#but /i/know what I mean lol

[cerealmonster15]

Btw I was correct in my hypothesis that having a job again has reactivated the fanfic writing juices in my brain lol. Goes along with what some of those ppl on YouTube have said in that being bored can be so good for creativity

[guiiay]

jinx and isha visit a walmart

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[brainrotcharacters]

TW: Wolverine Badonkas

I laughed rewatching because like

[sadagios]

double victory, was it? (it doesn't feel like one)

i saw a post about 3L!Grian meeting SL!Scar, but since SL!scar never died i figured he can't see any of the winners nor join them before the next session, and they appear before him as shadows. also, i thought 3L!Grian would be really happy to see a scenario where scar didnt die by his hand and actually won.

❀ bonus sketch ☘

[dreamyluigi]

something something luigi doesn't remember the final events of spm or dimentio at all after he's defeated (but mario remembers everything)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[solarismp3]

The world is so obsessed with young ppl everything is about what the youth is doing. Everyday id mag is releasing an article on what young ppl in Tokyo are wearing what about middle aged ppl or old ppl who have lived long enough to know the patterns of humanity. Are they not interesting or what

[rongzhi]

[cat's name: 大黄/Da Huang ("Big Yellow")]

English by me :)

[hell0mega]

it's incredible that tumblr fandom went from DESPERATELY trying to see ANY sort of queer love in the shows we liked, to having shows—high budget, well-made, interesting, mainstream shows staring known actors—that are ABOUT queer love. explicitly, without argument. and just ten years later.

i saw (and reblogged) a post about how GO, ofmd, and wwdits are the new superwholock and i havent stopped thinking about it. cuz i was there, i was in the trenches back in the day. i was there when the writers and actors made fun of us for seeing on screen chemistry and perfect stories to set up romances. they all humored us then shat on us and saw us as a joke. a bunch of weirdo faggy teens that don't think two men can just be friends.

and now look at us. we're seeing the on screen chemistry and it's REAL. it's ON PURPOSE. these ARE romantic stories about queer people. we're not projecting or have wishful thinking... it's TRUE!! it was written and directed and edited and acted that way in earnest. i will take NO SHIT regarding these shows and people's love for them.

and do you know WHY these shows are being made now? these well thought out, feels-real, non-pandering queer stories? it's BECAUSE OF WHAT WE DID ten+ years ago. a lot of queer media never got the green light to be made because execs don't think there's enough of an audience. that more people will dislike the gays than like them. and we've shown them that that's unequivocally untrue. the outcry we had for all those years, the reviews we left, the statements we made, the backlash, it gave show runners ammunition to say "hey. people will watch this. they will like it. let us make it."

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[prlssprfctn]

In his new room - in his new house - Jason searches up for a circus performances and stares at them for hours. First, he watches at them mindlessly, unconsciously curious, and then, he starts to take notes.

He is a street kid, and everything about him screams of that. So, he is nowhere near the grace of these performers on the screen. His arms are not that strong, too, but he is agile, and his legs are much stronger - he can think of something.

He can be just as good as the boy he is replacing.

It is not like someone tells him to match Richard Grayson, and it is not like someone admits that Jason is here to replace the first Wonder Boy, but Jason heard Bruce's conversation with Dick earlier. It was meant not for his ears, but it doesn't matter now.

"So, now what, you exile me, and bring a boy to replace me?!"

Jason is not mad. All of it ‐ adoption papers, the manor, the school - is much more than he ever thought he would get in his life. Being replacement doesn't sound as bad anyway; especially, if his brother is so cool.

So, he makes notes on circus performances and slightly chopes his hair. They are much curlier than Dick's - he has more of a wavy ones, and the only ever look that way, when they get long; his childhood photos with short hair looks too straight - but the cut does its magic.

The next day, Bruce compliments his hair absentmindedly and is positively surprised by his new moves on the patrol, asking where he learnt it from. Jason lies about not remembering, but his cheeks are flashed, and his smile is all about teeth. He can't wait to show it to Dick once they finally get on a mission together.

