#but also know that YEAH if you've got people you like and they like your work back

[pseudonymousposting]

Just use the word from before. You don't really need to worry about having a different word for everything unless the difference serves a purpose.

If your story is first person or primarily follows a specific POV or is told by a specific narrator, wouldn't it make sense that the storyteller is not a walking dictionary?

When people speak, they tend to have patterns anyway, and you don't notice them unless you're looking for it. I can refer to Hbomberguy's bit in his plagiarism video where he mentions that an AI asked to write a segment in his style uses the words, "buckle up." This points to how he uses that phrase often.

He jokes that this is because he's bad at writing. I beg to differ. The consistent use is really fucking good, actually, and I hope he doesn't correct for it in the future.

The pattern, when used specifically by him, has certain implications that will prompt a fan of his videos to notice when he is making a salient point integral to the theme he is conveying throughout the entire video. You also know that the example he is about to use is probably pretty goddamn funny, or notable, or egregious. Maybe you noticed that before. Maybe. If you've watched all of his videos, like twice each, at least.

If you're a fan of Dimension 20, it's quite likely you know all the words Brennan Lee Mulligan uses ALL the time.

Rad

INcredible

Hell yeah

All are little communicators from him as a DM. They're used so often, even casual watchers meme about it. Also Matt Mercer saying "how do you want to do this." Also make note, if Brennan Lee Mulligan starts monologuing with a question, brace yourself.

The use of these common, consistent, repetitive phrases actually communicates more. It would be ridiculous if Brennan Lee Mulligan got shy about using the same term and clumsily said "inferno affirmative," or something. Unless he was purposely doing it as a clunky bit just for laughs, and even then, doing it unprompted would just get a blank stare at this point. The repetition has a benefit, not a deficit.

Your peerless vocabulary is not the most important component of your craft. Your story is. Care less about finding a million different words to say the same thing, and focus more on saying what you need to say. Story good, not word good.

When people read a story, they might say "the plot was well constructed." Or, "the suspense kept me on my seat." Or, "I laughed so hard."

You know what they won't say? "There's was a nice diversity of words there. The writer did a good job of making sure they didn't use a word twice on a given page." I'd argue that if that's what a reader notices, the writer failed to craft a good story.

Complimenting a person on their extensive vocabulary is more a thing an adult does for a 'gifted' child. It's better to write an excellent narrative at a 3rd grade reading level than to write a bad story at a collegiate level.

Hell, it's better to write a good story at a 3rd grade level than it is to even write an amazing story at a collegiate level. You're communicating. Make sure you are doing so effectively first and foremost. Everything else is just fluff.

This falls in line with the thing where people will try to cap off quotes with unnecessary modifiers where "said" does just fine and is almost invisible. Y'know, the ol' "'snape!' Slughorn ejaculated." Why say many words when few words do trick, eh?

Not to say finding the right synonym isn't useful. Sometimes, a synonym carries specific implications or a slightly different meaning more suited to that particular use case. In this case, that synonym might actually be a better fit to serve your purpose.

Alternatively, it's possible the character could be more likely to use that word over another for any particular reason. It can speak to who they are in a way that can help you avoid a little exposition here and there. Hell, using outdated terms might do the same.

For example, a now deceased man who was an instructor before I flunked out of college, who was nearly 90 years old. I think he sometimes used stories from his career to try and provide a point without giving answers.

He started one such story with "there was this guy I worked with a long time ago. He was uh ambidextrous, yknow what I mean? Uhh, he was a switch-hitter or a uhh..a bisexual..."

I'm not gonna lie, I was fucking awestruck at the term "switch-hitter," referencing bisexuality. That term instantly made me a patriot for about two weeks. I'd never heard anything more apple-pie, bald eagle with a single tear, and inside the tear, you can see the twin towers, Ole Glory waving proudly in the background with fireworks bursting over the top motherfuckin AMERICA than "switch-hitter" meaning "bisexual" holy shit.

Anyway, shortening things, I flunked out, met my abuser, and fled town because I just couldn't live in the same town as them anymore. He called to check on me.

He told me he keyed in that something was wrong and felt the need to check in. He believed my story. He said a lot that helped me with my recovery.

Part of my story involved the fact that I'm trans, as queer relationship dynamics were, like, central to the abuse. Interestingly, unlike many people in their 40s, 50s, and 60s, this man pushing his 90s understood every single damn word of what I was saying.

I bring up this story because of the synonyms he uses and how we can think about their use in context. My mind trails back to the term "switch hitter," a 1960s slang term for bisexual used right after "Ambidextrous," an earlier term. Of course, the man immediately understood all this queer mumbo-jumbo I was saying and didn't flinch even a little about my being trans.

However, its use from a 90-year-old right after "ambidextrous" tells an entirely different story. It drops a hint that this guy may have been, at the very least, accepting of people who were involved in the gay rights movement during the time.

Desperately seeking a synonym for "bisexual" might yield you to terms which are today potentially offensive or harmful, but before the 1970s were descriptors that bisexuals would sometimes use to describe themselves. So, depending on who uses that term, it could be harmful, or it could be someone who fought against that harm long before that term ever had potential negative implications.

