#but also a bit weird because I have been perceived

[martyryo]

Okay

I don't do..anons. so yes, just gonna ask this as me‼️ Hello‼️‼️

When

Right okay, I saw your art like the yellow red one right and I saw you talking about your tulpa in that and it took me a second cause at first I thought you were doing a Collab with someone and I was looking for a tagged account or something 😭😭 and then I was like hang on it's not been tagged so it can't be that. And then I saw the hashtag about the tulpa thing and my brain was like, I've heard that term before. And I had, but it was cause of Supernatural. Think the episode was Hell House, either way in that course some kids draw a sigil and don't know what they're doing, spread a rumour and enough people see the sigil and believe the made up story for it to become real. I'm gonna hazard a guess that this isn't what's happening here. Cause 1. No axe murderers are present and 2...idk. suppose it wasn't on accident lol

But basically, what I'm asking is, what's gone on? Like please could you define what a tulpa is cause I'm a tad bit confuseled. I've got a grasp. A jist if you will. But yeh, that, and how it works for you and how long all this has been about for because yeh, the original post confused me a lot and I had no context to understand what was going on lol

Hiii!!!!!

Ok so, never watched supernatural cause I lack media culture, but I looked at the fandom wiki and I assure you it's NOTHING like that 😭

Ik the practice of creating a tulpa comes from buddhism and is related to religion and stuff, but like I found out about it through an online friend back in 2017ish cause they developed one. Needles to say, in these cases we're talking about the western interpretation of the phenomenon that is mainly psychological and not spiritual.

With a tulpa you bascially create a sentient being on a subconscious level that shares the body with you. Please note that this is not in any way related to conditions such as DID, as you do not have the splitting of a subconscious, you actually add more of them into a body. And an important aspect that separates tulpae from alters is that with a tulpa you're fully aware and consensual with having a second person inside the body, you will never accidentally develop a tulpa out of the blue.

To make an example also, imagine there's a wheel with a hamster inside, they represent respectively the body and the subconscious mind that inhabits it. Now imagine there are more hamsters but they're in the same wheel. That's a body with more subconsciouses (I might be butchering this word I'm so sorry).

Needless to say, doing this requires a long trail of meditation, as one needs to focus on everything they perceive out of a person normally (the way they look, talk, move, smell. you get it, everything) and obviously their personality. These things do change with time once the tulpa settles as a stable part of the host's (the one who creates them) life, but at least sketching down the idea of the person that you're creating helps in the overall process.

Ok so. The most important part. A tulpa is NOT evil, and cannot be evil. That's something I found out in the guides I followed at the start of my journey with my first tulpa. They have no reason to turn over their creator cause they are meant to be companions. I'm not super informed on the theory thing now cause I got into it two years ago and since then we've just been living, but there articles online who talk about this so feiughirgh

Now, in my experience Jack came to be part of my life around two years ago, on july 9th. I was going through a weird depressive period where I would not talk to anybody and felt like shit over nothing. During that time I also used to watch fight club a lot, like three times a week, and grew obsessively attached to the characters to the point all I thought about was fc (this feels so weird to remember omg). Anyways, remembered about my friend with the tulpa, and decided to do the same thing. So I got informed on the procedure and gradually managed to develop Jack over time :3

On the 27th of Trevor also started developing, in his case it was Jack that went throughout the major part of the creation process cause I was busy with school, but yeah since then it's been the three of us living life yk.

Also, I obviously got better since that summer, them being with me helped me out a lot and obviously I didn't create them with the intent of getting. Free experimental therapy or some shit. They are part of me and I love them ver very much, knowing that they're always with me brings a sense of sheer comfort in my life. I just love my bros man. Then again, I suck at communication so there are days when we talk less. nonetheless we still interact via concepts or through the headspace (mental landscape where they pretty much live when not fronting).

Oh, also lately we've been aware of the fact that Jack is kinda always fronting (fronting is having control of the body btw kewnkfkgb) during the day when we are in silence at a school or on the bus, while I am the one that keeps the conversations with people (ironic ik). Trevor instead has no interest in the outside world, he just stays in the headspace and works as a mechanic apparently (he doesn't tell me where his workplace is also??? like for no reason at all also, I can't find that fucking place no matter how much I roam around).

Ough ok I know I sound a bit insane saying those things, but that's how it is 💨

With tulpamacy there are so many aspects one can discuss, but again, there are guides online where everything you need to know is explained, and they are explained better than whatever ramble I'm putting down here. I'm not an expert of the field, I just happen to be living it yk.

Sorry for the long and I guess confusing post, there is much more stuff I could tell you about but like. I think this manages to get the overall idea of how we work out 😸

[homielander]

the most interesting character detail about maeve through which i have extrapolated at least half my understanding of her is that she prefers to be called maeve. i frequently see "maggie" pop up in meta and fic as her chosen name, but quite literally nobody calls her that, including (and most significantly) elena. elena is maeve's tether to her humanity and her refuge away from vought, yet even elena only ever refers to her as maeve. (and in season 2, we learn that maeve started dating elena before she joined the seven -- before queen maeve's popularity would have become so inescapable that she would feel compelled to introduce herself by that name.) it's especially notable that in her final scene, maeve refers to starlight as annie for only the second time, but she is still called maeve by both annie and elena.

here's what we know about maeve's life as maggie: she had a rocky relationship with her father whom she doesn't seem to speak to anymore, she's from a "cousin-fucker hick town" as described by homelander -- i can't imagine this place being terribly lgbt-friendly, and she generally lacks connection with anyone she would have known before becoming queen maeve. she doesn't have fond memories of this time of her life, and perhaps that extends to all associations with it, including the name maggie.

i tend to think that becoming queen maeve was, in many ways, self-actualizing for her. the act that garners her national attention and earns her a ticket to vought is a heroic one -- she breaks every single bone in her right arm to save a school bus from falling off a bridge. and i know madelyn says she is responsible for the mythos of queen maeve, but this character was still aspirational, and likely someone maeve wanted to live up to. in any case, this new identity gave her a purpose and tools to achieve it: she wanted to help people! by her own admission, maeve enters vought bright-eyed and hopeful, not far off from annie. (maeve is also one of the only supes in the seven not to know about compound v -- she doesn't strike me as religious but believing she's among the very few born with powers would have strengthened her internal drive to be a hero.)

it's for the same reason that i think maeve actually... liked having powers? of course she says otherwise in her last season, but season 3 maeve is cynical and weary from about two decades of dealing with vought and homelander's abuse. they've used her first as the token woman and then the token gay person of the seven. after growing largely passive to the brutality of the job, the flight 37 incident forces her to confront all of the violence she's witnessed and tolerated. she's given pieces of herself away and she loathes the husk of herself that's left. i don't find it surprising that she would want to relinquish every single connection to vought, including her powers.

