#but also madame tracy???

[meet-me-behindthemall12]

non good omens fans: oh i get so it’s all vibes no plot

good omens fans: erm, no. not exactly

non go fans: but everything you’ve said about it gives that vibe

go fans: right. but that’s because all i talk about is ineffable husbands

non go fans: are they not the main plot?

go fans: not really, i mean they are but also they don’t do anything major to affect the plot really. they’re not even the ones that end up solving the issue

non go fans: so…no plot jsut vibes?

go fans:..sure.

[theswedishpajas]

😇💀🪓👻😈

[demonicconsultingwhovian]

wow don't you love the good omens cast???

[snorzyy]

THIS IS NOT A DRILL

LOOK AT HIS LIL COAT !!!! AND HIS COMFY WOMFY JUMPER !!! AND HE IS DUSTING HE IS BEING HELPFUL !!!!! i need everyone. who has ever said something bad about gabriel. to say sorry right now.

[totallyawesomeomens]

Alright, I watched season 2 of Good Omens yesterday and I figured if I don’t post these season 1 headcannons I’ve had in my drafts for months now I probably never will so here they are

Crowley and Aziraphale accidentally kill birds so often that it's become a habit. They've become so used to it that they just miracle them back to life without even interrupting their conversation.

Aziraphale once killed a duck by throwing an entire loaf of bread at it like Marcus does in About a Boy

They are also somehow responsible for the extinction of Dodos. Yes, I know the last three are technically all one headcannon,

When Newt first started having phones, none of them lasted for more than a few weeks. He currently uses a very old Nokia phone because it's the only one he didn't break.

Anathema never even opened Agnes' second book. If she had, she would have found a lot of empty pages and one single prophecy telling her that her job is done and she can live her own life now (Agnes probably knew she was never going to read it, but she still put it in because why not)

Newt loves to cook, but he can’t do it on his own because whenever he uses the oven or the stove it either stops working entirely or he starts a fire. Since he and Anathema moved together, they’ve started cooking together often so he doesn’t have to turn on anything electrical

Newt also tried to repair the radio in his car once and nearly broke the whole car

Despite having her own body again, Madame Tracy has developed an actual connection to the dead by being possessed by an angel. She doesn’t use it for work anymore, but sometimes Shadwell will find her with two cups of tea having a chat with Agnes’ ghost. Agnes loves to scare him.

[thegrumpybi]

also i like Miranda Richardson and Nina Sosanya just fine but lowkey why are they the only people we are asked to suspend disbelief for?

They explain away Beelzebub's new face (ha ha there was an actor change, we know, follow us), but just disregard entirely this very noticeable real-world perception thing.

esp weird to me bc we see Sister Mary Loquacious in two different contexts and are asked to remember her face in S1.

[batsarebetterthanpeople]

When all of your pirate mutuals succumb to the Gaimen angels derangement and you can't join in the fun because you just do not give a fuck about them 😔

[cleothelittlerockstar]

MORE GOOD OMENS PAPER CHARACTERS ✨🧡✨🧡✨

Hoiiii! I made more Good Omens paper characters<3

Hope yall like them ^^

First up we have the "I need theraphy" Crowley and Holy Water!

AND UP NEXT:

MURIEL AND MADAME TRACEY!!

I am especially proud of how Madame turned out because i didn't expect the colours to work with me on that one but it was surprisingly easy to make them work ^^

All in all I am quite happy with how this batch turned out<3

[ldrmas]

"Oh don't cry my luv," Nanny Tracy hummed as she gently scooped up the wee lad into her bony arms quickly settling the two of them upon the nearby bed. She began to run her fingers thru locks of woven gold knowing it would calm her young master. "Don't take what he says to heart, my dear. He's hurting, just as you are, and sadly is chosing to take it out on you."

"S'not fair." The younging hiccupped back a sob as he nuzzled deeper against her shoulder.

"No my dove it's not." Tracy agreed before tucking the small boy under the covers and lightly pecking his forehead. "But things will get better, I promise. Now, how about story time, I got a new one for you tonight, that i think youll find quite enthralling,  what do you say?"

"Yes, please." Stede replied after perking up even just a tad at the idea of a brand new story.

