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#but alas I was played for a fool
habken · 1 month
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But it really is messed up that tenko never even had a chance. From the start he was doomed, and he was never going to be saved. All for one made sure until the very end that tenko was a pawn in his own story, how cruel is that
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egophiliac · 1 year
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something quick to relieve the tension of these final hours ᕕ( ᐛ )ᕗ
close-up, 'cause it got kinda lost in resizing:
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ohmypawsandwhiskers · 5 months
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Incorrect quote for Attack on Titan:
Jean, Sasha, and Connie: McDonald's! McDonald's! McDonald's! McDonald's!
Levi: *pulls into the drive through*
Jean, Sasha, and Connie: *starts celebrating*
Levi: *orders one black coffee tea for himself and pulls away*
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🎉🎉🎉
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anti-gravity-insanity · 3 months
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Everyone feel very bad for me, I was in possession of the world’s ugliest (most beautiful) mechanical pencil for approximately 3 glorious weeks before my whole pencil case decided to fall out of the van I think it’s somewhere near Carlsbad caverns and I will miss him forever
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obstinaterixatrix · 11 months
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my memory’s pretty spotty but surprisingly I remember a fair amount of lyrics from a song I haven’t listened to since… at minimum 7 years
#my ramblings#old man sunshine listen you/never tell me dreams come true/just try it/and I’ll start a riot#beatrice fairfax don’t you dare/ever tell me he will care/I’m certain/it’s the final curtain#I never want to hear a cheerful pollyanna… something something#who tells you fate/provides a mate/it’s all bananas#WAIT#I NEVER WANT TO HEAR FROM ANY CHEERFUL POLLYANAS#they’re writing songs of love but not for me~ a lucky star’s above but not for me~#with love to lead the way I’ve found more clouds of grey than any russian play could guarantee~#I was a fool to fall and get that way~ high ho alas and also lackaday~#and I forget how it ends in this verse but the last last one is ‘although I can’t dismiss the feeling of his kiss I guess he’s not for me’#but I forget the entire other verse#or… chorus?#anyway there was a… well I suppose you could call it a jukebox musical but for gershwin songs#‘but not for me’ was one of my favorites#did they also have ‘how long has this been going on’?#actually so like#sondheim was very picky about lyrics and had super high standards#and one of the things he considered cheating was when stress was messed with for the sake of meter/rhyme#and in how long has this been going on#‘dantes’ is completely mangled into ‘dahn-tees’#‘sad to tell it was hell an inferno worse than dantes’#so every time I think abt those lyrics I think abt sondheim shaking his head in disapproval#well now this is basically#talking abt musicals#I need to look up who beatrice fairfax was
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ssruis · 5 months
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I have full comboed every expert song level 27 and below except for fucking teo. A truly evil chart with malice in its heart. Bars. I’m going to break my phone over my knee like a skateboard.
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angeltism · 5 months
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deleting tumblr /j
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prettylewiss · 6 months
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booping everyone I see on my dash to spread maximum joy regardless of whether we're moots or not.
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mariasont · 3 months
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Could you do a story where Y/N Is taken in a hostage situation and we see more of a dark hotch? like that early episode where hotch and reid are hostages in the hospital?
TOO EMOTIONAL - A.H
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a/n: thank you so much for requestin <3 i hope this is what you were wanting!
masterlist
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pairings: aaron hotchner x fem!reader
warnings: honestly yall i feel like this is way darker than anything i've written so far, not sure if its good or not but alas, mentions of blood, violence, unsub threatens reader with a knife and a lighter, mentions of sexual assualt (it doesnt happen just mentions of it), unsub cuts open readers shirt, hotch is a dick for a plot, hurt/comfort
wc: 1.4k
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Your vision was blurred, you fought to focus as dried blood flaked from your lashes with each heavy blink. You swallowed a cough, the floor's cold concrete punishing your knees. The ties around your wrists and ankles were merciless, digging into your flesh. You tried to focus on the sounds around you—the drip-drop of water, the soft wail of distant sirens.
In the dim light, you caught glimpses of Hotch, his distinct cologne mingling with the warehouse's musty air. He was agonizingly close yet not close enough to touch. The unsub's footsteps were barely audible over the pounding of your heart. Panic fluttered in your chest, unwanted and insistent. Only three cases in, and it seemed the universe was conspiring to reroute your career choice.
Frantically, you attempted to wipe your face on your shirt, pulse roaring in your ears as the footsteps ceased before you and Hotch. The man was a ghastly figure, burns cutting from one side of his face to the other. You couldn't breathe.
"What a day to have feds come knocking." His voice was hoarse, fingers absently playing with a lighter.
"You know, they say the most intelligent criminals are the ones who don't get caught, yet here we are," Hotch said, his chin defiantly up, words sharp and calculated.
Suddenly, the unsub was right there, his disfigured face uncomfortably close, the heat from the lighter singeing your skin. His breath was a hot, sticky assault, and you fought the instinct to flinch.
"Smart men don't leave witnesses, and I intend to be very smart about this."
The foundations of your training flitted across your consciousness, the methodologies for keeping control of the situation, but they sifted through your fingers like said, rendering you paralyzed.
"Take her then. She's new, inexperienced. Probably more trouble than she's worth." Hotch's voice was cold, jarring like a slap to the face, his expression empty of emotion.
You strained to keep your face impassive, your eyes darting to Hotch, pleading for his attention. Your breaths were shallow, scarcely there. He had to be bluffing. You felt sick. The unsub shifted his weight, scrutinizing you both, edging closer to hotch, no doubt with suspicion.
The unsub laughed, a cold and calculating sound as he circled around Hotch. "You expect me to believe you'd turn on your own that quickly? I'm not a fool."
"Look at her and tell me what her worth is to me." Hotch's voice was even, almost bored. "She's a liability. Too emotional, too soft." 
His words were flung carelessly, yet they landed with precision, straight into your chest. Your teeth punished the inside of your cheek.
The remarks were like sharp barbs to your chest, instilling a hollow feeling as you attempted to convince yourself that the wetness on your lashes was anything but tears. His assessment was not unfounded. Your empathy, your sensitivity, traits deemed too tender for the harsher realities of your job, were now being used against you. Hotch had always been an exception, until now.
"Well, I could see her worth in other ways." The man's words oozed contempt, his gaze crawling over you in a way that threatened to turn your stomach. "I bet that's how she got the job in the first place, huh?"
"What do you think?" Hotch's laugh was a sinister match to the unsub's. He tilted his head in your direction. "Look at her. That's all she's been good for."
Your breath caught in your throat, your body turning as much as the ties would permit in Hotch's direction. You could almost hear your heart shattering, could feel it in Hotch's inability to face you. Was this a plan or had he truly discarded you?
You never deluded yourself into thinking you were Hotch's favorite--his reserved interactions with you made that abundantly clear. In fact, you were probably his least favorite. He had kept you at an arm's length, while seemingly forging bonds with the others that didn't seem to extend to you.
This was all within reason, given your inexperience and younger age, but the disdain lacing his words was unexpected, shredding through any pretense of professional detachment.
Hotch had never wanted you on the team, it was Rossi who had vouched for you. And now, look where that got you both.
Maybe this was all deserved.
"Then you won't mind if I try her out for myself?" The unsub's insinuation felt like a perverse validation of Hotch's doubts. 
A low hum escaped the unsub as he closed the distance, his gaze predatory. You stilled, breath caught as he produced a knife from his pocket, skimming your cheek just shy of cutting. You were scared and you were scared to show it. Desperately, you looked to Hotch, the blade now hovering precariously close to your sternum.
Hotch wouldn't look at you. You wanted to scream, to cry, to throw something, but that was all shoved to the bottom of your throat as the unsub sliced down the middle of your shirt, exposing your chest and compelling your gaze to it. Tears of humiliation prickled your eyes. How could Hotch let this happen to you?
The unsub's clammy grip clung to your waist, your lips trembling as you prepared for the worst. You closed your eyes, escaping to your house in your mind—tea brewing, fireplace going—anywhere but here.
A sudden splatter to your face jolted you back, eyes opening in alarm you saw Hotch's eyes, not the unsub's.
"You're okay, you're okay," Hotch murmurs. 
The words did little to comfort you, his hands moving blindly to release the binds at your wrist and ankles. Looking down, you see the unsub, knife through his back, blood pooling around him. Hotch's hands are on your wrists, his thumbs massaging away the sting. 
When your hand touches your face, you feel the splatter from earlier, coming back away with a smear of blood on your fingertips. 
Your voice felt like it was a prisoner inside yourself, words and sounds slipping past you like ghosts. A persistent ringing in your ears muffled all but the pungent scent of the warehouse, which clawed at your senses. 
You felt the jostle of hands, the motion of being lifted, a sensation so distant it barely registered. The world was a smear of lights and faces--the team showing up, the paramedics--until it slowly came into focus. 
You barely registered that Hotch was speaking to you, his words indistinct and muffled.
"What?" you asked, your speech slow to form and blurred at the edges.
You had a jacket over the front of you, his jacket, covering your exposed chest.
Hotch's eyes were pools of worry as he grasped at your hand. It was weird, the feeling of his hand in yours. You realized that was the first time you had felt it. 
"More water?"
You could only nod, and he promptly fetched a bottle, twisting it open and placing it in your hand. You took a small sip. 
"It's too loud," you mumbled, you were aware you weren't making sense.  You shifted to face him, your knee grazing his thigh. "Did you mean those things you said?"
"Of course I didn't mean it," Hotch replied quickly, his gaze intense. "You thought I meant that?"
Your gaze dropped to your lap, voice faltering. "I don't know... I wasn't sure, I mean, no, but I just... I don't feel very useful, and this whole mess, it's because of me and I--" 
Tears interrupted you, your hands fumbling to hide them. Hotch reached out, gently turning your face to his, thumb brushing away the tears. 
"Hey, look at me. Don't say that. This isn't your fault. Nothing I said back there was true. I needed to distract him, had to make him concentrate on you."
"I'm sorry, I don't know why I'm crying like this," you stammered between sobs. 
"You don't have to apologize. You're crying because you've been through a lot. Just breathe, take your time."
You managed a wobbly smile. "You hit the nail on the head with the too emotional part," you sniffled.
Hotch gave a small chuckle. "Your compassion, your sensitivity, it's what sets you apart as an agent--in fact, it makes you an outstanding one."
You were close now, your gaze inadvertently drawn to his lips. You could kiss him if you wanted. Not that you were in the right headspace or that it was appropriate. But you could've.
"Oh, my goodness, I'm so glad you're okay!" You were barreled into a hug, the familiar voice and blur of color of Penelope enveloping your senses.
Hotch cautioned, "Watch her head." 
With Penelope's hands around you, you found yourself looking over her shoulder, locking eyes with Hotch. His gaze held a new light, a recognition that maybe, just maybe you weren't Hotch's least favorite agent after all.