Expect, when they do, Dick just nods and mutters a light-hearted "good job" before leaving to talk with his team. And Jason knows Dick doesn't want to be mean - he gets it; no one feels good about having a replacement, especially the one that seems so cheap in comparison - but he still cries that night in his pillow, feeling himself a little kid, even if he isn't one. Even if he never was.

Jason wonders if his own replacement would make him understand Dick.

But Jason never gets replaced.

No matter the taunting voice of the Lazarus Pit in the back of his head - that sometimes sounds suspiciously like Talia's; you remain unavenged and replaced - and his own intrusive thoughts that spiral in uneven lines, Jason doesn't think Tim was ever meant to be his replacement. Being replaced means to match the person that was meant to be left behind. And no one asked Tim to be like Jason.

If anything, memory of Jason was thrown under the rag, hidden and locked securely in heads of those who survived. And if they brought Jason up, then it was always an example of what Robin shouldn't do: run away, disobey, and allow emotions to consume you. So, not much of an exemplary original. More like an opposite.

Jason feels an urge to explain that to Tim once; when they sit together on the rooftop, almost like a proper family, instead of broken pieces of someone's idea of a one.

'You could never replace me,' he says, and the instant it leaves his mouth, he knows it came out wrong.

Tim rolls his eyes.

'Yeah, dude. Whatever.'

'No, I mean—' He grits his teeth, scrapping slightly the back of his hand. 'I mean... You could never replace me, because... Because you were always better.'

Tim freezes. His big blue eyes shift in something more confused, and it is almost as if he is not sure how he needs to react — to protest? To agree? To thank him?

Jason doesn't know what to do, too.

He wants to say: it is easy as that, babybird. They wanted to have someone who would have nothing in common with me — someone who could help them to forget about my existence, about the existence of the failed Robin.

But he can't make himself speak again. And he is not sure he wants to stay any longer to hear Tin manging to put his thoughts in the words; he is better than him at this, too, and he almost always sounds convincing.

So, he leaves.

In his room - in the building he owns now - he ruffles his outgrown hair, fluffs up the white streak, and passes by his only remaining photo with Bruce in the frame, on the shelf under the stolen tire.

He still does this semi-circus move in his fights - almost frozen in the air, with his back arched - but he doesn't expect anyone to compliment him anymore.

[technically-human]

Your art is so, so, so, so cute. If you ever were so inclined, I would love to see your take on Charles finally getting to eat a plate of spaghetti

Edwin wasn't too sure he liked it, but I think he's convinced now!

ko-fi

[shouyuus]

Hiii, I’m the person screaming crying throwing up every time you post, love ur stuff!

Anyway… I’m thinking mechanic!vi prolonging the time it takes her to fix your car just cause she wants you coming around the shop more and then when she does eventually fix it she kinda worries you’re not gonna stay over at hers as often but u decide to ask her if u can move in or smth like this?!?

Idek tbh my brain is so fried from over consuming Vi content

all you have to do is stay

mentions of sex, but no explicit scenes, car mechanic!vi au oh she absolutely would; there's actually so much stupid domestic bliss in this wow

and sure, the hookup was good in the beginning, but she liked it when you came around, liked it when you'd show up at her shop, all shy and wide-eyed, asking her if you could watch, and who's she to turn down such a pretty girl, right? and honestly, she thought it was kinda cute, how you'd try your best to ask her about this or that, and she'd find herself rambling about her favorite kinds of pinon brackets, or talking you through a chassis restoration for another vintage car that was brought in.

it shouldn't take a whole-ass month to rig a crossflow radiator, especially since the rest of your car's actually in pretty good condition, but she keeps on picking out other things to do, insisting that she's already here anyway, sliding out from under the car with a crooked grin, asking you to pass her another cold beer.

but there's only so many things she can make up before it's obvious, even to you that there's not much else to do. so when the day comes, she's quieter than usual, tallying up the extensive list of repairs that she's both done and made up for herself to do (you'd insisted that you at least pay for the major ones, and if the smaller ones came with a dinner-date and dessert in bed afterwards... well.)

"and... i think that's all of it, sweets."

she hands you the receipt, immediately tucking her hands into the pockets of her light-wash jeans. her shoulders shrug up as you look down the list. it's way less than that she should be charging you for, but you peer up at her, frowning at the pinch between her brows and the tension clear in her muscles.