Also, note how many times I just said, "bisexual?" Did it feel repetitive? Probably not.

If the use of the synonym serves no purpose other than feeling like you need to use a different word, consider, "Why am I really looking for a synonym, here?" If it doesn't serve a specific purpose, then feel free to just use whatever word makes sense. If it matters for one reason or another, use that. Just use what works. This ain't a vocabulary test. You don't need to impress your middle school English teacher anymore. You're free.

[nugatorysheep]

What your favorite SU character says about you but it's just mean as fuck

Steven — How is being a mentally ill, people-pleasing queer going for you? Did your mommy issues and anxiety resolve themselves yet or are you still avoiding therapy?

You either disliked or were neutral about him until he got a neck. You think Future is peak cinema (correct) and can't understand why everyone else hates it. You have a better grasp on this show's characters and themes than most of the people who watched it.

Connie — You were likely the gifted kid in school but a total burn-out now. You either see a lot of yourself in this character (How are those helicopter parents of yours doing? Have you gone no-contact yet?) or you're a normie and boring to sandbox with. Probably both.

You've got a lot of Feelings™️about her and if people don't agree it causes Problems™️. In case no one has told you yet, stop caring what other people think. Your constant virtue signaling to appeal to other normies is a crutch that's just holding you back. It's okay to have fun!!

Stevonnie — You want to fuck this character, though you'd never say that out loud. You like Steven and Connie; maybe you like one more than the other, but you like both at least a little. If you're using them for shipping you're the only person in the entire fandom doing whatever hyper-specific ship you've latched onto.

Rose and or Pink — You really suck as a person! Or you used to suck but you've gotten a lot better and we stan! If you're the former you almost certainly have terrible takes on this show (but not in the way people might think), sorry, I don’t make the rules. Either way, you gotta stop finding ways to bring her back, dawg. She's gone.

Greg — You're a man (positive) and gay as hell. Gentleman on the streets and a fucking freak in the sheets. We stan. Pop off king <3

Garnet — If you headcanon her as acespec she is not actually your favorite, Ruby and Sapphire are your favorite, but you like them both equally so you just say you like Garnet. If you headcanon her as anything else you're definitely shipping her with one of the other gems, probably Pearl or Jasper.

Amethyst — Super chill person. Would be in most people's dream blunt rotation. You're a live and let live kinda guy and I respect that, but you also have no hills you'd die on so you're not the first person anyone goes to if they need serious support. You can get away with misinterpreting this character (on purpose or accidentally) because it's hard to say things about her that most people won't just shrug at and go "yeah that sounds right I guess"

Pearl — You're annoying as hell. You see yourself in this character and that's not a good thing. Your social media presence gives off the same energy as every white woman's Instagram profile. If being a victim was a contest you'd take home the gold.

You think everyone is out to get you. They're not.

You think you're being persecuted. You're not.

Most people who see you from a distance and don't know better think you're alright, so you're probably pretty well-liked in public. The only people you will get along with in close quarters are all walking mean lesbian stereotypes.

Peridot — You're annoying as hell for a different reason. You see yourself in this character too and that is a terrible, terrible thing.

She's your pfp on every website and app that will allow it. Your lifeblood is this fucking character and e v e r y o n e will know it. You're weirdly possessive of her and the hyper specific headcanons you made for her (even if you don't say that) despite every grass-fearing autistic person on the internet projecting onto her, so ironically you don't like other Peridot fans, which always ends up with you sitting alone even on websites with millions of people on them.

90% chance you're a furry, otherkin, therian or think you have DID. You think you're misunderstood, and in some ways you are, but the reality is most people don't speak dog and don't have the time or energy to learn. You need to go outside and learn to speak cat whether you want to or not

Lapis — You don't like Peridot fans or kinnies, which is weirdly in-character. You're the biggest hater but you don't hide it and I can respect that. You think Lapis is a victim, but you're only half right. You would probably fall for propaganda if it was dressed up fancy enough.

Jasper — You want to fuck this character, full stop. There's a 50/50 chance you're chill af or the most insufferable person on the planet. If you're the former you're friends with a lot of people. You float easily from one group to another, but a jack of all trades is a master of none, and you're no one's first pick if they're looking for someone close. You probably hate Lapis and her fans but you should really just let that shit go ngl

Spinel — You need therapy (derogatory) and you're making that everyone else's problem. Despite the clown aesthetic you're not very funny to be around and you should get a better sense of humor. You project onto this character way too hard and it shows in your fandom habits and headcanons, but most of the time that's fine

Like Spinel, you're a little two-faced. Some people pick up on that right away and some don't. The people who do hold you at arms length until you make it clear which clown you'd rather be. You hate it when people ship Spinel with any character besides your favorite pairing, but you'll never say that out loud unless it's a ship the people you're talking to don't like.

Blue Diamond — You're a man (derogatory) or a minor who doesn't actually understand anything about this character yet, and would immediately fall for any and all forms of propaganda

Yellow Diamond — If you think she is wearing a helmet you're a man (derogatory) and you expected things out of SU that were never gonna happen. If you think it's just hair you have a much better grasp on this character than 90% percent of SU's fandom and I'm platonically kissing you on the mouth.

