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demaparbat-hp · 4 months ago

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Hi Dema!! Your art is fantastic and even the lineart is awesome! Solid and confident in where it's thick and where thin. I really like how your style has characters look more realistic and they have specific consistent features. Your blog has a pleasant atmosphere, and you're skilled in weaving AUs! There's a lot of details and structure, and I'd like to ask if any of them have a full story arc? Could you do a list of all of the AUs? Is there a motif that you especially like that repeats in any of the AUs? And whenever you add comments to my stuff in the tags I literally smile, it makes me want to keep at my plan to create everything I have in mind. So I'd like to spread this joy! I hope you have a nice day! (from late-draft ^^)

Hello, Late-Draft! I wasn't expecting this ask at all but I'm so glad to have received it!

First of all—I'll try to hold myself back from giggling like a schoolgirl. I'm having a sempai noticed me moment over here and that's just embarrassing. So give me a second to compose myself, if that's alright?

Okay, I'm back.

Now, on to business.

Character design, especially when it comes to facial features and how they're unique to each person, has always been a passion of mine. I always try to have a solid design for each character. I choose which features feel like the character in question, which face feels natural to draw, and go along with it. I love drawing Katara as much as I love drawing Zuko. Meanwhile, I seem to be on a never-ending battle against Sokka's features. Woes of an artist, I suppose.

Character design is actually one of the reasons I love your work so much, in case you hadn't noticed. I'm currently experimenting a bit with a different style... Hopefully it won't be long before the artwork is done and I can share it over here. I'm so excited for everyone to see it!

Now it's time for the reason we're all here.

I have said it before and shall say it once more: AUs are my lifeblood.

I love them so much! Building them, daydreaming the scenes, thinking of the characters and how they differ from their canon versions. The arcs and the themes and the worldbuilding. Building AUs is my passion, and I have so many of them!

There are a lot of motifs and themes that tend to repeat themselves in several of my AUs, I believe.

You'll notice that most of my stories are Zuko-centric, with a heavy emphasis on grief and humanity. There's the question of what makes us human and how to move forward when the whole world seems to push you back. I put a lot of stock in metaphors and symbolism within the narrative itself. I'm especially interested in the nuance of war and how it affects people emotionally, physically, and psychologically

I also tend to reutilize some elements of the lore and/or worldbuilding! Such as the Painted Lady's backstory, or the existence of War Children within the ATLA universe.

Now, the list!

I think I'll start with my current project, if that's okay :)

For the Spirits (New Gods AU)

Zuko was a child when he met Agni. Then, the spirits started coming to him. Eyes hidden in the hallways, voices pleading for help, for recognition, for remembrance.

Zuko could see Agni. He could see the broken remains of a Great Spirit and the empty smiles of amnesiac ghosts.

And they could see him in return.

I've been working on this AU for a long time, but only now did I get the chance to start writing the fic (linked up there!). I'm extremely excited about FTS and where the story will lead us in the future, but I'll try not to spoil too much.

It's a Zuko-centric story, with a heavy emphasis on Spirits and humanity. I'd like to add a warning for depression/mental health issues.

To Hesitate (Lee & Kya AU)

As she watches Lee and Kya avoid each other's eyes from across the room, the phrase comes back to her, swift and silent:

"To hesitate is to lose."

As Song treats the victim of an unfortunate interaction with a rare poisonous flower, her day takes an unexpected turn when it becomes apparent that the old man's nephew and her assistant have history.

A vivid history.

The Lee & Kya AU is a vibe, a feeling. It's probably one of my oldest AUs out there as well as one of my dearest.

A classical Lee and Kya From The Tea Shop AU, full with wholesome fandom tropes such as: fake (but not really) dating, fake identities, Ba Sing Se shenanigans, vigilante stuff, White Lotus missions, Iroh is a great Uncle, Zuko is an awkward turtleduck, and, of course, the fluffiest fluff you'll ever see.

Other than that, Lee & Kya is probably one of the less plot-focused AUs I have. However, that doesn't mean that there aren't scenes I can't wait to write or a canon divergence or two where Zuko is concerned.

(I have another fic posted but I'll leave that one to the end. You asked for a full story arc and, oh boy, does Soundless deliver.)

Kintsugi AU

Closer to being canon-adjacent than canon-divergent, Kintsugi is yet another Zuko-centric AU (and are we not noticing a pattern over here?).

I'd love to explain it in depth, but I believe the caption of the artwork linked above does a better job at explaining than I ever will.

Kintsugi is the art of decorating your scars with pieces of Agni.

In the Fire Nation, the amount of golden marks are a sign of status. Only the Royal Family can afford to seal every single wound with Kintsugi. Such is the weight of this tradition that, among the ones with Agni's blood, it is the highest mark of dishonor to have a natural scar, for it proves you aren't worthy of the privilege.

After the Agni Kai, Ozai forbid Zuko's scar to be sealed with Kintsugi. The boy wasn't worth his title, his traditions or his pride. Zuko would be broken, but he wouldn't be beautiful. Not anymore.

(And sometimes it's easier to pretend he never was)

Kyoshi Warriors AU

One of my absolute favorites!

In this AU, Ursa took Zuko and Azula with her when she was banished, so they could start anew. With help from Iroh and the White Lotus, she managed to relocate her freshly burned eight-year-old child and her crying daughter to Kyoshi Island.

Years later, when Avatar Aang and his companions first arrive at Kyoshi Island, they're met by the Kyoshi Warriors and their leader, Noriko of pale skin and warm brown eyes.

The Gaang leave Kyoshi Island many weeks later with a new companion. And if Jian Li, with his war paint and his scar and his dual dao, gives the island that he has called home for so long one final, longing glance as they fly away on Appa, they pretend not to notice.

Hunters AU

We're starting to dwelve deep into dangerous waters!

This is a Katara Joins Zuko In His Quest To Find The Avatar AU, with a twist!

This AU was born as a writing experiment. What if we take Katara's character, and change one of her core characteristics? Katara, who looked up to the Avatar as a saviour figure, now blames him for leaving and allowing the Fire Nation to wage war on the world.

Then comes Zuko, a banished Prince with a crew full of traitors and his own agenda. Zuko wishes for nothing more than to dethrone his father and end the war. He is a White Lotus member, an honorable, driven young man, and he has a plan.

The catch? He needs to take the Avatar to his father if he wishes to regain his title and be able to rightfully take the throne. Oh, and he will deliver the Avatar to the Fire Lord—but nobody said it had to be in chains.

Halfblood AU

I watched Blue Eye Samurai a few months ago and it destroyed me. The idea of a half-blooded child dead set on getting revenge for their very existence stuck with me, and this AU was born.

Kanna made a life for herself in the Earth Kingdom after leaving the North. Katara was raised by her grandmother in a small village, being taught to hide her bending if she wanted to live peacefully in a place she was only half of. Her mother had died in childbirth. Her father, a nameless warrior from the Southern Water Tribe who had loved Kya and left her behind, didn't know of Katara's existence.

Katara took over Kanna's clinic after she passed away. Always taking care of others. Always suppressing her need to bend. Always wishing for more.

One day, he arrived. A half-child, just like her. But while she was of Water, he was a son of Agni. He was searching for the man who brought him to this world. The man who scarred him. The man whose face he couldn't recall, whose name he did not know. The man whose specter had chased his mother to her grave. The man who would die at his hand.

The answers were hidden in a small teashop deep within Ba Sing Se. Lee offered her a way out, and Katara took it.

Soundless (Uiscefhuaraithe)

Katara of the Southern Water Tribe has hands scarred by fire and great talent, though no teacher.

Zuko is a mute War Child, a herbalist and healer, and the Blue Spirit. He bears the mark of fire, and the scar of the blade that took away his voice.

The first time they met, the Blue Spirit had just saved her, tough not before her hands got burned. The second time they met, his name was Lee, and he was healing her.

They live in war and they will fight, if not for the world, then for themselves.

You asked for a full storyline, and I shall deliver!

Soundless is probably the only AU I have fully planned. Three-books, Azula redemption arc, role-reversals and all.

This AU has everything. From travelling through the Earth Kingdom together, to odd character team-ups that somehow manage to work, and a major goal/conflict to resolve.

Zuko and Katara must find their way to Omashu in an Earth Kingdom ravaged by war as they also grow to understand each other, themselves, and the world around them. They meet with new and old alliances, keep their ears open for rumors of the Avatar (They say he is an airbender, Lee. Do you truly belive that?), and do their best to always be two steps ahead of their pasts.

Meanwhile, both the Northern and Southern Water Tribes are searching for the runaway heiress, Aang must find his way alone on this new, hostile world, and Azula must face the revelation that, despite what her father has stated for the last two years (liar, he lied at her! Her! He lied he liedliedliedlied), her brother might just be alive.

I'm sorry for making this such a long answer! I just get very excited about these subjects and don't know when to stop. If you made it all the way down here: thank you again.

I hope you have a good day ❤️

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slytherinlives · 29 days ago

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I don’t understand how a fandom that revolves around a video game can have so much toxicity.

It really seems like people forget that Hogwarts Legacy at its core is a ROLEPLAY game where you create your own backstory and lore.

It encourages creativity and exploration and there are no wrong answers to how someone portrays their characters or versions of an existing character.

It’s essentially playing dolls and you don’t have to like the way someone might portray a character you love but that doesn’t make them wrong.

There are no right or wrong ships, traits or hc’s and just because they might not match up with yours doesn’t mean that person doesn’t understand the character. It just shows the differences and creativity of others on how they play off what’s given to them or how they see them.

If you’re that upset over the way someone writes or draws a character you love then do it yourself. Or commission an artist to draw the way you see them or maybe talk to an author (if they allow it) about creating a story together.

The entitlement over something that creators make for FREE is astonishing.

I love this fandom so much because it’s brought me happiness and joy after a long bout of severe depression but also it’s so draining and exhausting having to defend myself all the time over the way I might portray a beloved character. (As if I don’t have 20 different versions of him that exist for the type of story I want to tell)

At the end of the day these characters are pixels on a screen and you’re being hateful and rude to others for enjoying them in a way that’s different than you. Go touch some grass and breathe some fresh air. 👍🏻

#hogwarts legacy #sebastian sallow #ominis gaunt #writing #I’m so tired

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itsabouttimex2 · 1 month ago

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I've seen people say that Mei's samadhi fire arc was rushed, I never really thought about it that much, but I wanted to ask more LMK fans about their opinion on it. I can't stop pondering about it sometimes.

The Samadhi Fire Arc

Honestly, in my opinion? The Samadhi Fire plot is probably the least rushed arc in all of Monkie Kid.