assuring herself that she will be better off without her powers comes with an added benefit: she gets to distinguish herself from homelander, who would be lost without his powers. and i think she is eager to make this distinction in her mind because there are some uncomfortable similarities between their initiations into vought. the mantle of homelander allows him to exert agency for the first time in his life, just as the mantle of queen maeve endows her with purpose for the first time in hers. (crucially, none of his current circle call him john, either.) they both enjoy being the most powerful superheroes in the world, the unending public adoration, and (in my interpretation) each other. they're also both overwhelmingly lonely and they know it -- homelander teases her multiple times about how she has no friends with a bit more bite in every passing season, while maeve is keenly aware of his isolation and exploits his yearning for love pretty effectively.

maeve steadily grows disillusioned with her position at vought because she still has a moral code, suppressed though it may be. even so, she nearly relents to homelander's vision: that they will be lonely at the top but lonely together. she's pulled out of her miserable state of inaction by annie and elena. annie reminds her of what a hero should be (what she was, once); elena offers her a way out of vought, serving as maeve's light at the end of the tunnel, so to speak.

she escapes that tower as maeve, not maggie. she rejects homelander's god complex which engenders his cruelty towards regular people and 'lesser' supes -- no one will call her queen maeve ever again, at least -- but it is still important to her to be a hero, and for better or for worse, she found that as maeve. i feel like she'd struggle to exist without her powers (possibly the self-awareness hasn't settled in yet) for all the reasons mentioned above. i like to think that eventually, she'll circle around to helping people and resisting vought however possible -- albeit on a smaller, more covert scale so she can continue living a peaceful life with elena.

[quietwingsinthesky]

sometimes i think about my spn oc and how i rewrote everything about amara to interact with the story i was trying to tell about her. there were some really neat ideas in that i need to recycle for something one day. like, in the show proper, they just let amara take over a human baby and that’s fine, but amara’s not Meant To Be Here. this entire universe is one constructed in her absence. saying she can possess a human body should be like saying if you took a person and sent them to a universe where 1+1=3, they could just figure out how to function within that.

which in story took the form of Amara being something that could not be Understood, only Rationalized. a force locked outside the narrative who could only get inside and destroy things if given a role within it. by the Winchesters as A Monster To Face. by Chuck as Wayward, Unreachable Sister. and by miss oc as. simultaneously a projected creature to be saved, an amalgamation of injustices done to herself (and others) that would never be righted but could be made up for by being a part of this. and as something impossibly powerful that could be both protection and purpose.

and the Darkness wasn’t any of those things, really, but to have agency in her own story required new shackles, but ones she was always straining against. she wouldn’t fit inside the confines of a human mind, let alone a body, at least not well enough to leave it Intact. like lucifer burning through nick, but Worse. because the burns were an expected outcome of skin not strong enough to hold him. humans were built for angels, some were built better and some worse, but they’re meant to work. putting amara in human skin should disconnect the skin and mind and soul from the reality her brother built itself, i think. slowly. bit by bit.

and at the same time, i’d gone and written the kind of wild scenario you really can only write for your thirteen year old mary sue, given that spn oc the part of herald/high priestess/failed vessel. which she pursued with wild abandon like that would fix anything wrong with her <3

in the end, running alongside the borrowed family theming of the original show was my own theme of “how much self-annihilation will you accept to make your point. are you accepting it, really. or are you seeking it.” not just physically, in letting something unmake the base components of what you are as it tries to fit inside you or in it constricting and suffocating itself beyond self-recognition to get inside in the first place, but, obviously, it’s supernatural, how much selfhood do you cede to your family. is it worth it.

it was interesting, if nothing else. let thirteen year old me cook. she had ideas.

[pha55ed]

Diet Pepsi || F2

type :: smut! tw/cw :: size kink (ollie), corruption (paul), fem!reader (all) contains :: ollie, paul, pepe, zane summary :: certain kinks that the drivers have, - "break all the rules 'til we get caught" diet pepsi - addison rae (my first smut on this acc!)

request :: i desperately need a paul fic based on diet pepsi by addison rae i dont know why i js think its such a perfect combination 🤧 also maybe bed chem by sabrina carpenter is also perfect for him - 🧸 (thank u for the request! i love ovulation songs LOL)

f1 masterlist || f2 masterlist || more here!

Ollie Bearman | 87 size kink

He's aware that he's bigger than most people, but he loves comparing how much smaller you are to him. Hand sizes, height, weight, anything. It makes him so happy to know that he's stronger than you, it makes him feel so masculine and protective.

It's a bit rude, but honestly he doesn't care - he loves treating you like a rag doll. Using one hand to pin both of your hands down above your head so he can use you without you clawing at his back. Easily separating your thighs from each other with his strength even if you try to close them. Or his favorite, simply lifting you up into the air and fucking you while standing up - gripping your waist with two hands and lifting you up and down on him with such ease.

But don't worry, after being so mean to you he's gentle at the end. Cuddling you in his arms, he's always going to be the big spoon. Brushing your hair to the side and cupping your face, telling you that you did amazing even though you were a pillow princess.

Paul Aron | 17 corruption

There's just something about ruining your innocent image. It doesn't matter if you're a virgin or not, but the way that you're perceived by the public being so different from how he sees you. The media sees you as a sweet and quiet person, more reserved than others.

Yet he sees you in ways no one else is allowed to. And he loves that, he loves knowing that he's ruining your image, he's the one making you act so out of character.

Wearing things like a cute sweater, innocent skirts, and bows in your hair make him go crazy. He doesn't want you to take them off, he'd rather fuck you while wearing those so he can see this sweet girl get her brains fucked out.

Pepe Marti | 21 cock warming (lwk edging but it depends)

He's a busy guy with a lot of training to do. So the best way to stay close together is to simply just cock warm, it makes perfect sense. You sit on his lap, his dick in you, while he stim races for hours on ends. His bare chest is so warm and comfortable, you can't help but try to fall asleep.

But you're never able to, because the second he crashes or finishes his race - he relieves his feelings onto you. Thrusting into you by surprise, going at a rapid and fast pace. He'll only stop once he's over his anger or the next race loads in.

And once it does, he stops instantly and locks into his race. So you're left there, edged and overstimulated from the past times you've came all over him. It's confusing in your guts, but it's better to feel full than empty.

