#but ALSO the original was like. actually popular and the new one is so fucking underknown

[greenconverses]

I’m big time upset about annabeth’s characterization in these new books. She looked for Percy for a year or something, did everything she did in HOO, she’s so amazing that she caught up on all of her school work (in fact she’s back on track to go to an ivy if she wants after everything that happened to her), she has all this extra time for Percy (having a boyfriend is time consuming enough without his quests), and then she’s so good at socializing with mortals and so popular…. Just to go to New Rome University (wtf is new rome university) and live in new rome. It makes me sad for her because I feel like RR won’t let her be bad at anything or awkward anymore and she just has to be this hyper competent angel gf all the time…

Oh also the way Percy is contrasted against annabeth in this new series makes me nauseous. I feel in some ways she only exists as this hyper-competent angel gf so that percy has something to "aspire to"… as though he hasn't proven himself a million times and deserves to constantly measure himself up against annabeth. It really just robs them both of their depth and motivation and mutual respect for each other that was so painstakingly built up in the original books.

I was telling @perseannabeth last night that while Annabeth had a lot of pagetime in Wrath, she felt like an utter non-presence other than the last couple of action scenes. And yes, it's because he keeps writing Percy as the only one with all the problems and Annabeth is the perfectest, smartest angel who is always right and can do no wrong, unlike stupid idiot Percy. Ha. Ha.

I do think a lot of the character issues in these books come from him avoiding or only introducing easily resolvable conflict with the main trio. Part of what makes Percy and Annabeth, well, Percy and Annabeth is that they have conflict. Conflict doesn't mean they have to be mean to each other or something terrible has to happen to them, but having them at odds with each other over something (anything) allows for interesting character development and growth.

Grover and Annabeth each get moments of "aw I kinda fucked up" in Wrath that are resolved with basically no effort because Percy shrugs it off or blames himself for their actions. I couldn't even begin to tell you how Annabeth's hubris played a part in the third act ghost fight, but apparently it did, so that's a thing he can brush off because teamwork is all that matters in the end, kids!

And the thing is, Rick is actually setting up a really good conflict with Percy constantly bottling up his rage and messy feelings, but he's too much of a coward to pull the trigger on it. Grover destroying the house and releasing the animals was the perfect spot to actually pursue that conflict and give everyone something to do other than mini quests. Percy could've yelled at Grover and Annabeth for failing to do what they had promised him, and then everyone could deal with the consequences (both of the initial mistake and the fallout of his anger) and make amends in a meaningful way. Instead, Percy has to grit his teeth and fucking apologize to Grover instead. (I'm gonna do a separate post about this because boy howdy do I have THOUGHTS on that.)

By making Annabeth the perfectest, smartest girlfriend ever for dumb dumb Percy, RR is basically removing the conflict that makes them interesting together. There's also the matter of conflict being one of Annabeth's main drivers. Conflict happens to Percy ("I didn't want to be a half-blood."); Annabeth looks for it. And now she's just along for the ride... as long as it doesn't mess up her studying schedule! Her job is school now. Don't get your hopes up.

Also, super controversial opinion ahead, but I think the show casting has contributed to how he's writing Annabeth now. He's deliberately avoided describing her in these books. It's all very vague impressions of her, to the point of Percy describing her having a "human face, human hair" when she turns back after the animal transfiguration in Wrath. No blonde hair. No gray eyes. It's weird.

(Note: I'm not saying the TV cast is wrong or weird, I'm saying it's fucking insane that this man is trying to retcon 15 books worth of character descriptions so his dumbass "actually we never SAID annabeth was white, you just perceived her as it!!!!" defense holds some water.)

[danzainosolitude]

Once again I read fanfiction that seems to have been precisely written to deal psychic damage to me.

[reginaofdoctorwho]

watching a show from the 80s/90s and SOOOO fucki ng mad this would be controversial now. this shit sucks we went backwards

[hyperfixatedbastard]

do you write hypnosis stuff?? it's not specifically against the rules but idk it's kind of an iffy era for a lot of writers-

if it's okay with you, could you write some Vox x Singer!Reader who he uses his mind control on to sell their soul to him so they remain under the VoxTek label? (im sure remaining with him is an ulterior motive of his as well lol)

thanks :]

I can absolutely do that! I’m a little iffy about NSFW hypnosis, but I can do a SFW oneshot :)

siren songs

Obsessed!Vox x Singer!GN!Reader

Word Count: 1.4k

WARNINGS: Yandere-ish behavior, hypnosis, manipulation, toxic behavior, all that good stuff

A/N: I told y'all I'd be back with some toxic Vox!! I wasn't entirely sure how to end this one, but I've spent enough time rewriting it to stop caring. This one is only romantic in theory - nothing actually romantic happens between Vox and Reader, it's more mutual pining than anything else This is also my first time writing obsessive behavior, so I hope I did it well!

Dividers

You’ve been working with the Vees for years now. You were originally recruited by Velvette, who’s like a bloodhound for new talent. She saw some popular videos of your singing online, and she made you famous.

But you don’t work with her that much, oddly enough. Over time, you gradually started to see her less and less. Vox was the one to take her place. By the time you noticed, there wasn’t much you could do about it—you’re certainly not an equal to the Vees, so there wasn’t much you could do. Sure, you could’ve quit then and there, as you’d never signed a soul-binding contract, but you really liked your job. You were getting to do what you loved for a living! Who wouldn’t want that?

Well, you. You don’t want that anymore. You’re getting burnt out. You feel like you’re out of creativity for writing songs, and singing no longer has the same appeal it used to. It feels like a chore. Getting on stage doesn’t get you excited—it just fills you with dread.

Then you saw the videos of the annual clown pageant down in the Greed Ring. How Fizzarolli, Mammon’s favorite little jester, just…quit. Just like that. 

Can you do that?

You don’t have backup like Fizzarolli did. There’s no Prince of Hell to protect you if the Vees lash out in response to your resignation. But the Vees aren’t Mammon. They’re powerful Overlords, sure, but they wouldn’t kill off an easy cash grab like you. And they don’t have any leverage to use against you—you’re a fucking superstar, you learned to stop keeping secrets a long time ago.

Yeah, you can totally do this!

You spend the next week making a plan. You currently live in V Tower, so finding another living arrangement is a priority. Luckily, your standards are just as low as before you got famous, so snatching up an apartment doesn’t take long. You’ve been building up savings for some time now, just little bits here and there that wouldn’t look suspicious among your bank withdrawls, so you have enough money to last you a while. You’ve made a go-bag, but you’re not too worried about bringing anything with you, as you have enough cash to just buy new shit. By the time the end of the week comes around, you’ve got your escape plan ready to go. All that’s left is to actually quit.

You decide that directly speaking to Vox is your best option. Velvette and you don’t have the same rapport that you used to, and Valentino is just… no. During your time working with Vox, you like to think there’s some sort of friendship there. The two of you chat amicably, and he always makes sure you’re okay when it comes to creepy fans and the like. You feel like there could be something more than just friendship, but you don’t plan on staying long enough to find out. As much as you like Vox, you’re not willing to spend the rest of your afterlife hating every second of your job just for him.

You stand outside Vox’s lair, mentally preparing yourself for this conversation. You take a deep breath, and right before you can knock on the door, it opens.

Okay, here goes.

⋆⋅☆⋅⋆

You aren’t as sneaky as you seem to think you are.

A normal boss wouldn’t have noticed the small transactions in your bank account, or the little trips you’ve been taking to go look at apartments. But Vox isn’t a ‘normal boss’ by any means. And he noticed.

From the moment Vox set eyes on you, he knew he wanted you. You’re beautiful, and fuck, your voice—he just can’t get you out of his damn head, no matter how hard he tries. And he really fucking tried. But he couldn’t avoid you, thanks to VoxTek being such an integral part of your performances. And you’re like a damn siren with that voice of yours, even though he’s supposed to be the hypnotizing one here. Eventually, he just gave in and accepted that he was more than a little obsessed with you. That’s why he started drawing you closer to him, pushing away Velvette and taking control of your brand. He doesn’t like sharing.

Obsession isn’t a particularly new feeling for Vox. He certainly has… tendencies. But this isn’t like whatever the fuck he’s got going on with that deer-headed, old-timey bastard Alastor. It’s not a lust thing, either. You’re certainly attractive, and Vox most definitely would sleep with you, but that’s not the main factor at play here. This is a deeper obsession than any of that bullshit.

Vox knows that he doesn’t own your soul. He’s well aware that he can’t truly stop you from quitting. Even if he managed to trap you inside V Tower, he can’t force you to keep up the performances. If he had you under a proper soul-binding contract, though…

He would own you.

Now, he’s not Valentino. He doesn’t plan to take that kind of advantage over you. He doesn’t want to change a damn thing. He just wants you to stay.

And he will make you stay.

He knows when you approach his office, and he opens the doors with the touch of a button on his desk. He plasters that casually perfect smile on his screen and turns to face you as you enter. The doors shut behind you.

“I wasn’t expecting to see you today, my dear,” he lies easily, the charismatic mask fitting into place like it was never absent in the first place. “How can I help you?”

You hesitate, your anxiety starting to get to you. But you’re determined to do this. You clear your throat and step forward. “I’m resigning.”

Vox’s smile doesn’t falter, nor does his screen glitch. His demeanor is…unnerving, to say the least. You’ve known him to be temperamental, emotional. You expected some kind of reaction. But he’s just smirking at you like he always does.

“I don’t suppose there’s anything I can do to change your mind,” he replies smoothly, tilting his head to the side just slightly.

“No,” you confirm, trying to sound confident in your answer. You’re not sure if you succeed. “I’ve already made my decision.”

Vox sighs, though he doesn’t sound very defeated. His smirk hasn’t gone away, either. “Well, then. It’s been a pleasure working with you, darling.”