Season Four to me is rushed because they try to squeeze in lore about the Pilgrims, MK’s heritage, Pigsy’s feelings on being an adoptive father, the Monkie Crew’s feeling on their ancestors/forebearers, the Brotherhood, the Ink Scroll, and then try to set up for Season Five while they’re at it.

Season Five to me is rushed because they try to squeeze in Xiangliu, Nüwa, and Li Jing and flesh all three out with very little time to spread between another fetch quest (this makes four in total through only five seasons) while also trying to give attention to Mei, Tang, Pigsy, Sandy, Red Son and MK while not even having a special to help take some burden off of the 100-minute crunch the writing team unfortunately has to deal with.

However…

Because the writers set up the Lady Bone Demon beforehand, she’s not given too much direct attention in this season until near the end, instead getting occasional appearances throughout by interacting with Macaque and then Wukong and to some degree infecting both with her power.

Which means that we get a full ten episodes plus a special for essentially only two things- the Samadhi Fire foremost, with the Lady Bone Demon in the background until about the special, from my recollection.

This means Mei does get her fair share of character development throughout Season Three, which you would think might allow us to see her perspective and thoughts on the world around her. We do get to see a little more of her desire to “live up” to her ancestors very early on, but it’s addressed quickly and then entirely dropped.

Like, this was a heavily Mei-centric season! We should’ve gotten some thoughts and backstory and personal views and whatnot, but the Samadhi Fire basically took full control over any narrative that could’ve allowed the story to delve deeper into, well, Mei.

But it feels kinda like Mei herself is… secondary to the power inside of her at times, where she’s very much just an unlucky and draconic vessel.

Now this wouldn’t have been such a big deal if we had gotten something beyond the already seen “Mei wants to live up to her family’s expectations without comprising her moral values and self-identity”, but, uh… they dealt with that in the first season and resolved it pretty neatly. Her conflict with Ao Guang is just retreading water in the same way, when it would’ve been nice to have a deviation of some kind.

On a more positive note, one of the best things the season gives us is learning how she’s come to view Sun Wukong in the form of a tearful rant about his actions and the impact they’ve had on her and her friends.

That only matters to her for a few minutes, unfortunately, but it’s a highlight of the season, and I wish it hadn’t been dropped so quickly.

Now, her not being allowed to interact with him or Macaque past the third season in regards to the ways they’ve continuously endangered and hurt her is a horrible letdown that severely undermines the character growth of all three, which is part of the reason I think some people call it rushed.

Mei’s possession of the Samadhi Fire is dropped until season five, so it feels ultimately unimportant. Red Son; in spite of being fundamental to Mei’s mastery of his power, gets shelved from season four the next time we see him. Sun Wukong’s recklessness and threadbare “planning” is essentially forgotten about, because the next two seasons just find new shit for people to scream at him about. All of Macaque’s… everything, really, goes entirely ignored by the characters, narrative, and story.

And obviously that’s not exactly satisfying from a watcher’s perspective, because it feels like everything just has a strangely neat bow tied onto it in spite of there being lots of messy business in the past that still needs to be addressed, but just isn’t because there’s they’ve decided to write another “the world is going to end plot” instead of taking a breath and working through existing issues instead of circumventing older ones as irrelevant.

I think people are disappointed when they look backwards that these plot points or emotional beats were dropped and left unaddressed or only resolved with a heavy dose of “secretly all alongs”. For example…

Red Son somehow tracks Mei down without any real explanation. (No biggie, probably some kind of tech or magic. Him getting there isn’t as important as what he’s doing, so it can be ignored.) He decides to train her. For some reason he's good at teaching people to control themselves, even though he was barely able to control himself in seasons prior? Off-screen character development is never exactly satisfying, at least to me.

Throughout all of this interaction, he never once expresses the slightest of desire to reclaim or recreate the Fire for himself, and is content with Mei having it. Red even openly declares that the power is “hers” at the climax of the story.

(I could get into how fans treat Red Son + Samadhi Fire ((plus pandering from the writers)) in comparison to Mei, but that’s a rant for some other time…)

With his encouragement, Mei harnesses the Samadhi Fire and helps defeat LBD! This has a lot of longstanding implications for her place in the story and her role as a parallel force to MK! How exciting!

Sike! The Samadhi Fire is fucking gone, only one mention of it in the season, where an omniscient old man inside a hell scroll tells us that it’s gone.

Sike! Mei secretly all along still has the Samadhi Fire and also secretly all along has an insecurity complex over thinking she lost it but all of this is handled in about a minute.

Red Son secretly all along wanted to learn where the Samadhi Fire came from and is trying to recreate it...? When he's seen and felt how dangerous and uncontrollable it is and home of this was established before??

So, when you build up all these things for a full season and then drop most of them the fourth and wait until the fifth to resolve them, I think it left a very jarring impact on viewers who came to view the season as “rushed”… but only in hindsight.

It’s not a flaw I would attribute until I’m on the fifth season and thinking “this should’ve been addressed in an earlier season.”

Now, personally, there are some plot points I’m not really a fan of, like, again, the “macguffin fetch quest” nature of the Samadhi Fire rings. Normally I wouldn’t mind but again, this is Monkie Kid’s third macguffin hunt in total, and we get a fourth in Season Five. (Spider Venom Cure ingredients, LBD’s Mech Building, Samadhi Fire Rings, Power Stones)

Though I think the City of Lanterns is a cute bit of worldbuilding, like with most Monkie Kid worldbuilding it’s basically “Look at this cool thing! Enjoy it now, because we’re never coming back or addressing it again!” like they did with the Team Hideout, the Cloud and the Weather Station. “Look at this cool place! Okay we’re done showcasing a potential Lego set, change the backdrop!”

Or another is Sun Wukong just being… magically immune to it once he gets possessed?

Like, the whole reason he had to set out on this fetch quest was because the Lady Bone Demon was distinctly NOT immune to it? And he also was NOT immune to it? Because the Samadhi Fire is a wildly dangerous all-consuming fire that could destroy all of existence, but apparently all it takes to be totally unaffected by it is powerful person + possession by another powerful person? But again I guess the world-building and power systems of Monkie Kid have always been patchy and thin but it’s still frustrating AUGHHH

But I personally don’t think it’s “rushed” until it’s revealed later on that actually, “There’s more to the story!” when a lot of the story we have is just kinda… left hanging.

TLDR for anyone who skipped down here: It’s only rushed in hindsight. If someone theoretically stopped watching after Season Three I don’t think it would be called “rushed”.

#Time Talks #Lego Monkie Kid #LMK #Mei #Red Son #Sun Wukong #LMK Gushing #LMK Critical #LMK Analysis #btw if you’re the same ‘macaqetter’ from character.ai #then I LOVE your bots!#if not I’m stinky and stupid ignore me #And also I’m sorry this is so disjointed!

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clarafyer · 3 months ago

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Okay little thing about my writing style I actually just named that could be helpful when writing: The RRR method

Research, reference, and relate.

RESEARCH things you may be depicting. Things like trauma and its responses, disorders, religions, cultures, etc. When you're depicting PTSD like so many OCs end up having because of the things we sick writers do to them, you'll want to know what PTSD entails in everyday life and how it affects people. With culture, you'll of course want to know what the actual culture is in order to depict it! Don't just say "this character is Muslim" and then have them be drinking alcohol with a pork dinner.

REFERENCE your inspirations. It's just like using references when drawing. Look into the structure of your inspirations, how your favorite authors use suspense and subtext. Using references and inspiration is not stealing or copying or any shit like that! But it can easily bleed into that territory. I say this as mostly an artist who keeps tabs on the toxic community who thinks studying an art style is stealing it, etc etc stupid crap. If a character of yours ends up accidentally being similar to one you know from a piece of media, you don't need to pull a 180 on their writing! Overlaps are bound to happen, and that's okay. Reference those character's story arcs, behaviors, etc. and make it your own unique thing along the way!

RELATE details to other parts of the story. When people can see dots connecting in your story, that 'click' feeling is the best! Make sure that major points of character's story relate to other plot points, either in another character's story or the main plot, or both! Of course, you can have irrelevant details about people. But when you're talking about character-defining backstory, you should probably find openings to connect it to other areas of the story, that way it all comes together and becomes cohesive and relevant to each other.

This is just my own opinions and advice! You don't have to do anything I said here. I just managed to put into words how I write my own OC lore and worldbuild. This can work for authors, gamemakers, D&D players! (D&D players specifically because having a backstory that relates to the campaign is a really good idea and the DM WILL use that information against you in angsty sessions) If you found my advice helpful, I'm glad I could be of service :)

#writing ideas #writing inspiration #writing advice #writing #writers on tumblr #writeblr #writers and poets #writerscommunity #story ideas #storytelling #story #worldbuilding #worldbuilding tips #dnd advice #dnd help #dnd ideas #dnd inspiration #clarafyer

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accirax · 2 months ago

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Danganronpa: Despair Time Chapter 2 Episode 13 Dissection

Jesus CHRIST, the hits keep on coming (/pos). I don't think anyone could have predicted everything that came to light in this episode. But, hey, at least we're finally cooking on the murder method a bit more...?

SPOILERS for Danganronpa: Despair Time though Chapter 2 Episode 13! Also, CW: discussions of suicide.

Similarly to last time, I tried not to look at too many other people's major reactions/theories as to not influence my opinions as they were when I watched the episode. (Although I think I failed to do that more than last week...) Here's what this episode got me thinking about!

Genocide Jack, Junko, Mukuro, Peko, and Korekiyo:

On that note, though, this is... debatably relevant lore about Hope's Peak as it exists in DRDT? We know from Chapter 2 Episode 2 that Veronika (and likely all of the non-Terukos as well) don't remember Trigger Happy Havoc, and, based on this, it's likely that they don't remember much of the history of the old HPA either. Ace being so adamant that HPA wouldn't scout a murderer implies that the new HPA has fully regained its spotless reputation, potentially even more than the Tokyo school ever had.

I want you all to know that I tried to write out a little theory about whether or not Levi could have killed any plot-relevant characters here, but I came to a dead end at every venture. Levi killed Mai? No, he has no motive, and the murder happened before everyone attended Hope's Peak. Levi killed Elliot? No, Ellie was probably killed by dogs, and the timing is all wrong. Levi killed someone at the North C and Chariton incident? That didn't even happen. I was just getting that confused with my theories about what Xander might have done at that incident in FF's DRDT Milgram AU. Not even what actually happened in the AU. Just my theories on what might happen.

