#but I also don't want to rely on her too much because we can't actually pay her anything

[throwing-roses-into-the-abyss]

so turns out youtube is FULL of videos by museums on how to curate/design exhibits which means my day is now fully planned

[ozzgin]

Yandere School Q&A

I've gotten some related asks and thought I'd put them in a cleaner format, so I don't spawn another round of screenshots from my inbox.

Ohhh how would yan school react if y/n got hurt somehow?? Also quick question is her parents also platonic yans for them? Thanks!! - Anonymous

It only makes sense that the staff of the school is yandere material, too. The students may rush to help and insist they've got it under control, but the school nurse will be quick to act. It's the chance of a lifetime, having you to himself, and for longer than the usual standard checkup. The curtains are pulled, and the "do not disturb" sign is flipped. Your injuries are not to be taken lightly. You'll need to spend all day under his supervision.

The parents and all relatives are indeed platonic yanderes! I thought it'd be a nice touch since I've never approached the trope before.

YAYAYAYYAYYAYAYAYAYAYAYAA MORE YANDERE SCHOOLLLLLL You’re amazing!!!!! (I had to ask to make sure I used the right your/you’re) also is the darling yandere gonna keep sabotaging y/n? - @femboybasil

The tying up incident was actually an exception to what I originally planned, haha. For most of the competitions, darling yandere will guide (Y/N) and aid them for a flawless win. That's the comedy of it: he's indirectly doing the yandere part while trying to be discreet enough as to not alert the other yanderes. Additionally, (Y/N) helps him with the darling tasks. Though that part is very much expected by everyone from school. The Daring Academy teachers are probably observing the activities, baffled. "Who the hell is that student? What skill...what obliviousness. They should've applied to us."

If you’re comfortable with this concept, (since it’s a school-based series I don’t know if the reader and yanderes are minors are not, if they are then you don’t have to write this.) but obviously the students of the Yandere Academy are going to need to learn how to tie up their darlings once they’ve been captured. Would you mind writing a little blurb about it since Reader is the unofficially assigned darling stand-in for their classes? - Anonymous

This is the ask I used for the tying up idea in Part 3! To answer your worries, all of my stories involve 18+ characters! Just wanted to clear it up for anyone in doubt. The school/academy setup is more of a college/university kind of institution. I do love a good high school setup, but not for self insert romance.

I’d imagine that there’s a drama class at the yandere school to help the students learn how to act and seem innocent. What if they put on a musical or something like Phantom of the Opera (because of course it would be that) and reader got the role of Christine or the equivalent. Imagine all the yanderes fighting for the role of their love interests to get the excuse to kiss them, and other yanderes trying to sabotage them as tactfully as possible to keep the show going, but replace the leads to be alongside reader. Think that may be something cool to add/write about? No pressure of course! - Anonymous

You know the whole thing is going to turn into a ninja survival shitshow. They had hoped to never cast (Y/N) in any role, for everyone's safety. And for the most part, (Y/N) thankfully never showed any interest in the drama club.

The supervising teacher held (Y/N)'s application form with trembling hands. It seems their little club had finally run out of luck.

Worst part: the school can't even rely on the teachers. They're just as desperate to see their cute little (Y/N) perform on stage. "Maybe this job is too overwhelming for one person, sensei..." they'll smugly tell the original supervisor. "We could divide some tasks. Someone else could train (Y/N), for example..."

ok here me out, what if there is like a field trip or sports festival kind of thing where the Yandere and Darling academy meet up. Basically where a Yandere and a darling are made to pair up to go through the numerous activities (maybe ones that test their yandere/darling skills) so reader decides to pair up with clumsy Yandere ( who is in Darling academy) much to the displeasure of Yandere classmate. Maybe like a battle of the the Yanderes? - Anonymous

This was a little trippy to read, because it came right after part 3, haha. Which I feel is basically the same plot. Though it would be interesting to see how it'd play out if the stranger was Reader's best friend instead.

Reader excitedly approaches Clumsy!Yandere and asks him to work together, to the dismay of all other students. They're enraged. You can see it plainly: their hands tremble, their jaws are clenched, their eyes have a psychotic glint. Poor Clumsy!Yandere is in constant shivers, unaware of the death stares. You're cheerfully guiding him around, his hand in yours, happy to see your friend again.

[demodraws0606]

Jax's fear of being trapped and what that might imply about his past/future

Hello 2 days ago i've developped a chronic case of Brainrotting about Jax, tragic I know.

I'm kinda basing this slightly of what Gooseworx have said in QnAs though I will not rely on it because I think purely relying on a creator's words and not the media isn't really satisfying.

The main thing that stood out to me in this episode with Jax was that he seems to fear punishement.

He seems really freaked out when Gangle proposed the idea of Cain punishing him...

And then he immediatly goes to Zooble to be like "lol you don't believe Cain actually could punish us right ?" and while he's proven right at the end of the episode, the fact that he immediatly tries to seek reassurance that he wouldn't get punished says a lot. In fact in his expressions he looks both sides while saying it almost like he seems...unsure/anxious (idk the right word).

Also when he's brought into the employee training scene. He's weirdly...afraid and shaken by it ?? (not showing the screenshot cos everyone remembers that scene).

Which like, I understand that was terrifying but it was a strangely strong reaction to something that...light ? I mean he wasn't brainwashed or anything. I might be stretching it but all of it, including the scene's purpose makes me wonder if it brought Jax bad memories of...something.

After that scene happens, he completely acts normal and stops trying to be a dick completely.

Now this isn't a convo about weither that's Jax's true self and his jerk self is a persona. People are trying way too hard to either try to make him a one dimensional asshole or secretly a good guy which like he's neither he's a bastard with layers. But that's not what this is about so ANYWAYS.

All of this made me wonder what was Jax's main Thing, more so his theme or the thing that makes him tick.

We know with Gangle it's her issue with masking (her dreams, how she feels, etc...), Ragatha being a people pleaser, Zooble's body dysmorphia, King's memories and how they link with the loss of his wife and Pomni's desire for companionship.

For Jax we actually don't really know other than...he's a dick and he's using it to cope which like....duh ?

But with this episode and also a little thing that I got from researching QnAs (because i'm normal and chill like that) made me realise what could Jax's Thing.

A Fear of Consequences and being Trapped

Now the main thing that drove this thought was me finding out Gooseworx assigning a song to Jax which is this one.

Don't fence me in, huh....

That line meaning a desire to not be restricted and not losing their freedom.

This makes me think this is probably what Jax's character is at least partially about, or more so...his biggest fear. Being restricted, reprimended or trapped.

I think in part that fear could be related to his past, which I'm gonna throw my cards here, my own personal theory is that he was stuck in juvenile detention for misbehaving as a kid. That experience traumatising him enough that he was probably similar to the Jax we've seen at the end of episode 4, just Tired.

Now does it Necessarely have to be a juvenile detention center, honestly no ? But it's the thing that makes the most sense in my head.

Either way this also explains a lot of things about his behavior in the circus.

He's now secluded in a space with absolutely 0 Consequences, the one person who can dish it out is an AI who is probably programmed to never harm humans (directly at least). He's even proven right at the end of episode 4.

I think what led to Jax's shit behavior was this realisation that this is pretty much now his Safe Heaven. In real life he can't just be who he wants to be, there's potential consequences that he's afraid of.

Now I know I'm gonna hear like "oh so you just think Jax is an asshole by nature", I don't think he is (i don't think he's ever been a nice person his life but like there's a difference here), I genuinely think he's not more so being himself rather that it's just that he's overcompensating for the lack of freedom that he's felt his entire life.

In a way it's similar to how people act on the internet.

Imagine that you were a misbehaving kid and you were reprimended HARSHLY for it, to the point where you're not really fixed per say but you're stuck being terrified of even being slightly flawed.

But now here he is, in a place where death doesn't matter, the harm he does doesn't matter and the one person who can actually hurt him just gives him weird shenanigans that give him opportunities to lash out.

However, there's a tiny little problem...

This fantasy cannot last forever forever and I'm not talking about them getting out because as far as they know it's out of the cards for them.

It's very much clear that the circus with the arrival of Pomni is becoming more tight knit and less divided, creating a more solid friendship group with the help of Pomni being an actual normal nice human person (Zooble is nice too but they're more jaded and too depressed to deal with most of everything, and Ragatha is a whole baggage).

It's becoming increasingly clear in the episodes themselves as well that, Jax can't just be an asshole anymore. Every episode since episode 1 has led to him being reprimended or him not being given what he wants. The group is becoming closer and they're sick of his bullshit.

He also probably doesn't like being alone and hated. We see him seeming sad at the talk of Kofmo's funeral before having to go back to being angry and dismissive in his facial expression.

Maybe he really did want to go to Kofmo's funeral but like would anyone actually believe he would be genuine, after being an asshole for so long would it really be worth for Jax to just break it all right there.

But it's clear he's also not really enjoying being alone.

Jax in a way is basically burrying a hole for himself. Being an asshole was his perfect dream after probably living a life of boredom and repression but now that this consequenceless existence has finally revealed itself to just be a mirage, he's now unable to access the things he really needs.

Actual friendship.

It's clear that the Digital Circus has a point of companionship being extremely important, in fact when we get mentions of Kofmo's abstracting we get also mentions about how no one really founds his jokes funny. Kinger mentioning how making someone feel alone and unwanted is the worst thing you could do to someone. Gangle is saved by Pomni and Zooble's presence.

However there's no one at fault for Jax's isolation, he only has himself to blame.

Ive got more but i'm tired so hope you guys enjoyed it.