"vi? what's... wrong?"

"ah -- it's nothin' sweets, don't worry your pretty little head over it."

she teeters forwards and back, as if she can't decide if she wants to move closer or back away. but you're already reaching for her, closing the distance between you with your head cocked, your eyes bright and questioning. and she could never resist it when you looked at her like that, so toe-curlingly trusting. as if there wasn't a thing in the world she could do or say to drive you away or upset you.

sometimes, she'd lay awake and wonder if you knew how dangerous that kind of trust is -- how someone less scrupulous would take it and twist it into something foul. but she'd never let that happen -- at least not while you wanted her around.

"violet... we might not have known each other for very long but... you're not a very good liar," you say, reaching up to cup her cheeks, coaxing her eyes back to yours. she laughs -- it's a tiny, helpless sound; it shakes her open in a way that startles even her, the way her whole body wants to fold over you, into you.

"geez, sweets... that's... that's not really fair of you."

she lifts her hand to press them over yours, hands over hands, petaled around her cheeks, and it occurs to her that perhaps this is what it means to live up to her namesake -- violet. you'd said it was a beautiful name the first the she told you what vi stood for.

"you're not really fair either, vi... but that's never stopped you, has it?" you ask, a mischievous glint in your eyes, your lips twisted up on a fox-hole smile.

vi sucks in a breath. something feels like it's clawing up the length of her ribcage and burrowing through the hollows in her chest till she can taste it pitter-pattering at the back of her throat. it takes her a full three seconds to realize that it's her own traitorous heart, beating so strong she can taste it on her tongue.

"fuck."

and then she's kissing you, pulling you to her, fingers harsh and desperate, her touch lingering like month-old grease-stains the way they dig into your delicate skin. you gasp open for her, against her -- you let her tug you into her till there isn't a part of you she can't reach if she wanted to.

the kiss breaks like a dam bursting open, and a few seconds later, she's got you hoisted up on her workbench, wrenches and old receipts scattering to the floor as she slots herself easily between your legs. it's a familiar place to be, after all -- after all this time.

you hiss, fingers fisting in her hair; it's longer now, than when you first met. and she'd be lying if she said her letting it grow had nothing to do with your offhand comment once (over yet another impossible banana sundae) that you liked it long.

"vi -- vi -- please -- you --"

"hm? what is it, pretty girl?"

"you c-can't just try to distract me w-with sex every time --"

and she can't help the grin that hitches over her lips at the way your chest is heaving, your eyes blown dark, the way your thighs shake on either side of her hips. but she can see the flicker of worry in your eyes and her stomach twists with uncertainty.

"i -- i don't --" she tries, but a breath puffs out of her and she sags against you, "it's... just... now that the repairs are done... there's not really much reason for you to come around... and..."

at her words, you heave a sigh that seems much too big and weary for your body, pulling back to fix her with a surprisingly sharp look.

"you really thought i was coming around here to listen to you talk about my car repairs?"

vi does her level best not to pout; hearing you say it out loud, it does sound... a bit childish. instead, she leans forward and digs her nose into your neck, wrapping both arms around you till she's got you cocooned in her chest.

"what? you weren't interested in the new pressure washer i got just so i could get that really stubborn stain off your back bumper?"

you trail your fingers through her hair, letting your nails graze along her scalp. a shiver washes down the length of her back and you giggle close to her ear.

"sure i did... but you could talk about... dunno... your favorite dish rag, and i think i'd still wanna listen -- because i like listening to you talk about the stuff you like... because..." and its your turn to hesitate, her turn to pull back and fix you with a look -- one that's equal parts pleading and disbelieving.

"because what, pretty girl?" she asks, her voice low and husky, a thumb running across the round of your cheek.

"b-because i -- i like you, vi."

your eyes flicker away and color seeps into your cheeks like dye across clear water -- the shade blooming into you till vi's sure there's no color so beautiful as the one that you are now.

"mm... well, thank god for that cause..." she leans in to press her forehead to yours, "i was starting to wonder, what with all the multiple orgasms and midnight munch sessions and --" she laughs as you squawk indignantly at her, your eyes flashing wild and wide.

