad for taking off Kyo’s beads. But real talk? What he did was a total Dad move. And whether you see it as a good thing or a bad thing, sometimes parents are cruel and tough to be kind and helpful and when you link it to the typical behaviour of a dojo master - it’s definitely in character. I just really like that he at least had some reservations about his actions as it fleshes him out more as a character! It’s all great. I love him haha
Tohru calls Kazuma, ‘Master Kazuma’!! 🤗
See! Even Tohru agrees with me! Total Dad.
I... <3
*clutches heart* Sunshine boy...
That slight Studio Ghibli hair poof... I cannttttt
She’s just so happy for them!
AND I’M SO HAPPY FOR THEM! 😭It’s just a really cool and nice moment. Like a reassuring, ‘yeah, we had this huge moment that’s gonna be a drastic shift in our relationship but we’re cool’ :) while heart-eyeing each other on the inside
But I appreciate that we had a few seconds of this - that I personally felt the manga was missing. Kyo hurt Tohru and we’re not gonna talk about it until later-later? This was a good fix to at least show that it’s a thought in his head. Obviously, it will be fleshed out later along with all the other stuff in Kyo’s big ‘Tohru angst’ bin later... can’t wait to deep dive into that in season 2 ahaaaa...
TOHRU OPENLY SWOONING OVER KYO. TOHRU. OPENLY. SWOONING. OVER. KYO.
A year can’t prepare me for season 2. I’ll never be ready.
- I can’t ever get enough of the cat reows in the background of Kyo’s anger outbursts
Oh, look it’s my favourite crackship. 🥰
Yuki’s reaction to everything is really interesting... and quite honestly, I’m still working it out in my head from forgotten pages of the manga. Because yes, Yuki’s reaction to the true form is very much in line with all of the other zodiac’s reactions. But the fact that he links Kyo’s true form to his darker thoughts and less graceful and non-perfected parts of himself as things that he needs to never reveal is... intriguing. The more Yuki starts to accept all of his trauma and the sides he doesn’t like about himself, I do wonder if it will also have an effect on the way he sees Kyo outside of the zodiac curse.
Also sidenote: I always had the impression that the only reason Yuki hates Kyo so much is because Kyo pretty much openly DETESTED Yuki from the first moment they met because of the stories Kyo was told about the cat and rat relationship... but... I clearly have a lot to refresh my memory about the manga during the break because it seems like there’s a lot more to it than just that?
- I love Hatsuharu and Yuki’s relationship! Another lovely crackship. Haru is just so shippable.
A gorgeous moment. I love Tohru’s simple ‘okay’. THE WORLD’S BEST FRIEND.
I love that the animation studio is just like ‘yeah this ship is still valid, keep the triangle alive’ 😂I kid, this was super cute! But, I think it’s very clear when you compare Kyo/Tohru interactions to Kyo/Yuki interactions that you get what the jig is. But I’m not here to judge, have fun with whatever ship you like - happy sailing!
🎵WHOOO ARE YOU?
🎵WHO-WHO? WHO-WHO?
(Of course I know, I’m not that much of an amnesiac...) Him calling Yuki cute/pretty is the birth of a new ship for me and I didn’t think she would have the same colour hair as Yuki (kinda)!
tch... biiiiiiiiiiiiiitttch.... 👀....
Oh giiiiirrrlllllll....
*sigh* I’m just glad that I get a year to revitalise myself cos Season 2 is gonna be MESSY.
But I guess that’s it for now!
This was a hell of a ride, guys. I hope you enjoyed my silly ranting for the time being. I dunno, if I’ll do the same for season 2 cos life happens (I most likely will, let’s get real) but doing this actually made me appreciate Fruits Basket on a whole new level and not just something nostalgic from my teen years.
My posting on Fruits Basket will probably die down a bit during the break cos I’ll be too busy crying about the next few arcs in My Hero Academia Season 4 instead and captivated by ‘Radiant’ (a new shonen anime that I think more people should give a chance to!). Also, if anyone has any anime recommendations, let me know! I’m open to most things except gratuitous gore.