[imthepunchlord]

I think that the main problem with Marinette is that she always gets blamed for minor things, but her bigger mistakes are ignored.

She also gets blamed for things that aren't her fault. Like Reverser I blame Nathaniel and his extreme expectations, and Refleckdoll, it was Alya who was making things worse for Juleka while Marinette was trying to help. Gamer's another as she did play fair and square, and won fair and square.

But yeah, ML has an issue with priorities. With the mindset that ONLY Marinette can be at fault, which has her at fault for things that actually aren't her fault or are minor things when there are bigger faults with others; and that, for Marinette's actual faults and issues, they don't focus on the actual problems.

For one thing, Marinette is a perfectionist, in her work and responsibilities, and in how she helps people. This leads to her being meddling and controlling. With good intentions but she can take it far. She even has this idea that only she can be the solution, though more in an Atlas complex way than being egotistical.

Which I'll give the show this, by how it's set up, Adrien and Marinette kinda feed this bad aspect of their dynamic into each other. Adrien goofs around as a hero or doesn't take situations seriously with his flirting at bad times, so Marinette feels like she has to step up more as leader and responsible one, and Adrien doesn't get a chance to take things more seriously or be the leader as Marinette doesn't expect him to, which leads to his frustration of not being as valued as a partner like he wants and he acts out, and Marinette sees she can't rely on him as much and it just cycles.

I know the show sorta tries to address this with the insistence that Marinette can trust Alya and doesn't need to shoulder everything, which is great, if they didn't take it back right away validating Marinette in being right in not trusting Alya.

Which man, that's one of Marinette's actual big issues, and you address it, and then take two steps back and reverse and vindicate the flawful mindset.

Another big issue is her over involving herself in this she doesn't or shouldn't get involved with, meddling included. She could do to ease back, let others solve their own problems. Like, Darkblade comes to mind (though there may be a better example). I do think it was a good episode, but you got Marinette admitting she's already busy, and doesn't want to be class rep, but steps up as no one else is. This is just an added responsibility she doesn't need but does so because she's involving herself in others problems.

This also leads into the other issue: Marinette's tendency to overpile onto her plate. They even focused on this in Gamer 2.0 but instead of doing a lesson of learning to ease up, take a break, and have fun (which Adrien could've been great for, heck, could've had them bond over a busy lifestyle); but nope, she passes Max off to her parents and continue being busy.

And of course, there's the big issue of her crush.

Like, they're 13-14 yos dealing with first crushes, they're going to be cringe and crazy as they don't know how to handle this, but they just take it way too far. And the extremes it's taken isn't even funny but concerning.

Marinette having his schedule.

The hoard of pictures.

Jealousy that spirals to extremes.

And having rose colored view of Adrien, to thinking he can never do wrong and feeling like she needs to protect and assist him, even at the risk of herself (Collector).

Part of the worst part about this is that this exists for the writers' amusement, taking it to unlikable extremes and not portrayed as really bad flaws that need to be addressed or have lessons about; which leads me to question what's the exaggeration and what can be more accurate/reasonable for the cringey, dramatic crush. Some of which could've been fine issues to fault her for and for her to get called out and learn from, but we don't get that, all we get is unpleasantness.

Oh! You could also cover Marinette's lack of prioritizing herself, and may not knowing how to take a break and have fun. Cause I don't know if this girl knows how to relax. And she definitely doesn't behave like a kid, but much older. Could even delve into the friendship problems she has not really connecting with her friends as well because she doesn't know how to be a kid, how to mess around and goof off.

Marinette has a good number of issues and flaws that can be addressed and worked with, but they pick the wrong ones to focus on.

[thebestsetter]

Thinking about Inumaki Toge being insecure about his speech (or the lack of thereof).

I feel like if he could trade a year of his life for sixty seconds without his cursed speech, he would. Without second thought. And specially because of you.

He's had a crush on you for a while (ever since your first encounter), but he'd never admit it. Not because he's scared of rejection, but because he's scared you'll reciprocate his feelings. Because he thinks you deserve better. Actually, scratch that: he knows you deserve better. You deserve someone so much better than him.

"And then you won't believe what he said! He said: 'I can't date you, cause I'm actually your brother!'"

"No way! That's the plot of the movie? How shitty!"

You deserve someone like Yuta. Someone who can make you laugh with their own words, someone who you don't need to strugle to understand what they're saying. Right now, you and Okkotsu are talking about some bad movie he watched. And you're laughing so hard and your laugh is so pretty it makes him wanna laugh too. He wants to engage on the conversation. He wants to say: "That's one of the worst plots I've ever seen! I can take you to the movies to see a real good movie if you'd like to"

But he can't. He can't, but Yuta can. He should let you go so you can be with someone who deserves you. He has no right to be this selfish, making you a slave of a love without any words of affection.

It feels like everytime he looks at you, there's a nagging voice in the back of his head, painfully reminding him that he can't be with you, and there's nothing he can do about it. It's an impossible love.

Hell, even Panda is making him feel envious and jealous. Even though he's literally a panda, at least he can talk to you. Sing your favorites songs with you. And he can't. At least not without cursing someone (and, God forbid, maybe even you. You're the last person he wants to harm)

He wanted you to confide in him just like how you confide in Maki. You always tell her everything. He wishes he, too, could be a source of relief. A shoulder you can rely on. But he can't. He can't, cause the best he could say in that situation is "Salmon", "Caviar" and other stupid onigiri ingredients that have nothing to do with the actual topic of the conversation. Honestly, he would be tired of himself if he was his friend. You don't have the obligation to understand his dialogue. Nobody does.

So, he comes to the conclusion that he should just avoid you. He should give up on loving you, because he doesn't want you to suffer.

"Toge, please! We haven't talked in days! Why did you suddenly stop talking to me?"

He stays silent. That's the only thing he can do, after all. He can't speak. He can't. But he wishes he could. He wishes he could tell you everything that's going through his head, tell you about how he feels like dying when he sees you playing a game with Itadori and Nobara because he knows he'll never be capable of doing that with you normally. If he speaks now, everything that'll come out of his mouth are foods. Speaking now would only remind him about the drift that exists between you both (and there's two options to avoid anyone's fall: you either close the gap or you widen it. He chose the latter)

"..."

"Inumaki, talk to me" (how sad. You want him to do exactly the only thing he can't do. That just makes him remember that he'll never be enough for you. Never)

Also, wow. You're using his last name. He got in a really bad situation, huh? How will he get out of this? How will he stop your (and also his) suffering?

There's only one way. And even though he swore that he'd never use his spell against you, he finds himself lowering his scarf with trembling hands.

"Leave. And don't look back."

~A/N: This is the fic I wrote that I mentioned on my last post!! I know a lot of people have writen abt this b4, so this is inspired by other stories I've read (if you've written something like this and want me to credit you, feel free to send me an ask!!). IT JUST FITS INUMAKI CHARACTER SO MUCHHH!! Like, I can totally imagine him being insecure about not being able to speak. I just thought I should give it a try cause I CAN'T FIND INUMAKI STUFF, so I took matters into my own hands. I don't realy like this, but I thought it would be a waste to not post it anyway

Masterlist

[agatharkn3ss]

Spoilers!

Theory on Agatha/Rio past

.

.

We know Rio joins the coven next week, climbing out of (what looks like) Sharon's grave and will be part of the next trial.

We also get a sneak peak on how the trial starts - but in the extended version, after the coven disperses to find the clue, we see Rio standing behind Agatha and saying "boo". Agatha seems stirred but eventually she replies a very decisive "No".

https://www.instagram.com/reel/DAEWgBZIVeT/?igsh=MW5wcHJtbjJ1N3I3NA==

Now - I, for one, would love this brief moment to be about the sexual tension and how they can't keep away from each other. However, I think Rio's unspoken suggestion is actually about killing the rest of the coven. Especially that in another promo we hear Agatha telling Rio that "she needs these witches to get her what she wants".

So I think their past might be something like they were always just the two of them together against the world, and that they used to find witches for Agatha to syphon power from, and Rio would help her. This would sit well with Rio's chaotic energy and the theory that she's Lady Death.

I also think that despite all her bravado, Agatha actually longs to be a part of a coven. After her own mother's coven turner against her, she would've tried to form her own sisterhood. We see in a promo that she's sucking energy from a group of women around her, so probably another coven turning against her for whatever transgression this time.

It's probably caused by something Agatha did (although in my eyes she can do no wrong!), but I wonder if at some point Rio doesn't start meddling here.

Maybe Rio meets Agatha and becomes fascinated by this loud and unapologetic witch, so she wants her all for herself. She starts meddling so that Agatha is more and more isolated and betrayed by other witches and begins to think that maybe a coven is not something she wants any more and that she can only rely on herself and Rio. Eventually she gives in and the two of them enjoy their lives together, causing chaos and tricking other witches for a few centuries - something akin to Louis and Lestat in the Interview with the Vampire (maybe they even split up because of a child, like the vampires?)

We don't know how long it's been since they've been apart, but we know it's since Agatha acquired the Darkhold, so probably a fair chunk. But now Rio found her again and she misses Agatha and wants back the chaos life they led. She was never intent on killing Agatha, I don't think, but she wanted to see her hurt. But when she finds out Agatha doesn't have her powers, she realises it will be tricky to go back to where they were until Agatha has magic again. She starts scheming again, maybe she even hopes that Agatha will be able to syphon the Salem Seven? Or that Rio can play the hero, save Agatha and show her how much Agatha needs her?

But instead of fighting or running, Agatha assembles a coven. And she actually seems to enjoy it - I mean, look at them singing the ballad. Even though Agatha is impatient to open the gate or get some magic blasts flowing, she does take a pause at the end of the song, clearly enjoying it.