Zane Maloney | 05 overstimulation

Being a racer requires being an adrenaline junkie and good health. Perfect for you, since you get the honors of having your brains get fucked out by Zane every time he's free. He loves using all his energy and pent up anger on you. He'll spend hours fucking you without him even cumming once, to make sure that you get the best experience.

But it's never boring, as if could be with him. He loves trying new positions and adding different stimulations for you. Reverse cowgirl, doggy style, 69, every position ever made has been tried by Zane and you. Every single sex toy has also been tried by Zane and you, no matter how odd or weird.

Not only is it a good way for him to get his energy out, but he's also just a curious person. Seeing you react to certain touches, hearing you moan just a bit louder, all of it is worth it to him. It makes him so happy to know that he's making you feel good. He doesn't even care how long he has to wait till he finally cums, because any time with you is good time.

(Zane is deadass so cute like omg, why have I never looked at him??? he has tattoos? listens to podcasts for fun?? loves the US and the diverse culture??? the cutest fucking gummy smile I've ever seen????? I love him now)

f1 masterlist || f2 masterlist || more here!

[malwaredykes]

well. here she is. miss Leigh Stasik.

trans woman. stubborn, incorrigible, eccentric. communist; she has leftist in-fighting with herself on the regular. a cannibal; she has no moral qualms about this, and its both a bit of a spiritual thing and a bit of a pragmatic thing. medic (not a doctor. no medical license). she knows for sure she had some kind of significant personality change from being shot in the head, but she doesn't remember what she was like exactly before it happened, it all became this kind of distant memory soup. shes originally from west new cali, but she grew very attached to the mojave. and has a lot of contempt for the ncr. She Will Serve Crack Before She Serves This Country. thank god the army discriminates against transsexuals etc. zero tolerance for the legion, obviously.

she firmly believes she is not nice, or kind, or compassionate, but instead her actions and her general sense of justice stem from her simply doing whats the most logical and objectively beneficial. it may be true to some extent, but she might also have a wee bit of ocd of the "i am a horrible person whos at all times like 2 seconds away from committing atrocities" variety.

shes a SCIENTIST. unofficially. she doesnt have a degree nor a chosen field of study. she makes her own hrt and other mysterious concoctions, including designer chems. which she claims she ingests injects etc not for recreational purposes, but to Enhance Her Powers And Possibilities. she reads old world books about psychology so she can manipulate people better. and makes weird contraptions and doohickeys while high. shes a HACKER of course and hacks terminals and systems for fun and just to see if she can.

her stats are out there due to implants and intense training, originally they were rather average. in-game she wears combat armor mk 2, but i see her having spruced it up like this. her main weapon is the ycs/186, the unique gauss rifle, but before that she used a modded plasma pistol. which she very much enjoyed the silly appearance of. because it was so small and with so much shit tacked on and she could just hold it in one hand like a mutated revolver like Hands up motherfucker bang bang bang lol. her melee weapon of choice is the machete gladius, but she's been training to be able to wield a thermic lance.

in my head the trajectory of her actions and the fate of the mojave that follows is different from what you can do with the game, because leigh could only go for The Secret Leftist Route Which Was Supposed To Be In The Game But We Were Robbed Of It.

boone was the first friend she made after leaving goodsprings and their relationship is particularly notable. they are Comrades, Siblings-In-Arms, Worsties (like besties but fucked up). theyve seen each other at their worst. they annoy each other on purpose. theyve had serious ideological clashes with each other and some ways in which boone perceives the world drive leigh absolutely nuts. they're ride or die for each other. theyre the kind of comfortable around each other where she'll be on the toilet and smoking a cig with the door open and talking to him, while he's naked sitting on the floor removing stitches from his leg. she's done surgery without anesthesia on him. he's projectile vomited blood on her from being poisoned by cazadores. she strongly encourages him to become a traitor to the ncr and to take part in the revolution and the formation of the new independent mojave alliance. somehow, it works on him in the end. shamefully they kinda like snuggling... boone bro come to bed man its nighty night man its beddy bye time.

shes in love with lily bowen. i havent decided yet whether she actually makes a move. but she thinks lily is sooooo dreamy. and shes right. if you dont think the enormous 203 year old blue mutant woman is dreamy thats your problem. outta her way

[artificiallita]

i got bit by the butch wolverine bug and trust me im in lov w her BUT have we considered futch deadpool???

(headcanons and upcoming fic snippets under the cut)

working on a big silly fanfic about this hot mess boinking logan in the odyssey. here’s some headcanons while the story finishes cooking.

- so. kept her first name as wade. i’ve seen a few alt names floating around for f!deadpool (big love for the winnies, winonas, and wandas of the ladypool extended universe) but genderfuck ‘not rlly a name’ just fits my vision for her. her parents were weird idk.

- deadpool is a woman in all variants except one in my personal headcanon. he is called dudepool. also her corresponding nicepool is male gaze-ified pre-mutation wade. she’s bleach blonde and her suit has a titty window.

- ex special forces turned mercenary whose life shit the bed when she was diagnosed with cancer. tried to be proactive about it long enough to get a mastectomy, then found out said cancer was pretty much everywhere else, and we know the story from there. since this predates her healing factor, she’s permanently single-boobed. has padding in her suit to even her out since it doesn’t leave a whole lot to the imagination, wears big t-shirts and ignores it in her civilian life.

- bisexual disaster zone. spent many years in a very happy and deeply perverted relationship with a male stripper named van carlysle, until that went down the toilet. a solid 70% of the casual sex she has is with women.

- dresses like the shitshow nightmare we know and love, loves an awful t shirt and a pair of crocs. put little to no effort into her appearance pre-mutation and that hasn’t really changed, had a brief phase of screwing around with makeup and wigs and then decided it was basically - to use a line of internal monologue from the pending fic - rolling a turd in glitter.

- speaking of, has a real complex about the changes to the way people perceive her post-mutation, namely that they seem to find her super fucking irritating and odd in a way that they very much Didn’t when she was still conventionally hot. between her military background and the general company she keeps, she’s quite often the only woman in her circles, and has always been a dysfunctional mess of adhd and unfiltered word-vomit, but that was generally read as mpdg ‘cool girl’ behaviour prior to her transformation, and now people seem to just think she’s a lunatic. less ‘oh god im hideous’, although she *absolutely* has those moments too, more ‘oh god everyone i know has thought i was a weird pain in the ass this entire time and only tolerated me because they wanted to fuck me’

- wears a lot of poorly applied eyeliner and purposely sleeps in it because she thinks it looks cool. it does not.

