#but also difficult to handle

[tabooiart]

this hot pink bitch was named breakfast!!!

[edorazzi]

Some Miraculous Twin AU content commissioned by @lapzoli!

She tried to pay me for this but she's been such an amazing friend the last few months (and in general really) that I point blank refused. And then she put up with me when I took 10 million years to finish this! She's the best person ever and a really talented fanfic writer, please give her a look! 🥰

[eddis-not-eeddis]

Hello! I have great news! My mission internship in Japan was conditionally approved! The bad news is that I am the only woman who applied for an internship, and unless another woman applies I won't be able to go (housing and whatnot for only one person would be expensive, plus they don't think it would be entirely wise for me to be completely by myself). For my friends who have prayed that my application would be accepted, can I ask you to pray now that I will have a companion?

[rawliverandgoronspice]

I think what particularly annoys me with the "zelda was always gameplay before story" is that... it's not true? At least I don't think it's true in the way people mean it.

Zelda games were always kind of integrating story based on the standards of the time. When game stories were in game pamphlets, Zelda's stories was in the pamphlets. ALTTP tried to tell a pretty complicated stories with the limitations of the time. OoT was actively trying to tell an epic, cinematic tale packed with ambiance and expand what 3D could offer that 2D games struggled with. Majora's Mask is deeply character-driven in many, many ways. Wind Waker and Twilight Princess are both pretty concerned about their stories, down to the point that some people were bored by TP's cutscenes in particular. Skyward Sword, from what little I have played it, is very very invested in its characters and their journey (and 2D Zeldas have Link's Awakening, Minish Cap... None of them are visual novels, but they are concerned with emotional journeys, character arcs, mysteries about their own world...)

What is true is that the narrative wraps around the mechanics, and not the other way around. The mechanics drive themes, aesthetics, emotional beats and character journeys; and that's great. The world is a puzzle, and the world is delightfully absurd when it needs to be, full of heart when it calls for it, dark and oppressive when it suits the player experience.

That does not mean the games aren't invested in their stories. Even BotW has a pretty complicated story to tell about an entire world rather than one specific tale or legend --all of it at the service of the gameplay, which is exploration and mastery of your environment.

So. Yes, none of the Zelda games are million-words long visual novels that care deeply about consistency and nuance; but stories don't need consistency or deep lore to be meaningful and serve an emotional journey. Again: gameplay is story. The two cannot be so easily parsed from each other.

And Zelda as a franchise obviously care deeply about story, characters and setting (and still does right now --otherwise there wouldn't be a movie), even if it doesn't try to imitate prestige narrative-driven games, which is great and part of why I love this series so much. Doesn't mean it couldn't have done better in the past, it obviously could have, but I feel like pretending that nobody ever cared about story or character is just... false? It's a huge disservice to the devs too. Some of them obviously cared immensely.

The "gameplay above story", at least in the extent to which it is paraded today to defend TotK, mostly, is a really recent development. And I think it's one that deserves to receive some pushback.

[magniloquent-raven]

I keep having thoughts about what might've happened to Tommy to get him that spooked about the moving in conversation, and I figure maybe the last place he lived was an ex's house, but that's not the whole story.

And the place he's in now, it's important to him. There's a lot of reasons he freaked out that night talking to Buck, and a big one is the thought of giving up that little space he carved out for himself after the last time he got his heart broken. Because it wasn't just a breakup, it blew up his life. Maybe he came home to find his ex with someone else, maybe the guy just kicked him out with no warning and no explanation. Tommy spent weeks, months, trying to figure out why he wasn't good enough, throwing himself into work and not telling anybody he was living out of his truck.

He didn't really think of it as being homeless. He had his stuff, his job, he showered in the locker room and spent his weekends at the laundromat combing through realty websites and apartment listings. It wasn't like he was sleeping in a cardboard box or anything, he was...fine. Mostly.

He doesn't realize how Not Fine it was until he's three months settled into his new place, and he just spent four hours looking everywhere for a charging cable he's only now remembering got stolen out of his truck the day after his ex dumped him. It all hits him at once, and he breaks down.

