#but I also think there was a Lot Of Mistakes with his character in terms of writing

[phin-and-frob]

YES and like it's less directly referenced, but the show also touches on how wirt's negative self image and "nobody wants me I must be doomed to walk this life alone" bit, where he simultaneously longs for social connection/acceptance while also romanticizing and waxing poetic about his isolation and inclination self reliance, is likely being reinforced by his experience in the blended family dynamic.

he feels disconnected from his family, like an outsider. While some kids get angry at the new parent/siblings that are introduced, wirt projects the "blame" inward onto himself. its possible he feels like greg + Greg's dad his mom's preferred or *real* family and he's just a reminder of a past mistake and is unwanted. And/or he might just feel like there's not a space for himself in his mom's new life.

Especially with their age difference there was probably several years where the majority of the mental and emotional energy in the family was focused on taking care of the new baby. So wirt has developed a mentality of self reliance tinted with some feelings of being unwanted/unlikable (this mentality can definitely be seen in his social anxiety around his classmates and how he thinks they all hate him when they are mostly just neutral about him).

So he doesn't have a strong sense of belonging within his family unit or among his peers at school. So he tends to turn inward and pace around in his own head stewing on his thoughts and worries. and likely seeks out and clings tightly to any glimpses of representation he can find in the media he consumes (poetry, music, books etc). So he ends up idealizing this sort of misunderstood lone genius/artist archetype, bc it's a narrative that celebrates other people who feel lonely and misunderstood by the rest of society just like he does.

Also wirt is like 13/14? Puberty is a bitch and psychology 101 will tell you that during the teen years the most important relationships in a person's life shift from being family bonds to bonds with friends and peers.

So wirt is going through this internal struggle between

1 - The part of him that is resigned to isolation and is maybe even proud of it (bc it makes him fit the tragic artist archetype he idolizes)

and

2 - the part of him that feels lonely and is desperately seeking belonging and understanding from others.

And like,,that's rough buddy, puberty is hard I get it.

But as OP pointed out, he's so absorbed in his own internal conflicts and feelings that he brushes off Greg constantly, to the point that he doesn't even realize the unconditional love and acceptance greg is already giving him freely (obv it's not the same type of belonging he needs/wants from peers but it's a start and, crucially, it disproves the idea that he is some tragic loner doomed to a life without love--his family loves him--Greg loves him--he does have a place of belonging in his family-- they want him there!)

and it takes greg almost dying for him to snap out of it and accept the olive branch Greg's been trying to give him the whole time and start repairing his sense of belonging in his family (which in turn seems to help boost his confidence interacting with his peers)

ig in summary: I think wirt's experience with blended family dynamics actually does a lot in terms of helping establish the mindset, characterization, and therefore character development of wirt throughout the series.

like yeah it's easy to say he's just a grumpy teenager who thinks his little brother is lame but he's a teenager with a very specific lived experience that explains and influences how and why he pushes his brother (and other people like his classmates) away when they try to connect with him.

i dont think enough otgw fans talk about the exploration of complex family dynamics that the show manages to weave through pretty much every episode. like the relationship between wirt and greg seems so innocuous in the beginning, just normal aloofness due to the age gap, but as the episodes go on it becomes clear that wirt full on resents greg and actively dismisses him as “his stepdad’s kid,” while greg openly admires/loves wirt and doesnt understand why he wont spend time with him. theres so many little moments that make the lack of reciprocity in their relationship obvious, and it literally takes almost DYING for wirt to understand that he needs to treat his brother better. like holy fuck man ill be shocked if the person who wrote their backstory doesnt have a step/half-sibling cause WOW they got it right

[dduane]

Hi! I'd love to hear ur take on the whole Spirk Canon discussion going on right now as someone who's written licensed Trek books. Like besides the whole "did Unification 765874 make spirk canon" thing, is it even fair to talk about spirk being canon or not? What would it take for spirk to "be canon"? It strikes me as a very fandom-y (positive) way to interact with media, which is funny since k/s invented fandom culture. But at the same time ur Supernatural comparison was right on the money and paramount has been VERY weird about addressing their relationship in nutrek. What are ur thoughts??

First of all: Despite the excitement of any given moment, people need to be careful about mistaking anything I reblog without further-amplifying comment, on any subject, as necessarily implying agreement or approval. Lots of times I reblog things just to direct attention to them (and sometimes because I think they're funny).

"ur Supernatural comparison" was not mine. It was somebody else's. I reblogged it to direct attention to it. (And maybe I thought it was funny.)

...Also, wut iz dis "nutrek" u speak of? When you've been working in this universe for long enough, with the necessary perspective to look up and down the length of it without idiosyncratically-added heat... then all Trek is Trek. The spectrum along which its varying species all coexist is ever more complexly and interestingly braided than it once was, sure. But that's all. I've got enough on my plate at the moment not to have time to waste trying to force different aspects of Trek into cage fights with each other.

And: "Paramount"? Who is that, exactly? At the pointy end, all corporations are made up of people. Which ones are we talking about? Which production entities? Which creative teams? Which execs, working under whose supervising auspices, and when? Working with whose (character/worldview/policy) decisions, and for how long?

None of this stuff is simple to work out, and it's not helpful to try to come at it as if it's necessarily going to be easy to tease out who's doing what to whom. Briefly: it's normal for it to look weird. But don’t mistake a Big Corporate Monolith for something actually monolithic.

Also, for the moment, ffs, let's all just step away from the business of defining what K/S and/or Spirk actually involves. Enough ink and electrons have been spilled over this whole spectrum of character relationship since the 1960s, and frankly, life's too short. Definitely too short to be trying to resolve it all in terms of something that dropped...when? About this time last night, or the night before? :) Jeeeez, people. Take a breath or three and let things settle.

So I don't think anybody needs to be hearing my deep cogitations about the new short film right now... because there aren't any. No question, Unification's beautiful to look at—and I've told Dave Blass he did nice work, about which i don't think there can be any possible doubt. (Not to mention the high-end technical aspects dealt with so seamlessly in such a small tight package, which have left my jaw on the floor.) The Giacchino score's also quite lovely, but that also is more or less a given.

As for everything else: I decline to spew opinion all over the joint until I've had a chance to assimilate what I've seen, and actually acquire a useful opinion from somewhere or other. Meanwhile, y'all just keep doing what you're all doing, and I'll go make some more tea. :)

[whatohitsonfirewelp]

So here’s the thing with my very complicated relationship with Scott McCall.

He’s a sweetheart. He’s good and kind and loyal but he’s so unbelievably stupid and he’s more loyal to his morals than anyone in his life.

[deoidesign]

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

[grandline-fics]

Terms of Endearment

DESCRIPTION:  You call them by a term of endearment without realising 

WARNINGS: none that come to mind.

CHARACTERS: Law, Kid, Shanks, Marco, Zoro | Ace, Sabo, Luffy

WORDS: 2,943

A/N: I decided to use Zoro as the final character. Since he and Ace tied in the poll, I might make a second one of these and use Ace and any others people may want.

*REQUESTS ARE OPEN*

MASTERLIST

———————

LAW

He knew it was irrational to be jealous of an inanimate object. Law knew that it’d be childish to use his Devil Fruit to take it out of your hands and claim your attention for himself. While he had enough restraint to not do that, the temptation to do so was still there. His eyes zeroed in on the book in your hand. He glowered and wondered if it was really that good, did it really deserve such intense, rapt attention that you were giving it. Your eyes were alight as you took in the words, your fingers already tucked behind the next page and ready to turn it as quickly as possible. Law watched you carefully, almost praying for your expression to turn to one of sudden boredom but it didn’t come. 

He supposed he was to blame this time, a lot of this was new to him. While your relationship had only turned to a romantic one recently, you’d both been close for a lot longer. Long enough for you both to be able to spend time together while doing entirely separate things. You only pulled your book out because he had medical charts to look over and update. Law made a mental note to try a bit harder from now on to make the time you had together one of quality.

Finally he sat back in his seat and rubbed his eyes, letting them relax from pouring over the extensive pages now neatly piled on his desk. Slowly he stood and walked to the sofa you were perched on, unmoving and seemingly unaware he was approaching. Law tried to bite back his jealousy once more, wondering how annoyed you’d be if he ‘accidentally’ sent that blasted book out into the depths of the ocean. 

When he sat down in the space beside you, he smiled softly when you leant back so you were against his side. One of your hands dropped to rest on his arm that was around your waist, your fingers lightly making soothing patterns against his tattooed skin. Law supposed this did count as quality time since it meant he could relax with you in a way he couldn’t with anyone else. He allowed himself the time to settle further against the cushion and press his lips against the back of your head. “Don’t forget you and Bepo are on duty tonight.” He reminded you, still having to act as your Captain when necessary. 

“Yes, love.” Your answer was light and casual that he didn’t realise what you’d said at first. Then it echoed in his head ‘love.’ His eyes widened and he peered at the back of your head. There was no way he misheard that. You’d called him love, not Law, not Captain. Love. There was no mistaking the way his heart skipped a beat in reaction. It sounded so right, so effortless the way you said it and he found himself wanting to hear it again. It was also clear that from your lack of reaction, you hadn’t realised what you’d called him because you were partially distracted. Law smirked and for a moment reconsidered his earlier distaste. Perhaps your book wasn’t so bad after all.

KID

Kid didn’t want to admit it but he was powerless against you. He was stubborn and hotheaded and did what he wanted even if someone had sound logic to convince him whatever he had planned wasn’t wise. If anything if someone did attempt that nonsense with him, he’d be even more extreme with his conviction to do as he wanted and would even think of a way to make his actions even more outlandish and dangerous. Even Killer had a hard time keeping the captain in a somewhat mature state of mind. You however were a different story. Anything you wanted, it was yours all you had to do was ask. 

Kid just never knew how to let you know that was the dynamic between you both. He was never afraid to speak his mind, if anything he yelled it to ensure everyone knew his thoughts. Yet he seemed to bite his tongue from confessing how he truly felt with you. He’d much rather have you beside him every day and enjoy the playful teasing and jokes than make things real and risk you not seeing him that way. Killer had told him one night to just confess already and trust that you felt the same. Kid had rolled his eyes and promptly kept his feelings buried in his chest. It was better, they were safer there than spoken out loud and unable to take them back.

He walked into the kitchen one evening to see you and Killer preparing the crew’s dinner. You looked over at the sound of his naturally heavy steps coming closer and smiled in greeting to see him stop in the doorway. “Here to help, Captain?” You asked, already knowing the answer before it came. Your smile grew when Kid let out a loud laugh and made a show of folding his arms across his chest and leaning against the doorframe. 

“Not unless you want me to poison the crew.” He smirked.

“You’d nurse us back to health if you did infect us though, right?” You joked before looking back to the food you were meant to keep an eye on instead of getting distracted by your handsome Captain. You had to keep reminding yourself to behave and actually respect the chain of command. To let yourself imagine he may genuinely feel the same as you did would only lead to heartbreak in the long run but still you flirted and teased him whenever you could. You supposed you were just a glutton for punishment. You slowed in stirring the food and looked around for the seasonings only to see the small jar on the counter near Kid. 

“Could you pass me that?” You asked nodding your head at what you needed. Kid followed your gaze and immediately pushed himself away from his comfortable position to lift the tiny item. He stepped forward and passed the seasoning into your waiting hand, hating and loving how the brief moment of his fingers skimming against yours brought him such a burst of joy. “Thank you, darling.” You smiled, turning back to the stove. While you hadn’t noticed what you’d said Killer did and he stopped cutting the vegetables to look Kid who was frozen in place, his eyes wide and cheeks turning the same bright red as his hair. 

Darling? The fuck did you mean darling?! Kid’s mind was short-circuiting as he scrambled to gather his wits together and make sense of it all. Had you called him that subconsciously because  was it possible that you felt for him too? God he hoped so because getting to hear you call him something so sweet again would be perfect.

SHANKS

One of the great things about sailing with an Emperor of the sea like Shanks was the fact that there were many islands under his protection. Any time you landed at one for a visit or even for the excuse of resting from a long stretch of sailing, the locals welcomed you all so warmly that it turned into one big celebration. None of you needed to worry about night watches, chores or other duties and could just sit back and enjoy the peace until Shanks decided he wanted to get back on the waters again. 

As a crew, you were all used to just passing out and sleeping wherever you were at that time and waking up with aches from the uncomfortable positions you’d all ended up. However the town you were staying in was large enough to provide some rooms for you all in one of their inns. Some of you still needed to double up but the beds were extremely comfortable and who were you all to refuse such generosity? One night when the drinking and partying was only just beginning you slowly rose from your seat with a stifled yawn and forced yourself to finish your drink. Shanks was first to notice your movements. “Going for another round of drinks already?” he asked, coming across casual but he knew you weren’t yourself. 

“Nah, I’m turning in early.” You announced, playfully flipping off the crew when they started to boo you for being boring. “Yeah, yeah, yeah. Blame Beck, alright. I haven’t slept the last two nights. Goodnight.” You gave no further explanation and disappeared up the staircase to claim a room to sleep in. Shanks looked towards his righthand man with a small scowl. He hoped you hadn’t implied what he thought. Beckman could sense his Captain’s silent interrogation and waved away his worries. “Calm down Cap, you know I’d never make a move on them. It’s just been bad luck we’ve had a share a room together and I snore…apparently.” He explained with a shrug and long drink of his ale. 

Shanks had accepted the answer, knowing Beck would never lie to him. Yet as innocent as it all was, he couldn’t ignore the way he’d felt sick at the thought of you being with another of the crew.  While nothing had exactly happened between you both, it was painfully obvious that there was something there. A playful dance you both engaged in without making an actual step forward into committing and admitting you’d had feelings. Roughly Shanks rubbed his eyes, now wasn’t the time to be thinking on such things, not with alcohol in his system and you not being there to talk to like the adults you were. 

The rest of the night had helped to take his mind off things but it was all undone by the time he entered the room he’d been staying in the entire stay and saw you sleeping soundly in his bed. He was the only one in the crew that didn’t have to share his room with anyone else so why were you here? He approached the bed and shook your arm, watching your eyes crack open and he immediately felt guilty. You really did look exhausted. “Why’re you in my bed?” He asked, trying not to laugh as your eyes slipped closed again. 

“Furthest room…no snoring. Please honey, lemme sleep.” Your voice was thick with sleep and your breathing was growing deeper again. Shanks might have appeared calm but that was the first time you’d ever called him something like that and as far as he knew you’d never called anyone else on the crew something similar. That all but cemented his decision that things needed to be talked about when you were both awake and rested enough to deal with things. Finally he let out a sigh and climbed into what would be his side of the bed while keeping respectable space between you both. “Fine, only because it’s you.”

MARCO

Your relationship with the ship’s doctor was a fairly new one. You had both known each other long enough to know the general likes and dislikes and the atmosphere on the Moby Dick among the crew was always one of familial harmony so there was never any uncomfortable tension. You were both content to just take things easy and enjoy things as they developed naturally without needed to force things into a certain timeframe. Marco’s personality being so relaxed and carefree was infectious in general and it was no different in your relationship.

Marco stood from his desk and stretched, ready to find you and enjoy the rest of the day with you now that all pressing tasks he’d needed to complete for the day was done. He was just about to leave when Izou entered to talk about organising a banquet for Ace’s birthday. As the two were discussing everything you appeared and smiled at them both before entering the room. 

“Babe, did you see my-” Anything else that came out of your mouth was unfortunately drowned out by the increased heart rate in Marco’s ears. Instead he could only watch as you were busy looking for whatever it was that you’d lost. Marco would have considered himself steady and able to handle most situations but hearing you call him babe for the first time had certainly thrown him and you seemed oblivious to the fact that you’d done so. The only person who truly reacted was Izou, his laugh snapping Marco out of his trance and catching your attention too. “Babe, huh? Didn’t realise things were so serious with you two. Maybe we could plan the wedding too.” Izou teased. 

“What are you talking about now?” You asked with a small smile. You were used to Izou’s teasing like a brother figure would but sometimes he just didn’t make sense. When Izou saw that you weren’t aware of your subconscious slip-up he grinned wider. 

“You called Marco, babe.” He explained. You rolled your eyes and let out an amused laugh. As far as jokes went, it wasn’t the worst one he’d told you but he could do better. Suddenly you became concerned when Izou’s smug grin wasn’t slipping and you had to think. What had you said to Marco when you entered the room? Slowly you pulled your gaze to your boyfriend and he nodded. “Well looks like you two lovebirds need some alone time.” Izou all but sang as he left, no doubt hurrying off to tell Ace and the others about Marco’s new nickname.

“So…” You cleared your throat nervously and gave a small laugh. “Want to forget that happened? I swear I didn’t realise I’d even called you that.” The last thing you wanted was to make Marco think you were forcing him to a point he wasn’t ready for. Thankfully his broad smile was enough to make you relax, his naturally warm aura soothing your brief worries before they had a chance to escalate. Marco stepped closer to you, settling a hand on your waist. “Well even if you stop now, I bet all the others will start. Honestly I’d much rather hear it from your lips. Can I hear you say it again?”

ZORO

Zoro kept a firm hold on your shoulder as you stumbled, trying to twist weakly out of his grip. Any other instance he would release you if his touch made you uncomfortable but this was a completely different situation. After defeating a group of lackeys, one managed to make one last attack before falling unconscious. You’d been quick enough to intercept whatever it was he threw towards you and Zoro but when it was destroyed it still released a cloud of strange smelling gas. Zoro had been a safe enough distance but you weren’t so lucky. 

At first you’d insisted you were fine but after walking a few paces your balance started to sway and your mind was beginning to cloud. Zoro became concerned by the glazed look in your eyes as you tried one more time to pull out of his unwavering hold, glaring at him. “Jus’ let me go! I don’t know you.”

His eyes widened at your declaration, not only because you sounded so dazed and confused. It was not like your usual bright and familiar way of speaking that made him happy to hear but it was also because hearing you say you didn’t know him filled him with more concern than he was willing to admit. He needed to find Chopper quickly to treat whatever it was you’d been hit with. For now he had to try and keep you calm and prove you were safe with him. “Course you know me. We’re crew-mates, remember? It’s Zoro.”

Abruptly you stopped and bumped into his chest, lifting your head to stare at him, trying to force yourself to focus on his face. Your hand reached out and clumsily gripped his face, tugging him forward enough for you to see his features better. Zoro could see your pupils were blown wide, whatever had been in that vial was some sort of hallucinogenic and he hoped that that was all it was. It could be better dealt with than a poison. Not that seeing you so wary and untrusting of him was any better. Your suspicion didn’t subside when you finally let go of his face and shook your head. 

“You’re not Zoro.” You finally declared, trying once more to get away from him. This time you succeeded only enough to make it a couple of steps but without him there to keep you stable you fell forward. If Zoro hadn’t been there you would have landed face first into the pavement but he caught you swiftly around the waist and lifted you to settle you over his shoulder, deciding that this way of carrying you was the best option. “Definitely not Zoro.” You weakly grumbled into his back as he began walking again. 

“Oh yeah, why’re you so sure of that?” He asked, deciding to at least play along.

“You’re too grumpy…” You explained and added as you fell unconscious. “Zoro’s grumpy but he’s a sweetheart. My sweetheart.” Immediately the back of his neck heated and he froze in place but he couldn’t say or do anything else because thankfully Chopper, Usopp and Nami appeared to regroup and find Luffy. Zoro quickly explained to Chopper that you’d been hit by something but offered no further details. 

“Did you get hit too, Zoro? You’re looking really red.” Chopper asked in concern. Quickly Zoro cleared his throat and shrugged as he laid you on the ground so Chopper could treat you. 

“Uh yeah, might have been. Don’t worry about it though.”

[kasienda]

Why I love Marinette Dupain Cheng

So, I just watched the London Special and I have feelings!!

I want to preface this by saying that I very much didn't resonate with the second half of season five for a lot of different reasons, but that the special really worked for me, gave me what I needed to get to a place to be excited about the potential of season six.

Marinette is a 14 year old superhero who is fundamentally a good person. She tries to do right by others, and when she realizes that she's done harm she genuinely tries to fix it. Now, her character is often portrayed as someone with ADHD. She is subject to tunnel vision, hyperfixating, anxiety spirals, and not always being great at taking other perspectives into account. She's never been good at anticipating how her actions and choices might hurt someone else.

And I LOVE that about her!!!

You know who else is not great about taking other people's perspectives? Fourteen year olds!! Developmentally, they're LEARNING THIS AT THIS AGE!! They're also LEARNING to make decisions and accept responsibility. And they are NOT good at it!! Take it from someone who works with fifteen years olds DAILY!! Even the most "good" well behaved teenager does and says thoughtless harmful things that hurt others sometimes in excruciating ways. And you ask them, "What were you thinking?" after it's blown up in their face and the answer is ALWAYS, "I don't know" OR "I wasn't thinking."

Developmentally, middle school is about fitting in. It is not easy for kids at this age to stand up for what is right, to make decisions that are healthy, to communicate in healthy ways. Marinette's whole character is about learning to do that! And to showcase that you have to show her making mistakes, sometimes even big ones, and learning to take responsibility for those choices.

Marinette salt hurts me so much because the salt seems to paint her at this malicious manipulative girl who wants to control Adrien and the world on whole. That she's malicious in the choices that she's made.

Meanwhile, the narrative is not framing her as in the right when she makes these choices. Kagami told her she disagreed in almost the first scene. Nathalie told her it was time to tell the truth. Throughout the whole special, it's obvious how much the choice she made is weighing on her, how much she's wondering if this was right. She seems to know on some level that it isn't.

THAT IS SO RELATABLE!!!

Have you ever lied to a friend or to your parents? And then, realized huh, I probably shouldn't have done that, but now you're in too deep and don't know how to take it back? Have you ever NOT told someone about a hard truth about themselves or about you because you didn't want to hurt their feelings, and then have to watch as they get hurt or rejected again and again because they just don't realize what the problem is??? Or confronted with someone around you who has lost a lot and just not sure at all what to do in the face of all that? And then to be given the choice to maybe ease the hurt of that loss with a lie? You think you WOULDN'T at least CONSIDER doing that for someone you love??

Do I think it will bite her in the butt? YES!! AND I AM HERE TO SEE IT!

Nathalie tells Marinette they should tell the truth. And Marinette's like, "but you'll go to jail." And Nathalie nods, accepting this. "But then Adrien will be alone." And Nathalie responds with "he'll have you."

DO YOU KNOW HOW TERRIFYING THAT WOULD BE TO HER??

If she does tell the truth, Adrien DOES lose Nathalie. That would hurt him too. Adrien DOES have to deal with the backlash of being Hawkmoth's son both inside his own head and with the world at large. And maybe in the long term, that would be the better choice. But how many of us choose what's better in the long term??? (THE ANSWER HERE IS ALMOST ZERO! I DON'T CARE HOW OLD YOU ARE!)

Bunnyx tells her there will consequences good and bad to every decision she makes. And what matters is how she faces the consequences. How she tries to take responsibility for them in the future.

Marinette is not trying to hurt Adrien here. She's not trying to manipulate or control him. It also doesn't mean she thinks what Gabriel did was right or that she condones his actions. It certainly doesn't mean she's okay with abuse. Everyone saying that she is has the benefit of the global perspective of knowing everything in the show! Marinette does NOT have that perspective.

Does that mean she isn't causing harm? No! She IS probably causing harm here. As so many of us do unintentionally, or sometimes even knowing that we're doing it because doing something else feels impossible to face in that moment.

And when the truth comes out, and I do think Gabriel's identity will come out (I'm less confident about the senti reveal, but that's more because they're literally not allowed to say the words), Adrien is going to have a LOT to work through. But the thing about Adrien, that all of his defenders seem to misunderstand, is that HE IS FORGIVING! If she explains it all to him, he will be angry and maybe hurt, but he is also going to be the first to understand. He's been the one right there next to her with a front row seat to all the pressures she had to face often completely on her own. I think she will be way more angry and hard on herself than he will be on her. That's kinda who his character is. He's NOT VENGEFUL.

This whole show from the beginning has been about characters making mistakes, sometimes learning from them, and being forgiven for them!! And it's the FORGIVENESS AND UNDERSTANDING given to each other after the fact that has brought the characters together time and time again. Watch origins and look at the class dynamic. Then watch guilt trip. The class has come together in a way they absolutely were not in the beginning! Because they have gotten to know each other and forgave each other. Watch Alya apologize to Marinette for telling Nino about still being the fox, and watch Marinette smile and say she knows what it feels like to need to share your secret with your best friend! Watch Ladybug ask Chat Noir if he understands the weight of a secret, and have him dryly agree that he is familiar with the feeling.

They are all flawed characters who make mistakes, who do things that hurt each other even when they're are trying SO HARD to do the opposite, and that's why I love them!!

I like characters making mistakes! I like there to be conflict in my stories.