- had absolutely zero plans to snitch to cassandra about johnny’s rant, right up until the ‘bald hell’ line. she took that shit personally (almost definitely didn’t need to but whatever. i support women’s wrongs.)

and some snippets from the fic, all of which are me wade objectifying logan. technically spoilers but also what else did anyone expect

[theduckeminence]

I can’t stop thinking about Eddie Dear y’all.

First off, the probable reason behind what had occurred to him is most likely due to him being scrapped/taken off the script of the show is just both saddening and dreadful on his part. Like he exists within the realm of the Neighborhood, but considering his absence throughout the recent update, aside from him giving the viewers a decoder + clips of him throughout the Home-warming ad compilation, its safe to say that Playfellow Workshop had most likely taken off him of the show, or at the very least, lessening the amount of screen time he receive (in this case being the ads/commercials).

And now onto the actual possible reason why Eddie Dear would be taken off script. Now thinking back to the fact that Eddie & Frank being a couple is canon, it’s also safe to say that because of their connection in the show — even though Playfellow Workshop attempts to have them be distant or lack any sort of significant interaction onscreen — Eddie & Frank’s relationship, or at least Eddie’s love for Frank, could certainly be the reason why the he was taken off script.

After all, if two male characters are shown to be gay for each other in a kids show from the 1970s, chances are Playfellow Workshop would rather scrap the homosexual (derogatory) mailman character than have Welcome Home be taken off the air entirely just because of said mailman character.

Furthermore, what’s more interesting and ironic about Eddie being a prominent character who became intensively aware of his situation is the fact that he first appears to be a character who could be considerably perceived as“insignificant” or “irrelevant.” Of course I don’t actually think he is, but from the way Playfellow Workshop and the Homewarming commercials are framed Eddie, it can be interpreted that Eddie is seen as a rather character of little relevance.

It is partially due to him being taken script, but it’s also the fact that his only thing going on for him is being the mailman for the neighborhood — as well as a bit of a comedic relief. Eddie said himself in the Homewarming video from the secret site — if I’m correct, he feels that nobody appreciates him enough for his work (though correct me if I’m wrong). And that since there’s no one there to ask him to deliver something, or call, or check up on him, he feels as though that — somewhere inside of him — he feels both left out and “irrelevant.”

His one role is to be the neighborhood delivery man, and without that, then what exactly would he be good for?

(this could further be emphasized when Sally told him that they made the deliveries for him to give him a day off — even though no one told him that, and chances are this is perhaps Sally trying to reassure him when in reality, he was just scripted out of Homewarming hence why no one came to talk to him. Getting lil off topic oops—).

Recircling back to the original topic, yada yada yada Eddie just being a mailman and besides that he views himself to be irrelevant so on and so forth.

One thing I would like to mention, relating to Eddie being the probable first of the group to become aware other than Wally, is that I find it surprising that Eddie Dear IS the probable first to become aware like Wally.

To tell y’all the truth, I didn’t think he would play such a significant role in the Narrative (and thus probably doomed by it too). I would have least thought Frank or Julie would have been next to become the more Self Aware.

But Eddie Dear? Our loveable, friendly, and reliable mailman — Eddie Dear? Suddenly depersonalizing right on the spot with a pea plate and becoming aware of both his sentience, the weirdness of his setting overall, and how he could hear Home’s heartbeat? How he knew that the moment he comes to this revelation of self-awareness, he can’t go back? That everything he has ever known is most probably not real and/or all a lie?

It just has me stopping for a second on why and how him, but after thinking about it furthermore, alongside reading analysis posts, it would make sense for him to be next on why he had become Aware.

And I can only assume that from here on out, things are bound to change. And I for one fear these colorful lil puppets — particularly Eddie in this case.

Lets just hope the existential dread doesn’t drive all of them over the edge.

[toocabaret]

I’ve been having some Thoughts™️ about the weird meta paradox of gerri kellman’s sexuality. as basically The Older Woman on the executive floor she’s trying as much as is possible to blend in with her male colleagues while also not being perceived to be doing so. muted colours and understated makeup. a competent filing cabinet. her husband is dead and her daughters are nameless. she was sexual once but that’s out of sight out of mind and now it’s just the work. it must be a relief in some ways to become finally unfuckable because you’re over 40. she can finally be taken seriously, but only if she toes the line between being too female and not female enough. trying but not too hard. desirable in the past tense only. an honorary man but still in a skirt. and while the men around her can fuck their much younger assistants and get sports massages and run a sex trafficking ring on a cruise ship, she is the job and only the job and that keeps her safe. for a bit anyway.

the irony of gerri saving the company from the full legal extent of a sex scandal by dating someone from the DOJ??? like i’ll never be over it. even filing cabinets have to flatter and please and fuck when called upon. i genuinely don’t believe any of the other execs could have swung it because they’re not women. she dated laurie (generally unseen unless framed from another man’s possessive perspective) to save the men from going to jail for covering up rape allegations. the irony is delicious. and even though she did that, she’s discarded once she’s framed sexually. Dick Pic Gate was out of her control and yet when confronted with any element of gerri’s sexuality (even her PASSIVE sexuality, even after using it to save his company), logan dismisses her as weak or impractical or failing or whatever other excuse he uses to justify his disgust.

i would argue that roman’s interest in gerri is not in spite of but BECAUSE of her asexual framing. it’s a challenge that he’s never going to win which is ideal for his impotency issues; he can push and push and get the thrill out of it, out of the fucked up power dynamic, but he knows he’ll never have to actually fuck her. it’s all hypothetical: down a phone, through a door, half-joking, covered in sensible skirt suits. gerri’s deliberate lack of sexualizing is counterintuitively a turn-on for roman. and i bet the game of chicken they play is freeing for her too because the fact that she has to be professional and cannot be sensual is part of the fun of it. “roman is weird about gerri”. “it’s fucking disgusting”. not because of their family history, or their professional positions, but because she’s old. because the absence of her sexuality is enough of a presence to be off-putting. shiv patronising her about it as a power play is so weird because she’s talking to her simultaneously like a child and like an old woman, and gerri, agency-less, just has to keep reassuring her “i can cope”.

