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Okay this post was originally supposed to be longer and going into more depths of the subject but I decided to separate it in parts. Because I cannot write that long of an essay in one day lmao
But anyway here's part one
Wohoo
Why Adam from Hazbin Hotel Not Coming Back In Future Seasons Doesn't Make Sense (To Me)
Part One: Logical Problems
Now this section, even though it is still my favorite in the parts, can be fixed easily if Vivienne just gives a logical answer to all of it. But it is just my perspective and what I saw from this show.
Let's get started yippie
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A: Him not coming back contradicts the show in my opinion.
-You see, when Sir Pentious died to Adam's holy light, all the other characters react like they think he's one hundred percent gone. And it was previously stated by Vivziepop that sinners cannot die unless it's from an angelic weapon, otherwise they just respawn somewhere else in Pride hence why the exterminations exist.
So this implies that Sir Pentious died permanently here, from an angelic attack and then became a winner, in other words respawned in Heaven.
Then.. Why can’t Adam, someone who we know (for now) that died to a weapon designed to kill souls permanently, come back exactly Vivzie? This doesn't make any cucking sense for me. Why are you showing us that a soul can rise after being perma killed, but then treat as if the other Alex Brightman died permanently and now there's no way for him to come back?
-"But maybe they didn't know that Sir Pentious could come back, they just learnt that angels could be harmed. (Yes someone literally said this)"
Oh you mean these characters, who include the Princess of Hell and a literal ex exorcist, don't know about one of the core reasons why exterminations are held in the first place?
Suure.
-"You wouldn't be sad and attack the person who did it if someone killed your friend even though you knew they'd be back? Their reactions don't essentially translate to them not knowing about the permanent death thing."
I would and I can definitely understand them still being incredibly devastated and going feral about his death even though it’s temporary, but then why does the show treat Pentious' death like something these characters think is permanent? Why does Charlie refer to his death as “Ultimate sacrifice”? Hell, this entirely contradicts the sense of finality and sorrow his sacrifice had.
And to add to both questions, why would Adam come to the exterminations with a weapon that doesn’t kill sinners permanently? Specifically one where he knows that there’ll be folks that will try to fight them and folks he would be more than pleased to wipe out permanently?
-I know I sidetracked to talking about Sir Pentious more than Adam here, but since he is the only soul we know that changed the place he was in afterlife he is the most relevant character when it comes to this discussion about Adam in my opinion.-
-”We don’t know if angel souls are equal to sinner souls when it comes to this. Maybe the angels simply cannot be killed unless it is permanent, and the show actually hints at this given everyone thought that the angels were invincible.”
This is the only argument I can get behind actually. But it is not because it’s a valid one for the right reasons, it is the only one that makes sense to me because the writers were lazy on this too.
Then what happens when an angel is harmed with a non-angelic weapon? -Also maybe off topic but what makes something an angelic weapon? We see Cherri Bomb throw bombs at them or okay maybe angelic bombs are a thing, but Charlie shoot-kills the exorcists with the fireworks that come out of her fingers?- Do they just.. Respawn? Or it just doesn’t hurt them? Then wouldn’t a character as smart as Vaggie would’ve figured out that they can very well be killed permanently if they are able to get hurt?
Not answered. And it’s not helped by how the show openly portrays winners, which may I remind you Adam is one no matter how powerful he is, as the complete opposite of sinners, which would take you to assuming the angelic steel works like it does on sinners for demons. It just doesn't make sense to me.
And it wouldn’t make sense in the next section either.
B: Him not coming back doesn’t make sense in the story or the worldbuilding in my opinion
Just a little disclaimer, I’m not all means a professional media critic and do not say what I say here comes from that distinction. It's just me sharing myself lol.
Also I may use the terms incorrectly due to my broken English skills.
-Okay. So what is Hazbin about? Demons getting redeemed and therefore getting into Heaven for becoming better people, right? Also showing us that everyone can change and they shouldn't be seen as who they are at the moment and they all deserve a second chance.
At least that's what I get from the show. Now..
Why isn't the previously good now bad, being punished at the same level the previously bad now good is being rewarded? Why are you saying that becoming bad would give you an easy escape through death, while becoming good can get you to somewhere better?
Being on Hell is a PERFECT way to punish corrupted holy souls. Because you often become corrupted in the way of arrogance in Heaven, and now you're humored by the universe and by the people you used to mock and see yourself above as but this world's ways don't allow that.. Okay?
Speaking of, this also frustrates me on the world's mechanics and how they work. Sure, it can be that way, but.. Sorry if thinking about a "Divine Judgement" that makes you rise for being good but doesn't make you fall for being bad doesn't make sense in my book..
I can't express my point in this one quite well like I did with the other one but it just melts my brain dude. Like on one hand, on the positive hand, you're saying that if you're on the bad side you can change for the better and that's what matters, but you can't change from good to bad and have the same levels just negative and simply.. Die??
I just.. Can't. Sorry if this part is messier.
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So this is it.
Will be multiple parts stay tuned ig
@things-arent-what-they-seem66 @beef-brisket
yea im delulu sue me
#rant#hazbin hotel adam#hazbin adam#hazbin hotel#adam hazbin hotel#adam hazbin#sinner adam#why adam should come back
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching reading. Today's choice: 死亡万花筒 / Kaleidoscope of Death.
Kaleidoscope of Death is a 2018 Chinese webnovel about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.
This novel was gripping. I could not put it down. It started out fun and ended up ripping out my heart several times. It does a good job getting the ball rolling with a series of adventures in weird worlds, then turns into a meditation about grief and loss and what it means to have something to lose in the first place.
This is the first time I've ever done a book rec! I'm doing it in conjunction with a rec post for the Spirealm, and originally I was just going to do this as a bonus section for that post. However, I felt they both deserve whole different posts, because they both have very different things to recommend them. I also think Kaleidoscope of Death a 100% necessary read if you've seen the show, because it provides some context that the show simply cannot include -- but it's not a necessary read before you see the show.
Therefore, I'm going to give you five reasons I think you should sit down with this one, and not a single one of these reasons is going to assume you've watched the Spirealm! The book is great and deserves to be read on its own merits, and then if you then start watching the drama afterwards, so much the better.
1. All the Cross-Dressing
(Yeah, I'm going to punctuate this one with screencaps from the Spirealm, because otherwise it's just a wall of text.)