In episode 3 she has her soft moments too. She clearly doesn't feel like part of the sisterhood yet, because she's wary of her past experiences - she tries to protect herself by offsetting any moments of kindness with some jerk behaviour (I think that's the only reason she kicked everyone after sliding out or the first trial) and show them she doesn't need them. But you can tell she fits into her role as a leader so well and maybe even is surprised by it. And just look how she enjoys herself in episode 4 band!

I think Rio is opportunistic, so after Sharon's send off, she sees her way in, but what are her intentions for joining?

She might just enjoy the chaos and hope for fun "like the old times", maybe expecting Agatha to intend to kill the witches like before. Or she might want to keep meddling so that Agatha doesn't abandon her for a coven. Or there is something else and she actually wants something from the Road? Or all of the above?

[lastoneout]

It's also like super fucking infuriating to see people continue to argue that generative AI is the best way for disabled and/or poor people to make art because like, you know what helps make art more accessible? Giving poor and disabled people money.

Like take me for instance, I'm disabled. I get severe migraines and intense leg/back pain if I sit at my computer for too long, my hEDS makes holding pens and pencils hard, my ADHD makes it hard for me to start certain tasks and/or stop them before I potentially hurt myself, my neck also hurts if I look down too much, my dyslexia AND my ADHD both make it difficult to keep track of a story as I write and use correct spelling and grammar, plus, I need to prioritize taking care of myself and going to appointments and keeping my house clean and that takes up a lot of my free time. All of these things make creating the kind of art I want to create difficult if not occasionally impossible.

So what do you think would solve my problems better? Giving me money so that I can have a drawing tablet and desk chair that won't hurt my neck or back, another tablet + pen and a lap table and comfortable body pillows for drawing in bed, easier transportation to my doctors appointments, effective treatment for my chronic pain and migraines, the ability hire someone to help me keep my house clean, a spelling/grammar checker that isn't complete ass, and a therapist and psychatrist who can help me manage my ADHD better?

Or an AI program that takes my input and spits out a drawing or story made of stolen content glued together that, in the case of the art, I cannot meaningfully edit without starting over, which also destroys the environment in the process?

Seems pretty obvious to me. I don't need AI, I need help to manage the things that are actually stopping me from being able to write and draw.

Or take my mom. She's had severe rhumatoid arthritis since she was a small child, her hands are deformed and she relies on her wheelchair to get around. She doesn't need AI to help her paint, she needs special paint brushes she can actually hold, a table her wheelchair will fit at, and someone to help her with personal hygiene/keep her house clean/take her to doctors appointments so she actually has free time to paint.

Does that poor kid growing up in public housing with parents who are too poor to afford art classes or supplies or to send them to college really need a computer program to draw for them, or do they need support to help them take those classes, buy drawing supplies, and money so they can go to college.

Blind people can paint, deaf musicians exist, people with missing limbs find all sorts of ways to make art, people with parkinson's paint with typewriters, my mother can't hold a normal paintbrush and she makes some of the most beautiful watercolor paintings I've ever seen, Van Gogh had bipolar disorder and only sold like one painting when he was alive, I mean for real how many different artists have you heard of who's biographies start with them being born into poverty?

This is not meant to be inspiration porn, these people are just ones who were able to find ways to make art despite their struggles. They shouldn't have had to struggle at all, but god imagine how many more artisrs and writers we could have had if none of them had to overcome those struggles. It breaks my heart to think of all the wonderful art that never got to exist because no one helped the people who could have made it actually have the time, money, support, and safety they needed to make it. AI would not have saved them because making art isn't the problem, being disadvantaged is the problem. Living in a world that refuses to make room for you is the problem. Being fucking poor is the problem. Humans have always found ways to make art despite huge barriers, the solution isn't a computer that makes art for them, it's SUPPORT AND MONEY SO THEY CAN OVERCOME THOSE BARRIERS AND MAKE THEIR OWN ART.

As a last example: I love watching dancing and I would love to be able to dance, but I'm terrible at it(I got kicked off a dance team for not being able to learn the dance at all despite spending weeks on it, idk my brain wasn't made for dancing) and my disabled body makes it more pain than pleasure if not actively dangerous, anyway. Having a robot dressed to look like me dance next to me while I get to watch would not make me feel like I'm getting to dance. It would actually be extremely fucking demoralizing and frustrating. I would hate that!!

Having an AI spit out a painting or book would not make me feel like I got to paint or write a book. It's a fucking anamatronic doll running on stolen ideas and it will never be the same as getting to actually expirience the joy of creating art first hand. AI is not the solution. Helping people who need it is the solution. And I am CONSTANTLY pissed to think about all the time and money that goes into these fucking AI programs that would be better spent helping disabled and poor people get the help they need so they can make art themselves, all while the people running the nightmare plagiarism pollution machines pretend that their horrible inventions exist to help people like me.

[ellapurnellmybeloved]

fluff alphabet |clarisse la rue

author's note: Hi lovelies, please send me requests! I don't know what gave me the confidence to think I can write, probably delusion. Also, this is according to my personal views of Clarisse so don't be mad if it's different from what you've imagined. Leave a comment, I love interacting with people, xx.

warnings: I tried my best to keep it gender/race/cabin neutral for the most part but there are still some feminine coded things here and there. English is not my first language so excuse any grammar mistakes.

A ctivities - What do they like to do with their s/o? How do they spend their free time with them?

Starting off strong because with Clarisse sparring is a must. Although she doesn't like to think there will ever come a time in which she won't be there to protect you, it's still an essential part of life as a half-blood. And who better to train you than the daughter of war herself? And in case the apprentice becomes the master and you happen to beat her or pin her to the ground or even hold your dagger to her neck? Oh boy, she's done for. Actual heart eyes.

B eauty - What do they admire about their s/o? What do they think is beautiful about them?

She pretty much loves everything about you, she can't really just choose one aspect. Though, if she had to, she'd probably say she loves you for being supportive, understanding, and patient with her. You understand her better than anyone. That's what made her know you were the one for her. You can control her anger issues and calm her down when she's on the verge of exploding and she thinks that's beautiful.

C omfort - How would they help their s/o when they feel down/have a panic attack etc?

The art of intimacy or comfort never came easy to Clarisse. Her relationship with her mother isn't the best and hasn't been for a while now and her father is a grade A asshole. Her first instinct when you're feeling down is to fix it, to ask you who or what happened and give them a physical piece of her mind, but that's not always how it works. She'll pull you to her lap and hold you through the night or for as long as you need, wiping your tears and kissing your cheeks. She'll let you vent your heart out. You can tell her anything. Or nothing, if you prefer. She's not the best with words but her actions speak much louder.

D reams - How do they picture their future with their s/o?

She's never thought that much ahead if she's being honest. Never allowed herself to daydream too much into the future, choosing to live off the present for now. Sometimes, however, she pictures what could be only described as an utopia; to go on such a fantastical quest that the gods can't help but grant the both of you immortality, that way you'd bask in the glory of your love forever and ever.

E qual - Are they the dominant one in the relationship, or rather passive?

On the outside looking in it would seem Clarisse is the dominant one for sure. And in some ways she is; she likes that you can rely on her, she wants to provide for you, yearns to prove herself capable of such. Still, you're the one in charge. Clarisse is completely devoted to you, and your relationship means more to her than anything she's ever felt before. She cherishes it like no other, always at your beck and call.

F ight - Would they be easy to forgive their s/o? How are they fighting?

Clarisse is intense, that much we know. Her anger runs deep and her passion burns red. She's not perfect, and doesn't try to hide it either. She's hot-tempered, arrogant, she's got a short fuse and she holds grudges. Her fatal flaw is pride, which sometimes gets in the way of her good senses, so you'll most likely be the one apologizing first. Despite all that, she can't bear the thought of you being mad at her and absolutely hates fighting with you. It's like it's tearing her apart, especially if you're sad over something she said or did in the heat of the moment. Truth is, she is a fighter at heart so when all is said and done she'll try and make it up to you in some way, somehow.

G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

She is so appreciative of everything you do and are. As previously stated, Clarisse didn't get much love growing up so any semblance of that is something she clings hard to. She notices everything, every little thing you do for her and the underlying of your words. How you treat her and others is always stored in the back of her mind and she loves to be loved by you.

H onesty - Do they have secrets they hide from their s/o? Or do they share everything?

Clarisse is a very closed off person in general, she doesn't like feeling exposed and being possibly seen as weak. She'll tell you things but there's still some matters you have to pick up on your own and know how to approach them, especially regarding her feelings and personal struggles. She's very honest though, she feels like she owns you that much and appreciates you if you do the same for her. The more your relationship progresses you'll notice being able to read her like an open book because although she does her very best to hide it there's an underlying vulnerability to her behavior in certain moments you'll take proper notice of the more you know her.

I nspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?

Clarisse has definitely become more gentle since you. It still doesn't extend to your friends and family but more so how she behaves around you and knowing she doesn't have to put up that though front all the time. Her sense of self worth has improved as well, especially when you reassure her through her insecurities and doubts (never being the son her father wanted etc.)

J ealousy - Do they get jealous easily? How do they deal with it?

Oh, boy. Clarisse’s jealousy is very fuelled by… Well, anything really. She doesn't necessarily need a motive to go toe to toe with someone, just staring at you for a second longer than she deems them worthy of and she's ready for a fight. It's hard for anyone to get close enough to flirt with you because she's always there, by your side, kind of like a guard dog. But only because she knows how amazing you are and her insecurities do blurry some lines on what's acceptable. She's working on it though.