The only option I couldn't fully rule out was the idea that Levi killed some of the ~5 missing members of the altDRDT cast, but, holy shit, can you imagine how funny that would be? Teacher and the gang get to the sixth Class Trial and ask all dramatically, "so, what happened to the rest of our class that didn't make it to the killing game...?" and Monowhatever is just like "actually, Levi Fontana just straight up merced those dudes years ago." Hilarious.

Anyways. That goes to show that I do think these were just random guys, and the only specific relevance they would have is in the realm of Levi's backstory specifically.

RIP to the "Levi used to be an assassin" theory. I actually kinda liked that one myself.

(Also, hijacking this image to point out the background music here. You hear the ticking clock motif? Very suspicious indeed...)

Yup, even more confirmation that HPA highly valued having an incredibly pure and righteous image. Of course this HPA was also corrupt. Is it even possible to make an HPA without some level of corruption?

(Levi. My guy. I need you to use a different sprite; the quadruple image combo is starting to look ridiculous.)

What I find really interesting here is that, even in the realm of forgetting about murders, Levi remembers the three random guys before his father. Like, I know that Levi says that he kinda equally doesn't care about everyone (and I believe him to be telling the truth on that), but you would think that, just by virtue of having spent more time with his dad or the people around him's reactions, Levi would have remembered killing his father before offing three random thugs.

I don't know if this is meant to A) really drive the point home that Levi sees no difference between those he "knows" and those he doesn't; B) imply that Levi might have sustained some greater amount of trauma from killing his father that caused him to block that memory out more; C) suggest that killing the guys was more recent than killing his dad, which might lead him to remember it with more clarity; or D) some combination of the former three. However, I think it's an interesting detail to note.

The foils are foiling........

This was hilarious. And lowkey evidence that Nico was the one who tried to kill Ace.

You know, I actually almost made a theory once that the clauses "you're a murderer" and "you have no remorse" could be read as two separate secret statements! Not to say that Levi didn't have no remorse for the killing part, but that having no remorse was a state of being not solely tied to the murdering.

Alsoooo... just gonna say, Levi on Drawing Pins is looking better and better all the time...

Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

WE ARE BACK AT IT AGAIN!!! "GOOD PERSON" SPECIFICALLY IN THE LEVI/EDEN CONTEXT AAAAAAAAA

Beyond the further "good person" jumpscare, I found this line interesting due to how Eden describes Ace. Someone who "always pushed [Levi] away." Sounds a lot like Arei, huh? In fact, a lot of it sounds like Eden is applying it to herself.

"But I'm a good person. Why am I thinking these things when it's clearly not true? I'm so kind to everyone. I'm always helping others out, even when it'd be easier not to. Like that time Arei yelled at me. I kept trying to help her, even if she always pushed me away. Isn't that what "a good person" does?"

Obviously, I'm reading into this in the "Eden is the blackened" context, but I think that it's still an interesting read of Eden's mental state even if she isn't the blackened. We know that, to some extent, Eden blames herself for both Min and Arei's deaths. Therefore, despite likely feeling like she's fucked up, she wants to cling onto the idea that she's a good person so she doesn't lose faith in herself.

That leads into some super interesting parallels when it comes to this speech versus what Arei said, but I'll talk about that more once we get to the Arei monologue.

This week, acevi shippers take the L. Really, Levi x anyone shippers, but I think acevi shippers got the worst of it.

Except, they also took the W. "Ace lowkey confirms he once had feelings for Levi" was NOT on my bingo card. Or Star's.

(Also I LOVE this new sprite)

I saw some people talking about Ace's friend (Taylor?) but I do not remember and cannot find any information about this character (so I can't even tell if they're just fanmade :( ). If anyone knows what I'm talking about and has a link, please send it to me. Anyways, "insult to his memory" definitely makes it sound like Ace's friend is dead. I wonder if the way in which he died has anything to do with Ace's fear of horses/cowardice in general.

I want to see more Levi and Veronika interactions so bad. It's no surprise that Veronika was the first to pick up what Levi was putting down. Both of them don't have the "normal" way of processing their feelings and interacting with others, but while Levi has decided to try to be what society deems as "good" anyways, Veronika has decided to fully live by her own creed. I wonder if Levi could be at all convinced by Veronika to go back to his old ways.

Veronika: You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want.

I'm excited to see Levi and Nico interact too, obviously. I suppose Nico is kinda like the midpoint of Veronika and Levi-- doesn't understand people and wants the world to work the way they perceive it, but also has been bullied enough to feel forced to play along with how others want them to be. Characters like these have become some of my favorite archetypes to discuss. I'm so glad that DRDT has so many of them!!!

The foils are foiling AGAIN...

Why the fuck are you so pressed about the secrets now??? I thought you were all about privacy?????

Well, thank you for "confirming" that swap, ladies! This talk of a pact is very interesting, though. I guess Hu must have gone to Veronika pretty early to ensure that her secret wouldn't get out-- makes sense, as without that there's a good chance Hu could believe that Veronika would reveal her secret at the most unflattering time to create drama.

It does slightly recontextualize Veronika's "A little mystery makes this Trial more exciting, don't you think?", though. I wonder if that was just straight up a lie, or if that was the rationale Hu used to appeal to Veronika. I doubt we'll get a flashback of this scene now that this moment's passed, but I'd love to see it. FTEs...? 👀

David you have to stop this right now or you're going to become my new favorite character. Dude's been dying to don the mantle of the comic relief character, apparently.

Is The Motive Scoreboard Accurate?

I'm including this because I've seen some other people say that it is, specifically on Teruko's front. I strongly believe that this motive board is incorrect, and Teruko and Xander's secrets are swapped.

The blaming yourself secret mentions parentS and siblingS. Back in Chapter 1 Episode 4, Teruko says that she never knew her parents (and therefore may even just be assuming that she has two), and she only had one biological brother. Furthermore, she has no idea if they're dead or not. On the parents front, she could assume that being sent to an orphanage is confirmation enough that her parents are dead instead of just not wanting her. Being sent there with her older biological brother is a further implication of that.

However, Teruko specifically says that her brother "left with some other family." She makes no mention of believing he's dead at all. Therefore, for Teruko to have the secret she claims to have, Teruko would have to be constantly mourning parents and an additional sibling that she never knew, and to believe that all of them are dead despite having no reason to believe that her known brother died.

Obviously, all of these things were said aloud to Charles and Whit, so there is a possibility that Teruko lied about or concealed parts of her past to keep her walls up around those two. However, what does this face from David mean if not "I've caught you in my trap?"

(DRDT sprites are SO GOOD--)

To me, this sprite clearly indicates that David knows that Teruko is lying about something, but has chosen not to bring it up to save it for later purposes. I don't know if he has something specific in mind or just wants to hold the potential blackmail over her head, but I strongly suspect that we'll come back to this someday-- either in later daily life or a post-Trial scene in this chapter.

It's also interesting to note that, while David knows that this is Teruko's for sure, Charles and Whit also have the opportunity to recognize the discrepancy. I definitely wouldn't be surprised if Charles kept notes about what he knows about everyone somewhere. We'll have to see if either of them ask her about it down the road as well.

Eden: I know that she's dead!! I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again. But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends. If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope. Please! Tell me what happened last night between you and Arei!

Oh boy.

Can Eden Still Be the Culprit?

Look. I understand if you look at this and believe that Eden couldn't possibly be the culprit-- or at least, not without being a completely different character than we know her to be. Because I almost did. Zel's performance did a really good job of selling Eden's heartbreak in a way that makes it feel like she couldn't have possibly been the one to end Arei's life. However, upon further review, I do think that Eden's words could be that of the killer, with minimal levels of intentional manipulation thrown in.

If it would cause you emotional distress to listen to me continue to accuse Eden, I'll write the rest of this section in purple so that you can skip it if you'd like. I don't want to make anyone sad, so I fully understand if you want to avoid these bad vibes. However, for those of you who are still on the fence, and those who have stuck with Eden!culprit all along, here's my justification. I think it'll be easiest to break it down block by block.

Eden: I know that she's dead!!

Okay, well, maybe skipping this section a bit. More points for Arei truly being the one who's dead, I guess?

Eden: I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again.

Alright, so, this can fairly easily be read as the same thing as what Eden was doing back when she was talking to Levi: reassuring herself.

Well, maybe "reassuring" is the wrong word. Basically, she's repeating the same mantra that she told herself when she was trying to justify her decision to kill Arei. When making the decision to kill anyone, the killer (if they care) has to process that they will have to kill every other person in the game if they want to escape for themselves. Therefore, if Eden is the killer, she already had to grapple with the fact that she can't turn back time. ("You can't go back, no matter how hard you try.")

I think that Eden might have it in her head that, even if it wouldn't fully erase her wrongdoings, as long as she doesn't just forgive and forget the whole affair, it makes things slightly better. That's why she was yelling things like "You forgot about all the things you did just because you didn't face any consequences for them? That's incredibly selfish!" at Levi.

Feeling bad about things is her punishment to make sure that Arei is never fully forgotten. She knows that, if she goes through with killing, she'll never be able to talk with any of these people again. However, if there's something more important to her than these 13 lives that she has to escape the killing game to reach, it's a consequence she'll have to accept. She knows it's selfish-- but she at least won't be so selfish as to also forget everyone else's sacrifice.

Eden: But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends.

This is probably the part that feels the most damning. Why would Eden care about whether or not Arei was trying to become a good person if Eden is the one who killed her? Wouldn't it be better for Eden if she wasn't?

Well, that's what Eden is trying to figure out, too. In Venus' Narrative Defense of Eden Culprit Theory, Venus says that Eden didn't believe that Arei actually changed and wanted to be her friend. And, it really makes complete sense if she didn't-- Eden had no idea that David and Teruko continued to talk so seriously with Arei after her departure, and Arei saving Eden from Arturo literally happened the same day that Arei had her breakdown. It had probably been, like, 4 hours since Arei chewed her out for her worldview being stupid, and then Arei's suddenly turning around and declaring that she wants to protect Eden at all costs. Of course Eden might just believe that Arei was setting her up for a fall! (Murder pun not intended.)

Venus also adds that, at this point in the Trial, David knew something that Eden didn't: namely, that Arei actually wanted to change, and saw Eden as her inspiration for doing so. Under the assumption that that revelation has been bothering Eden the whole time, it makes perfect sense that Eden would want to know more about what David knew about Arei. She needs to know exactly how terrible she needs to feel for doing this terrible thing.

I think the quote becomes a lot less defendable if you just swap out the "that" for an "if."

"But even then... I have to know if when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends."

Now, obviously, you could say that this is an unfair point-- Eden didn't say "if," she said, "that"! How can you excuse Eden based off of evidence that isn't actually real?