I'm not going to tell you why the male characters frequently dress and pass as women, since the book explains the practicality of it better than I could. You just need to know that they often do, and it's never not kinda hot when it happens.
When you first meet Ruan Nanzhu, it is as Ruan Baijie, a stunningly beautiful and noticeably tall woman. Lin Qiushi, our POV character who is extremely confused for a number of reasons, spends the first whole arc talking and thinking about Baijie like she's a girl. In fact, one of the cutest things about sweet, earnest Qiushi is that he clocks Baijie several times, and every time he's just like, oh, she's so flat-chested, how unusual for a girl, anyway...
And this isn't even just dressing up! Stepping into the door worlds changes you physically based on your clothing and cosmetics. Nobody inside looks the same as they do outside, and nobody looks the same inside as they did last time they were inside. The rules that govern these transformations aren't even clear to the characters themselves! So, you know, have fun with that.
I'm going to say it's not an out-and-out trans thing, in that we're not dealing with an AMAB egg who will crack someday. Ruan Nanzhu is a very male-identified, penis-having man! He's just also pretty entertainingly comfortable with performing whatever gender makes him the most fuckable person in any given room. Lin Qiushi is not so inherently genderfluid, however, which means that when his gremlin sort-of-boyfriend makes him pretend to be a girl, it's a completely different kink.
Therefore: If you like it in any way when boys dress up like girls, you owe it to yourself to pick up this one. And if you like a fandom that likes it when boys dress up like girls, baby, welcome to the world inside the doors.
2. Those boys GAY
This is a textual romance. Lin Qiushi and Ruan Nanzhu are in love. This is a danmei novel about how they fall in love. There is kissing and there are fade-to-black scenes that explicitly acknowledge that the two of them have sex with one another. We even know that Ruan Nanzhu (usually) tops. This s not just me pointing at them and saying gaaaaaaaaaay. This is actual gay.
And it is gay that takes its fucking time. They do not actually hook up until well over halfway through the book, but they are physically affectionate from almost the get-go. Ruan Nanzhu is such a trickster and a liar that Lin Quishi finds it hard to believe that anything he does is sincere, which leads to nearly lesbian levels of wondering if it means anything when a guy demands you kiss him on the mouth when he's pretending to be your girlfriend. Meanwhile, Ruan Nanzhu is over here being the Kate Beaton comic about sitting here consumed with lust all evening.
Even once they both acknowledge what they're feeling for one another, they don't get together right away. After all, they're playing a game of life and death where they lose friends left and right. Every time someone goes inside the door, there's a real chance they won't come out again. Is giving your heart to someone worth how much it will destroy your entire life when you lose them?
(Yes, says the book. Yes, it is worth it.)
The slow burn of their relationship is delicious, in part because the physical (though not sexual) aspects of it predate the romantic ones. It also has the fun hot-and-cold aspect where Ruan Nanzhu is incredibly affectionate inside the doors, then icy outside of them. Poor completely inexperienced, never-been-kissed Lin Qiushi does not know what to make of any of this. He can barely manage parenting a cat. He does not know how to handle a boyfriend who is also a girlfriend who is also (spiritually) a cat.
I also find it charming how much the gay part of it both is and isn't an issue. It's not that Lin Qiushi has a problem being in love with a man; however, the fact that Ruan Nanzhu is a man does mean the heteronormally indoctrinated and relationship-inexperienced Lin Qiushi takes much longer to realize what exactly those feelings he's having are. The book's world is one where heterosexuality is the assumed default, while queerness is unexpected but everybody's still pretty cool with it. Besides, no one's going to judge Lin Qiushi's gay yearnings, because who doesn't want to fuck Ruan Nanzhu?
3. HAKO ONNA HAKO ONNA HAKO ONNA
So as I was reading through @zintranslations' earlier chapters, I kept seeing translators' notes down at the bottom about being so excited to finally get to the Hako Onna arc. Okay, I thought, this is a lot of hype; I hope it doesn't disappoint.
Friends, it does not. This is the arc I was reading while screaming into a pillow. It's thirteen chapters long, tied for the longest arc in the book with the first door. It is a fucking nail-biter. It does the clever thing of taking all the things you've learned about what can happen inside the doors and combining them for a worst-case scenario.
The setup is pretty simple: There's a bunch of boxes. One has the exit. Most are empty. Some have things that help you. Some have things that hurt you. The more things you find that hurt you, the more things there are to hurt you. And you have to open the boxes.
All the door arcs are pretty well-written, so that you can more or less play along with their various adventures. Hako Onna, however, is exceptional. It's so complicated, but you can actually follow it. And you need to be able to follow it, because the multiple emotional gut-punches that happen in this arc all depend on understanding how the rules of the game have just been leveraged to fuck someone over.
Now I really want to play the board game -- which I was pleased to discover is a real board game! And speaking of board games...
sidebar: Betrayal at House on the Hill
I know this isn't technically related to the novel at all, but if you like board games, horror, and being incredibly dramatic, you owe it to yourself to try out Betrayal at House on the Hill.
It goes like this: You and several other horror-movie archetypes wander through a mansion, "building" it as you explore it, so the game layout is different every time. At some point (and it's based on so many random factors that you never know when it'll be) someone triggers a condition, and the haunting begins. All the players then get the rules of haunting explained to them -- except for one player, the one picked to do the titular betrayal, who gets a different set of instructions and becomes the antagonist. From that point on, the game is about either surviving or completing the haunting, depending on which side you're on.
I have played this game before with normal board game people, and they were like, eh, this is fine. I have also played this game before with theatre kids who RP and LARP, and we all had a fucking blast. So I'm going to warn you that you have to choose your crowd carefully. This is a game for people who do improv and voices.
4. The art of losing isn't hard to master
The book has a high body count -- higher than the show's, in fact, though that's related to how the book also has more characters than the show does. When you meet someone who can go into the doors, be careful how much money you'd lay on their survival.
Death after the doors comes so quickly, too. There's barely any time to say goodbye, if there's even any time at all. Often there's just a phone call telling our main characters that one of their friends or allies or enemies is gone.
Everyone who gets the chance to go through the door worlds is only able to do so because they're dying already. The more doors they pass, the more they get to kick that death further down the road -- but the more doors they enter, the more chances they take that they might die inside one. So really, none of the players can be that resentful of being forced to play a game that can kill them, since they're already playing it on borrowed time.