K iss - Are they a good kisser? What was the first kiss like?

Clarisse is definitely a good kisser. She doesn't have much experience, if any, but she's a natural. It sounds cheesy but the first time she kisses you was like butterflies and church bells dancing loudly in the wind. The way she cups your face so uncharacteristically soft and how she breaks off the kiss with a series of small pecks only to smile one of her beautiful smiles so close to each other's faces… Magical. It could be at the fireworks on the fourth of July or it could be in your favorite spot in the woods, soaked in lake water during a midnight swim or after a heated argument. No matter how many times Clarisse kisses you, she'll never not feel electricity similar to her spear’s sharp edge digging into her body and soul.

L ove Confession - How would they confess to their s/o?

Clarisse does not have a clue what she's doing. I feel like she'd say something in the heat of the moment; either confessing her true feelings or masking them by saying something hurtful she doesn't actually mean. In the latter scenario she'd storm off and berate herself over it but her pride and fear that you'd never look at her again made her put off her apology for some time and let it all sink in to talk to you when she's ready. That is until you start properly ignoring her and she nearly goes crazy with longing, just missing your overall presence and having her stomach turn to knots at the way things were left between you two. That's one of the few times Clarisse sucks it up and reaches for you. The apology is awkward but overwhelmingly honest and she tells you she's an idiot but you're content in forgiving her and giving her a second (actual first) chance.

M arriage - Do they want to get married? How do they propose? What would the marriage be like?

Again, Clarisse never thought she'd live to see the day she'd actually have a marriage prospect. Her life just doesn't seem complete without you anymore and the moment she realizes that she's done for. It would probably be while you're laying in bed together, your head on her chest while you play with her fingers. Your eyes are heavy with sleep but hers are wide open, thinking. “Will you marry me?” said while staring into the distance and you probably think she's joking except Clarisse is not one to joke about that sort of thing. “Not now. But eventually.” and whether you ask if she's serious or just accept it right away, she'd look at you seriously for a beat and then tackle you into a bear hug, crushing you underneath her. She doesn't see the point in a big wedding, but if that's what you're into, she won't mind.

N icknames - What do they call their s/o?

She is not immune to babe or baby but would still like to keep some variety. Things like sunshine, gorgeous, angel or others (I'm looking at you, person who created the “mama/s” HC). She does like your name very much, or probably a shortened version of it. Don't expect her to not tease you if any of these make you flustered.

O n Cloud Nine - What are they like when they are in love? Is it obvious for others? How do they express their feelings?

Clarisse likes to think she's good at hiding it when she's absolutely not. As Taylor Swift once said, you can hear it in the silence. Just the way her eyes soften when she's looking at you speaks millions, but people also get whiplash at how fast her mean attitude changes whenever you're around. Her love giving languages are probably acts of service and physical touch. She loves to do things for you, feeling all big and mighty whenever she can make your life just a little easier. Touching is also a must but we'll get to that in a second.

P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?

Clarisse is not very comfortable with public displays of affection, because she is afraid of being judged or mocked by others for being weak or soft. She prefers to keep her relationship with you private and intimate, but doesn't mind the little things. She does gloat about being with you as well as showing you off, so that everyone on camp knows you're hers. She brags about you all the time and I mean, seriously, all the time. She's not a big hand holder but she almost over compensates by grabbing at your hips and thighs, throwing an arm over your shoulder or hiding her face in your neck. She especially loves bonfires when you sit on her lap and she can hold firmly onto your waist while she's talking to her siblings or just press her forehead against yours when her social battery is low.

Q uirk - Some random ability they have that’s beneficial in a relationship.

She's very perceptive. She may not know what has changed right away but she's also persistent so she'll figure it out in an instant. If it's the way you did your hair or something that happened along your day, even if you change your usual greeting. She notices and she'll definitely ask you about it.

R omance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

Clarisse wants to be loved, that's all she’s ever wanted, and she has so much love to give, therefore I believe she'll do just about anything to make you happy. That includes being an absolute sap. She honestly doesn't mind how cliche it is, if it works on you, you bet she's using it. If anyone cares to say anything remotely negative about you or your relationship she will promptly glare them into oblivion or give them something to really worry about.

S upport - Are they helping their s/o achieve their goals? Do they believe in them?

She is your absolute biggest supporter. Especially if you don't believe in yourself, then she's trying even harder for you to see just how well you can do something if you put your mind to it. With something like sword training she is more than willing to help you, rewarding you with kisses and cursing you for distracting her with your pretty face.

T hrill - Do they need to try out new things to spice out your relationship? Or do they prefer a certain routine?

Clarisse doesn't mind change, she rolls with it. If you have a certain way of doing things, a routine you like to follow, that's fine by her. If you're unpredictable, even better. She just loves to see what comes next in terms of your relationship, not necessarily needing anything to amplify her love for you. It's already hardwired into her.

U nderstanding - How good do they know their partner? Are they empathetic?

She knows you like the back of her hand. Even the slightest furrow of your eyebrows or tilt of your head and she'll be there in a second asking what's wrong. She does learn to be more empathetic towards your own struggles, which was hard at first because she wasn't sure how to see things from someone else's point of view. Though road but you make it work.

V alue - How important is the relationship to them? What is it’s worth in comparison to other things in their life?

She doesn't have much to look forward to so Clarisse values her relationship with you very highly, as you are one of the few people who can see past her tough and aggressive exterior and appreciate her softer and more vulnerable side. She is fiercely loyal and protective of you, and would do anything to keep you safe and happy.

W ild Card - A random Fluff Headcanon.

I actually read this one on a Wattpad story a while ago so credit to the original creator but, Clarisse has a teddy bear named Mr. Muscles she's had since she was like, nine and she cherishes it like it's her most prized possession. When she introduced this piece of information to you, you just found her so incredibly adorable you couldn't contain the giggles and she gets so hot in the face she pushes you off her bed and it's honestly one of the most memorable moments in your relationship.

X OXO - Are they very affectionate? Do they love to kiss and cuddle?

I headcanon Clarisse as your personal furnace as well as a koala bear so kisses and cuddles are a must, especially if it's cold outside. She loves to take naps with you, it gets to the point where she has trouble sleeping without you (so you give her a vial of your perfume to spray on Mr. Muscles for when you're away).

Y earning - How will they cope when they’re missing their partner?

Clarisse with you: 🥰

Clarisse without you: 😡

She gets snappier than usual and easily annoyed but she'll also get really sad because she's never had to deal with being away from you. Her siblings try to cheer her up by shoving some kid's head into the toilet but she's so disinterested in anything that does not involve you she just goes about her days training until she can see you again and show off her muscles.

Z eal - Are they willing to go to great lenghts for the relationship? If so, what kind of?

The answer is yes, one hundred percent. “Touch her and you die” trope goes so hard. Not only that but she would willingly sacrifice the world and herself for you and your relationship. She would go out of her way to make sure you are okay, that you are fed and hydrated and well rested, even messing up her own sleeping schedule in order to take better care of you.

[allastoredeer]

Controversial opinion but I think Lucifer gets babied too much by the fandom. Like I get that he has mental health issues but seeing all this fanmedia of women and men of color nannying this white-adjacent man who has been shown to be an incompetent and absent husband, father and leader. Just. Grinds my gears.

Not saying I hate Lucifer but... when people frame past radiostatic with current radioapple as a huge upgrade, it reeks of a woman leaving her abusive ex for a neglectful husband. While I'm glad Lucifer is a step up from Adam, I need to see actual improvements if I don't want to get the ick.

Agreed.

I massively agree.

Lucifer gets babied a lot. And like you said, yes, he has mental health issues and that's valid, but a lot of the time, it feels like his mental health issues become a scapegoat for his flaws and bad behavior.

Depression is a legit reason for Lucifer to struggle to maintain relationships and reach out to those he cares about. As someone who has suffered from depression, I understand pulling away from people, feeling like you need a reason to reach out to someone, having a negative opinion of oneself, getting overwhelmed with anxiety, even ignoring other people's attempts at reaching out to me because it's just...too hard and it's too much and you're stuck in this cycle that you can't break out of.

HOWEVER

Lucifer's depression doesn't take away from the fact that he's neglected Charlie as a parent. It doesn't negate the fact that he has acted condescendingly towards her and her ambitions. It doesn't counteract the fact that Charlie felt uncomfortable and awkward for a majority of their interactions in "Dad Beat Dad."

I sympathize with Lucifer having depression, but unfortunately, mental illness doesn't just effect you, it also effects the people around you, and i can't fault Charlie for her feelings too.

Because at the end of the day, Lucifer is Charlie's father.

Charlie is his child.

And as a parent, he has responsibilities. Ones that he failed to meet, which would have an effect on Charlie as children are meant to rely on their parents.

It's very telling that Charlie calls Lilith (who's been MIA for 7 years) more than she calls Lucifer (who's probably just a few Circles away). And no, I don't think this is because Lilith kept them separated and all that bullshit. I think Lucifer 100% had a hand in his and Charlie's estranged relationship and I hate it when he's passed off as nothing but a victim in all of it.

I hate it when he's boiled down to sad depressed man who's done nothing wrong. He has done plenty wrong.

And that's okay.

Because that's what makes his character good. He is multi-faceted. He is flawed. You can be depressed and still treat the people around you bad. I don't think Lucifer ever meant to be an absent parent, he obviously loves Charlie with all his heart, but that doesn't mean Charlie wasn't affected by his actions.

