#but I am not without fault

[bookwyrminspiration]

hello i brought up the terrible cultural representstion in keeper to my parents and they said it was probably the publisher pushing for it. dyou have any thoughts? you seemed like the best person to ask about this

I don't know if I'm the best person, but I can certain share some thoughts about it. I'm assuming by cultural representation you're referring to the lack of diverse characters--and subpar representation/inclusion of the few characters who are diverse? (this is a bit long, so warning)

While I doubt it was the only thing, it is likely publishing affected the diversity; this was a book pitched and sold in the early 2010s in an industry dominated by white women--I found an article from 2016 saying about 79% of publishing staff are white. The same survey in 2019 found 76% were white, so while I can't find one more recent at the moment, it's safe to say it's still a very white-dominated industry.

Keeper is published by Simon & Schuster, and I found a few various sources talking about them, but nothing significant enough to override what I've already cited (which applies to them as well). You can check out this site citing a few employee statistics about them, if you're curious.

If you look through the people Shannon thanks in the acknowledgments of her books--Like Laura Rennert, Lara Perkins, Taryn Fagerness, etc.--the people she's working with and surrounded by appear to be predominantly white women (though I didn't look up every single name, and I'm specifically focusing on book 1 right now), and the thing about agents and editors and all the like is that they'll be much more incentivized to work with/sell/buy a book that they connect to emotionally, which in this case is white stories.

The same applies to authors, which I think is another aspect of the supbar diveristy. Shannon's--as far as I know--an abled allocishet non-hispanic white American woman. Authors like to write stories they connect to and see themselves in (which isn't inherently a bad thing), and for her that means stories with straight, cis, abled white characters and heavy American influence. And this story is scouted and enjoyed by white agents/editors/publishers/etc. (I don't know enough about them to truly discuss their identities, I'm coming to conclusions based on suggestive evidence, but may be wrong).

I can't tell you what's going on in their heads, but it's entirely possible that the lack of diversity wasn't a conscious choice, but rather something that none of them prioritized or noticed. Publishers appear to have some sort of diversity "quota" as well, not going beyond it. This opinion piece briefly mentions it amongst the rest of its discussion, how white publishers at Simon & Schuster questioned whether they needed to bid to publish a black author when they already had another. This is, however, one anecdotal instance and may not be representative. My point in including it is to be aware of what the scene may be and how, even though Shannon is white and therefore more likely to be published, a story with increased diversity may not be seen as necessary or be pushed for. Instead, the diversity in their company can come from other authors. So unless Shannon makes that conscious effort herself, she won't be punished for the lack.

That all discusses this from the perspective of including diversity. There's also the matter of the diversity that is there, which has been dissected and commented on by people far more knowledgeable than me. The two are related, and there are likely similar causes.

Once again, Shannon doesn't have the personal experience or knowledge of the various characters/backgrounds she includes. And her editors/publishers likely don't either, which may explain in part what we see in the books. I don't know whether keeper has sensitivity readers or not, but if there aren't any that could also contribute.

Improvements have been made with time--there are more characters of color than when we started--but that doesn't make these improvements without fault. So I think she is making an effort, but it's falling short. And if the prior observation about how they can meet their diversity quota with other authors continues here, there may not be significant push from her publishers/editors etc. to truly focus on quality diverse representation. They're committed to her story at this point and won't stop her, but they don't need her to do much, perhaps? And Shannon has, to an extent, backed herself into a corner because so much of her story was established without diversity early on, and there's only so much she can add later--we see now how the cast is started to get very crowded and complicated with all its additions, and her focus is on Sophie regardless.

There's a lot going on and I'm only touching the tip of the iceberg--and I am not an expert or professional of any kind, so take my observations and hypotheses with a grain of salt--but based on what i know, publishers likely do play a factor. But Shannon herself plays a role as well; the fact of the matter is the story she wrote isn't very diverse. And it was appealing to certain publishers, because the industry is abled straight white woman dominated. So there is a lack of representation, and the representation there feeds into stereotypes and generally isn't good.

No one cause can be blamed, but instead the intersection of various reasons contribute to the diversity issues--that's my conclusion, but don't just take it from me. Think about it for yourself and listen to others as well. I don't quite know where I'm going with all this, but hopefully some of this satisfies your questioning

If not or if anyone would like to discuss it further--including correcting me on anything I may have missed or insensitively said--my inbox is always open.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[canon-gabriel-quotes]

✨💐 Mother's Day 💐✨

Transcript:

Machine. Gabriel omegaverse male pregnancy art.

