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grimesgirll · 11 months ago

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you'd been begging daryl to take you hunting.

"why don't you take her?" rick implored. "she's not a bad shot."

"we'd be bowhunting, not rifle hunting." daryl distinguishes with a grunt.

"i can learn," you assure him, holding your compound bow in your hands. "technically, i've been shooting since i was seven."

"once a summer for fifteen minutes while peddling cookies," he states.

"c'mon, she learned a lot at camp." rick rebuts, grinning at you. "right, doll, didn't you learn how to build a fire and purify water?" you nod. "none of us have frozen to death or gotten diphtheria yet, so i'd say you should at least give her archery skills a chance."

"please?" you borderline beg, breath hitching as you see your morning not going how you planned. "i really wanna learn to track."

daryl doesn't say anything, just looks from you to the bow in your hand. rick interrupts whatever thoughts he has with a sigh. "daryl, why don't ya just take her? she clearly wants to go with you." he gestures to you. "how can you say no to her when she's asking so nicely? unless you think it's too hairy for her out there and we should just spend the day tucked inside here."

you whine at the idea. you want to be outside.

that spurs daryl into saying a rushed, "grab your heavy coat and your arrows."

you grin at rick who despite assisting in your victory, looks disappointed that you'll be gone for the day. while daryl is busy grabbing his crossbow, you slink over to rick, wrapping your arms around his neck.

“thanks,” you seal your gratitude with a kiss.

he wraps a firm arm around you. "you're welcome, sweetheart," your leader punctuates with a hand dug in your hair while he brings your face to his. you almost don't notice daryl until he's huffing by the doorway and you're kissing rick goodbye one last time and scrambling to grab your bow before dashing out the door after your boyfriend.

gone from alexandria, you and daryl take off on foot towards what he’d described as the best hunting grounds in the nearest fifty miles.

"be sure to quiet down," daryl tells you, abstaining from cringing as your boots crunch every leaf on the forest floor beneath them.

"sorry," you giggle. you try to quell your footsteps but it's hard when you're so captivated by the beauty of the woods.

before everything happened with the dead walking, you loved being outside. growing up in scouts and regularly camping had turned you into someone who was all too reckless outside for their knowledge of the woods. yes, you knew that predators and walkers lurked around every corner out here but you just want to crane your neck and stare at the sky through the trees, or let your eyes wander over the meandering streams.

that's why daryl is watching you like a hawk.

years of tracking has made him hip to everything going on around him. truth be told, if anyone or anything were on your trail, you were a dead giveaway. stomping about the way you are, you're bound to scare off any small game but he's trying to be patient with you. it's not like you had to keep it down at your hippie dippie kumbaya girl scout camp or on sunlit afternoon hikes. daryl, on the other hand, moved about undetected like it was second nature. had to be quiet if you wanted to actually to leave the forest with a meal.

he's watching you and the woods just to be safe. it's hard not getting distracted by you the way you're getting all caught up in the trees and the vivid greenery surrounding you.

the sight of you; pink lips parted just slightly with your head tipped all the way back to look for bird nests have his jeans getting cramped. you're just so excited to be outside.

it's not like you don't go on walks every day in alexandria with judith or join them on occasional outings beyond the walls. there's just not as much room for you to leave with how dangerous even just scavenging is turning out to be, so it's harder to get you out for a remote nature walk.

"what're we tracking for?" you ask.

daryl pushes a branch out of the way, holding it back as you pass under before catching up. "whatever you don't scare away with all that noise."

you snort. "so no deer?"

the redneck laughs. "not with the way you're tramping through here."

"what about pheasants?" you question, tiptoeing over a particularly rocky section of daryl's trail. "or do we need dogs to find them?"

"you don't need no damn dog to hunt pheasants."

"a decoy?"

"you just gotta' be patient." he clicks his tongue. "but it's not like you'd know anything about that." you let out a small whine and his breath hitches.

"just askin'."

"i know, girl."

