#but also like let him kill of endeavor

[cactusyogurt]

may endeavor never be redeemed

"oooh I'm so sad I made so many mistakes" KEEP BEING SAD

I fully understand Fuyumi's desire to have an happy family, but that guy was the base for toya's madness

toya was so fucked up he even started wanting to have his brothers killed in front of his dad (mainly him killing shoto in front of eiji)

plus he is a physical abusive asshole, and did abuse Rei in other ways, if shoto's birth is any implication

I'm watching the episodes and there's like Deku defending endeavor and I'm like "let the bitch die"

[airs-headspace]

I find it so funny how I've gone from "oh I like the idea of Dabi, and Hawks eventually being friends" to "Hawks despises Dabi, thinks he's the worst, thinks he's not worth saving in any capacity, and Dabi is so indifferent to Hawks that he zones out half the time whenever Hawks is talking".

Anyway this development in my interpretation of their dynamic really difficult when I'm trying to write STIL.

[dolche-tejada]

You know, I think this ending would have been slightly less of a fucking disappointment if the heroes hadn't been so unfairly favored by Horikoshi compared to the villains. I mean, seriously

Deku destroys every bone in his body multiple times throughout the story and is warned that if he continues, he'll permanently lose the use of his limbs ? Everything's fine, his body's just got used to being reduced to a bloody pulp somehow so there's no consequences for him. In fact even when he literally loses his arms to Shigaraki, he gets them back two minutes later thanks to Eri because guess what ? Her horn still works even when cut off from her body. How convenient.

Gran Torino gets his ribcage obliterated by Shigaraki ? Don't worry guys, he'll survive that despite his old age and injuries, and this to have no particular role in the plot afterwards.

Bakugo dies heroically trying to buy time before Deku arrives ? Lmao, did you really believe it ?? No of course not, Edgeshot just uses his last-minute Deus Ex Machina to save his life at the cost of his own and- Oops nope he's fine too, my bad !

Hawks murders a criminal fleeing for his life in cold-blood ? The best Hori has to offer is him completely free and in charge of the HSPC.

And no, losing his quirk isn't a real consequence for him because not only it literally played a major part in saving the world with Vestige!Hawks raising an insurrection among AFO's quirks, but also because his quirk has always been the element through which people exploited him.

Endeavor abused his family for years and completely destroyed his eldest son ? No jail time and no media backlash for that, the only blame he received was due to the heroes' failure to stop the League during the Raid Arc.

And don't even get me started on this bs about facing hell or whatever for what he's done : He's literally free and wealthy ; he has Rei, Fuyumi, Shoto, his sidekicks and Hawks on his side ; and all the difficulties he's apparently going to suffer are off-screened.

Deku had to sacrifice OFA and his future hero career to save the world ? Guess what, Bakugo invested all his time and money to make him an Iron-Man suit and now he can still be a hero with everyone else.

There are plenty more examples of this but I think you get the idea. Now let's take a look at the villains' ending :

Toya is now a piece of charcoal kept artificially alive for the few years he has left, unable to move a finger, and whose few minutes a day during which he can stay awake will be spent talking to his father who abused him as a child.

Toga, a literal teenager, killed herself to save Ochako and because she knew it's still better than rotting at Tartarus her whole life.

And not only did she die but she did by bleding to death. Let me repeat for those who have trouble grasping what I've just said : In a manga where the heroes can survive having their heart blown to bits, being impaled Kakyoin-style or smashed against buildings like a fly on a windshield, one of the main antagonists died of a fucking hemorrhage…

As for Shigaraki, after learning that his very birth and all the tragedies of his life have been orchestrated by AFO, after all this development and narrative promises about him being saved in the end... Deku just kills him.

Because despite all his speeches about saving him, it seems like the best our MC could do was beating him both physically and mentally until he crumbles to dust…

Compress on his side is apparently locked up for life and kept alive by machines too.

A begging Kurogiri tried in a desperate attempt to save Shigaraki, only to be unceremoniously blown up by Bakugo and dying off-screen without anyone giving a shit, including Aizawa and Mic.

And Spinner will now spend the rest of his life struggling with the extra quirks inside him that affect his body and mind, while having to cope with the thought that his boyfriend best friend and companions have either died alone or are locked away for life in horrifying circumstances.

Clearly not the same as with the heroes...

Now don't get me wrong, even if they suffered just as much from the consequences of their actions or the plot as the League, this ending would still be a disaster in terms of writing but AT LEAST it wouldn't reek that much of hypocrisy.

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[ravensuperr]

Prompt: Gotham Baby Switch Mystery (DCXDP)

Gotham City is in chaos. Major breaking news has just surfaced: a nurse or doctor (your pick) has been involved in switching the identities of nearly 200 babies over the course of their career. Gotham PD, working overtime alongside other police departments, has been investigating the swaps. The authorities now have a list of affected families, and the shocking implications are that the child you’ve cared for, loved, and raised with all your heart may not actually be yours. Worse yet, the child you buried may also have been someone else’s.

Among the families affected? The Wayne family. And, understandably, the Batfamily is freaking out. The questions are piling up: Does this mean we have a brother or sister out there in the world? Why hasn’t Bruce told us about this? Chaos ensues.

Bruce Wayne, however, is left with only one certainty: the child he and Talia al Ghul had together, a baby born prematurely. The child spent days in the ICU, and the doctors were hopeful, but ultimately, the baby passed away. That tragic event had driven a wedge between Bruce and Talia, and she cut ties with him. When she became pregnant with Damian, Talia did everything in her power to ensure that her second child would survive to term, determined not to lose another baby like their first.

Faced with the turmoil of this new revelation, Bruce does the only thing he can think of: he calls Talia. He tells her about the baby swap scandal and asks if, given the news, she’d like to meet the child who might be their lost son or daughter. Talia, understandably, is furious. Her emotions boil over. The trauma of burying her child, only to now be told that the baby may not have been hers at all, is too much to bear. Her first instinct is to kill the person responsible for causing this pain.

Still, Talia decides to take Bruce up on his offer. If the League of Assassins and Batman work together to gather information, she wants to know the truth. And of course, Damian has just discovered that he may have an older sibling—and he’s determined to meet them first. He’s not going to let anyone else in the family get to them first, calling dibs on being the first to see the once presumed-dead sibling.

Two months had passed, and there was still no new information about where in the world Bruce and Talia’s child was. However, since the news had broken in the U.S., many of Bruce’s friends had stepped in to help. Lex Luthor and Oliver Queen suggested that Bruce's child might have taken a DNA test, as it was becoming increasingly popular among adopted or orphaned individuals who wanted to find their birth parents or potential siblings—whether through sperm donation or other means.

That’s when they discovered that a 14-year-old kid from a small town in Illinois had done a DNA test. This was how Bruce, Talia, and the Bat family found out that their lost sibling—whom they all assumed was a boy—was alive. The confusion had arisen because, when she took the test, Danny had used her nickname, Danny Fenton, rather than her full name, Danielle Fenton, which led everyone to assume she was male. In contrast, Jazz, her older sibling, had written her full name—Jasmine Fenton—on her own test. So, when the Bat family found the results, they expected a boy but were unaware that Danny was, in fact, a girl.

However, Danny and Jazz’s parents, Jack and Maddie Fenton, had never opened the letter containing the letter explain the whole affair. . It had been sent to the Fenton household, but it was discarded as junk mail, with the Fentons assuming it was another complaint about their family, specifically Jack and Maddie’s eccentric, often controversial, scientific endeavors. No one realized the importance of the letter until much later.

The test results showed two key revelations that shocked both Danny and Jazz. First, the two were not biologically related at all. They were not sisters by blood. Second, the test revealed that one of Danny’s biological parents had Middle Eastern ancestry. This was a detail that Danny hadn’t known, nor had she ever suspected.

Meanwhile, as Danny was undergoing a strange and painful transformation, gaining her ghost powers and becoming a half-ghost, she unknowingly shared this moment with a significant event taking place far from Amity Park. On the other side of the world, John Constantine was battling demons. During one such fight, a particular demon expressed an intense fear, saying, “Are we really going through with this? I thought Lady Gotham would never agree to it. Hell, most of us demons don’t want to deal with her wrath.”

Constantine, intrigued, asked, “Why would a demon like you be afraid of Lady Gotham? I’ve met Batman and his insane family, and honestly, half the time, I don’t even believe they’re mortal. But what does Batman have to do with you? He doesn’t even know you.”

The demon paused, clearly shaken. “There was an event where Cronus ( Clockworks) called together all the demons, all the powerful beings, into the infinite realms. During that meeting, Cronus ( Clockworks) revealed one truth: the Ghost King will wake from his slumber. And only a warrior—not from the land of the living, nor from the Infinite realm—will be able to defeat him. This event will happen in every timeline Cronus has seen. But the parentage of the warrior changes with each timeline. This time, the warrior’s parentage is what scares us. Nobody wants to see the wrath of Lady Gotham.”

Constantine narrowed his eyes, sensing the gravity in the demon’s words. “What are you talking about?”

The demon continued, fear lacing its voice. “The decision that was made—bringing this individual, this warrior, into the fight—has caused a ripple effect across the ancient realms. Some of us, those who are eternal, those who have never known death, have already overstepped. Even some of the observers—beings who are supposed to remain neutral—have meddled. Now we have to deal with the consequences of our actions. And it’s not just us. It’s the entire infinite realm. We’re all doomed. Let us pray, Constantine, that the Ghost King never awakens. For when he does, and the warrior defeats him in single combat... that will be when all of our fears come to fruition. It will be the beginning of the end.”

Constantine’s stomach turned as the weight of the demon’s words settled in. “You’re serious, aren’t you?” he muttered under his breath.

“Deadly serious,” the demon replied. “What they’ve done… is beyond repair. And the worst part is, they didn’t even realize it. The actions of the living—specifically Lady Gotham and her vigilantes—have overstepped a boundary. The warriors of Gotham, the protectors, the police, the citizens—even the Joker—are all unknowingly playing a part in this colossal mistake. It wasn’t Darkside, or any of the other cosmic threats or even Supernatural threats that you and those Heroes have faced, that will bring about the end. NO It’s this one misstep. One moment of carelessness. One action, and now it’s too late.”

Constantine stood there, his mind racing. “This prophecy... It’s not just about one person, is it? It's about the whole damn city, the whole damn world.”

The demon nodded grimly. “Gotham is the key. And once the warrior rises, once the wrath of Lady Gotham is unleashed, nothing will stop it. Cronus himself is holding an emergency meeting about this, trying to figure out how to deal with it. And let me tell you—things are not looking good for anyone.”

Constantine cursed under his breath. He realized that the situation was far worse than he could have ever imagined. If the demon was right, and this prophecy was truly tied to Gotham, then they were all in serious trouble. And what terrified Constantine the most was the thought of Batman finding out that someone—someone he loved—was being manipulated, consciously or not. Batman didn’t care about the methods or the reasons; if anyone he cared about was caught up in a scheme like this, the consequences would be catastrophic.

“God help us,” Constantine muttered, more to himself than to the demon. “Because if this gets back to Gotham… none of us are getting out of this alive.”

So if this post gets a lot of likes I will make a part 2 continuing the story. Because this is something that has been stuck in my mind I just want to share it.