"Well, I heard this one today, in fact while I was out at the bakery. It's the tale about this very town. The towns people call this very tale, The Shadow's Captain's Curse. Now once upon a long time ago this town used to be a thriving sea port and the home base of a very greedy covetous group of scoundrels known as pirates, more so a merciless crew that belong to a ship named 'The Revenge'! Their captain was the most gluttonous of them all. Any treasure he gained he was never shiny, nor worthy, not even pretty enough to satisfy him. He let the crew rule and scour the streets and the seas looking for whatever they could that would hopefully one day plz their captian but no matter how far they searched or what they brought, it never even made their captain so much as scowl."

"Did the people try to stop him?"

"Oh aye!" Nanny went on, though couldn't help but smile at the boys obvious infectious enjoyment of the tale. "You don't go after riches without getting a target painted on your back. And that target brought loads and loads of trouble to the people of the port and so they grew to hate the pirates even more so the captain that was a lighthouse for all their problems. And yet no one could do a thing for you see this captian. He was the finest sword fighter of his time. He knew how to handle a sword better than anyone he ever came across. No one could best him! So the towns folk, his enemies, even his own crew, they all stood by and let him continue to torment them. It was all they can do lest they wished to be impaled upon his blade of cold steel.

But then the day came, word of a ship. A ship of legend and mystery. A ship called the Shadow that might has well been a ghost. Captainless, crewless, but was bursting with wealths of unimaginable depths. A man had marooned upon the shores of the town claiming he had seen the ship only over the horizon. The captian was intrigued and instantly set sail."

"What happened next?" Stede pleaded as Tracy paused just to long, and just as it was getting good too.

"Well that's the trouble lad, with this being a tale. No one knows what happened. Lots of ideas were shared but no one knows for sure what happened exactly. But there is an ending though it is far from a joyous conclusion. The Revenge was gone for exactly three days, just when it felt as if it wouldn't return, on the fourth morning at the line where the sunrise met the sea something appeared. The people awake early enough to see couldn't understand for it looked like a wave was coming for them. A wave of titanlike size that only God could hope to stop. And at the peak, a ship as black as pure ash. The wave crashed over the tower and far on the outskirts dropped the unrecognizable ship only then for the very ocean that carried unknowingly dried and disappeared. But not just the wave the very ocean that had touched the shores of the town since its beginning. It dried up for countless miles making the once prosperous port town, a now land locked city of hopelessness. Then it that wasn't strange enough the ship rearranged itself changing from a sea traveling vessel to that of a mansion. And before the townsfolk could even hope to check to see if their was a living sole within its walls, trees! Trees by the hundreds shot up out of the still damp earth separating the mansion from the town. And yet just as the last tree sprotted it's new leaves of evergreen, there was just the faintest echo of the familiar cries of the Crew of the Revenge. The loudest, their now cursed Captain."

"But - but how do they know their cursed, did they ever get back to the mansion, see the crew for themselves?"

"No my dear, they tried for months but they could never get through the forest. It was if the very growth forbade them. That's why they say those woods be haunted and that the mansion would be best to be forgotten and left alone. It be just a tomb now, for the crew that was too greedy for their own good."

"But there's just gotta be a way," The young blond protested, " there's-"

"Now, none of that, dove, you're getting over excited. Lay back." The nanny made sure the lad was laying against his pillows and pulled the covers up to his chin. "I'm sure if someone can dream up a way to the mansion it'd be you, luv. But one must be asleep tp even dream in the first place, so promise me you'll go to sleep?"

"Yes, nanny."

"There's a luv, goodnight, Master Bonnet."

[pinkwhite]

i really want to know the history between mariah and lucy

[vidavalor]

I find it really suspicious (in a fun way) that, in every dramatic Crowley and Aziraphale reunion scene in Good Omens to date?

There has been something built into the scene preventing Crowley and Aziraphale from expressing any sort of physical intimacy as part of their response to seeing one another again.

Look at how hard this show is working to pass off 2.06 as the first kiss for some of its audience to help the twisty cliffhanger along...

-When Crowley & Aziraphale are reunited the morning after the bookshop attack, they can't hug or kiss because Crowley is accompanied back to the shop by a quartet of angels.

-When Crowley & Aziraphale are reunited on the tarmac in Tadfield, they can't hug or kiss because Aziraphale is in Madame Tracy's body.

-When Crowley & Aziraphale are reunited in the bar after the bookshop fire, they can't hug or kiss because Aziraphale doesn't have a body.

-When Crowley & Aziraphale are reunited after a night of Crowley being pulled from the sushi date into antichrist baby delivery duty, Crowley & Aziraphale can't hug or kiss because they are in public in St. James' Park.