White Diamond — You're a man (derogatory) or an incredibly based and sexy queer.

The Zircons — You like Ace Attorney, or would like it if you haven't played it yet. You're making them kiss sloppy style. UwU

Lars — You probably didn't like him until after he died. You will defend this boy with your fucking life. Also you should just…. go watch Star Trek if you haven't. Seriously what are you doing—

Sadie — You're an oddball. Very lax though. You have complicated feelings about Shep

Peedee — You're a little quirky, a little freaky, but you're too scared to just say that. You desperately need some fun in your life, but the people around you make that difficult. Eventually you'll find the folks that are worth hanging around. See you on the flip side :)

Ronaldo — You're the type of person this character is based on and you take it in stride. If you're shipping him with Lars, you're the only person who's opinion on this character matters.

Kevin — I dunno who hurt you but you have a terrible taste in men. You only have fun in bed if it involves a damn near human rights violation

Mayor Dewey — You're normalbirb

Any other townie — This is a trick question! No one has these as their favorite lmao

[ammyamarant]

Kamen Rider Gavv ep 1 thoughts

Just going to watch one episode right now because I need to finish Kabuto and I need to Know what Kabuto has up its sleeve. But, the tl;dr of Gavv: Cute show, I can see how traumatized this poor kid will get by the end

Gavv ep 1

okay so I’m already reminded of W. Wonder if there will be a mentor figure that dies like Soukichi does in the first fucking five minutes of W

oh neat doors. I’ve seen Labyrinth too.

jfc how old is this kid he looks baby

yeet out of a plane and the tinkly “oh this is the world mom is from” music lmao

lbr considering the environment you just escaped from and the way you were happy to be freefalling because you were where your mom is from, I think needing some food is understating it.

"what do you have? Do you eat it?" has the same energy as my "what is gender? do you eat it?" joke

WHAT IS YOUR BODY MADE OF

Karakida I want your jacket. Give

Ah you have no communication skills. Understood

"This isn't a monster case" "So what is it?" "Woman fucking killed her own husband and shh keep your fucking voice down"

"today's harvest" and it looks like bloody organs. Hey I've seen 12 Hour Shift too.

oh you've never been allowed actual food have you

oh goddamn it I can hear Apollo aiming the dodgeball already

my dude. you got a tummy ache then gave birth to something. human women would kill for that to be their normal gestation cycle.

mm, cgi is kinda……………………

"hey now I've been fed actual food and have real energy I can make minions" yeah I mean that makes sense. People get all kinds of bodily processes back once they've been properly fed. Usually takes a while for their body to recover but hey you ain't human so I get it

this kid is so sweet and kind giving obvious main character (yeah I know it's shouma) a place to stay and some sweets to eat.

oh right the street drugs WHAT THE FUCK IS THAT HENTAI ASS THING

oh it's just a mouth. Wicked teeth.

Shouma is such a sweetheart

Also ye, I can see why Shouma is enchanted by sweets if his mom never let him have any of the family drugs.

excuse me I need to figure out a way to get into this world and beat down this addict before he hurts this kid

Shouma I would like a full rundown of what you can do because was that super speed and running perpendicular on a vertical surface? My dude? Answers?

Mm, sick monster design

Yeah, the monster and the kid both being like "hey what the fuck" to Shouma is fucking hilarious.

oh fucking ow

your mom turned into a bloody organ thing. Are we sure this isn't just a horror movie?

I feel like these minion things showing up saying "eat gummy!" shouldn't feel as threatening as they do.

OH GOD THE CRYING EYES. I'M HOWLING

"oh with the other one" lmao

I wonder what this show is like on edibles because the bright colours are fun and I had a blast watching Ex-Aid baked. Tho I'd consider that a little too on the nose considering the street drug metaphor of those dark candies

little dudes go somewhere safe that isn't under the fighting feet!

oh interesting so if he gets a lot of battle damage he can repair it by using another minion. Very neat. Wish more "battle damage" was repairable that easily. Looking at you, 3rd Birthday.

oh calling both of them monsters and Shouma just taking it is heartbreaking.

I'm definitely feeling the difference between Takaiwa and whoever the suit actor for Gavv is, but it's more "huh, that's a different way of doing the stunts" than anything bad. I do miss Takaiwa but that's mostly because he's a fucking legend. This guy's doing great, tho.

did… they repurpose the build driver for this?

takaiwa usually stood upright, even for meek characters like Ryotaro, while it seems like this guy's default stance is hunched over. iiiiiiiiiiiiiinteresting. Says a lot about Shouma in this form

okay I was about to say this Rider Kick is lame, but nah, it's pretty good.

Shouma you are sunshine and joy wrapped in ptsd. That's not even a joke I know you're fucking riddled with ptsd from just your memories of your mother alone

Shouma you are not Eiji stop being a hobo

Cute show.