She very obviously was. Charlie is one of the most positive people in the show (to an extent that it becomes one of her flaws too), but the minute she called Lucifer it was a complete flip of how we normally see her. She was immediately annoyed. Her patience was already wire-thin. She was close to snapping so many times.

And I can see why. He only calls when he's bored/wants/needs something. He forgot about where she was and what she was doing despite her already telling him. He told her that he'd do anything to help her, and then said "no" the minute she asked.

Also, let's not forget how he answered the phone in the first place.

"Heeey, bitch!"

And look, it was funny. I laughed too. I still think it's funny.

But, imagine you called your dad for the first time in years (a dad you have a very strained relationship with) and the first thing you hear is a peppy, "Heeeeey, bitch!"

Like??? I can't blame Charlie for being annoyed as all hell, okay? I get the sense that she's been putting up with this bullshit for a VERY long time ad she's lost all patience for it. She's done. She's sick of it. She's been disappointed one too many times.

Also, yes, it's not just that Lucifer has been an absent father but he's been a neglectful ruler too. I wouldn't be surprised if Pentagram City has as much respect for him as they do for Charlie. I mean

HE SIGNED OFF ON THE EXTERMINATIONS

Lucifer gave the go-ahead for a yearly genocide of the people he rules over. Can we get some repercussions for that? Do you know how many people lost their friends? Family? Lovers? Vaggie literally spared a child--a CHILD. And I doubt that was the first kid ever confronted by an Exorcist.

Imagine that Cherri died during an Extermination and here we have Angel Dust meeting the person who stepped aside and let it happen. Do you think he wouldn't be mad?

Imagine Carmilla did lose her daughters during that Extermination. Do you really think she'd meet Lucifer and feel nothing but anger and contempt?

Personally, I think Lucifer agreeing to the Exterminations is what fractured his and Charlie's relationship. Like, fully fractured it. That was the last nail in the coffin.

And honestly, I WANT Lucifer to see the consequences of the Exterminations. I want him to have repercussions because that was an INCREDIBLY SHITTY THING TO DO. I imagine he didn't think there was any other option, but we also know that he didn't hold the sinners in high regard anyway. He had the lowest of low opinions of them. I doubt it took much convincing for him to agree.

Lucifer is the oldest being in the Pride Ring--he may be the oldest being in Hell. He's the most powerful person there. He is the embodiment of Pride. And he ACTS LIKE IT IN THE SHOW.

He has acted that way towards Charlie too. He didn't go to her hotel with an open mind. He wasn't actually listening to her plan or taking it into consideration. He played stupid when she asked him what he thought about it. And when the hotel was under attack, instead of stopping it (which he could easily done with a snap of his fingers), he was smirking and acting self-satisfied as he gloated about being "right" about Sinners.

And if you think I'm exaggerating then go rewatch that entire scene.

Look at him

He is acting so smug and he is rubbing it in Charlie's face.

LOOK AT CHARLIE! She is in distress. She is angry. And she is hurting. Her hotel is falling to pieces around her, her friends are in danger, and the whole time she had her dad gloating in her ear about why her dream is, essentially, a waste of time.

And the only thing that snapped him out of it was Charlie asking why Alastor (the one actually protecting the hotel) has more faith in her than her own father. It took Charlie bringing up Alastor again for Lucifer to knock his shit off.

Look at how hurt and closed off Charlie is in the last screenshot. I can't imagine that this is the first time Lucifer has acted towards her in this way. Do I think Lucifer meant to hurt Charlie?

No.

But did he?

Hell-to-the-fucking-YES!

Lucifer is an asshole. He acted like an asshole towards Alastor. He's acted like an asshole towards Charlie. And he kind of acted like an asshole towards the rest of the Hazbin crew considering he didn't exchange a single line of dialogue with them. They introduced themselves to him and that was it. Lucifer spent the rest of the time dissing on Alastor and talking exclusively to Charlie and Vaggie.

Lucifer suffers from depression, yes, but that doesn't take away that he is as much of an asshole as any other character in the show. And I hate that being stripped away and getting turned into this sad, babied little man who's awkward and shy and everyone else is just being mean to him. It's so dull and it's such a disservice to his character.

I don't want sweet, shy little UwU Lucifer that needs to be coddled.

I want mean, condescending, ass-hole Lucifer who reaps the consequences of his actions and grows from them.

[rootspiral]

Agatha All Along deep dive: episode 9 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

I'm glad nicky came up with a cool new tune because according to period movies and shows greensleeves is the only song anyone ever knew

look at that meek little smile, ughhhh. nicky is like two days old and this asshole has already figured out he's the perfect prop for her murder sprees. and these poor women are calling her sister and are willing to help too.

the spell is te accipimus in circulum, we accept you in the circle, and yes that makes me cry a little. we accept you in our community. and the spell is yellow air magic, which sounds like the most empathic kind if Lilia is any indication.

that's interesting, you can't really tell that well from screencaps but go rewatch the scene, this witch is making mushrooms grow with yellow magic instead of green?? is it just a spell (she is holding a book) or have I been getting it all wrong and color has nothing to do with the type of magic one has?

or maybe??? the color depends on the coven you're in?? the salemites all had blue magic for example. and now that I think about it the stone circle is a protection spell but it's not red/orange.

the meaning of this scene is so glaring dear lord. agatha was never going to give these women a chance to prove that yes, there are people out there who could love and help and accept her. she has shut herself up to that possibility a long time ago.

and she stole the soup too. awful.

I've seen all the different theories about nicky needing to feed on witches too, or nicky needing soul sacrifices to survive because he's the son of death etc. we don't have enough evidence to prove anything yet, but personally I headcanon nicky as a totally normal kid, that makes this story even more tragic.

and aww that baby suckling on the little pudgy fist

nicky doesn't look that happy about what he's been asked to do, does he?

we establish that nicky was sickly (maybe he was born with some internal defect that rio temporarily patched up?) we also see him steal the bell agatha will use for her Road scam in the future.

and we meet yet another witch being kind and wanting to help.

agatha: I love this six year old so much I'm gonna make him accessory to murder

dO yOU ShaME YouR MOtHER

and the big fake gasp too. as usual this bitch has conned a whole community

like, she's convinced herself that other witches are bad and are after her WHILE relying on witches's good hearts to con and kill them. what sort of mental gymnastics???

color goes from yellow to purple. nicky waits outside while his mom commits murder, it's not a good look on agatha. completely fucked up, actually.

(I'm terrified that the goat will end up being an agent of mephisto or something idiotic like that, lemme tell you. I hope they're just keeping it for milk and company.)

and here's the million dollar question. nicky has seen his mom kill literally since he was born, and now he's old enough to start realizing what that means.

oooh I know that look, that's agatha when she's put on the spot. she avoids his gaze, she can't be sincere with him.

and of course she's teaching herself spells from a book. nerrrrrrd

nicky, bless his soul, appears to give it a good thought and then offers a practical suggestion. I guess he wouldn't mind to have a roof on his head and some friends too.

GREAT acting from kathryn here. the quick OH SHIT face followed by the super final NO, with her jaw so rigid. in typical agatha fashion, when she's upset she becomes avoidant.

this is evanora's legacy. despite agatha's immense love for nicky, she is passing all that pain down and inflicting it on him.

remember when she called billy a survivor? this is the greatest asset in her opinion, the one she wants to teach her son. the truth is, she is angry at witches because she is scared of them, she's scared of being targeted again. but look at that kid's dark circles, I can't believe she's making him sleep in the woods, sick as he is!

really really fantastic subtlety. agatha wants to sound wise and strong, but she looks scared, uncertain, guilty.

see how nicky looks at agatha while he sings? he's checking to see if she's noticing, because his mom likes music and likes his voice. he's afraid he has upset her and wants to make her smile. he tried to reason with her, and now he tries to soothe her. this is what happens when you have an immature parent, a child will want to help, they will try to fix things. they'll end up parenting their parent, and it should always be the other way round.

agatha takes the bait. she's relieved that the conversation has moved to a safer subject. but oh, this script is so good. this is a mostly innocent, mostly sweet remark, but with a possessive undertone. don't forget that you are mine, she says.

and still, the love is real. even in a fucked up situation like this, these moment of happiness are precious and genuine and will linger on. look at how adoringly nicky looks at his mom, she's literally the sun and center of his small world, and that's how agatha likes it: she created nicky because she needed someone who could be hers without any baggage or consequences. but it turns out that raising a child is not a cheat code for love, it's one of the most difficult, most significant and impactful decisions a human can make.

go to episode 9 part 3

[loveandleases]

LOOVVVEEDDDD the demo and can't wait for the update! I hope you don't mind that I got two questions, but I gotta ask: what kinda hobby options do you have written down for the MC? Also, how would all the ROs, plus Chris, Jade, and Aunt Em, react if MC's cooking is five-star restaurant levels good? (I imagine Chris is kicking themselves over losing a god-tier-chef MC who cooks as a hobby)

💗 Glad you enjoyed and I don't mind at all! 1. We have writing/reading, art (drawing, painting), gaming/watching anime, cooking, photography, music (could be singing/playing instrument), exercising.

I'm going into it with the thought that depending on the hobby the MC will have the chance to spend time with RO's even in a platonic sense as well as be used to further their business. (For example: an MC who likes to exercise has the chance to run into two RO's. MC who is into art can create a logo for their business) (2 is under the cut due to length)

2. 💩 Chris - Butthurt. Which is what we want! Clarke family curse is that they can't cook right? So Chris before MC relied on fast food or their parents chef. The only real homecooked food they had was from MC or Em when they visited. It's like throwing salt on a wound. Because now they're back to fast food, easy snacks. Because Jade can't cook a damned thing. Chris is pretty sure doggo enjoys watching as Chris mumbles about wanting a hot meal from time to time.