-We are never shown the night in Crowley's flat before the body swap.

-We are pulled away from Crowley & Aziraphale in the middle of a flirty moment in 2008 and never see the rest of the night.

-We have been shown Crowley dragged to Hell in 1827 and his struggles in 1862 but we've yet to be shown their reunion after 1827.

It's a bit like 2.06 being their first kiss is massive sleight-of-hand and tied to their ability to pull off the big, twisty, cliffhanger ending. They need some people to believe that it was the first kiss to make that work so they've left a trail of breadcrumbs a mile long that it's not but also made sure we were never shown any situation in which they have before it.

That meant showing us the moments where we might suspect the most that it might happen-- these unavoidable reunion moments-- in such a way where there was always something preventing it.

Imagine what happens in S3 when that is no longer a factor.

[ineffable-suffering]

The meaning of "I forgive you"

Alright, hello again, I involuntarily dipped for a bit because real life outside of this lovely Tumblr Good Omens bubble got a little bit stressful, but! I'm back for a quick little post to say that I'm currently reading the script book for Season 1 and seeing this line again, spelled out on paper, just shone some more light on the whole „I forgive you“-scene of Season 2 for me again.

Because really, this first time Az says it to Crowley in front of the bookshop tells us exactly what the second time during the Final Fifteen means.

Aziraphale is not forgiving Crowley for kissing him. Or for using this moment to confess and make things explicit between them.

No, Aziraphale is forgiving Crowley for not trusting and believing (in) him.

Let's shove the Final Fifteen to the side for a second and look at this scene from Season 1 under the cut.

The situation at hand: The World is ending, with utmost certainty. In addition, Crowley is absolutely f*cked and Hell is out to get him. He tries to apologise for their Bandstand fallout and explain the other two things to Az (poorly, but he tries). Because to Crowley, Armageddon is a done deal already. Wherever the actual Antichrist is, he's gonna come into his power and the World will be wiped out for Heaven and Hell to wage their war on. Also, Hastur is coming to kick his demon ass. Time to dip!

And yet, Aziraphale doesn't want to come with him. He is adamant that he will be able to reach the Almighty, talk to Her and turn this around. Because if Aziraphale, Guardian of the Eastern Gate, thinks there's even the slightest, tiniest morsel of a chance that he can turn things around the right way, he will do it. Even if it sounds ridiculous. Even if it's a lost cause to everyone else. Even if all the other angels gang up on him and (literally) beat him up.

Even if Crowley calls him stupid.

Aziraphale decides not to be offended by this.

Because this is what he does. This is what a Guardian does. He stays and protects to ward off the intrusion, until the very last second.

Now listen, I'm the last person to blame Crowley for intrinsically wanting to choose Flight over Fight in this very situation, because Lord knows (literally) what happened to him back when he chose Fight and lost.

But at the same time we have to keep in mind that despite his last name, Aziraphale never Fell. He never made the horrible experience of being chucked away by the one who made you to love Her because you chose to question her ways. And yes, in so many ways this choice of his, to still believe that he can change something by questioning and suggesting (both here and in S2), is utterly maddening and hurtful to Crowley. Because it's a mirror of what Crowley himself did and a reminder of just how big the price he had to pay was. Aziraphale seemingly not realizing or understanding this stings. It does.

And yet.

Yet Aziraphale's choice to not take no for an answer, to not let a punch to the gut derail him from his plan, to not let even the most definitive thing such as Armageddon keep him from fighting back, is the one thing that ends up saving the World.

Because even when it all seems impossible and completely hopeless and bloody Satan himself is erupting from the pits of Hell, ...

... Aziraphale picks up his sword and fights back.

And he wins.

Not without help, of course. But might I remind you of what got Crowley to cooperate and not simply surrender like he'd almost done that second?

You might not see it at first, but tucked in between all the posh hedonism, hidden away underneath that tightly buttoned waistcoat of his, Aziraphale is a fighter. And a good one at that. I mean, for Someone's sake, he got discorporated, beamed himself down back to Earth, found Crowley somehow, possessed a psychic prostitute (love you, Madame Tracy), rode a scooter all the way to Taddfield and fought off Lucifer with sheer willpower (and a bit of emotional coercion).