BUT it’s worse than that because it’s so meta. Because gerri is hot. her actor is attractive and like roman, many people watching find her sexless, no-nonsense framing to be titillating. me included. what if roman likes gerri not because of oedipal issues but just because she’s hot and god forbid we find a woman over 50 hot? but whether or not gerri is hot in the context of the show shouldn’t be a big deal, she should have been able to escape this by now!!! she’s in her 60s she’s a widow she’s tired stop sexualizing her!!! but don’t NOT sexualize her either because that’s problematic too and old women can be hot and old women shouldn’t have to be hot and suddenly i’m making gerri do what waystar does and exist as something sexual and non-sexual at the same time. she has a huge plotline in which she’s essentially a sex object. whether or not gerri is fuckable is talked about as much in the show with mildly-disgusted fascination as it is in the real world!!! she can’t win she’s hot she’s old she’s sexually framed she’s deliberately trying not to be she wants sex she doesn’t want sex she’s covering sex with sex and she’s telling roman to leave her alone so she can just do her damn job because she knows that this is what will bring her down!!! sex scandals historically don’t get men fired but an unsolicited dick pic knocks gerri off her podium in logan’s head forever. even now i’m talking about it at such length because i’ve given it so much thought!!! she’s the only woman in the old guard and she’s one of the most sexualized characters in succession. but only as a joke. in the abstract. never actually. because that would be weird. right?

[ranticore]

you mentioned wyrms retract the human-ish head to eat, do you have an idea of how that works, anatomically? I'm trying to imagine a cross section of those necks with separate tubes for air, food, the head and the spine. does the head get packed tight in some kind of sleeve? It would be really cool to see that cross section

(also would love to know more about the time Rev spent as a disembodied head, that must have been really weird)

well i was meaning to draw it anyway

the "human" portion (referred to as the head yes all of it) has its own heart, lungs, and accessory oesophagus, though it doesn't have its own stomach. there's a little crop which is the remains of the human stomach, kind of like an appendix now really. the accessory oesophagus (green) connects to the main crop in the chest area, running parallel to the dragon oesophagus but not attaching to it. when the head is out, the dragon mouth is occupied anyway so it doesn't need to eat and the oesophagus is a squishy tube that is collapsed when not in use (unlike the trachea) so there's no issues with space here, it's fine.

the lungs in the head area are only minorly used for gas exchange - they provide very little oxygen, really, but enough to keep that human part running in a very hypoxic state in the case of decapitation. Mostly they're just used to draw air over the vocal chords. If the lungs in the main body were compromised somehow, the wyrm would straight up cease to function (not death. but comatose), while if the head lungs broke, eh nbd it just means no voice until they heal. there is a syrinx inside the chest cavity which provides additional vocals - deep infrasound rumbles. the main lungs are gigantic and in larger wyrms will extend further into the body. in the case of multiple heads, there are multiple syrinxes where the tracheas connect to the lungs and that means they can produce polyphonic rumbles :) breathing is done through the dragon nostrils, there's a sizeable cavity there for their good sense of smell. in case you are wondering how they sync up their breaths when there's multiple heads, the lungs are birdlike in that it's a series of air sacs and a passive inhalation, and an active exhalation governed by different lobes of the lung at once (using the air sacs). each head has its own lobe. so the wyrm is in a constant state of inhaling and exhaling at different rates (if there's multiple heads)

the dragon oesophagus is the main one and it leads to a crop, which is where the wyrm denatures the powerful toxins of their prey and forms a pellet out of the inedible mandibles and spicules found within a crawling beast. this is spat up later and buried (no longer poisonous so nbd). edible portions go to the stomach. the liver is very big and very strong, it's almost impossible to poison a wyrm in any way (including drugs, alcohol, etc)

so the thing about the wyrms is that the number of legs is variable, Revelation obviously has two, Onozar has four. But the two that Revelation has are actually its forelegs! The torso extends quite a bit into what we would consider the Tail area, it's rather snakelike.

as a disembodied head, Rev had no heart, no functioning lungs, and was also completely paralysed because of the severed nerve cord in its (human) neck. literally from the jaw down it couldn't move, which is what made it such a convincing corpse. life was very underwhelming for it since it was essentially running on extreme battery saver mode, always watching and sensing the world but never truly perceiving what it saw and heard and felt. animals made nests in its chest cavity, and it was infested with scavenging worms for a while, but its own flesh is distasteful to other living beings and nothing did enough damage to actually cause decomposition. just some nasty wounds.

Rev needed Wildfire to literally rip up a crawler and put the meat in its mouth before any attempts at healing could be made. when it finally got its lungs working again it found they were full of detritus - dust, spores, roots, random stuff. growing back the lower body would have taken decades more if it continued at the same pace, so it used a little bit of magic and Wildfire's other tiercels' flesh to construct the most basic shape of its lower body, and once it had those bits intact it could start properly gaining strength and growing.

[flightyalrighty]

…I find it lowkey weird when someone says Sonic is bit of bully or mean in your comic.

I know you have him take after Archie and Fleetway, but he feels normal to me?

Or is it because I grew up with Sonic media that had him being abrasive that I got used to it..?

This image of being this -perfectly nice- hedgehog that people get from him kinda makes me wonder constantly, do you know how he was back then?

Would you perceive him the same way if you gotten to known him a bit later excluding the older comics?

SEGA has kept a few things consistent with Sonic and one of them being he was always this dude with an attitude. for better or for worse. That didn't mean he didn't care for anyone, it's just part of who he is. Once you can see past that, you know that despite his meanness, he's a solid guy that means well.

(I got a few asks in a short span of time so I hope I'm lining up the correct follow-up with the original here)

So! Okay. So, here's the thing about Sonic and his whole "attitude" thing. These days, canonically, it's kinda non-existent? Sonic's personality got sandpapered (in the games) until it was nice and smooth for the past, uhhh, like deca -- No, not even. I think he's actually been like this since 2005.

Like sure, he'll make a few lame jokes at Eggman's expense in the Meta Era but like. He's a ray of sunshine to everyone else (besides that one thing they got rid of in the Sonic Gens "remaster" with Amy). He's not even GENUINELY mean to Knuckles the way he used to be. There is no actual beef there, it's really just friendly banter he's having with his friends.

Even more about this below cut vvv

The main sources of Sonic Attitude™ I ever experienced growing up was that little itty bit left within Sonic Heroes and MOSTLY just Archie Sonic (and some STC Online reading I did as a kid) and Sonic X. Make no mistake, Sonic definitely had a range of "Attitude" to "Asshole" in those works. It just wasn't present in the games. So if you were a kid growing up and only knew Sonic FROM the games, that so-called attitude was gonna be minimal if you're age 30 or under.

And any attitude he gave would be only to people he perceived to be enemies (or Jet the Hawk).

Jump forward in time to the end of the Meta era, and we've come to a point in which Sonic is very nice. He's everyone's cool big brother. He's a "friend to all children." The perfect role model. He's very nice in Sonic Prime. In IDW, some fans would even argue he's TOO nice. TOO forgiving. To this I say, it is what it is. I just don't believe Sonic's mean-ness level is all that consistent. Perhaps someday we'll see that attitude again. Perhaps.