And what I love about miraculous is that so far, the resolution to conflicts has always been one of listening to each other, and coming to a place of understanding and forgiveness.

[aethelwyneleigh27]

Cod Characters General Dating Headcanons (part one)

+ Random and Some bits of Chubby Fem S/O Headcanons with mentions of different nationality S/O

+ What type of BF/GF they would be

Including John Price, Simon "Ghost" Riley, John "Soap" MacTavish, Kyle "Gaz" Garrick, Alejandro Vargas, Rodolfo "Rudy" Parra

Part 1, Part 2, Part 3

Fem terms and pronouns like she/her are used for the reader

ꕥ HOPE YOU ENJOY! ꕥ

My rules for requests and characters I can write for

Please comment if you want to be added to the taglist, the next part or cod content alone.

Taglist: @marshmallowinamess

A/n: Hi lovelies! Lia here, I'm back after a nerve-wracking week of school. This is a bit short but I hope you enjoy it otherwise. God I fucking hate school. I wrote all of this in a cold room, a heat pad on me (because period cramps) and at 3am so any mistakes will be edited out as soon as I'm aware of it.

This is divided into a multiple part thing (I think 2-3?) because God knows I can't fit them all in one post because of the limited amount of gifs and photos. I'll add more to these in the future, some are longer than others because I can't think. Also because I can't write them all at once, that's a lot to write okay 😭

Disclaimers/warnings: Typical Cod things, OOC characters???, Unrealistic, Some suggestive themes and language, I'm so sorry but English is not my first language so please don't come after me. Most of the content I've seen are on TikTok and Tumblr I don't actually play the game but I love the characters so much, same with any other content I have for other video games.

Tiny sidenote: the reader in this has been describe to be shorter than the characters and has been mentioned to have a soft body rather than the muscular type.

John Price

ꕥ (OH MY GOD LOOK AT HIS SMILEEE) (He's such a quokka)

ꕥ Price who literally is such a father figure, doesn't matter whether the relationship between you two is romantic or platonic. He often takes the dominant caring role.

ꕥ Doesn't smoke around you, doesn't matter if you insist he doesn't. He still won't and definitely will criticize you if you try or do smoke because he doesn't want you do end up like him.

ꕥ If there's a bit of an age gap between you, I'd say he's hesitant. Definitely afraid of what the rest of the task force thinks (He can't help it, they're basically his boys)

ꕥ John Price who wants to settle down with you, maybe have kids if you want but just a white picket fence life with you without the chaos that is war and his job.

ꕥ He only ever let's you have his hat, only when he gives it to you though. Most of the time it would be while you're out, he'd put it on your head from his. (Cowboy hat rule? I heard that in more respectful terms rather than sexual, it respectfully means that you are theirs)

ꕥ John Price who rests his chin at the top of your head no matter how much he needs to crouch down whenever hugging you from behind. Love doing it whenever you're busy doing something too. (Props for the effort because you cannot tell me he doesn't have back, neck and knee pains)

ꕥ Is constantly worried if you share the same line of work, like at first it was nothing but a tiny crush and slowly he finds himself caring about your well-being more and more over time.

ꕥ Can't help but think he's an acts of service type of guy, reaching up for things you need or better yet lifting you up so you can reach them and loves opening things for you like bottles or anything canned. (Girlies who get their nails done or wear press ons know this struggle ( I'm a press on girly)

ꕥ The kind of man who would turn on some oldies music and slow dance with you in the living room, your footsteps and breathing being the only other sounds as you smile at each other, foreheads against the other's.

Simon "Ghost" Riley

ꕥ Ghost who is such Doberman/Black cat boyfriend. Like have you seen this man? He's so tall and intimidating, one distasteful look from him and if it was physically possible that person would drop dead.

ꕥ Ghost whose a chubby chaser through and through, he just looks for something different from what he's used to.

ꕥ Is definitely a tits kinda guy, doesn't matter how big or how small they are. He'll definitely play with them in some way during doing the you know what.

ꕥ Feels like you can take him and his size better because of your plush body. Has a size kink and likes seeing it bulge a bit when he's inside you.

ꕥ You're just so soft and warm, he wants something away from what he usually feels doing his job. Not really that touchy but he gets quite clingy within closed doors.

ꕥ Likes to squeeze your thighs, his grip on them would not falter. Doesn't matter whether it's in a sexual or domestic way.

ꕥ Thinks you deserve better than what he can offer and needs constant reassurance, never says it out loud but you pick up on what he feels. (please be patient with him)

ꕥ More often than not, he thinks you're quite fragile. Even if you can protect yourself, one of his ways of showing you he loves you is through protecting you. Hence the Doberman boyfriend scenario.

ꕥ Doesn't like PDA but knows when it's necessary, him placing his arm around your shoulder is enough to keep perverts in their places. If that rando is really that bold then they'll most likely end up with a few broken bones depending on how pissed Simon is.

ꕥ If you work alongside him, he'd constantly worry about your well-being but at the same time is conflicted because he's confident that he can protect you.

ꕥ Only you and the TF141 can call him Simon, he still feels uneasy when he gets called that but when it's you saying it, it doesn't sound as daunting to him. Still dislikes in in certain tones of voice because his name reminds him of his past.

ꕥ You've seen his face, it took a long time but after that he trusted you enough to show him. The fact that you didn't find his face revolting and even kissed his scars while cupping his face was enough for him to want to marry you.

ꕥ Isn't fully insecure about his face but has his moments. (You know like the voice line where soap asks him to take off his mask and asked him if he was ugly and Ghost said "Negative")

ꕥ Takes a little while to get him to open up and little things like letting you hold him takes him a bit of time to get used to because it makes him feel vulnerable.

ꕥ God forbid something were to happen to you and he couldn't do anything to stop it, Simon would lose his fucking mind.

John "Soap" MacTavish

ꕥ Soap is a Golden Retriever boyfriend through and through. He's energetic, loyal and really affectionate.

ꕥ He's a lighthearted flirt at first because he doesn't wanna scare you off but damn does he gradually get bolder over time.

ꕥ Very hands on, touchy, and could be clingy at times unless you don't consent him, secretly always finding new ways to touch you.

ꕥ A sucker for cheek kisses, lips are his favorite but he can't help but break out a wide grin whenever you kiss his cheek. Can't help but feel kinda manly whenever you do.

ꕥ Adores making you laugh, no matter how stupid your sense of humor is he will absolutely say that joke if it gets a laugh out of you. Would be concerned if you had a dark sense of humor but will eventually get used to it. To describe it, hearing you laugh makes his heart feel full like in a content domestic way.

ꕥ Also, see the gif? You cannot tell me that he doesn't look at you that way because he absolutely would.

ꕥ Loves your weight against his body to the pint he's begging you to lay on him. You, him in the bed while he's shirtless with grey sweatpants on and you in your night clothes sharing each other's warmth with your head on his broad chest.

ꕥ Shows you silly and cute pet videos, especially the cat ones:

"[Name], look at this one!"

"Soap, we're not adopting a pet. Not right now at least"

ꕥ He was upset and gave you puppy eyes the whole time because the only time he had pet was when he was child, it was a hamster which was killed because it got sucked into the vacuum by his older sister.

ꕥ You're the only one allowed to tough his hair, he's very proud of his mohawk and will let you style it. Won't wear it out if you did something silly to it though.

ꕥ Soap who loves showing you off to everyone, loves light PDA but doesn't wanna potential put a target on your back.

ꕥ He definitely is the guy you want to take home to your family and friends (or found family <3), he's funny and easy to get along with. Very flirty with you but he'll straighten out because he's terrified on making a bad impression.

Kyle "Gaz" Garrick

ꕥ (HE'S SO FREAKING UNDERRATED WITHIN THIS FANDOM)

ꕥ He gives Labrador boyfriend vibes, you can't help but want to take care of him.

ꕥ Gaz who literally had to do a double take when he first saw you, he turned to Soap with that "Are you seeing what I'm seeing?" look in a good way.

ꕥ Gaz who literally had to ask you out multiple times before you said yes thinking he's only doing it for a bet or a cruel joke.

ꕥ Constant reassurance from him because he doesn't want you to feel insecure about your looks because to him you are literally an angel.

ꕥ Loves to chill with you, cuddling and just relaxing. Maybe scrolling on TikTok occasionally and show you the funny ones he chuckled at.

ꕥ He has a sixth sense whenever you crave something, say you want chocolate or drink of some sort then he'd definitely being home whatever it is you we're craving without having to ask you.

ꕥ Kyle who has your Starbucks order memorized because he likes being the one to order things for you. Will playfully argue with you on who'll pay this time. (Don't even try anymore, he always wins anyway)

ꕥ Puts his hat on your head mostly when you're out, has done it the first time because it was hot out and the sun was in your eyes. He's picked it up from Price and once you smiled at him through the shade of his cap, he has not stopped doing it.

ꕥ Definitely a words of affirmation and acts of service kind of guy when it comes to love languages. Sometimes whenever he'd give you two thumbs up and a cheeky smile, you can't help but laugh a little.

ꕥ He's very thoughtful, so much so that he prides himself in knowing you better than anyone. Everytime you two go out to eat, when he gets something and know that you'll want to taste it (he knows damn well whether you'll like it or not when he tastes it) he'll bring it upon himself to order you one before you even say you want some.

ꕥ Soft snores when he sleeps, it's cute but you know damn well he's tired. Also I think he's very cuddly, like he just likes reminding himself that he's not alone and that his bed is warm because you're in it. Therefore at minimum always has an arm around you in bed.

ꕥ Dances in the rain with you and loves it when you pull him gently on his arm while your hands are intertwined. Takes note of how the the raindrops sometimes fall on your lashes while you look up at him smiling.

ꕥ Kyle Garrick who wants nothing more in the world to see you happy and smiling. His "this is the woman I'm going to marry" moment was when you baked his favorite cake for his birthday despite it being so hard, you nailed it perfectly. (Whether it's out of luck or skill is up to you)

Alejandro Vargas

ꕥ (idk how to write for this angry Mexican man but I'll try my best, love him and his megamind hairline though <3)

ꕥ Alejandro is definitely a flirt, a very bold on at that. He's quite forward when it comes to liking someone so yeah.

ꕥ He lives for it when you boss him around. That being said, he isn't picky about body type or any of the sort.

ꕥ Will teach you Spanish if you don't know any, definitely prioritizes the curse words and laughs whenever you jokingly call him pendejo.

ꕥ Wouldn't mind you teaching him your own culture and mother tongue. Bonus points if it's similar to his.

ꕥ Has Spanish nicknames for you because I imagine his own culture is important to him.

ꕥ Would hate it if you had the same line of work but will never take it out on you, it's just that it's so dangerous given the people he's involved with. (It's definitely Valeria)

ꕥ Speaking of El Sinombre, I don't think they had anything romantic going on. It's mainly platonic and the "betrayal" sucked on Alejandro's side. They definitely had some rivalry and the tension was through the roof. (Mainly because I headcanon Valeria as Lesbian)

ꕥ Can be so romantic when he tries, you can't tell me this mf ain't a smooth talker because he definitely is. Can be very blunt like in a forward way with his affection too.

ꕥ Likes kissing your wrist and feeling your pulse against his lips because it reminds him you're alive. (The amount of angst this scenario carries would be something I'm up for to write)

ꕥ Is sent on a fit of rage when something happens to you, say you got kidnapped then this man would tears off the walls of every building if he had to.

Rodolfo "Rudy" Parra

ꕥ (ANOTHER UNDERATED CHARACTER)

ꕥ Another Golden Retriever boyfriend. This man is just loving and dotting, very husband material.

ꕥ Loves chubby women, has a soft spot for them and just likes holding them.

ꕥ He's definitely used to the insecurity that comes with the body, also doesn't get why such beauty standards are even in place. Has and would fuck the insecure out of you again if he had to. (It's in a very gentle and loving manner)

ꕥ If you hold him in your arms, he'd be absolutely living for it. He already has had a long day and being honest he hasn't had many lovers that went far so having you care in this way about him would have him wrapped around your finger.

ꕥ Worships the ground you walk on. That's it.

ꕥ Would take everything to heart whenever you teach him or mention something within your culture if you aren't of Spanish origins like he is. He just loves you so much that it makes him happy knowing more about you.

ꕥ Would adore slow dancing with you, brings him back to reality where he realizes that he has you and that you're there.

ꕥ Terrified that one day you'll end up leaving him so reassurance would be much appreciated by him.

ꕥ Definitely a sucker for receiving forehead kisses, as for giving he likes to kiss the back of your hand.

ꕥ If ever danger presents itself to you too closely, he would have a heart attack like full on crying but not in public though.

[v-anrouge]

Verryyy long ranting under this about vil and how this fandom treats him for absolutely no reason pls excuse any mistakes and feel free to correct me with any accidental misinfo i passed <3

Mentions of racism, fatphobia, eating disorders, elitism & ableism and also SPOILERS for Vil's character story (eng only)

Ever since this game started getting super famous in tiktok and twitter it seems that people just love to butcher literally every character in Twst and sometimes it's genuinely baffling how wrong some of the takes are, it really does make me wonder if some people just don't read the story and just skip every character who isn't their fave, and if they really do that, what makes them think they know enough about the rest of the cast to post in the character's main tag the most rancid read on a character, often accompanied by some accusations of literal crimes of bigotry that really should be taken more seriously instead of being terms thrown around.

I'm gonna be talking about Vil specifically but characters like Leona, Jamil, Sebek and a few others have it exceptionally bad as well (especially Leo and Jamil who's haters can even be quite racist)

I've been playing for a very long time (in eng) i remember being there to watch the Heartslabyul final release and the release of Savanaclaw's chapter and through these years ive seen the most horrific takes on Vil's characters, ranging from the accusations of racism (which have been debunked again and again especially by JP players) to accusations of supporting eds, fatphobia, elitism and ableism. The funny thing is that even with a very quick read of any of Vil's story you'll find out there is no support for any of such claims. They like to use the incident with Epel's accent when for years JP players have pointed out how this was strictly an error of localization since they couldn't find a situation similar to the one that is portrayed in the original game to put in eng twst, they went with the one we have where Vil asks Epel to "hide his accent" (he really doesn't he was talking about the way Epel is rude and disrespectful which would definitely end with him being beat up and then expelled bringing a bad fame to Pomefiore and also making Vil look bad for not properly guiding his dorm students) which is a terrible choice but alas it seems people prefer to ignore facts to stick with their claim that Vil is some sort of monster when this man is literally a teen. He's 18 years old and has to constantly look out for his image in and out of school since he grew up in front of the cameras.

Vil's character is all about beauty and self care and self acceptance yet for some people this seems to translate to "starve yourself if you don't want to be a disgusting fat pig" which is very weird to say the least considering all mentions Vil makes about diets he is talking about keeping a balanced diet to nurture your body and even has a voice line pointing out the importance of eating. Vil himself may be coded to have an ED in his overblot and Lab vignette but he has never and would never encourage one, he literally goes out of his way to annoy students to take care of themselves what makes anyone think he'd encourage them anyways? It's such a weird thing to assume of a character.

A lot of people seem to think that Vil is also the "beauty standart" king which doesn't even make sense considering vil is a gnc man, he already doesn't follow beauty standards and would definitely be against it, Vil's vision of beauty for himself may be twisted due to his traumas and troubles yet his vision of beauty for others is always exclusively on the person being their best version, this includes dressing how they want to and feel comfortable in, using whatever makeup they want (or just not using it at all) etc.

The way Vil speaks is often misunderstood as he tends to be strict and can be read as mean (I've already shared my theory on what may have caused this behavior here before so i won't be getting into too many details) but Vil is a famous and respected housewarden because if you actually stop and think about his advice the end result is always an effort to make the person's desires come true. (a good example is how Vil made Epel clean the windows and although Epel was displeased with the hard labor in the end he notices how the task may help with muscle growth and gets happy)

Vil's way of caring for others is often misunderstood and obviously that's understandable, not everybody may get his "rougher" way of handling advice, but also it's a bit weird how people react to it when in game all of the characters seem to be okay with it, Pomefiore has a lot of students and if they considered Vil to be a bad leader he would've been voted out a long time ago, no? And if i remember correctly wasn't it said in game they had very few transfers? (as in characters moving out of Pomefiore and into other dorms) That wouldn't make sense if Vil was really the cruel leader some people make him out to be. The truth is Vil is a nice caring person and his students recognize that which is why he is respected all across the school and not simply on his dorm (because ive seen people say Vil has brainwashed the Pomefiore students into thinking he is a good housewarden 💀)

Vil surely has issues he needs to work through, after all this game is literally about that, dealing with troubled teenagers and their internal struggles and the importance of asking for help (omg friendship is magic...) but Vil is also a teenager, and he is one of the characters that show the most desire to get better, immediately showing regret and apologizing to Yuu and his classmates for the danger he put them in, that is because Vil genuinely does care for them.

Another accusation people make is ableism, i remember seeing many posts saying Vil wouldn't respect disabled people and/or mentally ill people which is 1- extremely fucking rude to say? 2- absolutely wrong. Again just a quick read on Vil's character will tell you everything you need to know about how he'd feel about disabled people, he'd treat them like everyone else, and would adjust his handling accordingly to their needs, i really don't get where this claim comes from but it's quite ironic because a lot of Vil haters tend to be ableist themselves by claiming that Vil is a bad person mentioning traits that are often caused by mental illness and the effect of traumas, failing to analyze how their treatment of a character that displays common mental illness symptoms may affect people in real life who displays the same symptoms, and often being ableist themselves by judging these actions irredeemable and inherently evil/heartless, once again dehumanizing people with mental illness in real life who deal with the same symptoms.

Another common thing is the constant invalidation of Vil's trauma. A lot of people seem to read book 5 with their eyes closed and take away from the story that the reason Vil "got pissy and almost killed a guy" (wording of a terrible post i saw a few days ago<333) is because he's a "spoiled brat who couldn't handle getting the paper he wanted in a movie boo hoo" which is kind of funny with how terribly wrong it is, i really don't know what your thought process has to be to get his backstory this wrong but sure, let's start; The start of Vil's problems with being cast as a villain starts from when he was very very young, he was just a child when after being cast as a villain for a movie he was almost beat up by a group of boys for being an "evil guy" and by his reaction it wouldn't be impossible that this wasn't his first time dealing with that kind of thing. Vil also tells jack (who scared away the group) that he had trained so he would be able to deal with them on his own which again, could be a hint that this wasn't that uncommon in his life. In Vil's overblot dialogue is all we really need to know to debunk this claim.

What Vil wanted wasn't just to be a hero in a movie, he wanted to be seen, to be heard and cherished, he wanted to be more than a pretty prop they could put on the front to get attention only to be taken out of stage when he was no longer necessary in the next scene, do you get it? He wanted to be able to see his hard work pay off, to see his efforts of years being rewarded, to for once not be exchangeable for someone more favorable. Vil wanted to feel like all his pain was worth it in the end because finally he could shine in the stage, being himself instead of just another persona to attract people. In his overblot it's shown clearer than ever that Vil does not have a stable view of his own image unlike what he has trained himself to show, even calling himself ugly and begging them to not look at him. I don't think Vil is used to be being vulnerable, which would explain why he was so freaked out when the overblot happened, and why he cried when his beauty (the one thing about himself that was always recognized by others and therefore the thing he'd always been the most desperate to nurture) was taken away by aging in book 6 (note; the fact Vil sacrificed it for his classmates also just debunks the people saying he only cares for himself, if he did he wouldn't be who he is.)

I said i wouldn't give my thoughts again but i will, just briefly, i believe an easy explanation to Vil's behavior (the tough love he gives and his strictness) might be because of the industries he grew up in, we can't know for sure how similar twst's version of the movie and modeling industry is when compared to the real life one but considering the way Vil is, my guess it's that it's pretty similar, especially in the regard of their treatment towards children, in Vil's overblot he hears two staff members talking about how he'd never be able to pull off a relatable role because he is too perfect, and sure those may not look like insults, but to Vil who's only dream his entire life was to be seen in good light, those words stuck to him so deeply they'd come back to him during his overblot. (note; i have not seen a jp translation of the overblot scenes so i don't know if they also suffered from localization issues, if anyone has a link to one i could see id really like to see what the staff said to Vil)

The general point of Vil's overblot was how his efforts and hard work were always overlooked and ignored in favor of someone else, this happens with quite a lot of characters and happens as well with another overblot (Leona, who happens to be quite similar to Vil in many ways) and although i don't expect anyone to read it and think of analysing it more deeply even with a shallow vision of his overblot it's still incredibly insensitive to call it a "non-problem" especially considering the fact this is Vil's ENTIRE life, he's been working hard and failing for years again and again and that does get to you. I remember when i posted my first rant on Vil quite a lot of people who reported to be skilled at something (say for example music or dancing) as a child that any failures absolutely destroyed you inside, and that people who haven't passed through the same tend to call them dramatic and say they're overreacting to situations that can be classified as trauma depending on how much it mentally impacted said child. (and in Vil's case it's clear it had a massive one, after all he wouldn't have overblotted if he didn't have issues that had been bottled up until they finally exploded)

Mentioning Leona again, he and Vil share the same sentiment of anguish for being discarded and having their hard work be thrown away, the difference in them is the way they reacted to it, while Leona ended up not seeing any value in attempting to do anything because he assumes the outcome is always going to be the same, Vil overworks himself and forces himself to do things he might hate clinging to the hope that this time it'll work out.

Since we're talking about trauma ill already answer some things that may or may not come with this post (because in my first one i got this response a lot) "Vil's a fictional character it doesn't matter" and sure if you think like that cool, personally, when im talking about a fictional character that tackles real life traumas and issues, i talk about it as if referring to a real person because the character has been written with one (or multiple) in mind.

Twst may have issues but the character writing is undeniably about real life traumas and experiences, and the characters are quite accurate and good representation of the issues they tackle, so when you invalidate them, you are by result invalidating real life issues. Of course this won't stop anyone and i know that a few people will probably scoff at this and brush it off as being too sensitive but personally if you wouldn't dare invalidate say for example Riddle's traumas because you know it's a representation of mommy issues, which is a very real problem, to not go against your own morals you should also respect the issues of all the other characters, even if you personally think some are more "serious" than the other.

[anneapocalypse]

On the role of outsiders.

One thing I think makes the Scions' relationship with Wuk Lamat unique isn't that they're mentoring her--I don't really see it as a mentor relationship and for various reasons I think it's better for it not to be that--but that, as outsiders, she finds that she can show vulnerability with them that she's only rarely been able to show with anyone else.

When we meet Wuk Lamat in 6.55, it's pretty heavily telegraphed that she's posturing a lot to cover up some personal weaknesses or insecurities. This made me really curious about her, who she was and what that overconfident demeanor was covering for. And when I got into Dawntrail and started getting to know her, I wasn't disappointed.

(No Wuk Lamat hate on this post, please. Any responses clearly trying to pick a fight will be removed and blocked without reply.)

Wuk Lamat has a couple of foils in this story, but a big one is Sphene, and I love @unmovingtroika's description of Sphene as "unpersoned to an extreme degree." And as a distorted mirror of our main character, Sphene reminds us that any person in a position of authority or heroism is depersonalized to some degree, no matter how down-to-earth or benevolent.

Gulool Ja Ja is really presented to us as very much a people's ruler, the charismatic blessed siblings who united the peoples of Tural through curiosity and open-mindedness and understanding. And that may be largely true, but it's also made of him a myth, a legend inscribed in stone and memory. Meanwhile in the course of Dawntrail's story we also meet the real person Gulool Ja Ja... at least, the one who's left. The man who has spent three years grieving his brother, his ever-present companion, the Reason to his Resolve, a man who for the sake of political stability has had to hide his grief and loneliness from even his own children, as he does his best to carry out the work they had begun together, and complete the Rite of Succession in his brother's absence. And if there are places where Gulool Ja Ja failed to foresee the potential negative outcomes to the Rite, like Bakool Ja Ja's actions endangering his people, we might see there in hindsight the Head of Reason's absence in the final stages of the Rite's preparation. And we see, in some of Zoraal Ja's anger and resentment and insecurity, a glimpse of the ways in which the people's Dawnservant might have failed his own son.

One of Wuk Lamat's early growth moments is when the Scions convince her that she doesn't need to try and hide her obvious seasickness--an affliction she can't help, and which represents no failure of character on her part but which is, well, embarrassing. I love that she seems to particularly connect with Alisaie, who's had her own experiences of feeling inadequate next to her sibling, and feeling the need to prove herself on her own terms.

Could Wuk Lamat have been convinced to drop the act by her allies if they weren't outsiders? The problem is that everyone else in Tural, even her own siblings, are the people she'll have authority over if she wins. Erenville frequently rolls his eyes at his old friend's posturing, and fairly so, but Wuk Lamat doesn't behave that way just because she's insecure. In the same way that her father has had to conceal the death of his brother even from his own children, Wuk Lamat recognizes the danger of showing weakness before the people she will have to rule--especially when she's already aware of her reputation as being less qualified than her brothers. But these outsiders from Eorzea are different. They're allies who will never be her subjects. In private moments, she can be a person with them. She can be vulnerable. She can be Lamaty'í.