"t-that's not what i -- you know that's not --"

"oh? so you don't like those?" she asks, the tease now so obvious in her voice that you flush several shades darker. vi thinks she may have to amend her previous decision on her favorite shade of you. and you're outdoing yourself today.

she lets her free hand wander to the bend of your hips and she gives you a squeeze.

"i --" you steady yourself in the solidness of her, reaching down to lace your hands with hers, "of course i -- i like those things too but i -- i like that you're the one doing them to me and --" you swallow; vi tries not to be to distracted by the hummingbird flutter of your pulse as you struggle to find the words, even though both of you know full well by now exactly what you're trying to say --

sometimes, just sometimes, words speak just as loud as words need to. and the actions are just there to back them up.

sometimes, there are certain things that people just want to -- or need to -- hear said out loud.

"i -- i wanna come over even when there's nothing for you to fix... i..." you steady your breathing and vi nearly drowns in the certainty that settles between the pair of you, an ocean full of of unsaid words (the ones that don't need to be said to be understood), drifting like sunlight over shifting waves -- their brightness made no less real by their shimmering reflections in the water, "i guess i just... wanna be wherever you are. like... all the time."

vi's eyebrows hitch; her breath follows shortly after.

"all the time?"

you bite down on your lips, "yeah but... i know it's only been like... a month or whatever --"

"no, no god -- sweets, i -- i want that too -- more than anything -- it's just --" she motions at the shop, and you nod, catching her hand in yours mid-air.

"it doesn't have to be right now," you say, smiling and giving both her hands a firm squeeze.

"yeah?" she asks, a rare quiver to the shape of her voice.

you nod, "yeah." and your voice is just as solid as she needs it to be. you lean in to kiss her, and she sighs open against you, as you've done so many times for her.

"we'll -- we'll make it work," you say, in between harsh, nipping kisses, even as vi groans and trails her mouth along the line of your jaw. you gasp, letting your head tip back, "w-we'll t-take it s-s-slow -- mmngh -- vi!"

vi hums as she sucks a dark hickey into the side of your neck, feeling savage wanting plume open in her chest. she looks back up at you with darkening eyes and a hunter's smile.

"dunno if i know how to take it slow, sweets --"

"w-what about all those t-times you told me t-to wait --" you keen high in the back of your throat as she drops to pillow her cheek to your thigh, flipping up the bottom of your skirt to dig her nose into the damp triangle of your panties.

vi scoffs, rolling her eyes as she glances back up at you with a playful smirk.

"oh fuck you."

you lick your lips, reaching down to sink your fingers into her hair again, pulling just hard enough for the an ache to gather in her belly.

"thought that's what you were trying to do."

vi stands up, pulling you bodily forward till your ankles are linked at the small of her back, her palms holding up the plush of your ass as she walks the pair of you back into the house and up the thin flight of stairs to her room.

it's a good few hours before either of you are coherent enough to talk about any of this again, but by the time you are, the twilight is budding along the far horizon, and vander's texting to ask vi if he should pick anything up on the way back from the bar for dinner.

"you wanna stay for dinner?" vi asks, twisting to glance at you in bed, her face illuminated by the digital blue of her phone.

your pillow your cheek on your hand, "yeah, i'd love to."

"cool, what do you want?" she asks, her eyes turning back to her phone.

you lick your lips, "how about... you ask vander to pick up some tomatoes? i can make one of my grandma's old soup recipes. you have potatoes and cabbage right? and... i think i saw some pork bones in the freezer the last time i was here."

you cast your eyes up at the ceiling, ticking through a mental list of ingredients.

you only turn to shoot vi a glance when you realize that you can no longer hear the rapid pik-pik-pik of her fingers on her phone.

she's staring at you with what could only be called wonder in the halfway dark.

"you... remember what's in our fridge?"

"well i -- there's not much in there --" you say, almost indignantly.

she laughs, shaking her head, "no, it's just -- i didn't think you'd ever notice something like that, i mean, pardon me for thinking that you've never set foot in a kitchen in your entire life, what with you being daddy's little princess and all," she goads, nudging you with an elbow even as you squirm away from her, pouting.