[fatkish]

Aizawa, Dabi and Amajiki x Nezuko Demon Reader

Reader has a demon quirk that makes them just like Nezuko from Demon Slayer. Their quirk comes at the cost of being asleep for abnormally long periods of time as well as an inability to speak and a slight decrease in mental clarity as well

Amajiki:

He and Mirio had known you since Preschool before you got your quirk

When your quirk manifested, you began to sleep for long periods of time, often times you would sleep for a week or more whenever you used your quirk or just to maintain an even amount of energy

Tamaki was worried about you and your likeliness to fall behind, so he began to tutor you and help you stay caught up with your classes

Your parents had a box designed for you to sleep in since you’ll fall asleep wherever and be unable to be woken up

Since then, Tamaki has carried you everywhere and been your designated caretaker and supporter

Reader is fiercely protective of him and obeys his commands

Reader loves when he, Hado or Mirio plays with their hair

Is completely docile and loves to nuzzle Tamaki as a means to show their affection

Reader’s ability is like Tamayo’s. They can create visual floral patterns and it affects the people’s mood making them docile or sleepy

Tamaki is deeply appreciative of the reader’s ability

Reader will sit on his lap or Mirio’s if their awake during class

Dabi:

He found you one day all alone, you were in your small form so he thought you were a homeless kid and he decided to help you out

No one had ever shown you kindness before so you quickly grew attached to him

Reader is fiercely loyal and protective of dabi

Whenever a hero or villain tries to attack him, you’ll pop up and attack them, defending him

Reader is constantly hostile and is always growling and glaring at others

Toga thinks it’s adorable and as Dabi grows closer to the league, so do you. But Dabi remains your number one priority

Reader is only affectionate to Dabi

You’ll nuzzle him, hug him, cuddle up and lay your head against him as you take a nap

Dabi loves that the reader is as murderous as he is and that he doesn’t have to worry about them getting hurt because they can heal

Tomura tried to decay your arm only for it to regrow in mere seconds, needless to say, Tomura was impressed

You’ll only listen to Dabi’s commands

You nearly killed Endeavor and would have gutted him if it wasn’t for Dabi ordering you to leave Endeavor to him

Reader’s demon art is similar to Nezuko’s where they can burn people and things with their blood

You can also somewhat heal things like poisoning and infections by burning away only the poison or bad bacteria

Aizawa:

Similar to Dabi, Aizawa found the reader in an alley, abandoned, he decided to take them in after he brought them to the hospital and learned about their quirk

He had Power Loader create a box that was lightweight and comfortable both for you on the inside and for him to carry

His students are always surprised whenever they see you come out of the box for the first time

Aizawa leaves the box either in his classroom or in the faculty lounge

Hizashi and Midnight absolutely adore you

Midnight tries to dress you up, you’ll then go running to Aizawa in hopes that he’ll drive Midnight off

Reader occasionally makes themselves small and hides in his scarf

Is extremely affectionate to certain people

You love cuddles and playing with people’s hair,

Hizashi is more than happy to let you play with and braid his hair

Reader loves rubbing their face against his stubble and playing with his hair

Loves to sleep on his chest or snuggle up to him

If he’s in his sleeping bag, you’ll either unzip it and crawl inside with him or you’ll just lay on top of him

Reader goes on patrols with him and listens to his commands on what to do

Reader’s demon blood ability allows them to create chains that latch onto their opponents. The chains can be used however the reader wants

(Reader’s chains are similar to Kurapika’s from Hunter x Hunter, only there are many more)

[screamforyani]

cariño

warnings ↠ dubcon-ish?, enemies with benefits, handjob, edging, implied intercouse towards the end

a/n ↠ i know this is very out of the blue but i watched atsv and i cant get miguel out of my head

wc. 1.1k

“untie me,” hissed miguel, fangs jutting as his blood-thirsty eyes followed you. 

you let out a hollow laugh the second those words escaped his mouth and met his penetrating stare. to say you and and miguel were enemies would be an understatement. there was something about this guy that irked you in the worst way, but could also turn you on like no other.

the feeling was mutual. you’d never admit a word of this if it wasn’t - not even to yourself. you and miguel had a weird thing going on, the sort of thing where the line between hate and lust grew thinner with each dark, loathing stare he shot you. 

maybe you’d had his cock in you a couple of times. twelve, to be exact, though not that you were counting (because you totally weren’t). not your proudest moments, but the sight of him on his knees, tangled in a weaving of webs made you forget it. his muscles bulged with every endeavor to free himself from your little trick. which was hilarious, because if they were any tighter, they’d burst right through his spandex. 

not that you were complaining. 

“hm, let me think about it,” you hummed, pretending to be deep in thought. “no.”

“i said - untie me. now,” miguel roared, as if it would make any difference. 

you crouched before him, pouting. “what’s the matter, spider-man? can’t handle other people telling you no? you don’t get to be the boss of everyone, cariño.”

you waved your finger in his face, to which miguel responded to with a lean forward as if he were going to bite your wrist off, but you were too quick. 

“woah there, bitey,” you taunted. “get it? that rhymes with spidey. hilarious, don’t you think?”

miguel spat, “you annoy me.”

“it’s a pleasure,” you said, merely grinning. then, you pointed to the extended talon behind his back where his hands were tied, asking, “can i borrow that? thanks.”

you used his talons to poke a hole in the lower half of his suit, promptly tearing at the spandex until the hole expanded. miguel wasn’t exactly pleased, not yet anyways, barking, “what the hell do you think you’re doing?”

“more than you deserve,” you whispered, widening the gap until his half-hard cock was freed. that you inevitably already saw. for obvious reasons, it was difficult for spider-men to conceal their hard-ons. “you guys freeball under these suits? that’s crazy. i mean, not that you’re gonna catch a hard-on fighting the spot, but you never know. i mean, what if some really sexy villain just hits… the spot. get it? the-”

“the spot. yes, i get the joke. shut the hell up,” miguel grumbled, irritated.

you giggled. his annoyed face was too hot. of course, you were riling him up on purpose.

licking a line down your palm, you gently grabbed his cock, stroking him in your hands while looking him in his angry eyes. you saw his features tense, the part that didn’t want to be angry surfacing. the part that wanted to be relieved.

that was all that was wrong with this cranky guy. he just needed some relief in his life, and who better to provide it to him than you, the spider-person he never wanted on this team in the first place but took in because jess had insisted you could be useful. and you were, in more ways than one. not that miguel would ever admit that, though.

“fuck,” miguel grunted, writhing again, though not in an attempt to escape. you knew how to pleasure him and that was your saving grace, but you also knew how to tease. “could you be any slower with that?”

“i could, actually. watch this,” you retorted, now pumping him in no particular hurry. you had time to waste.

your leisure movements were killing miguel slowly. literally. he groaned, “well, could you go any faster?”

“i could,” you repeated with a lilt. “but you’d have to say the magic word.”

“go faster!”

you gave him a mocking frown. “i don’t think that’s it, o’hara.”

“do i have to?”

“do you want to cum?”

miguel winced his eyes closed, heaved a huge sigh, and huffed, “please, go faster.”

“wow, you hit the lottery,” you said, quickening your pace. you loved watching his brows furrow with pleasure, sweat beading at his face.

miguel bit his lip, wanting to be mad at how you satisfied him. it reminded you of when he was buried balls deep inside of you, his weight resting on top of your chest while his teeth clamped into your shoulder, not for the purpose of extracting blood but to smother the sounds of pleasure that escaped him when your cunt was squeezing his dick. almost like he would rather die than let you know you were good for something.

it didn’t matter, though. the telltale signs of arousal manifested themselves in plentiful ways from his body, like the taut ache in his pants when you turned him on a little too much. he got so hard for you, it was ridiculous.

and you were having a ball (you were tempted to make a joke, but resisted for his mental sake). there was something about having an insanely large, strong man who could potentially crush you to smithereens squirming at your mercy. it made warmth spread through your chest and the slyest grin curl onto your lips.

miguel’s hips were thrusting into your palm, an obvious sign that he was on the brink of climax. you’d come to know it by now - he started to lost control, the reins slipping out his hands. and you loved it. you loved how he was a slave to his urges and not the other way around.

“you almost there?” you asked, in spite of being fully aware. 

miguel offered you no words, but the look on his face and his unstill, restless body said enough.

that was when you got the bold idea to withdraw your hand at the very last second, depriving him of what could have been. his wrath was instant. you saw his hips flail in a desperation you’d never seen of him before, his fluttering eyes snapping open to cut at you.

“oopsies,” you sang, smiling innocently.

that was the very last straw for miguel and he broke out of your restraints, having enough of playing weak. you gasped, caught off-guard when he switched on a dime, throwing you against the ground and hovering over you. you parted your lips to speak, but he was quick to shoot a web over your mouth. 

“you talk too much,” miguel growled, cutting your own spandex with his talons, and was pleased to find you were very wet. he fixed himself between your thighs, leaning into your ear to whisper, “and for the record, nobody decides if i cum, cariño.”

[bnhaobservation]

Did Enji atone to Touya (and his family) and stepped up on his role as a father?

Boku no Hero Academia has a grave 'flaw'. The fact that's strongly tied to Japanese culture and Buddhism makes it a very interesting work but also makes it a hardly international work because way too many cultural things are left unexplained because they're assumed to be a given. Only they're not when the work is read by foreign readers. And this lead to confusion.

The Todoroki plotline is an example of this.

In the west many feel Enji did nothing for Touya or did too little because the little he did is a given in the west. The point is... it's not a given in Japan. In Japan is a BIG DEAL. So let's go though it.

First, the fact that he doesn't want to kill Touya even though he's a criminal

Todoroki Enji ‘Ore wa ikinobite mo... ENDEAVOR wa shinda. Tairyō satsujinsha (read: musuko) to tatakaenai.’ 轟炎司「俺は生き延びても...エンデヴァーは死んだ。大量殺人者（むすこ）と戦えない。」 Todoroki Enji “Even if I survived... Endeavor is dead. I can't fight against a mass murderer (read: my son).”

Let's compare it to these two scenes of "Death Note" and see how Yagami Soichiro, a policeman, is taking the idea his son might be a killer and how, although Misa protests, the story doesn't present it as him being crazy but as it being his duty.

That's why Hawks doesn't want to send Enji, who's on an atonement path, to face Dabi, because Enji might end up in a situation in which he would have to kill his son and he would refuse... which is more or less what happens.

Second, Enji acknowledges that what Touya said is true, Touya is his son and Enji did what he did. In such a situation many would lie. Dabi's video proves nothing. He is a Villain, they had a doctor in the team who could create Nomu, the paternity test could be fake, even if Dabi were to provide a sample of his blood or skin they could insist that's fake.

Society didn't want the truth, they didn't want Enji to confess, they wanted him to reassure them, they even commented he should have lied because yes, that's what's done often.

Basically he put his honor on the chopping block. A public apology like this one is a BIG DEAL in Japan. It's much more serious than in western countries and he does it when he could have spared himself and say Dabi lied but that would have meant to deny his son.

Third, it connects to the first in a way. While Enji is unwilling to kill Touya, he's willing to die with him. It's ‘shinjū’ (心中 Lit. “Mind/heart center/inside” but more likely means “oneness of hearts”, probably reflecting a psychological link between the participants) and it’s a word used in common parlance to refer to any group suicide of two or more individuals bound by love, typically lovers, parents and children, and even whole families. People who commit shinjū believe that they would be united again in heaven, a view supported by feudal teaching in Edo period Japan, which taught that the bond between loved ones would continue into the next world, and by the teaching of Pure Land Buddhism wherein it is believed that through shinjū, one can approach rebirth in the Pure Land. By volunteering to die with him, Enji is basically agreeing to remain with him in their next reincarnation.

For us it's crazy, it's Enji giving up on saving him. In Japan it sounds like 'I love you and I want to be with you'.

Forth, he'll apologize to Touya. As said before it's a BIG DEAL, especially since Enji is the family head and, although for us most of what he did is wrong, in Japan most of what he did is well within what he can do. Marrying a woman you don't love in a combined marriage to expect the child who'll be born from it will fulfill your ambitions and not really bothering to raise it because that's a mother job, well, things are changing in Japan but none of the above is a crime. In a not so distant past it was actually the norm. Yet Enji apologizes even though normally a family head wouldn't.

Fifth it's a bit in the first point and in the second but it'll drag on through all the story, Enji won't reject Touya. He's the only one (except Fuyumi who however doesn't get to say much) who never calls him Dabi after the reveal, and he won't strike him out of the family register but will keep on considering him his son.

Look at the Tobitas instead and at how they kick their son out.

Don't think Hawks is cutting strings with his parents solely because they were abusive, the Tobitas show us how you should just cut strings with a criminal. Same as the Togas.

Have "Theseus no fune" in which a man accused to be a murderer, send a birthday gift to his son and watch the reaction of his wife.

They don't want to keep contact with a criminal. It's scary because they'll be mistreated if they are discovered to be related to him.

And, in this vein, the fact he wants to go see him, that he'll keep on seeing him till the end instead than turning his back on him, is seen as important. It's seen as him being his father.

To many of us it seems as if he's forcing his presence upon Touya. Actually, from a Japanese perspective he's instead not abandoning him like many others would.

And since Touya is dying, very likely the talking will be the talking that's done in a Buddhist culture when someone is dying. Death should occur in a calm and peaceful environment, with close friends and family in attendance. Together they should reflect on the good deeds the dying person has done throughout their life, in the hopes it will help them in their next reincarnation. Additionally, family and friends can perform good deeds on behalf of them, which they believe will be of merit to the deceased.