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hoshigray · 5 months
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Are you able to right a gojo fic? He pulls you aside after a meeting to a spicy makeout with you that leads to more than just a make out:,)
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𝐚. 𝐧𝐨𝐭𝐞: "more than a make out" indeed, lmao
⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Gojo x afab/fem! reader - explicit reader; minors DNI - canon divergence; you're gojo's partner who works in Tokyo jujutsu tech with him - kissing; making out - fingering (f! receiving) - clitoral play (swiping and pinching) - breast sucking - deep impact position - praising - pet names (angel, baby, cutie, princess, sweetie) - cameos: Ijichi and Yaga - Gojo is a touch-starved fool, bless him lol.
⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 3.1k
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“Y/n~~!”
“…! Oh, Gojo!”
“Ahh, it’s Gojo-sensei!”
Being the strongest sorcerer in the modern world is a hassle, no matter how much Gojo loves to shake it off as if it’s not. Not that he doesn’t mind it — no, no. If anything, he prides himself in it. It fills his ego, knowing that a scarce few could be compatible with his power. He’s a dependable light for the jujutsu world, sorcerers of the nation thankful that he's not on the wrong side. 
But alas, being the best has its taxing side, especially taking in tedious missions across the land and attending mandatory meetings with the entire jujutsu faculty body — not to mention being a teacher. The white-haired sorcerer was a busy man — no other way to explain it. However, the worst thing about it all was that there would be times when he’d have less time to spend with a certain someone who had him in the palm of their hands. And if he keeps being away from them, he might – no, will – malfunction. 
You were Gojo’s partner, his sweet baby that he cherished more than anything. You were a faculty member of Tokyo Jujutsu High, making things a little easier for the two of you to meet and elope (professionally). Nevertheless, those moments seem to frequent less and less with how many meetings have Gojo backed up this past week. The poor guy can’t even remember the last time he heard your sweet voice (which is a lie since you call every morning and night; he makes sure you do). 
Although, today would be different. Once this meeting with the Kyoto officials ended, he made a straight beeline out of the room to find you. And to his cheerful chuckle, he skips in your direction when he sees you conversing with Yuuji in the hallway. The salmon-haired teen greets his teacher with a high-five and a bow from you. 
Yuuji hears Megumi call for him from outside, so the boy dismisses himself with a goodbye and wanders off, leaving you and Gojo to yourselves. 
“Hello, Y/n~,” the man says your name with a happy tune, his lanky figure swaying to be close to you.
“Good noon, Gojo,” you greet him again with a modest smile as the tall man walks to you. “How was your meeting? Did the officials give you a tough ti—Mmmph!?”Your boyfriend surprises you with a kiss, taking in your perplexed moan with his pillowy lips. One peck comes after another while Gojo’s hands sneak to your waist. You quickly push him away, but his hold keeps you close to his figure. “G–Gojo, what are you doing!?” You express your concern in confusion, covering your lips with a hand. 
“Mmm? What do you mean? I’m greeting my princess with a kiss,” the blindfolded man says so matter-of-factly, beaming his delighted demeanor that nearly blinds you. “I miss you!”
“I miss you, too, but you can’t just—“ He tilts his head as you try to explain. You chew your lip with cheeks boosting in warmth, averting your glance away from his charming face that’s inching closer and closer to yours. His eyes are masked by the black cloth around his face; however, you can still sense the intensity of his gaze. “N-Not in public, Gojo...”
He plays the whining card, bringing you in for a tight hug that could restrain your breathing. “Ehhh, but I haven’t seen or touched you in days! See, we’ve been apart for so long that you’re going back to referring to me by my last name!”
“I always call you by your family name when in the school, no??”
“Yeah, but that’s only for when people are around, not just the two of us!” His complaints are genuine, swaying around with you in his arms. You roll your eyes, listening to him yap more. “Come on, Y/n; it’s been such a hectic week for me, missions after missions, meetings after meetings. Any more than this, and I just might combust — especially when I don’t have time to see my angel.”
You hear him make fake crying noises to your shoulder, reminding yourself how much your tall, strong boyfriend can be such a whiny puppy if he’s away from you for too long. But you can’t kid yourself; you missed spending time with him just as much as he did. “I know; I wanna see you more often, too. Don’t you worry, okay? This week is almost over, so keep pushing through like the tough man you are…Hehe, my strong Satoru.”
The snow-haired sorcerer springs up with a childish smile at the use of his name, his dimples present with the shine of his teeth. “If that’s what must happen, can your strong Satoru ask for another kiss to make his hell a little bearable?”
You give him a look at his request, but his anticipation doesn’t falter. With a sigh, you smile and whisper, “Just a kiss, Satoru?”
He chuckles lightly, drawing his mouth close to yours. “Yes, princess.”
His soft lips land on yours. There’s no restraint as you welcome him, your hands coming around to cup his cheeks before breaking the kiss. “One more,” he says before your nose is brushed away from his. You comply and place another gentler peck, and the man sneaks a hand from your waist to the back of your head. You withdraw your lips again, but Gojo utters another “One more…” Your stomach does flips knowing what game he’s trying to play. Another kiss is received, and his leg sneaks in between yours.
You mewl, finding yourself stuck in this predicament. He’s now in control, using this opportunity to deepen the kiss and make it more passionate, sucking your bottom lip and running his tongue for more access. You have no choice but to accept him, whimpering at the tongue intruding into your oral cavity while his leg moves further and further. 
Your hands come to his shoulders, gripping his jacket as the Gojo furthers himself into the kiss. The hand behind your head keeps you steady, keeping him focused on your mouth, where he sucks on your tongue in a way that leaves you breathless — like, actually. After he quits the kiss, you two are gasping for air so hard, and your lips are wet because of him. 
“Hahhh, ’Toru, stop,” you wipe spit from your mouth. “We can’t be doing this here…”
Your complaint falls on deaf ears, the sorcerer placing chaste kisses on your cheek. “Hmmm, why not?”
“Mmm..Someone, your students, we’d be caught here…”
Gojo smirks; it’ll never stop being adorable how bashful you are around him, particularly when he expresses his undying affection for you in public. But he will respect your wishes, and the idea that pops into his head makes him giggle.
Before you can process anything, Gojo picks you up with your legs held up and a hand on your back. You squeak at the unexpected action, grabbing a hold of his neck to balance yourself. Your mouth opens to express your bewilderment. Yet one moment, you two are in a hallway of the school; then you’re transported to a familiar room with a bed the next — your bedroom.
You blink in perplexity as Gojo throws you on top of your bed, stammering to find the right words. “Satoru, I wish you’d stop teleporting without letting me know! And don’t you have another meeting to get to!? Why are we in my apart—“ You don’t finish that sentence; you stop yourself once Gojo crawled up on the bed to you. Suddenly, you feel too small to utter a word.
“Sorry, baby,” No, he wasn’t. Not with that childish grin posted on his face. He brings his face to yours, placing more smacks on your lips. “But you’re the one who said we shouldn’t be doing this on school grounds. Heh, you act so cute when you’re shy…”
“No, Satoru, we can’t—Mmmm,” silencing you with kisses was such a vile card, knowing you’d be whimpering under him just from him twirling his tongue with yours. “Mmph..Mmah…! You’re scheduled for…another meet—“
“Shhh, don’t worry; I can be late for a few minutes,” another lie. If Gojo’s late to another meeting, Principal Yaga will put the younger man in a chokehold again. “I’ll make this quick, I promise. So, just let me enjoy you…”
Sucking your tongue is all it takes for you to give up on trying to persuade him out of what he’s doing. Gojo takes off and throws his jacket to the bedroom floor to let his black fitted tee breathe, and his hands initiate unbuttoning your blouse. He then slithers it down to the bottom of your long pencil skirt to pull up, greeting your undergarments with his digits. You jerk at the contact of his middle finger that presses on the damp spot of your panties, earning a faint, salacious laugh from Gojo. 
“Awww, did my baby get wet just from kissing earlier?” He rubs the underwear further, soaking the spot more with your fluids. Your thighs tremble, “Did you miss me that much?”
“Sato—Oooh!” He sinks his finger deeper into your entrance; the material barrier is so wet from your essence seeping through. “Your finger...Mmm.”
“What is it, cutie?” He whispers to your ear, and you have to bite down on your lip to suppress a moan. “You want my fingers?” You nod sheepishly, amusing the snow-haired man. “Now, Y/n, you know I want to hear you tell me what you want. Use your words, princess.”
You gulp to satiate your dry throat. “Yess, Satoruu, I want your fingers. Please, let me cum on your fingers…”
“That’s my angel,” he praises before straightening himself between your sheer pantyhose-covered legs. After sliding your damp panties off, he brings a leg to his shoulder and finally slides his blindfold off his face, his hair losing its spiky position and falling with gravity. Cerulean eyes catch a glimpse of your wet cunt in his sights, biting his lip. “Made such a pretty mess all for me, huh.”
His hand returns to your now bare chasm, sliding his ring and middle finger between your soaking folds. You hum to the touch, gripping on your blouse to use as reins. After a few seconds, he inserts the middle digit inside, immediately going to work after he pulls a gasp from your surprised body.
Slow motions sneak up on you, scraping your velvet texture with the blunt fingertip. His slender digit pushed and pulled from inside you, making sure you took him to the knuckle. He swirls it around, evoking shaky screams from him, scratching your inner walls so diligently. And your eyebrows furrow once the movement quickens.
“Hooohh, ohhh!” You threw your head back to the pillows. “Ahhnn, faster, go faster…”
“Hmm? You want me to go faster?” He teases with a perched brow. He does as asked, but with a catch; he sneaks his ring finger inside with your slick as lube. You shriek, two fingers now ravaging your insides and pleasing you with faster shifts. “Like this?” Did you even have to answer that; were you gripping the sheets and hips moving on their own not enough?
“Oooo, fuahhh, fuuckk, ‘Toru, nooo, y’re making me…Hoohh!”
“Yeah, that’s right,” he kisses your calf before placing his lips on your ankle to lick playfully. “Just let me make you feel all good.”
Fuck did Gojo miss this; it’s been more than a week since he’s had his hands on your body like this. The constant meetings have almost made him forget the warmth and plush of your frame. He needed this, like, BAD. He’s barely containing himself now; the image of your slit taking his fingers so well is bubbling his excitement, and the tent of his pants that shields a boner grows painfully hornier.
You were bound to cum on his fingers in no time, howling with an arched back when he does the ‘come hither’ motion and scrapes your inner walls. They contract around his digits as your legs tremble with the surge of your orgasm. Gojo loves the sight and stirs the fingers to tease your keen nerves more. “Good job, sweetie,” he kisses your ankle again while slowly removing his fingers from you, inserting them inside his mouth to lather his tongue with your juices. He almost caves in just from the taste.
But a sudden buzz in the pocket of his pants alerts him. He brings out his phone ringing with a call and presses the green button before pressing the device to his ear. “Yo, Ijichi.”
“Ah, thank goodness you picked up. Where are you; the meeting starts in a few minutes.”
“Mmm, I’m at Y/n’s,” even if you’re in a tiny daze, your face morphed into an expression of shock at his nonchalant honesty. “I’m only here to grab something real quick, and then I’ll head back to the school.”