"i'll have you know that i'm actually a really good cook, okay?" you tell her, "when -- when i was little, and my grandma lived with us, i'd help her in the kitchen all the time. and... after she got too old to make stuff... i was the one who cooked for her, because she said it tasted like stuff she'd eat in her childhood so..."

vi shuffles closer to you under the blankets, nuzzling her nose into your cheek.

"and just when i thought you couldn't get more perfect," she murmurs, pressing a kiss to your cheek.

you giggle, allowing yourself to be tugged back into her chest.

"i told vander to pick up tomatoes... and to invite silco and everyone else he can round up over for dinner."

you squeak, shooting up, "what?!"

vi grins, pushing up with a soft yawn, "you can't just tell me that you've got grandma-level cooking skills and not expect me to invite my whole entire family, right?"

you tumble out of bed, nearly tripping over your panties, still caught around your ankles. you pull them up, scrambling for one of vi's big shirts to toss over your body as she watches you from the bed with an indulgent smile before swinging her legs off and standing up to pull you back into her chest.

"calm down, sweets -- i'll help you, kay? now, tell me what you need."

you nod, pulling on a pair of her jogging shorts and twisting your hair into a haphazard bun out of your face as you start listing off ingredients, hopping the last two steps onto the first floor landing and fluttering into the kitchen.

by the time vi rounds the doorway, it's to find you with vander's massive apron already tied around your waist, an several pots and pans stacked on the countertop.

"i need three onions, and a head of garlic and... a few bay leaves, if you have them. it's okay if you don't --"

vi fights back a grin (it's a losing battle, she thinks, but it's one that she's considering losing for the rest of her goddamn life if it meant doing this every day with you).

"sure, sweets -- whatever you need."

you nod, rolling up the sleeves of your shirt as you set to work peeling the potatoes. a few second later, vi pops up from the fridge, frowning.

"looks like we've only got one onion, but i found some shallots... not sure how good they are though... they were kinda shoved into the back." she holds up the bag with a grimace.

you blink at her, and for a moment, vi thinks that you're going to be angry, or at least a bit frustrated. but then, your face breaks into a sweet, helpless sort of smile, and you reach out to take the shallots from her.

"it's okay," you say, in a voice that sounds just a little too much like coming home, and vi has to swallow passed the peach-pit suddenly caught in her throat.

your fingers brush against hers as you point her towards the half-peeled potatoes, and she gets to work without you even having to ask.

you lean up onto your tiptoes and press a kiss to her cheek, your eyes bright as fallen stars when she turns to look at you.

"it's okay," you repeat, smiling up at her with that smile that just might rhyme with forever, "we'll make it work, okay?"

vi licks her lips; there's an entire ocean of saltwater words caught behind the tombstones of her teeth that she does not know how to say. but she thinks, as she looks at you and you turn back to fussing over the one onion and handful of shallots, that you probably know it all anyway.

"okay," she says, before turning back to the diligent work of peeling the potatoes.

[slyandthefamilybook]

A NON-EXHAUSTIVE BUT NEVERTHELESS EXHAUSTING LIST OF NEO-NAZI AND WHITE SUPREMACIST DOGWHISTLES

since some of y'all apparently need a refresher course. as always, use your judement when deciding if it's a dogwhistle or just innocent usage of a number or symbol

NUMBERS

100% - 100 percent white

109 or 110 - A reference to the 109 countries that have expelled, in whole or in part, their Jewish populations. 110 refers to the hope that more countries will do so, usually specifically the United States. Often posted on its own as a reply, or phrased as a question (e.g. "If you were kicked out of 109 bars it's probably our fault")

1290 - A reference to the Edict of Expulsion of 1290, which expelled the Jewish population of England

13/50 or 13/52 or 13/90 - The supposed statistic that Black Americans make up 13% of the population yet commit 50% or 52% of violent crime, or 90% of interracial violence. Often posted on its own as a reply

14 - The Fourteen Words, a Neo-Nazi slogan

14/23 - A number representing the Southern Brotherhood, an Alabama prison gang

1488 - A combination of the Fourteen Words and Heil Hitler

C18 - Combat 18, a British neo-Nazi group

18 - The letters A (1) and H (8), standing for Adolf Hitler

21-2-12 - The Letters U (21), B (2), and 12 (L), standing for Union, Brotherhood, and Loyalty, the slogan of the Unforgiven, a Florida prison gang