[miodiodavinci]

I made a Vocaloid channel but I'm having trouble getting views. I like making covers for fun but I wish I could get more than a handful of views, especially since I haven't even gotten 5 on my latest ones. I use Vocaloid 6, which may be the problem since not many people talk much about it as much as the older versions

Would you have any advice as to what I can do?

m m m m m , , , , , , i feel like it's hard to say—back in the day when i was doing UTAU work, most of the interaction i got with my work was from my friends from UTAForum. we all sort of just shared our work with each other and supported one another doing our fun little hobby. though the sort of forum culture that spawned that sort of friend circle has kind of disappeared by this point , , , , ,

but honestly, even still—find folks whose work you like and get involved!! share your work on other sites and shout out people you like!! support the folks around you and establish yourself as part of a community

(of course like. don't treat it as a transactional thing. if there's one way to ensure No One interacts with your work it's to. comment on people's things or shout people out and then get passive aggressive expecting a response back. doesn't work like that. you support people because you love them and their work—not because you want something in return.)

but even more than that, honestly just keep doing what you do and the love in your work will come across in heaps and bounds, and someone will be bound to listen. people also tend to get interested the more you put your own spin on something, whether it's creating your own PVs, adding your own harmonies, sharing some of your files, or linking multiple covers together as part of a kind of overarching story. if you make it yours, it'll be yours for good.

like, at the end of the day we can all agree that views are just a number on a screen and are kind of meaningless and no one should base their worth on them, but also yeah it kind of wears you down after a while to keep sharing things you've put a lot of love and effort into with no response.

i'd just like to encourage you not to lose your passion for it—views or not, there's a lot to be gain by pursuing something you love. your VOCALOID endeavors are only just beginning, and who knows where you'll end up ! ! ! ! take the journey as far as it'll take you, and have fun all the while ! ! ! ! ! ! !

also send me your work i want to listen 👁 👁

[winters-on-the-wing]

hmm, well, you're one to talk about letting people like what they like when you're going batshit on me about a post that does not mention jegulus anywhere. do you see me saying a single word about james? the only two names i mention at all in the post are regulus and umbridge.

so what the hell does that have to do with jegulus?

answer: nothing. but YOU can't handle your precious little fascist white boy being shipped with anybody but james, so you got on my blog and chose to scroll to my post that's just talking about a ship i like, and then hating on me just for talking about kittywater, a ship i happen to like! you're the one that's shitting on me for no reason! you're the one that needs to let people like what they like!

also, let me say a few things based on what you've written.

the other two things we know about regulus in canon, the things that jegulus stans love to purposefully ignore, are that he had a voldemort shrine in his bedroom, and that he got the dark mark by choice when not even his parents had it. regulus adored voldemort. and it doesn't matter that he changed his mind. he still helped voldemort kill thousands of people out of sheer hatred for a minority group that did nothing wrong. he's still a racist and a fascist. and he didn't even die for those oppressed people. he got upset about voldemort's wrongs only when it affected HIMSELF. HIS slave. so yeah, i'm gonna go ahead and say that regulus is not a good guy. sorry? but i actually read the books.

there are so many more differences between jegulus and jily than the queerness. first of all, regulus is an active oppressor of the minority groups in this universe, while lily is a member of said minority group. second of all, regulus has no personality in the books while lily has a beautiful, complex, well-sculpted personality. your fanon little wet cat doesn't count.

and the most important one. there is NOTHING about lily and regulus' family/sibling situation that is REMOTELY similar. if anything, they have opposite situations. you are not actually comparing sirius to petunia?? let's do a little review of their situations, shall we? sirius was being abused by his parents due to his disagreeing with their blood supremacist views, and as a result, he ran away for his own safety and peace of mind. regulus could have left with sirius at any time, but regulus CHOSE to stay with his parents and become the new heir. regulus CHOSE to become a death eater even though the black family was not affiliated with voldemort whatsoever. now, lily was the favorite child of her family, and this became especially blatant when she found out she was a witch and petunia wasn't. petunia was so overwroght with jealousy that she made lily's life a living hell, to the point where lily had to completely abandon the muggle world for the wizarding world. when looking at these two stories side by side, you can see that regulus isn't similar to lily at all. regulus is similar to PETUNIA. :) so if by similar, you mean that regulus is similar to lily's abuser, then you're right there! but other than that? i think you're just delusional.

guys regulus and umbridge are so perfect for each other

they’re both evil little shits who like to pretend that they’re the heroes of the story and the victims of their situations even though every awful thing they did was a conscious choice! they’re made for each other!!