Also, I don’t know if you guys knew but I’m also an artist who is coming out with an inktober zine very soon... and if you’d like to support visit my patreon: patreon.com/graceofaeons and all the details for my zine will be uploaded soon!
See youu, till I see youuu!
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Bleach the (Live Action) Movie
***WARNING THIS IS GONNA BE LONG AS SHIT and FULL OF SPOILERS plus I can't seem to find a way to get read more to work for mobile***
- It starts off with Ichigo's moms death which is nice because it took eons for them to explain it in the anime
-Yuzu and Karin are look alike so I'm never gonna be able to tell them apart. You can afford for one of them to be like their anime counter part! Issin is completely perfect as it shows him as he was in the anime
-Rukia just appeared and looks gorgeous as she always does. Yes I absolutely love this kickass gal
-The Fisher looks so cool when he finally shows up on screen. (Also I'm like 11 minutes into it so far)
-the fucking fighting scene is awful. You can tell she's using a rope to help her jump
- Damn! Ichigo got turned into a Shinigami and looks like his Anime counterpart.
-Orihime isn't annoying thankfully the others aren't annoying either. Chad so cute!!!
-RIP Rukia is stuck in the Human world and SHE HAS HER ADORABLE DRAWINGS TOO!
-the Substitute Soul Reaper position is filled
-i love this stupid scene omg. Silly ichigo and Rukia
- Ichigo: 0 Apples 9000+
-I take that back, the one who always leaps on Ichigo whose name I forget is becoming annoying
-omg, it's the shop! I wonder what he looks like and if he has his stupid hat
-Yes, yes he does and he's not blonde
-Ooh, so that's the pager....I was wondering what it was tbh. Also no kiddos or Tesai
-Renji looks good from the back, Baykuga is in the shadows so I dunno how he looks
-oh shit things are gonna go down Rengi vs Ichigo. (Also he's a lot hotter then his anime counterpart)
-OH SHIT HERE COMES MAI BOI URYUU!
-Awww....No Uyruu but a scene between Rukia and Ichigo
-We got a peek of the Soul Society after the mission debrief between Rengi and Bayakuga
-MOTHER FUCKING URYUU AND HIS STRAIGHFORWARDNESS! His hair is shorter tho and Ichigo immediately shuts him up
-He immediately shows off his bow. Oh God are they gonna race again? Of course they fucking race. Damnit Uryuu.
-nice dodge Ichigo....laying on the floor and now his human side is on the roof just chilling there
-Ichogo is only interested if theres a kid in danger tbh
-this fight scene is a little better then the first fight scene.....and Rengi shows up. Oh shit
-oof, Ichigo got his ass handed to him
-Bakukuga is here at last and with his long ass hair
--the siblings look alike at least which isn't a thing because *SPOILERS* Rukia is Bayguka's sister in law technically
- Rukia Is gonna be arrested definately after this. Oops, never mind she wasn't.
-aww actually bonding between father and son
-oh shit there gonna do the anniversary of her death too.
-Dang there really following the Manga/anime really well
-stupid gossip scene back to back. If you cant tell I hate Orihime a crap ton
-Rukia's gone and she's not comin back
-Run Ichigo Run!!! Don't miss your chance to be with the girl of your dreams!
-Ichigo and Uyruu in a burger king I'm assuming but i'm not sure...Also Ichigo wants to go to the soul society
-Ichigo meets Kisuke finally
-aaannnddd the Reapers try to send him to his death via the Grand Fisher
-I have like 50 minutes left and I want to see the Soul Society in its whole!
-training montage!! And Chad reappears as his classmates gossip about our favorite redheaded teen
-Rukia and her silly drawings....oh shit he's realized GF killed his mom
-and more trainning/gossip, oh a wild Kisuke has appeared and is cryptic as hell
- Trainning is complete! And Rukia's first High Five
-Byakuga looks like a girl from this angle!