He holds his hand out for you to shake. The gesture immediately worries you, as it’s the well-known sign of a deal. But you reassure yourself that there’s no deal being made here. Hell may be chaotic, but there’s rules when it comes to these kinds of things. Neither of you have offered anything, therefore there’s no harm in shaking his hand. It’s just a respectful gesture of a boss wishing their employee farewell. It all feels too easy, but you’re too relieved to think too hard about it.

You go to take his hand, but as you lift your head up to meet his gaze, everything goes fuzzy.

Vox grabs you by your wrist before you can shake his hand. He’s not rough with you. He’s careful of his claws, ensuring they don’t put too much pressure on your skin. Not that you’d notice, either way—your mind is far gone at this point, thanks to those spirals in his eye.

“In exchange for your soul, you’ll remain under the VoxTek label and continue working for me. Your work will remain the same as before. You’ll forget about leaving. You will want to stay here. You will want to stay here with me.”

A golden scroll appears out of thin air, and it floats in front of you as it unfurls. “Sign it.”

Your body moves on its own. You sign your name on the line at the bottom of the page.

Vox releases your wrist, and takes your hand in his own as his eye reverts back to its normal state. When you come to just moments later, he’s shaking your hand with calm professionality.

“I’m glad we got that sorted out,” Vox remarks smoothly, his smirk looking almost proud now. “I look forward to your next performance, my dear.”

You blink a few times as you become more lucid and aware. “Uh, yeah. Can’t wait!”

You smile, and Vox releases your hand, seemingly satisfied with your answer. You don’t remember what exactly you came in here for, but you’re happy with the outcome.  “Perfect.”

[alphajocklover]

I'd like to see how my life would have turned out, 20 years ago, had I joined my college football team instead of the college theater group.

Fuck. Fucking hell this fucking sucks. I’m sorry, I don’t mean to be rude. It’s not you, you’re not the reason I’m upset. Your request is interesting and I want to help you with it, I really do. It’s just… to do this, we’re going to have to use time travel. It’s not that it’s impossible or anything, I actually own a time machine so that’s not an issue. It’s that… I fucking hate time travel.

I don’t hate the concept of time travel itself. I think it can be a lot of fun in works of fiction. Doctor Who, Back to the Future, and Star Trek are all things that heavily feature time travel that I’m a big fan of. It’s just that, in real life, it gets so stupidly complicated. You know how every work of fiction seems to have different rules for turn travel? In real life time travel follows all these rules and none of them all at once. If that seems confusing, that’s because it is. It’s insane. But it’s the best chance for doing this, so we’re going to give it a try. Now, close your eyes and hold onto me tight. This is going to feel weird.

You can open your eyes now. Be careful though, it’s going to take a second for your eyes to adjust. We’re outside now, on the football field of your old college. You don’t have to worry about anyone seeing us. I may hate time travel but the time machine is pretty useful. Time travel, space travel, and camouflage. But that’s not important right now. See that skinny guy standing on the opposite side of the field? You should recognize him. It’s you, 20 years ago, as a college freshman. You really wanted to join the football team huh? I can see the longing in your eyes… but also some serious nervousness. I’m guessing this is about when you back out and decide to join the school's theater group. Not this time though. Don’t worry, I’m not gonna change anything drastic. I’m just going to give you a little… push in the right direction. Have to get you to join the team somehow. I just have to whisper some things in his, or I guess your ear while we’re in camouflage… and just like that everything is going to change. Welcome to the football team. You’re a little late on becoming a jock, but you’re a hard worker. You’ll catch up. Speaking of which…

We jumped forward in time. I probably should have warned you, I was just excited to see the changes. We’re not all the way back to the present, not yet. It’s been a year since the other you joined the football team, and just like I predicted you caught up real quick. Even when you were in theater you were a hard worker, and now that you’ve dedicated yourself to football instead, you’re an absolute beast. You’ve had a major growth spurt and fit right in with the guys who have been playing football since middle school, a total jock through and through. Looks like this version of you acts a little more jockish too. Probably because you’ve been spending so much time around jocks, they’ve been rubbing off on you. Literally in one very special case. That’s right, the new you managed to do what you never could in college: get a jock boyfriend. In the original timeline he never even looked your way, but now Tim Wire, the most popular jock in school, is head over heels for you. You two seem to have a great relationship… Let's see if it lasts.

Another jump forward, a much bigger one this time. It’s been about 5 years since you joined the football team. You didn’t go professional, not because you couldn’t but because you didn’t want to. A guy like you could have been a superstar, but you and your fiancée Tim agreed you both wanted something more stable. So you opened up a chain of gyms. It’s a small business, but it has a lot of potential for growth, especially with you as the face of the operation. You basically have it made. You own a small, successful business, have a sexy husband, and are about to adopt a 3 year old. Your life is fucking perfect. Let’s see if it gets better.

A final jump forward. We’re 20 years after you joined the football team, back into the present. You’re still the old you, but that’s only because I have to ‘finalize’ the changes. Take a look around. You might not recognize this place, this huge mansion, but it’s your home. You, your husband Tim, and your adopted son all live here together. This must be your home gym, and I believe that’s you and him flexing over there. Looks like the little guy ended up taking after his dads. He’s huge for an 18 year old. He’s smart too, all ready to take over the family business when you retire. Your gyms are a very successful franchise now, if you can’t tell from the sheer size of your house. It’s just my opinion but I think your life really would have been better if you joined the football team back then. And now it can be. All you need to do is press this button, and finalize the changes. It’s your choice-

Ok, that was quick. I guess it was an easy choice. I hope you enjoy your new life. I would if I were you. I mean a muscular sexy husband, a son you can be proud of, a successful business and an incredible amount of muscles and confidence. You’ve got it made. I just hope we didn’t change too much. I didn’t realize you’d start a gym franchise. That could have a big impact.

I’m sure it’s nothing though. I mean, how many lives can a gym really change?

[firstkanaphans]

I know this post is only for like two people, but I’m going to make it anyway. So, my obsession with Dead Friend Forever finally reached critical levels and I resorted to binge-watching The Hidden Character just to get more content. For those that don’t know, The Hidden Character (which they literally call “THC”) was the reality show Be On Cloud used to cast DFF. It is bad. Like really bad. And not in a it’s-so-bad-it’s-good-type way. It’s one of the most exploitative pieces of media I have ever watched. I walked into it with a favorable view of BOC, Mile, Apo, and Pond (the CEO), and walked out of it hating all of them.

A small collection of things that happened over the 11-episode run:

Everyone was told that they had to share every single aspect of their life with the viewers or they would be eliminated. And, in fact, the first person eliminated was told that it was because he wasn’t being open enough with the audience. They filmed these boys—one of whom was only seventeen at the time—talking explicitly about their sex lives. Which is, of course, fine to talk about. It’s not fine to air it on television! Even some of the games themselves contained sexually suggestive content (i.e. Which do you prefer "eating" with—your hands or your mouth? If you were to cheat on your significant other, would it be just sex or a full-blown affair?)

During the first part of the show, everyone had a secret that the other players were supposed to guess. One of the player’s secret was that he used to be homophobic. (Questionable casting for a company that only hires men, but I digress). He was praised for having changed his mind. In contrast, JJay’s secret was that he was raised in an abusive household and had once hit his father. Pond crucified the poor guy for this. He made him sit there in front of the whole cast sobbing and apologize for hitting his dad who was an abusive asshole.

After the first half of the show—which served absolutely no purpose at all—we finally move onto the acting portion. This is, after all, supposed to be a talent competition. The judges were so mean. Especially Apo. He was like the Simon Cowell of BOC. There was no constructive component to their criticism. The fact that any of these people are still acting is honestly unbelievable. I would have gone home and cried myself to sleep and then never stepped foot on a stage again.

At one point, each of the groups was assigned a scene from KinnPorsche to act out (because BOC very clearly owns no other IP). One of the pairs was given the scene where Porsche gives Kinn a handjob in the bathroom. I wish I was kidding. 

The judges constantly told the contestants to make their scenes feel new and different but any time the actors actually tried to change anything, they complained it was “too” different and the original script was already perfect so who were they to think they could create something better. Once again, Apo and Mile, the original actors of these scenes, are the ones judging them! Like of course they like their version better. What is even happening??

And finally, the whole fucking thing was rigged for Ta to win. Like don’t get me wrong, I love Ta and I think he did a great job, but he was the only one who came into that competition with a built-in fanbase and the winner was chosen by popular vote.

It was all just…baffling. Especially from a company that claims to be trying to change the industry. Like if you want the industry to stop being so exploitative to its actors, maybe start with yourself? It also makes those condescending “how dare you watch our shows just for the NC scenes” press releases they do every week even more annoying.

I have no clue what the reaction to this show was while it was airing but god I hope they never do it again. It literally makes me feel so weird watching DFF now. I feel like those poor kids are being held hostage. Maybe CEO Pond’s been the one under the mask the whole time 🔪

[this-is-a-name-dont-worry]

things that seemed reoccurring this update:

- Meat

- peas

- jelly

- Hibernation

- Eddie's absence

- Acting out a script (Sally mumbling asking if it's her cue and Howdy changing the script of the narrator in Homewarming storybook, characters general interactions with the narrator, different moments in the video, like the Sally and Frank ad break or the song a barely silent night, where the two literally fight over who get to sing, Sally mentions she wrote the lyrics, and Frank says she already has a song. yeah all of these are easy to see as meta goofs in the original material, but it's the fact there's so much of it this update) (of course all this wrap up with the end of the video where Eddie and Frank are obviously acting off script)

- Being alone (Eddie not having any news of anyone and not even seeing anyone outside (which is interesting as the story says that Sally was up in a tree near his home and saw him fret over having nothing to do), Wally saying it's so quiet during Homewarming and it's just he and Home for a while (potentially the show putting out a christmas special and then being on break? can a show do that?), and in the normal website material, the end of "An ode to hibernation", Frank saying "Where all that's left is me", the "me" being a "...me?")