“Are you sure…?”
He laughs, “Now, Ijichi, are you calling me a liar?”
That was precisely what he was — a whole liar.
“—Taahh, ahhhn, Sa’oruuuuu! Yer hitting shoo deep in—Saaahh!!”
It’s been a solid fifteen minutes after that call with Ijichi, and Gojo is still in the confines of your bedroom. He was very much late; of course, he was. Why would he not be? He finally has this chance to have you to himself, so he’s indulging it however long he wishes.
Gojo ripped you out of your clothes to meet with his clothing on the floor, leaving you bare and nude for him aside from your pantyhose. You’re lying on your side with one leg up on Gojo’s shoulder while the other is between his, and his cock now pushing to and fro inside your chasm that was filled with his come. 
His thrusts were sharp and rough, the curve of his dick jabbing areas in your vagina you never thought would be stimulated. Jesus, his length was dangerous, having you babbling incoherent words to the air and reaching so deep inside that you quaked under him. Your brain is stuck in a haze, especially since this is the second time he’s fucking inside you and made you cum a total of three times!
“Ohhmy, Gohhhd! Sato—Ohhhh…!!” He grasps around your leg to plunge himself further and faster, the work of his pelvis having you see stars.
“Hsshhh, God, you feel so fucking good, baby,” he coos sweetly, juxtaposing with the erratic pace of his hips that move your figure with every rut. Azure orbs take in the display before him; your naked body submitted to him to alleviate his week-long stress and please the both of you. Strands of his silverfish-white hair are drenched from the sweat built on his forehead. “—Hmmgh! Shit…keep clamping onto me like that.”
You chew on your lip, sneaking a hand down on your clitoris to whisk your fingers around it. Oh, it feels so good, playing with yourself as your boyfriend massages your insides. “Mmaaah, s’ good...”
“Hmm, what’s that?” His hips now go slow; the stretch his curve causes when entering inside has your toes curl. “What feels good?” He then snaps his pelvis to startle you.
“—Mmmph!! You! Y’u feel so good, ‘Toruuu..!”
“Heh, you feel amazing yourself, Y/n,” returning to an erratic rhythm, Gojo pumps his cock til the base kisses your squelching folds. His balls smack onto you after every push. He then curves downward for his face to be closer for you to hear him, “Hmmnn, you gonna be good and come again, right?”
You nod cursorily, your eyes shut to enhance the feeling of you rubbing on your bud. “Yesshh, I’m so close, I wanna cum…Want you to fill me u—Uuuhhn!!”
“Jesus, you look so fucking hot,” he grins before bringing his mouth to your nipple, his tongue dancing around the tip to harden. “Let’s cum together, okay, cutie?”
He sucks in your nipple as his thrusts go grim, and severe hits to your cunt result in you wailing far from your control. The tip of his cock picks at your silky walls so euphorically that you hum his name. A hand comes to your chest to keep you steady and synced with him, and he keeps rutting into you even when his body shudders as his load is exerted inside your tight slit. And you’re not far from him either; your orgasm seconds away from his hits you hard, and you quiver in the shocks coursing through your body.
As you two rock slowly through your crescendos, your essence mixes with his seed, and your sweaty bodies heave and pant for the third time this session. Gojo releases your nipple from his mouth after withdrawing his dick from inside, and his jizz seeps out of your frame. “Phew, man, how I needed that.”
You respond despite your brain feeling a bit all over the place. “Are you happy now?”
He laughs while kissing your cheek. “Thank you, princess!”
“You’re welcome, Toru,” you shook your head with a meek smile. “But you really should get going; I don’t want you getting in trouble with—“
KNOCK!! KNOCK!! KNOCK!!
An abrupt sound comes from the front door, confusing the both of you as the knock comes from out of nowhere. Nonetheless, you get up and wipe yourself quickly before putting your clothes back on. Gojo does the same as you walk out of the bedroom to see who’s at your door. And once you open the door, your heart meets your stomach.
“Y/n,” it was Yaga, the principal adorning his usual attire and sunglasses.
“Principal Yaga,” you greeted the older man with a hurried bow. “Wh–What can I do for you—“
“He’s here, isn’t he?”
Your lips flatten at the question, using the silence to speak for itself as you move out of the way for the principal to enter. Yaga apologizes for the intrusion before marching into your apartment and presumably going after the person still in your bedroom, who lets out an exclaimed shout of pain from what you can assume was from a punch to the head from his old teacher. 
The former instructor strolls back to the front door where you remained; Gojo is dragged on the floor behind him. “Sorry again for the inconvenience,” Yaga puts his shoes back on before exiting your home. You observe the men leave with a heavy sigh, waving goodbye to your snow-haired sorcerer as he’s pulled across the hall like a toddler.
“See ya, sweetie,” he cries out to you without regard to the neighbors hearing him, putting his blindfold back on. “I miss you already!”
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requests/thirsts are open hehe~ 🧸
© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ☆ header edit done by me + dividers by @/benkeibear.
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specshroom · 4 months
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hello hello, I stumbled across your writing and wanted to say how much I enjoyed “Blood In The Water” I was curious about how reader struck that deal with all the mer-creatures in the first place?! did they try to eat reader too? or did one/many have an attachment or attraction since reader grew up around that place? the whistling was soooo cool, like they were dogs trained to a command! does that mean they had struggles with communication at first? do the mer-peeps understand language or just body language? I’m full of questions 😂❤️ it was just so enthralling and love a good morally grey character! is reader struggling to make ends meet and that’s why they do this? or is it more of ‘it’s either me or them’ type scenario? OR reader is just like this is the easiest way to get money?! 👀 oml lemme stop here this is getting quite long— LOVE UR STUFF 😚
I'M SO GLAD IT INTERESTED YOU SO MUCH (˶ᵔ ᵕ ᵔ˶)
I like to keep things up to interpretation cus I think it's more fun BUT I can answer a few of those.
- They definitely struggled at first lol. The merfolk can't speak human language and don't understand it. Humans can't speak mer-language either because it's mostly high pitched clicks and chitters. Reader figures out that the closest they can get to making sounds the merfolk understand is by whistling because it's loud and high pitched enough that they can hear it easily even through the water.
- They do share a lot of body language and mannerisms with humans (like kissing👀) so that made things easier.
- The merfolk do recognise Reader as a local and that made them more trustworthy. (Later on they marked the bottom of Readers boat so they know it's them🥺)
I wrote a little drabble to answer the "How did this happen?" question.
꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷
You sigh as you row your way out of the canal and into the open waters.
Your new patron lounges in his seat on the opposite side of the gondola, staring up at the clear blue sky. You preferred doing business at night when it's quiet, few braved these waters at night. Alas dwindling funds force you to suffer the business of the day. There's just too much comotion in the daytime, too many tourists.
Its been like this since the first rich fool "discovered" that your relatively small and unimpressive lake town actually boasts some magnificent and horrific monsters in the depths of the decievingly calm waters surrounding it. Now flocks of fools come to "test their bravery" by crossing the dangerous waters.
Conservationists and locals convinced them that hunting down the monsters in the lake would lead to environmental catastrophe and the snobs decided that it would be a better investment as a tourist attraction.
"Don't you get bored of this?"
Your patron slices the silence in half. You blink out of your thoughts, releasing the iron grip you had on your oar.
"I could give you a different job."
The well dressed man's tone is almost convincingly sympathetic. You keep your gaze locked onto the familiar waters ahead of you...until you hear the distinct sound of coins being jostled against one another. That changes things.
You hesitantly turn to where the stranger sits comfortably, grinning with pride.
"I thought so, it's always the same with you locals."
The tourist opens his money bag and takes out one gold coin. At least enough for a small meal.
"What would you do for it?"
He plays with the coin in his fingers before tossing it out of the boat and into the water. The carelessness with which he tosses his gold makes your blood run hot. Through the thick permanent fog that hangs over the waters, you can just barely see the gold coin as it sinks into the abyss and your stomach growls pitifully.
He holds out the pouch over the side of the boat, dangling it over the water.
"Would you dive for it?"
The sick thing is that you actually consider it. You stare intensely at the stupid pouch that could keep you going for a good while.
The man suddenly drops the pouch and you jump forward to catch it but he yanks it back up by the drawstring before it can touch the surface of the water. He laughs at his cruel humour and your blood reaches it's boiling point.
You don't know why it was that patron in particular that made you snap or why that bad day in particular made you finally put the knife skills your father taught you to good use.
But before either of you know it his laughter turns to bloody choking. You scramble off of him, panic clear on your face. He reaches for the knife in his neck but it's useless. His body sags over the edge of the boat and his blood mixes with the water. You watch with wide eyes as he takes his last struggled breaths.
It's silent for a while before you take your eyes off of the man Infront of you to look down at your red stained hands. You look around as if anyone could've seen your crime through the fog anyway.
After a while of just staring blankly at the still body Infront of you, you try to compose yourself and lift him off the side of the gondola. You manage to tip him over and watch his body sink down.
You stare at the corpse fading deeper into the water. Just as you ready yourself to leave the scene something rocks the gondola slightly and you fall on your ass, gripping the side of the boat.
You feel a breath on the side of your cheek and jump when you look over and see two big pitch black eyes staring at you from over the side of the boat. Your skin turns to ice, unable to move.
You hear chittering from the other side and jump again as another one peers over the furnished wood of the boat. The first one takes your frozen hand in their cold clawed hand and inspects the drying blood covering it.
They stick their tongue out and slowly lick all the way up your shaking hand, licking away at the blood as if cleansing you of your sin. The other makes a clicking sound that sounds oddly like laughter.
Once all the blood on your hand has been licked off, the creature looks up at you for a moment before disappearing below the surface once more. The other one doesn't look like it wants to go but a few clicks from the water convince it to slowly lower back into the depths.
You lean over the side of the gondola trying to get a better look at the creature before it leaves. You deflate when you don't see so much as a ripple in the water.
Suddenly, just as you were sure they weren't coming back, the same one from moments ago bursts from the water. In a second it cups your cheek and kisses you. It's hard and deep, more passionate than you'd ever had before. The creature releases you and this time before it leaves it gives a little wave with its strange webbed hand. You wave back, a little dazed, as the monster dives back into the water.
You have to sit there for a good while staring at the pouch of coin the tourist left behind and then back to the murky waters, touching your lips while contemplating what the hell just happened.
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etz-ashashiyot · 3 months
Text
Chapter 4: Executed Jews
By Dara Horn, excerpted from People Love Dead Jews
ALA ZUSKIN PERELMAN AND I HAD BEEN IN TOUCH ONLINE before I finally met her in person, and I still cannot quite believe she exists. Years ago, I wrote a novel about Marc Chagall and the Yiddish-language artists whom he once knew in Russia, all of whom were eventually murdered by the Soviet regime. While researching the novel, I found myself sucked into the bizarre story of these people's exploitation and destruction: how the Soviet Union first welcomed these artists as exemplars of universal human ideals, then used them for its own purposes, and finally executed them. I named my main character after the executed Yiddish actor Benjamin Zuskin, a comic performer known for playing fools. After the book came out, I heard from Ala in an email written in halting English: "I am Benjamin Zuskin's daughter." That winter I was speaking at a literary conference in Israel, where Ala lived, and she and I arranged to meet. It was like meeting a character from a book.