-depressing bedroom scene once again
-I think they got attacked at the freaking Grave. Awe dad is sharing a drink with mom
--KARIN OR UZZU NO! DONT GO NEAR THE LJTTLE GIRL@ ITS A TARP! Well fuck...
-The girls are in trouble and Ichigo comes to the rescue. DONT USE THE MOM AS A LURE YOU FUCKER!
-Well this is depressing, sad scene with mama
-Rukia just casually puts Issin to sleep in the middle of the walkway. This freaking station always gets featured in Bleach, no matter what. Also chase scene through the city
-All I can think of from Uyruu's line is Hhhheeee'sss hhhheeerrreeee
-I think Chad and Bitchy girl's powers are gonna be awakened soon
-Uyruu with the save?!? Dang boys work together! And then the fight scene. I believe in the anime/manga it was in the forest completely and not the city
-GO ICHIGO! KILL THE DAMN MONSTER!
- Bayakuga nor Renji came close to killing the guy
-RENJI JUST SHOVED HIS SWORD THOUGH MY MANS FUCKING CHEST OH HELL NO!
-Another fight scene?!?! Or Rukia's gonna get arrested or Renji is gonna kill them both
-Is there gonna be any Bankai in this movie? Also Ichigo has some moves...and taunting Renji is a massive mistake bro
-Oh shit Renji has his Shikai form out
-Well we know whose won here. HE WOULD NOT SURVIVE A CAR EXPLOSION! Wtf he survived???
-Byakuga's turn after Ichigo kicked Renji's ass and immediately stopped the blade with a FINGER? And then stabs Ighigo
-are they not going to the soul society? Well Ichigo passed out after trying to attack again oh wait no he just fell into his face and shit
- well that's a twist....Rukia actually defending her brother. Damn she's even begging
- She wants her powers back finally. Bitch you're not gonna get them back
-apologize at least for your actions bitch! (Rukia if you haven't realized whom I'm talking about)
-oh shit it actually worked?!?
-Bai Rukia and her bitch boys
-I miss crazy Issin
-WHY DO YOU ALWAYS SAY HE'S DEAD IDIOT
-Wait was it a dream????? Wtf I'm confused
-Oh his mind was wiped but I think he's gonna get it back
#bleach the movie#on netflix#spoilers#major spoilers#but also my initial reactions and comparisons to the anime/manga
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Toriko Vol.1: Toriko the Gourmet Hunter!!
Volume Summary:
The first volume of Toriko is offers a great introduction to the characters and world of the manga.
Taking place in the Gourmet World, humans living in the Gourmet era treasure all that is edible - taking great pleasure in foods from near and far, both common comfort foods and hard to find delicacies.
We are presented with Toriko, the titular character of the series, and a reknowned hunter of the wildest beasts and most delicious culinary oddities.
Accompanied by the shy but courageous budding chef Komatsu, Toriko sets forth to hunt some large creatures.
Art:
This volume was a pleasant surprise in comparison to many other shonen debuts. The art was clean and immediately presented a unique style! Where other series often fail, Toriko starts off strong - yet still has a lot of opportunities for improvements in later volumes.
Characters have distinctive facial structures, features and expressions, making them very easy to distiguish from one another.
The clashing of highly muscular men and creatures often reminded me of Dragon Ball Z and JoJo’s Bizarre Adventure, however the storyline and artstyle often take a much more light-hearted approach.
The creatures such as the GararaGator are cartoonishly quirky, yet still hold a scary quality which makes the stakes a lot higher during fights.
As the main subject of the series, the drawings of food definitely take the spotlight as some of the most interesting artworks yet!
Neat Ideas:
I absolutely loved how food related utensils were encorporated into Toriko’s attack of ‘Knife and Fork’. It makes the martial art style of this manga unique, while adding a hint of humour to the story.