So, since Touya is dying he won't get a scolding like Chisaki, they'll all only tell him nice and soothing things so he'll die peacefully.

Now... in the west all this is absolutely way too little, and in some points even feels wrong. Dying together instead than insisting in trying to save him? Deciding unilaterally to show up every day? Not our thing...

We can totally say 'thanks, I hate it' because we grew up with Darth Vader who instead gave his life to SAVE his son. All this accepting that Touya instead is going to die so Enji can at best die with him or keep him company until he does... well, it's mostly not our cup of cultural tea.

In in Japan though, all Enji does is important. Enji is doing something for Touya as a father, something important many fathers wouln't do for their sons.

Does it would satisfy a Japanese audience? They'll get the message better than us... but things are changing and anyway it can still feel too little. "Death Note" is dated 2005/2006 and back in it Misa was already questioning the idea of a father killing his son and then killing himself. BNHA is more innovative as Enji doesn't think to kill Touya but he still goes for the 'let's die together' route... and Horikoshi subtly criticizes it by having the rest of the family decising they'll try to stop the fire before just giving up. They're willing to die, but not before trying.

Enji represents plenty of old theories after all, which Horikoshi acknowledges were moved out of wrong beliefs, not moved by mean intents... which, is possible, would still not be enough for Japanese readers either because among teenagers, the target audience, there's an increasing number of teen who, in Japan, are forced to leave home (the Toyoko Kids) and often ends up committing crimes to survive and the league seems to be based on all the kind of homeless people Japan has.

While for a kid at home with a loving family being told that his father will die with him if he messes up instead than just dumping him might be comforting... for a kid that was abused and forced to leave home this might feel not enough.

People want to be saved, being told it's too late to save them, might be a lesson for those who hadn't done anything wrong yet so that they won't do it, but it's surely not a hopeful message for who instead got himself into troubles.

But well, that's something for the Japanese audience to ponder.

There's also to point out that, even though the message is not hopeful, Horikoshi is seeing the homeless people and acknowledging they should be helped.

Japan in regard to the Toyoko kids is mostly like the old woman who pretended not to see Tenko but that, in the end, helps that new boy.

I think Horikoshi's message desperately wants to be hopeful even for them, that he wants BNHA be like Midoriya's final stand, something that will push people to acknowledge they exist and reach out to help them.

It just that... it gets lost in what I'll call the 'litteral translation'.

No one explains us how we should jusge the scenes and, since we lack the cultural background, to us they are perceived differently because to us things work differently.

And, personally, even when I think I figured out the author's intent and can see the positivity of it, the cultural filter is still too tick and the picture gets blurried.

It's like being beginner at speaking a foreign language and having to constantly translate it in your head. The message loses its natural beauty, get simplified and not fully grasped.

I think I understand how Enji's atonement works in regard to Touya... it still doesn't feel fulfilling to me. But enough about Touya.

'Now,' you might rightfully say, 'fine, I'll bite, let's assume what Enji has is an atonement arc for Touya. It doesn't work at all in the west but let's give it a pass. What about his other kids?'

Natsuo and Fuyumi's wishes are in conflict.

Fuyumi wants the five of them to be a family (at the time she doesn't know Touya is alive), Natsuo doesn't want to be part of a family with Enji.

Enji's solution is giving Fuyumi a house in which she can welcome her mother and live with Natsuo (and Shouto when he comes home), while he removes himself from the equation. The solution fulfills Natsuo's wish of not seeing Enji because it makes him feel bad. It only partly fulfil Fuyumi's wish because it'll allow her to have her mother back (Rei couldn't bear meeting Enji either) and to stay with her siblings... but Enji takes responsibility for it, he doesn't tell her it's due to Natsuo that he can't live with them, so, in theory, it won't be Natsuo the one who's stressed to be at home when Enji is there and the one who has to leave home because he can't stand the sight of Enji.

There are many things I can say on how this is not a good solution (it doesn't make Natsuo feel better, it just stops him from feeling worse), but there are two points to consider. The first is that Enji is getting old and it would be his children's duty, due to filial pity, to take care of him, instead he's basically giving them the means to leave and take his wife with them.

Actually, since Natsuo is now the oldest MALE, it should fall on him specifically. Yes, Enji always intended to have Shouto inherit his mantle but this doesn't free Natsuo from his duties. Instead Enji is letting all his children free.

Even with Shouto, he doesn't insist anymore for Shouto to learn Flashfire Fist as his heir but just as an intern.

I take this is big in Japan.

Here again, not so much, especially in the countries in the west that think kids should leave their parents' home as soon as possible and we don't think our children are obliged to inherit our mantles.

Note how the story implies that this was meant to be the end for the Natsuo/Enji arc.

Natsuo made clear he didn't want to meet Enji again, he does it solely because they've to stop Touya and, once they've stopped Touya, he makes clear he doesn't want to see him again.

If we want though, the fact he's leaving the family can be seen as a concession in a way.

Since apparently Rei wants to stay with Enji (and likely their old house was devasted because that's what happens to relative of criminals) Enji can now move with Fuyumi and Rei and Natsuo won't have to see him because he'll leave home... to make his own home.

As for Shouto... Horikoshi answered his request by basically showing him Enji being a father for Touya and then promising he would protect them from the fiery fallout, which Horikoshi doesn't show at all because it's another thing that's a given in Japanese culture, it'll be hell for Enji to protect them, but not for us.

Just to get an idea of the fiery fallout here are some images from "Theseus no fune" again showing you how bad is this sort of thing.

Back to Enji, Horikoshi gives us verbal confirmation that Enji is now being a father by being willing to do this, by having Natsuo, who never called him as such, calling him father for the first time.

For Horikoshi that's Enji being a father.

Again, we've no idea of which hell Enji will suffer because that's not part of our culture. I've posted above screencaps of "Theseus no fune", that's how the fallout should be so not pretty at all.

So the fact that Enji will try to protect them from it is, again, BIG.

So yeah, Enji did do BIG things to atone and keeps on doing them and if he'll ultimately get forgiven by Natsuo (the rest of his family wanted to forgive him way before he were to do something), that's up to Natsuo... Horikoshi likely left this as open ending because he wanted to let it up to readers so as not to make them feel they were forced to forgive Enji.

In the general hopeful theme of the manga and with Natsuo acknowledging him as a cool father I guess his idea is that Natsuo too will eventually forgive him because he's kind.

I don't want to say that Natsuo forgiving Enji would be a culture clash because there's people even here that forgive their horrible parents and that's valid. Forgiving is a personal choice and one has the right to make it even if said horrible parent did nothing to deserve it.

It's up to you.

But sure is, if again we take the story at face value and not in its cultural contest, we can't see what Enji does to atone, because for us is nothing big.

It's even made worse by how Horikoshi doesn't show at all the hell Enji will go through (as for him is a given) so for us IT DOESN'T EXIST. We see Enji as having it easy, talking big but not having to face anything at all.

Honestly though... I think this is a bit of a flaw of the manga as a whole.

Way too often it prefers to focus on the good than on the bad so that the bad gets sidelined to much to the point people forget it.

There were horrible Heroes who committed crimes and had no intention to repent or stop... and we never met them. Nagant killed them off but we never met them.

Mountain Lady, who became a Hero for money and fame, then sticks to the job even when it's bad. Desugoro, who left the job when it turned bad, then came back to help. Enji is on an atonement path and, anyway, on work he was always a good Hero.

In the same way Horikoshi prefers not to show Enji's hardship but focus on how he'll have the support of his sidekicks, driver and Hawks... partly also because it ties in so well with the general message of everyone reaching out.

The result is that the Midoriya plotline of everyone reaching out becomes more important of the Enji atonement arc and overshadows it.

Enji's atonement arc ends in 426, chap 430 doesn't feel the need to tell us if Enji is keeping up with it despite the hardship, nor how his family is doing. It feels the need to reassure us that people will reach out for him even if he's in hell, that even if he had to give up on his family, he now as a new found family.

It's thematically consistent with the theme of reaching out but... the fact it overwrites the atonement arc honestly FOR ME doesn't work so great.

I think it's an overall problem of the 'reaching out message'.

While in itself is beautiful... it saves nothing I was lead to care about.

In Enji's case I was interested in his atonement arc, in how he could help his kids. I wanted more of that, partly because his atonement arc is so far from my culture, partly because it touched characters I cared about, I wanted to be reassured he would keep on working on it and that his family would be well.

Yes, he should be in hell, but the story didn't really work hard on trying to make me worry for him as it established already a support network for him. The story made me worry for the kids, for Touya, who was dying, for Fuyumi, who wanted back her family and won't have it, for Natsuo, who's marrying an unknown character so young, for Shouto, who has to cope with the loss of the brother with whom he wanted to connect.

I don't really care Burnin, Onima, Kido and Hawks are willing to continue to protect Enji, to reach out to help him, I knew they would, I wanted to be reassured Enji's kids are safe, well and protected. I wanted to see ENJI reach out and help them.

In this vein I don't really care the old grandmother saved a nameless abused kid, or, at least, not as much as I cared for Tomura to be saved. It's nice she saved him, it's nice he gets to live the life Tomura was denied but honestly, he's a mob character with a super tragic backstory created deliberately to force us to emotionally connect to him.

The message he now will be saved is good, but my emotional investment to him is too little.

The same applies to Uraraka's Quirk counsueling program, we knew next to nothing about the Quirk consueling previous program beyond that it didn't work (a real problem in Japan as they have a school consueling program that didn't work... and changes are in progress) and that now it supposedly does.

To how Shouji now solves peacefully plenty of conflicts caused by Heteromorph discrimination, which Horikoshi tossed in later and never really showed how to solve (and, don't take me wrong, it's not solved even by Shouji, he just solves peacefully the conflicts, how is up to everyone's speculation).

Long story short, I think Horikoshi worked really hard for BNHA to have an optimist, hopeful message... but part of it goes lost in cultural differences and part of it goes lost in how the story didn't try to get me invested in the things it's now saving.

So yeah, I'm still sad for this little panel in chap 430

I guess I'll eventually get over it. Today though, it's not that day.

On a positive note... if we count the pages of all the chapters that should go in vol 42 they're only 132. The chapters that were meant to go into Vol 39 had 165 (which yes, Horikoshi further expanded once the volume was released).

So yeah, unless Vol 42 will be slimmer than usual or that he'll add to it some sidestory or extra story, it's possible we'll get more plot in terms of epilogue. We'll see.

(also yes, I'm not touching Rei in this post. Rei is another can of worm entirely and one, I fear, Horikoshi doesn't care about. The poor woman doesn't even get a profile while Ikoma Komari does. And really, I do think Rei is much more important than Ikoma Komari)

Last, but not least, since someone seems to get the wrong idea, in case it wasn't clear enough, I'm not Japanese. I research on this. Through books, through the net and yeah, since I like to read manga and anime also through them which I often use as a source of comparison because they're easy, accessible to many and represent the same kind of media BNHA is so they more or less move according to the same or similar rules. I might have messed up somewhere. I encourage you to also research on the topic and take everything with a grain or two of salt.

[haine-kleine]

anyway. the ending was like That because it was Izuku's hero academia. it was his story told from his point of view and it concluded all the plot points he was concerned with, like his relationship with Bakugou, Allmight, the public's opinion on the heroes, what the new generation of heroes is going to be like, how Shouto is perceived by the public, Izuku's general relationship with his former classmates and Aizawa.

he never really cared about Shigaraki outside of their brief confrontation. he didn't really know Shigaraki as a person, and nor was he interested in getting to know him, even when he got the chance to peek into his past, Nana and Allmight had more reason to be interested in who Shigaraki the person was. to Izuku, Shigaraki started as a terrifying villain and ended as a crying boy he was unable to save. this is why, as he joins the rest of his classmates and becomes a pro hero, he imagines the ghost of Shigaraki looking over him, haunting him, reminding him of his failure but also inspiring him to try harder and 'keep reaching out'.

The villains were the ones concerned with their stories. Spinner wrote that book by himself, as Izuku's notes are being written at the point the book has already been published. Izuku never mentions any contents of that book nor Spinner or Mister Compress. Because they do not belong in his story, not really.