[notyoinara]

alice yabusame art marathon 2024 has ended early.........it's okay there's always next year

[pagesofkenna]

i wanted to make a post about a thing but the more i think about it the more i want to say and it's just going to end up being a big ramble essay, so instead i'll just give the thesis statement, thusly:

as the #1 Ratgrinders Apologist (self-appointed), of course they're the final boss fight to the death. i expected nothing less and the people trying to make discourse about it are ignoring the entire context of this being a Dungeons and Dragons game

[marklikely]

the results of that "is fanfic a book" poll have shown me one thing and its that this site never graduated past that absolutely insufferable phase in 2013 where everyone acted like every book is the single most sacred thing on earth

[pondscummy]

WILD to have been feeling like I was overreacting about my roommate for days and feeling like oh I'm just not giving them enough credit I'm sure they do care about me even though I'm usually pretty comfortable expressing hurt or need to friends and I don't feel safe doing that w them I'm sure it's exclusively a me problem. and then. scrolling back through this vent blog and it's just a log of various times they've hurt my feelings LMFAO

[ilikeyoshi]

fascinated by the number of replies on that poll that are just "no bc it's none of my business" like. ok???? extremely weird point to make. would it also be none of your business if that friend like. mugged somebody. hit their partner. tf does "it's not my business" have to do with anything they have displayed blatant disregard for the trust and love of others. it's GONNA be your business when they do some heinous shit behind your back.

[beemovieerotica]

I feel like I would have been diagnosed with OCD a lot earlier if the vast majority of screening questions (for mental illnesses in general) weren't based on the person's perception of their own behavior, in isolation. and what i mean by that is asking someone with OCD "do you wash your hands excessively?" is not a good question.

a person with OCD believes they are washing their hands the correct number of times. it's not excessive. we believe we're exhibiting best practices and helping to keep everything clean.

better questions might be, "does it seem like you wash your hands a lot more than your friends or family?" "do you get dry patches or cuts on your hands from washing your hands?" "do you find it deeply distressing, more so than how you've seen other people react, when you get something on your hands that you can't clean off right away?"

being asked "are you overly preoccupied with bugs, symmetry, and contamination?" also got "no" responses from me years ago in my life. what they didn't ask for, and didn't know, was what *exactly* I was doing in my day to day life that genuinely ate up my time and mental space to a concerning degree, but I *didn't know* that other people don't do this.

"do you spend a lot of time cleaning?" -> no, it's not a lot. it's a good amount. why?

"do you become frustrated because it seems like no one else meets your organizational and cleanliness standards - do you often 'take over' for other people because they can't do it right - do new friends seem surprised by how strict you can be about your living space?" -> oh. yeah. yeah I get it now.

[eggmeralda]

spent an hour making a list related to That Fandom, followed by an hour listening to the haunting vibe playlist, followed by an hour reading the fanfic we wrote about my band and crying actual tears bc it's the peak of comedy, followed by an hour thinking about all the things I've ever created that will never be seen by anyone either bc I don't know how to show them to people or bc people just think they're bad but either way I'll never know the true answer, and now it's 10.30pm and I've basically experienced the full spectrum of emotions: autism, existential crisis, silly, and the feeling of being unseen

[thebibliosphere]

#it's not just a trend it's a lifestyle - @fallingforthevillain

You. You get it.

I keep seeing 'discourse' on the moving picture apps about how if you were around for the first iteration of whimsigoth in the early 2000s, you're too old to participate in the fashion trends now.

And like, obvious ridiculousness aside (cringe is dead, time is an illusion, wear whatever), I raise this counterpoint:

ID: an image of Aunt Frances and Aunt Jet from Practical Magic wearing large hats, lace gloves and an amalgamation of whimsical attire. /end ID.

Thank you, and good night.

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[sunderwight]

Headcanon that Shen Yuan was hotter than Shen Qingqiu, actually.

Like yeah SQQ being a cultivator gave him a boost to enough attributes + being in a stallion novel where everyone is either unrealistic hot or dog's butt ugly got the Shen Qingqiu body extra points, and he wasn't bad looking to begin with. Plus not being ill is vastly more important to the new Shen Qingqiu than those extra hotness points (Without a Cure notwithstanding). But part of the reason why he's kind of like, meh, at least I'm not hideous or anything, is because Shen Yuan's original body was a knock out.

I also like him as chronically ill, and, as many people know, beauty standards and sustained suffering are not as incompatible as they should be. Shen Yuan was conventionally attractive in part because conventional beauty standards seem to want everyone slowly dying all the time. But even setting that aside, the man had flawless bone structure, an appealing figure, captivating eyes, and the kind of voice that stopped people in their tracks.

All of which was a contributing factor to his antisocial lifestyle, actually. Despite the fact that Shen Yuan does enjoy company and requires a certain baseline of social enrichment for his enclosure, his internalized homophobia and closeting did not play well with overtures from interested parties (regardless of gender). The only way to minimize the odds of him being asked out on dates was to essentially become a shut-in, especially since even Shen Yuan can only make so many excuses before he himself starts to notice that he's going to a lot of effort to avoid specifically that avenue of socialization. Far better to just remove himself from any risk of it, and then vocally lament that oh no he's just too much of a nerd to get anywhere with women!

Anyway this largely doesn't matter much outside of sheer comedy potential for any situation where SY gets his old body/life back. Like imagine a reveal scenario where the System is going to transport them back to their old lives.

Shang Qinghua: well bro I guess this is gonna be the ultimate test of love, right?

Shen Yuan: what do you mean?