"so what're you shooting for?"

daryl shrugs. "think' we can probably find something further up the ridge. rabbit, squirrel, something 'for you to aim at."

you nod and knock an arrow. following your boyfriend as he takes you past one of his favorite creeks outside of alexandria, leading the way as you pad along on the forest floor behind him.

your shotgun is slung on your back in its strap, understudying the compound bow you’d dug out of the armory. there were many fewer bow users in the apocalypse than there should’ve been. for every bow hunter, there were fifteen idiots blowing off the head of whatever or whoever they encountered with some barely functional, scavenged handgun. maintaining the skill and the arrows for a bow wasn't necessarily for the lazy.

you really didn't have much experience with archery or hunting for that matter. rick joked that you were a duck hunter but that had been dumb luck. while scavenging for gas along a riverside park, you'd seen some geese and fired your shotgun. rick couldn't be upset about the noise when your impulsive assault on the waterfowl was what filled your stomachs that night. and as a reward, rick filled you up just the way you liked it that night.

you'd go out firing on random flocks of geese more if it meant rick would fuck you the way he did that night. you were losing your mind - putty in his hands - from all the praise. his good girl who shot their dinner. marking every thrust with more praise.

the naughty bundle of nerves between your legs awakens at the thought of receiving the same treatment from daryl. he didn't love spanking your ass red or doling out punishments like rick, but you wanted to see his face after you caught something. after you shoot a deer with your bow. he would be so proud of you, giving you a celebratory kiss before helping you field dress your harvest.

whatever route daryl is following takes on an impressive incline, giving way to a fragmented vista of the tiny green valley. you wish you had binoculars. once your eyes stop scanning the sky for hawks, an auburn mess of hair catches your eye. even through his black windbreaker, you can see the outline of his muscles along his back. his form and thoughts of him taking you up against a tree cloud your brain until you hear your name.

"yeah," you answer, looking up at daryl who's stopped to pause below a short, dense pine. he motions for you to squat with him and you do, settling into a perched position with your loaded bow sat on your knees.

“right here is the perfect pass along the ridge to come up and over the mountain,” daryl explains, blue eyes catching a bit of sunlight. “a bunch of game will be scampering around as the day goes on. won’t see any deer right before noon though. not that they’d wanna walk up here with your loud ass.”

you snicker before sending him an apologetic look. “sorry, dare’. i’m not used to being quiet like that.”

i know, baby, he wants to say but just points to your knocked arrow. ��wanna have that ready. never know when a squirrel’ll come skippin’ by.”

“yes, sir,” you croon, smirking at the way his eyes darken and he playfully ruffles your hair.

settling into a cozy state of surveillance, your eyes start to droop. rick had kept you up after daryl went to bed. this was before you woke up with the urge to accompany daryl on his hunt, so you probably only got four or five hours of sleep. typical rick keeping you up with sweet temptations like his hands on your breasts, his warm mouth on your torso, licking down to your clit and reigniting that fire that’s consumed your core earlier in the night.

you start to feel it stirring when your mind wanders to the man sitting beside you. you smile sweetly at him when he catches your gaze and ask an innocent question about pheasant hunting again that breaks the silence.

then you’re relaying the story about the time your cousin fell out of his tree stand after one too many beers.

daryl guffaws. “that’s some’ shit merle would do.”

"yeah, it was pretty stupid of him."

the quiet returns. you sigh. the silence meant to lull the local game into a false sense of security is boring you. you came out here for some one on one time with daryl and to learn to track, not to sit in silence in the cold for god knows how long.

you close the distance between you and daryl. tucking yourself into his side, you earn a look from him. "i'm cold," you commiserate.

the archer has to look away from your doe eyes to keep his zipper from popping. he mentally debates pulling you closer until he gives in and tugs you to his chest, ruining your position holding your bow.

both of you know you’re eventually going to do what you do best in the cold; get distracted by warming each other up. it’s evident from how you sink back further against daryl. nonchalant even when you feel his hardness against your ass.

“feeling warmer,” you update him.

“good,” he murmurs when you press your head back to his chest. you feel warmer; despite your layers, daryl has gotten your core going enough for you to feel it from head to toe.

you imagine a wave of pleasure, not just flickering body heat as you turn around and face his groin on your knees.