23 - Often thrown up as a hand sign, with two fingers raised on one hand and three fingers raised on the other. Represents the letter W (23), standing for white

271,000 - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

88 - H (8) H (8), standing for Heil Hitler

9% - A number representing the percentage of the world's population that is white

SYMBOLS

((( ))) - Triple parentheses, or echo. Used by neo-Nazis to call out someone as Jewish

Iron Cross - A German military decoration

Sonnenrad (Sun Wheel)

Reichsadler (Imperial Eagle) - A blocky, art-deco eagle facing to the side. Variants exist, some facing right, some facing left. The Parteiadler (Party Eagle) has a slightly different design. The Reichsadler is usually clutching a wreath with a swastika, although this is sometimes left out to maintain plausible deniability

Totenkopf (Death's Head) - A symbol used by the SS

Wolfsangel (Wolf's Hook) - Used as the insignia of various Wermacht (Nazi Military) divisions

Wolfsangel (horizontal)

Odal Rune - From the Proto-Germanic "Othala" meaning heritage

Algiz Rune - A symbol used by German nationalists

Celtic Cross

"Broken Sun" Cross

Arrow Cross - A Hungarian nationalist party that was active from 1935-1945. The symbol has been re-appropriated by modern neo-Nazis

Valknot

EMOJI

🤑 Greedy Face Emoji - Used to refer to "greedy Jews"

💰 Money Bag Emoji - Used to refer to "greedy Jews"

🥸 Disguised Emoji - Used to refer to Jews because of the enlarged nose

🤥 Lying Emoji - Used to refer to Jews because of the enlarged nose

👃 Nose Emoji - Used to refer to Jews

🙋‍♂️ Raising Hand Emoji - Used for its resemblance to the Sieg Heil salute

✋ Raised Hand Emoji - Used for its resemblance to the Sieg Heil salute

o/ or 0/ - Used for its resemblance to the Sieg Heil salute

🐸 Frog Emoji - A reference to Pepe the Frog, a webcomic charcter co-opted by the alt-right

👌 Okay Symbol Emoji - A hand symbol co-opted by the alt-right. Sometimes said to resemble the letters WP, or White Power

🚪 Door Emoji - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

🚿 Showerhead Emoji - Refers to the showerheads used to dispense Zyklon B gas in the gas chambers

⛽ Gas Pump Emoji - Refers to gas chambers

⚡⚡ Double Lightning Emojis - Used for their resemblance to the Siegrune (victory rune) badge worn by members of the SS (Schutzstaffel)

💀 Skull Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

☠️ Skull and Crossbones Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

WORDS/PHRASES

6MWE - Six Million Wasn't Enough. A call for further genocide against Jews

AKIA - A Klansman I Am

Annudah Shoah - A mockery of both the Shoah (Holocaust) and the fear of further genocide

Auschwitz had a swimming pool/rec center/maternity ward/etc. - An attempt to diminish the horror of concentration camps by making them seem more like labor camps with amenities

Blood and Honor - A neo-Nazi slogan

Blood and Soil - A neo-Nazi slogan

Blood Libel - Not a phrase used by the far right, but something they often believe in or claim. Blood libel is an antisemitic conspiracy theory stretching back hundreds of years. The original claim was that Jews used the blood of Christian babies to bake matzah (a ritual food eaten on Passover). It has since evolved into images of Jews drinking blood, kidnapping and killing non-Jewish babies, and conspiracy theories about harvesting adrenochrome

Bowlcut - A reference to white supremacist mass-murderer Dylan Roof

Cohencidence - A portmanteau of Cohen (a common Jewish last name) and coincidence. Used to refer to Jewish control (e.g. "All these companies are owned by Jews! What a Cohencidence!")