They belong with each other, in the League of Villains, as they have proven time and time again how important they are to each other and how far they are willing to go to protect their own. Shigaraki's thoughts before Izuku had killed him were all about the League. Kurogiri's last act was trying to save Shigaraki from AFO and the heroes. What kept Spinner's spirit from crumbling after losing everyone he had cared about was his burning desire to tell their story to others, to let their stories be heard. Touya finds no solace despite getting everything he had ever wanted from his family and being reunited with them - because his place was in the League of villains, the place where he was accepted just as he was, unconditionally.

the conflict of heroes versus the villains led to nothing but devastation and destruction for the villains. even those who were heard out and validated by the other party ended up becoming victims, or martyrs.

after that experience, after having a whole crowd of pro heroes, the people who made it their lives career to save others witness his destruction by the man who stole his body from him and by the boy who swore to save him, why would Shigaraki be interested in keeping in contact with these people, had he survived? why would Kurogiri go out of his way to let Shirakumo's friends know he had survived their students attempt to take his life and the life of the boy he wanted to save, all because they couldn't accept his affection for that boy outweighing their long gone friendship? why would Toga, when the reporters and the heroes saw her body after starting to transfuse all of her blood to Ochako and not even bothered to pick it up, to save her life or even to bury her?

here is how it went: Kurogiri did end up successfully saving Shigaraki, the fact going unnoticed by the heroes because both of their bodies were crumbling. he had also taken Toga, which is why her body wasn't picked up together with Ochako (and why Ochako doesn't have any memories of Toga's dead body, only of her final words to her). and then Kurogiri teleported them far away, where they healed and started planning how to get the remaining three LOV members back, while they are still alive.

they broke Spinner and Compress out of the prisons. In memory of Twice, Hawks had covered it up, as long as they don't resurface as villains.

Shigaraki and Toga had considered letting Touya stay together with his family, up until the news of Endeavor's disgraced villain son being on his deathbed got out. On the very next day, Shigaraki broke the tank Touya was residing in to pieces. Enji and his sidekicks had covered his eldest going missing by holding a funeral ceremony for him (the second one, this time knowing full well it's a fake funeral). Shouto was enraged with his father's decision and Enji used Shouto's just starting pro hero career as an excuse, don't you want to have a clean start, without the weight of mine and Touya's crimes weighting you down? It's not like Shouto has a choice in the matter, just as when he was a kid. The family wonders about the missing one's fate. Sometimes, Shouto gets messages from unknown numbers. He doesn't share them with anyone, except for Natsuo, who is still devastated about not using his one last chance to reconcile with the brother he had been so sorely missing for 8 years.

The ghosts of Toga, Shigaraki and Dabi live on, haunting the heroes who failed to save them. Himiko, Tenko and Touya also live on. They are very different from these ghosts.

[fushitoru]

geto lore in the bridgerton au is crazyyyyyyy ‼️‼️ (gently asking for more if you’re up to it 🥺🥺)

omg nonnie ily for this ask thank you for letting me yap

geto is a lady KILLER. whenever he enters a brothel, prostitutes are throwing themselves at him, and all the eligible ladies in the ton would KILL to be wed to him. unfortunately, geto has not secured a match (yet!). while gojo also attracts a lot of ladies, geto attracts even more despite only being the heir to viscount. if im going to be honest, geto's also gotten action with men at some orgies but stopped because he was scared of getting caught.

he's a sweet talker, very charismatic, but he's kind of like gojo in that he's looking for someone capable but within reason. he doesn't see himself falling in love but would be open to it.

when he went on his tour of europe, he did in fact appreciate art. bridgerton!geto is very artsy, and he would go to art school if he wasn't the eldest son. regardless, he enjoys composing poems.

he's also a hopeless romantic. he dreams of sneaking into his future love's room late at night by climbing a tree, reciting sonnets just like romeo. but no one would know this, geto is a bit private even with his friends (gojo would tease the fuck out of him).

gojo and geto are best friends ever since they both became eligible and started to see each other on hunts. they were easily the best and the strongest, forming a relationship.

he respects nanami a lot because nanami is very rational, mature, and a much needed break from gojo. they met because the geto family and nanami family are close. their mothers share tea at least once a week! however, he is likely to join gojo in an endeavor to prank nanami.

geto didn't really agree with gojo's assessment of miss itadori at all. he thinks you are smarter, more cunning, and more dangerous than you let on. it kind of amuses him because gojo's usually very adept at reading people but he definitely misread you. it kind of makes him intrigued---he thinks gojo was overwhelmed with some sort of emotion for him to be so wrong about you. he also thinks that you and gojo make a good match.

geto also REALLLYYY likes tea. like he loves to gossip. he gossips a lot with his mother over tea, and he is actually anticipating going to the gojo manor, as is the rest of the ton, to see what the result was of your early visit. he's also not above involving himself in the tea. is this a bad quality or good one? we'll find out. perhaps even through him getting involved in you and gojo's quarrels

[redphlox]

the fact is izuku managed to save tenkos soul his body was too far gone due to what afo done to him and the damage in his mind lets be real here if toga and tenko had lived they would have been put in prison for their tragic pasts don't change the people they killed and the fact their identities were well known

Look dude - come closer, come sit down next to me. Lets talk.

I'm not sure how to explain that this is a fantasy story. That means that it doesn't have to reflect our current world 1:1, which has flawed systems. Storied aren't biographies. You can tell the difference between reality and fantasy, yes? I hope so. If your mom let you borrow her phone so that you can get on Tumblr to talk to me, then maybe you can have her explain if you're still confused by the time I'm through with you.

If you're using this argument for why the villains who were humanized by the author had to die cruel deaths in a story that preached about giving people Second Chances, then I'm led to believe that you also believe that Bakugo surviving his exploded heart was realistic. And that's completely unrealistic, just in case you're not sure.

There were a lot of unrealistic aspects to this story, including the part about people having superhuman abilities like creating explosions from their palms and making things float. Those abilities aren't real either, just in case you are confused. You might have picked up this story and thought it was an autobiography or a history textbook, so I advise that you ask your mom to take you to the library and talk to a librarian about the differences between literary genres.

Now - hold on to your seat, this is why I had you sit down; this next part is going to be really perplexing to you if you believe quirks are real - stories are usually used with the purpose of conveying a message, of exploring our Humanity and to experience of some kind of catharsis or emotion using our imaginations. You know the story about The three little pigs? That are also unrealistic, but it serves a purpose - it teaches little kids about perseverance and working hard. The first two little pigs didn't want to put in the effort to make a solid house, so they paid for it in the end with their lives. Do we live in the world where wolves literally come knocking on our doors trying to eat us? No, but we do live in a world where it's important to persevere and work hard. Disney's The Little Mermaid also isn't real, because Mermaids Don't exist, but it dealt with very real human experiences that we all deal with such as feeling out of place in the world, our identity, etc.

So, you can see that authors use fantasy stories to explore very real human emotions, social issues, what have you. BNHA starts off like that too. The very first words are exactly, "people are not all born equal", and it goes on to tell the story of a teen who's basically considered disabled because he's different. He's bullied, discriminated against, and he deals with very real human experiences such as disregarding authority to go after a friend he really cares about because he felt it was the right heroic thing to do, experiencing death (Night eye, Midnight), dealing with abusive parents (Endeavor) and comforting abuse victims (Shouto, Eri.)

These characters are not real, but they go through very real human experiences. These are real world issues.

You're still following me, right? Characters and stories aren't real, but their issues usually reflect real life issues.

All right. Not that we've established that stories often and talk about real world problems that we experience in everyday life, let's talk about how authors can approach these topics. It's all about using different Tools in your writing to convey your message.

Let's go back to my example with the Three Little Pigs. The moral of the story, the message, the theme, is that hard work pays off. If you slack off, you're possibly putting yourself in danger. But what if the last little pig's house had fallen down anyway despite his hard work? What if the wolf had eaten him anyway? Then the moral of the story is no longer that hard work pays off. The moral of the story is that no matter how hard you work, sometimes things just don't work out the way you imagined or planned.

Okay - so, which one of these morals is more realistic? That your hard work always pays off, or that sometimes, no matter how hard you work, you fail? I'm not sure where you are in life, but it's the second one. It's true. Sometimes no matter how hard you work, life fucks you in the ass without prep. People go to college with the aspirations of becoming medical doctors and can't get into med school no matter how many straight As, perfect grades they get. They worked hard, yet they didn't achieve what they wanted. Many families have a two income household but still can't make ends meet because of unexpected expenses such as medical bills, car accidents, deaths etc. You could be the world's most safe driver and still die in a car accident because of someone else's negligent driving.

That's the harsh reality of life. Does that mean that the moral of the Three Little Pigs story is wrong? No. It's a story and it teaches a really important lesson about resilience and survival. In a perfect world in that story, hard work always pays off. That's comforting to adults and helps little kids understand the importance of persevering and working hard. Those are good qualities to have.

Sometimes a storys themes and messages don't align with the readers personal views of the world but that doesn't mean the writing is bad. You could even have a moral disagreement with the themes presented in a story but have the writing still be good writing. For example, I personally don't agree that hard work always pays off. But in reference to The Three Little Pig, when it's a story for little kids, I agree that the writing fits. If I were the author of The Three Little pigs, I would make the theme be, "it's always good to work hard, but if your dreams don't come true then that's okay." I would write a story about all the pains of working hard and meeting failure but then overcoming it and being happy anyway in the face of failure. The story's theme would be resilience, not about hard work always paying off.

But the Three Little Pigs isn't like I just decribed, so do I think it's bad writing? No, because the theme of the story matches the conclusion .

This is where My Hero Academia fails. The beginning of the story, all the messages about giving people Second Chances , fall flat. It presented a highly nuanced issue that's very real to the world we're living in about reforming criminals and getting to the core of understanding criminal behavior. The story presented itself like it would address this issue with societal change... and instead it gave us superficial change such as holding hands with victims who appear to be blameless and morally pure like Eri and that new mysterious crying boy who is literally nameless.

The issue with that is that it's really naive. A lot of times, people who break the law, people in need - mentally ill people, the sick, the poor aren't perfect victims. I work in a hospital and a lot of the people who seek treatment REFUSE to heed the doctor's medical opinion. Does that mean that they deserve to die? No. Does that mean I should give up on them? No, I'm going to educate.

Following the logic of BNHA though, you would give up on these people. The suicidal person who's about to jump off the bridge? Well, if they don't take your hand willingly, then why should you keep trying to save them? The crying boy at the end is only saved because he took the grandma's hand. What if he had pushed her away? If he had, the story's logic says that he deserves whatever is coming to him. And of course this is a more nuanced topic than I'm portraying it to be - victims and people in need also have a role in helping themselves, but this story makes it seem like they get only one chance and they're doomed if they don't take it. Which is literally a message that the story presents through Endeavor and Gentle and La Brava: people deserve second chances. But only specific people, according to the story. It teaches you that not all people are born equal. Which is literally what the story set out to disprove.

Do you see how the math isn't mathing?

[aurora-value]

One of the problems with the vilification of Tamlin – aside from the fact that we are always viewing the story from perspectives that have a negative opinion of the character – is that, when it comes to Feyre, Tamlin is thought of only as her romantic partner, her companion and future husband. As a result, it’s easy to view his actions, outside of the fiction, as those of a typical abusive spouse, and that is where the problem lies. Tamlin is not just Feyre’s fiancé; he is also a ruler by right, chosen by magic, and therefore bears a tremendous responsibility – the responsibility for an entire court. From this point, let’s analyze one of Tamlin’s "most condemnable" actions: allying himself with Hybern.

For most of the fandom, Tamlin allied with Hybern in a desperate attempt to reclaim Feyre – as if she were merely an object to be won back. Even the narrative leans toward this idea, as Feyre’s thoughts often follow exactly this direction when she finally reunites with Tamlin in book 2, after her sisters are forcibly turned into fae. That said, many people here on Tumblr have already done excellent analyses on Tamlin’s reasons for this, but it’s always important to remember:

Tamlin, as I mentioned before, is a ruler, and as such, his primary responsibility is to ensure the safety and well-being of his people. So, if it was clear that his lands would be the first to be attacked by Hybern, why stay silent and wait for it to happen? Given the precarious situation he had been in since Amarantha, Tamlin would not have had the means to defend himself adequately, especially when Hybern was so well-equipped militarily – they even had the Cauldron in their arsenal. So, instead of sitting idly by, Tamlin decided to kill two birds with one stone. By allying with Hybern, he could: (1) prevent a direct invasion, (2) spy on Hybern, and (3) rescue Feyre, removing her from a potentially toxic relationship with Rhysand. Let’s not forget the influence of Ianthe, Tamlin’s childhood friend, and her role in this.