My hosts had generously put me up with other writers in a beautiful stone house in Jerusalem. We were there during Hanukkah, the celebration of Jewish independence. On the first night of the holiday, I walked to Jerusalem's Old City and watched as people lit enormous Hanukkah torches at the Western Wall. I thought of my home in New Jersey, where in school growing up I sang fake English Hanukkah songs created by American music education companies at school Christmas concerts, with lyrics describing Hanukkah as being about "joy and peace and love." Joy and peace and love describe Hanukkah, a commemoration of an underdog military victory over a powerful empire, about as well as they describe the Fourth of July. I remembered challenging a chorus teacher about one such song, and being told that I was a poor sport for disliking joy and peace and love. (Imagine a "Christmas song" with lyrics celebrating Christmas, the holiday of freedom. Doesn't everyone like freedom? What pedant would reject such a song?) I sang those words in front of hundreds of people to satisfy my neighbors that my tradition was universal — meaning, just like theirs. The night before meeting Ala, I walked back to the house through the dense stone streets of the Old City's Jewish Quarter, where every home had a glass case by its door, displaying the holiday's oil lamps. It was strange to see those hundreds of glowing lights. They were like a shining announcement that this night of celebration was shared by all these strangers around me, that it was universal. The experience was so unfamiliar that I didn't know what to make of it.
The next morning, Ala knocked on the door of the stone house and sat down in its living room, with its view of the Old City. She was a small dark-haired woman whose perfect posture showed a firmness that belied her age. She looked at me and said in Hebrew, "I feel as if you knew my father, like you understood what he went through. How did you know?"
The answer to that question goes back several thousand years.
~~~~~~~~~~~~~~~~~~~~~~~~
The teenage boys who participated in competitive athletics in the gymnasium in Jerusalem 2,200 years ago had their circumcisions reversed, because otherwise they wouldn't have been allowed to play. In the Hellenistic empire that had conquered Judea, sports were sacred, the entry point to being a person who mattered, the ultimate height of cool — and sports, of course, were always played in the nude. As one can imagine, ancient genital surgery of this nature was excruciating and potentially fatal. But the boys did not want to miss out.
I learned this fun fact in seventh grade, from a Hebrew school teacher who was instructing me and my pubescent classmates about the Hanukkah story — about how Hellenistic tyranny gained a foothold in ancient Judea with the help of Jews who wanted to fit in. This teacher seemed overly jazzed to talk about penises with a bunch of adolescents, and I suspected he'd made the whole thing up. At home, I decided to fact-check. I pulled a dusty old book off my parents' shelf, Volume One of Heinrich Graetz's opus History of the Jews.
In nineteenth-century academic prose, Graetz explained how the leaders of Judea demonstrated their loyalty to the occupying Hellenistic empire by building a gymnasium and recruiting teenage athletes — only to discover that "in uncovering their bodies they could immediately be recognized as Judeans. But were they to take part in the Olympian games, and expose themselves to the mockery of Greek scoffers? Even this difficulty they evaded by undergoing a painful operation, so as to disguise the fact that they were Judeans." Their Zeus-worshipping overlords were not fooled. Within a few years, the regime outlawed not only circumcision but all of Jewish religious practice, and put to death anyone who didn't comply.
Sometime after that, the Maccabees showed up. That's the part of the story we usually hear.
Those ancient Jewish teenagers were on my mind that Hanukkah when Ala came to tell me about her father's terrifying life, because I sensed that something profound united them — something that doesn't match what we're usually taught about what bigotry looks or feels like. It doesn't involve "intolerance" or "persecution," at least not at first. Instead, it looks like the Jews themselves are choosing to reject their own traditions. It is a form of weaponized shame.
Two distinct patterns of antisemitism can be identified by the Jewish holidays that celebrate triumphs over them: Purim and Hanukkah. In the Purim version of antisemitism, exemplified by the Persian genocidal decrees in the biblical Book of Esther, the goal is openly stated and unambiguous: Kill all the Jews. In the Hanukkah version of antisemitism, whose appearances range from the Spanish Inquisition to the Soviet regime, the goal is still to eliminate Jewish civilization. But in the Hanukkah version, this goal could theoretically be accomplished simply by destroying Jewish civilization, while leaving the warm, de-Jewed bodies of its former practitioners intact.
For this reason, the Hanukkah version of antisemitism often employs Jews as its agents. It requires not dead Jews but cool Jews: those willing to give up whatever specific aspect of Jewish civilization is currently uncool. Of course, Judaism has always been uncool, going back to its origins as the planet's only monotheism, featuring a bossy and unsexy invisible God. Uncoolness is pretty much Judaism's brand, which is why cool people find it so threatening — and why Jews who are willing to become cool are absolutely necessary to Hanukkah antisemitism's success. These "converted" Jews are used to demonstrate the good intentions of the regime — which of course isn't antisemitic but merely requires that its Jews publicly flush thousands of years of Jewish civilization down the toilet in exchange for the worthy prize of not being treated like dirt, or not being murdered. For a few years. Maybe.
I wish I could tell the story of Ala's father concisely, compellingly, the way everyone prefers to hear about dead Jews. I regret to say that Benjamin Zuskin wasn't minding his own business and then randomly stuffed into a gas chamber, that his thirteen-year-old daughter did not sit in a closet writing an uplifting diary about the inherent goodness of humanity, that he did not leave behind sad-but-beautiful aphorisms pondering the absence of God while conveniently letting his fellow humans off the hook. He didn't even get crucified for his beliefs. Instead, he and his fellow Soviet Jewish artists — extraordinarily intelligent, creative, talented, and empathetic adults — were played for fools, falling into a slow-motion psychological horror story brimming with suspense and twisted self-blame. They were lured into a long game of appeasing and accommodating, giving up one inch after another of who they were in order to win that grand prize of being allowed to live.
Spoiler alert: they lost.
~~~~~~~~~~~~~~~~~~~~~~~~
I was in graduate school studying Yiddish literature, itself a rich vein of discussion about such impossible choices, when I became interested in Soviet Jewish artists like Ala's father. As I dug through library collections of early-twentieth-century Yiddish works, I came across a startling number of poetry books illustrated by Marc Chagall. I wondered if Chagall had known these Yiddish writers whose works he illustrated, and it turned out that he had. One of Chagall's first jobs as a young man was as an art teacher at a Jewish orphanage near Moscow, built for children orphaned by Russia's 1919-1920 civil war pogroms. This orphanage had a rather renowned faculty, populated by famous Yiddish writers who trained these traumatized children in the healing art of creativity.
It all sounded very lovely, until I noticed something else. That Chagall's art did not rely on a Jewish language — that it had, to use that insidious phrase, "universal appeal" — allowed him a chance to succeed as an artist in the West. The rest of the faculty, like Chagall, had also spent years in western Europe before the Russian revolution, but they chose to return to Russia because of the Soviet Union's policy of endorsing Yiddish as a "national Soviet language." In the 1920s and 30s, the USSR offered unprecedented material support to Yiddish culture, paying for Yiddish-language schools, theaters, publishing houses, and more, to the extent that there were Yiddish literary critics who were salaried by the Soviet government. This support led the major Yiddish novelist Dovid Bergelson to publish his landmark 1926 essay "Three Centers," about New York, Warsaw, and Moscow as centers of Yiddish-speaking culture, asking which city offered Yiddish writers the brightest prospects. His unequivocal answer was Moscow, a choice that brought him back to Russia the following year, where many other Jewish artists joined him.
But Soviet support for Jewish culture was part of a larger plan to brainwash and coerce national minorities into submitting to the Soviet regime — and for Jews, it came at a very specific price. From the beginning, the regime eliminated anything that celebrated Jewish "nationality" that didn't suit its needs. Jews were awesome, provided they weren't practicing Jewish religion, studying traditional Jewish texts, using Hebrew, or supporting Zionism. The Soviet Union thus pioneered a versatile gaslighting slogan, which it later spread through its client states in the developing world and which remains popular today: it was not antisemitic, merely anti-Zionist. (In the process of not being antisemitic and merely being anti-Zionist, the regime managed to persecute, imprison, torture, and murder thousands of Jews.) What's left of Jewish culture once you surgically remove religious practice, traditional texts, Hebrew, and Zionism? In the Soviet Empire, one answer was Yiddish, but Yiddish was also suspect for its supposedly backwards elements. Nearly 15 percent of its words came directly from biblical and rabbinic Hebrew, so Soviet Yiddish schools and publishers, under the guise of "simplifying" spelling, implemented a new and quite literally antisemitic spelling system that eliminated those words' Near Eastern roots. Another answer was "folklore" — music, visual art, theater, and other creative work reflecting Jewish life — but of course most of that cultural material was also deeply rooted in biblical and rabbinic sources, or reflected common religious practices like Jewish holidays and customs, so that was treacherous too.
No, what the regime required were Yiddish stories that showed how horrible traditional Jewish practice was, stories in which happy, enlightened Yiddish-speaking heroes rejected both religion and Zionism (which, aside from its modern political form, is also a fundamental feature of ancient Jewish texts and prayers traditionally recited at least three times daily). This de-Jewing process is clear from the repertoire of the government-sponsored Moscow State Yiddish Theater, which could only present or adapt Yiddish plays that denounced traditional Judaism as backward, bourgeois, corrupt, or even more explicitly — as in the many productions involving ghosts or graveyard scenes — as dead. As its actors would be, soon enough.
The Soviet Union's destruction of Jewish culture commenced, in a calculated move, with Jews positioned as the destroyers. It began with the Yevsektsiya, committees of Jewish Bolsheviks whose paid government jobs from 1918 through 1930 were to persecute, imprison, and occasionally murder Jews who participated in religious or Zionist institutions — categories that included everything from synagogues to sports clubs, all of which were shut down and their leaders either exiled or "purged." This went on, of course, until the regime purged the Yevsektsiya members themselves.
The pattern repeated in the 1940s. As sordid as the Yeveksiya chapter was, I found myself more intrigued by the undoing of the Jewish Antifascist Committee, a board of prominent Soviet Jewish artists and intellectuals established by Joseph Stalin in 1942 to drum up financial support from Jews overseas for the Soviet war effort. Two of the more prominent names on the JAC's roster of talent were Solomon Mikhoels, the director of the Moscow State Yiddish Theater, and Ala's father Benjamin Zuskin, the theater's leading actor. After promoting these people during the war, Stalin decided these loyal Soviet Jews were no longer useful, and charged them all with treason. He had decided that this committee he himself created was in fact a secret Zionist cabal, designed to bring down the Soviet state. Mikhoels was murdered first, in a 1948 hit staged to look like a traffic accident. Nearly all the others — Zuskin and twelve more Jewish luminaries, including the novelist Dovid Bergelson, who had proclaimed Moscow as the center of the Yiddish future — were executed by firing squad on August 1952.
