#but also mainly just my thoughts

[simply-un-well]

I swear I'm going to write the fic from the poll, but school has been brutally murdering me last term. I have a bit more time now though, so maybe I'll try to get around to it when I can.

On an unrelated note, I was thinking and I came to the conclusion that if I ever throw up irl cause I haven't in a long long time, I feel like my jaw would lock since the joints there are a little messed up. Which would be an intresting experience, I think, if that does happen.

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[shrimpricebowl]

oh thank god

[viyojo]

You're a kid now…🧍‍♂️still a kid now!

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[fatedroses]

I offer the frankly hilarious scenario of zenos and estinien having to work together (probably because of tataru) and a little bit of headcanon-ing I have in regards to the one main issue they run in to when theyre a duo.

[turtleblogatlast]

One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)

[wonderholegifs]

Rhett & Link's Wonderhole

[sleep-deprived-luka]

Gog au niigo for tonights doodle

[mbat]

and thinking about the difference between bill and fiddleford when it comes to fords hands and fords 'genius'

bill makes fords polydactyly a focal point, something impossible to ignore. he tells ford that he'll fit right in with bills band of "freaks" all because his hands are a little different than other humans. he never lets him forget it, even if he says it as something to be proud of, but he and everyone else knows that ford kinda never stopped holding onto the insecurity that was associated with this trait. bill also never let ford forget his smarts, he played into the what ford always wanted to hear about his smarts, but fords brain was only ever a tool to bill. fords hands were (part of) a reason bill wanted to bring him along in his crew, and fords mind was simply a means to an end

and then we have fiddleford who, upon meeting ford for the first time, immediately saw ford as this genius who cared about what he had to say and they connected over their shared love for all that nerd stuff, and it was something that was important to them both and brought them together, and kept them together

and fiddleford says he didnt even notice, after hours and hours of sitting in a room with ford and them focused on eachother (and math)... he didnt even notice that fords hands were different until afterward, when he was looking at a photo of them both. this thing ford had been forced to worry about his whole life, and it wasnt even a thing to fiddleford.

ford wanted to be known, to be loved, for his brain and what he could do. and, in my opinion, it sometimes feels like he almost wanted to make up for the fact he was different, to prove he wasnt 'less than' because of some difference he was born with, this thing that everyone made such a big deal out of

and between the two biggest people in his life (aside from his brother of course lmao), one focused on and made a big deal out of his difference, and the other didnt even notice it. one saw his genius as a tool, and the other saw it as something amazing and admirable.

hell, if the bit of their conversation in the book of bill when they meet is, well, when they meet and is their first words to eachother... the first name or nickname that bill calls ford is, of course, sixer. and one of the first things fiddleford calls ford... is friend.

and i just feel like it says a lot about those two relationships and him.

[a-star-that-burns-brightly]

Actually, I'm curious Do you guys have any criticisms when it comes to Milgram? Specifically from a writing/storytelling/character perspective, but it can also be about anything.

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[cheese-water]

Fuck it I’m speaking my truth. Boobers y’all gotta stop being unnecessarily mean to ConnorEatsPants. I’ve been going through his sf6 vods and every time he references being ostracized and harassed by twitter users, my heart breaks. Connor even said that he no longer mentions being friends with Ranboo and other creators because he doesn’t want boobers to start hating Ranboo for it.

And he’s right btw. Remember when there was a possibility Connor might be in genloss? Instead of being excited or just saying nothing, boobers began linking threads on why he’s such a horrible person and how his inclusion would ruin the project as a whole. We don’t even know if he was joking or not, yet you all still celebrated when he didn’t appear in episode 2. I’m pretty sure Connor will never publicly interact with Ranboo or this community again after the way you all treated him. That’s really fucked guys.

While I understand the want to “hold people accountable” for their past actions, 1) it’s not your responsibility to hold people accountable over the internet and 2) judging everyone on their past mistakes alone is a very dehumanizing and hypocritical way to view other people.

Why is this community all about treating other with respect and kindness, especially when they’re on the spectrum, but Connor is the exception?

[fab-livious]

Broppy enchanted au, I have no idea if anyone has done this before but regardless I will make my own version

[biblically-accurate-dca]

super disorganized sketch page because i do what i want