- Welcome Home being used to sell stuff (cigarettes, medicine, eggnog, cereals, and the cookbook lists ingredients that are a specific brand)

(I'm putting under read more my rambling thoughts so you can just reblog the list without having to see them)

so I can't really make sense yet of all the food stuff. Maybe there are cultural elements/expressions I don't know that explains it? But I still find it very interesting how fucking unhinged that cookbook is yet the commercial and the website treat it normally. The cookbook is overall extremely interesting, because some of the recipes seem to actually be written by the characters; Barnaby who only presents you weird hot dog dressings with pictures but no recipe (and all jokes), Frank who lists not just the ingredients but also the material, and overexplain each steps (at least overexplain compared to the other recipes. it's actually interesting to know why you do x or y), and Julie who turns her recipe into a game at the end, and felt a bit harder to follow? anyway.

The cookbook, the Homewarming tradition of hanging a ham in the tree, Santy Claus being said sometimes instead of Santa, the ham for Santa? Once again, the christmas commercials being so casual about some of the weird stuff it says and presents? This almost feels like an alien who only has a blurry grasp of Christmas and what humans enjoy made the cookbook and the live commercial.

Sometimes, Welcome Home feels like it never actually aired and produced things, but we're making it retroactively exist. Something is making it exist. Like a retcon of the universe, "What do you mean you never heard of Welcome Home? No, of course it always existed and was very popular, look at all this old material we find!"

So maybe whatever is making it exist doesn't fully get humans and accidentally creates things that are weird to prove its existence. Like a cookbook that tells you a single pea in a buttered plate is a classic meal, or that of course you give Santa ham on Homewarming! (tbh almost getting an AI weirdness feel)

But in total contrary, in its story, Welcome Home also feels like it always existed, but got somehow completely wiped from people's mind, as something caused its sudden stop, and its characters gained consciousness of what they are and their world. As an existential dread fell on them one after the other, slowly realizing something isn't right. As Eddie felt anxiety and nervousness over no one being there or contacting him, to then having the story acts lightheartedly about it, the narrator saying things have been solved but he doesn't feel it, and suddenly Home is staring at him.

Both "It never existed but the universe is being retcon into it existing" and "it existed but something terrible happened that erased it from peoples mind" seem plausible. If two theories contradict each other, that means there's a third one that needs to be found.

Maybe it existed. Maybe it truly was popular, but something corrupted it, leading to its disappearance. A disappearance so big it stopped to exist. And now the thing that corrupted it is trying to crawl back, make it exist again, but it's making it come back completely off.

Anyway.

Also, I think the show may have been on hold during the Holiday season, "hibernating", and the character who got some self awareness realized that something was off. They're alone because there's nothing new, so no one is there bringing life to the neighborhood.

[toaarcan]

What is the Default Toa Form?

So, theory time.

It's a common fandom headcanon that the natural state of all Toa is the Toa Metru build. The reasons for this are varied (but if I'm honest seem mostly rooted in the fandom's love affair with the build that came to an end during the TTV Hagah Contest rather than any actual lore), but I personally disagree with this.

So I'm going to run through the various Toa builds in roughly chronological order (with one exception) and determine whether I think they're likely to be the true default form of a Toa.

1) Helryx

Well, right away, here's one that probably isn't.

Helryx is the oldest build lore-wise, newest IRL. She's also kind of a "Meta Build", aiming to look like a forerunner to the Toa Mata build we'll discuss shortly, not by directly evoking the way the Mata were styled (I would argue that a lot of the Mata's identifying hallmarks aren't present in her), but by being primarily composed of parts from 2001 and earlier.

However... this isn't what Helryx always looked like. Nor is the art that actually represents the canonised design.

The intent of the contest was to create Helryx as she appears in the present, after thousands of years of wear, tear and repair. In the text, she's referred to as disturbingly frail and alien-looking compared to what Takanuva expects a Toa to look like.

Even if she once looked like a default Toa, she doesn't now.

Orde, the only other known prototype Toa, never received a canon design (for what it's worth, I won't be putting a lot of weight on the DuckBricks Fanon Contest designs, since they're, well, fanon. So Bukkey's Orde won't be factored in here, besides me noting that he has a more Mata-esque body than Helryx does).

However, another popular headcanon is that Krakua represents another example of this generation of Toa, as Helryx would've been the basis for Krakua's transformation.

Perhaps this is what Helryx would've lookedd like when she was healthy and built?

Well, as much as I like that headcanon, and will continue to use it in fanon, probably not. Based on the evidence we have of Toa transformations, both in-story through Takanuva and the Toa Metru, the transformation is pretty much 1-to-1 with current forms. The Metru all get Lhikan's build exactly, except for specifically their height. Likewise, Takanuva's build is identical to Gali Nuva's, despite him not being a Toa Nuva. He didn't resemble base Gali, he resembled her current form.

If Krakua was transformed in Helryx's image, he'd likely be just as small, spindly, and hunched-over as she is.

For now, Krakua remains a weird outlier.

2) Mata

While not as common a choice as the Toa Metru build, the Mata build has also been suggested a few times as "Base Toa," largely because it's the original. It's relatively simple, and depicting any given Toa as a Mata build is easy enough and looks good.

(I honestly prefer it over the Metru build. It's easier to put proper hips, knees and elbows on a Mata than it is to un-fuck a Metru's shoulders and neck)

However, the Toa Mata are actually pretty much unique entities within the Matoran Universe, unlike any Toa before or after them. They are the only Toa who aren't transformed from Matoran or built by the Great Beings, instead being created by Artakha.

As a result of that unique method of creation, it's entirely reasonable to suggest that the Toa Mata look different to every other Toa in the world besides Takanuva, who was transformed in their image. They're the only canonical Toa whose bodies directly resemble the Great Spirit Robot itself, use these specific colour schemes, and have its specific design language in their construction.

3) Hagah/Mangai/Metru

By far the most popular contender for this title, but one I don't personally agree with.

We don't know whether the Toa Hagah were built or transformed, but we know they were assembled from across the Matoran universe and given new armour upon recruitment into Teridax's team, and we have no idea what they looked like before they were given this armour, beyond Bomonga presumably already having his huge limbs. Additionally, the Metru were all transformed based on Lhikan, so it's him I'll be focusing on mostly.

Lhikan was transformed and was trained at a Toa Fortress around 6000 years ago. We don't know what the other Mangai looked like (though they're popularly headcanoned as being Metru too, no canon look for them was ever settled).

However, my stance is that this design is not the default (Lhikan would've been transformed in someone's image), but rather a cultural one, a sort of 'uniform' armour style adopted by Toa during the height of their power, when the Toa Fortresses were active and Toa were commonly trained by other Toa. The image of a Toa would've become a consistent thing, and caused almost all transformed Toa to adopt it for a time, making it almost a new default, but not the original, until the Toa genocide and the subspecies becoming largely extinct caused things to diverge again.

This is, to be specific, not a counter-theory I'm proposing to the "Default Metru" theory in and of itself, but rather a part of a wider theory, explaining the commonality of the Metru build when I think that the last spot on our list is the real default.

And that leaves us with only one option.

4) Inika/Mahri/Cordak/Nuva 2.0/Glatorian

So yes, I think this is the default Toa build.

That might strike you as weird, considering that the Inika are only transformed at the beginning of the Ignition Arc, right before the end of the story in terms of the MU's timescale, and the Nuva adopt this design even later.

But let's consider a few points, shall we?

First off, the Toa Inika are the first and only Toa team we see who are transformed into their Toa forms, and do not have their appearance influenced by previous Toa. And while there's some weirdness with their heads and powers, their bodies seem pretty normal, and remain as such after their Inika weirdness is removed by the Ignika.

Secondly, we know the Great Beings made the Matoran based on the Agori, and the Toa based on the Glatorian. The first Matoran, the default form of a Matoran as it were, are the Av-Matoran, who use the same build as the Agori exactly. Should it not stand to reason that a default Toa uses the same build as the Glatorian?

Additionally, like the Glatorian, the Inika build and its derivatives have by far the most variation from individual to individual. True, we've never seen a Toa as weird as Strakk, but that doesn't mean that none existed.

Thirdly, there's one more character we haven't discussed thus far.

And this, then, is my smoking gun.

Lesovikk was a member of the first Toa Team, and one would assume based on that information that he's a purpose-built Toa. Well, he isn't. He's transformed. Given how rushed the Great Beings were at the end of the GSR project, I wager they found it easier to make a small number of Toa and then have them immediately transfer power to Matoran than it was to make thousands of Toa from the off.

Lesovikk may well be the first Toa transformed, and if he was, then his transformation would either be free of influence from anyone, or in the direct image of whomever transformed him, who could only be a default, purpose-built Toa.

"But wait!" I hear some of you typing already. "Lesovikk is a mutant, we have no idea what his true form looks like!"

Or do we?

Let's look at another character who was affected by Pit Mutagen in 2007, shall we?

This is Defilak, a Matoran of Mahri Nui. Like all the residents of Mahri Nui, he once lived on the Southern Continent, and later Voya Nui, after an ill-fated trip to Karzahni.

He used to be a weird little gremlin Matoran like his brethren from 2006, and transformed into the form above after being immersed in Pit Mutagen.

But here's the twist: Rather than simply mutating them directly from their twisted post-rebuild forms, the Mutagen actually reverted the Matoran of Mahri Nui to their original forms first, and only then started to mutate them.

This is Defilak's default form. This is what he always looked like, just with added weapons.

With that in mind, I think it's safe to say that Lesovikk is likely in the same boat: Reverted to his original form before the mutations started.

With the exception of the tube-like gill, I think it's more than probable that Lesovikk is mostly-normal still, and as such, is a very early Toa with a Mahri build.