Just as the regime accused these Jewish artists and intellectuals of being too "nationalist" (read: Jewish), today's long hindsight makes it strangely tempting to read this history and accuse them of not being "nationalist" enough — that is, of being so foolishly committed to the Soviet regime that they were unable to see the writing on the wall. Many works on this subject have said as much. In Stalin's Secret Pogrom, the indispensable English translation of transcripts from the JAC "trial," Russia scholar Joshua Rubenstein concludes his lengthy introduction with the following:
As for the defendants at the trial, it is not clear what they believed about the system they each served. Their lives darkly embodied the tragedy of Soviet Jewry. A combination of revolutionary commitment and naive idealism had tied them to a system they could not renounce. Whatever doubts or misgivings they had, they kept to themselves, and served the Kremlin with the required enthusiasm. They were not dissidents. They were Jewish martyrs. They were also Soviet patriots. Stalin repaid their loyalty by destroying them.
This is completely true, and also completely unfair. The tragedy — even the term seems unjust, with its implied blaming of the victim — was not that these Soviet Jews sold their souls to the devil, though many clearly did. The tragedy was that integrity was never an option in the first place.
~~~~~~~~~~~~~~~~~~~~~~~~
Ala was almost thirteen years old when her father was arrested and until that moment she was immersed in the Soviet Yiddish artistic scene. Her mother was also an actor in the Moscow State Yiddish Theater; her family lived in the same building as the murdered theater director Solomon Mikhoels, and moved in the same circles as other Jewish actors and writers. After seeing her parents perform countless times, Ala had a front-row seat to the destruction of their world. She attended Mikhoel's state funeral, heard about the arrest of the brilliant Yiddish author Der Nister from an actor friend who witnessed it from her apartment across the hall, and was present when secret police ransacked her home in conjunction with her father's arrest. In her biography, The Travels of Benjamin Zuskin, she provides for her readers what she gave me that morning in Jerusalem: an emotional recounting, with the benefit of hindsight, of what it was really like to live through the Soviet Jewish nightmare.
It's as close as we can get, anyway. Her father Benjamin Zuskin's own thoughts on the topic are available only from state interrogations extracted under unknown tortures. (One typical interrogation document from his three and a half years in the notorious Lubyanka Prison announces that the day's interrogation lasted four hours, but the transcript is only half a page long — leaving to the imagination how the interrogator and interrogatee may have spent their time together. Suffice it to say that another JAC detainee didn't make it to trial alive.) His years in prison began when he was arrested in December of 1948 in a Moscow hospital room, where he was being treated for chronic insomnia brought on by the murder of his boss and career-long acting partner, Mikhoels; the secret police strapped him to a gurney and carted him to prison in his hospital gown while he was still sedated.
But in order to truly appreciate the loss here, one needs to know what was lost — to return to the world of the great Yiddish writer Sholem Aleichem, the author of Benjamin Zuskin's first role on the Yiddish stage, in a play fittingly titled It's a Lie!
Benjamin Zuskin's path to the Yiddish theater and later to the Soviet firing squad began in a shtetl comparable to those immortalized in Sholem Aleichem's work. Zuskin, a child from a traditional family who was exposed to theater only through traveling Yiddish troupes and clowning relatives, experienced that world's destruction: his native Lithuanian shtetl, Ponievezh, was among the many Jewish towns forcibly evacuated during the First World War, catapulting him and hundreds of thousands of other Jewish refugees into modernity. He landed in Penza, a city with professional Russian theater and Yiddish amateur troupes. In 1920, the Moscow State Yiddish Theater opened, and by 1921, Zuskin was starring alongside Mikhoels, the theater's leading light.
In the one acting class I have ever attended, I learned only one thing: acting isn't about pretending to be someone you aren't, but rather about emotional communication. Zuskin, who not only starred in most productions but also taught in the theater's acting school, embodied the concept. His very first audition was a one-man sketch he created, consisting of nothing more than a bumbling old tailor threading a needle — without words, costumes, or props. It became so popular that he performed it to entranced crowds for years. This physical artistry animated his every role. As one critic wrote, "Even the slightest breeze and he is already air-bound."
Zuskin specialized in playing figures like the Fool in King Lear — as his daughter puts it in her book, characters who "are supposed to make you laugh, but they have an additional dimension, and they arouse poignant reflections about the cruelty of the world." Discussing his favorite roles, Zuskin once explained that "my heart is captivated particularly by the image of the person who is derided and humiliated, but who loves life, even though he encounters obstacles placed before him through no fault of his own."
The first half of Ala's book seems to recount only triumphs. The theater's repertoire in its early years was largely adopted from classic Yiddish writers like Sholem Aleichem, I. L. Peretz, and Mendele Moykher Seforim. The book's title is drawn from Zuskin's most famous role: Senderl, the Sancho Panza figure in Mendele's Don Quixote-inspired work, Travels of Benjamin the Third, about a pair of shtetl idiots who set out for the Land of Israel and wind up walking around the block. These productions were artistically inventive, brilliantly acted, and played to packed houses both at home and on tour. Travels of Benjamin the Third, in a 1928 review typical of the play's reception, was lauded by the New York Times as "one of the most originally conceived and beautifully executed evenings in the modern theater."
One of the theater's landmark productions, I. L. Peretz's surrealist masterpiece At Night in the Old Marketplace, was first performed in 1925. The play, set in a graveyard, is a kind of carnival for the graveyard's gathered ghosts. Those who come back from the dead are misfits like drunks and prostitutes, and also specific figures from shtetl life - yeshiva idlers, synagogue beadles, and the like. Leading them all is a badkhn, or wedding jester — divided in this production into two mirror-characters played by Mikhoels and Zuskin — whose repeated chorus among the living corpses is "The dead will rise!" "Within this play there was something hidden, something with an ungraspable depth," Ala writes, and then relates how after a performance in Vienna, one theatergoer came backstage to tell the director that "the play had shaken him as something that went beyond all imagination." The theatergoer was Sigmund Freud.
As Ala traces the theater's trajectory toward doom, it becomes obvious why this performance so affected Freud. The production was a zombie story about the horrifying possibility of something supposedly dead (here, Jewish civilization) coming back to life. The play was written a generation earlier as a Romantic work, but in the Moscow production, it became a means of denigrating traditional Jewish life without mourning it. That fantasy of a culture's death as something compelling and even desirable is not merely reminiscent of Freud's death drive, but also reveals the self-destructive bargain implicit in the entire Soviet-sponsored Jewish enterprise. In her book, Ala beautifully captures this tension as she explains the badkhn's role: "He sends a double message: he denies the very existence of the vanishing shadow world, and simultaneously he mocks it, as if it really does exist."
This double message was at the heart of Benjamin Zuskin's work as a comic Soviet Yiddish actor, a position that required him to mock the traditional Jewish life he came from while also pretending that his art could exist without it. "The chance to make fun of the shtetl which has become a thing of the past charmed me," he claimed early on, but later, according to his daughter, he began to privately express misgivings. The theater's decision to stage King Lear as a way of elevating itself disturbed him, suggesting as it did that the Yiddish repertoire was inferior. His own integrity came from his deep devotion to yiddishkayt, a sense of essential and enduring Jewishness, no matter how stripped-down that identity had become. "With the sharp sense of belonging to everything Jewish, he was tormented by the theater forsaking its expression of this belonging," his daughter writes. Even so, "no, he could not allow himself to oppose the Soviet regime even in his thoughts, the regime that gave him his own theater, but 'the heart and the wit do not meet.'"
In Ala's memory, her father differed from his director, partner, and occasional rival, Mikhoels, in his complete disinterest in politics. Mikhoels was a public figure as well as performer, and his leadership of the Jewish Antifascist Committee, while no more voluntary than any public act in a totalitarian state, was a role he played with gusto, traveling to America in 1943 and speaking to thousands of American Jews to raise money for the Red Army in their battle against the Nazis. Zuskin, on the other hand, was on the JAC roster, but seems to have continued playing the fool. According to both his daughter and his trial testimony, his role in the JAC was almost identical to his role on a Moscow municipal council, limited to playing chess in the back of the room during meetings.
In Jerusalem, Ala told me that her father was "a pure soul." "He had no interest in politics, only in his art," she said, describing his acting style as both classic and contemporary, praised by critics for its timeless qualities that are still evident today in his film work. But his talent was the most nuanced and sophisticated thing about him. Offstage, he was, as she put it in Hebrew, a "tam" — a biblical term sometimes translated as fool or simpleton, but which really means an innocent. (It is the first adjective used to describe the title character in the Book of Job.) It is true that in trial transcripts, Zuskin comes out looking better than many of his co-defendants by playing dumb instead of pointing fingers. But was this ignorance, or a wise acceptance of the futility of trying to save his skin? As King Lear's Fool put it, "They'll have me whipp'd for speaking true; thou'lt have me whipp'd for holding my peace." Reflecting on her father's role as a fool named Pinia in a popular film, Ala writes in her book, "When I imagine the moment when my father heard his death sentence, I see Pinia in close-up . . . his shoulders slumped, despair in his appearance. I hear the tone that cannot be imitated in his last line in the film — and perhaps also the last line in his life? — 'I don't understand anything.'"
Yet it is clear that Zuskin deeply understood how impossible his situation was. In one of the book's more disturbing moments, Ala describes him rehearsing for one of his landmark roles, that of the comic actor Hotsmakh in Sholem Aleichem's Wandering Stars, a work whose subject is the Yiddish theater. He had played the role before, but this production was going up in the wake of Mikhoel's murder. Zuskin was already among the hunted, and he knew it. As Ala writes:
One morning — already after the murder of Mikhoels — I saw my father pacing the room and memorizing the words of Hotsmakh's role. Suddenly, in a gesture revealing a hopeless anguish, Father actually threw himself at me, hugged me, pressed me to his heart, and together with me, continued to pace the room and to memorize the words of the role. That evening I saw the performance . . . "The doctors say that I need rest, air, and the sea . . . For what . . . without the theater?" [Hotsmakh asks], he winds the scarf around his neck — as though it were a noose. For my father, I think those words of Hotsmakh were like the motif of the role and — I think — of his own life.
~~~~~~~~~~~~~~~~~~~~~~~~
Describing the charges levied against Zuskin and his peers is a degrading exercise, for doing so makes it seem as though these charges are worth considering. They are not. It is at this point that Hanukkah antisemitism transformed, as it inevitably does, into Purim antisemitism. Here Ala offers what hundreds of pages of state archives can't, describing the impending horror of the noose around one's neck.
Her father stopped sleeping, began receiving anonymous threats, and saw that he was being watched. No conversation was safe. When a visitor from Poland waited near his apartment building to give him news of his older daughter Tamara (who was then living in Warsaw), Zuskin instructed the man to walk behind him while speaking to him and then to switch directions, so as to avoid notice. When the man asked Zuskin what he wanted to tell his daughter, Zuskin "approached the guest so closely that there was no space between them, and whispered in Yiddish, 'Tell her that the ground is burning beneath my feet.'" It is true that no one can know what Zuskin or any of the other defendants really believed about the Soviet system they served. It is also true — and far more devastating — that their beliefs were utterly irrelevant.