💀 Jade - In her eyes she doesn't have time to waste on things like cooking. Why would she bother when she can just have Chris take her out to some fancy dinner? The only reason MC bothers is because they have nothing else to do obviously. (She's jelly very jealous)

😇 Em - If MC is great at cooking then Em was the one who likely taught them the basics. So for Em, it's like winning a prize. All those little dinners they have Em can have MC help. It's refreshing to be able to have someone else in the kitchen with her, it's something she hasn't had the luxury of in many years. (She's really relieved that MC and Cam won't starve. Cam could screw up warming soup, so for Em it's a blessing.)

❤️ Cam - Oh it's like he won the lottery, and it's Christmas and his birthday all at the same time. Cam is an eater, he loves food. An MC who can keep him fed is like the cherry on top for him. MC would have to tell Cam not to bother them late at night, when he's up all alone on his laptop. He just wants one snack, honest!!! He will use puppy dog eyes, don't let them deter you!

💙 G - To them it's a nice ability to have. In fact, G will be curious as to why they only get cake's on their birthday. Shouldn't they be allowed more? Do they look like someone who doesn't enjoy the delicious taste of dessert? They would want to watch MC cook from time to time, see if they can pick up some of the things they do and surprise them later with a nice home cooked meal.

💚 Kara - Finally, someone who can cook and not kill her! She's thankful all too much, this will be the one time you see her tearing up when she realizes she doesn't have to eat another cold sandwich for work. She would want to help, Kara wants to bake. She wants to be able to make cute cakes and cookies. But, she should never ever be allowed in the kitchen. She's worse than Cam.

💛 M - Won't even notice at first, even when they see MC in their kitchen. They have no idea why MC is in there, M kinda lives off easy food, until their moms send them something. Even then they kind of forget to eat. So imagine their surprise when MC has a five star meal ready for them when they finally look up from their computer. Absolutely flabbergasted. Can MC try and make recipes they've seen in anime? Is it weird for them to ask? Sorry MC, but your cooking expertise is going to be wrote about.

💜 Isaac - They aren't the worst in the kitchen, they can make some delicious stuff but Isaac sticks to what they know. They haven't had someone actually cook for them since their mother died. It would be a bitter topic at first, Isaac not wanting to seem thrilled by the notion. Then they would make the offhanded jokes that MC knows the way to their heart is through their stomach. But they would begin to truly appreciate it, and eventually want MC to try making their mothers signature dish. (The one Isaac makes when they feel lonely.)

🖤 Ardent - As a wiz in the kitchen, don't think that's going to impress him so easily. In fact, don't think that MC can make better baklava than him. It would become a competition, Ardent far too cocky for his own good thinking that there is no way MC can be better in the kitchen than him. When he finds out that he actually enjoys MC's food, he will play it off like he's allowing MC to cook for him. Like he's allowing them to do him a favor. (he will be making moans of how delicious mc's cooking is) play it off like he's sore from working out.

[vickyvicarious]

"For your mother's sake."

It hits so hard, on multiple levels. First, what this might mean for her. It's her final effort, the most impactful thing she says after religion, superstition, outright pleading on her knees and crying all fail. She knows that she can't stop him from going, but at the very least she will try her best to protect him as much as she can. She places the crucifix around his neck herself, doesn't just hand it to him.

Did she lose a child to Dracula in the past? Is she seeing echoes of her own son in Jonathan's face? Or perhaps there have been brave young men who tried to fight back against him, who deliberately went to the castle and never returned. Maybe Jonathan is the first person she's met who is actually trying to go there, and while she knows it can only end in his death, the idea of letting anyone go willingly to that evil place is more than she can bear. She's giving up a piece of her own protection. The Count has been sending letters to her husband; he was the one who suggested Jonathan stay here. He knows of her. If she shows any resistance it could mean greater danger for herself, and giving Jonathan her crucifix means losing a powerful totem of self-protection. If he actually listened to her warning, she can probably expect a terrible fate of her own; maybe even just giving him the crucifix alone would be enough to ensure that. But again, whether he reminds her of her own lost son or just because he doesn't know what he's getting himself into, she can't bear to do nothing. She places herself in the role of his mother here. "For my sake," she's saying, "let me do what little I can to save you. Please."

Jonathan is an orphan. We don't know the circumstances of his childhood, but it's possible that he never even knew his mother. (It's my headcanon.) Even if he did, she has been gone for a long time now. And yet these are the words he can't argue with in the end. He was already taking her seriously, and trying to treat her with respect. Her warnings were obviously distressing to him, but there's no way he can actually turn back now. His livelihood depends on this trip, he has no actual evidence to justify leaving, and he also wants so badly to live up to Mr. Hawkins' trust in him. He is already "thinking of his father" (or the closest he has) when he says he has to go to the castle. And yet, the care and fear and love this woman is showing for him hits so hard. I wonder if he is thinking of his actual mother when he accepts the crucifix. Whether the concept of her or an actual memory... Or maybe he too is placing her in the role of his mother here. Maybe, in keeping the crucifix (and not just with him, but around his neck where she placed it, even as he rides away) he is saying yes to that implicit request as well. "I'll let you care for me. I'll accept it gratefully." It's the first motherly care he has probably felt in many long years.

In this book, children are placed in terrible danger again and again, and most of the time they can't be saved. Parents and parental figures are equally doomed, leaving our heroes all orphaned in a sense, unable to rely on any greater source of wisdom or comfort. They have to take things into their own hands and deal with the problem alone, despite still being caught up in grief for what they've lost - a kind of coming of age in that sense. There's even a literal version of this happening with both Arthur and Jonathan (and Mina) specifically, when their father figures die and leave them with sudden new responsibilities. And of course, the inheritances from these father figures help in distinct and immensely useful ways, even as they remain absent from the story throughout. They haunt the margins at best until death steals them away completely, and their illnesses tend to serve to divide our heroes from one another when they needed to be united sooner. I personally don't count van Helsing as a father figure really, but if you do then he is the only one who manages to be around and be directly helpful (and even then, he's unable to save Lucy), even though all the fathers we hear from are loved and loving. But we do actually meet a few mothers, and they are usually unable to alter the story despite being more present. Their efforts to save their children are misdirected and only bring about their own death as well, in the end. Lucy's mother seems to mean well but everything she does directly makes everything harder; the mother at the castle later tries to avenge her child possibly against the wrong person, and in any case is unable to succeed. But here, the innkeeper's wife with her crucifix manages what no other mother does. Even though she assumes this to be another wasted effort (in fact, she can't bear to remain in the room with him afterwards; re: Dracula did such a good job with the hopelessness in her voice when she says the 'mother's sake' line), her assistance helps Jonathan to survive. His 'inheritance' from this momentary mother-figure isn't just the physical crucifix, though that is useful (and also the only inheritance a mother leaves for a child throughout the book, even when it would be expected and easy and make complete sense to do so, ahem). It's also the first and the most knowledgeable and the most effective aid given to a 'child' throughout the entire book.

[bethanydelleman]

Bingley was at fault too.....

Bingley's "modesty" is mostly just the result of Darcy's bad influence on him . Darcy said it himself; Bingley kept relying on him so much because it made life for him easier, he knows that he's impulsive and instead of dealing with his flaws, he just relies on Darcy to check him. He knew Jane loved him and the only effect that Jane acting like a lady should act is simply him not knowing how much she liked him, he knew love was there. And because Darcy thought she did not , he decided that she does not love him after all.

Both Darcy and Bingley are irresponsible; Darcy knew Bingley falls out of love all the time and yet he did not think that Jane might form a serious attachment because of his advances. He only cares about Bingley because it's HIS friend not out of a desire to help others.

Bingley hits on Jane immediately and courts her in front of everyone ; then left her after knowing everyone was expecting marriage ; if he wanted to leave, at least he shouldn't make it seem like he was running away from her, this might affect her reputation . I know he had planned to return but Darcy convinced not to; but he should at least claim an excuse that had nothing to do with Jane so he would not embarass her.

I disagree with most of what you are saying here. I don't think Bingley could have possibly been that confident or known that Jane loved him.

Elizabeth admits that Jane is hard to read and no one would have been entirely sure of her love:

He declared himself to have been totally unsuspicious of her sister’s attachment; and she could not help remembering what Charlotte’s opinion had always been. Neither could she deny the justice of his description of Jane. She felt that Jane’s feelings, though fervent, were little displayed, and that there was a constant complacency in her air and manner, not often united with great sensibility.

And also, Jane & Bingley don't spend a ton of time together in the two months that Bingley is at Netherfield. This is not modern dating:

“Perhaps he must, if he sees enough of her. But though Bingley and Jane meet tolerably often, it is never for many hours together; and as they always see each other in large mixed parties, it is impossible that every moment should be employed in conversing together. Jane should therefore make the most of every half hour in which she can command his attention. When she is secure of him, there will be leisure for falling in love as much as she chooses.”

I think you are greatly overestimating how well Bingley would understand Jane's heart. He can't ask if she likes him either, it's all about subtle encouragement. We don't know what Darcy and his sisters said to him, but I can see how someone would be persuaded that Jane didn't actually love him. I think modesty is one of Bingley's strengths, not a fault. And, he's also not as persuadable as people sometimes say, we see him stand up to both his sisters and Darcy.