COORS - "Comerades of Our Racial Struggle"

Cultural Marxism - A conspiracy theory that Jews are intentionally weakening "Western values" in order to make countries like the United States more susceptible to communism. This was called Cultural Bolshevism in Nazi Germany

Da Shoah or Muh Shoah or Muh Holocaust - A mockery of the Holocaust

Day of the Rope - A day referenced in neo-Nazi book The Turner Diaries when all race traitors will be hanged

Degenerate - An insult based on the false theory that bad morals will cause human beings to regress along the path of evolution (to de-evolve). Used to describe groups, individuals, or ideologies

Early Life - A reference to the "Early Life" section of Wikipedia biographies, which will reveal that a person is Jewish or has Jewish ancestry

Every Single Time - Every time something bad happens, the perpetrator is Jewish

Featherwood - A term derived from racist prison subculture. A featherwood is a woman associated with a racist gang

FGRN - For God, Race, and Nation. A Ku Klux Klan slogan

The Fourteen Words - A neo-Nazi slogan. "We must secure the existance of our people and a future for white children"

The Frankfurt School - A school of sociology founded at Goethe University Frankfurt in 1923. Usually blamed as the originator of "Cultural Marxism"

Fren - Internet slang. A diminutive of "friend", used to diminish Naziism and make it seems more harmless. Often used in usernames to describe one's self (e.g. sad_fren_88)

Globalist - A person who desires connection between countries in terms of politics, trade, and travel. Used to scaremonger about Jews destroying countries by removing their borders

Gorillion - A mockery of the number 6 million, being the amount of Jews who were murdered in the Holocaust

Goy - Hebrew for "nation", used by Jews to refer to non-Jews/gentiles. Used disparagingly by neo-Nazis to suggest Jews view non-Jews as beneath them

Goyslop - Unhealthy food that Jews force non-Jews to eat to keep them weak

Groid - A shortening of "Negroid", an archaic terms used to describe Black people

Groyper - A follower of avowed neo-Nazi Nick Fuentes. A reference to the "Groyper" meme, a variant of Pepe the Frog

GSHW - Germany Should Have Won (i.e. won World War II)

GTKRWN - Gas the Kikes; Race War Now

HDKH - Hitler Didn't Kill Himself. A neo-Nazi theory that Hitler escaped Germany and fled to Argentina

John 8:44 - "You are of your father the devil, and your will is to do your father's desires. He was a murderer from the beginning, and does not stand in the truth, because there is no truth in him. When he lies, he speaks out of his own character, for he is a liar and the father of lies." Part of Jesus' rebuke of his Jewish followers

Joo or Jooz - An intentional misspelling of "Jews" in an attempt to bypass censors or automatic content filters

Kate Hikes - A spoonerism of "hate kikes"

Kek - 4chan variation of "lol"

Kekistan - A fictional country imagined by white nationalists with a flag that resembles the Nazi battle flag

Khazar - A reference to the conversion of a group of Khazars (a Turkic people) to Judaism. Antisemites speculate that the entirity of Ashkenazi Jews are descended from these Khazar converts, and therefore have no historical, cultural, or genetic tie to the Levant. This has been proven false on multiple occasions

Kike - A racial slur against Jews

Lizard People or Reptilians - A conspiracy theory by far-right figure David Icke, claiming that world leaders are really reptilian aliens. Most people who believe this theory believe that the lizard people in question are the Jews

Magic Soil - A protest against the idea that people of one nationality can become people of another nationality simply by living in a country (i.e. "France doesn't have magic soil that turns Africans into Frenchmen")

Nicker - An intentional misspelling of the N word in an attempt to bypass censors or automatic content filters

Ns - Black people (as in the plural of the letter N)

NSDAP - Nationalsozialistiche Deutsche Arbeiterpartei. The Nazi party, but using an acronym that is unfamiliar to most people

NS - National Socialist

Noticer - Someone who "notices" that Jews control the world

The Noticing - A mass movement of people "noticing" that Jews control the world

New World Order - A far-right conspiracy theory about Jews taking control over the world and implementing a single world government. Also used in conjunction with phrases like "world banks"

OFOF - One Front, One Family. Slogan of the neo-Nazi group Volksfront

ORION - Our Race Is Our Nation

Oy Vey - A Yiddish exclamation meaning "oh woe". Used by neo-Nazis to mock Jews

Pattern Recognizer - Someone who has recognized the "pattern" of Jews always being in control

Peckerwood - A term derived from racist prison subculture. A peckerwood is a man associated with a racist gang