(Incidentally, I think this is also why I found Sphene calling her Lamaty'i so unsettling. Initially it seems like a simple misunderstanding, an outsider mistaking a very personal nickname for someone's "public" name. But in the hindsight of what we learn about Sphene, I think it feels a lot worse. Sphene is, consciously or unconsciously, pushing past the walls of formality and reticence that necessarily exist around a ruler when interacting with most people--nevermind a foreign head of state whose intentions are unknown. She's positioning herself as a friend when she is not.)

As the story progresses, we learn the Wuk Lamat and Koana have always been close. Now, in the Rite of Succession, they must treat one another as rivals and can no longer share confidences--at least, at first. Koana's love and protectiveness of his sister emerges with a vengeance when Wuk Lamat is in danger--and I'd venture a guess that he, too, feels safer showing this sudden vulnerability before his allies and those of his sister, because again, they will never be his subjects. While we get only briefer glimpses of Koana's journey with Thancred and Urianger, I'd guess that their friendship has affected him in similar ways.

One of the benefits of blessed siblings is that they are never alone. They bring two perspectives to any situation, but they also have one another to confide in, to understand, to commiserate over the burdens of leadership in a way they can't with anyone else, not even family. Wuk Lamat and Koana taking on the role of Dawnservant together brings the benefit of their very different strengths and perspectives to their people. But it also means that neither must take on those burdens alone. When their allies depart, they will still have one another. There will always be someone at their side with whom they can just be a person.

The tragedy of Zoraal Ja is that he's evidently never had that kind of relationship with anyone. The myth of his seemingly miraculous birth has depersonalized him from the very start. All his life, he has carried the burden of living up to the expectations of the Resilient Son, and has never enjoyed the close relationship his brother and sister have with one another. To the very last, he attempts to live up to the legend alone--and he fails.

One of the biggest themes throughout Final Fantasy XIV is standing together. There is strength in companionship and cooperation, but for that strength to flourish, there must also be trust and vulnerability. Wuk Lamat and Koana ultimately find that in one another, as siblings and co-rulers, but the Scions play the important role of offering them an outsider's friendship in their journeys when they are cut off from one another, and would otherwise be alone. As Ketenramm and Galuf Baldesion once were to Gulool Ja Ja, the Scions to Wuk Lamat and Koana are neither mentors nor subjects, but companions and friends.

[penny-anna]

OK in advance of tonight's other episode, couple of thoughts on the Percy Jackson tv show's adaptational choices:

i haven't actually seen anyone flag this one up yet (it's a fairly subtle change and i know a lot of ppl haven't read the first book in like 15 years so maybe everyone just forgot?) but in the book the reveal that Percy's mother is still alive drops a lot later in the narrative. book!Percy heads out on his quest fully intending to bring her back from the dead. which imo is a stronger narrative beat & it makes the reveal that she's still alive and he was right to think he could rescue her that much more satisfying.

on reflection agree w the comments i've seen re the other kids should have knelt to Percy after he was claimed. actually saw complaints about this before reading the book so was surprised at how fleeting a moment it was but it really does serve to accentuate both what a big deal a Forbidden Child is and that Percy is an outsider even at Camp Halfblood

as per previous post yes it is explicitly stated in the book that Chiron suspect Percy was the son of Poseidon and i think omitting that was a mistake given the number of ppl i've seen picking up on it

in 2 minds about the omission of the hellhound bcos it is a pretty important plot beat and a cool scene but i can see why they wouldn't want to do a CGI monster fight that was technically extraneous

ALSO Annabeth having mistakenly concluded that Percy was a child of Zeus was a good character beat in terms of her being smart enough to figure out he was a forbidden child but not infallible. and maybe also biased due to her previous relationship w Thalia.

that said i enjoyed her shoving Percy in a lake too much to really complain.

changes i think are for the better:

i think having sending Medusa's head to Olympus have actual Consequences was a good move 👍 unless im missing something due to not having read the rest of the series. i was surprised reading the book that in spite of Percy getting warned not to do it there wasn't any fall out.

i don't think the scene w Percy petrifying one of the furies was in the book either? cool moment!

PLUS having Athena be petty enough to pull that shit was like. very on point for a Greek god flkghfdkj

really enjoyed Echidna getting introduced earlier. amped up the tension in a big way AND kept me on my toes, i was there like ohh is this a different monster? are they moving her fight scene to the train? what's going to happen here - OH NO

Echidna bringing up that the gods and the 'monsters' are all a single family was also 👌great scene all round

likewise Percy & Annabeth BOTH trying to sacrifice themselves for the group loved that. don't think this was necessarily an improvement as the book scene was good in a different way but really good moment

*slow hand clap* consensus!!

[darcytaylor]

Are people mad that Luke Newton has a girlfriend? Or is it something more? A deep dive. Part 1 of 3.

I want to start out by saying, I have been following the Bridgerton train since the season one release on Christmas day. It was a show that I knew nothing about and I became enamoured.

I have followed along with the show and the actors since the release. I find looking at human behaviour fascinating, as I work in a very customer service based industry. It is so interesting to me to see how the actors have conducted themselves, especially Luke Newton.

This post will be about why I think people are truly upset by his behaviour.

(some of which I agree with and some I don't)

Luke Newton has been quite the monogamous dater. He dated his fellow co-star from The Lodge, Sophie Simnett. They were both very young at the time, it seemed like a sweet relationship, but young love normally never lasts.

Then he got into a relationship with Jade Davies. She is very active in the Theatre world and it seemed like this was a very good pairing. I think they complimented each other well. You could tell they loved each other. Ultimately they broke up at the beginning of 2023, because they 'grew apart', or so the tabloids have stated.

I do know that Jade did receive some hate (which is fairly common in the industry that Luke is in). I personally don't think that it was as bad as people made it out to be. A lot of people loved seeing Luke in love and proud of his girlfriend. They supported them as a couple. They supported it because there really wasn't anything to not support.

After the breakup is where Luke Newton went off the rails (in my opinion). He decided to become the typical fuck boy and didn't keep it secret. But he was just getting out of a long term relationship, it's not an abnormal things to do.

This is where he made his first mistake - he made his dating life public and it definitely looked questionable. (and yes he made it public by following certain people and posting about all of his vacations). He had a 'type' going into this time in his life (young dancers). But ultimately fans were forgiving because he just got out of a long term relationship. He was hurting and it's okay to spiral a little at a time like that. Fans supported him because they wanted him to have a 'hot boy summer'.

At some point he meets his confirmed/unconfirmed girlfriend Antonia. She seems to get a long with his close friends and people took notice of them spending time together. But I think fans thought he was still spiralling, so he wouldn't actually get into a relationship, he was only having fun.

Then the New Years kiss video was released. Fans did not like this. But ultimately I don't think that was what caused the biggest issue, I think his second mistake was befriending her on Instagram. This is what sealed them as an unconfirmed relationship. Had they decided to not make this decision, I think people could/would have left them/her be. It could have been summed up with 'it was just a New Years' kiss.

I think it's possible that Luke had the intention to make this relationship public. I think that could have been his goal that day. But because of the press tour coming up, he was told not to (maybe). I also think that made Luke spiral even more, he was upset that he couldn't show off his girlfriend (and when you like or love someone you do want to do that) and decided to take some of his issues out on his career and fans (by liking everyone of her photos, letting her post photos with his clothing, letting her post photos with his arms and legs). (I want to add that he should have the right to do that, but in the world of celebrities, they have to do things like this with care or it will backfire).

His third mistake was mentioning that he was the most like his character on Bridgerton (he has said this multiple times) and his cast-mates also say the same thing. Hear me out on this one -

It can be easy to separate the art from the artist. That is simple enough for people to do (I have seen it happen on many occasions). But there were multiple times that he would say he is the most like his character (saying this made the task of separating difficult) - and lets be real Colin was made for the female gaze. He is charming, attractive, loving and isn't superficial. He fell in love with the 'outcast', the one that isn't the 'typical' beauty. Fans held onto this, because Colin as a character made them feel seen. They couldn't separate Luke from Colin because he kept saying he was like Colin.

When they look at Antonia they don't see the outcast, they don't see the girl that looks like them, they don't see a 'regular' woman. She is the opposite of who Colin would end up with, so that would mean that Luke wouldn't go for her. Antonia looks like the girl who made fun of you in high school, the girl who on the outside looks like she hasn't had a trouble in her life, a girl who's social media is all about vacationing and looks staged, she doesn't seem real.

(I want to note that I have no idea who she is as a person, she could be the nicest person).

So now that Luke has made a bunch of people mad they will go on a deep dive. The first thing that people will look into is the age. And she is quite young. Too young in fact. I am on the side that someone his age shouldn't be dating someone who's brain isn't fully developed (this is a scientific fact), ESPECIALLY since there is also a power dynamic. (It's okay if you do not feel the same way).

Luke's fourth mistake was letting his friends post things about himself on social media. Yes, I know that you can't control everybody in your life. But they are his BEST FRIENDS, Luke could have asked them to not post anything about himself. That would have been the smart more.

Luke's fifth mistake was not having Nicola and the Bridgerton Instagram posts with notifications on. He should have liked every single god damn post that they posted. This would have appeased the fans, the fans love that shit. But instead he would like every single one of Antonia's photos and forget about his job. This decision further bothered fans because he stated that he was moving his social media to be work related. I will be honest - his social media is kinda a mess. His social media presence is definitely a mistake he has made.

He goes on the Bridgerton press tour with Nicola (who is amazing at her job), and all of the imperfections of his life are even more exaggerated, because Nicola is fucking great. Even though Luke and Nicola are a pair when it comes to Bridgerton, people will still compare them.

When looking at this whole situation I think that Luke is continuing to spiral. I think that he can be a bit stubborn and he is doubling down. He has to know the mistakes he has made. He has to realize that he could have dated Antonia and not made it a whole situation/scene. If a celebrity doesn't want you to know something about their personal lives, you won't know.

Final thoughts - I think that Luke didn't think about how some of his actions would/could have been perceived, I think he was ill prepared in some of his actions, I think that he is still learning to be in the spotlight, I think he is somewhat immature, I think that he is being destructive to his career.

I'm convinced Luke wanted to come forward with his relationship months ago. I believe he was told not to and he didn't like that answer. He has shown some spite because of it. There are also other mistakes that I didn't get into, if you want a part 2 let me know? haha

Have I lost some respect for Luke during the past year? Yes.

Do I realize that it must be hard to be in the spotlight? Yes.

Do I think that if Luke continues on this destructive path he will regret it? Yes.

Should we also give him a bit of grace? Yes.

Do I think he is talented? Yes.

Do I think this will ultimately effect him? No.

If you have gotten this far, congratulations and thank you for reading! It's been a fascinating deep dive!

[anghraine]

Ok, I've been thinking about this question a lot and there's not enough evidence in P&P to fully support any answer, but I wanted to hear yours: What is the Gardiners' economic status/How rich are the Gardiners?

Obviously, Mr. Gardiner is a tradesman, but I'm desperately curious to know the extent of his wealth. Does he have a similar income to Mr. Bennet but is just more frugal? Would he have been able to take in his niece(s)/sister when Mr. Bennet died? Does he have Bingley-level tradesman wealth without the massive lump sum Bingley inherited from his father? Darcy assumes that Mr. and Mrs. Gardiner are gentry - but like, Bennet gentry or Woodhouse gentry or Lucas gentry. JANE SKIMPED ON THE GARDINER INFORMATION AND NOW WE'LL NEVER KNOW. So what are your headcanons surrounding the Gardiners' wealth?

Really, the most important Gardiner headcanon that the Gardiner children are immediately charmed by Darcy and think he's like ~the coolest~

thanks queen <3

Six months later: hi!

My opinion is that the Gardiners are very well-off in terms of the usual incomes of the gentry. It's difficult to pin down an exact income range because I'm not a historian or economist, but the literary evidence is pretty suggestive IMO.

For one, Mr Bennet has no trouble believing that Mr Gardiner could have shelled out ten thousand pounds for Lydia; the problem is the struggle of repaying him, as Mr Bennet would feel morally obligated to do. The impression I get is that this would be a lot of money for Mr Gardiner to come up with, but everyone accepts that he could quickly do it, where Mr Bennet could not. And Mrs Gardiner does insist that Mr Gardiner would have paid the money if Darcy had let him, which again suggests that it was reasonably doable for him.

When Elizabeth and Jane first pass the news to Mrs Bennet and try to express the debt of gratitude they all owe Mr Gardiner, Mrs Bennet's response is a bitter remark about how if her brother had not married and had children of his own, "I and my children must have had all his money, you know; and it is the first time we have ever had anything from him except a few presents."

Aside from what this reveals about her character (especially given the remarkable understatement of "a few presents" given everything they've done for Jane and Elizabeth), I think "all his money" suggests an awareness that there would have been quite a bit to inherit if Mr Gardiner hadn't had the temerity to, uh, have children.

The summer tourism journey also doesn't seem to represent a severe expense for the Gardiners, though it would be outside the realm of possibility for some. They're not super frugal, but they're also not going to pull a Sir William Lucas and abandon the source of their income, or take an estate or something to distance themselves from trade, and end up unable to provide security for their children or any significant luxuries for their loved ones and themselves. So the Gardiners do make practical decisions like living near Mr Gardiner's warehouses and continuing his business in town.

Darcy (in Elizabeth's opinion) mistakes the Gardiners for "people of fashion" rather than gentry per se. This is interesting because Darcy originally considered the entire Meryton neighborhood, including the local gentry, as people noticeably not of fashion. This concept of people of fashion is typically more about fashionable high society than trade vs gentry IMO.

For instance, Mr Hurst is described as "a man of more fashion than fortune"—i.e. someone with high society credentials from his family, but not a lot of money, though he has enough to maintain a house in Grosvenor Street. (I think the implication is that the Hursts considered their status and Louisa Bingley's 20,000 l. from trade a fair exchange.) So likely, Darcy is not confusing the Gardiners for minor rural gentry, but even higher-status people if Elizabeth is analyzing his reaction correctly, based on their appearance, apparel, demeanor, etc.

This is definitely a time when wealthy people in trade could pass for people of fashion, but I think it would ordinarily take some doing, and though the Gardiners are stylish and relatively young, they aren't trying hard in the way that the Bingleys are. Yet Darcy, who went on a whole tangent about trade cooties during his proposal, can't even identify the Gardiners as people in trade upon meeting them—that's important.

(It's also significant, of course, that he's surprised to discover their exact connection aka that they're Mrs Bennet's relatives, which is honestly pretty fair. In any case, he evaluates Mr and Mrs Gardiner on their own considerable merits by this point.)

So again, I get the sense that the Gardiners are quite well-off people who spend their money on nice enough things that they can be mistaken for a completely different class than their own, but are not specifically aiming for that or super extravagant, either. Their habits seem rather similar to Darcy's, actually—I don't think they're anywhere near as wealthy, but they're wealthy enough that they can approach major expenditures fairly casually, as he does. But unlike Darcy, it will always be contingent on Mr Gardiner's business success and they have to plan around his work and the possibility of sudden changes in terms of his work.

I personally think that Mr Gardiner would undoubtedly have been able to take care of his sister and nieces in the worst case scenario. Six women used to a high standard of living (we know Mrs Bennet is extravagant; it's only Mr Bennet's frugality that keeps the Bennets out of debt as it is) would probably be a strain, but I don't think beyond the income level indicated, even accounting for the needs of his immediate family.

When Mrs Bennet is dramatizing herself during the Lydia disaster, she tells Mr Gardiner, "if you are not kind to us, brother, I do not know what we shall do," and he assures her of his affection for both her and her entire family. This could be seen as a sort of empty redirection that avoids promising anything, especially given that her catastrophizing fantasy scenarios are extremely unlikely, but I think that's a misread of his character.

I see his reply as a tactful assurance that, in the (improbable) event of Mr Bennet dying in a duel, his affection for her and her daughters would indeed ensure his protection of her and her daughters. There's no doubt from anyone that he's capable of doing this, though it would certainly mean a change in their style of living that Mrs Bennet would vocally resent.

So while this isn't super-specific, I hope it helped!

Normally I don't need to do this, but I would like to add a sort of credit/disclaimer: I didn't initially notice all these signs and my understanding of the Gardiners' standard of living and general circumstances was, I believe, strongly influenced by JulieW of the Life and Times board at Republic of Pemberley back in the earlyish 2000s (maybe about 2006?).

The L&T board is sadly gone (or was the last few times I checked), though ROP clings to life, but she knew a lot more about Georgian history and culture than I ever will, and these references to the Gardiners' prosperity seemed really glaring once she pointed them out.

(Her analysis of Pemberley's age, architecture, and general class significance was also really influential and I'm still really sad that I have to rely on the perfidy of memory about it.)

[aossimusings]

Claire from the Bear, and why she's not badly written, she's just not occupying the character role people expect of her and they don't know what to do with that

Alright. I'm bringing some film student analysis to The Bear, and subsequently, Claire, because I'm tired of people saying crazy things like, "she's a manic pixie dream girl" or that her character is underdeveloped or badly written or that she's pure male fantasy or any other crazy, extremist reaction to her character, when really, I think she's occupying a different character role than we're used to seeing from characters like hers, and in typical The Bear fashion, we as an audience are not being told how to interpret her character with words, but with visual and narrative structure.

Be warned, this is a very, very long post.

Lets take a minute to understand narrative structure in film:

There's an A plot and a B plot. The A plot is what is referred to as "the promise of the premise." It's why you come to watch what you watch. The B plot is all the emotional character development/growth that undergirds the A plot and makes it emotional and impactful. So in the Bear, The A plot is the whole thread of, let's fix the Beef -> let's make a new restaurant -> let's get a star, etc etc, that evolves with each season. The B plot is mostly centered on Carmy (although other characters also have their own smaller B-plots) and on him healing from his grief and family and kitchen trauma and finding himself as a person, etc etc.

Claire as a character is a B-plot character. Her role as a character is to be a part of Carmy's emotional B-plot development, whereas the rest of the characters in the show occupy roles in both the A plot and the B plot. In a show centered

The thing that I think is causing a lot of the discourse around her character is the fact that she's not occupying a typical character role for her sort of character, and then people don't know what to do with her. They're either trying to slot her into a a bad female character role (like a manic pixie dream girl) and are then angry that that type of character would be included in the show, or they think she's a badly written attempt at a more developed character and are then angry because they think her character was fumbled, when in fact, she's neither.

Let's take a minute to examine these two roles:

The Manic Pixie Dream Girl

A manic pixie dream girl as defined by the Oxford language dictionary is:

"(especially in film) a type of female character depicted as vivacious and appealingly quirky, whose main purpose within the narrative is to inspire a greater appreciation for life in a male protagonist."

On paper, I can see why people would say that she's a MPDG. She's a little quirky, and she appears to "inspire a greater appreciation for life" in Carmy. She's a doctor, but she's a bad driver, she loves Mondays, she shoplifted in high school for the adrenaline rush, etc, etc. But I would argue that she's not actually a MPDG because her role in the narrative is fundamentally different than that of a MPDG.

In terms of narrative, MPDGs are a catalyst. They are crucial to the movement of the plot and the development of the main character. Specifically, they're supposed to be a catalyst for main male character growth. This is part of why MPDGs are a sort of problematic character -- the idea that they don't get dimension as a character, yet their entire role is to catalyze the main male character's positive growth and evolution is sexist. They aid the MMC at the cost of their personhood.

However, notably, Claire doesn't actually inspire positive growth in Carmy. He is not made better for knowing her. He doesn't grow as a person, learn from his mistakes. He isn't calmer or nicer in the kitchen, he doesn't resolve any of his trauma, I would argue that he doesn't even have a "greater appreciation for life" as is critical to the relationship between the MMC and the MPDG; he is just as depressed and anxious for knowing her as he was when he didn't know her.

So Claire: not a manic pixie dream girl, despite being quirky and trying to "inspire a greater appreciation for life."

The Badly Written Main Female Character

I think for a lot of viewers, if Claire isn't a MPDG to them, she's viewed as a badly written, badly developed main female character, who isn't afforded a lot of screen time, and as such, is one dimensional because she doesn't get much character development.

Wait, what? She's a badly written main character without a lot of screen time to develop? But part of being a main character is to have significant screen time to develop! But Claire doesn't have a lot of screen time... Tina has more screen time. Sugar has more screen time. Marcus has more screen time. It's almost like...Claire isn't a main character, even though, as a love interest, she occupies a role typically only allowed to main characters.

So then...what is she? To understand her narrative role, we need to take a minute to understand what Carmy's B-plot has established thus far. My apologies for the following, very drawn out explanation of Carmy's mental health. I promise I'll return to Claire, but this is important.

Carmy's B-plot (aka, the emotional stuff)

Seasons 1 through 3 are essentially following Carmy having a slow, drawn out breakdown. Or rather, it's not slow. It's a pretty realistic depiction of someone who is pretty mentally/emotionally unwell continuing to not get the help that he needs, and trying to fix things unsuccessfully on his own. But admitting that he's unwell feels like admitting defeat, so he's trying to fix things while never actually admitting that he needs help, and as such, is in a self-destructive spiral of trying to fix things unsuccessfully, feeling out of control because of it, trying to fix different things unsuccessfully, feeling even more out of control, etc etc.

By S3, we have a better understanding of the Berzatto family structure: an unnamed father who walked out leaving them in debt, Donna who is/was an alcoholic and otherwise emotional black hole, Mikey who died at age 43 (born 1979, died 2022 as seen on his prayer card), Sugar who's 36 a year after his death (born 1988, confirmed by her hospital intake in Ice Chips), and Carmy who is 26 a year after Mikey's death (confirmed by the original script.) So when Carmy was born, Sugar was 10 and Mikey was 18. This is important because in light of Fishes and Ice Chips, Donna was an alcoholic for as long as they were children, was incredibly unpredictable with mood swings, poor emotional regulation and maybe even emotional abuse (see how Carmy and Sugar essentially are trying to regulate their mother's emotions in Fishes), and probably some physical altercations if Donna's behavior in Fishes is anything to go by. Sugar explicitly says that she frightened all of her children. Mikey was probably the de facto parent in a lot of instances, being the only other adult in the household. The fact that he was also an addict, and as seen in Fishes, also violent or unpredictable at times, complicates this. S3E1's scene with Sugar and Carmy at the airport implies that after Mikey started cutting Carmy out (and struggling with addiction) Sugar started to assume that parental role. So that's a whole fucked up childhood right there, with very little room to healthily develop emotions or coping mechanisms or an understanding of healthy relationships. In ice-chips, Sugar demonstrates that she's aware of this. "I ask people if they're okay way too much," and "I'd make myself sick to make you feel better." Everything with Carmy's character demonstrates that he does not have this self awareness.

Carmy explains in his al-anon monologue that the rhythm of the kitchen became soothing to him, because it was so rigid and so predictable (a direct contrast to his home life.) But while it was soothing, he also cut contact with people in his life, because the self-isolation made things "quiet" (and probably gave him a feeling of control, like most self-destructive impulses do) which led to him being incredibly isolated and incredibly dependent on work as a coping mechanism by the time he ends up working with the abusive NYC chef. Important thing to note about that: now his only coping mechanism has been polluted by abuse as well, and the trauma of that will haunt him increasingly throughout the seasons (coupled with the fact that he's probably never learned how to healthily process his own emotions, in part because he ended up having to set them aside to emotionally regulate his own mother.)

Then Mikey kills himself. (which again, is the fucked-up family figure of brother and parent and addict and idol all rolled into one suddenly dying on you after abruptly cutting your out of their life)

I say all this because I want to make very clear that mentally, Carmy is not well. Across his various al-anon monologues, the fridge conversation, his flashbacks, etc. it becomes really clear that he's never really had any sense of safety or security in his life except for maybe when he was 18-24 when he did the French Laundry, Ever, Noma, and Daniel. The amount of anxiety that he experiences in his day to day life is not normal, it's not healthy. It's exhausting and damaging. He's also probably pretty depressed, and probably had been even before Mikey and NYC chef. He talked about in al-anon that when he was a kid, he could never feel happy or excited about anything because he was always waiting for the other shoe to drop (arguably because of his mother, because if she was upset, she made everyone else upset to deal with it, and if she was happy, he was waiting for her mood to shift.) We very rarely actually see him happy or joyful in any of the seasons. So basically, as evidenced by that and what we see in the seasons, he's got this really damaging spiral of anxiety and depression, where he's so anxious he can't feel happy.