Aziraphale can fight. Smart and hard. And not only that: He can win, too. And he knows it. Because he believes, truly, firmly and wholly, that he can make things right. It's the only thing he will settle for. This, ladies and gents, this is how he ends up saving the World, together with Crowley, Adam and the rest.

Because he didn't accept no as an answer. He didn't look at the impossible and accept it as such. Even when Crowley thought him to be an idiot for trying and even after his initial attempt at talking to God had failed, Aziraphale still found a way to stop The Big Bad Thing from happening.

Which is exactly what his plan is when he ends up being forced to come back to Heaven by the Metatron. (If you still believe this was a voluntary choice, read here). And which is exactly why he is so hurt and still ends up forgiving Crowley for the fact that Crowley doesn't end up coming with him. Doesn't end up understanding, trusting and believing (in) him, just like all the way back at the end of the World in Season 1.

Aziraphale decides not to be offended by this.

[colleendoran]

I was curious how you manage to keep features consistent when you draw them? Do you use models? Is there a model for Crowley? He is very handsome.

I don't use models per se, but I sometimes keep files of photos or art that resembles the subject.

Crowley is based a bit on the French actor Alain Delon who was once considered the handsomest man in the world. He doesn't look exactly like Delon, but that is in my head when I draw him. I recall reading Neil and Mr. Pratchett once considered Peter Sellers for Crowley.

There is no reference for Aziraphale because he is entirely in my head and I can't really find anyone who looks exactly the way he does. I recall reading that Neil and Mr. Pratchett thought of Brian Dennehy at one point, but my head canon Aziraphale won. I think a Brian Dennehy Aziraphale would have been amazing, though. Anyway, he is actually kind of hard for me to draw because his facial structure is a bit outside my usual style. His face is a bit long and his eyes closer together than I normally do, and if I'm not careful, he slips away. He appears younger and more classically handsome as an angel than he does in his corporeal form, but I think he's quite fetching as a bookseller.

Michael Sheen is so perfect in this role it is really hard not to leak bits of his performance into the graphic novel edition, but I have to resist the impulse. I am not allowed to use any of the show actors as models.

I adore Michael Sheen. Who doesn't?

Adam is also a head canon character. He is a perfect young Greek God, so that's kind of drawing on a day with a Y in it for me.

The inspiration for Newt I'm keeping a secret. I submitted a number of sketches for Newt. The show Newt dug in deep and I had a hard time shaking him off.

The Them are based on kids I knew. They're in my head, I don't need any photos. They don't really look like the kinds in the show. The book version of Pepper, for example, is a freckled red-head.

Anathema is an amalgam of features that don't come from one person, which I think fits the description of the character. She's also unusual for me to draw but she's easier to draw than Aziraphale. I nail her every time.

Hastur is a caricature of the stereotypical English upper class you'd see in broadsheets 200 years ago. I have a file of pictures of Anthony Ashley-Cooper, 7th Earl of Shaftesbury for Hastur. I considered making Hastur more handsome in a Duke of Hell sort of way, but I think Hastur likes to be scary. I keep thinking of Peter O'Toole when I draw Hastur, too.

I feel kind of bad basing Hastur on Lord Ashley because he was a wonderful person and I'm sure he didn't go to Hell.

Ligur is a broad caricature of Danny Devito. I obviously can't use a DeVito portrait. That would be wrong. But I can tweak from there and come up with a general idea of the face I want to use.

Beelzebub and Metatron are head canon, and don't look a thing like they do in the show. I postulate some demons prefer to look like their angelic selves, and at other times prefer to be fearsome. Crowley can look fearsome when he wants, for example. In the book, Beelzebub appears as a young man in red flames.

Shadwell was drawn from reference at the direct suggestion of Neil.

Madame Tracy is based on a certain person, but no one you would have heard of. The original source might not be flattered, but I love Madam Tracy. She's really easy to draw because she's a bit over the top. I'm sketching around her scenes right now because I don't have final approval on some things yet. So she might need some changes later.

War is head canon, very easy to draw. She's a knockout. No reference required.

Famine looks a lot like Famine in the show, actually, but that's what Famine always looked like, pretty much. Except he has the grey eyes he has in the book.

Pollution is initially described as being a forgettable white guy, but later described as looking like a romantic poet, which strikes me as being memorable. Because he's only on one page in his forgettable white guy phase, I chose not to make major changes in his appearance between those panels and later when he appears as his true self, because that's a bit more confusing than it needs to be in the graphic novel edition. He's rather glamorous as the essence of Pollution, though. No reference needed.