With that in mind, I conclude that the default design for a Toa is a 2006-2009 build, with Helryx being the product of damage and repair, the Metru/Mangai/Hagah being a cultural design, the Mata being Artakha designs, and Krakua being a weird outlier.

[howtofightwrite]

What is the difference between fencing and actual sword fighting, exactly? If I were to throw an olympic fencer against a master swordsperson, what would the most likely outcome of such a fight be?

The first and most obvious answer is that only one of these individuals is trained for combat.

The second answer is that only one of them uses (and trains with intent to use) a real weapon.

I’m going to assume this question revolves around an Olympic fencer dueling with a master swordsman with a live weapon and not in accordance with Olympic fencing rules. An Olympic fencer’s best chance at winning is a bout with a modern epee/saber under Olympic fencing rules and it’s also the case where (probably) no one dies or is gravely injured.

Olympic fencing is a sport. As a result of its evolution, it’s pretty much unrecognizable as even a martial form today and, in pursuit of the new requirements for winning, has divested itself of the weapon aspect. While much of the terminology remains the same, the key difference to grasp about Olympic fencers is that they’re not trained to fence around the idea that the sword in their hand is a dangerous weapon (because it isn’t.) In fact, the ultimate goal of winning in their sport (score points) is hindered by that mentality. To the Olympic fencer, it doesn’t matter if they get hit so long as they score first and have right of way when they do. If those at the top of the sport were handed a real historical epee, told to fence, and changed nothing in their approach, the end result would be a double suicide. (Which is ironic because that’s one of the reasons why the epee was restricted historically. When it came to dueling, it was a little too efficient.)

There is no caution here because there doesn’t need to be. Tactics and techniques which will cause a fencer to commit suicide against an opponent with a live blade work exceptionally well once the risk of death is off the table.

This isn’t just restricted to Olympic fencing. If you take any martial art that has transitioned to a sport and put the practitioner up against someone who kills people for a living, even if they are one of the best in their field, they will be at an inherent disadvantage. The requirements for winning according to the sport’s rules are vastly different from the requirements for winning in a life or death situation.

And that’s just the first hurdle.

The next hurdle is the weapon itself.

Duels are specifically between weapons of the same type. This rule is meant to level the playing field and ensure the duel is decided on “skill” rather than weapon advantage. Depending on their point of origin (for the purpose of this question, I’m assuming European) a master swordsman would have been familiar with and likely trained in several different sword styles, depending on era would be a master of their own school or in the employ of a noble house. If you need a comparable profession for a master duelist, think of them like lawyers. Except, the victory was decided by skill with a blade rather than a compelling argument. (We could say that skill with a blade is a compelling argument, but I digress.) One doesn’t get to be a master swordsman until after many years of study with the blade and victories under their belt. Depending on the era of history, the duel requirements of the duel could be anywhere between armored or unarmored, to first blood or to the death, and cover a variety of different swords, each with their own developed styles (and that is styles plural.)

Our Olympic fencer will be fucked by varying degrees depending on the live blade in question but, make no mistake, they’ll be pretty much fucked by any option picked. Running counter to their ubiquitous nature in popular culture, swords are not one size fits all. Outside of common principles there’s almost no training crossover. Every sword handles differently. These variations include length of the blade, length of the hilt, location of the crossguard, the weapon’s weight, the weapon’s weight distribution, the location of its balance point, whether it is primarily used with one hand or two, whether it is primarily a weapon for thrusting (the rapier) or cutting (the saber,) etc. Their grip would be off, and  probably wouldn’t be able to hold the sword properly.

The modern version of a fencing “sword” is not equivalent to any of these. Their closest stylistic match up in terms of inherited movement is the 19th century epee, but we’re still miles apart.

Then there’s the mentality issue.

The Olympic fencer hasn’t trained around the idea that death or major injury are accidental. Possible, yes, a risk, yes, but in the same way they are for any other sport. These are surprise, tragic occurrences and not part of regular bouts. For reference, in terms of the dangers of physical contact, a modern fencer faces less risk than a football player. For the master swordsman, the opposite is true. There is no variant of historical dueling which doesn’t risk death in some capacity, whether that’s a confirmed death on the dueling field itself or from an injury or infection later. Those historical circumstances where you see individuals dueling topless is (ironically) for practical reasons and not titillation. Many duelists, victorious or not, died from infection after cloth or other detritus got into their wounds. In this way, our modern Olympic fencer is less prepared than a duelist of average skill, much less a master.

Is the Olympic fencer ready to put their life and body on the line? To risk death, permanent injury, a potential blinding in one eye, in a bout that, at best, involves zero physical protection? I’m not sure. Probably not off the cuff. It requires a different mindset.

Are they ready to inflict damage on another person? Are they ready to kill another person? And even if they’re ready, are they willing to? Are they resolved to? Are they ready to risk their own life in pursuit of it?

The Olympic fencer is on the starting line with these questions.

The Master Swordsman has already answered them.

One of the difficult aspects about writing violence and characters who practice martial disciplines with intent to exercise those skills is internalizing the risks involved and ensuring their a natural part of your character’s mindset and their approach to combat.

Fiction is an illusion. Your narrative’s world is as real as you, the author, choose to make it. Characters are immortal, have infinite stamina, possess skill with every weapon, are unbeatable unless you choose otherwise. Regardless of reality, if you choose to make an Olympic fencer and a Master Swordsman fight exactly the same way with the same skill set, that’s how it is.

I’ve seen plenty of published authors treat swords as universal and modern Olympic fencing like it lends their character any real martial skills. (I mean, beyond excellent conditioning.) You can do it and get away with it if that’s what you want. Personally, I find it less interesting because it cheats the character out of their growth. Also, you don’t need to lean into that approach for “Girls Can Fight” or as a way for a female character to gain combat skills because there were female fencers who trained on the blade.

Ways for the Olympic fencer to win:

Dumb luck.

Yeah. That’s it.

The Master Swordsman should knock the blade out of their hand, take the Olympic fencer under their wing as their apprentice, and wander the world together solving crimes.

10/10.

-Michi

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[jeff-from-marketing]

Hey it's been a hot minute, I'm gonna go off about Helldivers 2 for a bit, because the whole thing fascinates me.

Funnily enough it's not even the actual game itself that truly fascinates me, as great as it is. I do genuinely think that, while not perfect, it's a very solid game that knows what kind of experience it wants to deliver, and does a fantastic job delivering on it. The Starship Troopers-esque satire is hilarious, and I love how much the gameplay reinforces that satire through things like reinforcements canonically being a whole new Helldiver sent into the meat grinder, and that the mission still counts as a celebrated victory even if you never make it back alive. I could even talk about how the objectively clunky system for calling in orbital support is actually a positive for the game, but only this game and the type of experience it's selling.

But none of that is what fascinates me about this game so much. Because y'see, I played the first Helldivers game, and it was also a great bit of fun! It's actually why I was interested in the second one to begin with. But I also know that the first Helldivers was not a very wide reaching game, none of Arrowhead's games have been. They've not done poorly by any means, they're still in business and have been for over a decade now. But they've always been fairly niche affairs. Until now. To really sell the picture, I wanna rattle off player counts for their previous games:

Magicka in 2011, Arrowhead's first big game and published by Paradox, had an all-time max player count of 11,727 players according to SteamDB. I don't believe it was on any other storefronts, but I could be mistaken. A quick wikipedia visit tells me that the game sold roughly a million units over a year which, again, not bad! Especially for a game that is admittedly fairly unusual, but is a lot of fun!

The Showdown Effect in 2013, which I only just found out about right now after double checking my numbers, had a all time high of just 3,284 according to SteamDB, and is now delisted from Steam. Though apparently there's a remake from another company happening? There's a lot less info on this one in general.

Gauntlet in 2014, this one I do know a bit more about since I also played this one. A remake of the original 1985 game, and was a good bit of fun as well! This one is trickier to get an accurate player count reading, because it did have a PS4 release and those are harder to find numbers for. Regardless, it was also on Steam, so therefore I can use those numbers at least, which gives me a max consecutive player count of 12,730. I don't know how much PS4 factored into this.

And now we get to the real interesting one: Helldivers 1. Again, this is tricky because not only was it on console, but it was actually on console before it was ever on PC, which heavily skews numbers. SteamDB has the peak at just 6,744, but this doesn't sit right with me. I've seen estimates of 50k people around the place, some say 35k, but never a solid source. It's also very difficult to search atm because of how much Helldivers 2 is blowing up. Speaking of...

So Helldivers 1 is their most popular game, and I'll be generous and say that the 50k count is the accurate one. So surely Helldivers 2 can't be that much more- oh I'm not even going to pretend, you already know what's going on here. The game has reached ~450k concurrent players just on Steam alone! And the game also exists on PS5, and if I recall correctly: there's official statements saying that the player counts are roughly equal with each other. That means a peak of ~900,000 individual players. To illustrate how bonkers batshit insane that is, motherfucking Fortnite has a current consecutive player count of roughly one million.

Let me reiterate: a game that came out of basically nowhere with little marketing, from a small studio with only about 100 employees, is rivaling the juggernaut that is fucking Fortnite. That is insane.

As someone who has played all of Arrowhead's previous games besides The Showdown Effect, this is bonkers. There's a reason the sentiment was "there's no way to have predicted this" when the servers were at their worst, because look at the previous data! How is anyone supposed to predict a sequel to a niche game (from a company very few people have heard about) to get a ~1800% increase in max player count? Their initial server capacity was 250k, which would've been very optimistic if you were just going by Helldivers 1 numbers. But then that wasn't enough. And then 360k wasn't enough. And then 450k wasn't enough. We're now at 700k server capacity and just finally getting things under control. This game just exploded in a way no one could have reasonably predicted. And I have no idea why this is the case either.