Shang Qinghua: our husbands are gonna see what we looked like back before we were glorious cultivators! they're going to have to track us down in our mundane, kinda shitty pre-transmigration lives! it's gonna be at least a little embarrassing, right?

Shen Yuan: *gets his old body back*

Shang Qinghua, normal human with average looks: ...

Shen Yuan, exemplary 11/10: ?

Shang Qinghua: what. the fuck?? bro what the fuck why are you hot???

Shen Yuan: don't make it weird

Shang Qinghua: make it weird??? why were you sitting at home reading my shitty novel when you could have been out there building your own harem???

Shen Yuan: stop exaggerating

Shang Qinghua: oh my god you've always been like this. this is it, isn't it? it wasn't even brain damage from the transmigration or something--

Shen Yuan: hey

Shang Qinghua: --you've just always been completely unaware, haven't you? every time I wrote a beautiful woman who didn't know her own appeal you'd be jumping down my throat--

Shen Yuan: because that's a stupid trope--!

Shang Qinghua: --JUMPING DOWN MY THROAT EXACTLY LIKE THAT but this whole time THIS WHOLE TIME it wasn't even a glow-up issue, you've just been that, personified, yourself--

Shen Yuan: look I know I'm not ugly but I'm not I'm hardly that good-looking

Shang Qinghua: YOU ARE NEVER ALLOWED TO CRITICIZE THAT TROPE AGAIN! oh my god. how many broken hearts did you leave behind when you died?!

Shen Yuan: none, I wasn't even seeing anyone--

Shang Qinghua: yeah full offense but I am nottt taking your word for that. I bet you had a harem you didn't know about in this lifetime too. I bet you had a fan club, like an anime prince

Shen Yuan: *mumbling*

Shang Qinghua: what was that?

Shen Yuan: I said... only in high school...

Shang Qinghua: oh my god

Shen Yuan: it wasn't a big deal!

Shang Qinghua: *frantically trying to see if he can find any trace of it on the internet now*

[jjk4isen]

ꗃ 𝐎𝐍𝐄 𝐒𝐓𝐄𝐏 𝐅𝐎𝐑𝐖𝐀𝐑𝐃, 𝐓𝐖𝐎 𝐒𝐓𝐄𝐏𝐒 𝐁𝐀𝐂𝐊 .

❝ answer me. did you think of her when you're in bed with me? when you're kissing me and holding me— was she the one on your mind? ❞

summary: it's hard knowing you aren't really the person in toji's heart but loving him was something you still did regardless. as for toji, he thinks he's ready to give you his all.

desc: 2.8k words, f!reader (referred to as ‘mama’), canon compliant i think, takes place after mamaguro's death and before toji’s, age gap (early 20s reader, early 30s toji), baby gumi ahhhhh, sfw, angst to fluff to angst again lol, intended lowercase, think you're tsumiki’s mom but without tsumiki bc the relations would be too complicated and also the second wife erasure in the canon storyline?? yeah it's reserved specifically for this fic, not proof read i fear but pls read it's really interesting i can swear by it lmaoqhdhns

dating a widowed man with a son wasn't easy especially when the said man is still in love with his former wife, or rather, his wife who had died.

love is often beautiful but sometimes it's unfair. it can also be cruel. what other reason would make you still stay despite knowing you'll never measure upto the person who had been here before you?

and you've heard stories about her. she was sweet, so beautiful— not just in her appearance but her entire being was beautiful. there always was an ache in your heart upon just the mention of her name.

so how much more would it have ached for toji?

“mama” the spiky haired boy, barely two years old calls you and you realise the silence in the room. “not mama, i’m nana okay?” sick.

nana. not mama but close enough. it doesn't matter anyway, n and m are just letters and next to each other so how much difference would that make? you're the one that's here after all, are you not?

if there's a lump in your throat and your eyes are burning with unshed tears, you force yourself to ignore.

“okay nana” megumi nuzzles his face into your chest, slowly drifting away to sleep. the boy always liked cuddling with you and it melts your heart immensely.

your hands strand through his dark hair. people always said he's the carbon copy of his dad but you'd like to differ. megumi has his mother's eyes and his hair resembled hers more than it did his dad's.

the thought sends another ache in your chest but you push it away– as you always have.

you recall the last time toji had heard megumi call you “mama”. you had never seen toji that livid. he was never a gentle man to begin with but that night, there was nothing else you've been more scared of.

was he like that to his wife? maybe not.

does that matter though? it's not like toji treats you badly. he's decent and loves you an enough amount. you weren't crazy enough to stay when you're not wanted so that must mean you were something to him right?

you also recall the whispers of pity and condemnation thrown at you for just being with toji. him being a brute is one thing but the difference in age is what people seem to have a problem with. you're so much younger than him and have your whole life ahead of you so why are you entrapping yourself this way?

you disagree though. love doesn't know any age and you definitely aren't naive to be head over heels over a guy just because he's relatively older. no, this was real and genuine.

a faint knock disrupts your train of thoughts. “he sleepin’?” toji nods towards the small boy in your arms and you nod back in return.

taking care not to wake the sleeping kid, you slowly pry his hands away from you and pull over a blanket to cover his small body.

when you make your way towards toji, he wastes no time in pulling you closer “missed you” he mumbles, placing a kiss onto your forehead and suddenly all thoughts plaguing your mind disappears. that's all you could ask for, even if it was just for a moment.