Pursuit of happiness is actually what brings us to Claire as a character. He meets her almost right after he talks in al-anon about the fact that he should "provide amusement and enjoyment" for himself. Then he meets her in a grocery store, and promptly, and deliberately, gives her the wrong phone number. Personally, I read this as Carmy knowing that he's not ready for a relationship. He pursues it anyways, for likely 2 reasons:

Pursuit of happiness. Sugar always wanted him to get away from the Beef in S1, now he's trying to get some space and do something to "provide amusement and enjoyment"

Mikey! In Fishes, Mikey was really excited about the prospect of Carmy dating Claire. At the time, Carmy was like WTF, but in the wake of Mikey's death, this is probably a way of connecting with him. See, I can do it! I can date a girl! I can do this thing that you thought would make me happy. I can be normal. I can be what you wanted.

Now a little film student analysis:

One thing that I love about the Bear is that they're really good at the whole concept of "show don't tell". You'll hear about this a lot in writing advice, but it's actually even more relevant in film. Here's a good example from the bear:

The Bear never, ever says that Carmy has anxiety. I'm not even sure if the word "anxiety" is even said onscreen. Instead, The Bear shows:

Carmy drinking bottles of Pepto Bismal and chewing fistfuls of Tums, yet rarely eating anything

Carmy sleep walking and almost setting his apartment on fire

the sheer amount of nervous energy he has (tapping spoons, sharpies, cigarettes, etc. , never standing still, being generally twitchy)

some really great tricks with filming and lens that make the world around him shift focus, shift perspective, blur, and otherwise visually simulate the effects of an anxiety/panic attack.

In film, you have to be incredibly intentional about what you keep in and out. In my first film class, when we were doing film analysis, a lot of people would start "I'm not sure if this was intentional, but..." and the film teachers immediately shut that down with this statement:

"assume everything is intentional. even if it wasn't, someone still chose to leave it in" meaning that, in film, what you see on screen is actually a fraction of the material that filmmakers had to work with; if something makes it through to the final cut, it was important.

I mentioned before that despite Claire occupying a main character role as a love interest, she does not get main character screen time. Like I said above, I think a lot of people perceive this as her character being done a disservice, that she's badly written, that she's meant to be this perfect male fantasy, etc, etc.

Firstly, I present to you the fact that characters such as Sugar, Sydney, Tina, Donna, all have absolutely beautiful storylines and arcs. They're complex, well-written characters. I don't believe that Claire's lack of screen time is because the show-runners secretly idolize manic pixie dream girls and women of "male fantasy" and thus Claire is supposed to be this perfect person who doesn't need any screen time to be developed (which feels like a thread I've seen a lot.). I really don't think the show runners are secret misogynists. Sorry.

What I do believe is that Claire as a character is not meant to be central to the story. The show very intentionally spends more time developing Carmy's relationships with Sydney, Tina, Sugar, Richie than it does with Claire. Why? A host of reasons.

1. Because Claire is a new form of escapism for him, not that the kitchen is no longer is sanctuary.

I talked before about how after the NYC chef, and I would argue, now that he's trying to start his own restaurant, his one safe space of the kitchen has become polluted with the same chaos and/or abuse from the rest of his life which he spent years running away from. But because he's so isolated, he has no where else to go. So he creates somewhere to go, by creating a relationship with Claire. That relationship is his new form of escapism.

The show communicates that to us in one very specific way: 90% of the time, if Carmy is with Claire, we don't see him. This is not 100% true 100% of the time, but there was a clear pattern that developed in S2 that time spent with Claire is time spent off screen. I think a lot of people see this as "not developing Claire's character" and not giving her screen time, when in fact it's more so about Carmy's absence.

When he ditches Sydney to move boxes with Claire, we never see that scene. We just assume that he was doing it.

When Sydney is trying to figure shit out in the restaurant by herself, it's implied that Carmy is with Claire, but we don't cut to them.

When Carmy talks to Sydney about all the menu things he talked about with Claire, we never see those scenes.

Why? Because he is escaping The Bear by being with her. It would be a very different narrative if we actually did see these scenes, because it would demonstrate that they have an emotional weight and importance in the show. Instead, they're defined by their absence.

Carmy and Claire's relationship is defined by its absence in the show.

2. Claire is not the right type of partner for Carmy, and we're not supposed to believe that she is.

I think it's interesting to look at Carmy's relationship with Claire through Sugar's relationship with Pete. I was talking with some people and they observed that in a lot of ways, it makes sense that Sugar would be with Pete because he is completely non-threatening. In many ways, he's the opposite to most of the men in the Berzatto family (note: I'm not saying Berzatto men are threatening.) But Berzatto men are loud, and opinionated. Some of them engage in behaviors such as: screaming in their kitchen, and throwing spoons and sharpies; throwing forks like darts at their relatives and also shouting; telling their nephews that there nothing and worthless and will never be anything; walking out on their families and leaving them in debt; lording their financial success over various family members. You also have Donna as a parental figure who also throws things violently, yells and screams, is an emotional black hole, and has aggressively grabbed Sugar at least once. Pete is about as far away from all of this as you can be.

I think that Claire is Carmy's Pete in a lot of ways. She's quiet, and calm, she's non-threatening, etc. She's not emotionally manipulative, she doesn't ask much of him (so when she does ask things of him, it's a welcome escape), she is a doctor, which is meant to help people. However, and part of why I don't think their relationship would work in the long run, is that Carmy doesn't need a Pete. Sugar has an emotional intelligence that Carmy doesn't, for one thing. For another, as alluded to by Ice Chips with Sugar listening to the podcast about Adult Children of Alcoholics, each of them were affected differently by their traumatic childhood. And quite frankly, I think that Carmy needs someone who can be gentle and empathic and quiet with him, but also someone who won't take his shit and can stand up to him. (because unlike Sugar, who tends to internalize everything, Carmy has a tendency to externalize everything.) He tends to take it out on the people around him, and I think he needs someone who can simultaneously shut that down and hear him out. And I don't think Claire is that.

3. The chemistry just isn't there.

I don't want to get into an argument about shipping. I can't predict if Carmy is going to get back with Claire after some emotional development, or if he's meant to be with Sydney, or whatever. Personally, I think that any discussion of a relationship is premature (and I think that Carmy knew that subconsciously when he gave Claire a wrong number and was very hesitant on the phone when she called him the first time.)

What I have observed is this: the few scenes that we do see of Carmy and Claire feel a lot less emotionally charged than other scenes in the show. Forgetting romantic relationships, there is so much more emotion and connection in the following scene than in the scenes we see with Carmy and Claire:

Richie and Carmy's conversation about purpose in S2.

Carmy and Sydney's conversation under the table in S2.

Carmy and Mikey's conversation in the pantry in Fishes.

The snippet in the fridge when Carmy's talking to Tina.

The scene with Claire that really sticks out to me having emotional weight is the scene in S3 where they talk about the days of the week, Carmy's hand scar, and Claire accidentally almost killing that girl in the ER. It hurt so much you couldn't feel it. Firstly, it's telling that that scene happened in flashback, not during their relationship, and secondly, the main thesis of that scene was more of a commentary on trauma than it was about their chemistry (ie, Carmy is so traumatized atm, he doesn't realize that he is because of how much it hurts.)

This demonstrates to me that a) the show writers can write emotionally powerful scenes, and scenes with chemistry, and b) the lack thereof in scenes with Claire was an intentional choice because it demonstrates that other relationships are more important for Carmy's character than the one with Claire.

For all that Carmy said that he loved Claire, we never see any evidence of it. It's told, not shown. Whereas his affection for other people in his life isn't mentioned, but it is shown: "I have time for this" and sitting down to talk to Richie about purpose. Buying Sydney a monogrammed chef's coat because she liked his.

His relationship with Claire is important for what it helps demonstrate: his desire for escapism, his self-destruction, his emotional immaturity, the fact that he has other very important relationships and that he needs to deepen those bonds, the fact that he needs to get his priorities in order. It's not so much about Claire. And maybe that will read as sexist to some, because it's more about him than it is about her, but I don't think she's really meant to be a main character either.

[tealvenetianmask]

Hi all. Here's my take on why Stolas doesn't need a whole rebound relationship with the Better Than Blitzo guy or Vassago or anyone.

It baffles me when people frame his lack of sexual and romantic experience as a problem that needs to be solved through relationships with other people.

I get the idea that he's a sheltered, neurodivergent, and until recently, closeted, gay man going through a second adolescence- and that causes him to have expectations for relationships that are based more on fiction than reality. I really do. And I think the way out of that problem is to truly understand the person he's trying to have a relationship with. Not to learn about relationships in general by dating around in order to practice for the person he actually has feelings for.

I also find it pretty narrow-minded to assume there's some amount of experience (in terms of number of partners) that's necessary for someone to understand relationships. A lot of queer and/or neurospicy folks come to relationships late, and for some that means a lot of different partners, and for others that means falling in love with just one, and both are fine.

A certain number of partners doesn't make you more or less of an adult, and frankly I find it a little infantilizing to assume that Stolas doesn't know who he wants as a 36? year old man just because he hasn't met some threshold for what a "normal" sexual/romantic development is. He might be going through a period of self-discovery where he's overly excited and wrong about things and makes mistakes, but that doesn't mean he's an actual teenager.

Shit, I've had some shorter relationships that I would skip if I could go back in time. Did I learn from them? Sure. Could I have learned those same lessons without them and saved myself some time and frustration? Absolutely.

I don't mind that he made out with some guy at a party. I don't mind that he might hook up with that person. A little experimenting likely won't hurt. It doesn't mean that he needs to go through a whole other relationship in order to discover that he actually loves the person who he knows he loves.

Never mind that Blitz actually does hold the key to Stolas discovering a lot of his shortcomings. And figuring those out is Stolas's whole character arc.

[nwarrior777]

Science Museum Group changed offensive object tittle after getting my letter

here's the story about it:

Wonderful @solariium commissioned me wonderful victorian-era wheelchair user character to draw. Refs were provided, and one of the links was an object in online museum gallery - vintage wheelchair.

solariium, who is wheelchair user theirself, mentioned that tittle of the object is incorrect but it was good picture for the ref. i wondered "what's with the tittle?" looked in the link and saw

ID: screenshot of online museum collection, vintage old wheelchai object page. the tittle of wheelchair says: Invalid chair, Europe, 1850-1890. end ID

welp. incorrect indeed! [i* is outdated offensive term]

so i decided to make a special move

ID: my drawing of a character from anime "mob psycho 100" - Arataka Reigen. He holds a phone next to his ear, his face epression is very confident. It's all anime sparkles lights effects around him and text "REIGEN SPECIAL MOVE". end ID

and USE MY POWER

of writing emails

i don't have problems with writing emails, so i thought why not

and

https://collection.sciencemuseumgroup.org.uk/objects/co120657/carved-wooden-wheelchair-europe-1850-1890-invalid-chair

ID: screenshot of online museum collection, vintage old wheelchai object page. the tittle of wheelchair says: Carved wooden wheelchair, Europe, 1850-1890. end ID

it worked!

As human who made bunch of projects, i can say that keeping museum gallery is tone of work.

And tittle change - no, it's not just changing few letters.

Changing tittle of object in museum is similar to changing name of game file. Catalogs changes, maybe they have irl gallery, so new card, they probably have some code objects system related to tittles, and scientists, students, make reference to this object in their researches and articles and etc etc.

So, yeah, it * is * a lot of work. Also, they changed description, it now says that this object was "historically referred to as ‘invalid chair’". And i think it's good, because it is not erasing fact of people used this word, and it's addition to the progress context - we literally see now old term clarified as past, and new one, now, in the tittle.

(and yes, web link. i just saw that i* word still there. yeah, not perfect but still, considering things i said above - big work done)

I used some conversation strategy in case "this is offensive can you fix" will not be enough — started on positive attitude giving compliment on their collection being big and interesting, gave them extra argument on why this should be fixed (more actual search key words on this now are "vintage wheelchair", not "i* chair"). Then we had a little letters chain, where they answered politely too, and in about few days i got detailed answer on this, and yep, changed tittle.

And i think this shows, that if someone did mistake and someone noticed it and giving feedback on it, if both sides are interested in progress and making good changes, no matter how hard it is, sides can make a change, working together and being kind. And i think we should be more brave about making such connections!

Thanks again to @solariium and museum workers!

[sundrop-writes]

Heaven's Gate

Daryl Dixon x Gender Neutral Reader

If there were any more left of me - I'd give it to you.

Summary:

Hope. Not the fragile, delicate thing that everyone mistakes it to be.

Hope is stubborn, and grows inside of you long before you ever realize its purpose there.

Hope can't be crushed by a thousand pound tank or torn apart as easily as concrete walls can. Hope is balanced on the backs of songbirds, it whistles quietly in the wind, and it brings you right where you need to be (even if you don't know it).

Daryl Dixon x GN!Reader. Strangers to Lovers/Lovers Reunited. Emotional Angst, Hurt and Comfort, Fluff. Set during Seasons 1-5.

Word Count: 24,200

The Walking Dead Masterlist | AO3 Link

Detailed warnings and author's notes below the cut.

...

Warnings: the reader character in this fic is completely gender neutral - there is no mentions of the reader's genitals, their clothing style, or their general appearance, and I did not use any gendered terms to refer to the reader whatsoever; a few times the term 'they' is used in conversation, but I tried to be clever and make it so that it could be referring to just the reader or the whole group, interpret it how you want; it is possibly implied that the reader is younger than Daryl, but it's never explicitly stated (when I was writing, this I had in mind that they do have an age gap but I didn't want to state so to leave it more open-ended) - the main focus is the reader being less experienced with survival skills and more 'citified', which is the case for a lot of the characters at the beginning of the apocalypse; there is a lot of TWD themes in the fic - death; canon typical violence, hunting and killing animals for food, killing other humans in order to survive, killing walkers, gun violence, mentions of food scarcity, the general emotional depression that comes with being surrounded by death and being on the brink of survival, mentions of Merle being racist and sexist (the fic does not contain him saying any slurs or performing any actions in alignment with this, it is a background element); there is mentions of canon plot points and this fic will spoil Seasons 2 through 5 if you are watching the show for the first time and haven't seen those episodes yet (I am looking at you, Star), mentions of 'fate' and 'good luck' as concepts; bird symbolism (that may not be accurate to the general recordings of these symbols and are just things I have learned from my personal life), mentions of religion - mentions of the reader praying to 'any god that will listen' (the reader is not religious to one specific religion, but believes in prayer) (yes all of the spiritual concepts in this fic come from my personal life lmao); mentions of canon injuries - Daryl being shot with his own crossbow and then being shot in the ear by Andrea; mentions of stitches for medical purposes; use of the term Y/N (I am nothing if not a traditionalist); mentions of alcohol/characters drinking (Beth and Daryl at the moonshine shack) - implications of genetic alcoholism and how it plays into Beth and Daryl's interactions with alcohol; passing mentions of Daryl smoking cigarettes; mentions of Daryl's abusive past (non-detailed); Daryl describes the reader as 'beautiful' in his personal narration; mention of reader having an abusive father (a father who is 'similar to Ed') (this is not described in detail); mentions of suicide (performed by a non-named character not during the time of the story) (also mentions of Daryl having suicidal ideations due to hopelessness when the prison falls); mentions of taking things off of dead bodies because those things are useful for survival; I think that's it.

A/N: I re-wrote the summary like four times cause I actually have no clue how to summarize the essence of the fic. But I hope this fits well. This is way more about the emotions than it is about what's actually happening in the fic. I am really proud of this fic and I hope that you guys like it.

...

Daryl Dixon was someone who came into your life quietly. 

When that original group first made camp at the quarry around Dale’s old RV outside of Atlanta, trying to escape the epic traffic jam and the chilling after effects of the hellish bombs that had been dropped on the city, everyone thought that it would only be temporary. Everyone thought that it would last a few days, at most. Everyone held onto the comforting delusion that it wouldn’t be long until the world got back up on its feet again. 

You certainly never thought that all of the people within that camp would become a second family to you - people you would die for, kill for if needed. 

When you first saw Daryl, he was trying to hold back his drunken brother Merle from getting into a fight with Shane. You didn’t think much of him then - perhaps you wondered why he stood up for someone so sour and surly, but you knew that the loyalty of blood related family meant too much to some people. That he was likely willing to do far too much for someone who would never return the same favors for him. (And you turned out to be right.) 

These days, you thought of Daryl Dixon with increasing frequency and a mixed bag of emotions that you struggled to carry. Bitter nostalgia being at the top of that list. 

When you woke up on this particular morning, you thought of him as you gathered your hunting gear. You heard his quiet, gravelly voice in your ear telling you to travel light, but reminding you that the items you should take would each be important and serve a planned purpose. The knife on your belt was heavy with memories of him, ached with the ghost of his touch. 

You thought of him as you tracked a buck’s steps through the dirt. You thought of him as you crept through the woods, feeling equal parts peaceful and dangerously pensive. You thought of him that night as you sat beside a gently crackling fire, the flames warming you only beside he had taught you how to start one. You thought of him as you eventually took down the deer - as you skinned it, gutted it, and portioned  exactly how he had taught you. 

Stepping under a stream of hot water after three long days out in the woods was one of the most satisfying feelings you could have ever conceptualized. The bottom of the tub quickly became muddy with a combination of blood rinsing off your skin (from when you had cleaned the deer), and the general dirt you had gathered on you from the hunting trip. You let the heat of the water relax your tired muscles, and tried your hardest not to let your mind wander back to something you couldn’t have. 

But you missed Daryl so damn much. 

It was strange to think that things had been so different not that long ago. 

… 

The quarry was an oddly beautiful place to be during one of the darkest times in your life. 

It was the definition of breathtaking - crystal blue waters, bright green grass, nothing but open space to let the sun shine down on you. None of that city stink from the piled-up, rotting corpses. This far away from Atlanta, it was easy to forget why you were all gathered here, camping out night after night. It was easy to forget that this was about survival and it wasn’t a simple summer vacation. 

Well, it was easy to forget when you weren’t actively staring down that city full of corpses. Which is something that you tried your best to do - forget. You tried to focus on the task in front of you, tried not to let yourself get too bogged down with dread at the idea of the end of the world. 

You knew that the others likely would have called you foolish because of it. But you had to keep your head up in order to keep going. It was how you survived. 

Currently, you were playing a game with the kids - a makeshift game of kickball with an inflatable beach ball that you had gotten for them during your last trip into the city. You were one of the only people that Glenn trusted to go with him. Mainly because you had lived in the city before everything had ‘gone to shit’ - before the bombs. So you knew it well, and you could have his back. 

When Carl accidentally kicked the ball past you, you rushed to get it, and you became slightly hesitant when you saw that it had landed at the feet of Daryl Dixon. He was in deep concentration, gutting and cleaning one of the many squirrels that he had recently caught, his fingers stained red with blood. You had never seen animal butchery in person before, and it did make you slightly squeamish. You had only spoken to him a handful of times, most of those conversations less than four words each, and he was one of the only people in the camp that you were still slightly weary of. 

His generally stoic nature and his brother - his mouthy, racist, sexist asshole of a brother - didn’t exactly make him approachable or friendly. Though you weren’t exactly sure if Daryl agreed with everything that his brother did and said, or if he just stood by the man because he was family. You still took caution, approaching him like you would approach a supposedly tame bear. Very carefully. 

“Sorry,” You quickly apologized for possibly disturbing him as you rushed to grab the ball, and he spared you only a harsh sideways glance as you picked it up. 

“Ain’t nothin’.” He shrugged, his words coming out as they always did, in a quiet grunt. 

Feeling an awkward lull come over you as his intrusive gaze continued to stare you down, you felt more words form in your mouth and spew out your lips before you could stop them. 

“I was just playing kickball with the kids,” You quickly explained, gesturing to the small grassy area about ten feet behind you where Carl and Sophia were standing, waiting for you. 

Daryl’s eyes strayed curiously there, clearly listening, and you continued. 

“I got them this ball when I went on that run with Glenn. And some other things, too. Coloring books, stickers, fake tattoos. Sophia insisted that I needed one,” You chuckled awkwardly, sticking out your hand to show Daryl the glittery blue tattoo of a butterfly that Sophia had put on you. 

He grunted, nodding in reply. 

You weren’t expecting him to speak any further, and it surprised you when he did. 

“‘s good.” He mumbled. “Makes ‘em happy.” 

In the back of his mind, he considered adding on some sentiment about ‘kids being kids’, getting to have fun during such a dark time - but he stopped short. He didn’t want to annoy you with the conversation that you were clearly only partaking in out of social nicety. Politeness that a world falling apart no longer needed. 

You nodded, flashing him a smile. “Yeah.” 

“Come on! Bring the ball back!” Carl shouted, distracting you from the interaction, causing you to walk away without another word. 

Daryl watched you playing with the kids for a few moments - laughing and running around with them, somehow so carefree in a world that was determined to fall apart. He wondered if you had always been like this, or if being around kids just brought that out in you. He wasn’t sure which reason made you better in his eyes - and he certainly wasn’t sure why he thought about it for so long. 

Why he thought about you for so long. 

He had to shake himself back to reality and go back to cleaning his kills. 

…

“Daryl!” 

You called out his name as you jogged up toward the stables, and he stopped in his tracks, waiting for you to catch up with him. 

“Daryl, hey.” You greeted him with a small smile. “Rick told me you’d be up here.” 

He grunted in reply. “Yeah. ‘m gonna take a horse out. Make better ground t’ look for the girl.” 

Your stomach clenched at him mentioning Sophia. 

The group was supposed to be headed out towards Fort Benning - supposed to be finding refuge at the hopefully safe military base. Instead, you were all setting up camp at the very reluctant Hershel Greene’s farm, not straying too far from where you had lost one of your own in the hopes of finding her. 

But that was why you had come to talk to Daryl in the first place. 

Sophia had become like a sister to you in the few short months that you had known her. And though everyone else kept telling you it was deeply unlikely, you were hopeful that she was alive - that she would be found. And you did believe that Daryl would be the one to find her. 

“How’s the trail?” You asked. “Do you think you know which way she headed? You - you can be honest with me.” 

You hesitated on the last part. But you did want his honesty more than anything. You knew that he was never one to sugar-coat things. Even if you hadn’t told him that, he would give you the truth. 

“Trail’s a little muddy.” He said, doling out that honesty. “‘m gon follow the river. It’s her biggest landmark out there, so she’ll probably be somewhere round it.” 

You smiled at him. And then, you remembered - 

“I brought you something.” You noted, reaching for the back pocket of your jeans. 

Daryl watched with quiet curiosity as you pulled out a piece of paper - when you showed it to him, he quickly realized that it was a half-used set of stickers. 

“These are some of the stickers that I got for Sophia,” You explained. “My mom always used to tell me that cardinals are good luck.” 

You peeled off a sticker of a bright red bird with a pointed head and a black pattern that resembled an eye mask - as much of a nature man as he was, Daryl was never one for bird watching. He didn’t care about identifying certain species of birds unless he could shoot and eat them. But he quickly reasoned that this must be the cardinal that you spoke of. 

“Give me your bow.” You said, shoving the rest of the sticker sheet into your back pocket again and holding out your hand expectantly. 

“I don’t need no luck.” He replied, voice full of snark. 

In a sense, he thought it was… sweet. You were trying to share some of that brightness with him that the kids got every single day. But he didn’t need you marking up his crossbow with a dumb little sticker. Especially because once Sophia was found, you wouldn’t give a shit to talk to him or be around him any more. 

“Just give it.” You replied - equally snarky, equally stubborn. 

Daryl sighed and tugged his bow’s strap over his head, presenting it to you. You placed the sticker on the bow’s handle, in one of the places where it wasn’t as worn down from him holding it. 

“There,” You said, giving it back to him with a smile. “Now you’re all set.” 

It was more for you than it was for him - a token of good faith and protection. The idea that you could do something to bring Sophia home when you felt so powerless. 

Daryl let out a harsh sound - somewhere between a laugh and a sarcastic snort as he walked away. “Thanks.” 

“You’re welcome,” You replied brightly, edging into a sarcasm of your own. 

He resisted the urge to flip you off, believing that you were too sensitive to take it as a joke. 

You watched him off for a while, seeing him disappear into the stables before you left to do your own chores. As you scrubbed at laundry, you sent a prayer to every god you could think of that your new little sister would be found alive. 

… 

Daryl felt like a dumbass. 

When Daryl was laying on the harsh, rocky ground after the horse had thrown him, with one of his own arrows digging into his side - he wanted to laugh at the fact that you had supposedly ‘blessed’ his bow with ‘good luck’. He had owned and used the bow for years previous, and not once had he ever been injured by it. You had it in your hands for all five seconds, and now - he had been thrown off a horse and shot by the damn thing. It was the definition of irony. 

While he laid on the ground, struggling for breath, bleeding from his wound, drifting in and out of consciousness - he spotted a flash of bright red above him. 

He managed to pry his eyes open long enough to properly focus on it, and - 

It was your damn bird. 

A bright red cardinal had landed in one of the trees above him, staring down at him in a seemingly taunting manner. 