The volume also introduces the concept of ‘knocking’, where creatures may be tranquilised in opposition to killing them. Shonen is often a genre in which violence is glorified -and as much as I absolutely enjoy a good, gorey, violent shonen, I really appreciated this concept.
Cool Plot Points:
Komatsu the chef’s character contrasts greatly with Toriko, and acts as a means for the mangaka to reveal aspects of Toriko’s character and the world they live in. Komatsu’s questioning and aprehensiveness towards tasks allows the mangaka to explain concepts without too much obvious exposition dumping.
This allowed Toriko’s first volume to begin world-building from the beginning, without it being an afterthought or leaving it until later in the series.
Toriko’s Full Course Menu is introduced as an interesting plot concept. Toriko’s main life goal is presented as completing this menu; a list of his all time favourite dishes, from hor d’oeuvre to something as overlooked as the drink. The list is presented in a very cinematic, animated fashion as items are added.
It will be interesting to see how much this plot device is used, and adds an element of mystery to the story. When will Toriko complete his menu, and what will it include?
Toriko’s intimidating, demon-like form appears throughout the volume when he is required to stand up to a large creature - seeming like a kind of JoJo stand power. However, this concept is not fully touched upon within these chapters so it is a great mystery for the rest of the series to touch on. (It also looks badass)
Final Thoughts:
It’s a thumbs up from me!
Score: 8.9/10 (I really enjoyed this volume as an introduction to the world of Toriko - however, I know there is definitely more in store as the series will progress and I cannot wait for the more action-packed, emotional, and plot-driven volumes to come.)
I am really enjoying Toriko and will continue to post my thoughts as I get through the series. Overall it seems very pleasant, and I cannot wait to get to the end. Perhaps it will become a lot darker as it progresses? I can’t wait to find out. After suffering from shonen burnout, and trying so many different series and becoming uninterested, Toriko has peaked my interest once again.
My further posts about toriko will be a lot more reaction based, and less in-depth. I thought it was necessary that this initial post give a good enough idea of what the manga presents that it may encourage others to read it. If you enjoy it, please let me know!
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Thoughts on Fruits Basket 2019 Episode 20: “I Can’t Believe You Picked It Up”
Oh boy, time for the introduction of everyone’s favourite sheepy boi who we all love to hate :)
Thoughts under the cut [and some big spoilers from later in the manga]
And so the chain of back to back zodiac member introductions continues with us getting Hiro’s episode, covering chapters 37 and 38 of the manga.
I was initially confused about why they decided to space Kisa and Hiro’s episodes apart by putting Ritsu’s episode in the middle, but considering how most of this episode is about showing off how Tohru’s kindness and endless selflessness is genuinely a character flaw at times that the show is aware of and willing to examine, it actually makes sense to put it right after the episode where she came across in the most unironically perfect way yet. So I think it works out for the best.
Just like last week, the fact that this episode is also adapting content from like ten chapters ahead of where we were beforehand means that some scenes had to be cut or altered a fair bit to avoid referencing events that haven’t happened yet in this adaptation. Last week there was stuff removed about Yuki and Haru that was related to a chapter we haven’t gotten to yet and a whole major character who hasn’t been introduced yet, and this week there was at least one scene removed that was about following up on the aftermath of the whole Kyo arc, which will be where this season ends at this point. They also changed the setting of the confrontation scene with Hiro early in the episode because in the manga it happened at Kazuma’s dojo, and Kazuma also isn’t properly introduced until the Kyo arc. There was also a scene from the start of the arc that got cut because it was about summer starting, which was setting up for the Uo arc, which in the manga happened immediately after this part.
I’m kinda curious to see if they find a way to put the little scene of Kyo being worried that he might have scarred Tohru into some other part of the story. I think it’s a cute scene that’s worth keeping, even if it obviously had to be cut.
And even though it wasn’t really related to anything plot-important, they did cut out a small bit with Hiro annoying some random high-schoolers, which was a bit of a shame since I related so hard to them and their urge to send him flying, lmao.