The next few years are spent building. Turning the house into something that feels like his own. But using it to isolate himself. It's his, and no one else's. And that's what it will always be.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[chase-the-ladybug]

Went back to compare shima-ujie interactions

It’s interesting how the words revolving around Shima and Ujie when he was practising volleyball in chapter 41 compare to what their interactions this chapter(61) were.

Shima had said before how he couldn’t get angry before bc he couldn’t empathise, but here he is, clearly upset. He’s come far from the kid who wouldn’t bother getting upset bc ‘it’s not worth it’. What specifically changed though?

Let’s compare to Mitsumi in the past. She was upset in chapter 41 when ujie told her to stop playing a good person, bc it means something to her to look out for other people, and she values it. She could empathise with ujies pain and yet he treated her with disdain in response.

Shima however didn’t care at the time. But now, he’s finally learning to look forward and go after what he wants, so when ujie says what he does, it hurts him. It’s like a dismissal of what he’s working toward, but it scares him bc it’s also a feeling he empathises with.

Ujie says here he probably doesn’t understand that. But Shima got mad bc he DOES UNDERSTAND, it’s a point of contention for him that he just can ‘play along’ in whatever way to please others. He wants to change that though and Ujie hadn’t recognised it.

There’s also the case of how he still holds in a lot of self-hatred for the type of person he is, imo. He finds it incredibly hard to be ‘selfish’, and it’s already taken so much for him to chase acting again, but there’s always this worry that he’s just taking advantage of the people around him. Even though him pursuing this doesn’t logically hurt them at all.

In the end though, when he does talk to Ujie again to explain what he thought, it comes back to the words of assurance he himself gave Ujie in chapter 41

Because since that chapter he DOES know what it’s like to try hard for something, he DOES care about the role he worked towards, it’s NOT a role he stole from someone more deserving. And in the end, it resonates with Ujie too.

[i-reblog-everything44]

The fandom when Anya is nice to jimmy and compliments/butters him up after the crash: obviously this is a fawn response. She doesn’t actually think these things about jimmy, she is simply trying to protect herself against a volatile, unstable person by placating him

The fandom when curly tries to placate jimmy by telling Jimmy he’d fix things, after being very nervous about jimmy’s anger and reaction when talking to Anya right beforehand and his heart racing so hard on the way to confront jimmy that he’s likely on the verge of a panic or anxiety attack: hmm. Obviously everything curly is saying to jimmy here is completely genuine and not motivated by anything. He obviously doesn’t care about the fact jimmy raped Anya and only cares about helping jimmy at the detriment to Anya. He’s a rape apologist. There could literally be no other potential explanation for why curly is saying the things he is saying right now. Let’s take everything curly is saying here completely at face value and not analyze anything else about Curly’s behavior or the rest of the scene.

[seriously why are people only capable of recognizing the fawn response in Anya and not Curly]

[tollsoftheclockwerkbelle]

sega please do not save maria please do not save maria PLEASE do not save mariaaaaaaa sega PLEASE

[hozukitofu]

idk what's weirder for iruka: konohamaru becoming a jounin sensei or shino becoming an academy teacher and both of them are his colleagues now instead of former students. one is a reformed prankster carbon copy of naruto and one spoke maybe four words to him during the entire time he knew the kid. imagine running into them in the staff room. i would need to leave immediately.

they also refuse to call him without honorifics or if this is a modern AU - mr umino/sir/sensei. iruka tries so hard to make them comfortable and feeling like they're his colleagues, to no avail. they got as far as 'iruka-sensei' and then promptly faltered.

all the little students look up to iruka as a superhero. their teacher's teacher. none of that silliness where they don't respect him - his disappointed face is lethal

[sysig]

Smooth cover (Patreon)

Bonus alt:

[motsimages]

As per Tumblr recommendation, I started Kevin can fuck himself yesterday. I see people comment on how the sitcom part makes it look the way people see an abuser and how the abuse can be disguised. People think he is just a funny guy and the abuse goes unnoticed. I personally see it otherwise, although it's similar.

People know he is an asshole. He spends a whole episode being mean to the new neighbours just because. He meets a dangerous guy at a bar, in public. He is an alcoholic who throws weird parties with lots of other people at home. Patty's boyfriend tells her twice in the 3 or 4 conversations we see that he is an idiot. People know, and people avoid him.