My point is that, even if DRDTdev didn't have Eden phrase it that way, it would be an incredibly easy swap to make. Thus, the only way in which Eden would have to be lying is to swap out one word. With that one word, "if," we see how she's still doubting whether Arei really was trying to be a good person, and can read into why she's bringing that up at this time. To disguise it, all Eden has to do is trade "if" for "that"-- she doesn't have to be some masterful lying manipulator to pull off a quick exchange that makes her look more innocent.

Eden: If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope.

Eden needs the truth so that she can know how despicable she actually is (in her opinion). She needs to know how bad she needs to feel for taking Arei's life, so that she won't wind up as "inhuman" as Levi.

I also think that "tell me that you didn't make Arei lose hope" could be interpreted in a killer-ish way. There is a rhetorical device in English that sorta turns words like that on their head. Like, if I said, "don't tell me you spoiled DRDT for all of your followers!," it's often interpreted as "I know that you did spoil DRDT for all of your followers, but I don't want to hear it." In this case, Eden might not want David to tell her that he made Arei lose hope because she doesn't want to believe that Arei had any hope in the first place. It's better than if Eden was the one to directly crush those hopes, sure, but if Arei approached David talking about wanting to be a better person mere hours before her death, that still means that Eden was killing a hopeful Arei. She doesn't want David to confirm her worst fears.

I don't know if I phrased that section exactly how I imagined it in my mind, but hopefully you understand what I'm getting at.

Eden: Please! Tell me what happened last night between you and Arei!

In the end, though, Eden knows that she has to face the music to figure out how she wants to proceed with this trial, whether that's sinking the cost of her fallacy or owning up to her crime. And that's how I think you can justify this outburst of Eden's within the context of her being the blackened, without having to fully corrupt her character.

What Arei Meant

This part isn't a theory, exactly; it's more of an analysis of the point I think Arei was trying to convey in this section. I've seen some people be sad about the new note that Arei's character is "going out" on, but I actually think that this is a pretty realistic, thematic ending for where Arei's story and the themes of the chapter are headed. Time to praise DRDTdev's writing for a bit!

Arei: I'm a manipulative, two-faced bitch. I pretend to be cute so that I can treat others like trash. I only care about myself, and I always hurt others for selfish and stupid reasons. Of course I wanted to change myself. [...] Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like you and Eden. [...] No matter what, I'll never be a good person. And yet, despite all that... David, you... It turns out that you might be a total piece of shit after all. If even a perfect inspirational speaker like you turns out to be an asshole, then there's no such thing as "a good person." [...] And that makes me relieved, because it means I'm not too far gone. It's okay that I'll never be a good person, because no one else can be either.

I don't think that Arei is saying that the world is a lost cause.

Instead, she's saying that no one is a lost cause. She's applying that Syndrome logic: "if everyone is a bad person, no one will be." Arei thought that, because of her upbringing, there was no possibility that she could ever Be Good, because she'd already done too much wrong. Good People are perfect, unerring gods who do nothing but help others and reach out to wayward souls. However, David's manipulations proved that that wasn't true.

Good People fuck up. Good People do good things for bad reasons, and bad things for good reasons, and, hell, if David is a Good Person, then Good People do bad things for bad reasons sometimes, too! Arei confessed to us that she felt like her life was over because she was given an unfair start. However, now she knows that the bar has been lowered, and that being a good person can be done by anyone, anywhere, at any time. Perfection doesn't exist. Now that she knows that there was never any need to be perfect, the chance she sought for so long has finally been granted.

(Dipping back into purple for a sec to talk about Eden culprit stuff)

After this, I feel like the theme of this chapter has to be about deconstructing the myth of "The Good Person." You think that Nico is just a soft and shy bullying victim? No, they're just as willing to kill as anyone else. You think that Hu is a gracious motherly figure? No, she has an angry streak and talks over other people. You think that Levi is a softhearted giant who just struggles with what to say sometimes? His kill count is higher than everyone who's died to the killing game so far, and he doesn't really care that that's the case. You think that Whit is just a silly guy who cares about others? Fuck, even he's willing to stall out the trial in an attempt to fulfill his own agenda.

The main person who hasn't yet been proven so be not as good as they seem so far is Eden, who in this episode has been clinging to the idea of being a good person harder than ever. I know that some people believe that Eden needs to survive to fulfill the role of the optimist, but I feel like this episode proves that that isn't true. We don't need A Hopeful Person because anyone can step up to the plate and believe in hope if they want to do so. Eden isn't A Good Person, but a real person, who's just as capable of laughing and crying and living and dying as anyone else.

A good person is not gold. That's why everyone who tried to cling to the idea that they were being A Good Person-- Xander, David, Levi-- has always wound up hurting others in the end. Xander believed his actions were morally justified, and thus decided to kill Teruko, causing Min's death and lots of anguish for Teruko. David wanted to follow in his footsteps, and beyond his inspirational speaker persona causing damage to himself, he was also about to kill everyone else to do "what's right." Levi (Arei pending) hasn't killed anyone since trying to become A Good Person, but pretending to follow those guidelines without actually wanting to change anything about himself emotionally hurt Ace, who was set up with false expectations.

If Eden is so convinced that she's a good person, she's only blinding herself to the ways that she's inevitably not.

Back to Arei, while it is sad that her development was cut off just as she made this revelation, I believe that clarifying this additional bit of content is a way to allow her to rest in peace. Even if she didn't get to transform as much as she wanted to, she at least got to die knowing that she wasn't as wretched as she convinced herself that she was all these years, and having done at least one good thing-- saving Eden from Arturo-- before she passed. It's an amazing character arc to squeeze in for your second victim.

Phew, finally, a chance to talk about objective lore instead of heavy and divisive character themes! Except, uh...

WHAT THE FUCK???

Remember when, at the beginning, I said that no one could have predicted everything that came to light in this episode? This was the main point I was talking about. I don't think anyone saw this reveal coming, especially in this moment.

For starters, even though this CG does appear in David's memories, I don't think that he or Arei actually remembers whatever this was taking place. Beyond me attempting to debunk the idea that David had additional memories of Hope's Peak last week, Arei or David specifically referring to this moment means that they had to... be there? When whatever this was happened?

I say "whatever this was" to briefly create suspense before connecting the dots everyone's already talked about: that Eden was probably the one to scratch out Xander's eye. This would make Eden the "she" that Xander (er, I mean, "the guy with the bloody hands") talks about in the intro scene.

It also gives some more context to the clock with the fork stabbed into it depicted in LGI.

I don't know if "non-functional" and "I didn't expect her to" mean that Eden could have been brainwashed or otherwise broken down into not acting like herself when this happened, but it certainly seems out of character for what we know of Eden. Even her facial expression seems to suggest that she might not have wanted or intended to attack anyone with that fork.

Anyways, for Arei or David to know about the contents of that CG, they would've had to both be there when Eden attacked Xander and then also have regained/had their memories of it, which seems unlikely given how both of them treat Eden. Like, even if Arei is sure that Eden "did something to hurt someone in the past," this seems a bit extreme, and David probably wouldn't be so neutral on her if he knew that she attacked his man.

Another really clever point that I saw someone make (AND THEN COULDN'T TRACK DOWN WHO OR IN WHICH POST IT WAS--) was that Eden is wearing her current outfit in this CG. Interestingly, I looked back at A History of Hope's Peak and Visiting Graves to see what Min and Xander were wearing, and while Min was wearing her typical killing game uniform, Xander was wearing something different. Given that Min's scene takes place in HPA and Xander's doesn't, this could imply that Min was wearing the HPA uniform? That's fitting, for her.

We also know that the DRDT cast were all wearing these outfits believing that they were headed for the HPA entrance ceremony. Therefore, we know that Eden would wear this getup to school, but we don't know if she'd wear it elsewhere. Once again, assuming it was Xander who got forked, we can place this CG some time between Visiting Graves and the start of the killing game. I have a hunch that Visiting Graves might have taken place during HPA's spring break-- in A History, Min and Mai (er, I mean, "Unnamed Student") are at school studying for a test with "Spring Break next week" on the chalkboard, while in Visiting Graves, Mai and Xander have traveled elsewhere-- but that's not confirmed, so we can't lock it down.

Maybe we can get more information about this in Eden's bonus episode! Because, well, I at least do think that most of the mysteries of this CG could be solved within a bonus episode and/or other characters talking about her posthumously in later chapters. Again, I understand if you want to use this CG as evidence that Eden is important enough to need to stick around, though.

AREI I MISS YOUUUUUUUUUU

Also, I didn't catch this at all, but credit to everyone who noticed how similar this scene is to the "Diana Chiem" scene in LGI! Fascinating implications that I have no additional thoughts on at the moment. Mostly because we don't know shit about Diana, if that even is her who's portrayed in that CG. I'm sure I'll come back to this someday, just not right now.

Oh, and I don't think you can really argue that Ace made up this conversation anymore. Idk how much of it he stuck around to listen to, though.

See like why is she so pressed about it???

I'd like to say that this is a win for Whit not being the mastermind (because he doesn't seem to know what MonoTV is talking about), but he could probably just be going "why are you saying that at this time?" or something like that. Sigh (/j)

Why Does Whit Know So Much About Hanging?

Alright, so, obviously, this could be a super-suspect hint that Whit knows all of this stuff about hanging and therefore decided to use that knowledge to kill Arei. But, I don't care about that! What I don't understand is how Whit came to know all of this in the first place!

Well, after a quick review, there's one option that stands out more than all the others: Whit's mom was killed by hanging, likely self-inflicted. The only thing we "know" about Whit's mom dying (assuming that secret really is his) is that she is dead, and Whit omits it. It's phrased pretty vaguely. We also know that Whit thinks his mom is awesome, but that doesn't tell us anything about how she saw herself. Sadly, I think this lines up all too well.

Whit's main character flaw, as we've seen throughout the story so far, is ignoring things that stress him out or make him sad. He represses, and chooses not to get involved in others' fights because it's "not his business." It would make sense if the same extended to what he was like before the killing game. If Whit always chooses to ignore things that worry him, there's a possibility he blames himself for his mom's death via not paying enough attention to any warning signs that her mental state might have gotten so dire. Of course, if repression runs in the family, she might have been doing her best to not make it obvious as well.

So, even though he hates himself for not giving his mom enough support in her darkest hour, he still can't (yet) make any changes in his life because ignorance is the only way he knows how to cope. Yet, he still won't let himself pass up on helping another soul in clear need of support, like Charles panicking over the blood, or Eden suffering over seeing Arei's body. He can push himself to help others that are sad, as long as he never focuses on himself.

Or, he's the time loop mastermind who's heard Class Trials discuss hanging a billion times before. You never know with this guy.