Other than that this episode was pretty much just a regular adaptation of this part of the manga, and very similar to how I remember the 2001 anime handling it, especially since they also had to remove the references to the Kyo arc because of how they placed this part. Though I think the 2001 anime was actually more graphic in showing Akito actually hitting Kisa in that whole flashback, which neither the manga or this version did. For better or worse.
I’ve never really liked Hiro as a character, and his intro arc is definitely him at his worst, since he hasn’t had any time to really develop or become more interesting, so this episode was about as uninteresting to me as I expected. I didn’t dislike it, though. As an adaptation, it was perfectly fine, it’s just the story being covered here that I don’t like much.
I do feel kinda bad that in the 2001 anime this was literally the only time he ever showed up, and so he didn’t even have a chance to grow, and anyone who watched that version first wouldn’t have gotten much time to like him even if they wanted to. Thankfully this version will cover the whole story so we’ll actually get to see his development.
There’s something kinda funny about how anime only fans react to these sorts of episodes that really show off how awful Akito is. I mean, it’s funny because the fact that they hate her is exactly what they should be feeling, and even knowing how the story goes, it’s still the most valid reaction to stuff like this, lol. Mostly I just get a kick out of seeing people be like “why the fuck hasn’t anyone just called the police or abandoned Akito and moved on with their lives?”, and I’m just like “oh boy, are y’all ready for some complex examination of distressingly realistic cult psychology in your cute shoujo anime? :V”. I hope nobody actually thinks that the fact that nobody tries to stop Akito is an actual writing flaw, because it’s something that is 100% intentional and actually central to the whole plot. It’s just that it won’t really be fully explained for ages, and you can’t really say anything about it without giving away massive spoilers.
It’s also worth saying that the whole revelation here that Kisa getting abused by Akito and hospitalized for several weeks happened immediately before the bullying started sure does put a whole new spin on Kisa’s backstory in a way that’s just sorta casually laid out on the table. It at least makes it immediately clear that there was actually a whole lot more going on that made the whole situation even more messed up, and we only knew about one part of it. I still wonder how much Kisa’s mother knew about what happened, considering how negative she acted toward her before. You’d think that she’d have more sympathy for her daughter if she knew that, on top of the bullying at school, she had also just been violently abused out of nowhere by Akito.
I think that’s about all I want to say about this episode. Not a lot really happens in this part in general, lol. I did appreciate seeing some screen-time from Kyo, though, since he’s been kinda sidelined recently, and given that in a few weeks we’re gonna get into his big arc, he needs all the screen-time he can get.
As I figured from what we saw of Caitlin Glass’ notes [and just from knowing what happens next in the manga], the next episode will adapt the chapter with the Yuki fan club visiting Hana’s house. I initially thought they might combine that with Hana’s backstory chapter, since the chapter with the fan club girls is kinda short and comedy-focused, but it does look like they’ll cover that chapter alone next week, and then Hana’s backstory chapter will be episode 22. I think that’ll at least work fine since her backstory chapter is a nearly double-length one that has a whole lot of dialogue and internal monologues and stuff, so it could easily take a whole episode to adapt. I’m less sure how they’ll approach adapting the other chapter into an entire episode, though.
It’ll be interesting to compare it to the 2001 anime, which also adapted the chapter with the fan club girls into an entire episode. It’ll be an especially interesting comparison because that episode of the 2001 anime was very, uh, eccentric, and filled with the director’s own creative vision, to say the least. Which is actually why it ended up being my favourite episode of the 2001 anime, funnily enough. But I’ll talk about that more next week.
Once we get past the Hana episodes, there’s nothing concrete to go on to try and guess what they’ll cover next, but with only three episodes left in the season after that, I think it’ll all be focused on Kyo.
#murasaki rambles#fruits basket#at this point I'm just counting down the weeks until the Kyo arc comes along and kills me instantly :)
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