‘My mom always used to tell me that cardinals are good luck.’ 

“Good… good luck… my ass.” Daryl huffed out, still spiteful even if he was exhausted and losing blood. Even if no one else was around to hear this verbal jab. 

His head lulled to the side, and before his eyes could drift closed as he truly succumbed to the blood loss, he spotted something else - a bright floral fabric, and some strings of yarn that definitely didn’t belong in the muddy creek bed. Once again, he forced himself to focus on it, pushing through the heaviness that threatened to overtake him. He realized in a heart-jolting moment that he had seen the object before. 

It was Sophia’s doll. 

He turned back to where the bird was still sitting on that branch above him. 

“Any… any chance you can lead me to the girl?” 

Perhaps it was the dizziness of his injury talking, but he could have sworn that the bird tiled its head at him - as though quizzically asking: ‘what girl?’

It was the spite that kept him conscious, the idea that he would get to laugh in your face when he got back and tell you how unlucky your ‘blessing’ had been. But it was his desire to find Sophia and bring her home that truly got him up on his feet again. 

… 

Your bird didn’t lead him to Sophia, but it did get him back to the farm before he completely collapsed from his injury - even if he was greeted by a bullet from Andrea, believing he was a Walker. 

Because of that bullet sharply colliding with his head, he didn’t remember to tell you about that bird finding him laying in the creek bed until much later. It didn’t come back to mind until the group had truly settled into the prison, after welcoming in the people from Woodbury when the ‘war’ with the Governor was seemingly over. He only thought about it that night when the two of you were up late on watch because he had seen another cardinal on one of his runs that day, and he was telling you how much the damn bird had annoyed him. 

Daryl wasn’t someone who believed in luck, but he knew that the story would entertain you nonetheless. And it did. 

In fact, it entertained you so much that it caused you to plant a confident hand on his shoulder and lean in for a kiss - sealing your mouth against his, trapping any noises of surprise in his throat as he stood frozen, pinned against the guard rail. 

He only truly had time to take in what had happened - to process that sweet, perfect kiss after you had chirped a ‘goodnight’ to him and left. You mentioned something about going on a morning run with Glenn and Sasha to scope out a place with more supplies, but his ears were still beating with blood and he barely heard you. 

He had to get used to it then - being yours. But he found that even though the hand-holding and the hugging could be a bit embarrassing at times - he liked it. He liked having someone taking care of him as much as he tried to take care of others. And though it was something he had desperately tried to deny because of your stubbornness and your sharp tongue - he liked you. He was beginning to love you in that dangerous way that was going to get him hurt. 

But he would deny that. And he would do anything to stop that from happening. 

And that was one of the most dangerous parts about it. 

… 

It wasn’t just you that he was willing to die in order to protect. Daryl had gotten dangerously attached to life at the prison. For the first time in his life, he felt as though he had a home. Family, friends. As soon as Hershel told them about the veterinary college, about a place where there might be medicine to combat this strange flu that had suddenly struck his home and the people in it - he knew he had to get a group together. 

Before he went outside to get the car ready, and make sure he had all the equipment inside it, he stopped by your cell. It would be rude not to say goodbye. 

His stomach dropped when he heard coughing. 

“Y/N-” He spoke your name in that alarming tone, concern so ripe in the single word as he pulled aside the curtain you had hung across your door for privacy. 

You cut him off before he could say anymore. 

“I know.” You said, your voice annoyed and slightly strained from the illness clearly running through your body. “I need to go into Cellblock A for quarantine. I’m - I’m on my way there now. I’m just gathering up some stuff. My sketchbook and some novels. I’m guessing it’ll be boring as shit in there,” 

Daryl nodded, and moved to step into your cell, wanting to place his hand on your forehead to check you for a fever. He wanted to know how bad it was - how much time he had to get back with the medicine. 

“Don’t come any closer.” You said abruptly, raising your hand to keep him back. “I don’t - don’t wanna get you sick too.” 

Hesitantly, he stayed where he was. 

He knew that you were right, and he knew that it was weak of him - but he found himself craving the affection that he previously found annoying. He had been hoping that you would hug him before he left. 

“‘m goin’ on a run.” He said. “Hershel told us ‘bout this old veterinary college - he said there’s medicine that could help.” 

“Medicine for dogs?” You heaved out a laugh, strained and full of crud in your lungs, collapsing to sit on the edge of your bunk. 

Daryl shrugged. 

“Apparently it’s the same as medicine for people.” Then, after a moment of you staring at him with uncertainty, he added on: “He gave us a list.” He assured you, patting his breast pocket, where that list was currently sitting. 

You nodded. Naturally, you trusted Daryl. You had to, after everything you had been through together. 

Then, you turned to the bag that you had been packing up and took out a sketchbook that looked familiar to Daryl - one that he often saw you doodling in. You flicked through a few of the pages and then ripped one out, presenting it to him with an extended arm. You covered your mouth and nose with your shirt, seemingly for the assurance that you wouldn’t breathe on him so that he could come and fetch this from you. 

He took one step closer and grabbed the paper, and you coughed into your shirt as he stepped back and inspected the drawing. He wasn’t surprised to see that it was a beautifully drawn sketch of a cardinal - shaded red with what he guessed were smudges of lipstick. He was almost sure that you had picked it up at one of the houses the group had stayed in during the long winter after they had to abandon the Greene farm. 

“For - for luck.” You told him between more coughs, letting your shirt down to smile at him. 

He knew by now not to attempt rejecting the symbol. He wouldn’t say that he believed in it - but he believed in you. And he wanted to have you with him. So he folded it up and tucked it into the breast pocket of his shirt, right next to the list that Hershel had given him. 

“You’re a fool.” He griped, half-winded, only half meaning it. 

You smiled brightly at him, your face clearly tired from feeling so ill. 

“You love me.” You replied with utter certainty. 

He rolled his eyes. He didn’t want to point out that this was a growing problem. That it would pull his focus during the run for the medicine - that he would be distracted thinking about getting home and getting that medicine to you. 

“Now go on and get,” He told you, motioning toward Cellblock A. 

You gathered your things and got up, making a wide berth around Daryl as you walked down the stairs. 

“And I don’t wanna hear nothin’ about you bein’ heroic neither.” He called after you, shouting at your back. “You’re gonna go in there n get your ass t’ bed, ya hear me?” 

You knew it was his way of caring - wanting you to rest when you were sick. 

You turned back and gave him a big smile and blew him a kiss - something he often remarked upon as being ‘childish’. He hated that it caused a flutter in his stomach, and he couldn’t help that his form of affection in return was to flip you off. You loved it just as much. 

… 

That was the last time you spoke to him before the prison fell. But it wasn’t the last time that he spoke to you. 

When he got back, you were unconscious - you had to be bagged by Hershel to help you breathe, and the medicine helped you survive. Just barely. Daryl held your hand and begged you to live, and eventually he had to be distracted away from your unconscious body by Maggie so that he wouldn’t simply sit there the whole time and mourn. She reminded him that they all had jobs to do, and he made a few rounds of the prison, busying himself with chores to help everyone else get by so that he wouldn’t drive himself insane at your bedside. 

And that’s what he had been doing when the Governor rolled up with a thousand pound tank and shot their walls down. 

He knew that his love for you would come back to bite him in the ass one day. 

…

Daryl got out with Beth. 

He almost couldn’t stand her bright, big eyes staring at him, waiting for answers - her chirpy little voice, prodding at him, demanding that they ‘follow the trail’, telling him that they needed to go look for everyone else. Telling him that he was a tracker, that he could find them. As if it was his damn responsibility just because he had the skills to get it done. 

It was all too reminiscent of you, telling him that he could find Sophia. That it was a ‘when’, not an ‘if’. All too hopeful, all too damn certain. 

Perhaps that was what got him off his ass and doing what he did best - reading the dirt. 

“What’re you doin’?” He asked, staring at the girl curiously as she went to one of the bushes and rushed to pick berries from branches. Had she not gotten enough to eat that morning? 

“They’ll be hungry when we find them.” Beth told him confidently. 

Of course. That undefeatable streak of optimism. 

Daryl knew that blueberries weren’t your favorite - but he should have something to give you. He would be too busy tracking the footprints to properly hunt for squirrels or rabbits and clean them for you. So, he found himself pulling a large bandana from his back pocket and offering it to Beth - something to hold the berries in to keep them safe as an offering for you. 

“Here.” He grunted at her. 

Beth smiled at him. 

It was one of the last smiles she gave him for a long time. 

When they came across those bodies splayed out beside the tracks - any sense of hope was crushed inside of him. The picture you had gifted him was heavy inside his breast pocket, and he hated that tears threatened his eyes - even if he carefully looked them over to confirm it, and he knew that none of those bodies belonged to you. There was no trace of you there. 

It was just a cold reminder that even if the others had gotten out of the prison, they could be dead. They likely were dead. 

The days started to blur into each other, and Daryl couldn’t get you off his mind. 

One hazy evening, as he and Beth both stared into the fire with dead looks on their faces, he took the drawing out of his pocket and unfolded it. 

For good luck. 

He didn’t believe in luck - because it didn’t exist. The world was fucked. Nobody was lucky. You and your good luck were dead. 

He tossed the drawing into the fire, ready to burn it up along with anything he had ever felt for you. Only a moment later, when the corner of it had barely caught, just barely turning black, Beth snatched it out. She stomped on it with her boot, successfully saving it. 

“Don’t do that.” She hissed at him. 

Daryl snatched it from her, and crumbled it up, tossing it aside. He let out a harsh grunt, but refused to look at her. 

“That was from Y/N, wasn’t it?” She posed. 

He could feel her imposing stare as she waited for an answer. 

He didn’t give her one. 

Just because they had an unspoken agreement to help keep each other alive didn’t mean that he had to participate in stupid conversations with her. 

“You can’t burn up the past. You can’t burn your love for people just because you think they’re dead.” Beth sighed, tired and defiant. “You can’t burn up memories. We’re gonna find them. Y/N, and Maggie, and Michonne, and - and everyone. We’re all gonna be together again.” 

Daryl scoffed. “Yeah. Cause that’s gon’ happen.” 

Beth rolled her eyes, but didn’t speak any further on the subject. 

After she had fallen asleep - when the fire was dull, Daryl picked up the crumbled ball and smoothed it out again. The charred corner hadn’t even touched your bird. He felt like a fool doing it, just as much of a fool as he accused you of being, but he folded it neatly - well, as neatly as he could. And then put it back into his breast pocket again. 

But that was the thing - Daryl wished that he could. He wished he could burn up those memories. He wished that Beth was wrong. 

He wished that you would stop haunting him. Then he wouldn’t have to feel like this anymore. 

… 

When Daryl sat up in camp that night with his back to the trunk of a tree, he did not intend to fall asleep. He honestly did not think he was capable of doing so - even with the exhaustion so deep in his bones, he was used to going without sleep. He was used to trudging on much like the Walkers shambling around them - upright, puffing shallow breaths, but barely there, barely conscious. These days, he felt as though sleep was a luxury. 

As the fire died down, Beth turned over with her back to him, curling an elbow under her head, the only thing separating her from the dirt. She no longer bothered with the mockering of grunting out ‘night’ as an acknowledgement that she was trying to go to sleep (because she stopped saying ‘goodnight’, long ago, even at the prison, because those were few and far between). 

Daryl supposed that he was staying up to keep watch. They did have the cans and spare car parts scattered around on lines to make noise if any stray Walkers wandered near their camp. He knew that he slept light, and this would be more than enough noise to wake him if he did fall asleep. 

With his eyes locked on her back, he wondered if Beth slept at all these days, or if she simply laid down to fake it. Maybe so that she wouldn’t have to look at him anymore, even for a few hours. Sometimes, he would notice the grip on her knife beside her head go a bit laxer, and believe that this was a true sign that she had actually managed to drift into unconsciousness. Still, even if she wasn’t sleeping, he should keep watch. 

Daryl hadn’t intended to fall asleep. 

Daryl’s consciousness was jolted suddenly - his entire existence shaken by the feeling of someone - something grabbing his legs. When he looked down, he saw the blur of a snarling Walker crawling up his body. He panicked, his heart thudding hard inside his chest. Naturally, he reached for his crossbow beside him - grabbing, hands shaking, grasping at air. 

It was gone. It wasn’t there. What the hell? 

One of the cold hands grabbed his shirt, forcing him to look back down the length of his own body at the beast. When its head snapped up toward him, he was filled with a colder kind of shock. 

It was you. 

Though your once beautiful features had been tainted with rot, yellowing teeth, and your laughter filled eyes had turned sour and rotted like putrid eggs - he absolutely recognized that this was you. 

He sucked more gasping breaths, and reached for the knife on his belt, but - that was gone too. 

Then, somehow - you let out a dark, harrowing laugh. A laugh that shook everything he was, that somehow managed to echo through the trees and rattled the ground underneath him. An utter mockery of his entire existence. 

“This is all your fault, Daryl.” You spewed, your rotting mouth spilling out horrible, black blood. “You did this to me!” 

Then, in an utterly horrifying moment, you reached down and tore into him - your weak, dead hands easily ripping into his abdomen, and before his very eyes, you ripped out his guts so that you could consume him like a perfect, bloody feast. Just as you had in life, you dined on parts of him that he would never get back, stole his life force with no consideration as to how he would ever get it back. 

You didn’t care how he would survive without you. 

Daryl awoke with a start - the sound of the cans clanking at the edge of their small campsite forcing him back to reality with a harsh jolt. 

His fingers wrapped around his crossbow where it was seated between his knees within seconds. Before his sleep-sticky eyes were even fully open, he had the loaded end pointed at the source of the sound - a tired, messy-haired Beth, who was wandering back into camp with her hands full of something. 

“Told you not to go wonderin’ off.” Daryl barked at her easily, hating how his heart thumped in his chest with residual ‘fight or flight’ instincts, even though he knew that she was of no true threat to him - still partially spooked from the horrible dream that he would never tell anybody about, ever. 

He slumped back against the tree, keeping a careful eye on her as she came back to her place beside him, already spouting her surly argument against him. 

“I saw some berry bushes over there.” She whined quietly. “Daddy taught me what’s safe and-” 

“Don’t matter.” Daryl grunted in return, hating that he felt a sensitive pang inside of him at the mention of Hershel. “I told you: don’t go nowhere without me.” 

Beth let out a sharp sigh. “You’re such an asshole.” 

He was. 

Nonetheless, she silently slid some of the berries his way, carefully contained on the bandana that he had given her before for such berry-picking purposes - and nonetheless, he ate them. 

Later that day, when he was prowling the woods with Beth at his back, hoping to score something a bit more substantial for dinner - his eyes landed on the faded splotch of the cardinal sticker that you had put on his crossbow during his time spent looking for Sophia. His thumb traced it idly, and he knew that Beth was dying to ask about it, but held back. 

He knew then that he would never be able to escape your ghost. 

… 

Daryl wished that he could burn up the memories. He wished that you would get the hell out of his head. That if you were dead, every last trace of you would just die. 

He couldn’t stop thinking about the last time he had seen you - back in A block, after he had brought back the medicine. 

… 

He thought it was a victory - getting the meds back to the prison. He thought that it was simple. If he got to the veterinary college, got the meds that they needed, got the run group back in one piece - he thought it would be a win. He knew you. You were a fighter. You would hold on long enough for him to get back. He had to do all the guesswork. He had to keep everyone going on the road. 

If anything, he knew that you would be doing the exact opposite of what he had told you - you would be up and about, shuffling through the makeshift ward, feeding the people the hope that you grew and doled out so well. That was your job. He just had to do his. 

Maybe it was that stupid, foolish hope infecting him like the illness had infected you - but he truly thought that getting the medication and getting back would be the only complicated part. 

“Hey, Doc, how we doin’ in here?” Daryl asked, stepping to lean against the mouth of the cell that you had taken up temporary residence in.  

Of course, he was calling Hershel ‘doc’ with a joking air. The man loved to tell everyone now that he wasn’t actually a doctor - but few actually listened. They trusted his experience and the way he spoke with wise authority more than anything. 

Hershel used a stethoscope to listen to your lungs, and then looked up at Daryl, his face firm and unreadable. Daryl didn’t like it - but he was still being strung along like a fish on a hook by that foolish, bitter hope. 

“Y/N is doing a lot better than before.” He said, placing a gentle hand on your forehead, checking your temperature. “The meds have helped to take down the fever.” 

Daryl nodded. “Tha’s good.” 

Hershel gave him a serious look. “I like you a lot, Daryl. So I don’t intend to lie to you.” 

Daryl’s stomach clenched up - grabbed by a fist of nerves. 

You were alive. You were breathing - Daryl confirmed this, locking his eyes on the gentle up and down puff of your chest. What else could possibly be wrong? 

“Our friend here is showing remarkable signs of improvement, as is everyone who received the medication that you brought back. You have done a mighty service to these people, Daryl.”

Daryl knew this wasn’t simple praise for the work he had done. This was the sunshine before the storm - it was an omen. He could feel the ‘but’ coming before Hershel spoke it. 

“But,” 

Of course. There it was. 

“-I have to warn you.” Hershel sighed. “We had to perform CPR on Y/N for an extended period of time.” 

Daryl’s eyes cast over your face, fixated on your peaceful, unconscious form. His ears became fuzzy, filled with blood, and he could hardly focus on more of the older man’s words as he explained your condition. Explained how you had been deprived of oxygen for a few minutes - how you were at risk of brain death, and Hershel had no way of knowing what the state of your brain activity was without the proper equipment. If your brain wasn’t active enough, you would never wake up again. 

All they could do now was to sit and wait for you to wake up. If you were going to wake up at all. 

Hershel left Daryl alone with you, and he perched himself on the edge of your bed, his ass shuffled in tightly by the edge of your hip, struggling to find purchase on the edge of the small bunk. It was much like you had done to him after he had been haphazardly shot by Andrea. He took your hand in his, his eyes still focused on your unconscious face - at least you looked peaceful. 

With a large knot forming in his throat, he attempted to speak. 

Even though he was unsure if you could hear him - he couldn’t contain what he had to say. 

“You’re an asshole.” He mumbled out. Part of him was expecting to get a reaction out of you. To mock you into waking up. “I went through all that damn trouble to get those meds, and you gone n croaked on me while I was gone?” 

Your face didn’t even flinch. 

You were so damn still. 

For the first time since he had met you - not laughing, not smiling, not loudly voicing your chirpy, hopeful sentiments. So still. 

“Nah, that’s bullshit.” He growled out, his voice growing louder as his frustration grew inside of him - as he became more determined to wake you. “You’re gonna wake up. Wake up!” He shouted, his words echoing painfully off the walls. 

In the next cell over, Maggie heard this and became distracted from dabbing a wet cloth against Glenn’s forehead. He was still drifting in and out of consciousness, still too sick to fully take this in. But it caused Maggie to strain her ears, listening in on what happened next. 

“You’re gonna wake up. You’re gonna-” 

Daryl was startled when he found himself choking on his own words. He sucked in a sharp breath, and despite his best efforts, a sob rattled his chest, and a hot tear rolled down his face. 

“Why do I gotta to everythin’ around here? You set me off into the woods lookin’ for Sophia like it was my damn job. Make everythin’ my damn responsibility. I had to teach you everythin’. I had to teach you how to start a damn fire - what kind of simple asshole doesn’t know that?” 

He swallowed thickly. 

Truly, he wasn’t angry at you. 

It all came down to one thing. 

“Come on. Come - o-on. You know I can’t do this on my own.” He choked out, his face shrinking into a sob. “I can’t do this on my own.” 

He turned more toward you, laying himself down gently so that his face was pressed into your chest. He turned his head - laying his ear against your chest, listening carefully for your heart beat. It was there - thumping along steadily. 

Hershel had warned him that your breathing wasn’t the problem. Brain damage would keep you from waking up because your nervous system wouldn’t be active again. 

If you didn’t wake up, would you still turn into one of them? 

According to what Jenner had told them at the CDC, maybe not. 

Maybe you just be like this forever - stuck somewhere in the middle. Some hollow thing for Daryl to scream at that would never answer back. 

“You gotta wake up.” Daryl choked out. Knowing that only you would hear, he gathered up the bravery to speak out his next words. “I - I love you.” 

In the next cell over - Maggie heard all of it. She was holding Glenn’s hand, wondering what she would do if she were in Daryl’s shoes. She now had muddy tears in her eyes, listening to Daryl plead to you to wake up. Hearing Daryl - someone who had been so stony and tough in her eyes before - cry for the first time - it hit her hard. 

So it got her up; she kissed Glenn’s hand and told him that she would be back later, and he mumbled something incoherent back. 

“Daryl.” 

Maggie felt guilty when he jumped up - clearly alarmed by her presence at the opening of the cell, breaking his bubble of alone time with you. He began to frantically wipe at his face, obviously afraid to be vulnerable in front of her by showing his tears. After all that they had been through together - he still wasn’t willing to show this weakness in front of her. 

He only grunted in acknowledgment of her, staring hard at the floor instead of looking up at her. 

“These people need water. And they could probably use a good meal after all this.” Maggie told him. “I know you wanna stay with Y/N right now, but - come on, we all got jobs to do.” 

Daryl nodded. “Right. You’re right.” 

They did have jobs to do. But of course, the main reason she reminded him of the chores was to distract him. To keep him from going insane at your bedside, waiting for you to wake up. 

And that was the last he had seen of you before the Governor blasted a hole in A Block with the tank. 

…

When Daryl and Beth got to the moonshine shack, it truly came to a head. 

Daryl didn’t want to play the stupid game - he just wanted to drink in peace. He wanted to get shitfaced and hopefully pass out, actually. He wanted to have a good, booze-induced heavy sleep so that he could spend one night not plagued with spotty sleep and nightmares of your death - seeing your face painted in his mind as a nightmarish, growling dead thing. One night where he didn’t stay awake and stare at the back of Beth’s sleeping head because he couldn’t bear to close his own eyes. 

He didn’t want to play the game, but he did anyway. 

It got out of hand. 

Instead of trying to calm down, he rode the wave, leaning into the only existence he thought he knew - he turned back into the sputtering, bitter asshole that had once protected him so well. The hard shell that had kept him from getting his feelings hurt when the world had been cruel to him before. When Beth stabbed the Walker in the head, ending his game, he grew all too worried that she had figured him out - that she would try to get him to talk about his feelings. 

“What the hell did you do that for?” Daryl howled. “We was havin’ fun!” 

He knew it wasn’t true. Nothing about this was fun. 

“No, you were being a jackass!” Beth easily corrected him. 

She was far too much like you. Too direct. Never one to dance around the point instead of saying exactly what she meant. 

“If anyone found my dad-” 

Daryl was eager to cut off her additional reasoning, not wanting to think about it - he couldn’t add the mental image of a turned, dead-alive Hershel to his nightmare rotation as well. 

“Don’t!” He barked back, making her swallow up her words. “That ain’t remotely the same!” 

He had to convince himself of that fact. This random Walker pinned to a tree wasn’t family. At least - it wasn’t the same because it wasn’t his family. 

Beth gave him a tight-jawed look, staring him down with those large, knowing eyes. In that moment, he could hear your voice in his head, telling him exactly what she wanted to say. 

‘It’s someone’s family, Daryl. That Walker used to be someone. He used to belong to someone - he used to be important to someone. You need to consider that.’ 

Instead, Beth countered with something a bit more broad. 

“Killing them is not supposed to be fun.” 

She scolded him like a child, and he felt intensely small in that moment. He hated it. 

“What do you want from me, girl?” He warbled out, barely able to find his voice. 

He barely had anything left to give. 

He was a shit protector - as he had proven, unable to stop the prison walls from collapsing on top of you. Unable to hunt down the Governor - unable to keep him from rolling up to the gates with a fucking tank and blowing your house down. 

He was a terrible tracker - unable to find any of the people they had lost from the prison. He couldn’t provide anything for Beth that she couldn’t get for herself. She was more than capable. She was likely only with him now to stop him from going off into the woods and laying down to die. It was likely out of some mental obligation towards you, because she fully believed that you were still alive. 

He didn’t have anything left to give. 

After a moment of Daryl waiting with baited breath, she gave an answer. 

“I want you to stop acting like you don’t give a crap about anythin’.” She announced firmly. 

That would be difficult for him. Because currently, that was the only way he was surviving. He gave way too much of a crap about everything - and turning it all off was the only way he got through. 

“Like nothing we went through matters.” She added on. “Like none of the people we lost meant anything to you. It’s bullshit!” 

It was bullshit. 

“Is that what you think?” Daryl countered sourly. 

He cared too much about all of them. It all mattered too much. 

If he turned that switch back on - if he let himself care again - it would break him. 

“That’s what I know.” She whispered tightly near his face, all hot drunken breath. 

“You don’t know nothin’.” He spat back bitterly, absolutely assured of this fact. 