Power Level - A memeification of far-right beliefs. The more fascist your beliefs, the higher your "power level"

The Protocols of the Learned Elders of Zion - A 20th century Russian hoax claiming to be the minutes of meetings between Jewish leaders discussing how they will take control of the world

Pure Blood - Someone who is a pure member of the white race

Rabbi Smolett - A claim that Jews fabricate antisemitic hate crimes (a reference to actor Jussie Smolett who was accused of doing the same)

ROA - Race Over All

The Goyim Know - A phrase used by white supremacists acting like Jews who have discovered white supremacist activity, and are afraid that they've been found out. Often "The Goyim Know, Shut It Down", which adds the idea that Jews will prohibit any conversation that gets too close to the truth

The Red Cross - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

Tiny Hats or Tiny Hatted People - A reference to the Kippah or Yarmulke often worn by Jewish men

Reject Modernity, Embrace Tradition - A fascist slogan warning against social progress and calling for a return to a prelapsarian (usually ethnocentric) paradise

Rubbing Hands - A reference to an antisemitic charicature called "The Happy Merchant"

"To learn who rules over you, simply find out who you're not allowed to criticize" - A quote often misattributed to Voltaire, which neo-Nazis use to decry claims of antisemitism as efforts to silence them. In fact, it's a quote from a neo-Nazi pedophile

Shabbos Goy - A non-Jewish neighbor of a Jew who can be asked to perform acts Jews are forbidden from doing on the Sabbath (e.g. turning of a light or turning on the heat). Used by neo-Nazis to claim someone is a slave to Jews

Sheeeiiit - An over-the-top representation of how "shit" is said with a Blaccent. Often used in memes declaring Black people to be less intelligent

Shekels - Jewish currency (from the Hebrew word for weight, similar to how British currency is called the pound. In reality, the plural of shekel is shkalim). The name has been adopted by the State of Israel for the NIS (New Israeli Shekel). "Shekels" is used by neo-Nazis to mock Jews as being greedy

Synagogue of Satan - An antisemitic term for Jews, stemming from the Chrsitian Bible

They or Them - When used to describe a nebulous group of undefined adversaries, these words almost always refer to Jews

They Cry Out in Pain As They Strike You - An antisemitic proverb claiming that Jews will make false cries of antisemitism while at the same time perpetrating atrocities

Troon - A slur against trans people, particularly trans women

Volk - German for "folk", or "kind". Used by neo-Nazis to refer to white people

We Wuz Kangz - A racist phrase ment to mock Black nationalists

White Genocide - The myth that a group of people (usually Jews) are conspiring to eliminate the white race through various means including immigration, intermarriage, and homosexuality

WP - White Power

WN - White Nationalist or White Nationalism

Wooden Doors - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

Zio - An abbreviation of "Zionist". Used derogatorialy by neo-Nazis

WPRWS - 'Weimar Problems Require Weimar Solutions" (sometimes shortened to just "Weimar Problems" or "Weimar Solutions"). Prior to the rise of the Nazi Party, the democratic Weimar Republic was in financial crisis (the eponymous "Weimar Problem"). This was often blamed on the Jews. The "Weimar Solution" is Naziism

ZOG - Zionist Occupied Government, reflecting the belief that the United States government is controlled by Jews

[xiaq]

B is so cute. He came to me, very serious, asking if we could talk. And then, equally serious, laid out a proposal for a trip to Costa Rica at a nice resort. The caveat was that the trip would cater specifically to pickleball-players. So he would be pickle-balling all morning every day of the trip, with optional afternoon play. And he hastened to tell me that he would still have lunch and dinner with me daily and that we could make afternoon plans most days, and that there were options for partners of players who didn’t pickle themselves, like massages and scuba diving and such.

And I was like. Hold the phone, my love. Are you saying you want to take me to a veritable paradise for a week in which the only planned part of my days are meals, and I’m otherwise free to swim in the ocean and lounge poolside while reading and writing and I don’t have to worry that I’m ignoring you because you’ll be occupied having fun with your nerdy sports friends?

And he was like “…yes?”

So anyway. I now have a writing retreat/reading vacation to look forward to that happens to coincide with B’s pickleball retreat.