Mrs. Bennet said that Jane was ill-used, but she doesn't suffer any reputation damage. Mrs. Gardiner basically says, "These things happen" and moves on. We have no evidence at all that it hurt Jane in any way except emotionally. Also, Bingley & Jane don't act like Marianne & Willoughby or Wentworth & Louisa, we do not hear that everyone who saw them expected an engagement. It did not go that far. It was a fervent hope, not an honour-bound expectation. It was also a lot of Mrs. Bennet telling everyone that it would happen.

Darcy was wrong, but after the Bennets' display of vulgarity at the ball, he thought he was doing the right thing for his friend. Was he biased? Yes, the narrator tells us so, but that doesn't mean he was irresponsible. If Bingley hadn't been truly in love, he would have been doing the right thing.

That said, both Bingley and Darcy do have flaws, but Bingley is young and being impulsive when you're 23 and filthy rich isn't that bad. Darcy protecting his friend isn't a flaw, though his reasoning wasn't without bias. And I'm sure he does often have a good influence on Bingley.

[kijimha]

Nahyuta is the most OVERHATED character in SoJ

"He's constantly repeating the Holy Mother stuff" yes, because a character's speech should be recognizable to some extent, especially if they important. Religion is also a very important part of Khura'in and its legal system, too. Of course he'll rely on the Holy Mother a lot. Not to mention many characters have repetitive speech (For example, Franziska is an amazing character and uses the word "fool" a lot)

"Ema says he's a good person outside of Court but he isn't" We have BARELY seen him outside of Court, but you don't even have to in order to know he is a good person. He suffered in silence so Rayfa wouldn't have the same fate as he did, gave a witness a name despite having no need to, and didn't confiscate Dhurke's badge when interrogating him in hopes that he'd save him.

"He's annoying and extremely ruthless" Because his perception of defense attorneys was completely warped. When you live in a place where they're hated, you'll be bound to as well. Besides, he never believed that the person he was prosecuting was innocent and just wanted to give the victim their last rites. He is literally shown praying for the fallen, proving he has immense respect towards them.

Not to mention Khura'ins legal systems rely on Rayfa. Outside of Khura'in, naturally he is going to believe the accused is guilty and will do his best to make them pay for their crime.

"He was rude to Athena" Because she is young and, again, he does not like defense attorneys. He at least saw her as a worthy adversary after seeing her strengths.

"He kept throwing beads at people" As if the other prosecutors haven't done WORSE? Throwing coffee, whipping people...

"If his rude persona was an act, why was he mean when outside of Khura'in?" Okay, one, maybe he didn't want to break the persona. It'd be weird if he were mostly ruthless and suddenly switch personalities. If he wants to help Rayfa, he can't show something is going on at home. And if that won't help; maybe he's just a bitch???? He has every right to be. So many other characters are flat out mean. Also; he's in only ONE GAME so far. He still has a lot of his personality to develop.

"His writing sucks, he's basically a second Edgeworth" I agree some parts of his character are not as good as I wish they'd be, but he and Edgeworth are quite different. Even if the character arcs mimic each other, it isn't as if it hasn't been done before. Also, many just refuse to see Nahyuta past the stuck-up religious guy perspective. It's so interesting to wonder how his relationship with religion, rebellion, obedience, etc. would be before, during and post canon.

"He's the worst prosecutor of the series" Because he wasn't easy to beat? He was described to go from place to place, solving difficult cases. Of course he's not going to give up easy and will be a challenge to face

I admit his writing is not the best and could have been better. His redemption arc was a bit short and I think it could have been more interesting if he actually believed in Ga'ran, but Nahyuta is being treated as if he killed everyone's families. Seriously, people seem to forget so often he did so much for Rayfa, even working under someone he didn't believe in.

"He's still my least favourite character" then why are you still reading. I love him. he's my favourite character in SoJ and so mecore. skill issue skill issue

[theerurishipper]

Shadybug and Claw Noir's relationship is so interesting to me. It's just a lot of small things that add up so well to form one great picture. It's like... they don't like each other, but they also need each other. Despite their glaring differences, their relationship is characterized by mutual support. Shadyclaw are partners in a world where mutual aid is a crime.

There are so many scenes in the special that show this really well. Shadybug and Claw Noir are always snapping at each other, and they're almost constantly fighting each other. But they're also such a well-oiled team, and they actually do work really well together. Like in the first fight with Ladybug. Claw Noir took the first strike to force Ladybug to dodge and Shadybug grabbed her when she was off balance. Or when they attacked Monarch at the same time and came at him from different sides. They function well as a team despite their differences.

They can't win on their own, and despite what they say, the episode proves them wrong immediately. Shadybug says she doesn't need Claw Noir, but the very next scene is her hiding behind him as he cataclysms the Akuma. And Claw Noir also needs Shadybug, because he asks her what they should do next, proving that he does rely on her plans. And I think they do know this, even if they don't want to admit that they depend on each other.

And all this is so interesting! But what's really more interesting to me is the emotional element of their relationship.

Like, Emonette has spent her life without any support or help from anyone, without anyone to depend on. She doesn't have friends; she doesn't have "a boyfriend who doesn't think she's a total loser," and she doesn't have a mom she can depend on (for whatever reason that may be). She's all alone in the world. She can't trust or rely on anyone.

Except Claw Noir.

Because whether she likes him or not, he's there. He works with her, he follows her plans, he's always there. Maybe he mocks her, maybe he tries to take her Miraculous (like she does to him), but he's a constant presence by her side, and she is aware that he's not going away anytime soon. And it's not like the bullying she suffered, because here, she's on equal terms with him. She can give as good as she gets.

And she does rely on him! Like I said before, she needs him. For the powers he brings to the table, at least, she needs him. And I think for someone as lonely as Emonette, the assurance that he'll stick by her no matter what, even if he's annoying and rude, is comforting in its own way. She doesn't like him, she's angry that he keeps trying to take her Miraculous. But she trusts him. Maybe not deeply, but for someone as lonely and hurt as Emonette is, having even that much trust in someone is hard.

Her reaction to him trying to take her Miraculous is also so interesting to me. She's actually angry that he does it. She confronts him angrily about it. And when he accuses her of the same thing, she goes on the defensive. And yeah, this could be her just being angry about what he tried to do. But it doesn't really add up in the context of what we know about their partnership.

You'd think that after all this time, she'd know why. That she'd be used to it. But no, she's angry about it. She takes the time to confront him about it. And the thing is, she knows what he's going to say, because it's going to be the same reason she gives him. I kinda feel like this isn't her just being angry about him trying to take her Miraculous. I think it upsets her when he does it. Because, despite claiming she'd be better on her own, she doesn't like that he wants to get rid of her. So, she goes on the defensive and asserts that she wants to do the same thing to him as a way of hiding her own vulnerability.

And we all know that the both of them are very good at denial (after 5 seasons of the Love Square, how could we not), and that's so true here too. Shadybug is in serious denial when she suggests that she'd be better off alone. We know she depends on him, and on some level, she knows it too. And yet, she says all that. It's not hard to read her reaction to his actions and his accusations as being defensive out of a sense of fear and denial.

Cause Emonette has had a very rough life. No one has supported her, no one has ever stood up for her or stood by her. She's afraid of being hurt and of being vulnerable. She's built up walls as high as a skyscraper and refuses to put them down out of a fear of being hurt again. She doesn't believe that anyone would stand by her and support her.

But Claw Noir has done that, even if their relationship is tenuous. He may not be nice to her, and he may not like her, but in some sense of the word, he has stuck by her, and he has supported her. And it hurts her that he would try to do this after all that.

Their partnership is important to her. When she's reading Marinette's diary and reads the part where Marinette is talking about her partner Chat Noir, she looks over at Claw Noir, indicating that that's how she feels about him. That she does associate the word "partner" with him. And then she rolls her eyes at him, but you know. Denial. Maybe I'm just being crazy, but that's really how it comes off to me after everything we know about them.

And one person rolling their eyes at the other is a common romantic trope sooooo

And we can't not talk about Emodrien! Because it's the same for him. Watching the special, it comes off to me that Gabriel isn't that great of a dad here either. Emodrien has been left to deal with his mom's death all alone because Gabriel is off playing hero and is pretty much neglecting his son. And Emodrien doesn't seem to go to school either, and apparently, he's still a famous person with fans of his own (he's wearing Gabriel fashion, which I don't think he would if he was so mad at his dad), so I think his relationship with Gabriel isn't that much different, except for the lack of manipulation and gaslighting (and arranged marriages and white rooms). So, I think that he also is like our Adrien in that he has pressure on him to be perfect (I think Claw Noir even says something along the lines of Adrien being perfect, implying that he does have to perform that role).

And honestly, Emodrien is just like our Adrien, a master at compartmentalizing. Adrien Agreste doesn't say a word in this special to anyone. He says his transformation phrase, and he exclaims about Shadybug being revealed to be Emonette, but he doesn't speak otherwise. And she did tell him to be quiet, but we've seen that he doesn't really listen to her, like when he didn't help her search Marinette's room and chose to take a catnap instead (sorry). He could have said something in the few minutes he was on screen, but he didn't. But he's so drastically different as Claw Noir. He's expressive and talkative and in your face about everything. Adrien Agreste having pressure on him to be perfect would explain why Claw Noir is so different. This is the part of himself that he's hidden away and can only express as Claw Noir (like our Adrien).

And the only person he can do this with is Shadybug. She's the only one around whom he can share this part of himself. And she doesn't leave. She's still around, and she may not like him, but she accepts it. He needs her too, not only for her plans and her own skills, but because he acknowledges him. She largely fights back whenever he does or says something, and often she is the one who starts an argument. And for someone whose life is characterized by a lack of attention from a parent and a recent loss, having someone who does acknowledge him must feel important. He can only be "himself" around her. And for this boy, whose only happiness in life till this point seems to come from staring at this one girl from the bakery, I think it does mean a lot, in some way, that Shadybug is around and ready to engage with him.