“I know you look at me and you just see another dead person.” Beth dueled on, determined to make her own point. “I’m not Michonne, I’m not Carl, I’m not Maggie, I’m not Glenn…. I’m not Y/N.” 

She knew that mentioning your name was sensitive, but she did it anyway, as if hoping to evoke some positive emotion out of Daryl. As if hoping to wake him from his dreary hopelessness. She hoped that mentioning you among the list of people that she still concretely believed to be alive would shake him, make him believe it too. 

She noticed that Daryl refused to make eye contact when she said it. 

When he didn’t say anything about it, she continued on. 

“I survived, and you don’t get it, cause I’m not like you or them - but, I made it.” 

She spoke passionately, determined about the point. If she had made it - someone who used to be so soft, someone who still needed to be protected - then why hadn’t everyone else made it? 

“And you don’t get to treat me like crap just because you’re afraid.” 

Somehow, among all that, one singular point stood out to Daryl. 

“I ain’t afraid of nothin’.” He grumbled back. 

To him, it was a horrid accusation. 

He had already lost everything that was important to him - what could fear possibly do to him now? 

Fear was the stupid, idiotic thing that had held him back in the first place. It had kept him from going after the Governor alongside Michonne. It had kept him tethered to the prison, stuck to your side watching you to make sure that you were safe. And look what it had gotten him. 

Nothing but ruin. Nothing but ashes. 

Beth looked contemplative for a moment, and Daryl hoped that she would finally just shut up. But then, like an unstoppable, sickly bile - the words came spilling from her lips. 

“I remember.” She announced. Before he could wonder what she was talking about, she continued on. “Back when you first came to the farm. The way you were - out combing the woods like a madman, looking for a little girl that wasn’t even yours. You never gave up hope, not once.” 

Daryl swallowed down his own words. 

He wasn’t some damn fool. He wouldn’t even begin to call it hope. He called it the truth - a little girl lost in the woods shouldn’t be hard to find. Like he had told Andrea at the time - it was the backwoods of Georgia, not the mountains of Tibet. It wasn’t the way that everyone else made it out to be. 

“Maggie told me that you cried when Y/N wouldn’t wake up.” 

Beth added on - to Daryl it felt like a mockery, a clever prodding at his vulnerability. But to her, it was just another observation. 

“That’s why you’re not out there, followin’ the trail. That’s why you’re not even botherin’ to look. You would spend months out there tryna find Y/N if you actually thought-” 

“Shut it.” Daryl grunted, cutting off her words. 

“You are afraid, Daryl.” Beth told him - and chills went through him as he realized that she had seen right through him. But like a prey animal staring down a predator, he kept stiff eye contact, trying his hardest not to let her know that he was weak. “You’re afraid of findin’ nothin’. And now you’re actin’ like it’s my damn fault.” 

When he didn’t speak up to make any apologies for this, she snidely added on:

“God forbid you ever let anybody get too close, right?” 

“Too close, huh?” Daryl reared back dully, gearing up for another fierce charge in the argument as things got all too personal. “You know all about that. You lost two boyfriends - you can’t even shed a tear. Your whole family’s gone, all you can do is go out lookin’ for hooch like some dumb college bitch!” 

He knew that he was being unjustly cruel to her - that on some level, he was taking it out on her just because he could. 

But he couldn’t let her talk anymore about him and his fucking feelings. Especially not about how he acted around you. God forbid that big precious four letter word came up. He needed to pull the knife out of himself and turn it around onto her. 

“Screw you! You don’t get it.” She easily snapped back. 

“No, you don’t get it!” He roared out, quickly growing tired of the seemingly pointless back and forth. “Everyone we know’s dead!” 

Beth looked icy shocked by the statement, but quickly argued against it. 

“You don’t know that!” She screeched bitterly at him. 

“Might as well be!” He yelled back. “Cause you ain’t never gonna see ‘em again!” 

Finally, they had come around to his entire reasoning - the whole fact as to why he had so faithfully given up. Even if they weren’t dead, he believed that he might as well operate on the assumption that they were. 

Of course - Beth was operating on the opposite mindset. Killing time, getting by, surviving until she believed that she would inevitably be reunited with her sister, and the other members of their newfound family. 

Beth let out a whimper as the truth of it hit her - as she fought past it. Battling internally as a small voice in the back of her mind said: ‘he might be right’. 

“Rick…” Daryl hesitated to list more people. Even now, he hesitated to say your name. “You ain’t never gonna see Maggie again!” 

It was a bitter personal attack, but he was putting on that hard outer shell - hoping to get Beth to become just as cold as he was. If she gave up, then she would leave him alone. She would stop trying to inject that stupid, putrid ‘hope’ into him. 

But of course, that infallible hope could not be stomped out of her. No matter what. 

“Daryl, just stop!” She begged quietly, and then - she reached out for him. Attempting to give him some comforting touch. 

The last time he had been touched by someone was when he had held your hand without you even knowing, staring at your unconscious face, waiting for you to wake up. Aside from that - a gentle pat on the shoulder from Hershel, assuring him that everything would be okay. 

But both you and Hershel were dead now. 

Daryl’s touch was a disease that he would not let Beth catch. 

He whipped away from her quickly, and turned to face the dead Walker that was still pinned to the tree. 

He used to belong to someone. 

That was how Daryl felt now. Used up and dead. Nothing but a past tense in someone else’s life. 

“The Governor rolled right up to our gates.” Daryl’s throat clenched tightly around the words. He could barely speak about it, but it was true. “Maybe if I… I wouldn’t’ve stopped lookin’. Maybe it’s cause I gave up? That’s on me!” 

He was supposed to keep you safe. He was supposed to keep everyone safe. 

He had failed. 

“Daryl-” Beth choked out, trying again - but she didn’t have anything to follow up. She couldn’t find anything to combat this particular chasm of self blame. 

“Your dad… maybe I coulda done somethin’.” He choked on a sob, and tears clouded his eyes now. 

It was his attempt at an apology. But he hadn’t even begun to forgive himself yet - so why the hell would Beth forgive him? 

Hershel’s death had been his fault. Your death had been his fault. 

The others… even if they were alive, their home was destroyed and now they were vulnerable to a cruel world. And it was all Daryl’s fault. 

Daryl finally broke down in sobs, and he didn’t have enough energy to fight off the touch when Beth leaned into him, hugging him from behind. 

He couldn’t muster up any more breath to better apologize to her for all he had done, but he hoped that it was implied. 

… 

Things were a bit more smoothed over later that night, when Beth was drunker and Daryl had sobered up some. 

“Is it always like this?” Beth sighed, staring out at the grass with a delighted smile. 

It didn’t take a genius to figure out what she meant. She was clutching a half-filled jar of the moonshine like it was precious, her eyes glassy - obviously no longer fearful of going blind because of the stuff. 

“You’re lucky.” Daryl remarked. “You’re a happy drunk.” 

Beth let out another contented sigh, and then after a moment, and another sip of the moonshine (which she was taking down without hesitation now), she spoke up again. 

“You’re wrong.” She told him calmly, seeming very confident in this fact. 

Daryl was tired of talking, but too curious not to reply. 

“Bout what?” He asked. 

“They’re not dead.” She told him. “They’re out there somewhere. All of them. And we’re gonna find them.” 

Daryl wanted to believe her. Some tiny part of him wanted to embrace this as truth. But at this point - it felt too much like fiction. Without his family standing in front of him, pure proof that they were alive and well - he couldn’t let himself partake in that paper thin hope. He couldn’t let himself get high on the hope only to come crashing down from that high in the worst way. He couldn’t let himself be hurt again. 

He only grunted in reply, staring at the worn floorboards of the porch, hoping the conversation would naturally frazzle out. 

Of course, Beth didn’t let that happen. 

“Come on,” She said in a nagging tone. “You don’t really believe that Y/N is dead, do you?” 

Daryl wasn’t sure what he believed. 

Before this, before the dead had risen up and walked the earth, he had spent his whole life focusing on truth. Concrete truth. 

For as long as he had been alive, that truth had been hopeless. His father had beaten him, his brother was an asshole, what little he knew of his mother was a drunken slur ultimately engulfed in flames. He had fended for himself most of his life. He never knew hope or optimism. He never spoke of luck or brightness or tipping the odds in his favor. 

Not until he met you. 

You laughed so genuinely; you sang the praises of looking on the bright side and blessing people with good luck. And he found that at times - he started to believe you. 

But having the Governor roll right up to their gates and blow apart their home wasn’t exactly conducive with everything you had been preaching. Having you sick and likely dead under a pile of concrete, unconscious and crushed without even knowing it wasn’t exactly in line with the ‘good luck’ that you supposedly had. 

Even if you didn’t know it, you had been feeding Daryl lies the whole time. And those lies had ruined him. 

Daryl couldn’t hold out hope that you or anybody else that he had known and loved from the prison were alive. 

“Don’t know.” Daryl grunted in reply. He kept his answer vague, not wanting to stir up another argument with Beth. 

“Yes, you do know.” Beth chuckled lightly in reply. 

Still ever the optimist. Still so damn certain. 

Daryl grunted again. Even if he didn’t agree with her, he wanted the day to end calmly, at the very least. 

“Can I see it again?” Beth asked, suddenly changing the subject. 

Again, this was a confusing little whip for Daryl - something that clearly only made sense to Beth in her own drunken mind. 

“What?” Daryl replied. 

“The picture.” Beth answered. “The one you tried to burn.” 

Daryl felt a pinch of guilt surge over him at the thought. Oddly enough, this was the one time he would be willing to admit that Beth was right - you can’t burn up memories. He was still glad to have a token of you with him, even if he would never get to see you again. 

“It was Y/N, wasn’t it? That drew it.” Beth added on, her words slurring slightly. She lifted the mason jar of booze to her lips again and Daryl was tempted to snatch it away from her. Something in the back of his mind reminded him that he wasn’t her chaperone - she was an adult, and if she wanted to get drunk enough to have a nasty hangover, then that was her choice to make. 

Instead, he found his hand drifting to his breast pocket and reaching to take the picture out. He presented it to Beth, who put down her drink to unfold it. She stared at the picture fondly under the brightness of the moonlight, tracing a finger over the slightly faded details. 

“You know… my daddy used to tell me that a cardinal is like an angel.” Beth said, recognizing the bird from her father’s teachings on the farm. “Someone - someone you loved who passed away, watching over you from heaven.” 

Daryl found this to be a nice thought. He could imagine Hershel’s voice in his head, saying something like this while pointing to the bird among the trees. 

“Y/N said they was good luck.” Daryl replied. 

It was the first time in a long time that he had gathered the courage to actually speak about you aloud, and he found a painful tugging in his chest because of it. 

Beth shrugged. “Same thing.” 

It was this thought that kept Daryl going for a long time. The idea that even if you were dead, you were watching over him somehow. He sure as hell didn’t believe that someone like Merle would be an angel - but you, you definitely were. And even if it was a waste of your eternal life, you would be determined to watch over Daryl - to make sure that he was safe, well-guided. 

You would make sure that he was lucky. 

That thought alone carried him through the long journey to D.C. 

It was something that lingered in his mind as the group hunkered down in a random barn - as he spotted something carved into one of the wooden beams holding the place up. Even though it wasn’t colored, he could have sworn that the long tail and pointed head of the silhouette indicated that the carving was meant to be cardinal. Of course. 

Who knows who had stayed in the barn before them - if it had been left there by a weary traveler, or even put there by someone who had used the barn before the Turn. But Daryl could have sworn that you - your ghost, your angelic hand - had led him to this very spot. 

It was a thought that gave him strength as he held the doors up - helped to keep them from caving in while the storm raged outside. 

Your luck, and your damn bird - you would keep him safe. 

When they reached Alexandria, and they were forced to give up their weapons - Daryl spotted your bird perched on the fence. Bright red, with its pointy head cocked sideways at him. All too knowing, staring at him like it wanted to say something. Just like it had been when he had fallen off the cliff out in the woods when he had been looking for Sophia. 

Oddly enough, it made him feel safe giving up his crossbow - perching his precious weapon on top of the fully loaded cart before the awkward, bespeckled woman wheeled it away. 

Rick was still weary of this new place after everything that had happened at Terminus, and Daryl understood. He followed Rick’s lead. Especially because he couldn’t tell Rick that he had a good feeling about this place because he saw a damn bird. Even if he was feeling such foolish things, he knew that he couldn’t speak them aloud. 

(He couldn’t speak them aloud to anybody but you. And well…) 

But even if it was just in spirit, he felt you there. He knew that it was the home you had chosen for them. 

So Daryl entered the strangely clean suburban home that Aaron had picked out for them and tried to imagine himself truly living there. He tried to think of Alexandria as his new home now. Because he knew that it’s what you would have wanted for him.  

… 

You were tired.  

You had just gotten back from a three day long hunting trip - three whole days out in the woods, killing small game while tracking a deer in order to shoot it and haul it home. 

For a while now, home had been a town called Alexandria. 

Well, you wouldn’t necessarily call it ‘home’. 

Alexandria was a great place to live, sure - but to you, home was a certain redneck bowman who often stank of cigarettes and dirt and had to be reminded to wash his hands before eating a meal. Home was the gentle grunt he gave you in response to a variety of questions, the scratch of his beard on your skin as he kissed you. 

You couldn’t think about him for too long - because you would get homesick. 

Since the prison had fallen, since you had escaped nothing more than debris and a crowd of Walkers - you had been moving from place to place, drifting. A lot of the time, you used the skills that Daryl had taught you during your time together in order to survive. 

When you found Alexandria, it felt like a dream. 

At first, you questioned why a shiny gee-golly boy in a blue rain jacket was trying so hard to ‘recruit’ you. You had to feel naturally suspicious of him and his stack of polaroids. But then you remembered what Daryl had said about bringing people back to the prison - bringing new people in wasn’t just about pity. There was strength in numbers. It became very clear to you very quickly that Alexandria needed fighters - they were bringing people as a tactic. 

You leaned into it. You proved to them what a good asset you were. You doubled down on using everything that Daryl had taught you in order to earn your place in the closed off community. 

You hunted and brought back game for the people there to eat, you used the skills Daryl had taught you to maintain the cars for runs and even fix-up ones that had been previously out of commission. You were widely liked by the members of the community, and Deanna often called on you for advice about dealing with Walkers. You had been on a few runs with their crews, but you preferred to stay close to town, to keep an eye on things. 

The hunt you had recently taken - three long days out in the woods. That had been for you. Something you had learned with Daryl was that hunting could be intensely peaceful. Maybe it was because it was time you spent with him - time when the two of you didn’t need words, just soaked in each other’s presence. Maybe you missed that too dearly. But you needed it to be just you and the trees, the focus on the craft that he had taught you. 

No closed-off bottle town politics. No smiling and nodding and pretending to care when the others complained about asinine things like the water from their showers going cold too quickly. Complained about being bored. To you, boredom was a blessing these days. 

No men sniffing around you, firing off increasingly poor attempts at flirting, believing that you were single even though you couldn’t tell them otherwise. It was difficult to explain to anyone in town that your heart belonged to someone that you hadn’t seen in a long time. Someone that you didn’t have the room to believe was dead. 

So after spending a few days in the woods, enjoying the peace alone, and bagging a deer and a few rabbits in the process, you came home. And currently you were in the shower, cleaning up - it was a blessing to even have a shower, to have perfectly functioning running water. A three day hunt could create a hell of a stink. 

Stepping under a stream of hot water after three long days out in the woods was one of the most satisfying feelings you could have ever conceptualized. The bottom of the tub quickly became muddy with a combination of blood from where you had cleaned the deer, and the general dirt you had gathered on your skin from the hunting trip. You let the heat of the water relax your tired muscles, and tried your hardest not to let your mind wander back to something you couldn’t have. 

When you got out of the shower, you felt wonderfully refreshed. You were still bone tired, and part of you did want to rush home and crash right into bed. But you had other things to do first. You had to check-in with Deanna, and go by the school before you could even think about going to bed. 

Olivia - ever kind and thinking ahead - had set out a change of clothes for you. She had seen you run upstairs to the bathroom covered up to your elbows in blood after you had asked her to stash the deer meat in the pantry’s freezer. 

You got dressed, and then went down to the pantry looking to make sure that she had taken the deer meat out of the plastic container that you had stored it in and put it into some plastic freezer bags to store it properly. She was squeamish around blood or raw meat - she had thrown up the one time that you had tried to teach her how to gut a rabbit, but you were hoping to wean her off those fears. 

Olivia was a nice girl. You knew that eventually, she would need to get her hands dirty in order to survive. It was a miracle that she had gone this long without doing so. When she told you that she still carried around a cellphone in her pocket - one that had long been dead and useless - you got stuck somewhere between paralytic shock and maniacal laughter. 

But it was just a mark of how untouched Alexandria was. How much they needed someone like you. 

“Olivia?” You called out gently when you hit the bottom stair. 

“In here!” She called back. She was in the armory rather than in the pantry - likely counting bullets to redo her inventory in order to avoid touching the bloody deer meat. 

You rolled your eyes at the thought of it and walked into the room, which was lined floor to ceiling with guns, the entire town’s supply. You were also casually pushing back against Deanna’s rule that nobody should be allowed to carry within town, but she had yet to truly hear you out on it. Your eyes fell upon a large cart that Olivia had parked in the middle, one that wasn’t usually there. It was filled to the brim with a variety of weapons. 

“What’s this?” You asked. 

“A new group came in yesterday, while you were gone.” She informed you, staring at the notebook she had in her hands - the one containing her inventory. “Deanna wanted me to make a list of their weapons. Well - the weapons they surrendered. I wouldn’t doubt if one of them is still hiding a knife in their shoe or something. They seem uber shifty and paranoid.” 

She said this with a dreary chuckle - the kind of nervous laughter that told you she was feeling weary of these people. 

A strange feeling came over you. A haze - tingling, from your head to your toes. A feeling almost as if you were about to faint - while at the same time, intense adrenaline was pumping through your whole body. You took a more careful look at the weapons gathered on the cart. 

A sword. One with the distinctive white leather sheath. A gun that you easily recognized as a Colt Python. A military knife with a knuckle guard… and perched right on top - a crossbow. The sight of which almost made your heart stop. 

“Maybe you could help me with this?” Olivia asked, motioning her pen toward the cart. “You know I don’t know the names of guns and stuff.” 

Clearly, she was trying to get out of bagging the deer meat - but that dropped off your priority list as you tried harder and harder to keep your hopes from swallowing you alive. 

“Sure.” You replied, knowing that it sounded terribly strained in your throat - joy and tears battling terribly inside of you. 

You gathered your breath, and forced your concrete legs to move. You stepped toward the cart, and timidly stroked a finger across one of the bolts that was strapped to the top of the crossbow. 

After a moment, you finally gathered the courage to ask the question. 

“So - can you tell me more about the group?” You asked, your throat clenching around the words, so damn dry all of a sudden. “Did you happen to catch any of their names?” 

“Come on,” Olivia sighed. “You know I’m no good with names.” 

Of course. 

The one time when you needed her to be paying attention, she hadn’t been. Where the hell was Aaron when you needed him? 

You could have been wrong. This could be nothing. It could be a coincidence. 

You wouldn’t let yourself get your hopes up - not until you knew. 

“Well - what were they like?” You asked. 

Olivia picked up one of the guns, inspecting it before she wrote down something in her notebook. It took her a moment too long to answer. You became dizzy with agitation, unconsciously holding your breath while you waited for something. Some proof. Something. 

“They were… strange.” She shrugged. “They reminded me of you when you first came here. But… you can tell they’ve been outside for longer.” 

That didn’t answer your question. So you moved on to another one. 

“How many of them was there?” You asked. 

“Maybe a dozen, I guess.” She answered easily. “It’s the biggest group Deanna has ever allowed in. I don’t know why, though. Aaron seems to really like them, but I didn’t get to talk to him much before he went home.” 

She wrote down something else, and then she continued - seemingly not noticing the way you were staring at her with an intense glare, hanging on her every word. 

You needed to know. 

“There was kids with them. A baby, and a young boy. A teenager, maybe? He was wearing this brown cowboy hat, that looked like a sheriff’s hat, kind of? I guess he got it off some cop.” 

‘My dad says that I get to wear the hat because I’m in the club.’ Carl’s small voice excitedly announced to you, pushing the too-big hat up over his eyes as it sagged down from how fast he had run toward you. 

‘What club?’ You countered curiously. 

‘People who have been shot and survived.’ 

‘Woah… okay. You probably shouldn’t go around saying that to people.’ You chuckled in return, trying to play off the casual morbidity. Knowing that ‘and survived’ was the important part. ‘Cool hat, though, kid.’ 

‘Thanks!’ 

As the memory from Hershel’s farm played over again in your mind - you remained frozen. Your voice was caught in your throat, seized by tears and shock - but all you could do was stand there as Olivia continued talking. 

“And their leader is this really grumpy guy. He kept… staring at me. His eyes were so cold… it was almost creepy. I could hardly see his face past his beard.” 

‘And, uh, I got this for you.’ Michonne chuckled, extending her arm out toward Rick, trying her hardest to gift him the electric shaver. ‘Your face is losing the war.’ 

The words evoked another memory from you - Michonne making jokes about Rick’s beard being overgrown, trying to get him to trim it down. Now, you couldn’t picture him without one when you tried to remember him. 

“Here, take this.” Olivia picked up the crossbow and put it in your hands. “Can you help me with the rest of these guns? I don’t know how to unload them. I need to take inventory of the ammo.” 

Your eyes were fixated on the crossbow in your hands - you ran your thumb over it. 

You had almost forgotten about it. 

Trying so hard to push down the memories, to forget - it had almost slipped your mind. The marking you had left on Daryl’s crossbow that made it so uniquely yours. The blessing of good luck you had marked him with when you had sent him to look for Sophia. 

The cardinal sticker that you had put on his bow. It was faded now, but it sure as hell was the one you had put there. 

In the back of your mind, you could still hear Daryl’s snarky voice snarling about how he didn’t need luck - but it had gotten him this far, hadn’t it? 

All at once, your nervous system shook, your body prickling up fiercely with goosebumps as the realization truly hit you. 

Daryl was here. 

Daryl was right here in Alexandria. 

He was alive. He was within arm’s reach. 

He was home. 

“Daryl.” You mumbled quietly, your voice still choking on it - it was a name you hadn’t spoken in so long. 

“What?” Olivia asked, turning around to look at you, clearly confused. 

“Daryl.” You spoke it louder. 

You looked to the door, and before you could take a moment to explain or even put down the bow - your legs were carrying you with a great urgency. 

He was close by - you were going to find him. 

“Daryl!” 

You screamed out this time, your voice echoing through the streets of Alexandria. Random people going about their day stared at you, but you didn’t care. You continued sprinting down the street, looking for that familiar face that you knew had to be close by. 

“Daryl! Rick! Michonne!” 

You screamed out the names of the people you knew would be with thim, and then your mind became fixated on him - on seeing his face again, on hearing him call you an asshole with a smile. Fueled only by joy, you pushed past your previous tiredness, determined to find him. Your cheeks began to hurt before you knew you were smiling and your legs pumped harder as you ran. 

“Daryl! Daryl!” 

You weren’t even sure where you were going, but you knew he would come to you - he would be there soon. 

You ended up at one of the last houses on the lot, rounding the corner when you finally spotted him. 

It was something you had pictured in your mind a thousand times. 

One of the quaint porches of Alexandria - so clean, so white, so picturesque - finally dirtied up by his presence. Olivia made you gut your kills in the back because she didn’t want it to disturb people, but Daryl didn’t know the rules, or just didn’t care. His hands were already covered in the blood of the possum that he was skinning - careful, meticulous, doing it right. His gaze focused downward in pure concentration - much like he had been on the day you had first properly spoken to him. 

Dressed in all black and still dirtied from the road - he was a sight for sore eyes. 

And he caused you to pull in a sharp, shattered breath as you began to cry outright now. Hot tears of relief, joy, love streaming down your face as you laid eyes on him for the first time in so long. 

His head snapped up at the sound of it, and his eyes widened beyond the splintering bangs that hung beyond his brows - hair longer than the last time you had seen him. His hands froze their movements, still hanging onto the half-skinned possum. You gripped tightly onto the crossbow, holding onto it tightly like an anchor, drifting at sea. 

You knew that look - his jaw gaped, his eyes swimming with intense emotion - shock, most of all. He was frozen. 

He was looking at you as though you were a ghost. 

In Daryl’s eyes, you might as well be. 

The last time he had seen you - you were dead. Or dying. 

It was all the same to him. 

He genuinely couldn’t believe that you were standing right there in front of him - alive, clean, beautiful as ever, holding his crossbow. It was like a dream. 

“I think I have something that belongs to you.” 

Hearing your voice again - it was oddly startlingly. You motioned toward the crossbow - his crossbow, that you were holding for some reason. 

His entire body was filled with concrete - he was frozen. 