I will say, somewhat cryptically, that the book has a positive ending that leaves open the possibility for other positive things. The path to that positive ending, though, leads through some pretty wrenching takes on living through grief. It's not even all rah-rah and it-gets-better, either -- the text acknowledges many times over what it means to have someone that life isn't worth living without.
And that's maybe not what you expected from a BL horror adventure webnovel, but it's what you're gonna get! Ha ha!
5. What He Is
Which is the title of the first extra chapter, which is not extra at all, but is in fact a necessary explanatory piece that whacks you upside the head like a two-by-four and recontextualizes the entire story.
...Yeah, that's all you're going to get from me about that. You'll understand when you get there.
Have you put it on your reading list yet?
The way you have to read it is a little convoluted: @zintranslations has chapters 1-17 and 63-end + extras. Taida Translations has chapters 1-62. So no matter where you start reading, you're going to have to switch sites at least once.
There are also apparently Portuguese, Indonesian, Russian, and Spanish translations too? And the original Chinese webnovel, of course. And some audio dramas and subs linked to from this Carrd, which helpfully has other information, like content warnings for specific chapters, in case the horror aspect of the story gives you pause.
Anyway, once you're done reading it -- or even before you're done! -- you should absolutely go watch the Spirealm. I think it's clear from both rec posts that I definitely like the book better, but I appreciate having the drama to bring so many scenes to life, and I think the casting is great. Also, I don't think reading the book makes you like the drama less! Rather, I think reading the book gives you insight into the awkward and sometimes terrible choices the drama had to make to survive -- which in turn gives you the ability to see through those choices, on to what the show always wanted in its heart to be.
I do find it funny how "Kaleidoscope of Death" and "Death's Kaleidoscope" technically mean the same thing, but they sure read different, don't they?
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Beginner’s Guide to Hellenic Polytheism
I KNOW this is a really long post but my intention was to just note down everything that I think is important for beginners and that’s A LOT. It took me forever to learn some of these things but they’re so important, so buckle in. I hope this helps some people.
If I’ve missed anything, please feel free to let me know what you’d like me to add. I’ve been working on this for two days, so if there are typos, I’m so sorry.
The sections I cover here are key terms, mythic literalism, deity work vs deity worship, FAQs and General Advice.
Some Key Terms
Hellenic Polytheism: Hellenic means Greek, and Polytheism means worshipping multiple gods. So, Hellenic Polytheism is the worship of the Greek Pantheon which is also referred to as the Theoi. The religion is also referred to as Hellenism, Hellenismos, or abbreviated to Helpol. The people who practice could be referred to as Hellenic Polytheists, Hellenic Pagans, or Hellenists.
Hellenistic: you may see the term ‘Hellenistic Polytheism’, but this is my PSA to ask people not to use that, as it’s incorrect. Hellenistic refers to a specific period of Andient Greece, from 323-32 BC, and your worship is almost definitely not specifically focused on that period.
Ouranic: this is the term for the heavenly gods. Be aware that there is some overlap between Ouranic and Chthonic deities. Whether a deity is Ouranic or Chthonic will effect things like prayer position (palms up for Ouranic) and whether offerings can be eaten or drank (yes for Ouranic)
Chthonic: this is the term for the underworld gods. Be aware that there is some overlap between Ouranic and Chthonic deities. Whether a deity is Ouranic or Chthonic will effect things like prayer position (palms down for Chthonic) and whether offerings can be eaten or drank (no for Chthonic) side note - when it comes to hero worship, I personally treat them as if they’re chthonic.
Kharis: this means reciprocity, and also refers to the relationship formed between us and the gods. Arguably the most important aspect of Hellenic Polytheism is that when you ask something of a deity, you must give an offering in return. Size of what you’re asking for should correspond to size of the offering, or if you’ve given many little offerings without asking for anything you can use that as why you should be given the Big Thing.
Xenia: guest-friendship, hospitality. The idea that any stranger could be a God in disguise, so treat everyone respectfully. It’s an Ancient Greek social custom that a lot of Hellenic Polytheists see as important today. Simply put, in modern times this most often just means being kind to strangers. There’s a lot more to it than that though, so look here. Know that Xenia is a two-way thing, so you have to be generous to your guests but they must also respect your home.
Eusebeia: basically, piety. Respecting the Gods. This is really the only ‘rule’ of Hellenic polytheism. There’ll be different ideas of what is considered respectful, but as long as you have good intentions and don’t do anything you KNOW would be offensive, you’re okay. Don’t insult the gods (any of them), don’t ask for anything without offering something else, and don’t treat yourself as equal to or higher than the theoi.
Hubris: excessive pride or dangerous overconfidence, often the fatal flaw of a lot of Greek heroes in mythology. Specifically, this is when you act better than or equal to the gods. You are not.
Libations: a type of offering, in the form of a liquid. Usually poured on the ground but can be drank (unless it’s to a chthonic deity) if you’re a closeted Hellenic polytheist who can’t just pour some liquid on the floor every time you want to offer it. My advice for food offerings/libations to chthonic deities if you’re not openly a hellenist is to offer leftovers, rotting food, or something you otherwise know will go to waste.
Altar: traditionally a place used to put physical offerings and food offerings for deities. Some people have an altar to each deity, some people have one altar for all their deities. These can be as big or as small as you want. People may use shelves, drawers, boxes, windowsills, etc, and I don’t even use mine for food offerings, only for physical ones because I usually eat the food offering (I don’t like the idea of wasting food). My altars also just serve as a dedicated space for that deity in my life.
Hero worship: this is the worship of ‘heroes’ in Greek mythology, which includes literally any mortal. For example, I worship Odysseus of Ithaca, Penelope of Ithaca, Helen of Sparta, and Tiresias of Thebes. I’ve been asked a lot about how hero worship differs from deity worship, and you can find that answer here.
Devotee: there is a lot of disagreement on what the difference between a devotee and worshipper is, but for me, I’m devoted to Athena as I feel I have the closest bond with Her of all my deities and I honour Her the most. This partly comes from my feeling that She has been with me for much longer than I’ve been aware of Her presence, and that also so much of who I am and what I value comes under Her domains.
Patron: this basically means that if part of your identity comes under the domain of a deity, then that deity is your patron. There can be occupational patrons (like Hermes is the patron of merchants) or to do with things like gender (Hera is a patron for women. Yes this includes trans women, transphobes are not welcome here.) You can have more than one patron, and you don’t need to worship all of the deities who would be considered your patron.