Ala and her mother were exiled to Kazakhstan after her father's arrest, and learned of his execution only when they were allowed to return to Moscow in 1955. By then, he had already been dead for three years.
In Jerusalem that morning, Ala told me, in a sudden private moment of anger and candor, that the Soviet Union's treatment of the Jews was worse than Nazi Germany's. I tried to argue, but she shut me up. Obviously the Nazi atrocities against Jews were incomparable, a fact Ala later acknowledged in a calmer mood. But over four generations, the Soviet regime forced Jews to participate in and internalize their own humiliation - and in that way, Ala suggested, they destroyed far more souls. And they never, ever, paid for it.
"They never had a Nuremberg," Ala told me that day, with a quiet fury. "They never acknowledged the evil of what they did. The Nazis were open about what they were doing, but the Soviets pretended. They lured the Jews in, they baited them with support and recognition, they used them, they tricked them, and then they killed them. It was a trap. And no one knows about it, even now. People know about the Holocaust, but not this. Even here in Israel, people don't know. How did you know?"
~~~~~~~~~~~~~~~~~~~~~~~~
That evening I went out to the Old City again, to watch the torches being lit at the Western Wall for the second night of Hanukkah. I walked once more through the Jewish Quarter, where the oil lamps, now each bearing one additional flame, were displayed outside every home, following the tradition to publicize the Hanukkah miracle — not merely the legendary long-lasting oil, but the miracle of military and spiritual victory over a coercive empire, the freedom to be uncool, the freedom not to pretend. Somewhere nearby, deep underground, lay the ruins of the gymnasium where de-circumcised Jewish boys once performed naked before approving crowds, stripped of their integrity and left with their private pain. I thought of Benjamin Zuskin performing as the dead wedding jester, proclaiming, "The dead will rise!" and then performing again in a "superior" play, as King Lear's Fool. I thought of the ground burning beneath his feet. I thought of his daughter, Ala, now an old woman, walking through Jerusalem.
I am not a sentimental person. As I returned to the stone house that night, along the streets lit by oil lamps, I was surprised to find myself crying.
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dragongirlpoet · 19 days
Text
Dark Signs
Part I
<Read Part II here>
Alucard x female reader
Synopsis: A flirty, playful night with Adrian takes a dark turn. (1.6k words)
TW: Dark fantasy, horror, blood, smut (explicit) 🔞
This is my first attempt at smut, and who better than my bby Alucard as MC. I hope you enjoy it!
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“…And there, in the dead of night, under a moon so maroon, the White Wolf prowled — ravenous. Sturdy were its footsteps, calculated were its gait. Ahead, still as a rosebud in a windless twilight, its prey lay splayed out — helpless. 
Something about its small intakes of breath, its unsuspecting demeanour, made it all the more enticing for the imposing predator. Ever so slowly, the White Wolf, eyes like the golden gleam of a rising dawn, emerged from the thicket, pressing forward, inching closer, closer, closer…”
Body hovering over mine, Alucard’s words were a rasp above my cheek. The antiquated tome he had been reading from now a forgotten humdrum between our bodies. As velvet lips collided into me, I melded into his being. He was a hypnotic wave crashing into shore, and I was but delicate driftwood being dragged underwater.
His kiss was insistent, impatient. I had no escape, no cavity of air to quell the lack of oxygen in my lungs. Still, I kept going, because he was the only breath I needed. My fingers clawed ruthlessly at his back — muscle and bone Herculean from years of battling night creatures and evil forces. Skin so utterly cold, yet I wanted — needed — more.  
His body was a frigid storm to my fervent summer. “You are glorious as the solstice sun, darling. With you I am forever warm, within you I live eternally,” the confession falling easy from his lips the day he had taught me how to hunt.
Faces lost in each other, bodies entwined and limbs tugging like our lives depended on it, Alucard let his hand roam under my nightdress, finally finding solace in the swell of my chest. I shifted slightly at the unusual chill. Was he ever this cold?
Over the months I had become accustomed to his half human intricacies. His unnerving stillness, his undeniable thirst for blood try as he might to hide it, his erratic need to stay up nights in a row roaming the castle “just to be sure…” 
I was no fool. Those witching hours almost always had him back in his childhood room — he would stare, as if entranced, at the spot he had staked his father. And I would see the grief in his eyes — the absolute contrition at his travesty, one he wished he could take back, but couldn’t. 
Alucard, the son of the great Dracula and benevolent Lisa Tepes, the almighty dhampir. A being so beautiful he could bring a kingdom to its knees, yet one so cruelly tormented by his past.
“Baby, eyes on me.” My eyes fluttered open, realising I was lost in the wrong moment. He crashed his lips into mine once again. 
As if in a bid to stop my obsessive thinking, he started to grab at my breast, kneading furiously, thumb toying with my nipple. I leaned in closer, but alas my human endurance had reached its limits and I pulled away for air. 
“I want to know what happened to the prey. I am most opposed to unfinished stories,” I tried to play coy in between ragged breaths. Nose to mine, he wore a smirk on his handsome face. He had a playful glint to his stare — contemplative, as if taunting me to continue with my officious fib. 
Alucard picked the tome up from my stomach, grazing his fingers ever so slightly over my abdomen. He trailed the book slowly down my navel, its cracked spine against my bare skin sent fireworks to my core. I watched with bated breath as the print finally landed where he wanted it — in between my legs. He dragged its spine down, then up again, repeating the motion, teasing, eyes never leaving mine. 
Satisfied with how wet my undergarment had become, he hushed, “I think it better if I showed you instead. Don’t you agree, princess?” 
“Ye..yesss,” 
“Do you like that?”
“Yesss…”
“Open your legs wider.”
I obeyed. Submitting to him was easy. Too easy.
“Let’s see just how wet you are for me, hmm?” 
Without warning, Alucard ripped my soaking cloth off my hips and plunged two fingers inside. I cried out at the shock and how good it felt, and as if by instinct grabbed his hands and guided them deeper into me. Alucard let out a stifled moan at my brazenness, his erection growing fast under his black britches.
He watched with eyes half-lidded, completely spellbound as I bounced into his hand, my breasts rising and falling with every thrust. Body and mind so turned on he reached urgently into his pants and started stroking his length. 
For a long moment we just sat there, eyes locked on each other, legs spread wide, our sex stimulated. And what a profane sight it must have been for our bed chamber was filled with nothing but wanton “fucks” and the squelching of his fingers coated in my lust. 
I fucked myself into his fingers harder, and reached desperately for his cock. With more force than necessary, he caught both my wrists with his free hand and pinned them to my stomach. “That’s for later,” he chided. 
Alucard was usually wary of his inhuman strength around me. But tonight, tonight he was carnal, rough, like an animal being let out of its cage. His knuckles went white with how much pressure he had put on my wrists, and I bit my lip knowing it was going to bruise. 
As if to edge me further, Alucard pulled his fingers out and gazed at them ever so intently, admiring the slather of fluid glistening like diamonds on his digits. If his etherealness hadn’t killed me, then perhaps what he did next would have driven me close to death. With deliberate calm, he brought his fingers into his mouth, swiping his tongue over my juices, savouring every single trickle.
My dhampir, hair like a divine cascade of golden waterfalls, on his knees, drinking my lust as if it were vital sustenance, yet all that he was was in direct contrast to his reverence — powerful, dominant and deadly. I marvelled at his masculine elegance — the way his pectorals tensed as he licked his fingers dry, how his faded sanguine scar stood distinct against his alabaster skin, the definition of muscles that ran down his pelvis…
I swallowed. 
“God, you taste so good. Only for me, yes?” 
“Yesss…” Being thoroughly educated and well-read, I was fairly ashamed it was all the vocabulary I could muster.
And it would seem that more crude words were soon to follow, as Alucard then dove in between my thighs and sent his tongue plunging — deep, depraved — into my clenching walls.  
“Fuuuck, Adrian!” 
Hearing his name sent him over the edge, and he started sucking hard — wet pillow lips against wet pillow flesh. I was heaven and hell collided, rising from it like the luminescent birth of a star. I ground my core into his face, hands grasping his woven-gold hair, willing him to dive further into me. 
Alucard groaned in pleasure against my clit. Powerful, cold hands gripped my thighs apart, and my sweet lover lay soft kisses to the insides, thumbs expertly caressing my sensitive folds. In all his vampire glory, he bared his fangs ever so slightly, sharp teeth just barely peeking through, grazing them over my clit and thighs, nibbling, never breaking skin. I was undone. 
“Adrian…Adrian please…”
“Please what?”
I was all heavy pants and delirious to give a coherent reply.
Head still positioned at the apex of my thighs, his eyes raked over his masterpiece — delicate features coated in sweat, nipples hard from stimulation and the soppy, pulsating cunt laid out like a feast inches from his mouth. What a mess he had made of me, and a mess he was most certainly proud of. 
From in between my legs, Adrian was a fallen angel from a paradise unknown. His eyes like gold afire were so wholly glazed over they looked like one with the smouldering flames nestled atop our chamber candles. 
Patience waning, he asked again. “Please…” humming the words into my clit…“what?” A loud moan escaped my lips. I arched my back in sheer pleasure, feeling the build up in my core.
He dragged his fangs against my thighs, eyes fixated on mine, drinking in my desire. 
“I want…I want…” my chest heaving so violently from how close I was to release.
“What do you want?” Adrian moved to whisper against my ear. This was too much. 
“I want…I want you to turn me.”
Alucard went very still, his pupils blown wide. Everything went very still. The flames lost its dance, the curtains absent of sway.
“What did you say?” His voice was still water with undercurrents of danger. 
His statuesque figure towered over me, pinning me under. 
“I said, I want you to turn me.” 
Alucard held my stare, and as I took them in, an unearthly shadow seemed to lurk beneath those incandescent irises. 
If my question threw him off guard, his unsettling stillness made it clear he wasn’t most fond of surprises. It took a long moment before he finally moved, his supernatural speed having him by the window in seconds. 
Frustration soon shrouded my orgasmic high. I forced my spent body off the reprieve of our mattress. He was going to answer me whether he liked it or not.
“Adrian! You cannot disregard my question any longer! I’ve wanted this from the first time you made love to me, don’t pretend it was never asked of you,” exasperation evident in my tone.
“Peril or not, I am not afraid. I…”
A sudden squall of wind extinguished the flickering flames. Our bed chamber was plunged into chasmic darkness, summoning a bitter chill that seeped through the wooden floors. There, still as a predator hunting prey, hovered the glowing golden orbs of Alucard's eyes, the blacks of his pupils far wider than I’d ever seen. 
“A…Adrian?” 
Part II
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missglaskin · 2 years
Text
Meant to be mine 
Excuse me for the horrible smut 
Tags: Soft dark!Jace OC, mentions & descriptions of parent abuse, character death (poison), childhood to lovers. EXPLICIT: Titty sucking, breeding kink (if you squint), creampie, tummy bulge (mention) Jace really taking after his parents 
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The dragon runs in his blood. Jace won't give you up for anything, even if your hands belong to another. 