Now, to finally address your initial comment: I am the one who says this. I am the one who says he is mean in Infested. And! That's because he's written that way.

This isn't modern nice Sonic, but this also isn't Attitude Guy from the 90s/early 2000s. This is a secret third thing. And by that I mean he's an amalgamation of STC Sonic and Archie Sonic. He's done a lot of learning and growing and he doesn't want to hurt his friends, but his first instinct is harsh, snippy commentary or outright lashing out. He has learned and has to bury that horrible little monster inside him. For Tails's sake.

[sunderwight]

Not to theorize on Arcane with only three episodes left to go or anything, but I do think that there's a reason why the scenes we get of Viktor where he's actually acting like his old self, with Sky also acting reasonably human, are in some kind of theater of the mind/magical space/etc, rather than just Viktor in-person talking to Hallucination Sky in his shimmer dome or something.

Like, think about it. The first few scenes we have of Viktor post-cocoon, he sees Sky as a hallucination in physical reality, and it's disjointed and an obvious sign that something has gone Wrong. It's creepy, and weird. He's got one foot in physical reality and one somewhere else (and it's styled very differently from Jinx's hallucinations, too, which handily indicates that this is not the same sort of thing).

But then, after Jayce returns and we see that Viktor has established his cult, his personality seems to be entirely contained within this otherworldly space. He can perceive reality, but it's no longer overlapping. He has become somewhat quarantined from himself, with Sky there as well, acting way more like "herself" than she did as a hallucination before but also essentially chaperoning Viktor's consciousness. Like a golden retriever put in with a zoo cheetah to keep it calm.

What's interesting is that, internal Viktor is pretty much the usual Viktor he's been since S1, more or less. Like, that's definitely Viktor, who worries about Jayce and focuses on complex problems and wants to help people. But in-person Viktor is weirder. He's not a completely different guy by any means, but he doesn't emote the way that the internal Viktor does, and he says more weird shit in weird tones. Based on the decisions he ultimately makes, I think the internal Viktor is still calling the shots -- but I also think that he's increasingly on his way out.

He's been disconnected from his own physical reality by several degrees, observing it more than interacting with it. And though he sees that there's another influence on Jayce, there are heavy hints (such as Sky appearing right when he says that) that he's in the same boat. But because the process is happening gradually, and is happening within him, he can't recognize it. Every time he tries to, he is presented with a new distraction, or discussion, or there is a reassuring concession that seems to validate that he's still in control. Plus it's probably just difficult to perceive because it does seem to be basing a lot of its outlook on things off of his own. How do you discern the "wrongness" in something when it's the same flavor of wrong that you yourself tend to be?

It's difficult from the outside to definitively say whether this is just Viktor undergoing some funky character development, or if Viktor's another victim of something else. Maybe Viktor's just sequestering his own humanity a bit? Maybe it's all just intended to depict how he navigates through magical energy?

But I think another big indication that it's not just Viktor, is Salo. When Jayce comes back and asks if Salo's still in there after Viktor talks through him, Salo just calmly reasserts himself, and acts as if the idea that he's being forcefully subjugated is absurd. He's not being attacked or imprisoned, he's just engaged in a willing partnership with a benevolent power. If we didn't know what he was like before, or if the old Salo had been a very calm and altruistic individual to being with, it might even be convincing. But the disconnect is way more obvious here because the character we met in past episodes is way further removed from the serene cultist we see Jayce smash with his big hammer. We know that even a grateful Salo is not the kind of person who is going to put on a beige tunic, forgo his many vices and fancy parties, and join a commune just to thank his benefactor. No matter how happy he was to have his legs back, it would only be because it got him his life back -- he wouldn't want to regain his mobility just to up and abandon that life.

Outwardly it would seem that the thing that has subverted Salo's will is Viktor. But if Viktor is also being gradually quarantined, if the same thing is happening to him, then that further implies that another will is at play. One that is disguising itself as Viktor, or if you will as an evolution of Viktor.

Okay and now to actually theorized I guess -- I think that this might be where Singed's assertions about Warwick/Vander being a necessary component of Viktor's evolution will come into play. Because Viktor himself is not going to sacrifice a man to achieve that, but whatever else is part of Viktor does want to evolve. And then it just so happens that Jayce comes out of nowhere, ostensibly being controlled or influenced by something else, and shoots Viktor dead. At which point it seems like the human part of Viktor goes out, and the Machine Evolution guy fully supplants him.

Yeah, I kind of think that Jayce did do a bad thing, but that the twist will be that when he touched the arcane, "Viktor" showed him a vision or gave him some kind of time travel-y experience that convinced him he had to go back and destroy him, so that Jayce would unwittingly kill the only thing holding it back before Viktor finished helping Vander, probably ran out of juice and died in the process, and quietly took this thing out with him. It would, unfortunately, be very on-brand for Jayce to take a decisive and violent action to try and prevent catastrophe, only to unintentionally make it worse. This show on the whole has stuck to the idea that shooting your big flashy magic weapon at a thing is a great way to make a complicated problem much much worse.

I'm not sure they'd break the pattern for this one.

[lukes-curls]

finished rooney’s intermezzo this morning. WOW. i adore the way she wrote it (i said what i said) idc if it’s controversial. the experimental prose, short sentence, lack of punctuation marks appeals to the brainrot part of my brain that reads and consumes in this hungry, relentless way. i have always been a rather insatiable, quick reader but i devoured this novel like i had been starving before. pages consumed with bad table manners— chewing with my mouth open, licking my fingers afterwards.

and oh my god the people in this piece. as the certified little sister (acknowledge your privilege, little girl!) i felt so much reading this. the strange disappointment that goes unsaid. the strange love that goes unsaid. knowing your siblings did the best they could when ur parents inevitably grow tired of being a parent and perhaps marriage breaks down or someone simply checks out (parenting is hard) so your siblings (who probably resent you a bit in theory for being little) in all their three/ten/thirteen (true story) years more on this earth take to protecting you. that felt rather self-insert oops. knowing said effort and love and care does not mean they are unflawed (yes, i’m talking about peter telling ivan he had the pup sorted when he did not in fact have the pup sorted and so it fell into ivan’s lap thank god and he handled it out without any acknowledgment or thanks because peter was ‘handling’ it and so he did (it was SO much more than a dog)). i’m also talking about the weird entitlement they feel over you. your achievements are indirectly theirs, too, because without them you would have never picked up chess or gotten good at something. and the strange guilt they feel for abandoning their little sibling in the house they have a new reprieve from. and i pity those who don’t get to experience the sibling dynamic; those who don’t know what it’s like. there’s so much there.