Epithets: these are titles given to deities. There are two types - cult epithets, which describe the aspect of a deity you’re focusing on (like Athena Ageleia, meaning ‘Protector of the People’) since they have a lot of domains and it’s important in prayers to specify what you want. Then there’s poetic epithets, which are adjectives, often used to compliment a deity. I like using these to make my prayers seem more sophisticated to be honest (example: white-armed Hera)
Unverified Personal Gnosis: gnosis is spiritual knowledge. If it’s unverified, that means that it has no basis in historical sources as far as the person is aware, and they don’t know anybody else who has the same experience. You will often see this abbreviated as UPG. Personally, I think UPG is really valid, considering a lot of things are unknown to us due to the loss of sources overtime.
Shared Personal Gnosis: gnosis is spiritual knowledge. Like UPG, Shared Personal Gnosis (often abbreviated as SPG) doesn’t have any historical backing as far as the people who believe it are aware, but it is shared by multiple different people and therefore seen by some as more valid than UPG (though I’d argue that all SPG is UPG before you know that other people agree)
Verified Personal Gnosis: gnosis is spiritual knowledge. It being verified means that there are historical sources to back up the belief, and this is commonly abbreviated to VPG. You are more likely to come across the terms UPG than SPG or VPG, and most of what Helpol people on tumblr discuss is UPG, even if they don’t state that directly.
Reconstructionist: these are people who try to ‘reconstruct’ the ancient religion, recreating ancient rituals as best they can and doing things as close as they can get to how the ancient Greeks did based on our historical sources. An important note here is that we will never be able to do this perfectly and that’s okay. For example, I would hope none of us are making animal sacrifices.
Revivalist: these are people who try to recreate the ‘spirit’ of the religion, though not with the exact practices that the Ancient Greeks used. Revivalists are more concerned with the values and beliefs of the ancient religion than they necessarily are with how it was practiced. I personally feel like I fall somewhere between the two, but I also think both are really valid!
Mythic Literalism
Mythic Literalism is the idea that the stories we see in any mythology actually occurred. In Hellenic Polytheism, this is not how we tend to look at the Greek myths. And it’s not how the ancients saw them either.
Greek mythology has always been interpreted as symbolic. For example, Hades kidnapping Persephone is mostly accepted to be about mothers in Ancient Greece being separated from their daughters once they marry. It does not mean that Hades, the God, kidnapped Persephone, the Goddess, and that people who worship Hades are evil because Hades is a kidnapper. This myth can also be interpreted through the lens that death separates families.
This is important because the Gods all do things that are, by today’s standards, incredibly immoral - and a lot of them were even immoral in antiquity. It is important to not take the myths literally to avoid feelings of guilt over worshipping something horrific.
And yes, this applies to Zeus. He is not a rapist, He’s a male fertility god. In myths he does bad things because he represents kings and kings can abuse their power. Things like that.
But it’s still good to research the myths! It’s good to learn the ways in which these deities were understood and what their domains can represent. Myths also help us to feel more familiar with our deities. Additionally the myths tell us not to be hubristic, and things like the Iliad tell us about Oaths and Offerings and Xenia. These are important parts of helpol.
Deity Work vs Deity Worship
I’m going to preface this section by saying that I worship deities, I don’t work with them, so even though I’m doing research on this please take everything I say about deity work with a grain of salt and note that the rest of this post might apply more to worship, because that’s what I’m familiar with. Lastly, my intention here is not to place a value judgement on either type, I just want to try and make a full explanation for anyone out there looking for one, since I’ve found it to be kind of difficult to find.
From my understanding, deity work is common among witches, and usually involves asking a deity to help with your spells or other forms of magick. When you work with a deity, you are asking them to mentor you in a sense, and there’s often a specific goal in mind that they’re hoping to achieve with help of the deity. Additionally, because of that goal-oriented relationship, deity work has deadlines(?). Like, once you’ve achieved the goal you had, the deity will stop working with you
There are similarities, as both seem to involve reciprocity and offerings, and both involve cultivating a relationship with deities, even if the nature of that relationship and the reason for offering is different.
Deity worship doesn’t have a set end-goal. You CAN stop actively worshipping a deity, but this doesn’t usually come after a specific goal is achieved because there isn’t a goal in mind. Worship is more about honouring the deity. Khakis is built out of admiration, respect and love for the deity. This is why we pray, make offerings, etc. it’s all to honour the gods. We do ask for things in deity worship, but that’s not the entire point like it is for deity work.
FAQs
Do I need to be called to worship/work with a deity?
Nope! You are 100% allowed to reach out first. You can do that by praying or making an offering. Remember to research the deity first, so you know what epithets to use, know what symbols they’re associated with, have ideas for offerings, etc. Also, if a deity calls to you, you are not obligated to worship them. Acknowledge them and move on if you don’t have time, energy, or interest in worshipping them at that time.
Where can I find information on deities?
The main site that I think everyone uses is theoi.com, which has really in-depth pages on a lot of deities, with their myths, lists of epithets, family trees, etc. it’s a really useful resource!
Do I need an altar?
No. They’re nice to have but you don’t need one straight away. It took me two years of worshipping to get any altars, and even now I don’t really use them how you’re ‘supposed’ to.
Are there any sins in Hellenic Polytheism?
No, just don’t disrespect a god (don’t disrespect any of them, even the ones you don’t worship should be respected). Also don’t show hubris.
Deity X and Deity Y don’t get along, but I want to worship both, what do I do?
Disregard mythic literalism and remember this is a polytheistic religion. The gods know they are not the only god you will be worshipping, and they are chill with that. If you really want, you can separate their altars if you have an altar per deity, but it’s up to you completely.
Other General Advices
This post is a starting point, nothing here is very in-depth. Do more research if anything on here is still confusing to you. Feel free to ask people here on tumblr, I’m sure most of us would be happy to help.
Don’t believe everything you see on tiktok/tumblr. We’re all still learning, a lot of us are wrong about stuff. Do other research and let yourself form your own beliefs. As I’ve said, even parts of this post should be taken with a grain of salt. I’m no expert, I just want to try to help.
If you’re going to make your own posts about helpol stuff, advice I’ve seen before that really stuck with me is ‘keep some things scared’. You don’t have to post everything. I, at the moment, don’t post my prayers or photos of my altars. Those things are what I keep scared, you should have your own things. They don’t have to be the same as mine.