Dog is a dog.

While I do give every detail a lot of thought, I am sure other people have other opinions. I understand that, and hope you enjoy what I do anyway.

Thanks for your question.

I'm still a bit under the weather, so may be stepping away from the net for awhile so I can concentrate on work. I have a lot of sick time to make up.

But don't think I don't appreciate your interest in the Good Omens graphic novel adaptation. Your wonderful support is acting on me like a tonic, let me tell you.

[saltylizzardsposts]

I love Aziraphale

Aziraphale is the most character ever. He ran out of ideas so he declared war on hell. He canonically says fuck. His favourite colour is yellow. He’s literally an angel and can speak every language on earth but still isn’t fluent in french. He told his boyfriend to shoot him for his magic act and made him go through with it when their miracles weren’t working. He gave away his flaming sword and then lied about it for the next 6000 years. He has a bookshop that never sells books. No one’s doing it like him.

[fuckyeahgoodomens]

SFX Magazine Issue 368, August 2023

THEY’RE BACK – AND THIS TIME THEY’RE IN ALL-NEW TERRITORY. NEIL GAIMAN TALKS RETURNING FOR SEASON TWO OF GOOD OMENS

THE RASCALLY DEMON Crowley (David Tennant) and the neurotic angel Aziraphale (Michael Sheen) put aside their differences to pull off one doozy of a Hail Mary and prevent an impending Apocalypse in Good Omens’ first season. The task cemented the pair’s unconventional friendship. So what are divine beings, who have fallen out of grace with both Heaven and Hell, to do for an encore?

The answer lies with archangel Gabriel (Jon Hamm), who shows up unannounced on the doorstep of Aziraphale’s London bookshop. Suddenly, Aziraphale and Crowley are caught up in a caper of biblical proportions – but also a more intimate tale.

“It’s a mystery,” showrunner Neil Gaiman tells SFX. “It kicks off a story that doesn’t have giant consequences for the universe, even if it does have consequences for Aziraphale and Crowley. We have a lot of the marvellous Jon Hamm, who is the angel Gabriel and turns up at the beginning stark naked, carrying a cardboard box with no memory of who he is. In the same way, it is about Aziraphale and Crowley having to get involved with humanity in a way that they haven’t before.

“They get dragged in slightly against their will to try to sort out the love life of Aziraphale’s tenant,” he continues. “Her name is Maggie [Maggie Service] and she runs the record shop next to the bookshop. You’ll see the coffee shop over the road, which is Nina’s [Nina Sosanya]. The relationship between Maggie and Nina is one that Crowley and Aziraphale try to fix, and mess up, because they are not good at human relationships, even if they can do miracles.”

Truth be told, Gaiman never originally intended this arc to serve as Good Omens’ second instalment. The TV series was based on Gaiman and Terry Pratchett’s 1990 novel. The two collaborators had partially hashed out the details for a sequel to the fantasy comedy, late one night in a hotel room. This, however, is not it. Gaiman instead plotted a new narrative that could provide the connective tissue between the first season and a theoretical season three, if it happens.

“Because the hypothetical season three exists, there is a story that is there, and I didn’t feel that we could drive straight from season one into that,” Gaiman explains. “I knew what the stakes were. I knew what the parameters were. I also knew that I had David and Michael. I had the angels from plot number one.

I had demons from plot number one. And with anybody that I wanted to bring back, but didn’t have room for right now, I did not have to bring them back as themselves. “I had absolutely nothing for Madame Tracy to do in this plot, but I would be damned if Miranda Richardson wasn’t going to be in this. She is one of my favourite people in the world. She is hilarious and is so good. And I knew I was going to have a new demon replacing Crowley as Hell’s representative in London/ the UK. Miranda’s demon Shax is the best demon you could want.”

It’s late February 2022 and SFX is in Edinburgh for a set visit. A soundstage in Pyramids Studios has been transformed into a street in Soho. The visible local stores include the aforementioned book, coffee and record shops, as well as a magic establishment. In the middle of them all stand Aziraphale and Crowley, the latter in close proximity to his classic Bentley. It’s close to the end of the six-episode season, so exactly what the duo is discussing constitutes a spoiler. We can say, however, that Aziraphale has picked up the pace. Time is of the essence as Shax marshals her forces to descend on Aziraphale’s store and retrieve Gabriel.