I'm not saying it's not deserved; it absolutely is! Like I said, game is great, and there's not even any shitty business practices I can bitch at this time! It's just so sudden and out of nowhere that it baffles me. Such a small percentage of these players would've even heard of the first game, let alone played it. It didn't have a massive marketing campaign, this is pretty much all spread through word of mouth, which is insane in its own right. It's not even like the game is entering an untapped market, it shares its existence with games like Deep Rock Galactic, Vermintide, Darktide, the actual Starship Troopers game, probably some others I'm forgetting. And yet, despite all of this, it breached containment something fierce. I don't have a big conclusion to make from all this, I'd love to be able to say "oh people are just getting tired of Triple A- oh I'm sorry, Quadruple A gaming and this is a breath of fresh air" and it is that, as was Baldur's Gate 3, but I'm not naive enough to think that's the main reason. Not when so many other great games continue to go undiscovered, and so many people still end up buying whatever the next big Triple A thing is. It's a great game to play with friends, and there's a lot going for it and a lot of charm, but such is also the case for the other games I already listed in this paragraph and they don't see the same popularity.

Whether it's just dumb fucking luck, or a really oddly specific set of circumstances at play that I can't see, I'm just dumbfounded and flabbergasted. But I'm not exactly gonna complain. It's fun getting sent into the meat grinder to spread Managed Democracy, and I'm glad the game is doing as well as it is, though I do hope that the devs get to have a bit of rest once the dust finally settles a little bit.

[atopvisenyashill]

What are your thoughts on GRRM’s new notablog post on HOTD S2?

omg i'm sorry so i did not get notified that i had a few new asks, i didn't even see this until i logged in on desktop. tumblr eat shit smh.

ANYWAYS.

I actually agree with Xiran Jay Zhao, here, where they said this was a warning shot. It feels like a warning shot. Like a "hey I'm being nitpicky and pedantic now but if you think I won't go scroched earth you got another thing coming." I've seen so much "this is unprofessional" "this is annoying" "why is he complaining" and I think it is not only mind boggling to side with a corporation and the idiots running these shows (and we know I mostly like Condal and Hess, but come on Condal was the mastermind of Sansa Bolton why are we defending him right now!!), I think everyone is blowing his comments wildly out of proportion. He didn't take a dig at anyone but the writer's room and more specifically Ryan Condal, who he has had a working relationship with for well over a decade. He didn't shittalk any casting, he didn't shittalk any specific writers or directors except one of the main showrunners, he compliments the special effects, he has consistently had (and imo is careful) nothing but praise for the actors, even minor roles like Blood & Cheese. This was an incredibly milqtoast "please remember that every change has huge affects on the narrative later" critique and the people handwringing over his behavior are absolute losers, I'm sorry.

And beyond the fact that he didn't make any huge digs, I think this conversation also wildly ignores the way authors have no control over their own characters once they sign the rights over. They can be completely bamboozled by changes and they have no recourse to go "what the hell are you doing." And yet, signing your book's rights away (even if the production sits in developmental hell for decades) is usually what nets these author's the most money - GRRM surely makes a shitton off his books, but most authors get paid absolutely nothing even when they're wildly popular because of how book deals work now. Take, again, Xiran for example - Iron Widow was a huge runaway hit, a good and fresh take on this new boom of culturally based sff. And yet Xiran has talked about how they immediately set to work writing a middle grade novel because they desperately needed the money because they got paid 16k over two years for their runaway hit that made their publishers significantly more than 16k. I think George is not only mad for authors with less control than he has but also, obviously, for himself - I've said time and again, but I do think Dark Daenerys is where we are headed, and the fact that they completely botched showing it has got to smart. And if the ending for Dany is anything other than Jon killing her, that has got to smart too. So he watched these people fuck up his original series and push him completely out of that writer's room as they made more and more changes, and now he's watching s2 of HOTD and seeing some changes and getting some real bad vibes. It's not doomerism to think s3 is going to go massively off the rails when we have seasons 6-8 of the main show to show us just how off the rails it can go!

So anyways, that part of my rant over (and please believe me when I say I checked myself here because I could rant for hours about how it's genuinely so upsetting to see people call him unprofessional over this when not only did he write the fucking series, but he's lived in this series for three decades!!!!! this is his whole life, this is his legacy, of course he's feeling some type of way about how it's handled jesus christ on a cracker, there's people who have said worse about their mediocre nyt pushed bestsellers getting adapted badly!), when it comes to the actual meat of his post....I'm sorry idk how anyone is annoyed by this post because it was hilarious to me. He spent a whole blog post whinging about how Dead Baby #4 and Kingsguard Man #12 are gonna get cut out of the show. I think he framed it in that goofy way on purpose to hide how annoyed he is but you can see where the real annoyance lies - the changes to Helaena, losing one of his grisly death scenes, and being willfully mislead about potential changes to the plot. I think a lot of people missed those points but EYE am not a goofy ass like those people and I can guarantee you that Condal and HBO got the point too.

Of course, I do think he is also irked about Maelor and Ser Rickard's scenes being cut out. He wrote a long ass, highly meticulous, near unadaptable work, and I think when he handed the IP over he assumed he was giving it to people who would rise to the challenge and only make cuts when absolutely necessary. And that just clearly hasn't happened. Incredibly important characters get cut, main characters get their plots wildly changed for no reason, and people get personality transplants on a near constant basis for no other reason than D&D and Condal thought it would look cooler. I think if there was more dedication to keeping him in the loop and keeping true to the story, he wouldn't have bitched so much. But Hess is on record saying she doesn't feel loyal to the story and at a certain point, you reach your breaking point there and I think he has finally reached his. AND GOOD FOR HIM. LET THAT OLD MAN GO APESHIT THEY'VE COMPLETLEY FUCKED HIS WORLD UP!!!

[holy-reference-in-a-username]

Hi, random comment but Holy shit your half-transformed Monster Tom with the mouth in his chest is so fucking cool! Also, monsterfucker Tord is so real! Can only imagine Tord's reaction when he saw Tom like half-transformed for the first time.

THANK YOU! im like. super happy with how i draw tom, monster form ABSOLUTELY included. i put like. way too much thought into it lmao but ive always been a fan of unique creature designs so what else is new.

RRRAAH RAMBLINGS UNDER THE CUT

so ive been obsessed with the concept since i figured out what exactly happened during PowerEdd, ~2015. tom was kind of already my favorite but i only got more obsessed now that i could draw him with claws and fangs now.

(lmao old art^ lets all point and laugh)

when i finally got back into eddsworld this most recent time and started thinking about how i'd draw the guys i already knew i wanted tom to be trans, so when i started sketching i drew him with top surgery scars... which kind of looked like teeth... and the canon monster design already has a mouth on its chest/head... it just worked!!

...

ok tangent time- i dont like the canon design very much (the combined head/torso is Very limiting for poses. F!!!) but i also have never really liked the popular fanon of just making monster tom a wolf with horns and a single eye. it always feels so reductive!! do you KNOW how many monsters there are out there who are just "big dog/cat plus one fantastical feature"???? MANY!! so i was pretty determined to find a design i liked (one that was both flexible and fairly unique) before putting it in anything.

...and the partial transformation cliche of just putting accessories on a character is SUPER boring to me. so i wanted something that would be an actual halfway point to a fucked up freaky creature that is only barely humanoid.

ok back on track it took me like fuckin forever to finally get the final ~50% design together. i tried mimicking the merged torsohead of the canon monster and it just left me disappointed. :/

the single blank eye instead of the rest of the face was a god damn GENIUS move i am so proud of it im pretty sure the first time i drew the design was the actual draft sketch for the comic. because fuck making reference sheets!! the design's in your mind, right???

oh! as for the second half of your ask, the first time Tord saw Tom half transformed was right here^^!!

then a couple weeks after that i managed to find a 100% design i liked that still looked like a reasonable end point. at which point i actually made a little ref sheet! BEFORE i used the design in a comic!! it hasnt gotten much use but i still like it :)

i took a much more wyrm-like horizontal approach as opposed to the vertical design of the original, but the arms (connected to top of spine, directly behind head) and legs (close to the bottom, optional) allow it to still match the original's body plan, especially from the front view. then extra legs, big spiky scales, even larger mouth... because who wants just a dog with horns am i right!!

ahaha so basically im incredibly proud of how the design turned out so thank u for liking it :))

[sammysdewysensitiveeyes]

My Morph primer

Since X-Men 97 is drawing in a lot of new fans with varied levels of experience with the original animated series or the comics, I figured I could give a write-up of who Morph is, where they come from, and why you don’t see them in any of the movies or other media.  This is also an excuse for me to write about an obsessive fave, seriously, they are all over my blog. I'm not necessarily an "authority," but I've watched TAS and read the comics, which are the basis for this write-up.

Who is Morph?

"Wolverine! Fall back!"

Morph is a shapeshifting mutant who was added to the X-Men team in the original X-Men: The Animated Series as a redshirt/sacrificial lamb, to be killed off For Real in order to show that the stakes are really high.  Originally it was actually going to be Thunderbird, a short-lived X-Man who died in the comics just a few issues after he was introduced, and has remained dead for decades.  But creators realized that killing off the only Native American character on a mostly white team was a bad look, and went with Morph instead.  Morph proved surprisingly popular with (mostly child) viewers, and was brought back in the 2nd season as a result.  Morph in TAS was originally presented as male using male pronouns, but I’m gonna use they/them for the character since they are nonbinary in X-Men 97.

(Btw, even Morph's TAS costume shows their redshirt nature, as they are basically wearing a variant of the standard X-Men uniform that different groups have worn, with the Original Five (Angel, Jean, Cyclops, Beast and Iceman) and the New Mutants all wearing something similar. There was a time in the 90's when all the X-Men were wearing this uniform to try to give them a team look, but thankfully that didn't last, the individualized looks are much better. Morph's amazing disappearing reappearing jacket are the only personalized touch in their uniform, and I hope X-Men 97 gives them a costume upgrade after everyone gets used to the new look.)