CONGRATS TO FF AND BADJOE FOR BEING THE SMARTEST PEOPLE IN THE WORLD!!! 🎉🎉🎉🎉 Man, even seeing Teruko explain this mechanism as the truth, I still don't know if I would've been able to come up with it myself. This fandom is so smart :D

(Also, why was Whit a dog? Goddammit, is this more MonoTV coding?! /lh)

FUCK YES, WE'RE ACTUALLY GOING TO GET ANSWERS ABOUT THE GYM MURDER IN THIS TRIAL? HALLELUJAH! IT'S ABOUT TO BE T A P E T I M E, MOTHERFUCKERS! (/j)

Phew, barely squeaked it within 30 images! I'm impressed and amazed that DRDTdev keeps managing to make such gripping episodes week after week.

Get it? Gripping? Like grippy tape?

I'd apologize, but you're almost certainly going to hear more of that from me next week. Until then!

#danganronpa despair time #drdt #drdt spoilers #drdt chapter 2 part 2 spoilers #fanganronpa #cw suicide mention #levi fontana #ace markey #eden tobisa #whit young #teruko tawaki #arei nageishi #btw i hope i didn't come off as at all rude or condescending to people who don't believe in eden culprit #especially bc i was the one who was saying that no one should use the trial results to be mean to each other #my goal was only to celebrate some of my friends for having their theories turn out to be true #but i do truly feel for anyone whose expectations aren't lining up with reality. i'm sure that must be hard after the long wait #(and also to be clear i'm not discounting that i'll be proven wrong not long from now i just don't think it's happened yet)#(or maybe i'm just still delusional)#my theories

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dalishious · 8 days ago

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Veilguard Companion First Impressions

So, I’ve finally recruited all the companions for the Veilguard! And as such, I thought I’d share my initial thoughts on them each.

Please keep in mind that as the title says, these are just my first impressions. I am nowhere near finishing the game yet. My thoughts very well may change after getting to know the characters more as the story progresses. Also, please do not take any opinions you do not share as a personal attack against you.

Bellara

Bellara might be my #1 favourite.

I’ve seen some people just say Bellara is “a Merrill rip-off” but I don’t think that’s fair at all. If all it took was a few similarities to say a character is a rip-off of another character, than I can think of so many boring white cishet male characters who would be guilty of that. But heaven forbid we get more than one elven woman who is passionate about her people’s culture and history!

Frankly, I think Bellara is a breath of fresh air in terms of Dalish characters specifically. Finally, a Dalish elf who isn’t punished for being proudly Dalish by the narrative.

I also really appreciate that so much of her can be easily understood by her backstory, too. Like, her feelings of never being good enough is reflective of the very realistic grief she is experiencing.

Lucanis

If Bellara isn’t my #1 favourite, then Lucanis is. They really both dominate that spot neck in neck. I can’t decide if I want to put him in a jar and shake it to see what happens, or wrap him up tight in a quilt and give him some good coffee.

I’m just a sucker for Lucanis’s character archetype, is the thing. I love taking him out simply because he’s so much fun to have around. And in terms of companion arcs, his is the one I am most intrigued to see where it goes.

Taash

(While I haven’t personally gotten to Taash’s non-binary plot yet, I am aware Taash switches to they/them pronouns, so that’s what I’ll be using.)

The moment I met Taash felt my heart skip a beat. The only thing hotter than their appearance is their voice. I know BioWare probably left Taash out of a lot of the advertising because they wanted to keep Taash’s gender stuff a surprise, but oh my god, because of this I was taken by quite the surprise. And so far Taash seems to be the type to keep a hard outer shell to protect a much softer side, and that is yet another character archetype I really love.

Davrin

My initial gripe about Davrin’s writing being so exclusively about Assan rather than Davrin himself is slowly peeling away, I hope. While I still think its bullshit that you can welcome Assan into the Veilgaurd but not Davrin, at least I’ve finally gotten a few bits of dialogue to get to know more about him finally. I just want to keep this momentum! Because Davrin as a concept has so much potential, in my opinion, and what little bits I have gotten from him have captivated me. But I can’t tell yet if it’s intentionally part of his character that maybe he’s just a closed off person who takes a while to trust others, (a little like Taash?) Or if the writer just cared more about griffons than the actual guy. I’m really, really holding out hope for the former.

Emmrich

Emmrich is so much more charming than I expected, and I found him instantly endearing the moment we met him. I also really like that we’re finally hearing some different stances and insight on death and necromancy than we ever had before from a companion! It makes him feel so fresh and completely new!

Harding

I’ll be real with you: I was not anticipating caring about Harding so much. She was who I was originally least interested in, when the companion line-up was announced. But the direction they’re taking her in has me questioning so much about bigger lore questions.

Unfortunately, I still don’t see much in her except being a vessel for those bigger lore questions, though. Like, Harding as a person has me mildly curious at best.

Neve

I’m really sorry Neve fans, but I just find her really boring so far, in comparison to everyone else. She doesn’t have a lot going on, and what she does have going on, doesn’t really captivate me much. Maybe I was just hoping she’d have stronger stances on things than she does? I don’t know.

It could be that I just really fucked up with Neve, and it won’t be until another playthrough that I’ll get to experience more that will change my mind. Because I will admit I am very good at picking choices she disapproves of, with my first Rook.

#dragon age #datv #datv spoilers #meta

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bittrlys · 4 months ago

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The Dragon Prince season 6 is like watching people write themselves into a corner in real time. Exciting! Massive spoilers ahead, of course.

THE GOOD

Opening on Aaravos crying was a very strong choice, this is the actual 'Mystery of Aaravos' type content I've been waiting for

Terry picking up Viren while they're excited about him being alive is very cute

As ever, Terry being extremely ride or die is 👍

Terry taking care of Claudia was very sweet; Terry cutting Claudia's hair and Claudia's new haircut in general. Cute.

Viren and Claudia on the beach, "No parent wants their child to suffer for them." Oof.

In general, I was quite happy with everything Viren, Claudia, and even Soren, and I actually wrote a note of "i hate soren" at the start because I thought we were gearing up for another season of him just being a bad joke machine with no real character or feelings to speak of. But then they gave him, like, actual pathos! They let him interact with people in a way that feels human! They let him be resentful and complicated! Wow! Magefam is so back baby!

Viren trying to reconcile with Soren and be a better example for Claudia really got to me. His final sacrifice (OMG CRIMINAL BY FIONA APPLE JUST CAME ON SHUFFLE.......WHAT I NEED IS A GOOD DEFENSE CUS I'M FEELING LIKE A CRIMINAL.......AND I NEED TO BE REDEEMED TO THE ONE I'VE SINNED AGAINST.....) is tied so strongly to his children and that feels like a natural place to leave his character. Now, I've been saying forever that he was going to get a redemption via death, and figured Aaravos would be the one pulling the trigger, so none of that surprised me, but I thought the actual execution was generally good. I do have some more negative thoughts but I'll save those for later.

Viren is very good at justifying himself, and I like that you see him falling back into that, at times struggling with it, at times not even catching himself doing it. It feels very real. At the same time, I don't think he's ever seen himself as a hero, so it was interesting to let him go out on such a heroic note.

Viren's kind of abuse-coded (not actually abusive, IMO, but I understand if this makes people uncomfortable in a similar way) act of forcing Lissa to cry into the vial is interesting. It echoes him taking Sarai's last breath.

Him writing out his whole confession on this subject and then burning it because he realized it was only going to do him good was also very nice.

Though I wish Claudia had stuck by her 'I'm going solo' guns a little longer, I still think there's something to how she is so incapable of being alone, of thinking for herself, and desperately seeks direction. She is literally just like her dad, and it makes them both easy targets for Aaravos.

Like, Viren being such a force that Claudia easily followed him, then Claudia being such a force that Soren and Terry both easily followed her, and Aaravos being a supreme force Viren and Claudia both easily follow because at heart, they're more followers than leaders despite the force of their personalities and ambitions -- it's interesting.

Aaravos using Sol Regem to casually destroy a kingdom and kill Viren just as a small step in his plan is pretty fun. We love a grandiose villain!

Looking forward to Claudia and Aaravos. She's in some ways even more unequipped than Viren to handle Aaravos's manipulations, but at the same time, she's a lot more unpredictable than Viren. If this leads up to a confrontation between them, I think that could be really cool.

Aaravos tragic backstory with deleted child was really not on my bingo card at all -- I never thought 'noble revenge' would be his motivation. I like how this parallels him to Viren.

Aaravos crying enough to fill a sea is great imagery

The lore of the startouch elves being actual stars that descend is SO COOL. This is like, the first bit of worldbuilding in this show that's actually seriously impressed me. I love it.

Actual lore as to why humans don't have magic. Well. Not entirely. But it's better than what we had.

I liked Amaya and Janai's wedding looks. Cute.

Janai like Ehe I'll bring out my armies after I get married 😜 is funny. She isn't a very good queen but she is the moment! The gossip blogs would love her.

Ezran eating shit and not having his """diplomacy""" work out. LMAO.

SOL REGEM DOWN!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 🎉🎉🎉🎉🎉🎉🎉

Kinda getting a y'know vibe from Soren and Corvus. I wouldn't mind that. I like that Corvus feels a little more tolerant of Soren than everyone else. It's funny Soren is like finally I'm away from my shit family but his new friends don't seem to care about him at all. Go and be totally free of all this, dude, or get a boyfriend.

Runaan back just when I was starting to think this show really hates gay males.

Rayla correcting her assumption about the sex of the diary's author was cute with the voice over changing. (cont...)

THE BAD

(... cont.) Did unfortunately then make it feel like "Had to be a woman because the author will be pining for a man."

Why is Zym STILL just a dog. Bro. It's like if all through Avatar you had to be aware Appa was going to be king someday. STOP BARKING.

Waiting for the whole cast to become vegetarians and somehow I suspect that will not be happening

When Claudia is listing the spell ingredients she could harvest from that cat thing I was just desperate to have Terry go, "Well, some of those could be ethically harvested, right?"

I find prophecies fairly corny as a writing tool and I get why they're going there -- predicted futures are the source of the anti-human oppression -- but still, I sighed.

Luna Tenebris putting a collar on her pet feels like, weird, right? Right? Right? She's not human and dragons otherwise seem so Respect all magical creatures. (Allegedly.) What is the uneven treatment of animals in this universe.

Naming your episode Red Wedding and I don't see a bloodbath ... oh, come on.

That ramble about ships from Caleb. Shudder.

Jeez, who is Rayla going to save? Her uncle who is an actual character or her backstory parents who are obviously happy and at peace? God forbid one of our main heroes has an actual hard choice to make.