“Daryl, is that possum so much more interesting than me, or are you gonna come on over here and give me a damn hug?” 

Yes.

That was what finally got him up - he tossed the possum aside because it would never be more important than you, and he rushed off the porch, rushing toward you. You dropped his crossbow in the grass and when he pounced on you, his arms encircling you for the first time in such a long time - you finally felt like you were home. He squeezed you in a bone-crushing way, and you squeezed him right back - feeling a strange kind of comfort from the smell of sweat and dirt and cigarette smoke coming off him. 

It was so Daryl. It was so real. 

You heard gentle sobs in your ear and you realized that he was crying too, so overwhelmed by the emotions of seeing you again and not too proud to hide his tears now. You didn’t notice and didn’t care that he was getting blood all over your clean shirt, gripping you so tightly with his possum-skinning hands. It was just another assurance that all of this was real and not another stupid daydream. 

“Goddammit.” He croaked out, his face shoved so tightly in the crook of your neck, soaking your skin with his tears. “I thought - I thought I lost you.” 

Pressed so close to his chest, you saw the yellowing corner of the paper sticking out of his breast pocket. You couldn’t help but to raise your fingers to fish it out of his pocket. 

“Why would you ever think that?” You sniffled weakly in return. “You had this for good luck.” You teased him lightly, pulling away slightly to wave the folded piece of paper in front of his face - both of you knowing exactly what it was. 

He let out a weak laugh in response. 

“You’re still a damn fool.” 

That was all he managed to reply before he put both hands on either side of your face and pulled you in for a kiss. It was unlike any other time he had kissed you before. This wasn’t chaste - it wasn’t a simple kiss signifying that he cared about you, that he was trying, but affection simply wasn’t his thing. 

This was gravity. 

This was passion, this was love. This was this kiss of a man who had nearly ended himself because he had realized in horror that his entire world had hinged on you. And now that he had you back, he wasn’t going to waste a single second treading around feelings, hung up on simple things like the fear of affection. This was a kiss from someone who needed to show you that you were his whole world, and now that he had you back, he would move mountains just to see you smile. 

It was a kiss that easily had you moaning into his mouth, made you dizzier than you already were, stole breath from your already weak lungs. 

He held you tight to his lips and he poured every single ounce of emotion into that kiss - telling you how sorry he was for all the time he had wasted, telling you how much he had missed you, and most importantly - telling you how much he loved you. 

“Daryl, please tell me that you’ve showered by-” 

The stunning moment was sorely interrupted by another voice, one you distinctly recognized as Carol. She opened the front door behind you and stuck her head out, ready to scold Daryl - but she promptly cut off her own words when she saw you. You pulled away from his lips at the sound of her voice and whipped around toward her, and instantly a smile cracked your face, broad and unbroken. 

She was staring at you with utter shock. 

“Carol.” You said her name warmly, greeting her as an old friend. 

You couldn’t help it - you jumped forward and embraced her in a hug. It was only then that she loosened from the shock and let her own arms fall around you, hugging you back, and she was able to speak again. 

“Y/N.” She said your name quietly in return. “What - what are you doing here?” 

“Um… returning Daryl’s crossbow.” You chuckled, motioning to the bow that you had dropped with numb arms before you had ascended the steps, rushing toward him. “But you know… I think I have something for you too.” 

Naturally, Carol looked confused - and you chose to show her what you meant rather than to explain. 

… 

You brought Carol and Daryl to a house in the complex that functioned as the school. They didn’t know that yet - and you asked them to wait outside as you rushed inside and boisterously disrupted the beginning of the afternoon class. 

The teacher began telling you off, but you didn’t care. 

Daryl and Carol were theorizing about what you were doing, half ready to go in after you when you stepped out the door with someone in tow. 

“What’s so important? We’re supposed to start reading King Lear today and I can’t miss-” 

Both of them looked up at the mousy voice and instantly recognized the streak of sandy blonde hair - a bit lighter now from exposure to the sun, topped on someone a bit taller than they remembered. 

“Sophia?” Carol gaped. 

A daughter she had said goodbye to in her mind, someone that she couldn’t keep hoping was alive. Somehow once again, standing right there in front of her, fully alive and well. Once again - all thanks to you. 

“Mom?” 

Sophia broke out of your grasp and ran from the door into her mother’s arms, and Carol quickly embraced the girl who was almost as tall as her now. Carol was unable to hold back her tears and you knew that it was a swelling of perfect emotion as they hugged each other so tightly. Daryl petted a gentle hand over Sophia’s hair as he looked at you fondly. 

You couldn’t imagine a more perfect day. 

Carol used a hand behind Sophia’s back to wipe some of her own tears from her cheeks, still not letting the girl go as she looked at you with a wet smile forming tightly across her face. 

“I should have known she’d be with you.” Carol choked out - her way of thanking you for taking care of her daughter. Clearly scolding herself for not keeping the faith alive that Sophia would be okay. 

“We’re BFFs.” You said, unable to hold back a smile. “Of course we’re gonna stick together.” 

… 

You thought back to the day you had first taken on the title of Sophia’s BFF. 

The two of you had been close since the group at the quarry had first formed. It was unfortunate, but Ed reminded you of your own father, and you found yourself gravitating toward Sophia because of that. A natural instinct kicking in that made you want to take care of her because you understood what she was going through. You knew that Carol had to take care of herself, had to keep her own head above water, and she said that she was always appreciative of your help. 

You knew that Sophia appreciated having you around, being treated with gentle caring and a certain kind of maturity that she needed from an older sibling that she didn’t have. You didn’t always treat her like a child - you talked to her like a person who needed to be listened to, who had her own feelings that needed to be heard. 

Especially after Ed’s death - when she was feeling conflicted about the partial relief of being freed from her father’s abuse but oddly missing him at that same time. You were more than happy to listen to her and give her honest advice. 

When she fled into the woods off the highway that day, Daryl had to physically hold you back to keep you from running into the tail end of the herd yourself. It would have been stupid for you to blindly run after her, especially considering that, at that point, you didn’t carry a knife or any other weapons on you regularly. You would have been running after Sophia with nothing but your bare hands and your best intentions. 

It would have ended up with you both dead, and in the end, you thanked Daryl for holding you back. 

Which was why you trusted Daryl greatly to find her. You trusted his skills and his abilities, and especially his judgment. And you silently cursed Andrea for almost shooting his head off and putting him out of commission in that search. Especially considering the fact that Shane and even Rick were clearly losing hope in ever finding Sophia alive, and it was clear that they were ready to call off any search efforts. They were ready to abandon the Greene farm and leave her out there to die. 

So after Daryl’s wounds had been treated, when he was resting in his tent, you decided that it was high time to get the search back on. Of course, you had to wait for Andrea to leave, after she had apologized to him and left him with one of Dale’s crappy books as entertainment - something you knew wouldn’t help him much, because he was far too much of a hands-on busy body to sit around and read. 

But you didn’t dwell too much on thinking about that. Instead, you stepped into the tent next without being invited, determined to get his advice so that you could pick up the search for Sophia where he had left off. 

Daryl’s eyes snapped open where he had been lightly dozing off and he glared at you - it wasn’t malice or true anger, instead, simply light annoyance. 

“Can’t get five minutes of damn peace ‘round here.” He grumbled out as you invited yourself fully into the tent and without speaking a word to him, came right in and sat down on the edge of his cot. 

He instinctively scooted away from you. He could have said that it was because you had aggravated soreness in his injured side where he was still stitched up. But truthfully, it was because he wasn’t used to having you (or anyone) this close. Though he also couldn’t deny that the simple warmth of your body - the gentle heat of your ass pressed up against his thigh from you having to sit so close on the small cot - it was nice. 

But he couldn’t think too much about that right now. 

You obviously weren’t as caught up on the simple act of closeness. You weren’t as mindful of being this close to another person. You were someone who thought nothing of hugs and other simple forms of affection - something that you did regularly with people you considered friends, like Glenn and Lori and Dale. 

Instead of thinking at all about how close you were sitting to Daryl, you dropped your bag at your feet and began rooting around inside of it, looking for something. A moment later, you pulled out a map, which you held in one hand and shoved tightly in Daryl’s face. 

“Show me where you found Sophia’s doll.” You ordered stiffly. 

Daryl grunted at you, chewing on one of his nails for a moment before he replied. 

“What good is that gon do?” He asked. 

You didn’t know how to track or follow a trail. You weren’t the outdoors type. If he sent you off looking for her, he’d probably have to go off into the woods looking for you next. 

You sighed and rolled your eyes. 

“Maggie is saddling one of the horses for me right now.” You explained. “You know that Shane has already given up, and Rick is about to.” 

You cleared your throat, trying to hide the quiver of potential tears. 

Daryl knew it wasn’t the kind of grief that everyone else held when talking about Sophia - you weren’t afraid that she was already dead and you would be combing the woods looking for a Walker to put down. You weren’t looking for closure. You were more terrified at the aspect of Shane and Rick giving up when someone you viewed as a little sister was still out there. You were afraid that she might be abandoned when she was still alive and had a chance to be rescued. 

“You’re not goin’ out there by yourself.” Daryl declared firmly. 

Predictably, he then tried to sit up - as if he would somehow accompany you in his severely injured state. But he didn’t make it very far off the cot before he let out a sharp wince of pain. Something he tried his hardest to conceal out of an ingrained toughness, so you knew that his pain had to be a lot worse than he was leading on. He fell back down instinctively and gripped a hand to his side, taking in sharp breaths as he tried to ignore the pain. 

“Well, you’re not going with me.” You griped sarcastically, motioning toward his injury. 

“Screw you.” Daryl replied, tossing up a middle finger - frustrated by his circumstances more than anything else. 

“Look, I’m gonna go whether you tell me where to pick up the trail or not.” You announced, firm and finite in your conviction. 

Of course. Stubborn. 

Daryl glared at you again. 

“And I’m not gonna drag your ass around with me,” You added on. “I just wanna know where you would search because before you got hurt, you were the best man for the job.” 

Daryl wanted to hate the snide, back-handed compliment - he wanted to hate your stubbornness and your inability to take ‘no’ for an answer. But he knew that you were going to keep to your word. You were going to do this with or without his help, and his help would be invaluable to someone like you. 

So, for some stupid reason, he folded to your will. 

(It would become a pattern so utterly predictable throughout your relationship. You were so direct and so stubborn that you learned how to play him like a fiddle.) 

“Gimme that damn map.” He grumbled out, finally folding to your infallible will. 

“Here, I have a pen. You can mark it down for me.” You announced brightly, giving him a chirpy smile as you got your own way. 

You reached back down to your bag, looking for the aforementioned pen, and Daryl bit his tongue. The fact that you even needed a marking on the map to remember what he was going to point out to you was a huge red flag for him - a sign of just how naive you were when it came to the woods, tracking, finding someone lost out there. 

He was already mentally preparing himself to go looking for you later. (He just hoped that this would be a good thing - that even if you got lost yourself, you would take some supplies to Sophia and help her survive a bit longer until he could get both of you back home.) 

He took the red pen that you handed to him and stiffly held the map, trying to ignore the gentle waft of floral soap coming off you as you leaned more into his personal space. More and more into his personal space, clearly trying to better pay attention to what he was showing you as he pointed to the landmarks on the piece of paper. 

“Found the doll down ‘round here.” He said, marking a small red X on the map. “I figured that she mighta dropped it when she was crossing the creek up somewhere here, and it washed downstream.” 

“Oh, okay.” You said. “So you think she’s on this side of the water?” You asked, pointing to a heading of your own. 

“Prolly.” Daryl nodded. “She gotta be close by the water cause it’s her only real landmark. You better stay close by the creek, got it? I don’t need to go in those damn woods lookin’ for your ass too if ya get lost.” 

“I’m not gonna get lost.” You sighed, snatching the map from him. 

“Make sure you don’t spend the whole time on the horse.” 

He added on, determined to give you good advice if you were determined to go out there. In the back of his mind, he was surprised that you knew how to ride a horse, but he didn’t bother to bring it up. Instead, he continued speaking about the topic at hand. 

“She’s little. It means she could be hidin’ somewhere down low. Caves, ditches, even down in the bushes. She could be passed out somewhere from the heat and you might not see her if you’re perched up high on that damn horse the whole time.” 

You nodded, soaking up all the information, determined to take advice from someone you knew was better versed in things like this than you were. 

“Anything else?” 

Daryl looked thoughtful for a moment. 

Then he reached off to the side for his own bag, holding in another pained wince as he stretched out his injured flesh. He batted away your hands as you went to help him, and his hands came back with a large knife - his hunting knife, sheathed in the cover that he often wore on his belt. You had never seen him without it, and you were surprised when he extended it out toward you - clearly wanting you to take the knife, even if only temporarily. 

“Daryl, that’s yours, I can’t-” 

“Shut up and take it.” He growled quietly. “This is gonna be better to you out there than any gun. And not just cause you’re a piss poor shot.” 

You rolled your eyes at the paper thin insult, but still hesitated to reach for the knife. 

“The woods are damn quiet, and if you run into a Walker, you gon need somethin’ quiet to take ‘em down.” He explained. And then, with a fair amount of cheek, he added on: “Come on. It’s for good luck.” 

You let out a sharp nasal sound that could have been mistaken for a laugh, and then you reached out and grabbed the knife, tucking the holster onto your belt. 

“Maybe I don’t need luck.” You stated, getting up and making your way toward the mouth of the tent. “If I run into a bunch of Walkers, I could just make a necklace out of ears. That would be very fashionable.” 

You winked at Daryl, and he flipped you off - though you knew he didn’t mean anything harsh by it, seeing as it was paired with a small smile that he was unable to hold back at your comment. 

“Asshole.” He mumbled under his breath. 

“I heard that!” 

(For some reason, this made him smile harder.) 

… 

Despite what Daryl believed, you were comfortable in the woods. 

You had spent a lot of your childhood camping - he likely would have called it ‘glamping’ (if he knew what that word was). Your family spent a lot of weekends in an RV, driving off to remote areas to go fishing or so that your father could go hunting. You spent a lot of time off in some cabin deep in the woods with no TV reception, playing around in the trees with a stick, making mud pies for fun. 

You knew the reason that you seemed so naive in Daryl’s eyes was because you spent all those childhood experiences very hands-off. Your father was a wicked control freak of a man who never let you touch anything, despite how many times you voiced wanting to learn. 

He insisted that your family have ‘happy’ family outings - he insisted that you get your ass in the boat while he was fishing, he insisted that you eat the game that he shot while out hunting, he insisted that you get out in nature because it was what he had done as a child. But he would never let you touch a fishing rod, he would never let you hold a gun to hunt or set a snare. He always told you it was because you were ‘too stupid’ and you would inevitably mess things up. 

So before Daryl had started teaching you the basics, you didn’t know how to read a map, you didn’t know how to start a fire, and you had been learning how to fix vehicles only because of Dale. Your mother was the one who insisted that you learn how to ride a horse because it was something she had learned during her childhood. (It had spawned a wicked argument between your parents that you didn’t want to think about.) 

But nonetheless, you felt comfortable by yourself in the quiet of the woods. It was a quiet you had come to enjoy throughout your childhood. 

It was why your ears immediately picked up on something - a particular noise - standing out from that quiet. The gentle thrashing of cicadas, the quiet bustle of leaves in the breeze, but then, something else. Crying. Distinctly - the sound of someone crying. 

You hopped off the horse that Maggie had given you and tied the saddle to a nearby tree, taking Daryl’s advice to get off and having a look on foot. 

And sure enough - you soon came to a small cliff, at the base of which there was a small rocky indenture that could have been considered a small cave. It was something that you might have passed by when perched so high on the horse. 

When you crouched down and got even lower on your hands and knees- 

“Sophia?” 

You almost couldn’t believe your luck. You had been riding for less than an hour, and fuck - there she was. 

She was curled up with her back to you, likely crying out of upset from being separated from her mother for so long, being scared and alone. Even covered in dirt - you recognized that blue tee shirt that she had been wearing when she had run off. And it’s not like there would be some other little girl hiding out in these woods. 

“Sophia.” You called her name a little firmer, in case she hadn’t heard you, or she was fatigued from the whole ordeal and needed a little extra jolt to awaken her attention toward you. It was then that her head turned and she gazed at you with two large teary eyes. 

“Y/N?” She hiccuped sorrowfully. “Wh-where’s my mom?” 

“Your mom is waiting for you,” You grinned at her, extending your arms out to invite her toward you - and she began crawling out to meet you. “Everybody set up camp at a farm just off the highway so we could look for you.” 

“I thought you were gonna leave me.” She sobbed, sitting upright and jumping into your arms - you couldn’t help but embrace her in a tight hug. 

Relief flooded your system, and though you knew that she was scared, hungry, and definitely dehydrated by now, you couldn’t be happier to have her in your arms - alive. To know that Carol would feel the same relief in such a short time. 

“Nobody was gonna leave you.” You assured her. 

You hated that it was a partial lie. But of course you weren’t going to tell her about Shane’s pessimism and Rick’s liability to fall for the ramblings of his best friend. They would all feel foolish when you rode back with her on the horse. And you would be happy to prove them wrong. 

Then, something else came to mind. 

“Are you hurt?” You asked, pulling away from the hug to inspect her. A secondary terror spiked your system. If she had been bitten - you didn’t know that you would be up to the task of ‘doing what needed to be done’ as Daryl had put it. 

“My ankle.” She said, motioning to her foot. Upon further examination, it was swollen so tightly that it looked more than painful, cartoonishly bulged over the edge of her shoe. The sight of it made you wince. “I fell down.” 

“Okay, well - one of the people at the farm is a doctor. So he’ll be able to fix you right up.” You smiled at her. “But you didn’t get scratched or - you didn’t get touched by any of the Walkers?” You asked, wanting to be sure. 

“I hid from them.” She assured you. “I was running away, and - and I got lost, and I couldn’t find my way back, and that’s when it got dark, and-” She broke into more sobs, and you reached out to hug her again. 

“It’s okay.” You assured her. “It’s okay, I’m gonna take you to your mom now.” 

“Look out!” Sophia screamed this in your ear suddenly, pointing a finger to something behind your back. 

Your heart thumped in your chest, panicked, and then, with an instinct you didn’t even know you had, you reached to the handle of the knife - Daryl’s knife on your belt. You pushed Sophia away, whipping around in order to jab the knife toward the danger. 

The first time you hit the Walker somewhere in the middle of its torso, and the second time you locked onto two disgusting yellow eyes - and you jabbed the knife right between them. Within seconds, all the movement in the Walker went limp, and it fell to the ground - and you let out a huff (not even fully knowing that you had been holding your breath) as you pulled the bloody knife out of its skull. 

“I got it.” You said, feeling victorious as you looked over your shoulder toward Sophia - who was shell-shocked and very tearful once again. “Let’s just… get on the horse and go back to the house, okay?” 

“There’s a horse?” 

You gave Sophia your canteen and she drank the entirety of the water during the ride back, and by the time the sun was setting, you were emerging from the trees with her sitting on the front of the saddle. 

On top of the RV, Dale and Andrea were having a dispute about who was supposed to be on watch. One especially heated after the debacle of Andrea accidentally shooting Daryl in the head. 

“Just give me - give me those! Give me those!” Andrea snapped, taking the binoculars from Dale. 

The man acquiesced to her fierce will, and he nodded, putting his hands up in surrender as he walked toward the edge of the RV to descend the ladder. 

Andrea put the binoculars to her face and looked out upon the fields, and what she saw shocked her more than the bloodied Daryl that she had mistaken as a lone Walker. 

“Oh my god.” Andrea gasped. 

“What?” Dale whipped back around, obviously thinking that something was wrong. “What? What?!” 

Andrea took down the binoculars and turned to Dale with a look of pure shock. 

“It’s Sophia.” 

… 

A short time later, everyone was gathered in the living room, an odd air of dread and tension having fallen over the group. It seemed that nobody else shared your joyous relief, as they were all anxious to hear it from Hershel’s mouth that Sophia was going to be fine. It was a case of waiting for the other shoe to drop, of course. 

It wasn’t long before Hershel came out of the downstairs bedroom to grace everyone with the news. 

“How’s she doin’?” Lori asked, practically trampling the man before he even had a chance to close the door behind himself. “Is she gonna be okay?” 

“Well - the girl is quite dehydrated after the adventure she’s been on,” He said, pressing that word, using it quite liberally. “But - after some IV fluids and rest, I don’t see any reason why she won’t make a full recovery.” 

Lori burst into tears. The previously silent room became a muddle of relieved sighs, delighted chatter, and more tears - and the joy you had somehow been suppressing exploded inside of you tenfold. As you looked around at everyone hugging and celebrating, you realized that there was just one person missing from the scene. 

The man who had made it possible to find her in the first place. 

You knew that Daryl should be resting because of his injuries - but what he should be doing, and what he usually did weren’t two things that often coincided. You wandered out the front door while everyone was distracted by the exchange of hugs and the general relief of the whole situation, and you weren’t surprised to find Daryl sitting in front of his tent, poking at a low-flamed fire with a long stick. 

You were slightly surprised to see him sitting up - but if you weren’t mistaken, his shirt was licked with blood on the side where his stitches would be underneath. So he was aggravating the wound and simply ignoring the consequences. Very predictable for him. 

“Hey.” You greeted him casually as you walked up. 

He didn’t bother to take his eyes off the flames, and after a quiet moment, he quietly spoke. 

“She okay?” He croaked out - his typical meditative speech. No more words than he needed. You liked that about him. 

“She’s great.” You answered. “You were right. She’s gonna eat a good meal and sleep in a warm bed tonight, and she’s gonna wake up next to her mother. She is gonna be more than fine.” 

If you weren’t mistaken, the small flinch at the side of his mouth - something that could have been taken for a tic in his cheek muscle - it was a genuine smile at the idea of Sophia actually being okay. A smile at something actually turning out well for the group. 

“And it’s all thanks to you.” You added on, taking the opportunity to give him genuine praise where it was due.  

Daryl shook his head. “Nah.” 

“Come on.” You sighed, crossing your arms. “You pointed to a place on the map, I went there, I found her. That’s all you.” 

Daryl rolled his eyes. “Maybe you’re just lucky.” 

You knew he was being snarky, but you couldn’t help leaning into it. 

“I am.” You grinned at him. 

He sighed harshly, shaking his head. He resisted the urge to argue, not wanting to ruin the general air of happiness at Sophia coming home alive. 

“But the knife did help.” You had to admit it - he had been right about forcing you to take it. You took it off your belt and extended it out back toward him, and he hesitated for a moment, perhaps wanting you to keep it for your own protection - and then he took it back. 

“Told ya it would.” He grumbled quietly. 

Before you could form some clever reply, you heard the front door of the house open once again, and you were surprised when Carol came marching toward you. You thought for certain that she would be attached to Sophia’s side after such an ordeal, but soon enough, she was sweeping you into a tearful hug. 

“Thank you.” She wept into your shoulder. “Thank you, thank you so much. You found my daughter - you brought her home.” 

“Oh. I…” You weren’t really sure how to respond. “It wasn’t all me. Daryl told me where to look. He was the one who followed the trail.” 

Again - you had to give him the credit where it was due. 

“Of course.” Carol nodded, pulling away from squeezing you and moving toward Daryl. 

He jumped up from his camping chair so fast that he knocked it over, nearly tripping over himself in an effort to escape her thankful affection. A tense silence fell over the three of you as he gripped at his side, and he stared her down with wide eyes like a deer caught in a hunter’s cross-hairs. 

“I got stitches.” He mumbled out, clearly looking for an excuse as to why he couldn’t be hugged in the same way. 

“Okay.” Carol replied meekly. “I still want to thank you for everything that you’ve done for my daughter.” 

“Yeah.” Daryl nodded. “Welcome.” 

…

Even if Daryl didn’t know it then, helping to bring Sophia home truly cemented his place in the group. If it wasn’t a truth in everyone’s eyes, it was you whispering it to them, hammering home the fact that he was more than worthy - not as some kind of politician, but because you truly believed in him. 

And while you spent time rooting for him, he became an iron clad wall behind you. He continued teaching you every single skill he could, imparting all of his knowledge. And while you had insisted on returning his knife to him, he realized that a bothersome nuisance was that you didn’t have a good knife of your own. 

And he needed to make sure that you got one. 

Things were always subtle with him. He never went out of his way to make it seem like he was intentionally being nice to you or giving you a gift. He always made it seem like it was a coincidence - a side effect of whatever else was happening at the time. If the two of you went hunting together, he was teaching you because it was practical, because he had to. 

If he picked a flower out of the ground and tucked it behind your ear, it was because he claimed you smelled bad and it would dampen ‘the stank comin’ off you’ - not because it was meant to be any kind of affectionate gesture. If he made sure that you got a little bit extra on your plate that night, it was because he didn’t like the particular kind of game he had picked up, or because he was giving you ‘the worst parts’. Not because he was trying to make sure that you ate more in order to stay healthy and keep from going hungry. 