“i missed you more” you whisper back, he only huffs out an amused chuckle.

“got bad news though” a frown finds itself on his lips, decorated by a single scar next to it.

“did you lose all your money again?” toji was a gambling addict, another thing you forced yourself to tolerate just for him.

“sorry, doll. thought i’d win this time” he rubs small circles on your back comfortingly and it makes you a bit uneasy to know that he has his way with you so easily.

“it's alright. i’ll just find another part time job”

“so good to me” toji pulls you into his chest and you let out a sigh— of exhaustion? relief? you couldn't really tell but that's not important, toji had you in his arms.

“i’ll try and think of something too. don't worry your pretty little head too much” he lifts you up with ease. while you're in his arms, you feel the safest.

toji really felt bad this time. he was confident he would win but that stupid horse had to trip and lose its lead, ending up last of all places. he knows luck never favoured him but that's didn't stop him from trying again and again and again.

he also knows how you didn't say anything more than necessary about it but he isn't that much of an idiot either. he sees how your expression falters and your shoulders slump a little more when he comes home with another news of his gambling loss.

this is also why he tries, or rather, tried to quit — one too many times, unbeknownst to you. however, old habits die hard and most of the time (everytime) toji gives into his urge and loses yet again. the cycle keeps happening.

maybe this isn't just about gambling.

with the way you're asleep so soundly next to him after putting his son to sleep and taking care of him too, he is overcomed with yet another feeling to be better for you and megumi alike.

toji isn't a gentle man; everyone knows that, you do too — even more than anybody else but he can't help the familiar pool of warm feelings surging through him the longer he stares at your peaceful state.

he remembers the last time he felt it, with another person. it felt like a lifetime ago.

he also remembers how painful it was when he lost it — the person, the feeling altogether. his hands that were making their way to caress your face stops mid air.

toji knows you deserve so much better. you've been nothing but patient to him, so amazing, so perfect to him. still, he just can't do it yet, just not yet.

he will eventually, he hopes you stay until then.

toji wakes up to an empty bed and his heart sinks a little but the creases and wrinkles on the sheets serve as a reminder that you were really here.

he makes his way towards the kitchen, only finding megumi sitting on a chair next to the dining table.

“hey kid, where's your mama?”

toji freezes. it came out so naturally he didn't realise he said it himself and almost thinks he didn't but megumi's wide eyes prove that he actually did.

“m…mama?” megumi says hesitantly and toji nods this time. “yes, your mama”.

“potty potty!” megumi points to the bathroom and giggles, toji follows suit. the man crouches to his son's eye level and pats his head.

“you love your mama, kid?” toji sees megumi's eyes sparkle as the boy nods enthusiastically “very very much!!”

“yeah? i love your mama too.”

toji smiles to himself, he can't wait to tell that to you.

the next time toji got his pay, he finds himself hesitating. instead of heading towards the race tracks, his feet takes him to a jewellery store.

instead of picking out a slot and testing his luck, he picks out a ring. it's not fancy by any means but he thinks it would be the most beautiful band of metal to exist if it slides into your ring finger.

the tiny ring carries all the heavy feelings he has for you.

──

it was one particular evening when you saw an old man lingering by the front gate. its particular because the warm sunset and the soft cool breeze contrasted the ground breaking truth you find out.

“can i help you?” you ask the old man who looks at you up and down, not making an attempt to hide his distaste of your sight.

“is this where toji zenin lives?” he stares down at you with his scrutinising gaze; it makes you feel small.

“zenin?” you ask, confused. is he referring to toji? but his last name is fushiguro is it not?

“yes toji zenin. i heard he has a son as well. you're not the mother are you?”

is it that obvious? you wonder how the old man figured it out. regardless, you're not about to give him his answers so you stood your ground.

“i’m sorry i don't know what you're talking about.” you turn around, about to head inside when his words make you stop short.

“are you fushiguro?”

that's toji’s last name isn't it? not zenin or whatever he called it. so why is he asking you that? is he implying that you're married to toji?

“no. you have the wrong person.”

“why? did he say not to get involved with anyone from his clan?” the old man draws closer, chucking to himself. you're just there unmoving, trying to comprehend the situation and the words coming from his mouth.

“or did he not tell you that either? did he tell you anything at all?” he stands tall in front of you, tearing away bits of yourself with every word he says.

“when he returns, tell him the clan wants to propose him an offer. you can do that much at least won't you?”

…

and when toji comes home that night with the ring cluched tightly in his fist and inside the pocket of his white pants, the world stills.

he finds you in a state he has never seen you before. you look completely and utterly defeated.

“hey, what's wrong?” his hands come to caress your face so effortlessly, the ring and prior nervousness long forgotten.