Morph doesn’t appear in many episodes of TAS, but here are the definitive ones:

Season 1:

Night of the Sentinels Parts 1 and 2: Morph seems to be an established part of the team, a wise-cracking shapeshifter who is so naively overconfident about their mission that they’ve practically got a target painted on their back.  When the mission goes wrong, Morph pushes Wolverine out of the way of Sentinel lasers, and gets blasted all to hell.  Morph’s supposed death (which was meant at the time to be a real death) is sensed by both Jean and Xavier.  Cyclops orders a retreat because the team is getting their asses kicked, abandoning both the (dead) Morph and (alive but injured) Beast, who spends the rest of the season in jail.  Morph is quickly forgotten as a character, BUT the impact of their death is felt throughout the season.  We get Wolverine yelling “This one’s for you, Morph!” while slicing up a Sentinel, and Cyclops in the finale insisting, “I’m not leaving anyone behind!  Not this time!” 

Season 2:

Till Death Do Us Part, Parts 1 and 2: Morph returns as a villain, but a sympathetic, brainwashed villain under the control of season Big Bad Mr. Sinister.  Sinister is an evil scientist who likes to fuck around with mutant genetics and is especially obsessed with getting Scott and Jean to fuck, because their child will supposedly be an extremely genetically superior mutant.  After Morph’s “death,” they were taken by Sinister, who revived them and implanted a control device into Morph’s brain that he uses to literally torture Morph into compliance.  Morph seems to have a kind of split personality, which Sinister exacerbates and encourages, shifting between a haggard-looking Evil Morph who wants revenge on the X-Men for abandoning them and cracks jokes while attacking the team, and a normal-looking Good Morph, who doesn’t want to hurt their friends, and is generally scared and confused and having a Bad Time.  If you are wondering about Morph turning into that version of themselves with dark circles around their eyes in X-Men 97 “Fire Made Flesh,” it was a reference back to this:

Evil Morph lookin' reeeeeaal creepy.

Morph uses their shape-shifting trickery to fake marry Scott and Jean (as the priest), impersonate Xavier and turn the team against each other, until Wolverine identifies them by scent.  The team then chases Morph to Sinister’s lair, where he’s captured a honey-mooning Scott and Jean.  Morph has been struggling with the brainwashing the entire time, and breaks free long enough to attack Sinister, then runs off away from everyone. 

Whatever It Takes: Wolverine, who has declared the Morph is “the only one who could ever make him laugh,” chases Morph down to Brazil in an attempt to drag them back to the team.  Morph, still fighting their dark side and flipping back and forth between the two personalities, taunts Wolverine in Jean’s form, fights him, and eventually gains enough control to tell Logan to back off. (“I have to get through this by myself!”) 

Fighting your friend in an abandoned mine shaft, a totally normal thing to do.

Wolverine reluctantly lets them go.  This the B-plot, the main plot of the episode features Storm and Rogue confronting the Shadow King in Africa, and is also really good.

Reunion Parts 1 and 2: Morph leaves a message for Wolverine stating that he wants to return to the team, in what seems like an obvious set-up for a trap.  Wolverine, Jean and Cyclops go to retrieve them, and find that yes, it is a trap.  Morph attmpts to warn the group to leave, but they are jumped by Sinister and the Nasty Boys, and the fight ends with Jean being taken, and Morph (still struggling against Sinister’s control), going semi-willingly.  The whole team winds up at Sinister’s base in the Savage Land and there are a lot of good character moments, like Gambit telling Rogue he loves her.  Morph spends the whole time still fighting against the brainwashing, but throws it off completely at the end (with Xavier’s help) and turns on Sinister, helping Scott and Jean defeat him.  Morph is then Put on a Bus to Muir Island so that the writers wouldn’t have to deal with the character but could hold them in reserve to use later.  Xavier comments that he can remove Sinister’s mind-control chip from Morph’s brain, but that “removing the psychic damage will take longer.”  So the answer to “Where’s Morph?” in later seasons will always be “Recovering on Muir Island, probably hanging out with Moira and Banshee.”

If you are a Morph fan, Season 2 is THE Morph season, they get a great character arc that fleshes them out, and establishes their close relationship with Wolverine.  I’m glad they didn’t toss out Morph in X-Men 97, both because I like the character, and because Morph’s entire arc in Season 2 was about their struggle to come back to the team, and constantly reaffirms that Morph is one of them, and that they belong with the X-Men.  Also, I know Tumblr love an angsty, suffering blorbo, and good God does Morph suffer in Season 2. 

(Someone is having a Bad Time).

Season 4:

Courage:  After getting only a couple of non-speaking background cameos in Season 3, this is Morph’s comeback episode in Season 4.  Morph believes that they are fully recovered and ready to rejoin the X-Men, while both Moira and Xavier seem to think they are not ready, and warn them to slow down a little.  Morph tries to jump back into their old role, makes jokes, and goes on a mission with Wolverine, but is clearly still dealing with PTSD and completely freezes up when Sentinels attack the mansion and kidnap Xavier.  Morph is left at the mansion while the X-Men go to rescue Xavier, but follows them anyway, and manages to play an instrumental role in stopping the Sentinels and saving Xavier.  Despite this, Morph decides that they are not ready to return and cannot be relied upon in battle (because the writers didn’t want to deal with using the character on the team), and goes back to Muir Island.  It’s a standard “character fucks up at the start of the episode but saves the day in the end” superhero cartoon story, and I was a little disappointed that the episode focused entirely on Morph’s “near death trauma” from the Sentinels and not the much worse “brainwashed and tortured by Sinister to the point of developing a second personality” issue.  The closest we get to addressing that is Morph pointedly walking up to Cyclops with “Scott…been a long time….” which sounds like a way of saying “We’re cool now, bro, I promise I won’t try to kill you.”  Still, we get some great Morph and Wolverine moments, and Morph kicks a lot of ass at the end.  After Morph spends most of the series either dead or suffering, I don’t mind an episode where they get to kick ass. This episode also establishes that Morph was suffering from serious nightmares for awhile, so consider that a canon excuse to put that in your angsty fanfic.

(Morph also gets a non-speaking cameo in Beyond Good and Evil Part 1, sitting next to Jubilee at Scott and Jean’s second wedding.  I think it’s sweet that they were invited, but can also imagine Scott putting them in the front row just to ensure that there are no more “fake priest” shenanigans.  “Let’s put Morph where I can see him….just in case.”)

Season 5:

Graduation Day: After Xavier is attacked, Morph returns to help calm mutants world-wide by impersonating Xavier and making a public call for peace.  Morph doesn’t do much in the episode, but they get an individualized goodbye from Xavier while he is addressing the team one by one, and it is clear at the end that Morph is officially back with the team.  In other words, the writers could give Morph a happy ending of coming back since the show was ending and they didn’t have to deal with it going forward.  Thankfully, the X-Men 97 writers were happy to pick up that ball and continue running with it, and I love what they’ve done with Morph so far!

Were there shippy vibes between Morph and Wolverine in the original series?

I dunno friend, watch “Whatever it Takes,” and “Courage,” and you tell me.  Morph shifting into Jean to taunt Wolverine definitely gives me vibes of “There’s something going on there.”

Is Morph in the comics?

(Note – I’m using he/him for all comics versions of Morph because those versions all apparently ID as male.)

The answer is yes, sort of.

Changeling:

Morph was loosely based on an obscure, long dead shape-shifting mutant from the X-Men’s original 60’s run.  Changeling was a villain with a tacky costume who acted very much like a standard 60’s comic book villain, associated with a terrorist group called Factor Three. Look at this fucking dude:

  At the end of the Factor Three arc, it turns out that Factor Three’s leader, Mutant Master, is an alien who wants to destroy ALL life on Earth to make way for his own people, and the mutants in the group turn on him and help the X-Men. Changeling is the first one to question Mutant Master’s motives, and that’s probably the only interesting thing he does in the whole story.  Several issues later, Xavier supposedly dies while helping defeat a villain named Grotesk and save the world.  This story is retconned near the end of the run, when Xavier is revealed to be alive, and explains that the dead “Xavier” was actually Changeling.  Changeling had discovered that he was terminally ill, and came to Xavier seeking redemption.  Xavier asked Changeling to temporarily take his place as Xavier while he shut himself up in the basement to prepare to stop an alien invasion (and no, the X-Men were not informed of this, besides Jean, and yes, that is really fucked up).  So Changeling became a reformed villain and honorary X-Man who went out in a heroic sacrifice, and was almost never mentioned again.  (Even now Changeling appears to still be dead in the comics, even though the current storyline has allowed ALL the dead mutants to come back.  Even Thunderbird is back.)

Changeling was greatly reworked to become Morph, totally changing his personality and origins.  The only similarities are the shapeshifting powers and physical appearance.  You can see how this guy:

Became this not-actually-a-guy:

Or even this version:

X-Men 97 Morph got a real glow-up to their human form.

Of course, they also share the trait of being a sacrificial lamb plot device, and X-Men TAS creators were originally going to call the character “Changeling,” but changed the name to Morph because DC’s Beast Boy was called Changeling at the time.

Age of Apocalypse Morph:

In the 90’s, there was a cross-over event over all the X-Books called the Age of Apocalypse, in which a time-traveller (Xavier’s son Legion, long story) murdered Xavier in the past before Xavier formed the X-Men, and created a dystopian alternate reality in which Apocalypse had taken over and Magneto led the X-Men.  This was a kind of what-if event that let writers have fun with switching up character relationships, turning good guys bad and bad guys good, and of course, killing a lot of characters off.  The event only lasted about four issues before it was all undone and we returned to the main Marvel universe, so they could really go wild.  In the AoA book Astonishing X-Men, Magneto’s team includes a character called Morph, a versatile shapeshifter with a pasty white made-of-clay look, and a jovial, upbeat personality that is clearly based on TAS Morph.  (This change to character design is where X-Men 97 Morph’s white, featureless appearance comes from).