“This is really Shax’s first time out on Earth,” Gaiman explains. “She is working very diligently and very hard in Hell for a long time. Now she is on Earth, trying to figure it all out. She’s just discovering what Crowley has known for 6,000 years, which is that if you’re a demon and come up with a brilliant plan to screw up the lives of humanity, people will get there first and do worse than anything you could have imagined! She’s coming to terms with that.

“She is having to deal with the first crisis on her watch, as well, which is the disappearance of the archangel Gabriel from Heaven. It would be fair to say that by the end of the story, she is leading as much as she can get from Hell’s requisition department – a legion of Hell – in an attack on a Soho bookshop.”

When audiences catch up with Aziraphale again, he’s enjoying his time among humans. He owns most of the block in a Soho neighbourhood, and he’s meddling in Nina’s love life. Meanwhile, Crowley has been living in his car, with his plants sitting on the back seat. He’s grumpy about his current status quo, but frequently hangs out at Aziraphale’s. The duo began as antagonists, but their history and blossoming relationship will be fleshed out in flashbacks.

“One of the enormously fun things I came up with is the idea of minisodes,” Gaiman explains. “They are 25-minute-long episodes within the episode. We have three of them over our six episodes. Each of them is like one of those chunks of episode three [in season one]. Whereas the longest one of those was four or five minutes, if that, these are full stories.

“You get to have the story of [put-upon Biblical figure] Job, and you learn Aziraphale and Crowley’s part in the story. Then writer Cat Clarke takes us to Edinburgh in the 1820s for a tale of body-snatching and attempted murder that the boys get involved in,” he adds.

“Finally, Jeremy Dyson and Andy Nyman reunite the League Of Gentlemen in a Nazi-period story that takes place very shortly after the episode in the church. That one was the only one I said had to be there, because I fell in love with our Nazi spies in the church. I kept thinking, ‘What would happen if they essentially came back as zombies, with a mission from Hell to try and investigate whether or not Crowley and Aziraphale were actually fraternising?’”

Gaiman admits that one of the greatest challenges has been filming Good Omens simultaneously with his upcoming show Anansi Boys. The two shoot within throwing distance of each other, but are both timeconsuming endeavours.

“If I could go back in time, I would go back to 16 September 2020, when Douglas Mackinnon [co-producer] and I got the phone call from the Amazon bigwigs to say, ‘We have good news for you and interesting news for you,’” Gaiman recalls. “‘The good news is we are greenlighting both Good Omens and Anansi Boys. The interesting news is you are going to have to do them both at the same time.’

“I would go back to then and I would throw myself on the call and say, ‘Neil, don’t! This is unwise.’ That we are doing them both together is great. The amount of sleep I am not getting is monumental and monstrous.

“It’s a little bit like childbirth, in that I managed to forget all the things that drove me nuts about the first one. Having said that, I managed to fix all the things that really drove me nuts making season one, which is great. We just have a whole new set of problems making season two…”

The Odd Couple - David Tennant and Michael Sheen talk character and sets for season two

Crowley and Aziraphale come off as the best of frenemies at times. Where do they stand with one other now?

DT: They are indeed. What’s different in season two is because of what happened at the end of season one, they no longer have head offices that they have to report to. They are in a very different position. Whereas before they were trying to get away with things, now they are kind of free agents.

MS: Although sort of fugitives as well. They are sort of in-between. But this amazing life they have created over a millennia, they are now able to enjoy in a slightly different way. They are not having to put on a front for their respective teams. There is a different kind of freedom.

DT: While at the same time being cut off, so they are also strangers in a strange land.

MS: That kind of connects them in a slightly different way. They have always been the only two beings who could understand each other’s position. Now they are pushed even closer together.

Now that they have the run of the place with no obligations, does that bring its own set of problems, being cut off?

DT: They have this sort of uneasy relationship. They are not entirely cut off from their head offices. Indeed, their head offices are quite keen to exploit that sort of adjacent connection, as we will see as the story unfolds. They exist in this grey area, neither the supernatural nor of the Earth.

MS: By the time we pick up their story in this series, they have appeared in time where they were kind of let alone a bit more. When we pick the story up, they are being bothered again.

The depth and the richness and the detail of what we are seeing on set here in Edinburgh is mind-blowing. How is it for you having it all in one place now, rather than having filming scattered around the UK?