Transcript:

I'm two days late... *gasp* Did Minos finally..?

Transcript:

Did Sisyphus finally..?

Transcript:

Don't come to my server.

Don't pray to me.

Don't "V1 pregnant" react me.

We're done.

*vine boom*

Transcript:

Guys, stop giving birth in vc.

Transcript:

You know.

I'd really like to say all of the pregnancy jokes catch me off guard.

But to tell you the truth, I was expecting.

i hate it here

Omegaverse clip

Minos clip

Sisyphus clip

Divorce clip

Literally 1984

He was expecting :]

[dabunnyvm]

die stimmen werden lauter....

[aerithisms]

the little scene we got of team rwby talking about ruby's outburst was very telling with everyone's reaction.

blake didn't say much but she was sympathetic, and it makes sense - she's no stranger to depression or to lashing out and running from the people you care about. and she was still playing the leadership role in ruby's absence, mediating yang's frustration and keeping everyone together.

i think it's fascinating that yang was the angriest over it. yang loves ruby more than anything, but i think there is truth to the idea that the nature of her relationship with ruby as her big sister and protector made it harder for her to understand this side of ruby, because to yang ruby has always been her happy, brave little sister who she protected from the horrors of the world. and now she must be hating herself for that blindness (though of course it's not her fault).

and weiss seemed to understand ruby best. she got that ruby felt isolated, and put on a pedestal, and that she didn't think she could talk to them. and i think she gets it because as ruby's partner she feels responsibility over it. since volume 1, weiss has only ever wanted to be a good teammate and a good partner to ruby, and now she must feel like she failed.

[excessive-moisture]

Wouldnt it be so funny if we had our real blogs opt out of being used in AI datasets, and then made new sideblogs where we would dump data poison :3

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[omaano]

Hello! If you're still taking the polyam sketch prompts I'd love to see i2 for the bad batch? (i know the prompts only have three so if this doesn't work pls ignore) - i got a bad error last time sorry if the message sends twice

That icy creamy monstrosity in Crosshair's hand (as the only one who has one free) belongs to Echo. Allegedly.

I hope you are still around Anon, I got your message, and I'm real glad you sent it again, this was really fun to draw!

Polyamorous/platonic poses for sketching (I haven’t given up on these, I just needed a little break. I’ll try to get around to drawing all the requests before the end of summer!)

and the other drawings I’ve made for them

[evelynpr]

bakugou for the character ask game?

Truly the teenage boy, shonen deuteragonist, love interest coded, gay asshole, of all time.

My first impression - Woah I did not understand why people were so into this guy. Like I get it, he's a flawed and loud pretty boy, he gets character development, and probably gay, but seriously him??? His mouth is so fucking foul and he is so up his ass. - I was meh with this character, enjoyed him in fan content, but just did not get why people were sooo into this guy.

My impression now - I cried in "Light Fades To Rain". Twice. - My god his growth...his will, his persistence, and by god his love for Izuku is so ridiculous and powerful I just cannot help but admire the little shithead. - He is also a lot more to me than I expected, with the whole "foul mouth shit", "high expectations bullshit", "violent urges", and "dedicating your whole life and love to someone you love and admire" and that...that makes me feel quite conflicted.

Favorite thing about that character - The thing about Bakugou is that...you just cannot help but wish you had the same kind of persistence, strength, will, and power that he does. I love how all this is initially so shallow and selfish, then grows to wanting to be a better and truer hero. He really learns and changes and is just an unstoppable force of nature, it's genuinely incredible and beautiful to watch.

Least favorite thing - I wished that the overall writing did go harder in making him stop bad-mouthing people and...everything so much. You can tell he did grow to respect and care for people around him more, but by gods he is sooo bad at communicating his feelings right now. (tbf, he is so fucking young and traumatized) - Also, really please stop hitting people. I get a knee-jerk reaction to that kind of physical violence sometimes ngl.