“talk to me what's going on?” he looks around and the house seems emptier than usual. your laundry that were usually hanging with his were gone.

your small trinkets you placed around the house to “make it more lively” were nowhere to be found.

and there's a bag in the corner of the room which toji prays and hopes he isn't what he thinks it is.

your hands push away his own that were cupping your face. you're not even looking at him.

“say something damn it!”

you flinch and toji takes a step back. he recalls the last time you trembled in fear — when he got mad megumi called you his mom. he punishes himself for it.

“im sorry. please talk to me.” he isn't touching you now but he wants to. he wants to reach out and pull you close, as he always had done. but now there's an unbearable silence and the small distance between you both felt like lightyears away.

“who's zenin” your voice was meek, barely a whisper but toji's eyes widen. how did you find out about that?

no fuck that, he was supposed to be the one telling you. in his own time.

“i can explain” was all that came out of him. he's nervous, he doesn't know where to start. there's a lot of information to unpack and he's not sure how to do it without hurting you too much.

when he doesn't elaborate, you ask another “who's fushiguro then?” your voice falters a bit and toji curses himself for it.

but he's done running away and keeping things from you. “my… my late wife” he says wryly.

your eyes close and a shaky breath leaves your body, as if he just confirmed your worst suspicions. damn life is so funny isn't it? everything you thought you knew apparently wasn't what it seemed to be after all.

opening them again, your vision blurs and you realise tears were escaping your eyes. fuck you didn't want to cry now of all times but they won't stop.

and the way toji was looking at you, it makes you want to throw up.

“i must've been so stupid to you” you let out a humourless chuckle. “did you pretend im her?”

your gaze was sharp and so were your words. maybe all your bottled up feelings were resurfacing. it doesn't make you feel better about it but that doesn't stop you though.

“answer me. did you think of her when you're in bed with me? when you're kissing me and when you're holding me, was she the one on your mind??” your voice was loud now. you should be afraid of waking up megumi who you cradled to sleep just a few hours ago but no, your thoughts are too clouded right now.

toji sighs. he has no excuse.

“i used to” he actually looks ashamed as if he wasn't the one who did it purely out of his will.

your scoff makes him wince “but not anymore.”

his words fall on deaf ears “you know… i knew you did. but i stayed regardless because i thought there would be a chance that maybe one day, you could open up your heart to me. im not even asking for all of it, just a little… i thought you'd let me in.”

you're blabbering and honestly, so distraught.

“but not a moment was there when it was me isn't it? it was always her in the first place.”

now toji should have said something, anything but he stays there planted in place. and maybe that was your breaking point.

you turn around, grabbing your bag and brushing past him towards the door. instead of holding onto you and stopping you, toji clutches the small box containing the ring — your ring in his pocket, almost crushing it in the process, as he hears the door slam.

you think it's funny how toji did not reach out after what happened. it's poetic even. very fitting of him, till the very end, he did not give two shits about you.

so then, why were you back here?

it's been four long years since the trajectory of your life changed. you still don't know if it was for the better or for the worse.

saying it has been hard would be an understatement. it took you a long time just to get back onto your own feet but you did it regardless. however, you left a part of you here long ago and now, you're here to take it back.

that and you missed megumi dearly. perhaps it was an excuse too because you won't deny a part of you still missed toji, despite everything that happened.

standing a few feet away from the place you used to call home, you hesitate.

maybe this was a bad idea. oh this was definitely a bad idea. you'll see them, and then what? what comes after that?

closure? don't make yourself laugh. you’ll just be reminded of how you couldn't be that person for toji— how you'll always come second. and what if they moved?? there's no reason they'd still be here right?

forget this, you don't need to do this. why must you still be the one who put effort? to reach out? four long years passed and still no news means they clearly moved on... right?

you were convinced enough and was about to go back when you saw little megumi carrying a backpack on his back, seemingly coming home from school.

your feet wouldn't move and your eyes wouldn't blink. he grew up so well.

the world pauses as your gaze follows the kid you used to consider your own, now as good as a stranger.

“do you know that kid?” a voice at your back makes you whip your head around. life really is full of surprises and this time, the surprise was in the form of a tall man, no a tall kid with white hair, looking at you curiously through his round tinted glasses.

“... no i don't” well you weren't exactly lying. you don't know the megumi you see now. perhaps if he asked whether you raised him since he was a baby till he was two, then your answer would've been different.

“oh okay” the boy shrugs. “poor guy though”

“why? whats up with him?” you turn to look at megumi again who was minding his business walking home and your heart aches a little.

“I'm here to recruit him. his dad died you see so he's–”

“wait what was that??”

“his dad. he's dead” the amused boy in front of you chuckles and you stare at him, horrified.

“what happened to him?” your voice was shaky and doesn't sound like your own. he leans down to meet your eye level and smirks “why? i thought you don't know that kid. why does that matter to you?”

your stomach churns as you stare at him, not even knowing what to say— the smug expression on his face only widens.

“so you do know him.”

'know' would be a weak word to use when it comes to toji. you knew of his habits, the simple things he does and also of the more complex ones — like the exact place his scar decorated his lips and how it felt to kiss it.

then again, you don't really know anything about him and maybe you never will.

and maybe that's really, the closure you needed.