MS: It’s completely changed the experience of doing it. Just being indoors… The Soho set on the first season was freezing cold.

DT: I was in a car park. Even inside the bookshop I was exposed to the elements! There’s a greater percentage of the show set here. There was a practical imperative to making it a manageable environment. If we had been in a car park, the elements might have impinged our ability to film.

Hellraiser - David Tennant is Crowley

You and Michael know these characters inside out. Do you have a shorthand?

It’s a hard thing to be objective about. Although I didn’t know Michael that well before we shot season one, it was always easy and exciting working together. It’s well-oiled now, for sure. It’s certainly fun to come to work. We enjoy bouncing off each other.

How comfortable are they about becoming involved with Gabriel?

I suppose Aziraphale is a much more enthusiastic detective. We are very much voting for the spin-off called The Azirafiles, which will follow this! As with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm about very much. He is dragged kicking and screaming into this. Necessity forces him to get involved, whereas Aziraphale rather likes it.

Where does Crowley hang out these days?

He spends a lot of time in the book shop. He only has one friend. He can only have one friend. That is the great liberation, and also the great prison, that they find themselves in. They have no one else. They have come to rely on each other more than they ever did. And more than they care to admit.

Crowley is a rock star, in a way. Were there any particular musicians that inspired you?

Not consciously, no. The look was assembled accidentally during the first costume sessions. The Crowley of the book is of the mode when the book was written. He is more kind of Wall Street, the way he is described. We just decided that Crowley should always be of the moment he’s in. We were just trying to find a look that we felt fitted.

Divine Being - Michael Sheen is Aziraphale

How has knowing your characters better informed this series?

The first series was the first time we really properly worked together. It feels like we haven’t stopped working together since. Everything that has happened in-between plays into coming back to these characters. I am sure it is all feeding into it. It’s very difficult for us to know how that is informing the characters and their relationships.

With the flashbacks to various points in Earth’s history, is there a period of time Aziraphale enjoys the most?

One of the most enjoyable things for the audience and us is moving through different historical periods. It’s a great source of joy, and people thoroughly enjoyed that episode in the first series, so that has been expanded on in season two. But in terms of which Aziraphale enjoys the most, I think it’s not actually a period of time that we’ve seen him in on this series.

He would have been happiest at the end of the 19th century, in the Victorian era, which is considered the golden age of magic. He would have loved being with the greats like Harry Houdini. He loved the Victorian period. It was a great period of time for philanthropy and doing good works in a municipal way.

How has it been going from something dark like The Prodigal Son to a more whimsical show?

That’s the nature of an actor’s job. You go from one thing to another. In some ways, it’s even more useful to have big differences between the characters. What tends to happen, and I think most actors feel this way, is if you are playing one character for a long time, part of you yearns to play the bits the character doesn’t have. There’s a naivety and an innocence about Aziraphale. But at the same time, underneath that, there is eons of knowledge and experience.

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THE RASCALLY DEMON Crowley (David Tennant) and the neurotic angel Aziraphale (Michael Sheen) put aside their differences to pull off one doozy of a Hail Mary and prevent an impending Apocalypse in Good Omens' first season. The task cemented the pair's unconventional friendship. So what are divine beings who have fallen out of grace with both Heaven and Hell to do for an encore?

The answer lies with archangel Gabriel (Jon Hamm), who shows up unannounced on the doorstep of Aziraphale's London bookshop. Suddenly, Aziraphale and Crowley are caught up in a caper of biblical proportions- but also a more intimate tale.

"It's a mystery" showrunner Neil Gaiman tells SFX. "It kicks off a story that doesn't have giant consequences for the universe, even if it does have consequences for Aziraphale and Crowley. We have a lot of the marvellous Jon Hamm, who is the angel Gabriel and turns up at the beginning stark naked, carrying a cardboard box with no memory of who he is. In the same way, it is about Aziraphale and Crowley having to get involved with humanity in a way that they haven't before.

"They get dragged in slightly against their will to try to sort out the love life of Aziraphale's tenant," he continues. "Her name is Maggie (Maggie Service) and she runs the

record shop next to the bookshop. You'll see the coffee shop over the road, which is Nina's (Nina Sosanya). The relationship between Maggie and Nina is one that Crowley and Aziraphale try to fix, and mess up, because they are not good at human relationships, even if they can do miracles."