So, was it merely a desperate action to get Feyre back because he is toxic and possessive? No. It was the deliberate action of a High Lord, aware of the multiple threats facing him, trying to address them on all fronts simultaneously. Had it not been for Ianthe’s hidden motives and Feyre’s involvement, he could have succeeded in his endeavor.

If I forgot something and you'd like to add, feel free.

[dynamightmite]

you seem optimistic so you think we’re still getting shigaraki back? :( i’m really sad the way hori has handled the izuku tenko plotline as of right now like i just can’t wrap my head around this

I mean, I definitely think it's a possibility. We still don't know exactly what happened to overhaul/decay, and how it may be used in the future. We saw Tenko and Deku touch fists; theoretically there could have been some kind of exchange there, or he could be existing as a vestige in some way.

Then again, (and this is going to piss a lot of people off :')) I kind of... get where Horikoshi is going with it?

BEFORE YOU START BOOING!

I think a lot of the discomfort and hurt from fans comes from the perception that Izuku failed to save Tenko. That, by allowing him to die, the narrative is in fact saying he didn't deserve to be save--that Horikoshi himself doesn't believe Tenko truly deserved it. I have also seen a lot of talk about how it doesn't fit in with the ongoing, overarching themes of the narrative, and (while I'm not saying these people are wrong) I would like to push back on that a little, because I think there is precedence in the story as to why Tenko's death holds up, despite it being terrible.

The culmination of Tenko's arc broaches a crossroad of two major concepts in the story: heroes, and saving, and what both of those ideas mean. And, I think, in Tenko's death, we get and answer to both, and more importantly, an answer to his overall purpose.

What does it mean to save? In BNHA, the concept is a little vague. I've often people ascribe the "total victory" mindset as one of protection, as preventing any tragedy or harm. Through that lens, Tenko's death therefore is an automatic failure--a nonstarter. HE's dead, so he wasn't saved. The end. However, while "saving" might seem like a simple, straight forward concept, I would like to dig a little deeper, because I think what Horikoshi's doing is much more interesting.

Saving (Deku's definition of it, anyway) is a lot closer to freeing than it is to protecting. Which sounds weird, but I'll do my best to explain. I think the two best examples of this particular nuance to his definition are actually in two characters people tend to forget he saved: Shoto and Gentle Criminal.

Because he did save both of them. Not in the really obvious, black-and-white way he saved Eri, no, but he did save them. And both times were... painful, to say the least.

When Deku went after Shoto during the sport's festival, it wasn't, like, nice. He dug his little nerd fingers in where it hurt the worst and dragged out Shoto's biggest fears and insecurities, and then he said GET OVER THEM. Stop letting them control you. Stop letting your father control you. You're your own person, and you get to make your own choices.

He didn't punch Endeavor. He didn't even take pity on Shoto, or say he was sorry. But you know what he did do? Deku cut the leash. AND he damn near killed Shoto (and himself) making sure that Shoto understood that he was free. He gave Shoto back something that he'd been missing, something he was afraid to look in the face; something that Deku picked up, brushed off, and said, "please stop throwing this away, it's important. You're important".

And it works, goddamit.

Gentle is both different and similar. In a similar vein, the way Deku saves Gentle is sort of... not obvious. But I think if you look here:

Gentle isn't a bad person. He's ambitious and a little lax about the law, but he never set out to hurt anybody. But we see over the course of his arc how he gets so tangled up in his own pain and his desperation to be seen that he forgets his own ideals, his own morals. In the face of becoming someone, he loses sight of what matters most to him: just like Deku, Gentle wants to be a hero.

Which, in the end, he is. And Deku's the one who pushes him there.

But what about Tenko? What about the crying child inside him? Why wasn't he saved?

When people talk about child Tenko, they often seem to see him as a symbol of the person that Deku's trying to save. But I think that, just maybe, that's wrong. I think maybe, actually, Deku is trying to save Tenko from that child.

Child Tenko is, in many ways, a symbol of nothing but AFO's power. That is a child stripped of his name, of his original quirk, of his family, of his sense of self. That is a puppet controlled by AFO, without any autonomy of its own. That child is a wound that Tenko cannot escape for as long as AFO still holds any power over him.

That's why this chapter All Might said that maybe Deku did save Tenko, if he no longer saw the child version of him in the vestige realm. Deku did save him. Because Tenko isn't a child anymore, and he isn't AFO's puppet; he's a free man, for the first time in his life.

A free man who chooses to be a hero.

Heroes get talked about a lot in BNHA (duh), but what is the defining quality of a true hero? Someone who wins? Sure. Someone who saves? Yeah, of course. But the actual test of what differentiates a hero from everybody else is their willingness to sacrifice. To give up everything for the greater good. Even if it hurts. Sometimes especially if it hurts. I mean, this has come up a lot through the manga. Deku running in to attack the sludge villain, Mirio giving up his quirk, Eraserhead throwing himself in front of his students, Edgeshot shortening his lifespan to save Bakugo, All Might standing quirkless in front of the greatest evil of his time-- literally the constant refrain from the narrative has been that being willing to sacrifice it all is what makes a hero a hero.

Tenko's final wish from last chapter is gut wrenching, but: he wanted to be a hero for the Villains. The rest of the world can rot for all he cares, but his friends, those disenfranchised, hurt people that everyone else gave up on? Those people who have never been saved, those people who have never been protected... he wants to be their hero. In the face of danger, of certain doom, he is a free man, and he has a choice.

So he makes a sacrifice. His final act is to become a hero. For them.

Cue the sobbing tears.

Additionally, I think it's relevant to point out here how strongly the narrative has advocated for victimhood to be divorced from being a perpetual self-identity. It really emphasizes the power of choosing to rise above your situation and pain to help other people, while also suggesting that your pain does not excuse you from hurting people. You can be a victim and you can be a perpetrator; they are not mutually exclusive. And because of this, after Deku saves Tenko, he does not owe him. He saved Tenko, but he could not keep him alive, and... I don't think that it's about Tenko deserving or not deserving to die. It's just that Tenko had reached a point of no return where his only choices were to die a slave or die free and he broke his shackles. But he was always going to die. Doomed by the narrative, both literally and figuratively. We can argue all day as to what degree of responsibility he holds for his actions as a highly abused, traumatized, often shell of a person. But the point is that at every junction of the story, Tenko (and the story around him) escalated until he was trapped. There wasn't a way out, and it's heartbreaking, and maybe that's the point.

I'm not saying it's fair. I'm certainly not saying you have to like it. But... I don't know. I don't feel like this is some completely out of pocket, off-the-rails end that destroyed all its characters. And who knows! Maybe Tenko will be brought back later. Maybe the epilogue will get progressively worse and I'll hate it. Maybe I'll finally get some sleep and regret writing this at all. I have no idea. Really. But we're all in this together, so these are my thoughts right now :)

[linkspooky]

Art credit: @/charscounterattack reposted with permission.

INVINCIBLE VS. MY HERO ACADEMIA: WHEN HEROES KILL

Whether or not heroes should kill people is a hotly debated topic in comics.

There are people who think heroes should never kill, and others who think heroes should kill more. One of the most famous comic book storylines "Under the Red Hood" has Red Hood / Jason Todd debate whether or not it was ethical for Bruce to keep letting the joker live even after the Joker killed Jaso, especially after the Joker killed Jason. If killing the Joker earlier to prevent all future deaths would have been justified. There are like a hundred DC Aus that are like "What if Batman and Superman just started killing people?"

In order to explore this question I'm going to explore two situations in different comics, Invincible and My Hero Academia when the hero, a very idealistic young hero kills someone for the first time.

LET HORI COOK

Storytelling, especially for serialized storytelling which comes out week by week instead of all at once works on the premise of drawing people in by promising that certain future developments and plot points are going to happen. Stories are all about creating expectations, building them, and then paying them off.

Here's an example: The Dabi is a Todoroki theory has existed pretty much since the training camp arc. Horikoshi wasn't in your face about the hints about Toya, but there was just enough hints to make the theory seem more and more plausible. Toya having the same fire quirk as Shoto / Endeavor. Toya mentioning both of them by name. Shoto's two other siblings getting revealed but not Toya. Toya saying that Hawks should have paid attention to him most of all. All of these little pieces came together until Toya finally revealed his identity on live TV in front of both Shoto and Endeavor.

This worked because not only did it give the audience just enough clues that they felt smart for figuring it out, and get invested in the idea of Toya as a Todoroki, it also was well-paced so it didn't seem like Horikoshi forgot about it unlike the traitor plot which went hundreds of chapters without being mentioned. If Toya was revealed to be a Todoroki at the training camp arc with no buildup, it wouldn't be as effective bcause we didn't have years of waiting and theorizing. If Todoroki was revealed to be some guy named Steve after all the hints, it also wouldn't be an effective reveal because there were hints dropped for Toya Todoroki, but there were no Steve hints so it'd feel like the author lied to us.

Themes are like this too. I tend to explain story themes by oversimplifying it as "Question, and answer." The story asks a question, it provides us an answer, and we can come up with our own answer as well. However, there's a middle part I'm skipping out on which is deliberation. Before you can come up with an answer, you obviously need to deliberate it, either by presenting arguments for or against, hearing outside opinions or just thinking things through.

In other words, you need to "Let things cook."

If Toya calling Shoto by his full name at the Training Camp Arc is when we're first asked "Is Toya a Todoroki?" or when the theories first started, then the long middle period between Training Camp Arc and the First War Arc is the deliberation. This is when the story not only added more hints to the idea that Toya was a Todoroki, but also set up why that reveal mattered. Endeavor wanted to atone for his past sins, but one of his victims was no longer alive. Endeavor begins to move on anyway and think he's finally made himself a good hero, but now Toya appears to flip up the reverse Uno Card.

So let's follow this basic formula, for how ideas get developed in My Hero Academia and just any good story.

Question / Introduction

Deliberation

Answer / Conclusion

My Hero Academia and Invincible explore similar themes in regards to heroism, generational trauma and how to be better than the previous generation in both Mark and Deku. I'm going to streamline their arcs down to one basic question for the sake of time. For both the question is:

Can I be a better hero than my Dad?

Deku and Mark might be two characters who cannot possibly seem to be more different, but you can actually list off a lot of similarities between them right away. Deku and Mark are both people who in a world oversaturated with superheroes spent most of their childhoods with no superpowers at all. Also, they were genetically supposed to inherit a quirk / viltrumite powers, but Deku was born quirkless, and Mark was an extremely late bloomer. They are also people who while being powerless civilians for most of their lives worship heroes. Deku collects so much All Might Merch he even stole some from Nighteye after he died, Mark attends comic conventions even after he becomes a superhero.

They also grew up worshipping one hero in particular who was essentially earth's strongest hero, for Mark it was his dad Omni-Man, for Deku it was All Might. They also both get the opportunity to train directly under their favorite hero immediately after they get their powers. At first this makes it seem like they've been given everything they've ever wanted. All Mark has ever wanted was to be a hero like his dad and make his father proud. Not only did Deku just want one person to tell him he could be a hero too even without a quirk, but his very idea of heroism is built around seeing All Might always save people with a smile.

However, both of them suddenly hit complication just when it seems like they've been given everything they've ever wanted. They are both confronted with the fact that their heroes are not who they expected them to be. They are overly idealistic heroes who have been dreaming of being heroes since childhood only to be hit with a much greyer reality. To the point where there innocence becomes a flaw in and of itself. The way they've been coddled and protected all of their lives leaves them completely unaware and unable to spot the grey areas in the world, or the people around them.

For Deku the moral greys exist in the villains around them. In MHA Society, villains are basically just bad guys in suits for the heroes to punch on television. They're seen as a faceless enemy, and there's very little in way of rehabilitation for villains once they're captured. Deku lived in a very black and white world before this point, and he's suddenly presented with the idea that his villains could be morally grey.

Deku's image of All Might is a hero who saves everyone with a smile, so he could never imagine that there are people who All Might has failed to save. He's never stopped to consider where villains came from, or if any of them might have legitimate reasons for their grievances.