So when he gifted you a hunting knife of your own, it was entirely by mistake, of course. 

You didn’t know that he had been on the lookout for one with the intention of giving it to you for weeks. He wanted you to be able to protect yourself, and to be able to gut and skin your own kills properly now that you were learning to hunt. And in order to do that, you needed a good knife of your own. 

It just so happened that he found the perfect one while the two of you were out on a formula run for Little Asskicker. The kid was only a few days old and had lungs like a professional opera singer, wailing loud enough to shake the prison walls every few hours, and she was going through enough formula to fill up a mac truck. At least, that’s what it seemed like. 

The stuff that Maggie and Daryl had gotten just after she had been born had only lasted about a week. So now, you were out with Daryl once again, raiding a small rest stop that the two of you had seen nearby while out on a hunt. 

So far, the trip had been pretty successful. 

After struggling to get through the heavily padlocked and gated front door, Daryl boosted you through a higher up back window - which left you impressed by his strength and slightly afraid to fall on the other side (and then grossed out by the state of the bathroom that you ended up in). You got the gate up from the inside and found the keys to the padlocks on the dead owner (sitting in his office chair with a bullet in his head beside a very typical scrawl on the wall about hopelessness that you tried to ignore). And soon, Daryl unlocked the chains and then the two of you were in. 

Turns out that the security had been a deterrent for other people, and the place was relatively untouched. The two of you made off like bandits. Medicine, bandages, canned food, bottled water, juice, and of course - plenty of baby formula. Daryl even found a spare car battery that would work for one of the vehicles, and a half full can of gas. 

You were celebrating your haul with a handful of jellybeans each, smiling to each other, when Daryl noticed something. The molding corpse of the owner, now nothing but dried out skin husking against the bones with tattered old clothes rotting on top - had a very nice leather knife holster on his belt. 

Some things really do withstand the test of time. 

He necked down the rest of his candy, and as he chewed, he stepped into the office and you cringed as he reached for the dead man. 

“What are you doing?” You asked. 

“Thas a nice knife.” He mumbled in return, causing an awful crunching sound as he peeled the holster off the corpse. 

You had to admire him - where everyone else saw decay, he saw possibilities. 

He took the knife out of the holster and admired it for a moment, and sure enough - it was a damn nice bowie knife. It would need to be sharpened, but things like this last a lifetime. It would be perfect for you. He took out his bandana and wiped it off a bit, getting off any of the decay or dead skin that the previous owner had gotten on it, and then, he turned to you. 

“Here.” He said, holding it out to you. “You need one.” 

You did have a knife on you - a small pocket knife that Maggie had lent you for the trip out. Though you knew it was a nice gesture in Daryl’s mind, you were slightly hesitant to take something that had come off a corpse. 

“No, I don’t-” You huffed, trying to deny it. 

Next, Daryl did something that entirely shocked you, causing any protests to easily die off in your throat. 

He stepped forward, crowding into your personal space with his tall, looming presence - hot, sweaty skin lurking on every inch of him, warm breath that lingered partially with cigarettes and the sugar he had just consumed becoming absolutely apparent under your nose. And then, he lifted up the edge of your shirt, causing sharp tingles all through your body when his knuckles brushed across the bare skin of your hip as he forcefully slatted the holster onto the edge of your pants. 

His eyes were sharply locked on your hip, refusing to look at you, busying himself with securing it and then straightening the fabric of your shirt behind it so that you would have easy access to it in case you needed it. But your gaze was hard locked on the side of his face, only inches from yours. And you knew that he could feel how thick the air had gotten between the two of you. That he hadn’t missed the tiny gasp you had let out the second his skin had brushed against yours. 

“Daryl-” You said his name quietly, a whispered prayer, and before you could wander any further into dangerous territory, he easily cut you off. 

“There.” He grunted out, stepping back, breaking off the tedious moment. “Now you got one.” 

Before things could swim any further into that murky territory, he moved back to the bags the two of you had packed full of supplies, forcefully busying himself with taking them out to secure onto his bike. 

That moment left you thinking about his hands for hours after, days after - and you still thought about that moment occasionally when you used the knife. 

Strangely enough, you didn’t work up the courage to kiss him for the first time until much later, still lingering with the belief that he might reject you, even after that heated moment. 

…

It wasn’t long before news got around to the rest of the group that you and Sophia were in Alexandria, alive and well. You were greeted with many tight hugs, excited chattering, and you were introduced to the new people who had helped the group along the way and seemed to have cemented themselves into the family now. 

Quickly the idea came about that everyone should gather for a big family dinner - much like the one that was held to celebrate Sophia coming out of the woods alive and well. 

Even though it was something that had peeved you earlier, ultimately you were glad that Olivia hadn’t put the deer meat in the freezer, because it meant that you were able to treat everyone to something fresh. On top of that, when you had first arrived in Alexandria, Aiden had gifted you a few bottles of wine with some cheeky line about ‘sharing’ them with you whenever you wanted, and they had been gathering dust in a cabinet somewhere - so you could think of no better occasion to open them. Soon, you were all sitting in the living room of the house that Rick and company had been sleeping in - sleeping bags and blankets cleaned up in favor of a jumble of mismatched tables and chairs thrown together to make a long dining table that would fit the entire group. 

Surrounding the table was the whole group - Rick, Michonne, and Carl who was holding sweet little Judith on his knee (someone you had been so excited to see again). Beth and her new friend Noah (who were not-so-subtly holding hands underneath the table). Maggie and Glenn (who had hugged you so tight upon seeing you and refused to let go for nearly a full minute), their new friends Abraham, Rosita, Tara, and Eugene. Sasha, Bob (who looked happier than ever somehow) and Tyreese. 

And to round out the table, Carol sitting close by to Sophia with an arm wrapped lovingly around her daughter. Daryl was sitting next to you with a hand so shamelessly on your thigh - something that he never would have done before that you absolutely loved. As you looked around, all you saw was family - even in the people you didn’t fully know yet. You knew from Glenn and Beth’s words that the new people were nothing but good - and that was more than good enough for you. 

Radiating through you was nothing but pure joy. You truly didn’t know how things could get any better than this. 

“Well, I would like to propose a toast to our host,” Abraham said, rising up out of his seat and raising the plastic cup that he had filled with wine toward you. 

“Technically, Rick is our host,” You reminded him, nodding toward the man who looked so odd when he was clean shaven. It felt so strange to see his naked face. 

“Hey, this has only been my house for a day.” Rick replied with a shrug. “You can take full credit for giving us the best damn welcome wagon ever. This is a pretty fine spread you managed to put together on such short notice.” 

“Well, in my book, anybody who brings such good grub and such prime booze is the host,” Abraham argued lightly, giving a grin. “Plus, you were crawling around in the woods and shot down this buck so we could eat it. That deserves a thanks.” 

“Well, you’re welcome.” You shrugged in return. 

Everyone else raised their glasses in a slightly disorganized chorus of ‘thanks’, and Abraham accepted this and sat back down. You felt almost too humble and too embarrassed to accept it. You didn’t think that providing food for your family was all too big of a deal. 

“Dude, I’m just happy to be eating something that’s not from a can.” Tara added on with a grin. 

“I’m just happy that we’re all together again,” Bob replied with a smile. 

“Cheesy.” Sasha scolded him lovingly, rolling her eyes. 

“Well, I’m not the only one deserving of thanks.” You shrugged, feeling a need to deflect some of that embarrassment. “Daryl taught me how to hunt.” You explained, giving him a pat on the thigh to affirm the credit in his direction. “I wouldn’t even know how to hold a knife properly if it wasn’t for him.” 

Carol smirked. “That’s always your story, isn’t it?” She mocked you gently. “‘Daryl showed me the map.’ ‘Daryl taught me how to build a fire without matches.’ ‘Daryl taught me how to hotwire a car.’” She said, performing a mocking imitation of your voice. 

Sophia let out a gentle laugh at this, having heard this plenty of times from you while on the road together. 

This time, you could see Daryl shrinking back into his seat slightly with embarrassment, his eyes purposefully fixated on his empty plate instead of looking at anybody else around the table. 

“Well, it’s true.” You replied. 

… 

You thought back to a time shortly after you and Sophia had escaped the prison alive. You had tried looking for the others, and found nothing but the stalled prison bus, surrounded by corpses. The two of you were tired, broken down, starving - luckily, you and Daryl kept some hunting supplies outside the fence for when the two of you went hunting, including the spare crossbow that he had fixed up to teach you with. 

So you had managed to snag a few squirrels and gut them just as night fell, and you started a fire with the flint and steel with minimal difficulty as he had taught you. 

“Daryl taught you all this stuff, huh?” Sophia wondered aloud as she watched you put the flayed squirrels, now skewered onto sticks, over the fire to be cooked. 

“Yeah.” You confirmed gently. “I’m certainly glad he did.” 

You didn’t let yourself wonder where Daryl was, if he was okay. You couldn’t imagine that someone like him would be easily taken down by Walkers, not with how you had seen him handle himself. Anybody could be blown apart by a thousand pound tank or smashed by falling concrete, even if they were as skilled and vigilant as him. 

But you refused to let yourself think about it. You refused to worry about going back to pick over ashes just to have some confirmation - because there wouldn’t be any. You had to believe he was alive, or not even think about him at all. 

You had to take care of Sophia. 

A rattle in the leaves behind you caught your attention, and you grabbed your crossbow without any hesitation. You whipped around and pointed it toward the source of the sound, and soon found yourself staring down a random man. He didn’t hesitate to walk closer to your makeshift campsite, clearly unafraid of you even with your weapon raised. 

He was obviously someone who had been outside a long time - his clothes dirty and tattered, his teeth rotting as he gave you a filthy smile. 

“What do we have here? Hmm?” He greeted you in an oddly calm way - perhaps his attempt at mocking kindness. 

A general sense of unease caused all of your hair to stand on end. 

“Sophia,” You called her name gently, getting her attention, and in a moment, she was at your back, standing behind you while you stayed guarded. 

“Y/N-” She said your name quietly, grasping at the back of your shirt. 

“It’s okay.” You assured her, keeping the man locked in your sights as he came to fully stand in the light of the fire that you had made. 

“Oh, it is okay.” The man chuckled. “I assure you that I don’t mean any harm.” 

He gave another filthy smile - not just dirty by the color of his teeth, but something deeply unsettling that made your stomach twist with disgust. 

“I’m only looking for a kind person to share the night with. Perhaps I can share the warmth of your fire, and we can make friends.” 

He peered around you then, and eyed Sophia heavily with a look that made you all too certain your next move. 

You pulled the trigger on your bow and shot him, the arrow landing perfectly in the hollow of his neck - he sputtered on his own blood for a moment, and then fell to the ground. You felt regretful that Sophia had to witness it, but you knew that sadly, during her time at the prison, she had seen similar or even worse things. 

Once you were sure that he was dead, you walked over to his corpse and pulled out the arrow, and stabbed him in the temple with it to make sure that he stayed down. And then, almost hearing Daryl’s voice in your ear telling you what to do next, you began looking over his corpse for anything useful. His backpack held a few cans of food, and the knife on his belt wasn’t too bad. You gave it to Sophia and reminded her to tuck her shirt behind it as her mother had instructed. 

After you dragged the body far enough away so that it wouldn’t be an eyesore, the two of you enjoyed some canned spinach alongside the squirrels for dinner. 

…

“He knows a lot of very practical stuff and I’m lucky that he’s taught me so much.” You added on, not even realizing how much praise dripped through your voice as you spoke about Daryl. “It’s a huge reason that me and Sophia survived out there for so long. I was able to get us food and fix vehicles for us to get along because of what Daryl taught me. Back at the beginning of all this, I would have been so helpless and… probably dead if I had gotten stranded out there by myself.” 

You felt Daryl’s eyes on you, thoughtfully fixed on the side of your face, and he gently squeezed your thigh. It warmed him to the core to know that he had given you a gift - that he had kept you and Sophia alive with the proxy of his knowledge and skills, even if he couldn’t be there to protect you and provide for you himself. In a way, he had kept you fed and safe all that time. 

It was so sweet that you felt a devilish temptation curling up in you. 

“And you know, him being cute is just a bonus.” You added on with a grin - knowing that it would tickle him with embarrassment that you had loudly, affectionately announced this in front of the group. 

And it worked. 

“Aw, shove it.” Daryl scoffed, reaching up to shove your shoulder. 

But you didn’t get very far away, didn’t get to fall off your chair completely before he took the hand off your thigh and wrapped that arm around your neck, pulling you close and smothering your cheek in a few beard-scratchy kisses, making you cringe and smile all at the same time. 

This was a brand new, openly affectionate side of Daryl that you had never seen before. He had missed you for so long and he certainly wasn’t wasting making up for lost time. 

Fuck, you really loved him. 

“You know, Dixon, I never woulda guessed that you off all people would be saddled up.” Andraham commented. 

“Yeah, you never mentioned Y/N before,” Rosita added on, clearly curious as to why Daryl had never mentioned you. 

Beth gave Daryl a very knowing look as he reached for his glass of wine and finished it off, and Daryl felt lucky when someone else spoke up before he could. 

“We all saw it coming. Him getting ‘saddled up’, that is.” Michonne added on with a smile. “Carl owes me a Baby Ruth, though.” 

“The over-under was two years,” Carl hissed quietly in reply. 

Rick glared at them, and any further discussion about this bet was silenced. 

“You never told us how you got out.” Glenn piped up, suddenly curious about this. “The prison was utter chaos, if I had known that someone else was alive in A-Block, I would have-” 

“It’s not your fault.” You pressed. “It’s actually a really crazy story.” 

“Well please - do tell.” Sasha said. 

… 

Chaos. Noise. 

Being woken from the deepest unconsciousness of your life, still coughing up ugly yellow mucus and nearly having large chunks of the concrete ceiling fall on top of you due to an apparent explosion - definitely not one of your best days. Your vision was a clumpy haze due to the sickness you were still battling and you had to forcefully, bloodily rip out the IV that Hershel had put in you in order to try and navigate through it all. You climbed over the fallen bits of the building, stumbling around with a dizzy, weak body to climb down what was left of the stairs and partially falling down to the ground floor. 

“He - hell - o?!” Your efforts to call out for help were damped by coughing and the general chaos around you - the sounds of more explosions and a hail of gunfire that you could barely form panic over because your head was pounding and you still felt so fucking ill. 

You needed to find Daryl. You needed to find somebody. 

The prison bus. That was the plan if things ever went wrong. 

You moved toward the exit and found that the main hallway was blocked by more debris, but a splintering path that you knew led toward the library wasn’t. Even in your hazy state, you remembered the fact that Carol had a very large trunk in the library filled with emergency supplies. Water, dry rations, and knives that she had been teaching the kids with. Even if you couldn’t get to the bus, you could get those supplies and get out on foot. The others would likely be camping somewhere along the highway when the bus eventually ran out of gas, so you could catch up to them - eventually. 

It was the best plan you could come up with on such short notice, so you stumbled your way toward the library, and as soon as you opened the door - another explosion rocked the building, causing one of the tall, unsecured bookshelves to come tumbling down on top of you. You ended up flat on your back with the large shelf crushing you, leaving you as perfect bait for Walkers that were likely being lured by all that noise outside. 

Though you were already weak from illness, you did try to move your arms - and you found out that only one of them wasn’t completely pinned down by the shelf. It was a completely futile effort to try and lift the thing off yourself. Between the weight on top of your lungs and the way the illness had weakened your system - you soon passed out. 

When you drifted back into consciousness, the noise had greatly lessened. There was the faint growling of Walkers - cordoned off unintentionally in some other area of the prison - but there were no more explosions, and no more gun fire. 

The first thing that caught your eye was something bright red. You focused your eyes to focus, and you quickly realized that it was a picture of a red cardinal. A hand-drawn sketch on the front of a book titled ‘Birds of North America’ that was on one of the other shelves. It was tipped perfectly into the line of your vision, as if meant for you to see. 

Before you could futilely try to lift the shelf off yourself again, you heard a voice. 

“Hello? Is anyone in here?” 

You quickly recognized who it was. 

“So-Sophia?” You called back, barking out another cough that strained your words. Luckily, she heard you. 

You were soon greeted by the sight of her legs rushing toward you. Though you had no clue how such a waifish girl would ever be able to lift the bookcase off you, you were at least relieved that you were no longer alone. 

“What happened?” She asked, kneeling down to speak to you. 

“Stupid thing fell on me.” You wheezed quietly. “I came in here looking for your mom’s stash. I’m guessing you had the same idea?” 

“Yeah.” She confirmed. “Can you get this thing off you?” 

“Yeah. I was just having a leisurely lie down underneath a bookshelf.” 

Sophia rolled her eyes at your sarcasm. 

“Guess I’ll just leave you here then.” She remarked, battling back with her own sarcasm, clearly having no intentions of doing so. 

“Well you might have to… I have no clue how you’re gonna lift this thing off me.” You admitted quietly, hating how defeated you sounded. 

“I think I have an idea.” 

You were curious what she meant, and you couldn’t quite see what she was doing as she stepped out of your eyeline and made some noise, shuffling around to grab something. Then she came back with a long wooden beam - a shelf she had broken off of one of the other fallen bookcases. She stacked up a few of the books, making a hinging point, and then stuck the beam underneath the bookcase and somehow - using all her bodyweight, she was able to push it off you for long enough for you to crawl out from underneath it. 

“Thanks, kid.” You smiled at her as you sucked in greedy breaths. 

“Glenn taught me that.” She smiled back. “He said it’s basic physics.” 

“I’ll remember to thank him when I see him.” You said. 

… 

Sitting at the dinner table, you then turned to Glenn. 

“That reminds me,” You said. “Thanks for that.” 

Glenn chuckled. “Happy to help.” 

“Okay, okay, I’ve just one question,” Rick piped up. “Why did you have a stash of weapons in the library, Carol?” 

Carol took a long sip of wine, pointedly avoiding the question. 

“Oh shit, he never found out about storytime, did he?” Carl chuckled, obviously directing this question toward Carol. 

“Storytime?” Rick echoed, eyeing his son heavily, clearly confused. 

You cut them off, not wanting to get Carol in trouble for her proactive teaching a bit too late. 

“Okay, let’s all just be happy that we’re together and that we’ve had a nice meal.” You said. “I’m not doing dishes. You guys have fun with that. Come on, Daryl, I’ve got somethin’ to show you.” You made your exit, getting up from the table and hoping he would follow - which he did, making way to push out his chair. 

“Is it your bare ass?” Abraham joked, clearly at least a bit drunk. 

“Abraham!” Rosita chastised him with a gentle smack. 

“What? I think it’s cute that Dixon’s all shacked up.” He replied with a chuckle. 

“You’re lucky he doesn’t punch your lights out for that one.” Tara remarked. 

“Nah, you’re safer with Y/N around.” Maggie commented. “He gets all soft when he’s around Y/N. It is cute.” 

“Oh, if you think this is cute just wait til I tell you about what they were like back at the prison.” Michonne added on. “He used to bring Y/N dead squirrels like a cat dropping dead mice at someone’s doorstep. I have no clue how such an odd form of flirting actually worked.” 

“Well, some people like dead squirrels, some people like toothpaste.” Rick replied. 

And that was the last of the conversation you heard before you closed the front door behind you, going off down the street with Daryl in tow to show him your place. 

When you took him up the porch of another manicured house and opened the door, he quietly croaked out: 

“This ‘ur place?” 

“Yeah.” 

You told him, shoving your boots off, not wanting to get dirt on the clean rugs inside. Daryl felt a bit strange taking his shoes off - knowing that his overly worn socks had holes in them, but still, he followed suit. He knew you wouldn’t judge him for something as petty as his socks having holes in them, after all. 

“This is where me and Sophia have been living. But there’s always room for one more. If you’re done snuggling up next to Rick on the living room floor,” You couldn’t let another opportune joke escape you, and Daryl rolled his eyes. 

“Asshole.” He gently scoffed. 

Though the two of you had never slept in the same bed together before. And he couldn’t help but to love the idea of being curled up next to you at night. He found that he also loved the idea of waking up next to you every morning - especially after going for so long without seeing your face. You walked up the stairs and he couldn’t help but to follow you, and he was surprised when you didn’t lead him to bed - but instead, went to the back of a hallway, and pulled down a latch. 

This unleashed some stairs that led to the attic, leading the two of you up even higher. He found himself shamelessly admiring the view of your ass as he followed you up the stairs, and when he emerged into the dark attic (only lit by a few strokes of moonlight coming in through the small window) - he was surprised by what he saw. He had to crouch down on his hands and knees to be comfortable, and he quickly adjusted to sit down on his ass as you had. 

It appeared that you had built a watchtower of sorts up here. 

There was a telescope set up in the small window, and off to one side, there was a cork board with a hand-drawn map of the surrounding area, a few notebooks sitting in the corner that you likely wrote down observances in. Posted on the cork board - there were names of all the residences in town, and you had written down certain traits beside each of them. Along with a hand drawn map of the town itself and names on the houses, indicating where everyone lived. 

“So you’re gettin’ paranoid?” Daryl joked. 

“No.” You scoffed. “Besides, you should know that a healthy level of paranoia is necessary these days.” 

It was in that moment that it truly hit Daryl - you had taught him to be hopeful, even if he hadn’t fully known it at the time. And he had taught you to be less naive, to be firmer in order to survive. The two of you were only alive, only able to have the privilege of being in each other’s presence now because you had accepted those pieces of the other person that kept you alive. 

“Ain’t that right.” He replied. “Why did you wanna show me?” 

You shrugged. “I thought you might like it.” 

Daryl couldn’t hold back his grin - one of the most genuine smiles you had ever seen come from him. He did like it. He liked that he had made a little fighter out of you. But at the same time, nothing had snubbed out the perfect spark that he had fallen in love with. Your smile, your laughter, the brightness in your eyes - somehow, it was all still the same. It made him love you even more somehow. 

“I guess I also wanted to thank you.” You added on. “I meant what I said before. You taught me so much - I would have been clueless without you. I would have starved to death and been blind, and lost and stupid without everything that you taught me.” You declared passionately. “You kept me fed and sheltered and warm, and I don’t know how much I could thank you for that.” 

Daryl began to get choked up, and he hated that for the second time that day, more tears swelled in his eyes. 

He knew that in a different way, you had kept him fed, sheltered, and warm too. You had kept his soul from dying out in those woods - you had kept his spirit fed on the idea of hope that he never would have conceived as something real before he had met you.

He couldn’t bring himself to put it into words. So instead, he found himself reaching out toward you. He put a firm hand under your jaw and guided you toward him; you easily fell limp to the touch and let yourself be guided toward his mouth once again. 

This was much less of a surprise than the earlier kiss. This was much warmer, like sinking into the hot shower had been earlier that day. Only this was much, much better. You let out a gentle moan as you let yourself feel it, simply enjoying the tingling sensation throughout your body, gripping into the lapels of his vest, crawling forward to sit in his lap as your mouth embraced his. 

After a moment, you pulled away. There was only one thing on your mind, one incomplete thread that you had been thinking about since you had lost him at the prison. 

“I love you too.” 

Daryl grunted in reply and pulled your mouth back to his. 

For once in his life, he didn’t feel like a fool for letting himself hope. 

That night, Daryl went to sleep in your bed. 

For the first time in far too long, he got to wake up knowing that you were alive and well - he had the privilege of being greeted by the sound of your even, calm breaths. You slept on his chest long after he awoke, and he let you. He was greedy and starved for your touch, soaking in the feeling of your warmth half on top of him, nosing over the top of your head to enjoy your natural scent mixed lightly with the smell of soap. 

As the sun rose over the walls of Alexandria, Daryl noticed a streak of red flash by and land on the roof of a house beside yours. Through the window, he saw it there perfectly - the red cardinal that you had gifted him with for luck, the symbol that had guided him all the way here, all the way back to you.  

He couldn’t help it, then - he grinned to himself. 

The next day, he found one of those picture frames that Aaron had gifted the group with that they largely had no use for, and he put your picture of the bird, still singed on one edge, inside of it. 

A while later, when the two of you were out on a run and he had a bit of time on his hands as you fell asleep - he edged a stick n poke tattoo into the skin of his forearm, outlining the bird as best he could with his very little artistic talent. When you saw it, you giggled - and he assured you that it was because he liked the look of it, most definitely not for luck. 

He didn’t need ‘luck’ anymore - not when he had you.

...

A/N: This is a stand-alone oneshot, and there will not be a follow up or a 'Part 2'. I have always intended for this to be a stand-alone story, so please do not ask for a follow up or a sequel in the comments. If you are going to comment, please comment about the material that has already been written. If you want to see more TWD fics from me, I have some posted on AO3 (which is linked in my pinned) but I don't currently have any of my other TWD fics posted on Tumblr. Thank you for reading, and I hope you enjoyed this!