Related: Caleb's 5 second rehab from dark magic.

Making his inner truth being about one other person is ... well ....

Cutting from Viren's rapidly cooling corpse to Lujanne receiving a sensual back massage was certainly a Choice.

Viren missing his wife THIS MUCH when he's barely mentioned her up to now was a little weird. I honestly think they saw the homoerotic interpretations of the very intense dynamics he had with Harrow and Aaravos and have been steadily backpedalling from that. Don't get me wrong, I can believe he loved her and he misses her, but the degree of it feels totally unearned.

I get children's media will have mascots for the children, normally I don't mind them, but dear god this show is hitting critical mass on annoying sidekicks (Zym counts as a very big one and he's already nigh unbearable.)

THE UGLY

I can imagine that the descendants of the human children Leola granted magic to are now able to do magic naturally and this could be the lore behind either Caleb or Ezran's abilities. I actually don't mind this as finally being in-universe explanation for this disparity that isn't just 'they want it more' or whatever, but it doesn't help this show's "Better People Are Born Better" messaging. Now, in that vein ...

King Ezran is a KING. Have we mentioned this? He's a king. He's divinely ordained to be above everyone else. You must show him respect because he's KING. Even Rayla emphasizes what a KING he is. BOW BEFORE HIM.

Ezran's idea of """diplomacy""" is just going "Be nice, please." (Followed by a threat LMAO.) "Go live somewhere else." WHERE. What if they try to occupy territory that isn't theirs? Xadian society seems quite separated and territorial. Ezran doesn't consider this. He doesn't consider anything. He has no actual diplomatic skills because he never offers anything, he just expects people to listen to him because he's KING.

You know in Parasite when they're like Of course the rich people are nice, they can afford to be? When Ezran was going I'm a king and I can choose kindness I was like, You're king because of an accident of your birth, and all your privilege and people looking out for you allows you to operate the way you do.

(Janai having an evil brother who is Not The True Heir To The Throne and Trying To Steal It is just part of the show's overall obsession with this narrative -- see also Viren coming from a less privileged background.)

Of course it's still funny to see Ezran be continuously characterized as So Compassionate, So Loving but when it comes to say, Not burning his own people alive or Extending the hand of kindness to one of his oldest childhood friends or her father, he just turns that shit off. This could be interesting hypocrisy if I thought the show was trying to intentionally paint him this way, instead of just wanting him to not be a total pushover because he's THE KING!!! ALL BOW BEFORE THE KING!!!!

The unbelievable frustration caused by a scene where Claudia is begging to not have to use dark magic -- Terry coming in and saving the day with natural magic -- Claudia staring at the peaceful solution and realizing she needs to change -- BUT IT'S STILL A FUNDAMENTAL DISPARITY IN HOW HUMANS CAN EXIST IN THIS WORLD? Is Claudia supposed to die because dark magic is too wrong to use? Now we have the reveal that humans are being actively denied magic I'm hesitantly hopeful they may get some justice in this regard, but it doesn't change the reality of humans right now. What are humans supposed to do? Rely on others for help? Oh, sure, most of the elves and dragons we meet now are just so nice and helpful to humans, because of the show's 'bad apple' approach to prejudice I've mentioned before, but we know that wasn't always the case.

Like, this actual reminder that the difference in power between a single dragon and a human settlement, and unlike the last time we're on the side of humans this time so you can better appreciate the horror of it ... it's depressing to feel like "Only by grace of your betters do you survive." It's echoes of Janai's 'forgiveness' of the human who put out the fire of that elf who assaulted her. "Aren't you lucky we're so NICE?"

This is all compounded by what I meant at the start of my review, that they've written themselves into a corner, especially wrt dark magic. In universe Soren sees no choice but to ask his father to do dark magic, something all the characters scold each other for constantly. Out of universe, the writers had a huge fuck off dragon come along to commit genocide against the humans and the only realistic solution is .... having Viren do dark magic, something the narrative constantly reinforces as bad. They ultimately frame this act as heroic, and according to a writer (I believe) on the discord, he speaks the spell forward to represent how this act of inherent good overcomes the "inherent evil" of dark magic (quotation marks theirs, interestingly.) I think the writers, for the most part, clearly like Viren and Claudia a lot, and like giving them 'big moments' with dark magic ... but this is part of the reason why the show has continuously reinforced a NEED for dark magic without giving any viable solution for the average human who doesn't have natural magical powers or is friends with dragons and elves like our main heroes. Ultimately, it feels hypocritical of the show to keep going on about the evil of dark magic (now very firmly an addiction metaphor) while having no solution for humans in tricky situations that aren't "magic you and only you can do, for some reason" or "queen dragon who somehow still isn't dead dear god coming to save you" or, y'know, "dark magic." Only one of these is really viable for the average person.

Like, you make it an addiction metaphor, but where's the alternative? Vampires need to drink blood to survive but vampire series often show vampires refusing to drink human blood as an addiction metaphor ... they drink animal blood instead, or something, and you get the metaphor. Right now, in TDP, it's either, do dark magic and suffer, or don't do dark magic and ... suffer more? Okay. I'm not saying life has to be fair or that there isn't value in accepting loss, but when Viren scolds Kpp'Ar for having all his fun with dark magic and then very callously dismissing Viren's fear for his son, I felt that. Viren isn't begging for a beer here. He's begging to save his son. Addiction metaphors need to match the scale and reality of what is being shown to you.

Sorry, I'm now going to harp on more about the Your Betters Are Born Better stuff now because I was actually enjoying (you know, tearfully so) Viren's death until his final lines. WHAT!!!!!!!!!!!!!!!!!!!!!! I GASPED!!!!!!!! HOLD ON!!!!!!!!!!! Like, let me get it out of the way, I get it echoes his last exchange to Harrow and his loyalty to Harrow is tied to his loyalty to Katolis, and they're saying "He was power hungry but now he is acting in a way that is purely, totally selfless for maybe the first time in his life," which is fine. The problem is, I have sat through six seasons of this show kissing royal ass. I have seen Aanya (shudder) mock him for not being a real noble-born ruler. I have seen Ezran's divine authority be reinforced time and again, and seen Viren throw himself submissively before his King to submit to his judgement as King, not as someone he once hurt. I have been reminded time and again that less privileged people who want the power necessary to succeed in a world biased against them are power-hungry lunatics unless they submit themselves enough to the Supreme Order of the world. So to have Viren's last words be him reinforcing that the most heroic thing he can ever be is A LOYAL SERVANT is just ... horrible. If they'd just kept the framing of Viren's death on his love for his family, it would have been way, way better.

Altogether I uh guess the season was mostly fine. They actually did a better job tying disparate narratives together with common themes which I appreciate. I liked the magefam stuff. I hope Soren eventually learns the stuff Viren chose not to tell him. I hope there's realistic forward growth on the attitude towards dark magic and why humans feel they need it, like some acknowledgement that Katolis was only saved because of Viren (make that two nations he has explicitly saved.) Maybe even Ezran can take a break from being unbearably sanctimonious to properly acknowledge his sacrifice. That would be nice!

I really hope humans get some justice for how they've been actively denied a valuable resource. It seems a self-fulfilling prophecy (they punished Leola for giving humans magic, this made Aaravos go darksided, Aaravos gave humans dark magic, humans are very set against the magical community for the way they've been treated so they're more callous about using dark magic) so I hope the ultimate lesson won't be "humans don't deserve this" but "humans only ended up here because they were treated like they don't deserve it, but they do, by right of existing as beings in this world." If Callum (+ Ezran) end the series as the only or some of the only humans with magic powers, I'm going to eat drywall.

#tdp critical #*#*prepares my drywall just in case*#tdp spoilers #the dragon prince spoilers #my stuff is always okay to reblog btw!

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song-of-baldy-ron · 3 months ago

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I'm honestly not Anti-Prime Deities but I do get frustrated when I see how hard Matt and the Players try to present this new perspective in C3- that of people who've lived their lives mostly ignored by the gods- only to have their backstories get brushed aside by a lot of the fandom with excuses of "well you didn't try/pray hard enough to get an answer!" Because no matter how much of a good force they've been on Exandria, there are absolutely some things they need to answer for.

Before the Predathos threat was even at large, why didn't any of the gods reach out to Ruidusborn to try and explain what they were? Why is Imogen only hearing from the Stormlord now that he needs her help? Why was Laudna being chased out of towns by clerics for most of her life post-Sun Tree? Why hasn't Ashton received even a hint of the gods listening to their prayers? Maybe all three of them rolled super low on religion/perception checks their entire lives but at some point you'd think one of the gods would answer for one of them.

There isn't a black and white answer to this question but that doesn't mean the question isn't a valid one to ask.

It gets even worse when viewers don't even want to engage with the various perspectives Exandrians have with the Primes, and how they can't all be positive or Ludinus wouldn't have anyone to manipulate/bring to his side. Cults rely on charismatic/convincing leaders but they also need to tap into societal tensions that those leaders can twist in their favor.

This doesn't even touch on the Colonialism of it all (as sympathetically presented as it's been) of the Gods just rocking up on Exandria and changing things to their liking (as ignorant to the consequences as I assume they were).

I get that C1 and to some extent C2 presented very different views on the gods than what C3 is telling us, but it really feels like people are writing off the C3 characters' views on divinity and their relationships with the gods as "Matt retconning the lore he established"/ setting up for some nebulous post-WOTC world where none of the gods exist even though literally no one has mentioned that would be the next step.

Again- I would be upset if Exandria got rid of their gods because I love how complicated they can be especially given what we know now.

But please be willing to engage with the narratives that C3 is bringing to life without relying on what was established in C1 or C2 (when the gods' existence wasn't directly being threatened) as the "true lore" of Critical Role.

#did this make sense? I hope this made sense #It's late here and I may revisit this when I can argue better #critical role #critical role spoilers #bells hells #cr spoilers #mighty nein #vox machina

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s0ckh3adstudios · 10 months ago

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howdy!! for the undertale gold au, i was wondering if we could see more of dalv? (or starlo, dalv and rover!! like the family portrait)

if not thats ok :) i just wanna see more of how these sillies work in the au

TA-DA!! Finally, after days... UTG Dalv! I Am So Sorry.

Disclaimer Corn Yaoi IS canon in this AU and for those who don't like it. I am sorry HEHEKGHLF It's too late for me to go back and I thought it'd be funny to include it. Too embedded in the lore now

You find out Dalv's backstory not through recorded tapes, but through his diary! You know, how he has one in the Ruins? In turn, Chujin still records tapes.

I actually wrote Dalv's diary entries and will be leaving them under the cut so you can all get your dose of exposition, but I'll give a summary of it below the Diary Entries if you want a TLDR!