Just a silly little guy!

AoA Morph is also stated in the book to have been formerly Changeling, before undergoing a name-change and attitude adjustment, making him an AU variant.  He explains to Sunfire at one point that he never takes anything seriously because fuck it, he’s probably gonna die anyway, he may as well die with a smile on his face.  AoA Morph is pretty cool, he does great shapeshifting tricks, and has some depth and heart beneath the obnoxious jokes.

Exiles Morph:

After Age of Apocalypse, the fan-favorite character Blink (like Morph, another alternate version of a short-lived character in the main comics timeline) gets pulled out of the AoA timeline and placed on a team of time-displaced X-Men.  This team, all coming from alternate realities and including some other minor neglected characters (like versions of Thunderbird and Mimic), is tasked with hopping through realities, putting things right that once went wrong, and hoping each time that the next leap will be their leap home.  The team also includes a version of Morph, who is so similar to AoA Morph that Blink mistakes him initially for her old teammate.  This is another AU variant of Changeling who was never Changeling, but instead was recruited into the New Mutants (a bit of an age retcon for the character, as 60’s Changeling seemed much older, while Exiles Morph is clearly much younger.)  Exiles Morph was a popular hero in his reality, served as both an X-Man and an Avenger, and is an incredibly powerful shapeshifter.  He also winds up being a long-running mainstay of the Exiles team, so this is really the book to read for Morph content.  Exiles also fleshes out the character’s past, stating that he was born as a shapeshifting blob with X-gene already activated, and only assumed a human appearance to fit in with peers.  He also lost his mother to cancer at an early age, and his obnoxious jokey personality was partially a reaction to that, an attempt to both cheer up and get some attention from his grieving father.  Exiles Morph is a great character, my only complaint is that he is a bit of a sex pest, constantly making “jokes” that border on sexual harassment of his female teammates.  I don’t think he’s meant to actually be a creep, he never actually does anything, and when the teammate he has a crush on reveals that she is a lesbian, he steps back and acts as a supportive friend.  I think Exiles Morph just suffers from late 90’s early 2000 writing where the funny jokey character has to be all “LOL, Boobies!” all the time, just so we know he’s straight.  (Funny, given how not-straight X-Men 97 Morph seems to be.)

The Other Morph: Benjamin Deeds:

Brian Michael Bendis, in his Uncanny X-Men run, introduced a new character named Benjamin Deeds who could shapeshift, and looked suspiciously similar to a teenage version of Changeling/TAS Morph.  His personality was different, though (more of a sulky teen trying to deal with being a mutant than a funny guy), and the nature of his powers is different.  Benjamin has what is described as “chameleon-like” shapeshifting, taking on the physical characteristics of people when he gets close to them rather than fully shifting forms.  He also exudes a chemical that makes people automatically like and trust him.  Emma suggests the codename “Morph,” and although Benjamin doesn’t like it, it becomes his official codename going forward.  I don’t think Ben actually has any real connection to Changeling or TAS Morph, he seems more like a legacy character or winking homage, like Pyro II (Simon Lasker, who inexplicably has the same powers and looks almost exactly like original Pyro, St. John Alledyce).  He’s fun character and a cute lil’ guy, though.

There are people who call TAS Morph an “original character” completely invented for the cartoon, and I don’t think they’re entirely wrong.  Morph is VERY different from Changeling,  But to me, it makes the most sense to consider TAS Morph another AU variant of Changeling, given all the influence back and forth between the comics and the cartoon.  Morph was based on Changeling, and Morph’s popularity led to AU versions of Changeling in the comics with TAS Morph’s personality literally named “Morph,” and now X-Men 97 Morph has been redesigned to match AoA/Exiles Morph’s appearance.  They are variations of the same person.  And it’s not exactly the first time that a comics character has been drastically reworked in an adaptation – I’m looking at you, First Class Mystique and Evolution’s “Lance Alvers.”  I wonder if people would still be calling Morph an “original character” if they’d kept the name “Changeling,” since keeping the name seems to be all it takes at times.  Still, TAS Morph is kind of right on the border between OC and “adapted from the comics,” and even I tend to include them in groups of “created for the cartoon” characters like Firestar, Spyke and X-23.

Why is Morph tagged as “Kevin Sydney/Sidney”?

Because that is the character’s name, more or less.  TAS Morph didn’t have a “real name” in 92, because Changeling didn’t (similarly, Rogue also didn’t have a real name because the character hadn’t been given one in the comics.)  In Age of Apocalypse, characters called Morph “Sydney” or “Syd,” and Morph even referred to himself that way in a thought-balloons, but the Exiles writer apparently decided, “Nah, it’s a last name,” and officially named Morph “Kevin Sydney.”  The name stuck, and the 2004 Marvel “Book of the Dead” gave Changeling that name in the entry on him.  Morph’s name has never been given in the cartoon, but it’s probably safe to assume that their official “human name” is Kevin Sydney, just like TAS Rogue is probably Anna Marie (her official name in the comics.)  Interestingly, even in Exiles, the book where the name originated, Morph always goes by “Morph” and never “Kevin.”  Maybe Home Alone ruined the name for him.  I tend to use the Kevin Sydney tags on Tumblr and A03 to differentiate from other uses of the “morph” tag.  In particular, Tumblr has a lot of body modification fetish posts tagged as “morph,” and no offense to the fetishists, you all keep doing what you are doing, but that’s not the content I’m looking for.  I’m sure the fetish people are probably a bit annoyed at their own tag filling up with an X-Men character, but hey, it’s their name. 

How old is Morph?  How long were they with the team and when did they join?  Is the featureless white face their “real form”?  What’s their history with Wolverine?

I don’t have answers here because we don’t know.  There’s a lot we don’t know about TAS Morph, and the origins of their comics counterparts don’t really translate well into cartoon continuity.  Like I can’t imagine TAS Morph ever having been a willing member of Factor Three. 

Personally, I tend to assume that Morph was with the team for awhile before their “death,” given that they have an established “old friend” relationship with Wolverine and know the team extremely well.  I also tend to assume that TAS Morph is a similar age to the other young adults on the team like Scott and Jean.  They sometimes look older in the original series, because they were based on Changeling (who also looks older), but the voice acting and general personality of the character seem younger, plus Wolverine calls them “kid”a couple of times.  And it seems like their “human form” may not be their “real face” anyway, given that they’ve now defaulted to the white blank-face look.  The white blank-face look IS the real form for Exiles (and presumably AoA) Morph, so the same is probably true for TAS Morph and Changeling.  But this is all just my own headcanon and speculation, based on what I’ve seen in the original cartoon and the comics.  You are all free to come up with your own headcanons fleshing out the character, I’ve already seen great stuff in fanfic out there!

Edit: Actually, I thought of a bit more:

How does Morph shift their clothing? Does Morph even wear clothes? How can they create accessories like Psylocke's swords?

Honestly, I dunno, this is Rule of Cool and Morph as a vehicle for character cameos in affect here. I will say that, in the comics, many characters with shapeshifter-type powers, like Wolfsbane, wear costumes made of unstable molecules that shift with their bodies, the same may be true of Morph. Exiles Morph, when commenting on his female teammates' skimpy costumes, at one point jokes that he "wears even less," so he may just be literally making clothing out of his own body. Although I would think that would get cold, or painful with no protection against the elements.

I assume that Morph does form accessories like Psylocke's swords out of their own body, which also presumably means they can't drop them. I wonder if it would hurt Morph if one of the swords broke? Exile Morph regularly turns his own body into accessories that he can hold (but not separate from his form), so presumably X-Men 97 Morph is doing the same. This is a step-up from TAS Morph, who never did that. Exiles Morph seems to be able to turn their body into whatever they want.

Does Morph copy the powers of other mutants?

Morph seems to be able to mimic only the physical-based powers of other mutants, under the shapeshifter logic of changing their body to give themselves larger muscles, claws, etc. So Angel's wings, but not Cyclops' eye beams. Nightcrawler's tail but not teleportation. In X-Men 97, Morph takes a couple of shots from X-Cutioner after shifting into Colossus, so apparently they can do the whole metal skin thing. But in TAS, when Morph turns into Wolverine, their claws are not adamantium and Wolverine easily slices through them.

I would add that Exiles Morph is also extremely durable, and can literally be ripped to pieces and shapeshift himself back together. This doesn't seem to be the case of "died from Sentinel lasers" TAS Morph, but maybe they just aren't there with their power levels yet. Exiles Morph IS especially susceptible to burns or laser blasts, and almost dies when Hyperion hits him with a beam at close range.

That’s it, hopefully this is helpful for people completely new to the character who got into X-Men 97.  Mostly I just love writing about Morph.  I encourage you to go back and watch the original series, or at least the Morph episodes.  It’s a good show, if a bit 90’s corny, and will let you fully appreciate X-Men 97 (which has been, so far, an absolute banger of a series).  Presumably we’ll see more character development of Morph as the show continues, which will maybe answer some of these questions.

[two-dolla-bills]

Top 10 mechanisms songs that you can get away with playing at a retailers without too many side eyes

I got a job in retail and I felt inspired lol

Disclaimer: this is not a list of the best mechanisms songs/the ones I think deserve to go "mainstream", they're just the ones that would blend in the best

1. Sirens

This song is probably the mechanisms' least "centered" song. It doesn't mention any characters, it has no narration, and out of context it just sounds like A Song that you might hear on the radio. Sirens is to the mechanisms as you're the one that I want is to grease, you know?

2. Trial by song

THIS one. It's in the same category to me as Sirens; you can listen to it by itself and not suspect much. Unlike Sirens which can be completely separated and still make sense, this one is more like a whole new world from Aladdin. There are parts that make it obvious that it's from a larger whole, but if you just so happen to catch the "safe" parts you won't suspect much.