“not out here,” he mutters with a gasp of your name. his belt falls and your hands start on his zipper, progressing the metal zip all the way down until a sturdy hand grabs yours. “don’t you wanna catch something?” he reminds you of the reason you even trekked up here.

you shake your head yes.

“then what’s this all about?”

you roll your eyes. “dare’, I’m bored!”

“i told you that half’a hunting is waitin’!” daryl chides, pushing your hands down.

tears well in your eyes. the older man exhales; he’s fucked.

“dare’-,”

“don’t you start.” he tells you, grasping your chin in his hand and leaning down to kiss you. you tilt upwards eagerly into the kiss from the pine needle littered ground. “you’re gonna scare anything left up here.”

daryl disconnects from you when your bow is lowered to the ground. his thumb slips into your mouth and without hesitation, you treat his thumb to the same treatment he’d gotten last night.

it’s not long before he’s finally saying, “fuck it!” declaring out loud what you’ve been yearning for the entire morning.

with another smirk, you strip him of his pants until he’s popping out of his boxers. your mouth is on him an instant - it’s cold after all. first thing, you envelope him in your mouth, pulsing downstairs again when his hands find warmth in your hair. you don’t need him to guide your head down to the base of your cock for you to take him into your throat.

the black shotgun you’d proudly toted - even after it’d been confiscated at terminus - is deposited hap-hazardously on the ground while your bow is on the other side of your legs. daryl’s ditched his crossbow at this point, opting to explore the far reaches of your throat with his cock while the bow stands against the other side of the tree.

your boyfriend’s breath hitches again. you overfill as much of his cock as you can into your mouth until you slide yourself up and off, taking a break to catch your breath.

fucked out and face flush in spite of the cold, daryl is pleasantly surprised when you dive down to pay his balls some serious attention. you loll each one into your mouth, leisurely progressing up his length with gentle licks until you’re gingerly kissing the head, locking eyes with him.

disregarding the chill beneath your knees, you dip your mouth down on him again, licking a new trail up his rock hard cock. thinking about how painful it must be in this cold, you give into him when he thrusts into your mouth.

hands in your hair, daryl is in heaven. getting head under the trees? sign him the fuck up. you two have fooled around outside before of course but that wasn't usually by choice. without having to worry about a horde of walkers hot on your trail or horrors like cannibals hunting you, he could lean back and just enjoy the sight of you between his legs, swirling your tongue around the head of his cock.

for a moment, he worries that the sounds you make as you swallow his length will attract walkers but he's too hard to care. you bob up and down, trying to take more of him each time. his hands guide you until he's bucking in your mouth and feel him spill down your throat.

daryl's gonna have to take you hunting more often.

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bestworstcase · 3 months ago

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Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

#in general i don’t think rwby gets enough credit for how much gets set up in the first two volumes #or how well the dominoes falling in v3 is executed #like the fandom gets properly excited when things from v1-2 come to fruition but like #i think there’s a really strong tendency across the board to kind of #mentally compartmentalizing the beacon arc as this sort of #experimental prelude to the actual story. the writers figuring out how to write by trial and error #and by extension to treat these long game narrative culminations as just. ''callbacks''#or post-hoc stitching together from the raw material of the early volumes #when really it’s just. the story was planned out from the start! lol!#''oh but the maidens didn’t even exist until v3'' salem and cinder are in the first goddamned episode.#their narrative arcs were planned in advance but probably had a hole (like ‘what is cinder hoping to get out of this specifically’)#that was being actively workshopped while they worked on the first couple volumes #until someone came up with the idea that the keys to the magic vaults salem needed to open #could be people whose magic you can steal and that’s what cinder wants #this is how planning a story works you block things out roughly and refine more and more as you go!!!#ahh!!!!!#there is too much foreshadowing and critical setup in v1-2 for it to be anything but on purpose and planned #nobody has any business being surprised at this point when seeds planted in v1-2 sprout. and yet

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