And his bubble know, but they justify it and excuse it. And that's the sitcom. The sitcom is the theater of excuses Allison has (and then other characters too) about his behaviour.

"Can you believe it? We were in our anniversary, such a fun party, we were both super drunk and I don't know how it ended, that I was face down on the floor and the table was broken! Anniversa-rager we call it lol"

"He is such a clumsy guy that just as I was leaving the house, you won't believe that I don't know how he managed to cover me in chilli sauce! What a silly goose!"

"He is so helpless without me, he couldn't find the printer and he called me all day because he needed me to explain to him how to work it. And he worries too! He called the cops because he didn't know where I was, maybe I forgot to tell him".

The conversations with her coworker about husbands help drive this point. That's what mariage is. You find ways to justify it and to avoid certain fights and that's it. We got lucky.

But he did all these things on purpose. And the unreliable narrator of the sitcom makes the joke of it and makes the audience consider that maybe it isn't *that bad*. Allison needs to believe that's what it is, so it is. It really isn't that bad, she thinks, he is just like that.

And we can actually see the worrying things and the threatening parts from minute one. It's only a joke because we have been trained to dismiss it. To justify it and to move on. He isn't doing any heavy lifting here.

In episode 1, just the fact that he ends up standing on the table (when she doesn't want him to even put glasses on without protection) says a lot. But then the table breaks and he fixes it poorly and visibly. It would be bad enough just like this, but I personally think there is more to it. It's just that Allison doesn't want to speak about it or look at it so it is just the table, but it's the switch that turns on for her, the last drop. But she did end face down on her living room, on top of the broken table. It's a very elegant narrative tool where we don't see, but if we wanted to see, it's there.

And the more she notices, the more off-putting the sitcom is. It's still played as a joke, with the laugh track, but she is more aware now, so we can notice too.

We start the series with her turning point, but if the series started a year before that, it would only be happening in her house, as it is her life, her only frame of reference, and it would only be a sitcom because isn't he such a clumsy but caring guy?

[floatingonapaintedsky]

People's reaction to Maya absolutely reeks of misogyny. And a refusal to engage with the fact her behavior is absolutely a result of the ways that able-bodied people treat disabled people. Which is absolutely wild for a show centered around the fact that what drew one of the MLs to the other is that he was one of the only people that treated him like a whole person instead of someone to be pitied, infantilized and made a spectacle of because of their disability. Like it's made very clear that ableism from others is a near constant and that a lot of people interact with you not because they actually want to know you as a person but because they want to feel good about themselves for being nice to the "poor helpless disabled person" The girl that told Kohei carrying the trash must be too difficult for him because he can't hear, the guys that let him score a basket because it would've been "pitiful" to defend against him, Yoko's cousin and her weird romance fantasy etc etc.

So Maya, as a disabled person who also deals with that bs on the daily, being stand-offish and critical or suspicious of an able-bodied man? Makes sense actually. Right now her character is there as conflict between the characters, it makes sense to not like her but hop off of all that "uwu this character is perfect sunshine baby and anyone who is mean or critical of them is a heartless bitch" bullshit

[aheathen-conceivably]

🌻 rosella !! i miss her sm and i just know she'd be the best auntie if she were still here 😔 she lived she served cunt then she DIED

🌻: OC in something from the 70s

Nonny, dearest, this ask brought me such joy, and I do hope she's serving enough cunt in the 1970s to live up to your standards...

Yes, she is vacationing in the Riviera with Halston, and yes, she said the musical vibes of that night's party are mandatory for you as well....💵🎶

[jay-wasreblogging]

Mariana with all her bills and visa being handled by Sherlock and John???

Listennnnnn she ain't gotta worry about nothing, obviously she gotta handle the operations of the business but - it's Mariana - she got this.

[panncakes]

stuck thinking about when day gets crowded and overwhelmed on his birthday he calls out to gee of all people there to remove him from the situation; and how when day tells her he wants to be alone she makes sure he knows she wants to understand him and he can talk to her (not to help him or to fix things for him; simply to understand him) and when day reaffirms a boundary she accepts this and doesn't press further. he's her friend and she cares for him but he's still an adult and she has no problem treating him as such and i think that at the moment she is the only one from day's past who is actively able to do so