You have nothing to be afraid of. The gods can be intimidating when you’re starting out, but they know we don’t have as much readily available information about this stuff as the ancient greeks did. They also know you’re new, and they will be patient with you. Don’t be scared.
You can offer anything. Digital offerings are as valid as physical offerings. Devotional acts are valid too.
Know that you will never be done learning. Accept this and commit to trying to learn anyway.
Know how to tell signs from the gods apart from just General Happenings of the world. Here is a good post on that. I have a series on my blog tagged #signs from deities, to show the kinds of things I personally recognise to be signs and to show how frequently/infrequently those can occur. I would suggest keeping your own record of those, whether or not you share it is up to you. The reason is to reflect on your journey and, if you ever doubt your gods, you can look at those lists to remind yourself of how they’ve been there for you previously.
Doubt is healthy, it’s okay to doubt things. Don’t feel bad for this, the gods understand. Let yourself question everything you feel the need to question.
Similarly, anger is healthy. It’s okay to be angry at the gods, but don’t disrespect them because you’re upset. Handle your anger well. You won’t get punished for being upset.
The Hellenic Gods aren’t generally believed to be all-knowing, however it is believed that they can hear us when we call their names, which is why prayers start with invocation of a deity’s name and an epithet.
#hellenic polytheism#hellenism#hellenic deity worship#theoi#hero worship#deity work#hellenic paganism#kharis#baby hellenic polytheist#beginner’s guide to helpol#greek polytheism#polytheist#mythic literalism#hellenismos#resources
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So I’m not going to touch on any of the opinion part of this, I just wanted to provide the context of this spread because there are conclusions being reached from it being out of context.
The thing about the Veilguard artbook is that it is separated into three parts. The three main “eras” so to speak, of its decade long development.
- Part 1: Inquisition era during and post
This is stuff they concepted out while Inquisition was in production and shortly after
- Part 2: Joplin
This is the very early iteration where the sequel got the code name, and before it was halted for the team to shift their attention to Andromeda.
- Part 3: The Veilguard
This covers development time period when the code name for the game was switched to Morrison. This covers both the live-service version and the pivot to single player.
This spread in particular is concept art in the Joplin section, under the subsection titled Early NPCs. Meaning that not all concepts in this section, more specifically this spread, were meant to be companions. This section and spread covers named npcs, companions, and exploration of factions.
Imshael as far as I can tell from the concept art commentary was not supposed to be a companion. Calpurnia yes, Imshael no. Especially when you consider that you can kill him in dai, and they never have a quantum character of that caliber return as a companion (if they died in slides during the dao/awakening era those aren’t hard canon. That’s a whole other can of worms). Meanwhile, Calpurnia is more ambiguous in whether she lives.
In terms of how separated datv is from previous material, it really isn’t that different. There are less cameos (which personally I appreciate) but it is overall on par with da games. Especially default world states.
That said, for context, da games that we have concept work for always heavily reference previous installments and additional media. But it always gets parsed down as they calculate how many players are likely going to know that reference. We saw it particularly with Cole’s storyline in dai if you want a good example of how previous material reference gets whittled down. Or how they cut the Architect from dai because it had been 5 years, and they didn’t think enough people would know him.
Anyways, that’s the context of this stuff.
Someone on reddit posted a pic of the concept art characters from the DATV artbook and I'm just...so tired and disappointed.
We could have had Calpernia as a companion, not even mentioning Imshael.
This clearly shows that they initially - in whatever iteration of the game it is - cared about incorporating aspects of previous games. Imagine having Calpernia, Harding, and Imshael as companions and not having them comment/acknowledge the events of Inquisition! Imagine Calpernia talking and giving insight into Corypheous or Samson, or arguing with Harding in banter! Imagine Imshael talking about Michel deChevin or complaining that the Inquisitor stabbed them! Not to mention the other concept art that had Dorian and Isabela interacting - try making anything like that happen without acknowledging DA2 or DAI!
Can you imagine having all these characters in the game, then having the nerve to drop 'the south of Thedas is blighted and destroyed now lol' in a letter? No!
We live in the worst timeline with DATV - a game that utterly watered down, sanitized, and obliterated everything that came before it. A game that removed all mystery and intrigue, condensing it to "solas and the ancient elves did it lol' - telling us with no gravitas, bluntly stating it with the subtly and care of a fucking dragon in a tea shop. A game that, with no shame, went scorched earth with Ferelden, Kirkwall, and Orlais with the sole intent of clearing the board so that they can cultivate some new IP with the existing Dragon Age name.
What a fucking waste.
#datv spoilers#da4 spoilers#artbook spoilers#dragon age the veilguard#dragon age 4#datv#da4#concept art
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The basegame wedding dress has a pregnancy morph??
#I can never be positive if something in my game is like. a third-party launcher addition#but this is so funny and I had such a strong hunch#because rushing to have your Sim get married before they give birth is such a thing so many players would do!!#and it would be so funny to pay attention to that detail by having the wedding dress show the bump!!!!#all your sim's wedding photos very obviously giving away the reason for the rushed date HAHA#the dress with the pendant at the back that everyone default replaces off (the one with the knife texture) also has a preg morph#which I know because it's the one your Sims get forced into if they attend a wedding#but it's kind of unusual because pregnant Sims don't have the opportunity to change into formal wear?#like pregnant Sims get new undies pyjamas and swimwear in addition to their maternity outfit#and if you direct a pregnant Sim to change into one of them then it changes them into the appropriate maternity fit instead of their usual#but you can't direct them to change into formal and if you use a hacked option like the shop any-wear rack it uses their usual non morph fi#so it has to be something external like a wedding that triggers them to change into formal. and I have no idea why#does this mean there's a BG suit with a preg morph for men??#or did maxis not think that pregnant male Sims would be quite so desperate to get married#anyway I'm probably the last person to know about this LMAO and I'm sure no one cares bc everyone uses wear-anything mods#but I'm a scrub who still prefers to use the default maternity meshes so this is yuge to me#also if you've never seen this dress b4: in the early game all Sims getting married under an arch used to be forced into the same outfits#actually I can't remember if the men got forced into the same suit or if they just used their regular formal#because most BG formal outfits for men were mostly wedding-appropriate#but at any rate. all women wore the same wedding dress. and it was this .... beauty#and I don't remember with which EP it changed but probably pretty early on they just let Sims use their regular formal wear for weddings#so you could pick their wedding dress yourself#but this dress remained hidden by default (I think?) so ironically it meant you COULDN'T use the wedding dress even if you wanted to#also this is completely off topic but you would also go away for your honeymoon#which meant the Sims getting married would literally get driven away in a limousine and stay off-world for a while#it was kind of cute because it really was like they took a vacation from the player too. got up to their own mischief away from your contro#then with bon voyage they introduced ACTUAL vacations and they turned honeymoons into an actual game mechanic#but again these offworld honeymoons are no longer a possibility#kind of like teens 'going out' with permission got replaced by going out on actual outings/dates even though it was a cute event#wow this note section is long and irrelevant. anyway enjoy picking up your wedding dress from a store called 'It's Not Too Late'
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The poem evokes human greatness and human vulnerability. People are “godlike” in their courage and skill, but even the greatest mortals fall and clutch the dust between their bloody fingers. The beautiful word minunthadios , “short-lived,” is used of both Achilles and Hector, and applies to all of us. We die too soon, and there is no adequate recompense for the terrible, inevitable loss of life. Yet through poetry, the words, actions, and feelings of some long-ago brief lives may be remembered even three thousand years later.