To marry well. A constant reminder of your obligations as a lady. Prepare to be disappointed. It's rare for love to blossom in such unions. Marriage is a trade more than anything-whether it's for a shipping fleet or an ally. How foolish of you to think your fate would differ from any lady.
How you've dreamed of having your 'protected' cloak placed around your shoulder to be the sigil of a three-headed dragon. Anticipating facing the man you've known for years. Instead, your 'protected' cloak's sigil is one of a golden lion and your wedding vows are exchanged with another. 
Before the feast could begin, the doors opened, and everyone turned. Seeing the royal family ascend made your breath catch in your throat. They weren't invited. You were certain otherwise their upcoming presence would have been the talk around. Casting a quick glance over your shoulder, seeing your father's enraged face. Jakob Lannister, your newly husband, looked stunned.
Arriving with her husband Daemon by her side, Rhaenyra appears to be as gorgeous as ever. The rest of her children follow after. Your gaze is drawn to Prince Jacaerys. 
Rhaenyra greets your father first, complimenting him on how lovely the wedding seems. She raises the corner of her mouth to smile, but her eyes remain cold. Her eyes warm when she turns to face you. “My dear Y/N.”
Her hand reaches for your necklace-an embroidered lion. "You look as beautiful as ever-we were so excited to have you in the family," she says as her eyes catch your father's. "But alas, I am sure Jakob Lannister is one lucky man to have such a lovely bride."
You mutter your thanks to her as she gives you a gentle kiss on the cheek. Leaving your side, her family follows her. Jace follows. His hand brushed against yours. Your eyes never leave him until your father grabs hold of your shoulder. Your father's hold grows tighter, reminding you of your position. Your duty. 
The family had no seat as no one anticipated their arrival, still the servants rushed to grab seats for them. The other lords and ladies glare at the family when they choose the table closest to yours. 
You and your husband are sitting next to one another. And you repress the urge to look over at the table. The ominous presence of your father serves as a reminder of the consequences if you dared to look. 
When the two approach your table, you try to conceal your surprise. It's Daemon and Jace. For some time, Jace and you just stare at each other in silence. Daemon nudges him to reality. "I'm happy for the two of you," Jace finally speaks with a smile that stops short of reaching his eye. 
“May your marriage be long and fruitful,” he says with almost clenched teeth. Your husband thanks him, oblivious to the tone of voice. With his hands behind his back, Daemon amusedly watches everything that was happening.
Jace looks in your direction and says, "I hope you don't mind, but I'd like to take your 'newdly' wife for a dance." Jakob nods. You wonder how gullible a man can be. Standing up and crossing over the table to accept Jace's hand. 
You hiss at him, "What are you going?" as the two of you descend the hall's steps, but he feigns innocence, "I have no clue on what you're speaking of." You join the other dancing lord and ladies. "Don't play me the fool, Jace," but when you feel your hand on his waist, your words are caught in your throat. The jerk knows what his touch does to you. 
"I'm a married woman now," you continue in a firm tone. Try to have him take this matter seriously. Yet Jace keeps looking at you with the same burning gaze. Stop looking at me like that. You wanted to tell him. Or else you'll crumble. 
His face is much closer to yours than it should be, and his hands are placed much more intimately than they should be. Your gaze turns to your father, who appears indignant over what he is witnessing. It shifts to your newly husband, who is speaking with Daemon, who has now moved to his side where your seat once was. Daemon seems to congratulate him? Is this the same man you've met before.
'Focus on me, not them,' a hand reaches for your cheek, nudging you to look at him. With his breath nearing your lips, you try to warn him, "Jace.". Eyes widening. He wouldn't do it, would he? Certainly not in front of all those people. 
He whispers, "You were meant to be mine, my wife, my sweet wife," one inch closer and his lips will touch yours. Everyone is too absorbed in their dancing, in their drinks, in their conversations to notice the intimate moment between the two of you. He was going to do it. In front of all those people. And the worst thing of it all. You won't try to stop him.
Then your father's voice booms across the court, signaling the start of the play. It was far too early; you frown. But you understood why your father had done it. The crowd starts to scatter, and it took some resistance to escape Jace's tight grip before anyone had the chance to focus on the two of you.
Upon seeing your father's rage, you hurriedly got back with your husband after tremblingly climbing the few steps. The play opens with a man who can allegedly spit fire and swallow a sword. The stunned crowd gasps, but your expression remains the same; unable to concentrate.
As per usual, your husband continues to be unaware of everything, too occupied with drinking his wine. Then it happens. Your husband starts to choke, but everyone is too preoccupied with watching the play to notice. Patting his back and trying to give him more wine, assuming he must have choked on his food.
The coughing, however, only gets worse, and soon he is spitting out the wine. Few around him begin to turn. Your husband is bending over, grasping the table. His cough grew louder and more started to notice.
He stands shakily, revealing his face. You couldn't help but shriek at the sight and now everyone's attention is on you both. His face is fully red now, and some sounds are heard, but he's unable to speak. Unable to breathe. He stumbles, knocking a few things off the table. Then he drops to the ground.
You hear Daemon shout, "Someone help him, you fools," and when guards and members of his family run to help him, you are shoved aside. Covering your mouth at the graphic and horrifying sight of Jakob trembling on the floor, grabbing at his throat, gagging, all the while trying to gasp for air. 
An arm reaches out to you, leaning you on their chest to avoid looking at the scene. Having been in his arms so often, you recognize it to be Jace. Looking up at him-you see his gaze at the sight. A blank expression on his face. No shock. No worries.
Then you hear the cries of grief—Jakob is dead. All claim to be poisoned. Many cooks and servants have been interrogated, and some hanged. Jakob Lannister had few enemies, leaving the one who caused this to remain a mystery. 
What a cruel joke the gods played on you—to marry and be a widow on the same day. You can see the pitiful looks of everyone in attendance at his funeral. And hear the murmurs when you turn away from them. The word "curse" said more than once.
The royal family was present at the funeral, as they were at the wedding. Jace is leaning against the wall with his eyes on you. He is near his great-uncle, or should you say, stepfather. Prior to your arrival, the two appeared to be speaking. Rhaenyra steps toward you, hugging and telling you what a tragedy it is, that if you need any help, Dragonstone will welcome you at any time. 
As time passed, you grew tired of having everyone's sight on you. So you leave, descending the stairs. No one stops you. No one questions where you’re going. As you make your way outside a little further, you are now walking alongside the beach, feet near the water. Holding onto your shawl as the wind blows. 
A touch is felt on your shoulder causing you to jump only to relax when turning to see seeing its Jace. There is a brief silence as the two of you stare; the longing in his eyes is still there. "You grieve for him?" he asks. In regards to the black cloth covering your shoulders. You shake your head. 
"It's custom, Jace," you say, as if it were the most obvious thing. "There's no need for that with me," tugging on your shawl, letting the wind carry it. It falls into the water and is soon lost in the depths as the waves move it back and forth.
"Jace!" You reprimand him, already annoyed at him for that show he put on at your wedding. In the early morning, before the funeral, your father screamed at you for it. Many assumed your teary eyes were you mourning. 
He grabs you as you try to move away. "You're terrified of him." He knows it's your father who opposed the marriage. Your father was a good friend of Lord Hightower, and you often heard his disdain for Rhaenyra. In some instances, you heard him even refer to Jace as "prince strong."
Despite knowing in your heart that you would have married Jace the moment he got down on one knee, you argue that it’s not just about father." Then what is it, he asks. "Jace, marrying you means one day becoming the queen," you tell him, hoping he understands. But the only response you got was an “And?” 
Your father's words are now echoing in your head and you utter them word by word to Jace. How he deserved someone far more worthy, more strong-willed, more powerful. You were neither of those. 
But Jace only shushes your words, holding your face in his hands. He speaks praises of you. How he believes you’ll make a good queen. You find it hard to believe. Then he says, "You're perfect," and it's difficult to accuse him of lying given the way he's looking at you.
He gazes at you with so much love, and before you know it. He kisses you. Oh, how you missed his lips, reaching your hands to the nape of his neck, returning his kiss with eagerness. This was wrong. But could you bring yourself to care when feeling his hands roam your body. 
His lips leave yours soft and swollen. Grabbing your hands, kissing both of your knuckles. Then placing them on his chest, "It's beating for you," he says, "Only you." You found yourself inching near him, closing your eyes when your head lay against his chest. 
You love Jace, truly love him. You love the smile he gives you when you enter the room. The way he surprises you with your favorite flowers. The way he pulls the seat out for you. The way he listens to all your rambles. The way he dries your tears. Would you have ever gotten that from Jakob or any other lord your father tries to marry you off.
On the other hand, you truly despise your father. Never understood and made an effort to learn the language of girls. So badly he wanted a son. Still, you thought you'd make him proud, being the ideal daughter, always obedient and polite. 
So when you ask your father one thing-just one thing. To marry the prince and your father threw the offer in your face. Now you can rest easy, not caring about his disappointment any longer.
"Marry me." You finally utter the words. Whispered so low, but you could tell he heard them from his hands slightly tightening their grip on your sides. Opening your eyes to face him, "Take me to Dragonstone, make me your wife, Jacaerys." And now it’s you who leans in, grazing your lips over his while gently yet firmly holding his cheeks.
Jace returns your kiss intensely, desperately moving his mouth into yours; pouring his entire soul into it. His hands are back to exploring your body, holding you to him as humanly possible. A desire runs from your heart to your inner thighs.
He pulls away and you try to reach for his lips again, but he steps back. You're slightly perplexed when he starts to remove his cloak. Moving further away from the waves, he lays the cloak on the sand. 
And the realization suddenly dawns on you. Here? Now? Even with the possibility of someone finding you. You cast your eyes over the distance where the funeral is still taking place. Still, you take Jace’s hand. Fuck it, you thought. 
Laying your back on the cloak as he climbs on top of you. Feeling his nose nudging yours, you couldn’t help but smile and he returns it, kissing your nose. You tilt your head to allow your lips to meet again. 
Then you sensed his hand reaching for the back of your dress as his fingers roughly pulled the strings holding it together. Your dress descends, revealing your shoulders to the prince. He presses a soft kiss to the skin exposed as he pulls the dress down further, barring your chest.
Your nipples harden when exposed to the cold air. Biting your lower lip at the way his eyes leer over them. No matter how many times he has seen them, he’s always entranced. With eyes closed, he takes one of your nipples in his mouth, tongue darting out to wet the bud before sucking lightly. Gods, sometimes Jace Imagines what your breasts would look like if your belly was round with his child.
You ponder what the people of the realm would think if their future king was ever found sleeping with a widow whose husband's funeral was only a short distance away. Discovered on top of her, his mouth on her chest. 
He closes his lips around your nipple as you exhale a low moan and tilt your head back. You’ve always been so sensitive to his touch as he was to yours. Low moans also slip out of his mouth, seeming to enjoy the act. Possibly even more than you did. Jace would be content to die buried between your legs or with his face between your cleavage. Either way, it’s heaven to him. 