This becomes a pretty central theme in MHA. It's first brought up here when Shigaraki talks about All Might acting as if there's no one he can't save. Twice brings it up again in his first backstory chapter, that the heroes only save the virtuous ones.

This is further enforced in the same overhaul arc with members who are loyal to Overhaul because they are society's trash who would have been thrown out otherwise. There is a group of people fiercley loyal to Overhaul who is a terrible boss, because he is the only person who would accept them.

edits belong to @stillness-in-green from bring it all back a tone poem on returning to staus quo located here on ao3.

In the War Arc this long running theme basically reaches a climax with the Hawks and Twice confrontation, where Hawks decides to try to offer Jin a chance to restart because he's deemed him "good" but he won't extend the same helping hand to the league who Hawks has determined as "bad." He then asks Jin to betray his friends in order to be saved, something that Jin rightfully calls out.

That Hawks only wants to save Jin because he's one of the good ones, and he's written off the rest of the league and left them for dead. Hawks choosing to divide between good and bad victims ad only save the one he personally thought was worthy of redemption, makes it impossible for him to save Twice who would never under any circumstances give up on the rest of the league.

Twice's death is a tragedy, but it also presents us a clear example of the failures of the previous generation. Even a hero who sincerely sympathized with a villain and wanted to help them start over wasn't able to help them because of this attitude of selectively picking and choosing who to save. If the heroes only save the innocent the I guess the lives of the guilty are worth less.

This is the questio Toga poses to Ochako, if the heroes killed Twice then are you going to kill me in order to stop me. This is the central subject of Shigaraki's speech to the heroes. That heroes and villains will never uderstand each other, because the entire hero system perpetuates itself on ignoring the needs of societal outcasts and rejects in form of the "innocent people" and those outcasts who aren't having their needs met eventually turn into villains who get systematically put down by heroes. Heroes and villains are incapable of understanding each other and breaking the cycle, because the entire system isn't built on helping people, but merely maintaining the idea that heroes are perfect, faultless saviors so normal people will feel secure, while the people the heroes have failed get swept under the rug so society can keep "functioning."

"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect. That means your system's all rotten from the inside with maggots crawling out. It all builds up, little by little, over time. You've got the common trash, all too dependent on being protected, and the brave guardians who created the trash that needed coddling. It's a corrupt, vicious, cycle. Everythig I've witnessed, the whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took power for myself. Simple enough, Yeah? I don't care if you don't understand. That's what makes us heroes and villains."

So if the starting question is: Can I be a better hero than my dad?

Then everything I've detailed above is deliberation. Here we have, ever since the training camp arc, this slowly built up idea of why All Might was a flawed hero in the end.

Mark has to face the fact that his father is a more morally grey person than he could ever imagine, whereas Deku has to face the fact that the villains are more morally grey in his world, and that makes the heroes look more flawed in comparison as well. The deliberation is all slowly bringing Deku to think over what Shigaraki asked him all the way in the beginning in there first meeting.

Were there ever people that the heroes couldn't save? If so then what are you supposed to do with the victims you can't save after they grow up? This is when Deku begins to start forming his own answer.

Deku hears the advice of both the other OFA users, and The Stinky Old Man (Gran Torino) that killing Shigaraki is the best option, but wants to explore other options.

Scenes like this clearly telegraph what the answer / conclusion Hori is leading us to to be. The same way that Toya is a Todoroki is foreshadowed long in advance, statements like "All for one is a power meant for saving, not killing" clearly set up Deku's Endgame. Deku's end goal is to find a way use his power to save Shigaraki rather than killing him. Everything else is just a matter of deliberation, Deku knows what his edgoal is but the chapters between then and the end of the manga is Deku having to figure out how exactly to save Shigaraki without killing him.

You Heroes Hurt Your Own Families Just to Help Strangers

Invincible is the story of Mark Grayson, the son of Omni Man / Nolan Grayson. He's been told all of his life that his father is a viltrumite, a race of benevolent aliens who send out people like Nolan to alien civilizations in order to uplift their entire civilization. Which is what led Nolan to come to earth and become Earth's greatest heroes.

This turns out to be a big fat lie when within 12 chapters Nolan not only slaughters the guardian's of the globe, but also has a confrontation with his son.

Mark has wanted to be just like his dad his entire life. Only to be slapped in the face with the realization he's known nothing about his dad his entire life, shown rather brilliantly by these panels where Nolan tries to have a normal father / son conversation with Mark while covered in blood.

Nolan isn't from a futuristic utopia but from a brutal, fascist space empire. He didn't come to earth to help bring it up, but to weaken its defenses and make it prime for conquering. He didn't have Mark out of love, but to produce another soldier for the viltrumite empire.

Mark's entire schtick is that he's invincible, but he's so inexperienced as a hero that he gets beat up constantly despite the fact he has the strongest power set in the series b/c he has viltrumite powers. However, not only does the series introduce moral greys by continually showing how Mark even with the best power set in the series constantly gets his ass kicked, it also challenges Mark's black and white thinking and hero worship of his father by showing him the kind of man his father really is.

Mark has wanted to be exactly like his father his entire life, but now that's suddenly a bad thing. His father is a morally reprehensible person and Mark is now a descendant of an alien race meant to conquer worlds. Not only is Mark confronted by who his father really is, but now everyone in Mark's life judges him by comparing him with his father.

Mark has to work with Cecil and be his on-call Superhero, both to be able to pay for college, and also to prove that he's not his dad. The unspoken part of the agreement is that Cecil gets to keep a leash on Mark and Mark has to prove that he'll never turn out like his father to earn Cecil's trust.

Cecil is automatically suspicious of him because if Mark were to turn evil, the planet would have no defenses against him just like it didn't have any for Omni Man. Mark's mother starts to drink and blames Mark for Omni-Man leaving in a drunken moment of weakness because of how much the information that Omni Man only regarded her as a pet affected her.

The comic even shows us that in most alternate universes, mark actually did make the decision to join his father's conquest, and this universe is one of the few exceptions. This is also where we're introduced to a major reoccuring antagonist in the comics, and also the main antagonist / final antagonist of season 2 of the cartoon Angstrom Levy.

Levy is someone who can jump between dimensions and has traveled to almost all of them collecting his alternate selves. He has witnessed for a fact that in most universes Mark sides with his father instead of fighting against him.

Levy enlists the clone bros to build a device that would combine the knowledge of his alternate selves into one individual. This device ends up breaking tragically (partially mark's fault, but levy himself made the decision to stop the machine in order to stop the clone bros from killing Mark). Levy's memories become confused as a result of the machine malfunctioning, and he can't tell the difference between himself and his alternate universe counterparts. This means that Levy now remembers several alternate universes where Mark did turn evil, and remembers them as if they happened to him.

It's better elaborated upon in this post:

The process by which Invincible has had to condense and consolidate the plot beats of the original comic, coupled with the opportunity it's granted the writers to tighten up and emphasize its themes on a second pass, has resulted in a newfound appreciation for how unbelievably fucking good Angstrom Levy's whole character concept is. What's that, Mark? Your main emotional crisis this season is your fear of turning out like your father? Here, have an archnemesis who's out to kill you because his memories were inadvertently overwritten with the lived experiences of hundreds of alternate versions of himself whose friends and families were slaughtered in worlds where you did, in fact, turn out exactly like your father. Because it turns out that that is in fact the multiversal norm. That you turn out like your father. And now you're left to wonder what set of arbitrary coinflips pulled you back from that abyss in this dimension, and whether your luck is going to continue to hold into the future.

Mark is not only hit with the revelation that his father isn't as good as he thought he was, but also while he's in a crisis about about whether or not he will turn out like his father, he learns the answer is yes, in several dimensions he turns out exactly like his father.

In My Hero Academia there are families like the Todoroki's who balance the difference between a hero's obligations to society, and a hero's obligation to society. However, that's a side plot where I'd argue that the main plot for Invincible and it's main focus is what Mark owes to the world as a hero, and what Mark owes to his family.

It's not just that Omniman is trying to invade earth for the Viltrumite empire. It's not just that he failed as a hero, but that he failed as a father. What makes Mark snap, is hearing Omniman call Debbie a pet. Until that point Mark was in denial and still trying to reason with his father.

Invincible is about two intersecting themes: Is Mark obligated to use his incredible powers to help make the world better? Can Mark be a good hero and a good family man?

While MHA has more far reaching societal implications in its themes and questions, Invincible is more specifically about the Grayson Family. It's generational trauma on a society level, vs generational trauma on an individual level. The way Nolan was raised on Viltrumite effects how he raised Mark causing their conflict, and Mark's conflict with his father effects most of his young adulthood when he's trying to figure out what person he wants to be (read: not his dad), but also the way he parents his daughter with Atom Eve.

Omni-man failed Mark as both a hero, and a father. Mark feels the need to overcompensate for what his father did the world and all those innocent people by acting as Cecil's lapdog and doing whatever Cecil tells him.

However, Mark is much more hurt by the personal betrayal than he lets on. It's not just that his father killed a bunch of innocent people, it's also that Mark's father failed as a father, abandoning both him and mom and choosing to be a viltrumite rather than being Mark's father. Mark's stated reason for wanting to be a hero post the omni-man reveal is to prove he's not like his dad to the world, and also make up for the innocent lives he failed to save. However, his unstated underlying reason is Mark is hurt and betrayed his father didn't put his family first, and this causes Mark to always put his family first.

This leads to two insecurities / narrative flaws. One, Mark is insecure about becoming like his father so he tries to prove he's nothing like him by being the most selfless, perfect hero possible. Two, Mark is hurt by being abandoned by his father and doesn't want to become a deadbeat like Nolan so he gets extremely overprotective of his own family.

These two things are obvious in conflict with one another: A hero has an obligation to the common good which sometimes means sacrificing time with your loved ones. However, being a good family man requires a level of selfishness that directly contradicts the selfless hero that Mark is pushing himself to be. In the comic the way Mark prioritizes his family and loved ones over the common good and justice is made even more obvious. His first instinct on seeing Omni-Man again isn't to call him out for being an awful father, but to hug him and ask him to come home. Mark is a distraught son first, and a hero second.

Mark has two flaws, his fear of being like his father makes him try too hard to be a perfect hero, and his trauma over losing his father makes him prioritize his family over being a hero. It's very much a having your cake and eating it too situation, oftentimes heroes make huge sacrifices for their personal lives in order to be heroes, that's basically a theme discussed in the comic with Nolan being absent for a lot of Mark's childhood, and why Mark's relationship with Amber fails.

The show also introduces us to the idea that Mark is so afraid of becoming like his father that he deliberately holds back his punches. Which is good when he's fighting earth villains, but bad when he's facing viltrumites who can only survive being disemboweled, but will also come to wipe out all life on earth if they're allowed to live. In the show it's directly mentioned that Mark is holding back, in the comic it's implied when we see how helpless Mark is in the fight against other viltrumites. Mark lacks the resolve to kill someone and when fighting a viltrumite, failing to put them down can have consequences because they are galactic conquerors who will not show you any mercy.

This all comes to a head in the Angstrom Levy fight where Mark makes his first kill on-screen when beforehand he'd never fought to kill before, and even held back against galaxy conquering aliens who were out to murder him and his dad.

However. before we begin that.

Should superheroes kill?

People often act like whether or not super heroes should kill their villains is a black and white topic, where it actually depends highly on context.

Batman’s an entire character is written around how he wants to redeem Gotham and save the city, most of his villains aren’t even sent to prison they’re sent to Arkham a facility that’s supposed to rehabilitee the mentally ill so they can rejoin society. Batman has decided it’s his place to stop crime, not his place to decide whether or not people have the right to live or redeem themselves.

Batman is also at risk for being just like his villains, that’s why he’s foils with Harvey Dent, someone who tried to prosecute people under the law who then snapped and went full violent mobster vigilante. Batman actually is at risk for walking the same path as Harvey if he decides murder is an option.

In X-Men 97, there was a character known as Rogue who dropped Simon Bolivar Trask off of a building in an act of vigilante justice. This action makes sense in context for several reasons. One Rogue was raised by Mystique and Destiny, is a former member of the Brotherhood of Evil Mutants, and began as a terrorist in the comics. She's not really a "moral highground" character like Batman. Two, Boliver Trask built a giant killer robot that resulted in the deaths of millions in Genosha which Rogue is a survivor of. Number three, Trask had no sympathetic reasons for building the genocide robot, he built the sentinels out of bigotry to wipe out mutants. He's not a victim in any way, he's an oppressor facing consequences for his actions.