Points were deducted due to Mr. Soldier's unique vocals. (Unique as in not very common in mainstream music)

3. Empty trail

This is no offense to Dr. La Cognizzi, but sometimes when she sings it's hard to make out what she's saying, which works in her favor in these circumstances. It sounds country/rock, which help it blend in with some dad rock songs. If I remember correctly, the melody was actually taken from a Led Zeppelin song, so if you aren't paying attention to what's ACTUALLY being said you can get away with claiming it's a cover.

4. Ties that bind

Although this one does mention many plot points, many fans have stated that they had no idea what the fuck was being said until the have looked for the lyrics (myself included) this, combined with it's jazzy rythm, make it able to blend in with other songs, similarly to empty trail

5. Odin

The most "normal" song out of the entirety of The Bifrost Incident. This song made it to the top five because it has similarities with Roam by the B-52's, but had points deducted due to it clearly being about an awesome space train

6. Lost in the cosmos

This might just be personal opinion, but it sounds like a church song. You can pull off the effect of it being about earth Jesus and not space robot Jesus if you have particularly bad quality speakers and a busy store w/lots of noise. Again, the lyrics kinda give it away as to not being entirely main stream

7. Stranger

Look it's a banger, ok? Many of the lyrics could be taken as just being metaphors, but I feel like you have to squint to "see" it. Pay too much attention and shit gets a little weird. Also, points deducted because it's two men singing together and not a man and a woman, which throws a wrench into the works. At kohl's it might raise some eyebrows but in like hot topic it'll blend in a little better

8. Redeath

You would think a song about a sphoenix (space phoenix) would be lower on the list but you'd be wrong. It's a really pretty song with a good original melody, and it's something that can be drowned out by a particularly rowdy crowd. Like Stranger, it would blend in better at a hot topic than at kohl's, but only slightly.

9. Elysian Fields

The melody in Elysian Fields is taken directly from the song wayfaring stranger, which has been coverd by Jonny Cash, Ed Sheeran, Poor Man's Poison, and The Longest Johns, AS WELL HAS having been featured in the movie 1917 and in the video game The Last of Us II, which make it very recognizable. Because of this recognizability, people who know the original song may be caught off guard by hearing it in a Walmart with completely different lyrics. It was originally in 7th place, but the popularity of the original takes off many points

10. Once and future king

It's a banger, don't get me wrong, but it also very heavily and clearly mentions plot points from the album, which itself is heavily base on Aurtharian mythology; something very well known in the western world (also the names are not common at all and most haven't been in fashion in centuries). In a crowded, busy space with not very good quality speakers it could potentially blend in, but one or two names might sneak out. The only reason it's on the list is because of the instrumental outro, which sounds normal enough

[goldenvulpine]

ok here is a helpful guide for Superman fans in Tumblr when referring to different eras of Superman:

Golden Age Superman: Kal-L. The Original. Very cocky. Very charismatic. Couldn’t fly as a kid. Has no solid code against killing. Chaotic Good. Can actually fly now. Has a disturbingly high kill count. Loves Toxic Women (Lois Literally Drugged him one time). Literal WW2 veteran. Not from Kansas. Smallville, East Coast (likely New York). Is now married to Lois. Head of the Daily Star (not Planet). Is Power Girl’s cousin. Is very aggressive. Still saved people from suicide canonically. Canonically religious (Married Lois in a Kryptonian Ceremony). “What trauma?” Seen everyone he loves die.

Silver Age Superman: Kal-El. The Most Popular. Speaks fluent Kryptonese. Total “50’s Dad”. The Strongest. Also the most conformist. Strict Code against killing. Lawful Good. From Smallville. Is canonically Religious (For Rao, his culture’s God). Has multiple cousins. From Smallville, East Coast (likely Maryland this time). Says he wouldn’t hit a woman. Probably has. Sneezed a Solar System Away. Somehow the WEIRDEST one. Also the biggest Prankster. Was Superboy. Was part of the Legion. Saw Pa die. Refuses to acknowledge his trauma. Needs a hug but won’t say it. Works for the Daily Planet. Alan Moore loves him.

Bronze Age Superman: Kal El. Actually just Silver Age Superman but “weaker”. Still the Strongest. Your favorite writer’s favorite Superman. Neutral Good. Originator of the Clex Drama. Met God. Is a pure scientist. Has Three Canon Endings. All of them are literal tragic endings. Is best bros with Batman. Is the Original Nightwing. His cousin is the Second Nightwing. Dick is actually the Third Nightwing. Loves his bro Jimmy Olsen. Smarter than Batman. Made a vow to protect life. Newscaster. Grant Morrison and Mark Waid love him.

Dark Age/Byrne Superman: Clark Kent (Kal El). Still moody. Weakest Superman. Thinks he’s Neutral Good, still Lawful Good. Doesn’t like Krypton. Designer Baby. Best Journalist. Canonically a Porn Star. Died. Came back. Most insecure Superman. Loves ‘Murica. Killed like three people one time. Strict code against killing. “Superman is what I do, Clark is who I am”. Legion who? Superboy who? Supergirl who? Football Star. Pure Sarcasm. Agnostic. People say they hate him but is the reason Smallville, Man of Steel and STAS exist. Literally wants to fuck Jimmy’s Mom. Triangle Era (90’s) Superman: Clark Kent (Kal-El). Is less moody now. Makes more Jokes. Still a drama queen. Smarter. Stronger. Wants to write a Novel. Married Lois. Jimmy is the Best Man. Good Leader. True Lawful Good. The Superman you probably think of the Most. Coolest guy. 90’s Superboy (the best) 90’s Supergirl (Matrix). Was once Gangbuster (Chaotic Neutral). Mind so strong, he killed a psychic in his sleep without knowing it. Christian (Married Lois in a Church). Still knows Kryptonian Kung Fu (Torquasm Vo/Rao). Dick Grayson’s 3rd Dad. Tim Drake’s 4th Dad. Slept with a Mermaid in Collage. Is fun.

Post-Crisis/2000’s Superman: Clark Kent (Kal El) Retcons out the ass. Kara comes back. Knows Boxing now. Knows Kung Fu. Held a Black Hole in his hand. Destroyed Moons. Agnostic. Still Lawful Good. Loves his wife. Loves his adopted son. Chris Kent. His son is Nightwing. His other son is also Nightwing. Walked the earth one time because of war crimes. Saves people from suicide again. Was a Kryptonian general one time. Literal Genius. Smarter than Batman. Is the GOAT. Hates the President.

New 52 Superman: Clark Kent (Kal-El) Very cocky. Very charismatic. Couldn’t fly as a kid. Has no solid code against killing. Chaotic Good to Neutral Good. Lower kill count than Post-Crisis. Loves Toxic Women (Loves the craziest version of Diana). Had a Mid-Life Crisis in his Mid-20’s. Was a Wrestler. Talks like Jason Todd/Wally West/Nightwing/Peter Parker/every mid-20’s white boi in the 90’s-00’s. Everyone hated him. Wasn’t as bad as they say. Is the Andrew Garfield/Spider-Man of Supermen. Killed off without good reason.

Rebirth Superman: Clark Kent (Kal-El). Is literally just Triangle Era Superman. With kids. No Chris tho. Still Lawful Good. Strongest of the Post-Crisis versions. Tries to be a good dad. Is a decent dad. Except for the time where he left Jon alone. So he’s a bad dad. I’m still not over that. Bendis loves him. Says please alot. Watches Anime. Kind of a dead beat. I miss Chris.

if you want summations of other Supermen I didn’t cover you are welcome to ask.

[darkbluekies]

This is just me happy ranting, I'm in my feels don't mind me

I'm so happy that I created these characters and this blog, I really am.

I had been on wattpad for 4 years when I started this account and I could feel how things had started to change.my kpop fanfictions weren't doing as well as they once had and I felt limited in my writing. Although the stories and my imagination weren't that much different from what I'm writing now, writing these stuff (especially Silas's things) felt wrong to do since I was writing about real people so I didn't. I watered down my works so that I wouldn't feel bad, but eventually, those also felt too much. I officially left that account, and took down everything, a year ago.

So, in November 2022, I decided to create a new space, where I could start over. I wrote "intruder" and had it in my drafts for a few days, hesitating. I then published it but privated it because I was scared lol. I'm so happy I decided to make it public again.

I still remember creating Hedwig, specifically. I was out on my daily walk, it was dark outside and I was thinking of the characters I should use, a set amount. I had Silas, Kry and had in my plans to introduce Jerry as the last character. I was actually writing a character that was supposed to be the "quiet kid" in school, but i thought that using a girl in a school atmosphere would be more interesting. I wanted this "typical" yandere setting. I thought about different appearances for her, different characteristics. I had made Jerry 2 or 3 years earlier and thought "why not make someone completely opposite?" Hedwig wasn't meant to be rich from the beginning, just a normal girl. But I added it to have a bigger play field. I remember coming up with it and being like "fuck yes, write that down she's now rich".

I remember how Edmund came to life too. I was watching an old music video that I liked when I was a kid (Masquerade by Eric Saade), it was a Friday night and I was in bed. I got so inspired to write the Masquerade Massacre one-shot that I wrote it in one sitting. If you read the story, you'll notice that Edmund doesn't have a name in it. I hadn't chosen one and wasn't planning on making him one of the set characters, but it quickly became my most popular and liked one shot and people wanted continuations so I decided to make him the fifth and final character. His name was originally Edward, I had put that in his character masterlist and in the full masterlist, but changed it since one of my main characters in one of my private novels is called Edward ... and they're quite similar in both looks and behavior. I wanted something similar ... and decided upon Edmund.

I have gone out of my comfort zone on this account and I couldn't be happier, the people on here have been very supportive of me and my writing and it makes me so happy. I love you all a lot<333333