Favorite line/scene - There are so many. I already mentioned his death in "Light Fades to Rain" so I'll mention a different one - Team Bakugou in Class A vs B was so goddamn good, for being a monumental milestone of his character. How much he trusted his teammates and put himself in danger to save others, winning in the end. No injuries, no failures, truly a perfect beautiful victory. How he also pushes Deku to keep getting better afterwards in his usual constipated-ass language too. Man I just love that battle to death.

Favorite interaction that character has with another - (me pulling out scenes that aren't bkdk centered here hahaha) - I fucking LOVED the Bakugou vs Ochako fight. It made me love Ochako so so much as a kid. I really wished we had a follow-up to that battle, and it genuinely changed my life. - I love how it really shows just how focused and rational he is in battle. How he truly respects his opponents, Ochako in this case, and the sports festival really establishes so much about him.

A character that I wish that character would interact with more - Speaking of which...OCHAKO VS BAKUGO 2 COME ONNNN - There is SO MUCH these two need to talk about. How to save people, who they want to save, who saved them, never underestimating each other, how they changed and grew. I just love these two characters to bits, that's why I need them to FIGHT AND TALK SO BADDDD - Additional: Also Toga (see my post on Toga right before this one lmao), Shoto (because I still don't really get their friendship but its hilarious, and I love Shoto)

Another character from another fandom that reminds me of that character - I legit cannot think of anything here...like for Toga...I am so sorry my brain is blanking T__T - It's hard to be a massive anger-issue filled, victory-focused, die for their lover (twice), amazing chef, all at once, kinda guy...you know?

A headcanon about that character - I am a believer in trans!fem Bakugo in the future. He's so ridiculously angry for some reason, voice always cracking, and just on-edge for some reason. Idk I just think its hilarious and satisfying if he transed his gender in the future and became happier and more comfortable.

A song that reminds of that character - I also have a Bkdk playlist in the making! Here's some bkg focused songs in character development order: - Boys will be Bugs, President Perfect, Top of my School, Oh No!, I'm Gonna Win, The Last of the Real Ones, Skyfall, Die For You, Set Fire to the Rain

An unpopular opinion about that character - Like Toga, he actually isn't possessive. I think he quite well understands and accepts that Izuku is a very loving person that many people are easily drawn to (I mean, he'd be a hypocrite if he didn't understand that). - He is protective instead of possessive. He keeps an eye out for anything and anyone who could possibly actually hurt Izuku, but he doesn't hold him back at all in hanging around with others, and when other people fall for Izuku either. - He is actually quite skinny, and doesn't have the big thick buff guy build. Those go to Izuku and Iida more imo.

Favorite picture - I never really thought of this much??? I love art of him being softer, more solemn, quiet and contemplative even. I guess I'll go pick out some favs right now...

Here they are! Hope you enjoy the post lmao

[uncanny-tranny]

I think it's only natural to feel anger when somebody isn't "taking your advice" or listening to you about their mental health or what will help them. People want to help people, and the anger comes when you are perceiving somebody as not being receptive but...

It can be a selfish impulse to say that your opinion about their illness is the only thing they need. It isn't about you, even though the advice you give is given by you.

Nobody deserves to suffer, this is true. But, also, nobody deserves to be forced to do things that either won't help or won't be genuine. If somebody isn't taking your advice, there's a reason for it (maybe it's not a good enough reason for you, but this isn't the point). It's okay to be disappointed or angry, but it's not going to help to lash out at them. That is only pouring water onto a grease fire.

[anglerflsh]

waiting for my train with an indescribable urge to read the Pharsalia

[moeblob]

I vote for Argenti! I hope you feel better soon!

Thank you ! I do feel much better (though I admit I hurt a little for very much my fault reasons but it's mostly manageable through light pain meds).

Take an Argenti o7 I got lazy and didn't draw the roses I was gonna draw to the left so there is now a wide open blank spot.

[r0semultiverse]

You know what feature we need to bother staff for next? Other people’s posts getting flagged as counting towards “strikes” on our blogs.

[mistylacrimosa]

So AO3 is down again

[steelthroat]

First time staying at the hotel of a theme park (against my will, but that's a long story) and... it's so weird??????

Like I feel like I am not supposed to be here, how do I put it... it screams luxury but I a... childlike/childish way????

And I feel restless, like something is wrong. Uncanny.

[anistarrae]

Thank you for being in the world.

started sobbing when i saw this. i appreciate this very much, thank you so much