Pulling away, his lips graze yours, clumsily reaching his hands down to untie his trousers. Hearing him curse while struggling to loosen the tight laces makes you chuckle. Reaching to help him, an embarrassed thank you is said under his breath.
Briefly sitting on his knees to pull the trousers to his knees; cock already hard. He pulls your dress up all the way to your hip, exposing your cunt to him. As he reaches down to take hold of the top of his head, slowly pushing it inward an inch at a time, his body rests on yours once more.
Synced moans escape the two of you as his cock slides fully into you. All while, Jace presses tender kisses all over your face. His thrusts are slow, trying to get you to adjust his size. Jace grunts aloud as your walls tighten around him.
You give thanks to the gods that the two of you are far away. You see him biting his lip to contain his loud moans. Still, they can be heard throughout the chilly air. His mind goes numb the moment his cock is buried deep inside of you. 
There are all sorts of words said by him; declarations of love, but all come out slurred as if he's in a drunken haze. His face is buried in the crook of your neck. Thrusting his body, his heavy moans are heard feeling his cock surge through your hole.
His thrusts are becoming sloppy. He's close. His finger moves down,  circling your clit, wanting you to feel the same euphoria alongside him. His cock is deep enough, you can feel the head touching your cervix. 
His lip begins to bleed between his teeth. He’s close. Yet he’s holding himself back, twitching inside of you. He wants you to reach your high first. Then when he feels your walls squirming. How fucking tight you’re. Louder whimpers coming from you. He knows you’re close, too. His fingers fasten in their movements against your clit.
An almost scream erupts from you as you reach your orgasm, eyes rolling back. Removing his wet fingers, leaving your cunt to your hips. Not even moments later, Jace came. Harshly digging his fingers into your hips, you were certain any harder and it would start to bruise.
His lips parted in almost broken sobs, chanting your name as though it were a martyr. He releases a spurt of cum, stuffing your cunt to the brim. A few more thrusts and Jace's body collapses on top of yours. Both bodies drenched in sweat even in the chilly air. 
The only sounds that can be heard are Jace's chest heaving and distant wave sounds. The side of his head is resting against your chest as you run a hand through his hair. I love you. He kept saying it almost as if it were a mantra until he became too exhausted to speak. For some time, the two of you remain in this position, soaking up the silence.
When it's time for you to leave, your thighs are trembling, sticky with dried cum. The two of you try your best to present yourselves as neatly and cleanly as you can. Your hands are intertwined with Jace's as the two of you approach Daemon and Rhaenyra.
The two knew everything they needed to know from both of your swollen lips, Jace's messy hair, and the sand stuck to some of the clothes and skin. As Rhaenyra beams a friendly smile your way, Daemon muses, "I can assume she accepted the proposal." Jace catches your confused look. Were they all on this. 
When it's time for the family to depart, you climb up atop Vermax while Jace holds you fast as the dragon soars overhead. You can just imagine your father's fury, his screams of rage, and the furniture he'll probably destroy in his way. You pity the messenger who has to inform your father about the wedding.
As you soar through the air, you ignore all of your thoughts when you feel the prince's chin rest on your shoulder. With the sun behind you, the wind blowing in your faces. Jace presses his lips to yours as you turn to face him and you part ways while smiling. 
After this, Jace is truly in debt to his stepfather.
6K notes · View notes
tenjikyu · 4 months
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𝘛𝘩𝘦𝘺'𝘳𝘦 𝘖𝘯𝘭𝘺 𝘏𝘶𝘮𝘢𝘯 - 𝘋𝘦𝘢𝘵𝘩 𝘕𝘰𝘵𝘦.
౨ৎ ⋆。˚ Fyodor x Demon!Servant!Male!Reader , HEAVILY inspired by Black Butler , reader is kinda sexual towards Fyodor but I wanted tension between the two bc it’s kinda romantic but also kinda not yk , really improvising on Fyodor’s backstory here bc there’s nothing for me to go off of so it’s probs inaccurate but lay off me please 🙏🏻 , Sky Casino exists before the book for plot purposes.
SPOILERS FOR FYODOR’S ABILITY + RECENT CHAPTERS!
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Fyodor had first met you on the verge of death. A visit from the devil, one could say.
“ PLEASE, SOMEONE, ANYONE, SAVE ME !! ”
The man’s cries were a melody to your ears, and thus you decided to investigate, which led to your current predicament. You were no fool, you saw right through Fyodor’s façade, and you were somewhat intrigued. As a demon, the man’s false screams of agony with each stab wound thrusted into his lithe body couldn’t fool your ears. Whilst in pain, he was in no hurry to save himself. No, he was eagerly awaiting his demise.
And so, you watched from the shadows, invested in the show before you. Blood was shed and organs were spilt, all before Fyodor’s heart was put to rest.
And then, his murderer soon began to morph, his body bending and dislodging in intricate ways. His face swirled and curled itself in. Out came, what seemed to be, a carbon copy of the man you just witnessed get mutilated by, what was now, his former murderer.
As Fyodor took in his surroundings, adjusting to his new body, he sensed another presence he hadn’t noticed beforehand. It was rare for Fyodor to express any form of shock, but someone with the ability to conceal themselves from him for an extended period of time was certainly nobody to fuck with.
And so, he slowly turns around, preparing himself for whoever stands behind him. However nothing could’ve prepared him for what he would witness turning around.
An inhuman entity with large wings, a pointed tail and strong black horns revealed itself to Fyodor. The entity was easily over 9ft tall and had somewhat human characteristics embedded into its form. It stood tall, yet curiosity filled its eyes.
Curiosity filled your eyes.
As you stared at him, Fyodor’s shocked most slowly formed into a smirk.
“What pleasure do I owe such a magnificent being such as yourself? Surely you aren’t just here to observe, are you?” He questions.
“Your screaming intrigued me, and so I decided to take a look into the situation. Alas, you came out unscathed, which means I no longer have business with you.” You reply, and slowly turn around.
Just as you walk away though, a bony hand grasps your own.
“If it’s a deal you were going to offer me, I’m still interested.” Fyodor bargains, his smirk widening.
Oh?
And so, you slowly transfer your body into a more human like state, dawning a black coat, with a white undershirt and black shorts. Discarding your wings and tail, yet keeping your point black horns, you adjust your height to better accommodate communication with him.
“What did you have in mind?” You enquire, a smirk of your own now gracing your face. You wanted to know what it would take to earn this man’s soul, because god did it smell delicious.
“Play the role of my servant. You shall never betray me and will treat me as if I’m your God. You will do my bidding and will do whatever I ask of you. In my journey to achieving my goal, you shall never leave my side.”
“And how should I prove my loyalty to you, sir?”
“I think we both know the answer to that.”
And so, a deal with the Devil was signed.
As written in your contract, you obediently stood by his side for many centuries to come. The two of you had a rather intimate relationship, but it was nothing more than lustful advances. Other then carrying out his desires, you dispersed of anybody standing in his way of obtaining what he wanted. As the years went on, you had lost count of how many human lives you discarded and how many nails you removed from fingers. You seduced princesses, murdered guards, tortured bandits for information, and all the while, you watched Fyodor’s plan slowly set into motion.
As centuries past, allies and foes came and passed, yet none of that mattered to you. You could and have killed hundreds of humans and feasted on their mediocre souls, however none compared to that of Fyodor Dostoevsky’s. His soul was a diamond in the rough, a premium amongst brass and copper, if you would.
And so, you followed both him and your contract without complaint. It’s not like Fyodor was a boring or difficult master. There was almost never a dull moment with him, and your loyalty knew no ends when it came to getting what you ultimately wanted.
Somewhere along the way, you suspected you harboured feelings for the Russian. You wernt sure exactly what kind, but you knew that each time he was put at risk, even knowing his ability, you couldn’t help but interfere.
Which brings us to where the two of you are now.
“Fyodorrrr, wanna play a card game with me?” Nikolai’s bubbly voice boomed through the Decay Of Angel’s headquarters. You held a somewhat fond feeling for Nikolai, despite not interacting with him much.
“Cmonnnn, you’ve been staring at a computer screen for days! Your eyes are gonna go SQUARE! SQUAREEE!!” He exclaims, his arms flailing around like a mad man.
“If you’d like, I can handle the Jester whilst you continue what you’re doing.”
“As useful as ever, dear (Y/N)”
“If not a useful asset to you, Demon Fyodor, what am I worth?”
“You’re worth everything, my dear.”
“How you flatter me.”
His pretty words do little to your synthetic heart, however you adhere to the puppet strings he’s attached to you and play your part well, knowing Fyodor may be in a mood tonight.
“Hey Nikolai, how about we go up to the Sky Casino and visit Sigma? We haven’t seen him in awhile and it’s not going to be long before we set out to go get that silly little book the boss wants.” You reason with the jester, smiling at him.
“A wonderful idea, lovley (Y/N)! I know what you’re doing, distracting me from disrupting the grumpy Fyodor’s tech work, however I’ll humor you for now.” He concludes, grabbing your arm harshly and spinning away into his cloak.
“How’d you end up as a butler for that constant-stick-up-his-ass Fydor? If anything (Y/N), you should be ordering him around.” Sigma states bluntly, just the two of you alone. Nikolai was off bothering the Casino guests and Sigma had learned to just let him do as he pleases.
There’s no restraining something that doesn’t have the ability to be restrained.
“I simply admire Fyodor and his goals. He piqued my interest, and so I broke down his walls and forced my way into his life, eventually leading him to take me on as his underlying.” You lie through your teeth. You knew Fyodor had some sense of worship towards you, which was almost funny. The man who preached God had a sense of devotion to a demon from the pits of hell.
How ironic.
Sigma only hums in your response, seemingly satisfied with your answer. You inch closer to him on the couch you were both resting on in his private quarters, and toyed around with his artificial hair.
You knew Sigma wasn’t human, and part of you knew that he knew you were no less human then he was, yet he never addressed it.
The man in question only glared at you, but decided against telling you off. You were always quite touchy, especially when it came to Nikolai or himself. Often toying with his hair or pinching Nikolai’s cheeks, however it was rare of you to even touch Fyodor without his explicit consent.
“If you want Sigma, I wouldn’t be opposed to showing you why Fyodor keeps me around after the suns sets”
You tease at him as sigmas face instantly turns into that of shock. You smirk and shuffle away, giggling as he whacks your head with force.
“As if I’d even consider getting into a bed with a freak like you, go mess around with Nikolai or something, because I have work I need to catch up on.”
You watch as he struts away, his heels clicking against the tiles of the Sky Casino. You were only half joking about getting into bed with Sigma, he was defiantly a sight for sore eyes.
You can imagine just how livid Fyodor would be if he found out though, after all you were his property by contract.”
“Oh well, I guess I better go collect Nikolai, we’ve got a long few weeks ahead of us.”
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I feel like I didn’t do this idea justice at all wtf I’m so mad abt this. The original idea I had for this was a LOT more spicy though so ig I can’t really help it 😒
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