--Emily Wilson's introduction to the Iliad
#so. we've come to the Iliad section in my Early World Literature class. and in that context we're utilizing the public domain translation by#A. S. Kline which made me think: you know what would be extremely fucking cool? since I'm going to have access to the Kline text until#the course closes in December. why don't I at least start the Wilson version and see how the two translations differ? so I'm now reading#The Iliad#as translated by Wilson and performed by the utterly masterful Audra McDonald. or well. I _would be except I'm so delighted. stunned. by#the incisive thought-provokingness of her introduction I keep needing to pause and write down various quotes: just this whole idea of#the poem revolving around how all all our deaths shall come too soon and there is no adequate compensation for that awful fact just FUCK#linguistics#mythology#folklore#fairy tales#lit geekery#book babbling#(oh I am already so fucking deep in this fannish hell and I haven't even really started her translation: like the Kline one is fine. but#it's very focused on *trying* to be Homeric you know? so there are all these very archaic references ala to Apollo#as Smintheus. which I then have to stop and look up oh. that means he's the mouse god and being the mouse god is important because#it ties back to him being an oracular god. which is then why the Greeks want to turn to another oracular god when he gets all pissy at them#and on one level. learning that mice were associated with the power of prophecy? extremely cool shit. on the other. well I have to#read a large chunk of this text in a fucking week Kline my good bud was it really necessary to provide an odd mouse reference I then#needed to find the context for *myself* I can already tell Wilson's tendency to provide context. both in the intro and just in general#wanting to make it readable terms will make this so! much easier of an introduction. (Kline. by contrast. would be really fucking cool if#you were a third-time reader and wanted all the marvelous nuance. just *rubs forehead* not a great intro when you're only focusing on#this text for a fucking week)
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#numel#y'know what. sure. why not. nose‚ i guess. fuck it. nose. why not can't see their eyes or mouth. just nose. sure. fuck it#i think numel's typing is *really* interesting. 4x weakness to water my belovèd but i just really like fire/ground. it's very cool imo#and numel themself is also cute. they wouldn't strike me as a fire-type at first glance but i like it! i don't think about it very often but#i like it. very slow‚ always has their mouth open. they look so confused all the time. its really good. their little ear wiggle in colosseum#i don't know exactly what they're supposed to be animal wise but i guess camerupt is like. a cow? bull? thing? maybe a camel?#because. numel. nu camel. but then what does the “nu” mean. new camel. lemme see what bulbapedia's trivia section says#“numb” and “camel”?? i dunno if i believe that. but it does say they're based on a specific type of camel “mixed with a volcano” which is#really funny phrasing to me. interesting! thank you bulbapedia trivia section for also telling me it's apparently carvanha's counterpart
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about reth's hairstyle, it's not locs guys alhdg it's a somewhat fantasy-esque hairstyle where his straight hair is long but twisted back and tied to keep it in place. we don't see it in the official art, but his in game model has multiple hair ties throughout the length of the pieces to keep his hair in that style. this hairstyle is doable in real life if you use that many ties
obviously these models don't show every single strand of hair but the official art backs up the fact that it's straight (note the individual strands that are loose)
you can see here that it's straight hair just twisted into individual pieces. you can also see in both the model and art that the end of his hair goes straight down and has clear separated strands. it wouldn't do this if his hair was locd (you'll notice that sifuu and hassian have blunt, round ends to their locs)
his in game model does have some pieces that don't have any ties so it's possible that those are locs but honestly, i doubt it. i'm gonna go out on a limb and say it has more to do with the hair being in the back and not needing as much detail. or the devs didn't want clipping issues since the back pieces are grouped so close together and his ties come up quite a bit. either way, his hair is most likely straight and just in weird ponytails basically. and if it is meant to be locs, then they're modeled badly aldhg especially in comparison to hassian and sifuu
#his modeled hair also doesnt have a texture to it unlike hassian and sifuu#and by texture i mean you can see that their hair is likely in the type 4 range and definitely not straight#personally i think they wanted to give reth longer hair but needed to come up with a style that would keep it out of the way#hence twisted back in weird ponytails#reth#there are also some player hairstyles that are locd and again you can see clear texture and zero straight hair strands#its just like. when you compare reth's hair to the player options and npcs that Definitely have locs there's a noticeable difference#if the devs wanted him to have locs then they modeled it badly#and im not trying to be mean here#if his hair is meant to be locd but originally straight it still wouldnt look the way it does in game#it definitely Looks straight but twisted back in large sections and tied together#which isnt what locd hair looks like.. and the devs clearly know that because the actual locd hairstyles in the game look fine#anyway i just wanted to give my two cents aldhg
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have to admit it following that last post, if we're shipping im 9/10 times rereading the media and looking at certain parts through a ship tinted glass set. i put it on the dash sometimes rather than dms because i'm extremely nervous that i'm going to come off as too much but, you know, i'm working on that.