Also, I apologize if the writing isn't very good- I tried my best to keep Dalv's character and write out what happened, but I'd probably edit a couple details if I wasn't lazy LMAO

====

SUMMARY:

Dalv and Starlo own a large farming area together where they grow crops for monsters to buy. They were given an opportunity to expand the farm, and their business by association, to the Snowdin area. Starlo was unable to meet with the people in Snowdin about it, so Dalv had to go. He was a bit nervous to do so, Chujin offered to join him! As long as he got to test out his latest project; Axis, a funny little robot. Rover, Dalv and Starlo's kid, also joined them! They wanted to visit Snowdin and play with Chujin's robot. Dalv and Chujin left Axis to watch and play with Rover while they had their meeting. But this is when danger struck. During the meeting, a human came through Snowdin and attacked Rover, even taking their hat. Despite Axis already chasing after the human and Chujin giving Dalv warnings, Dalv ran after the human as well to find his kid's hat.

Dalv did find the human... who was very injured after seemingly having had a run-in with Axis who was oddly nowhere to be found in that moment. When Dalv encountered in the human... something shifted in him. This human hurt his child, they could have taken them away... Seeing them... He felt angry. Without thinking, for reasons he can't really explain, he attacked the human and finished them off for good. In a panic, mortified at what he suddenly did, he stole the soul. He didn't want to admit it, even if this was what monsters were meant to do to humans. The soul was declared missing and Chujin was blamed; there was concern over how much damage Axis caused and the fact that he seemingly killed the human so brutally that he also destroyed the soul which they NEEDED.

Dalv decided he was going to try and use the soul for good and try to infuse its power into his crops! He thought if monsters ate them, they'd gain enough power to last against humans AND possibly bypass the barrier. He couldn't do this alone... So he ended up coming clean to Chujin about what happened. Chujin was VERY mad but figured if he helped, he could maybe get his job back. The two worked on the project and when sprouting their first soul infused crop, a cob of corn, Dalv offered to test it.

....It made him very sick.

When Dalv fell down, he had left a message to Starlo in his diary, telling him to read it after he died. He told Starlo to return the soul and shut down the project entirely. The farms are already in danger just for supposedly having some sort of illness in the crops that Dalv seemingly ate (a lie). But Starlo...... didn't listen. He felt bad that it didn't work out for Dalv and felt bad that he felt horrible about it. He wanted to do it for him. Carry on his legacy. Cling to what left he had of Dalv and what he was working on.

....But it was never meant to be.

#yeah this'll make the masses upset. post it! /ref #sock art #undertale gold au #uty #undertale yellow #uty au #undertale yellow au #uty dalv #uty starlo #uty clover #utg rover #uty chujin #tw blood #uty corn yaoi

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aluraveil · 2 years ago

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♧ his ballerina. 💫

Yandere Scaramouche x Ballerina Reader

TW : Yandere themes, unhealthy relationships, and huge spoilers to Scaramouche’s backstory. Inspired by this post right here.

Word Count : 1.2k

A/N : I got huge inspiration from his teaser! I love him and his character lore so much! I wanted to get this out during maintenance before Scaramouche would be released in game! I knew I had to write a fic about the ballerina and Scaramouche 😭

The past wasn’t something Scaramouche often liked to dwell on. He’d often describe his own as painful and tragic.

After being abandoned by his own mother because he was deemed useless, he was left to venture and explore the world on his own. But who knew that the pure, innocent soul would experience even more heartbreak after his birth?

His past was something he didn’t want to even think about. But as the old saying goes, in darkness there’s always hope. Maybe it would be true for everyone else, but it seems that Scaramouche would just face darkness after darkness.

The hollow puppet was wandering around the streets of Snezhnaya in the middle of the evening. He had finished all his harbinger duties and there was nothing left to do.

He stared into the night sky as he thought about his old life. He sometimes wonders what would have happened if his mother didn’t throw him away, deeming him useless.

He snapped out of those thoughts as he noticed a ton of people gathering around what had looked like a stage. He was curious at what was happening and he heard chatter going around saying that a dancer would be performing in a few minutes.

With nothing better to do, he sat down on the hill near the back which gave him a good view.

The stage light was on you and you began your performance. Your graceful moves and the way you danced on stage was incredibly mesmerizing. The way you moved with the soft music in the background along with your twirls and the way you spun so elegantly made Scaramouche lean in closer on instinct. He was so enraptured and his eyes widened as he kept watching the show. You looked like an angel with the way you moved so flawlessly. You looked really perfect with the way your tutu complimented your figure. You were like a dove on stage.

Your dancing had drawn the Balladeer in and it felt like he had forgotten the world around him. It felt like he was in a dream where he was able to forget all of his worries. For a moment he was able to forget all the suffering he had endured just by your captivating performance. You were an amazing dancer and Scaramouche was hooked. The puppet became more captivated with each twist and turn of your body.

Your dancing was like a drug, and he couldn’t get enough of it. He was addicted to that feeling. When he walked back home that day he felt like a whole different person. It wasn’t everyday that someone like himself was impressed. He couldn’t stop thinking about the way you spun so delicately.

Without even realizing it, Scaramouche found himself showing up to performance after performance. The feeling of forgetting his worries put the harbinger at ease and he was more hooked with each twirl you did.

In one way, you reminded him of the ballerina in a tale he was once told by the small child. But perhaps he was only coming to every one of your shows because he still had a soft spot for his one and only true friend.

Though the harbinger doesn’t talk about it a lot, he will admit that there was once someone who was very special to him back when he was known as Kunikuzushi. He will never forget the special moments he had shared with his one and only true friend, a small child he had met when he first ventured into the world.

The boy always had a smile on his face and seeing him happy made Scaramouche happy too. Him and the child grew an inseparable bond with each other. But even after all of those happy moments filled with joy, he still couldn’t help but feel empty. Like he was missing something.

Sometimes the small child and him would share a cup of tea together and sit down. They would talk about everything, but there was one conversation in particular that stuck out to him even after all the time that had passed.

“...You mean, you wish you had a heart?”

“Mhm.” Kunikuzushi said as he took another sip of his cup of tea. “I’ve always wished I had a heart.”

“You mean like the tale about a puppet soldier and the ballerina?” The small child inquired.

“Huh? I’ve never heard of it. Why don’t you tell me what it’s about?”

The tale was about a puppet soldier who wanted to be with a ballerina. But one day, his owner deemed him useless and threw him into a fire. Then the next day, all that was left was a heart left in the fireplace.

Kunikuzushi couldn’t help but roll his eyes, “It must have been a heart made from ashes.” He took another slurp of his tea. “That kind of thing just doesn't happen in real life, only in legends and old tales.”

“Maybe,” The small child replied. “But what if hearts can be born from ashes?”

The next day, the island had been plagued with tatarigami. Humans that had lived in the area began dying from it and it set everyone into a panic. One day, Kunikuzushi came back with a basket of lavender melons. With an eager smile, he opened the door only for his smile to drop into a horrified expression.

The boy had died.

Kunikuzushi was upset. His only friend and the only person who cared about him was dead. In the fit of rage, he had set everything in the house along with his friend’s body on fire and he watched as it turned into ash.

But there was no heart. It was just ashes.

“What a joke.” A tear rolled down his cheek. “It’s just ashes.”

The only thing that was left in the fire was a small doll that the boy owned. Kunikuzushi picked it up and since then, he has kept it with him. He left the burning house and he never looked back.

In a way, you reminded him of the ballerina in the tale. Perhaps he still has a soft spot for his old friend and that’s why he keeps coming back to watch your performances. Each time, he hugs the small doll tighter and tighter. He wishes that the small boy could have been there with him too. He knows that the small child would have loved your shows.

You reminded him so much of his past. Perhaps by showing up to each one of your dances, he relives his past with only the good memories and not the bad ones.

The Harbinger found himself growing a strange obsession with you. At first, these feelings didn’t make sense to him. He was a puppet with no heart. But maybe he just clings onto you because you remind him of the small boy.

Scaramouche often finds himself calling you,

“My ballerina.”

“My heart.”

It’s a habit really. He can’t really snap out of it.

But as Scaramouche starred up into the night sky after another ending of one of your performances, he couldn’t help but wonder,

Perhaps you had been the heart that he was searching for all this time.

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queenkamisama · 1 month ago

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“bRo WhAt aRe yOu dOiNG?!”💀

i guess we’re both delusional lol

————————————————————————

by the way, i wanted to write my opinion about it (i’ve never done this before but i’ll try, english isn’t my native language so don’t come at me lol), because i have mixed feelings about this episode. i played it last night and to be honest; i cringed from the start to finish…

BUT! let’s not forget about that it’s still just a game. i have trauma too, and i felt uncomfortable watching them getting excited about a situation like this… of course it’s NOT OKAY what they did to Roy despite what he said “Don’t try to follow me.” (because for me it was obvious he’s NOT joking even if it seem like that, he DIDN’T want them to follow him), it’s his private hobby(?) or whatever you want to call it, and they should’ve respect it, even if he’s their childhood friend. first of all, why y’all want to see your coworker OR friend naked??? are you 5?? like i can’t imagine a scenario that this behavior is normal at work (or anywhere else).

sadly, i had to follow them because i’m doing Jason’s route…

i miss those times when you have to wait for 20+ episodes (i’m not sure how much exactly it was a loooong time ago) in the og mcl, when you developed a deeper connection with your crush before any intimate interaction happened. +i really like slow burn stories, that’s why the game lost its magic for me… (at least for now)

as i said, i’m playing Jason’s route on my main, but i also did Devon’s and i… i don’t know what to say. like girl, we get it you’re horny but why do you do shit like this WITH YOUR BOSS??? AGAIN??? the problem isn’t that you developed feelings for someone who you working with, it happens, but at least wait until episode 30 or idk before you pull his pants off💀

i’ve read a lot of people’s reviews about the episode and i think we can all agree that everything’s rushed. i would’ve really appreciated some backstory/lore or whatever about the characters to get to know them first. the illustrations are nice, until you don’t know the context… and i think it’s sad. i’m a working adult and i was so excited to play one of my favorite game again which is a bit similar to my life, but i expected more mature story. i hope beemoov does something about this, but i saw their feedback and well… i don’t know:/

i don’t take it that seriously, because as i said it’s just a game, but i think we all want to enjoy it instead of writing novels about how much we hate the storyline. but it’s just MY opinion.

last but not least: Thomas…WHAT THE FUCK💀

like bro are you serious?…

p.s: if you leak something out about me i’ll end you❤️

#mcl new gen #mycandylove #my candy love #my candy love new gen #mclng #mcl #amoursucre #amordoce #corazondemelon #cdm #beemoov #episode 8 #review #opinion #jason mendal #devon okere

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ilikekidsshows · 1 month ago

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-long ask ahead-

Big fandom blog recently said that ML is a character-driven show, that it shows what the characters WOULD do, not what they SHOULD do. This really got me thinking.