also can we talk about the women in this book? i love margaret and i love annie and i love sylvia and i love naomi and i adore them all together though i will admit that there were times i grew incredibly frustrated to the point my cheeks got hot because they really need to simply stand up sometimes. like STAND UP! but that’s to be expected. also it did take me a while to get used to them being perceived by men; their limits assumed, their softness assumed, their vulnerability assumed (which is flawlessly executed by sally, oh my goodness). i love the unconventionality imposed by naomi and sylvia loving one man. i love how much peter loves women. everytime i felt emotionally about an event in the book (i had to walk away when peter hadn’t exactly told his girlfriends what was going on and he was cheating on them (call a shovel a shovel) until it was like overtly acknowledged and established by them all that it was a poly situation happening but this also rubbed me the wrong way a bit because why does peter need to have his sexual desires met (i’m talking about being bossy with naomi and sweet with sylvia) and his emotional or domestic desires met simultaneously like this man really got the best of both worlds and this made me upset cause he’s literally a man but i think this is my own issues. to circle back to my point— i would have these big feelings about what should be happening and then something would occur and i would see more of what was really going on and it suddenly mattered less that peter was getting the best of both worlds because sylvia and naomi understood perfectly well what was going on. idk i guess what i mean is i felt this initial impulse to feel a certain way which was soon corrected by me experiencing the narrative, peeling back that layer and that’s a lot like life i guess. that is what sally is so good at doing. writing something that is so much like life.

and the way sally structurally screams ‘art is just a pastiche of everything an artist loves’ or whatever they say (let’s sort it out on the remix) by putting the direct excerpts she stole (endearingly) at the end— bits and pieces even the smartest kid couldn’t pick apart with absolute certainty without some sort of external help. the fact these external pieces blend so seamlessly just proves her point. and i want to mention the length. the stream of consciousness. the hypocrisy. emphasis on catholic guilt. there is so much packed into this little novel. it is so much more than a silly little read though even if that is the idea you walk away with then you’re also so right?

anyways these are my initial silly thoughts, there are lots more but this is a long ass post. pls talk to me about it. i can’t wait to check the tag without fearing i am spoiling anything 🍽️

[tetrakys]

A few thoughts on episode 8

Since the release of the episode yesterday the fandom has been divided about it, with lots of people expressing their unhappiness online. The main criticism revolves around how most characters behave toward Roy, which several perceive as sexual harassment/bullying.

Objectively we can all agree that what happens during the episode would be unacceptable in a real work place scenario. HR would be up in arms and people would be mass reported. When I played I did feel a bit uncomfortable and awkward. Clearly this isn't the best episode so far, most characters act really immaturely. The writing won't be remembered as great, even disregarding this situation, some parts of the dialogue dragged and it wasn't super engaging. (The real strength of the episode is the moment with the crush that imo was pretty good but this is another topic.)

On the other hand I also have to admit that all people involved in the situation are friends more than simply co-workers, and most of the "harassment" starts from Devon who is Roy's best friend, plus Elenda is also a very close old friend and Brune is his ex (if we can call her that). Amanda is the least close to Roy and indeed she's the only one who immediately takes herself out of the equation. Thomas is the only one I'm unsure about, and he sort of orchestrated the whole thing, so it really depends on how close he and Roy are.

Now, about Ysaline, we have choices to not entertain the teasing at the office, and if we are on Amanda, Roy and Jason's route we can (and must if we want the illustration in the first two cases) not spy on him. The real issue in my opinion is that if we want Devon and Thomas' illustrations we must spy on Roy. I can understand how some people would rather make another choice but the game in this two routes forces your hand.

However what I definitely do not agree with is the criticism about this silly otome game having to be an accurate representation of reality, and that the game is normalising the behaviours and relationships it represents. We are all responsible for our own online experience and should be able to distance ourselves from what makes us uncomfortable without demanding things to adhere to what we personally consider acceptable. This is an issue that is recurrent in our fandom, unfortunately. There's really people out there demanding that Beemoov rewrite the episode because in their opinion it's normalising sexual harassment. I don't play My Candy Love to learn how to behave in real life and nobody should. It would be a very weird and dangerous thing to do. We even had to agree to a disclaimer before starting the game exactly on this topic.

TLDR: It's fair to feel uncomfortable and find the writing cringy and immature (or amazing and funny, to each their own) it's a personal opinion that anyone should respect. However, saying that the game is a representation of real life and should provide people with good examples on how to behave is not true and is a dangerous outlook on fiction.

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[daydream-the-demon]

I've been thinking... The Theraprism doesn't seem to have good therapy methods, at least not for Bill.

From what's shown, Bill Cipher refuses to change for any reason, and honestly? You can't exactly blame him. If he does change, he'll be reborn as a being with no power or ability to think properly, he'll lose all his memories of his past (which yes the trauma will be cured, but everything else? All the good times he had? And that he lived for so long? You can't just lose that). He might have the same character, but he'll be completely different.

The thought of him losing himself is a strong one. Him redeeming himself will end up in him completely losing himself. He could redeem himself but still want to be himself and not be reborn.

As someone who suffered through trauma myself, I'd rather have gone through it and keep all my thoughts, power, and memories rather than ever be something that has never gone through it. It's honestly a difficult choice to make to either be reborn with no memories of your past self and not have the same power you used to have, and keep being the same person you are but with severe trauma. To be honest, from this perspective I'd rather just never exist anymore than be reborn.

And from what was seen of the Theraprism? I think their therapy methods might be a bit flawed for Bill Cipher. I think group therapy is not the most suitable for Bill Cipher, along with other things they do. I think it's genuinely not helping him. I haven't read too much into it, but from what I've seen, their methods, specifically for helping Bill Cipher, are flawed.

I realized what actually is wrong just now-

Bill Cipher is a stubborn character, and basing this off of myself, the more you argue with him, the more he's going to think that he's right.

Euclydia, he didn't mean to destroy his dimension. But he ended up doing it. Weirdmageddon, he was a king of a dying dimension, he didn't want to do what he did and kill an entire dimension again, so he ended up starting Weirdmageddon as there was no other way. In his perspective, he was doing only what was right, he WANTED to be a good person of a sort, though eventually he ended up being one of the worst people out there.

Also, I noticed, having an overly-happy front or expression can be a coping mechanism. Ignoring obvious signs, and laughing them off, is also a coping mechanism. Acting "insane" because that's how people perceive you so you act the way others think you are? ALSO A COPING MECHANISM. A lot of what Bill does are coping mechanisms, how do I know? I HAVE THEM MYSELF.

I also propose something, Bill Cipher has a lot of autistic-coded elements to him!

I am an autistic person myself, for context, and it may be just projecting, but seriously.