#❛ 𝐒𝐈𝐃𝐄 𝐒𝐓𝐎𝐑𝐈𝐄𝐒 ⧽ — ooc.#not to get too deep on main but i always worry not messaging as opposed to posting on dash makes me seem less interested#but its more like me wanting to express it in a way my partner knows im constantly thinking of them and their muse :^) i wanna get more int#sending fanart / hcs / things that make me soft bc then it stops me from wroking with a 50+ bookmark section dgfhdjsdhss#shipping means a lot to me because in turn the other muns portrayal / oc becomes even MORE important to me than before. and my muse as well#this is why i become hesitant if it feels like someone is shipping more for just the /character/ than my portrayal of them.#( which is super valid btw! you should inact everything on your blog for you. not someone elses taste! )#it just. really doesn't work well with me and i usually would take a step back if thats how you felt#the reason why i have so many random oocs or very large rel pinterest boards bc i am constantly thinking of them#if i messaged my partners as much as i thought about them id worry theyd end up with so many messages itd feel overwhelming#i blame old friends but if thats something people like ... then maybe ...#i have a few messages to get to so i might spend the rest of the night working on those <3
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Prev tags @supersymmetries
#the mic... let him speak! (does anyone know which songs he does/did backup vocals for live?)
Supermassive Black Hole — ‘De-de-de-de-de-de-de-de’ (dead of night)
Can’t Take My Eyes Off You — ‘baa dap baa da baa da da dada baa da baa da daaa’
The Globalist — Dom does the vocalisations along with Chris over the heavy riff countdown. Live you get to see the most pleased-as-punch Dom importantly adjusting his mic stand up to sing :)
Apparently he’s been doing Uprising backing vocals live too, and Break It To Me through a vocoder was the first time Dom’s vocals were on a studio track since the ill-fated Blackout crowd vocals…
And of course, the entire Muse family, including Dom, does the crowd chants on Will Of The People! I wonder if Dom's on the vocoder backing vocals on Compliance? It sounds like just Matt, and the credits only single out Will Of The People. His backing vocals on Break It To Me were through a vocoder as well.
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I had to gif it.
Dom setting up his mic and doing the backing vocals on The Globalist live, for all your viewing pleasure.
#Dom Howard#Muse band#muse live#I realise the beginning of this is the most incomprehensible a post I've ever written#muse#but I think you know which sections I mean#The Globalist clip is from live shows in Melbourne in 2017#Dom on vocals
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so i never said this to anyone and bottling this up is exhausting so i'm just gonna vomit it here. PLEASE SENSITIZE CHILDREN TO ART.
#raj shitposting#so on new year's eve my apartment complex decided to have like a little carnival and people were invited to set up stalls for their stuff#so my mother is a mix media artist and i FORCED her to set up a stall which i kinda sorta regret now because of this thing that happened#so we were setting up our stall and a little boy comes up and wants to purchase something from the jewelry section and when we#tell him the price of the piece he calls my MOTHER'S ART A SCAM. A SEVEN YEAR OLD BOY WHO DOESN'T EVEN KNOW HOW TO SPELL PHOTOSYNTHESIS!!!#WHO DOESN'T KNOW WHAT A SCAM ACTUALLY IS. CALLS MY MOTHER'S ENTIRE ART A SCAM.#i wanted to smack him so hard across the face but my mother held me back and told me to calm down and asked him to get lost.#but the entire day our mood was rotten about this#PLEASE FOR THE LOVE OF FUCKING GOD TELL YOUR CHILDREN THAT IT'S NOT OKAY TO INSULT SOMEONE'S WORK LIKE THAT!!!!!!!#YOU IMBECILE IT'S EXPENSIVE BECAUSE IT REQUIRES SKILL AND MATERIAL THAT IS DIFFICULT TO PROCURE AND KNOWLEDGE THAT IN ITSELF IS HELLA-#-EXPENSIVE TO GATHER!!!!!#ART IS INVALUABLE GUYS WHY DO YOU THINK OUR PARENTS PRESERVE THOSE STUPID ASS CRAYON LANDSCAPES FROM OUR CHILDHOOD?????#he might be a child and not know what any of this means but he could just back off... this is NOT curiosity it's mean spiritedness#and FUCKING RUDE#i was a child sometime in my life. i never talked shit like that to a 40 YEAR OLD AND TALKED BACK WHEN THEY ASKED ME TO BACK OFF#smh#anti intellectualism#art
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was looking through old posts and i'm surprised to see that i seemingly didn't have any commentary on anything in 3 in chapter 7, 8 or 9, the posts related to 3's story go from "my first reaction when i saw yopple-bot was 'i love you. but also you are definitely the boss for this chapter-'" to "i have been in hell all day. hell being bada-bing tower." funny to me cuz those chapters are like, the best ones sdfkljsdfjfsdkjlfsdjkl-
#puppy rambles#yo-kai watch#yw3#i love dukesville. yo-kai watch wild west. though also everyone in bbq talks like they're in the wild west-#i don't blame myself for not having any commentary on hazeltine mansion tbh. it sucks ass. i mean it's kind of fun but like#god is it annoying. i think using the mechanic of switching between nate and hailey for puzzles is a cool idea but. bad execution#very bad execution. it is so annoying#especially the section where you're in the basement and have to use the drill a bunch#... why are there prison cells in the basement anyways??????? i just realized how fucking weird that is-#i'm mostly just annoyed by the dining room puzzle tbh. i KNOW the fucking answers but verygoodsir is an ASSHOLE for some reason#and won't let me choose the FUCKING CORRECT DOORS#3's so fucking amazing tbh. i really wanna replay it soon. don't wanna have to delete a save file though#wish 3 had three save files like 1 and 2. i get why though i mean it's the biggest 3ds game klsfdjfskjfsdjksdf-#i wanna like. actually use my originyan for once. i might just end up using nyases ii instead tho fsdkljjdsfjskd-#i love every chapter in 3 after nate and hailey meet tbh. the bestie moments are so good#though also i don't think it was an amazing idea tbh. it means there's six main characters after that point#sometimes one character will go several cutscenes without talking at all. it's usually buck#he doesn't have any dialogue during any of the key quests in new yo-kai city. which is pretty amusing admittedly#i think the writers just forgot about him or something fslkdjdfslkjfsdljkdf-#i think my favorite thing related to that is like. during the stuff in bada-bing tower komasan and komajiro are there too#but they don't have any dialogue. which makes it seem kind of pointless#i get why they're there plot-wise but like. at that point you should either have them leave before you go to bada-bing tower#(esp since they don't end up in the ufo with everyone else. idr if there's a reason for that there probably isn't-)#(i think i slightly blocked out everything in bada-bing tower cuz it is so grueling)#or just. give them dialogue???#i love 3 and all but it definitely has some problems-#which is why i'm so excited to rewrite it <3 for both of those reasons. i can fix things. and also it's the best game#just. full-stop. not just the best yo-kai watch. i just think it's the best game ever#that title changes based on my current biggest hyperfixation though sfldfsjdkslfdjkfdj-#i think i'd say my overall top 5 is like. yo-kai watch 3. deltarune. ummmm. fantasy life is up there