And I think his reactions to her and his rivalry/enmity towards her are also like her: stemming from a fear of vulnerability. We see that he's so unwilling to be perceived as weak that he's ready to tank a cataclysm to the chest that he inflicted on himself on purpose. He doesn't want to let anyone in either. And yet, Shadybug is someone that he relies on, and he may not like her, but he does need her, and she is important to him, in some way.

So, they are important to each other, and subconsciously, they both do value and need each other. What prevents them from accepting and sharing those feelings is their fear of vulnerability and their awful situation. They are pretty much stuck in a rivalry and a state of perpetual competition which entails that the one who gets the Butterfly Miraculous will be the one to survive. That's enough for anyone to try and hide their feelings of sentimentality for someone else. It's literally a matter of survival. Add this to their respective lives of suffering and loneliness, and it's easy to see why they can't show those feelings to each other. Their supposed hatred for each other is just a defense mechanism.

Is their relationship perfect or healthy? Not really. But their feelings are real. And it's so telling that when they do start to overcome their fears and start to take the steps towards forming connections with others, they instantly fall into a friendly, even loving dynamic. They literally leave our world holding hands. These feelings didn't come out of nowhere, they've always been there. Shadybug and Claw Noir were just too afraid of their own vulnerability and were stuck in an awful, forced rivalry to be able to express them. But once they take the first step towards accepting their feelings and start to overcome their issues, they instantly start flirting and their teasing goes from being cruel to being friendly.

They are still the same! Emonette still calls him fleabag, Emodrien still makes fun of her, but it's their approach that has changed. Instead of being veiled in cruelty stemming from their respective fears, they are embracing their true feelings. This whole special has been about them understanding themselves, their true feelings and what they truly need, and it led to them understanding their feelings for each other. They've always cared. Even in the middle of the special, when they hadn't had their resolutions yet, we have that touching scene of Claw Noir trying to comfort Shadybug.

Because their masks had dropped at that point. They were tired of hiding their vulnerability. Shadybug is crying openly and not making the slightest effort to hide it behind any excuse or mean comment. And if he truly hated her, Claw Noir could have just hit her with a cataclysm and taken her earrings. But he chose to try and comfort her instead. And it's interesting that they do not insult or argue with each other after that scene. They aren't fully open with each other yet, which is why she rejects his comfort, but it does speak volumes about their relationship, that the only thing between them is their fear and hurt.

In the scene where Emonette is yelling at Sabine that she's fine and to get off her back, there's a moment where she looks at Emodrien, and sees the look of sorrow and understanding on his face. And that leads her to admit the truth, that she's damaged. Before she saw him looking at her like that, she was being defensive and yelling for Sabine to get off her back, but after that, her tone changes. She opens herself up despite herself and cries before him. That scene was pivotal, I think, for them to completely understand each other, when they saw their own feelings reflected in the other's eyes without any masks covering them. It was a scene of mutual understanding. The feeling that the other person understood them, which led to them dropping their fronts and showing their true feelings.

They are the only ones who can truly understand each other. They are in this together, whether they like it or not. They know what it's like to be alone, and to feel hopeless. Both Shadybug and Claw Noir are dying from their misuse of the Miraculous (obligatory fuck The Supreme), and only they understand the fear, the hopelessness and the despair that comes with that. Only they know the feeling of being up against the world, of being alone and having no one. And they became that person for each other, the person who would stick by them no matter what, even if neither of them could see it yet.

[elspethdekarios]

Okay we all know about the Solas/Varric banter with the man on the island, but I was listening to DAI banter earlier (as one does) and now that we know about the titans/lyrium bodies/the blight there are several others that are SO GOOD and worth talking about so here goes. I might not be saying anything new here but I needed to get it out of my brain.

Trickster Figures in Dwarven Literature

Solas: By the end of Hard in Hightown, almost every character is revealed as a spy or a traitor. Varric: Wait, you read my book? Solas: It was in the Inquisition library. Everyone but Donnen turned out to be in disguise. Is that common? Varric: Are we still talking about books or are you asking if everyone I know is a secret agent? Solas: Are there many tricksters in dwarven literature? Varric: A handful, but they're the exception. Mostly they're just honoring the ancestors. It's very dull stuff. Human literature? Now there's where you'll find the tricky, clever, really deceptive types. Solas: Curious. Varric: Not really. Dwarves write how they want things to be. Humans write to figure out how things are.

So it's obvious in hindsight that Solas is asking about trickster figures because he is one himself, but now that we know what we know, I think it's incredibly poignant that he's specifically asking about trickster figures in dwarven literature. It makes me wonder if he's not only asking out of curiosity but because he wants to know if the dwarves write about him. Is he a trickster figure in their legends too? Now that so much time has passed since ancient Arlathan, do the dwarves have some twisted memory of the Evanuris like the Dalish do? Do they have a tale about Fen'Harel who tranquilized the Titans and severed the dwarves' ties to their ancestry?

I don't quite know what to think of Varric's last line: "Dwarves write how they want things to be. Humans write to figure out how things age." I wonder, though, if this eases Solas's concern about appearing in their mythology. If dwarven writing is idealistic/optimistic, there's probably a slim chance the truth will be revealed that way. Maybe the fact that humans write "to figure out how things are" gives him pause - but I think humans aren't concerned enough about the elves to write themselves into discovering his secrets, so I don't think Solas really has a reason to concern himself with trickster figures in human literature.

The Lyrium Trade

Solas: Is it true that the entire dwarven economy relies upon lyrium? Varric: Mostly. We've got the nug market cornered as well. Solas: And the dwarves of Orzammar have never studied lyrium? Varric: If they have, they certainly haven't shared anything up here. Why? Solas: It is the source of all magic, save that which mages bring themselves. Solas: Dwarves alone have the ability to mine it safely. I wondered if they had sought to learn more. Varric: The folks back in Orzammar don't care much about anything but tradition.

And here we have yet another attempt by Solas to see what the dwarves know about him without giving himself away. He wants to know if they're aware of what lyrium actually is, and, by extension, if they know about the history of the Titans and the Evanuris. There are several banters between these two where Solas is incredibly curious about Orzammar. Varric is like "wtf man, stop asking me about Orzammar, I'm a surface dwarf" and Solas gets frustrated that Varric isn't interested in his ancestry at all. This is partially because Solas places so much importance on ancestry in general, but part of his frustration has to be because Varric can't tell him what he wants to know. Also, imagine waking up after however many years and the dwarves are sustaining their economy almost completely on the literal blood of their ancestors - the ancestors you destroyed. That has to be horrifying. Harding brings this up at the end of her personal questline in Veilguard, when you return to Kal-Sharok and interact with the carvings on the wall. It's different for her, of course, because those are her own people, but the sentiment is the same, and the question is the same: would the dwarves sustain themselves on the lyrium trade if they knew the truth?

In the same lyrium vein:

Solas: I find the fall of the dwarven lands confusing. Varric: What's so confusing about endless darkspawn? Solas: A great deal, although that is a different matter. Dwarves control the flow of lyrium. They could tighten their grip on it. Varric: It's hard to get the attention of the humans when the darkspawn aren't up here messing with their stuff. Solas: You're active in the Carta. You know your people could tug the purse strings. You could claim sovereign land on the surface, or demand help restoring the dwarven kingdom, but you don't. Varric: You're not saying anything I haven't said myself, Chuckles. Orzammar is what it is.

I think this is Solas trying to ease his guilt by offering solutions. Is it a little egotistical of him to assume the carta/dwarves/Varric haven't already thought of this? Yeah, but he's Solas AKA Pride Personified. Anyway, I think this is Solas's way of assuaging his guilt just a little bit.

A Once Mighty Hero

Solas: I am sorry to have bothered you with my questions about your people Varric. I see so much of this world in dreams. Humans, my own people, even qunari. Dwarves alone were lost to me, save scattered fragments of memory where some spirit cared to watch. Now I know why I see so little. Varric: And why is that? Solas: Dwarves are the severed arm of a once mighty hero, lying in a pool of blood. Undirected. Whatever skill of arms it had, gone forever. Although it might twitch to give the appearance of life, it will never dream. Varric: I'd avoid mentioning that to any Carta, Chuckles. They might not take it the right way.

Okay, Solas is definitely doing his twisting-the-truth thing in the first lines. He knows why dwarves have little to no presence in the Fade, because he is the reason, but he's so close to revealing the truth here. Not about him, and not about how, but about why. The image he paints of the once mighty hero in a pool of blood sounds metaphorical, but it isn't. The dwarves - so reliant on the lyrium trade, living where lyrium grows, mining it, their livelihoods revolving around it - are quite literally lying in a pool of their own blood.

Solas sees what the dwarves are now compared to what they could have been. They're an imitation of their once-great ancestors. And it's his fault (and Mythal's, but this ain't about her). In this particular banter, Solas seems to pity the dwarves, hence Varric's warning, but he's the only one alive who knows the truth. The dwarves don't pity themselves: in another banter where Solas asks Varric if he misses the stone, Varric responds with "How could I miss what I never had?" - and that applies here as well. The dwarves may "twitch to give the appearance of life" to Solas, but that's his guilt talking. Varric isn't insulted (as far as we know) because he doesn't place much importance on his heritage and he understands that Solas isn't trying to be demeaning, but he hears the pity in his statements - he wouldn't warn him about speaking to the Carta otherwise.

Anyway this was a lot of rambling and I'd love to hear anyone else's interpretation of these or other lines too!