Batman shooting Harvey Dent, his former best friend, a victim of severe mental illness and trauma that still has hope for recovery, and Rogue dropping the guy who made a genocide robot off of a building are both wildly different situations.

So in the context of MHA we have Shigaraki Tomura, a terrorist who's goal is to destroy japan enough that it will dismantle the hero system for good. Shigaraki Tomura is a ten year old child who lost control of his quirk and killed his family for mistake, he wandered for days in crowded city streets but not a single hero stopped to help him, then he was found by the main villain of the story and groomed for ten years into becoming his successor. Shigaraki is also surrounded by a group of societal outcasts who were failed by society in similiar ways, so Shigaraki knows he wasn't the only one failed by hero society and he starts to wage his war for their sake as much as his own.

In Invincible we have Angstrom Levy. Angstrom is not plotting mass murder the way that Shigaraki is. He is specifically only targetting Mark Grayson's family for revenge (at least the first time he showed up, the second time during the invincible war arc was different). Angstrom's revenge against Mark Grayson is misplaced, but to be fair the accident messed with his brain hardcore and he doesn't remember clearly what happened. He doesn't remember that he's the one who decided to stop the machine in order to help Mark. It's tragic. Angstrom also has the memories of like hundreds of different universes of evil Marks. Even though he's the victim of a tragic accident, he's also a victimizer in that he doesn't choose to just go after Mark, he deliberately picks Mark's family, his mother, and his infant little brother as a way of hurting Mark.

So both of these characters blur the line between villain and victim, but neither of them are like Trask in that they have no sympathetic motivation whatsoever. Shigaraki's actions don't come from bigotry, and he's not an oppressor. Trask was actually trying to do something good before his machine broke and his brains got scrambled, and now he wants personal revenge and to blame all his problems on Mark which is petty yes, but not on Trask's level of heartlessness.

So, there's a case that can be made here for both of them that there's room to save them. After all Mark and Deku aren't killers to begin with. Mark especially has an incredibly vested interest in not becoming a killer. Even if they don't explicitly go out of their way to save and redeem these two people, we're still at this point expecting the heroes to at least take down these two sympathetic figures non-lethally. Mark doesn't want to be like his dad and Deku has said explicitly he wants to save Shigaraki, and that OFA is a power for saving and not killing.

Also to sidestep this argument before people comment on my post with it.

What do you expect the heroes to just let a mass murderer live?

YES!

It happens in comics literally all the time.

Magneto, Wolverine, Jean Grey / Phoenix, Emma Scott, heck, OMNIMAN himself, all characters who have killed lots of people and all characters who get to live and even be on the heroes side. Of these three Jean Grey of all people has the highest body count.

Shonen Jump also has Vegeta. Have you ever heard of Vegeta? Most popular Shonen Rival of all time? Omni-man and Viltrumites are basically just Saiyans.

In real life they wouldn't let a mass murderer walk away but comics are not the same as real life. That's why characters are always punching dinosaurs all the time. Fun fact, if you were to try to punch a dinosaur in real life it would probably hurt your hand. I would advise against it. Dinosaurs are for the most part much stronger than human beings.

As I outlined above Shigaraki and Angstrom are different characters than Trask. They might all be murderers, but the first two have sympathetic elements and are humanized, they are victims of oppression (Angstrom's been killed by viltrumites in a whole bunch of worlds) whereas Trask is an oppressor.

So for both of these stories we are not expecting to see Deku and Mark kill their final villains (for the series and for this season). Deku because he's spent the final third of the series trying to work out a way to save the villains, and Mark because he doesn't want to turn out to be a violent murderer like his father so he's trying to be the most selfless, most perfect hero ever.

I THOUGHT YOU WERE STRONGER

So we finally reach the scenes in question and I thought I'd compare them without much commentary, just highlighting what happens without adding much spin.

So the final episode of Invincible Season 2 and Issue #33 of the comic is where Angstrom and Mark have it out. Angstrom appears in Mark's home and threatens his family. he brings up the comparison between Mark and his father right away. This is also something Angstrom has seen first hand by traveling to multiple universes where Mark has sided with his father.

In the cartoon he's a lot more confused because he's constantly remembering other universe's memories as if he were his own so he genuinely thinks he's taking down an evil viltrumite, in the comic he's being more petty and blaming Mark for his deformity (I think he doesn't remember that he was the one to take the helmet off by choice). In both versions he uses Mark's family as hostages to keep him from fighting back as he tries to send Markk to his death in several different realities.

Angstrom then ups the threat of violence from holding them hostage to threatening to kill them. In both the show and comic he brutally breaks Debbie's arm. Mark is sent through several more realities, only to discover that Debbie's arm is broken and lose his temper.

Mark and Angstrom's fist fight comes to an end, and while Mark has him on the ground he keeps hitting and hitting and hitting long after Angstrom stopped fighting back. Which is what prompts the famous "I thought you were stronger..."

Now, in this situation it looks pretty justifiable that Mark attacked Angstrom so aggressively,. it was self defense for one against a man trying to kill him and he only got truly aggressive after he saw his mother's arm get broken. Not only that he didn't intentionally kill Angstrom, you can argue he went too far in a case of clear self defense. Other people even tell Mark that this one isn't on him, including Cecil who compares Mark to his father the most.

Then, why is Mark so disturbed?

It's because this....

Is a deliberate parallel to this...

It's not just that Mark killed a man, it's that he killed a man by pounding on him relentlessly long after he'd stopped fighting back the exact same way his father did to him during their fight.

There's a difference between Mark say, fighting against a viltrumite and making a deliberate decision to kill them because of the danger that viltrumites represent to other people considering they are planet conquerors, and Mark killing this man because he lost his temper and couldn't control his own strength.

Mark spends the entire season trying to not be like his father, only to see first hand that he's capable of the exact same violence that his father is. The last episode of Season 2 summarizes this moment pretty perfectly in a montage of season 1 moments while Mark screams and breaks the sound barrier trying to push his viltrumite powers to their limits.

Mark: I'm strong enough and I can do this. It's all I've ever wanted for as long as I can remember. I want to do what you do. I want to be just like you. Omni-Man: You will be, son. You will. Mark screaming. Omni-Man: You'll outlast every single fragile being on this planet. You'll live to see this world crumble to dust and blow away. Everyone and everything you know will be gone. Mark screaming. Cecil: You know who else said that to me? Mark: I'm not my dad. Mark screaming some more. KRegg: Your father will be execute and you can return to earth. You will assume the mission to prepare earth for our rule.

So not only is Mark hit with the realization that he's just as capable of being violent and angry as his father is. He also is being forced by the situation to become more violent out of pragmatism, because if he doesn't get strong enough to fight viltrumites then they're going to come to his planet and take everything.

Not only has Mark lost some of his innocence, he's also being forced to throw the rest of it away. It's why Mark drops out of college at the end of the season because any pretense of balancing between his human life and his duty as a hero is gone. He is basically forced to be a viltrumite full time now and will abandon any semblance of trying to live his own life for a very, very long time until his relationship with Eve starts to get serious.

Which is why a pretty justifiable murder in this context is presented as so bloody, gruesome and traumatizing an event for both the audience and Mark himself. We both know there's no coming back from this.

As for the death of main series villain Shigaraki Tomura, Deku ends up being forced to kill Shigaraki in a situation similiar to Mark. Though I will highlight one difference right away. Mark was trying to reason with Angstrom, but he was at no point like "I want to save Angstrom, he's a victim I want to find some other way of ending this bloody conflict between us." Mark just didn't intend to go so far as killing him.

Deku entered the fight with the explicit stated desire to save Shigaraki rather than killing him, which would make him different from the previous generation of heroes because he wouldn't turn a blind eye to society's faults and victims like Shigaraki accused him of.

Deku makes a journey into Shigaraki's mental landscape to find Tenko in a recreation of the memory of the day of his worst trauma. As Tenko's quirk activates, Deku attempts to grab the little boy's hands to comfort him.

Deku's "Why I am here" is markedly different from All Might's. Deku says the reason he wants to save others is to take their hands, comfort them and give them peace, whereas All Might as the strongest hero tried to keep peace by beating all the villains down. Deku's way to become the greatest hero once again, focuses heavily on saving others, and offering his hand to everyone without hesitation instead of picking and choosing who to save like previous generations.

Deku even says that he has to extend a helping hand to everyone because he's learning that the world is more complicated than he thought, he was ignorant to a lot of people's suffering, and he can't sweep their pain under the rug anymore.

For a moment Deku unconditionally extending a hand to Shimura Tenko even as his mental body begins to decay away wins over Shimura Tenko. Though Shigaraki also resists because much like Twice he doesn't want to abandon the rest of his friends even if it means he personally will be saved.

However, any attempts to save Shigaraki are interrupted by AFO suddenly appearing out of nowhere and taking control of Shigaraki's body yet again.

At this point Deku does exactly what Mark does, which is relentlessly punch Shigaraki's body to death in order to kill AFO along with Shigaraki. In some small defese Shigaraki was also there too punching AFO in his mental landscape so he was assisting Deku in defeating AFO he wasn't helpless the entire time.

But, basically we see the same scene happen with Mark.

A hero who does not wish to kill is forced by circumstance to kill a villain. In Deku's case it should be even more devastating because they explicitly went into the fight wanting to save Shigaraki and they believed their power was for saving and not killing.

Yet, we don't get nearly as horrified a response from Deku.

However, instead Deku's final words are just about how he couldn't forgive Shigaraki and had to put a stop to him no matter what.

Even the way the scenes are presented to us are entirely different. Mark punches Angstrom in a wasteland a dry, dead place, until he's soaked in Angstrom's blood, and painted everything around him red. Once again, it's a visual callback to Mark's father beating him half to death, which was Mark's own lowest point.

Whereas, when Deku punches Shigaraki until he disintegrates not only is the violence or horror of Shigaraki's death not acknowledged, but it's played as a triumphant moment where the clouds clear from the sky and the stun starts shining.

In the cartoon Mark killing Angstrom leads to a total screaming breakdown where he has traumatic flashbacks of his dad beating him and pushes himself to break the sound barrier multiple times. It also leads him to making big life changes like dropping out of college to become a hero full time and giving up any pretense of having a normal life. As seen in a scene where he watches Amber from the sky, and is tempted to go down and greet her and just flies off, because Amber represents his connection to his humanity.

Also, Angstrom doesn't even die. He comes back way worse and that's how invinicble war arc starts.

In the aftermath of killing Shigaraki, Deku gets melancholy about not being able to save Shigaraki only to be reassured he did save him in the end. Only to be told by All Might that it's okay because he still saved Shigaraki's heart even if he killed him.

DEKU: "I couldn't save Tenko's life." "I reached out to his heart, and even though his hatred was crushed," "to the very end, Tenko" "was the leader of the League of Villains." ALL MIGHT: "Let me tell you this as someone who has had a near-death experience," "I think it's in the expression on his face at the end." "If there wasn't a crying boy there," "I think his heart was saved after all,"

People also try to convince mark that he did nothing wrong and that there was no helping what he did in a situation like that, but he doesn't let himself believe them.

The ending lines about the last episode of Season 2, are this:

Eve: I'm sorry Mark. It's not fair. You don't deserve this. Eve: You don't deserve this.

Which has a double meaning. Eve is just trying to comfort Mark, because arguably he shouldn't have to feel guilty for fighting in self defense. On the other hand what Mark hears is You don't deserve this in the context of Eve's feelings for him. An alternate timeline version of Eve confessed her love for Mark. Mark was about to bring it up but decided not to. At that moment as Eve embraces and comforts him, what Mark hears because of his own self loathing is that he doesn't deserve Eve comforting him, or her love for him.

Just to clarify I don't think that Mark is crying over Angstrom Levy specifically. In fact over time he's painted to be pathetic in his obsession with revenge, and what he amounts to is just wanting to blame everything on invincible when it was partially caused by his own actions.

However, it's inarguable that killing (or rather seemingly killing Angstrom) deeply impacted Mark and how he saw himself as a hero. It's less about Angstrom, and more about the loss of control, and the realization of how powerful his anger and hatred can get and what that means for him personally.