A long time ago I used to be obsessed with Bill Cipher. I was clueless about the fact I may be autistic (which explained a lot of things when I figured it out). I related to this character a lot, why? My phrases were "We're both outcasted from society", "We're both considered weird", and "We're both insane". And knowing what I know now, displaying yourself to be even MORE weird and MORE "insane" than you are is a form of autistic masking. (I'm not saying Bill Cipher is autistic, but from what I see is that he is very coded so.)

In the Book of Bill, in the morals section, he said to "think of something considered 'evil', now think of 3 reasons why they're actually good, you'll be rationalizing like me in no time!" (Paraphrasing but basically this.) My thought is that he just genuinely does not see why some things are considered 'evil'. There are genuinely good sides to most atrocious things. Murder? Ah, population control, people are disgusting anyway, destroying someone who wronged you (if you want to murder someone who is your enemy). Obviously, I don't think murder is "good", but Bill Cipher thinks like this. He genuinely does not understand why something "evil" is "evil" which of course not understanding the reasons for "bad" and "good" and why they exist can make you seem like you have a fucked up morality (which I myself struggle with too).

He has not been able to grow up in a society, and the ability to understand why morals are necessary, which can really fuck you up in a way.

He was trying to be good, good for his own needs and wants, and that was his morality. He wanted to help his own dying dimension and be a good person for his own dimension he was king of. A good king does whatever he can for his people, and that's what Bill tried to do. He wasn't trying to be a bad person, hell, if he was, he would've just ditched his dimension and not try to help at all. So in this context, he was just trying to be A GOOD PERSON.

Yes, he manipulated Ford, yes he killed many people on purpose, yes he caused nightmares for no reason. That is wrong, but again, Bill doesn't see why morality is necessary. He manipulated Ford to help his OWN DYING DIMENSION. He killed people because HE SAW PEOPLE AS DISGUSTING. He caused nightmares because HE WANTED TO SCREW WITH PEOPLE WHO WRONGED HIM. Bill Cipher is NARCISSISTIC, but in his narcissism he is selfless. He wanted to save his OWN dying dimension, but he wanted to save the dimension in itself too. There are so many points of this it's honestly insane.

So many people misunderstood him and his intentions though, and so everything that happened was seen as him trying to be a bad person.

He needs different shiz. He needs a different type of therapy to get better. His character is not suited for him to be reincarnated as something else. He is never going to get better like this. Never? Try impossible. He isn't going to "'break' and finally try and become a better person for his own sake", he's going to "'break' and give up on everything".

[cinnamonest]

Thinking about terrible terrible boys who use Darling’s social anxiety against themselves

Kaveh who keeps you home because the world is just far too mean, just look at his roommate if you need any reminder. It’s putting himself out there that resulted in his debt, it’s the outside that caused you hurt don’t ever forget. It’s fine, he’ll lavish you enough to fill all you need, you really don’t need any other contact than himself!… and the forced proximity of Alhaitham grrr.

Ayato who keeps bringing you in important social events just to see you cling to him. He doesn’t teach you any etiquette, so you never know what’s socially unacceptable. You stand so close to him, trembling, your voice barely louder than a whisper. It serves as a reminder, see how bad the world is? All of them are vile people. If you run away, who’s to say you won’t end up with someone worse than him? (It’s terrible, how you keep waking these sadistic urges in him. He’s a good man with lots of self restraint but still a man.)

Wriothesley who got you locked up in his office. You complain about boredom, about his behaviour, but he only swat your worries away. He’s not worried about you ever running off, this is an underground prison. Criminals are the only residents, and god knows how many would have enough self control to keep their hands off if he’s not with you. Besides you’ve been here for so long, you have no place on the surface anymore. What would you do, go cry to Neuvillette? Pfff yeah, right. Try saying hello to Clorinde without trembling first.

Yes yes I am FOR this idea, also consider: Kaeya is the top tier candidate for it. He’s already in the top tier of Manipulative Bastardry, but it gets so much worse if he finds a weakness to exploit — and he’s great at sensing those.

He doesn’t mind that you’re introverted. However, he doesn’t just use the situations as opportunities to give you affirmation as a means of comforting you and coaxing you into bonding with him, no, he stoops so much lower than that. Outright taking advantage of it for his own benefit, ensuring he can use every tactic at his disposal to get whatever he wants... except "whatever he wants" actually just tends to be one consistent thing.

In the early stages, where he can pretend he doesn’t know you well enough to be able to feign ignorance to how much it would exhaust you, he makes sure to plan long public outings, watching as your energy quickly drains until you can’t bear another second in the public atmosphere and all but beg him to return home.

This gives him the opportunity to act disappointed (when in reality, he’s overjoyed it’s playing out exactly as planned) — aw, and here he had so many more things he wanted to show you before the night was over, but no worries, it’s fine… no no, it’s fine, really… and now that you’re all nice and feeling guilty, well, that will just make it much easier to coax you into giving him something to compensate for the disappointment you’ve caused once you’re behind closed doors. Maybe you’ll even volunteer it yourself.

But even later on, once he can no longer put on an act of not knowing how easily drained you are, he can still use it against you. Don’t worry, he knows you’re shy and easily tired out, you two can just stay at home tonight… besides, there’s plenty of fun things you can do alone at home, right…? Surely you’ll be able to think of something.

He, however, stoops even lower still, because he’s also willing to exploit your paranoias and insecurities, even if it means hurting you a bit. Part of the reason why you’re so socially withdrawn, he learns, is that you’re afraid of how others perceive you — I’m just annoying them, they all secretly hate me, you say, everyone thinks I’m weird…

And he… doesn’t rush to correct you or anything. Just shrugs.

Ah, who cares what they think? You already have someone who appreciates you as you are, you know.

Not denying it. If anything, it’s a subtle confirmation… he may even throw in a blatant —

Well, sure, they might feel that way, but I don’t. That’s good enough, isn't it? What do you need their attention for...?

— to really drive the point home, and throw in a bit of accusation and guilt for good measure. He likes hearing you immediately panic and stumble over your words as you reassure him that you don't need anyone else... it's adorable, and the ego boost is euphoric.

Honestly, you’re too gullible for your own good, so precious, so cute in how you fall for it so perfectly, effortless on his part. You don’t even hide your reaction in your expression, so transparent and vulnerable, the way your eyes widen with shock and you hang your head and your eyes water, giving him the perfectly opportunity to comfort you and hold you close and assure you it’s okay, they don’t matter, screw them anyway, and so on.

You’re so sweet, so pure. So much so that you almost, almost actually make him feel bad about it. How impressive.