Somehow I can kinda see their point; if there was a book about the events of ML written completely from Marinette's POV, we could see all her thoughts and how she disregards other characters' feelings/existance and it would make sense because they are not of any priority to her view of the world. As Marinette she has a strong drive to get Adrien into her hands that leads to all kinds of funny/questionable situations. Her depictions in the show where she paranoidly imagines scenarios with Adrien or is plotting to get to him is what I could see as character-driven moments. No-one outside of herself is giving her these goals and ambitions.

But aside from that? The Ladybug/superhero side seems only reactive instead of active. She saves the day when the villains attack, but has no ambition to go after them when the attack is over. There is no real tie to her personal life aside from her having to play the hero role and some attacks interrupting her civilian life. If the story wouldn't emphasize that she is the greatest Ladybug, and instead anyone could do it as well, then Marinette probably wouldn't do it. She doesn't seem personally attached to being Ladybug, as seen in Kwami's Choice. If we removed Hawkmoth with all his backstory and ambitions from the show, there wouldn't be a Ladybug, there wouldn't be a plot outside of Marinette wanting Adrien. Marinette is not interested in the lore of the miraculous or in being a superhero, she wouldn't do anything without an outside influence. So this side is more plot-driven if we view Hawkmoth as the plot-tool?

And what about characters popping out of nowhere and mingling with the plot (e.g. Felix, Chloe)? Chloe's actions are clearly often just there to further the plot of the episode instead of giving us insight on her character. Felix's goals change every other episode. Tomoe could be any other prop and we wouldn't know more about her, etc.

Can stressing about being the guardian be viewed as character-driven? No-one outside of Ladybug herself really pressures her to act a certain way in that role (Su-han could be talked down easily, I don't count him). Is her keeping secrets and disregarding Chat Noir a result of her controlling behaviour, thus character-driven? (but it's also extremely convenient for the writers to add tension or because they don't care about Chat Noir) And how is this perspective meant to make it more bearable to watch unfolding?

I did look up some character-driven vs. plot-driven posts and explanations, but the more I think about it in the context of ML, the more it blends together and I get no clear answer. Of course, there's probably very few exclusivly 100% character- or plot-driven stories, and certainly not a show like ML, but some elements should be easier to put in one box or the other? I'm not even sure about the definitions of character- vs plot-driven anymore, I'm so confused, I'm sure I got it wrong along the way and mixing in-character with writer's views and so on.

I would love to respark my enjoyment of the show with a simple change of perspective but I think that sadly won't do. In the end, whether it's this or that, I'm still disappointed and unsatisfied with how it went in the long run. Yet it's still interesting to think about how people who still really like the show could view it.

I think you mentioned on your blog that you have some education in media-analysis or something of the kind. If you like, could you share your perspective on the claim at the top?

What's the common definition of character-driven stories and can we apply it on ML?

Would this change of perspective make some writing choices more enjoyable (it's subjective, I know)? I think a lot viewers expect a superhero show to be more plot-heavy and characters to develop (or characters wanting to improve themselves somehow), so if we went into ML thinking from the start "this is not about the plot and how people should act, I'm just watching characters do whatever they would do" would our reactions be really different?

How would the show have to be written and presented to be truely character-driven?

Sorry that's a lot I ask. Feel free to answer whatever you like (or ignore the message). Thanks for reading anyway.

Anonymous asked: Miraculous is character driven story, the plot is determined by what the characters's do rather than the usual opposite with wath the characters doing is determined by the plot, said a friend of mine when we discussed before. What's your opinion about it if I may ask?

---

Okay, so I'm just going to start this by saying that "character-driven" and "plot-driven" are not literary analysis terms, but writing tip terms. It refers to what the focus of your story is. It means that, when you write a book or a movie, you should usually pick to prioritize an in-depth character study or a story with a lot of plots or world-building (the lore, if you will). Character-driven stories have a plot or several, but it isn't intended to be the main draw, so it can be sloppy while more work gets put into making sure the characters are complex and have clear arcs from beginning to end. Similarly, plot-driven stories can have complex characters, but the main draw is meant to be the larger narrative.

Plot-driven vesus character-driven is a writing tip against avoiding a bloated story full of unnecessary details. If your story is about two nobles dealing with an arranged marriage and the pressure their families put on them, having a complex magic system and magical duels using said system take up a bunch of pages is unnecessary. Similarly, if you're writing a story about a complex magic system, how it gets used and how it affects the society at large, dedicating a lot of time to a romance arc takes attention away from the actual points of the story, like the dreaded "forced Hollywood romance" in action/adventure movies.

In a comic or TV series, you usually (thanks companies for cutting episode counts; you suck) have more time and space to deal with more stuff, and varying stuff can improve a long-running series. In an ongoing, long-running superhero comic or show, you can and should use both and have them take turns. This is, in fact, the industry standard. Sure, a Batman story can technically have him chasing down Scarecrow, but, if the bulk of the episode/issue/trade is him battling his inner demons that the Scarecrow's Fear Toxin causes him to hallucinate, then is the story really about chasing down Scarecrow, or is it about developing Batman's character? (It's the latter.)

In general, I don't think "character-driven versus plot-driven" is a useful analysis tool, because it's binary. Basically, in media analysis, you should always try to avoid yes or no questions, but many binary questions are equally bereft of deeper meaning. Asking if Miraculous is character or plot-driven will answer that question, but not anything else. You can describe how you came to that conclusion, but the character/plot divide won't by itself create any other points to be made about the text, you need another tool/lense/question for that.

In addition, character-driven versus plot-driven can't refer to "what moves the story", because moving the story is the plot. The plot, or plots, are the cause-and-effect chains within a story. A plot doesn't move by itself, either natural occurences or character actions will move it along, you need a cause and effect. This also means, that, even if character-driven was a way to describe story progression, only stories about natural disasters could be not-character-driven.

In the top ask, the would vs should division seems to imply that the person describing Miraculous as character-driven is trying to say that, in Miraculous, the characters’ actions are supposed to be logical from the perspective of their personal motivations and not necessarily morally correct. This is how I’ve seen most people defend Marinette's villain arc; that we aren't meant to agree with her, but simply wait and see what the payoff will be.

The problem with this approach to analyzing Miraculous specifically is that the writers have never committed to a long-term payoff. I just can't believe that Marinette's villain arc will lead to a satisfying conclusion instead of the show either dropping the whole thing without addressing it, or having Marinette once again get so upsette that her victims have to console her. They're already setting up the possibility for instant forgiveness by focusing on how upset she was about the lying she “had” to commit. She already feels bad, so punishing her would be wrong, and the “punishment” here refers to any kind of long-term consequences for her actions.

Of course, the implication also is that, while we supposedly aren't supposed to agree with Marinette, we can't hold her too accountable either, we can't “demonize” her or want her to get “punished”. Which just sounds like we aren't even allowed to expect this “plotline” to have a satisfying conclusion. It could very well be that these people would think “yeah, Marinette was wrong but she feels really bad about it so let's just everyone forget about it until she does it again” would, in fact, be the satisfying payoff. Basically, even wanting the other characters to be justifiably upset with Marinette is the same as wanting to “punish” Marinette, so we can’t expect any character to behave like they have motivations or feelings outside of pleasing Marinette.

But, like, that's that thing with character actions supposedly making sense from their perspective; as you said in that book comparison, it only makes sense from Marinette's perspective. From any other perspective, what on earth is motivating the other characters to keep giving Marinette chance after chance while she squanders them all? She's not that good of a friend that she’d earn that much leeway, not from supposedly reasonable normal people who are merely acting how they would act instead of how the Marinette-favoring writers think they should act. The would versus should argument therefore only refers to Marinette and is just an excuse for her actions.

In addition, we have one big problem with the argument that Marinette is supposed to be a flawed character and anyone criticizing her is just too impatient to wait for the payoff for her character arc, in addition to the writers’ inability to write payoffs that I already mentioned. The other problem is that, while the audience might think Marinette needs to grow and become better, the writers don't. Every single one of Marinette's self-growth arcs has been scrapped: her inability to communicate got vindicated, her awkward romancing got excused and her quest to confess to Adrien got resolved by Adrien confessing instead. Marinette isn't a character who grows. In addition, the writers' every comment on the S5 finale has been nothing but excuses for why Adrien not knowing anything is right, because Adrien is just too emotional (like a hysterical woman who needs to be controlled because the writers are that kind of people).

So, in terms of what character-driven and plot-driven even mean: if Marinette is both completely disengaged from the plots of stopping the villains permanently or figuring out the Miraculous lore, and is a static character who doesn't actually grow or have a discernible arc, what is Miraculous as a show even about? In addition to the love square, it used to be about character development before the retool, but, after said retool, the characters have stagnated and the show just spins its wheels until the writers decide to have something cool happen to ramp up social media engagement. Now all we have is the love square and Marinette acting like she’s the center of the universe, so I guess the show is about the love square and Marinette, so it's technically character-driven, if character-driven can mean “making one character look like she’s the only one deserving of sympathy or celebration”. I guess you could say the show is Marinette-driven, it’s about Marinette and what she wants and what a girlboss she is while getting what she wants.

Frankly, it kinda sounds like the new character-driven vs plot-driven comparison is trying to create a new way to say: “don't expect a kids' show to be well-written.” It's kinda like people are saying: “of course the plot is shit because Miraculous is about the character writing”, but, like, the character writing is shit too. That’s what I’ve been saying since the S5 finale aired and Astruc started claiming that Marinette won and was truly kind and Adrien can't be trusted to know the truth about Gabriel: the way Marinette is written doesn't match how the writers want her to be viewed. The writers are only really interested in writing one character, but in a way where all her character arcs get scrapped, which, I think, doesn’t even hit the bare minimum requirement of being character-driven the way writing tip websites intend it.

My background in media analysis mainly means I'm pretty good at spotting patterns, and Miraculous' patterns reveal sloppy plot writing and sloppy character writing. It's all just been slop since the retool, mostly, I think, because the writers aren’t really interested in developing their characters or plots. The writers’ main focus seems to be to try to sell Marinette as an amazing person who deserves all the attention, while everything outside of isolated “cool” scenes gets overlooked. The wisemen of the groupchat saw these definitions and called Miraculous a “look at our cool girlboss”-driven show.

#ml salt #ml critical #dats chats #long post

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