It also shows us where Mark's priorities lie. Mark wants to be a perfect hero and a perfect family man, and Invincible shows us he can't be both, his desire to protect his family leads him to staining his blood when he was trying so hard to be a good, selfless hero. This is all a part of a deliberate arc where Mark chooses more and more to value his family over being a hero. I'm not going to say whether or not it's the right choice, but it's a choice he makes, as a part of his character development where as he grows up and becomes a father his priorities change.

My point is that this moment has an impactful change on Mark, for arguably the rest of the comic.

Now my question is, with My Hero Academia will the death of Shigaraki Tomura, the series greatest villain and it's greatest victim have an equal impact on Deku's character that Levy's death did on Mark's?

[commander-revan]

I've been thinking a lot lately about how Dabi feels post dance and the Paranormal Liberation War in regards to losing Twice and Compress all in the same day.

Obviously he's ecstatic that he finally got to reveal himself, got to see his father face the consequences of his neglect, and tell the whole world about what a piece of shit the Number One hero is to his own family.

But after those scenes, despite all the recent promotional art of him smiling, he doesn't actually seem happy. In some cases it even seems like he's doing worse mentally.

We missed out on a lot in not getting to see how the remaining League members feel immediately after that battle. We don't even get to see Shigaraki acknowledge losing Twice and Compress, if he even knows what happened to them with AFO trying to take him over.

All we really get are these panels when AFO is breaking other villains out of prisons around Japan. And he and Spinner just look so exhausted.

Dabi is clearly upset about losing Twice given his confrontation with Hawks, but after that we don't see him talk about it at all. We do see him with this look when Compress brings up that he believes Twice died, but Dabi doesn't even mention that he was there with him in his final moments.

He just immediately switches gears and decides to focus all of his energy into hunting down Endeavor, kickstarting his plans for revenge much earlier than he expected.

The only other time we see him mention Twice is this moment with Toga (this scene is also the only time we see him smile post reveal and before the war).

We get even less when it comes to Mr. Compress, even though Dabi seemed the closest to him out of everyone in the League. Nothing gets said at all about him. Compress helps Dabi escape and tucks him away with Spinner before he sacrifices himself for them. But I don't think Dabi knew what Compress was really doing, that he wouldn't be coming back with them.

I also don't think the world had the reaction Dabi was hoping for after releasing his reveal video. Sure some people lost faith, and there was a press conference, but ultimately Endeavor didn't face any consequences. It confirmed what Dabi already knew, that nobody cares and heroes will continue to get away with anything in this society.

After this, in the few scenes he's in before the war, he just has blank stares.

Or he's annoyed that AFO isn't letting him go after Endeavor immediately.

He doesn't care about taking down the world, or AFO's plans, he's just impatient to kill his father and ultimately himself. Like Shoto said, he's been ready to die from the start. And I think losing the people he was closest to in the League only exacerbated his fatalistic mindset.

With Twice dead, Compress in prison, Shigaraki being possessed, and with what happened to Spinner, it's really just him and Toga left. He doesn't have a reason to really stick around for anyone anymore.

Which just makes me wonder if he blames himself. He's the one who brought Hawks in after all. If it wasn't for that, Twice and Compress might still be around, they might still have their base, their army. They lost everything, and he's partially to blame.

He's been deemed a failure since he was a child, by Endeavor, by AFO after his three-year coma. And then he failed in protecting the League, in judging how much of a threat Hawks actually was. He only brought Hawks in once they had formed the PLF. He thought with numbers behind them Hawks couldn't touch them when/if he turned on them. And he definitely didn't think that Hawks would actually kill anyone. But he was wrong.

In the end, he got exactly what he wanted, but I don't think he ever expected that the League would pay the price for it. Along with everything with his family, he might think that he deserves to die for what happened. For failing the people closest to him one last time.

[moonchild701]

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Secret Santa

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Summary: The League has a Secret Santa event and you get Dabi. Chaos ensues.

Pairing: Dabi/Gen Reader

Content Warning: Crack, Fluff, SFW, Quirked Reader (kinda like Blackwhip?), Endeavor Bashing(?)

Word Count: 1.7k

Disclaimer: Character belongs to Kohei Horikoshi

A/N: This is the 2nd part of 12 fics for a 12 Days of Christmas event. Enjoy and Happy Holidays!

Prompt: Secret Santa

My Masterlist

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It's really Toga's fault.

Her wanting to celebrate Christmas wasn't really a surprise to anyone who knows her, because it really shouldn't be.

In Japan, Christmas is like another Valentine's day, where it's full of couples in love celebrating with each other, going into the new year.

It's also a time of family, one of which she no longer has, biologically speaking. Now with her new family, she wants to celebrate with them and show them how much she loves them!

And being the baby of the group, the others tend to indulge her when they can, letting her have a childhood as much as they can manage in their line of life.

So when she asked to decorate the bar, they let her.

When she asked to make chocolate chip cookies, Kurogiri made them right along with her.

When she asked to do a secret Santa exchange, they indulged her.

.....And that's where it went all wrong.

Because see, you got Dabi as the one you're to give a gift to.

You think anyone else might've been easier to find a gift for.

Shigaraki would've been easier. Just throw a new video game or game merch at him, and he'll be happy.

But Dabi? What the fuck does that man even like other than arson and revenge?!

You thought to maybe get him some new piercings or something but that just seems so....bland.

And it could work, could be enough for him, but it wouldn't be enough for him to you.

Not after nursing a festering crush on him for almost as long as you've known him.

So after agonizing for days over what to get him, with time ticking down, you resorted to asking the others for ideas.

What made you think asking criminals, murderers and psychopaths, would be a good idea, you don't know, but you did.

And maybe there's something to be said about you that you actually listened to their advice.

"Chocolates and confess!" Toga had said. You swear her pupils turned into hearts at the thought of love, and frankly, you were scared.

"A new fashion sense may do." Compress said, doing tricks with a deck of cards. You still don't know if he was joking.

"A gift with meaning, maybe something you have in common." Twice said earnestly, before immediately ruining it. "You, wrapped in nothing but ribbons. He'd love that!" And, well, you don't feel like simultaneously embarrassing yourself and getting burnt to a crisp so.....

"I can show you where I got my Stain merch!" Spinner said with stars in his eyes. The poor guy looked so dejected when you declined, but again, you like not being crispy.

"Some manners perhaps?" Polishing a glass, Kurogiri said it so seriously, you had to laugh. Again, you don't even know if he was joking.

"Just get him some more jewelry, hon. You can't go wrong there, right?" Of course Magne was the most sensible but it just wasn't enough! You may not want to outwardly confess your feelings but you still want to show it in some way; show him that you care.

And as a last resort, you turned to Shigaraki.

"Tch, I don't know, Endeavor's head on a pike? He's always complaining about him." Shigaraki said, eyes trained on his switch, barely paying you any mind. And yet, it was the most profound thing to you in your dumb, love sick mind.

Because of course that's what you should get him! His revenge on a silver platter! You won't take his revenge from him, stealing his kill and the satisfaction of it, but you can do something.

Now, a sane person would step back and think to themselves, hey. This is the Number Two Hero in the country. Mayhaps have a solid, sensible plan.

But alas, that was not you, for you are in love with a less than sane person, which absolutely made you at least half insane by osmosis.

So with a bright, chirped, "Thanks Shiggs!", you went on your way.

Shigaraki did not acknowledge this, nor did he process a word of this interaction.

*****

Mind set, you find your way to Endeavor's house. You would think that being such a huge public figure, he'd live in a secure, gated community at least. But no, he just lives in a giant house in a normal neighborhood, albeit on the wealthy side of the spectrum.

The traditional style of it is beautiful, if a bit gaudy, but you figure it comes with being Number Two.

At midnight, you sneak in. It's honestly pathetic how easy it is, with no alarms or anything going off.

Light on your feet, you make your way through the house. It takes a while, but you eventually find his bedroom.

The man, of course, sleeps like the psychopath he is.

Flat on his back, hands clasped over his stomach, without a blanket, feet hanging over the edge of the bed by his ankles.

He snores like a congested bear, so whatever sounds you might've made are drowned out.

The black tendrils of your quirk whip out, simultaneously snagging his wrists, arms, torso and legs, as a thick cord of it wraps tightly around his throat, holding him in place as he momentarily struggles, while you inject him with tranquilizer, only releasing him when he falls back unconscious.

You hum in satisfaction at your handiwork, before realizing you need a way to transport and store him.

A quick text to Kurogiri has you in one of the League's spare warehouses, making use of one of the empty shipping crates lying around as it's the only thing on hand that's big enough to fit him into.

Using your quirk, you lift him into it, not caring enough to be gentle, instead just kind of....tossing him in.

Closing the lid, you leave him overnight, knowing he'll stay unconscious, though still breathing thanks to the holes in the box.

The next day, you come back with supplies.

Earphones in, you listen to the news on Endeavor's disappearance, and the fact that there are no leads, satisfied as you get to work.

After trying to make him look somewhat presentable, sticking a shiny, blue bow to his forehead with gorilla glue, because his sweat kept making it peel off, you wrap and decorate the crate, trying to make it as pretty as you can given the circumstances, and you smile satisfied with your gift. He's pumped full of tranquilizer and quirk suppressants, wrapped up nice and tidy, so all that's left is to present him.

You hope Dabi likes his gift.

*****

Christmas day is soon upon you, and everyone is ready with their presents.

Tomura gets some prequirk game from Spinner and he lights up brighter than the Christmas lights Toga put up.

Compress gets a pair of pretty, gold cufflinks from Shigaraki.

Twice gets a book that he's been gushing about for weeks from Kurogiri.

Toga gets a case with vials of blood, within a bat themed purse from Magne.

Kurogiri gets a new wine set from Compress.

Magne gets a dress from Twice, handmade and pretty.

Spinner gets some Stain merch from Dabi, which...fitting but why the fuck do they know where to get them??

You get a pretty knife with intricate carvings on the handle from Toga.

The last one to receive their gift is Dabi, and you're nervous. You ask Kurogiri to transport you all to the warehouse, explaining that it can't fit in the bar and it might not be safe anyway, and all of them follow curiously, not knowing what to expect.

*****

Dabi looks at the giant, wrapped box with a mix of curiosity and apprehension.

It's big. Bigger than what should make sense for a Christmas gift. It's wrapped meticulously in shiny, blue and black iridescent wrapping paper, topped with a giant, pearly white bow, and it sticks out like a sore thumb, looking out of place among the bland brown of the surrounding crates and grey, concrete walls and floors.

He feels an ominous presence from it, and is sorely tempted to just light it ablaze.

Glancing at your nervous yet excited smile, he decides against it....for now.

You gesture towards it, with a shaky, "Merry Christmas Dabi." He hums, walking cautiously towards it. He considers burning off the paper, but decides to keep to the tradition of tearing it apart like a child on, well, Christmas, to reveal the shipping crate.

He glances at you one last time, then opens the crate, before promptly bluescreening.

Because inside the crate is the last thing he expects.

Within it, Endeavor lays slumped, tied up, with a blue ribbon stuck to his forehead, drooling onto his chest.

The warehouse is completely silent, everyone in disbelief at what they're seeing.

You play with your fingers, twiddling your thumbs. "Do you like it?", you ask, all hopeful and sweet, like you didn't just gift someone a grown ass man in a box.

In the silence, your voice echoes, and it seems to be what they needed, because everyone snaps back into their bodies, realizing that oh. This is real.

"What the fuck..." is Dabi's first response, his voice shaky with bewilderment.

"Um...I also have Chocolates?" You laugh nervously. Maybe he doesn't like it.....

Suddenly, Dabi grabs your cheeks, pressing his lips to yours in a firm kiss, then pulling back to stare into your eyes. "You're mine now."

And you smile, dopey and bright. "Uh huh."

The moment is interrupted when Shigaraki finally reboots. "WHAT THE FUCK, WHY THE FUCK WOULD YOU—" He begins to rant, but you cut him off, confused.

"Shiggs, you were the one that gave me the idea...." you say, brows furrowed.

Shigaraki looks positively baffled at the foreign truth you speak, a vein bulging at his temple.

"WHEN THE FUCK—" He starts again.

"WHILE YOU WERE PLAYING ON THE SWITCH?!?! TWO DAYS AGO!?! PAY ATTENTION WHEN PEOPLE ARE SPEAKING TO YOU DAMMIT!!"

In the background, eyes bright, Dabi kicks the crate, jolting the unconscious trash, and grins.

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