Truth be told, Gaiman never originally intended this arc to serve as Good Omens' second instalment. The TV series was based on Gaiman and Terry Pratchett's 1990 novel. The two collaborators had partially hashed out the details for a sequel to the fantasy comedy, late one night in a hotel room. This, however, is not it. Gaiman instead plotted a new narrative that could provide the connective tissue between the first season and a theoretical season three, if it happens.

"Because the hypothetical season three exists, there is a story that is there, and I didn't feel that we could drive straight from season one into that," Gaiman explains. "I knew what the stakes were. I knew what the parameters were. I also know that I had David and Michael. I had the angels from plot number one. I had demons from plot number one. And with anybody that I wanted to bring back, but didn't have room for right now, I did not have to bring them back as themselves.

"I had absolutely nothing for Madame Tracy to do in this plot, but I would be damned if Miranda Richardson wasn't going to be in this. She is one of my favourite people in the world. She is hilarious and is so good. And I knew I was going to have a new demon replacing Crowley as Hell's representative in London/the UK. Miranda's demon Shax is the best demon you could want."

It's late February 2012 and SFX is in Edinburgh for a set visit. A soundstage in Pyramids Studies has been transformed into a street in Soho. The visible local stores include the aforementioned book, coffee and record shops, as well as a magic establishment. In the middle of them all stand Aziraphale and Crowley, the latter in close proximity to his classic Bentley. It's close to the end of the six-episode season, so exactly what the duo is discussing constitutes a spoiler. We can say, however, that Aziraphale has picked up the pace. Time is of the essence as Shax marshals her forces to descend on Aziraphale's store and retrieve Gabriel.

"This is really Shax's first time out on Earth," Gaiman explains. "She is working very diligently and very hard in Hell for a long time. Now she is on Earth, trying to figure it all out. She's just discovering what Crowley has known for 6,000 years, which is that if you're a demon and come up with a brilliant plan to screw up the lives of humanity, people will get there first and do worse than anything you could have imagined! She's coming to terms with that.

"She is having to deal with the first crisis on her watch, as well, which is the disappearance of the archangel Gabriel from Heaven. It would be fair to say that by the end of the story, she is leading as much as she can get from Hell's requisition department - a legion of Hell - in an attack on a Soho bookshop."

When audiences catch up with Aziraphale again, he's enjoying his time among humans. He owns most of the block in a Soho neighbourhood, and he's meddling in Nina's love life. Meanwhile, Crowley has been living in his car, with his plants sitting on the back seat. He's grumpy about his current status quo, but frequently hangs out at Aziraphale's. The duo began as antagonists, but their history and blooming relationship will be fleshed out in flashbacks.

"One of the enormously fun things I came up with in the idea of minisodes," Gaiman explains. They are 25-minute-long episodes within the episode. We have three of them over our six episodes. Each of them is like one of those chunks of episode three (in season one). Whereas the longest one of those was four or five minutes, if that, these are full stories.

"You get to have the story of (put-upon Biblical figure) Job and you learn Aziraphale and Crowley's part in the story. Then writer Cat Clarke takes us to Edinburgh in the 1820s for a tale of body-snatching and attempted murder that the boys get involved in," he adds.

"Finally, Jeremy Dyson and Andy Nyman reunite the League of Gentlemen in a Nazi-period story that takes place very shortly after the episode in the church. That one was the only one I said had to be there, because I fell in love with our Nazi spies in the church I kept thinking, "What would happen if they essentially came back as zombies with a mission from Hell to try and investigate whether or not Crowley and Aziraphale were actually fraternising?"

Gaiman admits that one of the greatest challenges has been filming Good Omens simultaneously with his upcoming show Anansi Bays. The two shoot within throwing distance of each other, but are both time-consuming endeavours.

"If I could go back in time, I would go back to 16 September 2020, when Douglas Mackinnon (co-producer) and I got the phone call from the Amazon bigwigs to say, "We have

good news for you and interesting news for you," Gaiman recalls. "'The good news is we are greenlighting both Good Omens and Anansi Boys. The interesting news is you are going to have to do them both at the same time.'

"I would go back to then and I would throw myself on the call and say, 'Neil, don't! This is unwise.' That we are doing them both together is great. The amount of sleep I am not getting is monumental and monstrous.

"It's a little bit like childbirth, in that I managed to forget all the things that drove me nuts about the first one. Having said that, I managed to fix all the things that really drove me nuts making season one which is great. We just have a whole new set of problems making season two."