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:)
#A nice episode :) I have a lot of headache tho and forgot everything I wanted to say#The ss/kk is nice :) It's nice every time Akutagawa spontaneously saves Atsushi seemingly with no reason to#The animation was very nice! It's evident a lot of money and effort went into this season and these last episodes in particular#And I like the art style a lot better than the one in the other seasons. Even season 4 where the animation is comparatively as good#What more. The Kyouka screentime is nice. The whole Guild aftermath celebrations section is very nice and heartwarming to watch#I still take a lot of issues with the entire way Kyouka's entrance exam was conceived but I think they're fairly self-explanatory.#Also fundamentally coherent with b/sd's general worldviews so#But even then there's a line that bothers me to an unexplainable amount from the first time I watched it to now.#The “it hurts” when she's hugging Atsushi. And I've reflected over that line so long from the moment I first heard it...#I think. Its meaning is to symbolize how being in the light sometimes will still result to be too overwhelming for Kyouka–#to the point at times it will still end up hurting her. But that doesn't make it any less worth it#So to say‚ there's no such thing as perfect happy endings. But she is going to be okay nonetheless#BUT IT STILL BUGS ME. I feel like it's part of a school of thought for whom we should just accept the fact that there's evil in the world–#that we can't eradicate. And nothing can be done about it. Which I don't think is a functional or useful way of thinking?#ALSO I know it's. Most definitely‚ 99% not how the scene is supposed to be interpreted#BUT ATSUSHI IS THE ONE HUGGING AND THUS HURTING HER and you know how there is this very slight narrative that seemingly–#frames Kyouka and Atsushi as romantic partners and like... Idk.#In that context the line almost feels expression of a narrative of wives having to bear pain that is natural and unavoidable.#I know this definitely wasn't the intended meaning it's just a bad impression for some reason I can't be able to shrug off even after years#But don't listen to me#I don't think there's anything else to add. Overall a very good episode.#Take a shot every time someone says “all according to Dazai's plan”#random rambles
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i love the continuing saga of danny being diagnosed trans/aro via splerf guns. this is really how it feels when ur oblivious to ur inner workings
That's just what happens when your dad tells you to use your trans older brother as your masculinity role model and also no one ever told you that flirting is romantic and not just for making people smile and blush. You need a splerf dart to the head to piece together that Most People Aren't Like This Usually
#fg's answers#asks#tim stoker tuesday#yes i headcanon that the stoker parents are supportive and alsp that papa stoker was like#'danny boy you wanna know what it means to be a man?? well.... i think your brother would know a lot better than me'#hes also under the impression that he Can't be queer because tim is the queer one in the family and he doesn't wanna steal his thunder#so he refuses to do Any introspection on any potentially queer things he does. like gazing longingly at the women's section.#or gazing longingly at the occasional man. or gazing Fearfully at the concept of normal marriage.#tim thinks hes gay and some flavor of cisn't because hes failed every relationship with a girl hes ever had#but thats because he either didnt know how to treat them romantically.#or didnt know how to treat them romantically in a way that wasnt Very Forced And Theatrical.#tim sees this and assumes its just a girls thing but nah. he'd fail just as badly with a guy#WHICH WILL BE EXPLORED IN THE STOKER SWA- *i am pulled offstage by a shepards hook*
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.
#this is what I get for hyperfocusing on a currently airing canon queer ship to cope with life stress#instead of decades-old queerbait/non-canon#i want so badly to be able to focus on Oliver’s quote about wanting a bi hoe Buck phase if Buck and Tommy were ‘on a break’#bc I’m pretty sure that was the interview he said they were filming masks so he should’ve already known?#and it was also the one where he talked about overcoming obstacles in their relationship#and bi hoe Buck phase before getting back together would be#i don’t want to say the only good outcome. I’ll get over the shock and it’ll hurt less and I’ll see other okay options#but it would certainly be the best#but the things Lou is saying. and the way it feels so shoehorned in.#i am not insane (coughs. definitely not vagueing any section of fandom.)#and I’ve also been destroyed by hope twice in three days now. one obviously more globally significant than the other but.#yeah.#sometimes Ted lasso was wrong and it is the hope that kills you#i want to cling to that possibility but in the face of the episode itself I don’t think I can#it was obviously a last-minute thing for absolutely no narrative reason#and there’s no reason to shoehorn that in to create a getting together arc. there’s no reason to do that suddenly and impromptu#from either a narrative or a network perspective#honestly it’s not even entirely the breakup itself for me#i mean don’t get me wrong that sucks so bad on so many levels#but it’s the implication in Lou’s interviews that Tommy’s just gonna disappear now#he was fully enmeshed in the firefam and getting more and more so. he’s Eddie’s good friend!#that was a big part of what made it a good relationship but it was also just. really nice for Tommy#and I love him and I will be particularly devastated if the show just cuts him cold now#and everything Lou said like. makes it make SENSE from his perspective. in a way he obviously had to work for to be able to do it#but it still doesn’t make it a good or narratively satisfying breakup#or rather a good or narratively satisfying conclusion#specifically for Tommy!!! it makes it a decent and justifiable midpoint to a character arc about learning to be vulnerable#which is a really interesting arc you could do with Tommy! actually based on what we know about him!#if you hadn’t told Lou to go back to SWAT!#started typing these in an attempt to get the emotions out and instead I’ve just added irritation
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just found out about a movie so niche you can only watch it by buying the $65 dvd. big leo dicaprio doesn't want you to know about this...
#that's actually fascinating to me. they want this film buried apparently... they literally don't want you to know leo fucked david thewlis#how did i get here you ask? much more simple than you think. 'similar films' section of letterboxd under kill your darlings#but it's crazy isn't it. they want this scrubbed from existence.... the streets say it's bad as well#i mean i'm sure it's somewhere to pirate but not easy enough to find in 30 seconds which is usually where i draw the line
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