#buff women so true...

[yzomiris]

Girl spent almost two years training she deserves A R M S

Live Rin reaction:

[mazu-art]

FF7 is scary for me or something

As I’ve mentioned in a previous post I really like buff women and twinks FF7 fits both criteria by its second mission.

It’s scary because essentially out the gate you have two buff as fuck twink powerhouses who can fucking snap me like a goddamn branch if they wanted too. And I’d have no fucking way to stop them. Plus they have a thing for each other. With sustenance like this who needs to eat real food.

That’s not even mentioning the actual fucking monster that I’d let push me into a wall cause he hates me pull my hair to taunt me and yell obscenities at me. But that’s a post for another day.

[anam-mana]

It fascinates me that Alistair gets lumped in with the “Chantry Boys” in discussions about Dragon Age Archetypes because it’s just. Very untrue. But it’s an idea the text actually pushes you to connect with in a way I think is purposeful.

This guy introduces us to the lore of the Blight by asking if we want “the chantry version or the truth.” If we ask if they’re not the same thing he smirks and says with some attitude “they rarely are.”

He sums up his religious beliefs saying he’s “not especially” Andrastian, and that “believes in the Maker well enough.”

He’s actually LESS religious than Zevran, who describes himself as fully Andrastian with a regular prayer routine in optional conversation branches.

The things that people use to categorize Alistair’s supposed “Chantry Boy” boy status all have non-religious motivations.

For example, the big one, his virginity, is because 1. He’s nervous around women, which is the gender he finds most attractive 2. He’s actually the youngest Party Member, being freshly 20 years old. 3. And most importantly, he correlates sex with love and was brought up to see them as requiring the other and so feels uncomfortable having sex without what he sees as “true love.” And he just hasn’t been in love yet.

Another example would be his reaction to the Urn of Sacred Ashes. He reacts with wonder akin to Leliana where many others react with a contrasting blasee attitude. Even the Andrastian Zevran.

But you gotta read between the lines here. Zevran doesn’t hold remains as sacred. He’s an assassin. So his prophet’s body is in that urn. It’s a body. The least remarkable and most mundane, perhaps even the hardest to swallow, thing she could ever be to Zevran is a corpse. Kinda takes the wonder out of faith for an assassin if she dies and rests just like any one else.

But Alistair is fascinated, in awe. 1, probably because the Chantry he doubts so much now has some kinda proof that something they said was true, unlike what he previously believed. 2, Alistair is WAY more patriotic than he is religious and we gotta remember that the Fereldans pride themselves on Alamari heritage, and Andraste was probably the most powerful and influential Alamari person to ever live. 3, he’s actually a giant history buff. He info dumps history on you often, with the memorized readings of whatever question you ask. If asked about the King and Loghain before the betrayal at Ostagar, he shows respect for Loghain’s service in the War for Independance, and knowledge of his tactics. And when speaking about his time in training with the chantry as a child, he says the education was actually what he liked most. And a lot of his gifts are things like replica soldiers, Fereldan historical things, maps, (along with his interest in magical artifacts but that’s for another day.) etc. Given his patriotism and love of learning history, yeah, the Urn is a big deal to him.

I have more things I could say, but really, I just find Alistair to be one of the most misrepresented by fandom characters. His character has a TON of subtext that challenges you to look beyond what others represent him as and the low opinion he holds of himself.

The perception of him as Andrastian and devout is one pushed on him by people like Morrigan (and others to some degree) who fights Alistair more like a straw man representing society than she engages with him as himself. She sees him as a Templar even though he left the order specifically because they abused him And he fundamentally disagreed with their practices, The Harrowing specifically being what pushed him to fight to leave.

There are, textually, two ways to interpret Alistair. Through face value aesthetics and symbolism pointing to association with the Chantry and by observing other’s opinion of him. Or through actually listening to what he says and watching what he does.

And it’s just interesting to me that a lot of people get caught in the trap of what he represents aesthetically rather than who he is.

[imbecominggayer]

Writing Advice: Writing Authentic Dialogue

For @radiantmocha TL;DR: advice for writing combat and improving dialogue authenticity?

I'm sorry that this post is going to be so short but it's a really simple topic for me :D

A) Authenticity: Actually Talk To These People Or Read Their Books

When it comes to looking for authentic dialogue, especially in relation to combat, just trying to start up a connection with a professional can be the gateway into actual realism.

If you can, try talking to a veteran or someone actively serving in the military!

If you are interested in a specific time in history that no one is currently alive from, try talking to either a historian or a history buff.

If neither of those options work for you, try reading books and other stories that were written by veterans. My favorite book of this genre is "All Quiet On The Western Front" which is a semi-autobiographical book exploring what life was like for german soldiers in WW1 which was written by Erich Maria Remarque, a German veteran of WW1.

I emplore you to explore stories, even fictional stories, that were written by soldiers!

B) Authenticity: Accounting For The Environment

What's the time period that the story is set?

Where is the story set?

What is the socio-economic status of the protagonist?

What is the personality of the protagonist?

Answer these questions (and more) to understand what a character will and wont say. Characters fighting in WW1 won't reference tanks pre-Battle of Somme.

This advice is true for everything. An innocent, rich kid will certainly speak differently, using different verbage, in comparison to a kid living in the slums. They will also prioritize different things.

What I hate most in stories is when characters, poor for their entire life, poverty-striken, starts wildly proclaiming ideas of justice, fairness, and equality while fighting bullies left and right. Most people in that situation need to keep their head down. They can't afford to go to the police station for "contributing to the a fight" Independent women can't get into the middle of a fight! Do you know how much medical bills cost? If they manage to survive, it's not going to be pretty. No matter how much self-defense classes like to tell women, most women understand that they can't overpower a determined man.

That isn't evil, that's survival, that's practicality! Ideals have always been prioritized by people privileged enough to have the time to think while the poor and always working need to be always working!

Sorry, that was a rant

In Conclusion:

Read stories that real people have written that are either semi-autobiographical or autobiographical! Keep in mind the time and place!

And so sorry for that rant!

[athenamikaelson]

Klaus Mikaelson x Reader!Soulmate x Elijah Mikaelson PART 7

Word Count- 5.3k

Warnings- Swearing, stabbing, Elijah wanting to hold hands, witch trials

A/N- KLAUS NEXT CHAPTER BABIES!!!

“I don’t understand why you grown men keep dragging me into your shit,” I groan to Alaric as he parks his car. I cling to my seatbelt and regret ever answering my phone this morning. I really just have to throw my phone away at this point. 

“I don’t trust him around Jenna, Y/n. I have a bad feeling about the guy,” Ric says as he undoes his seatbelt and begins to exit the car. 

“That or are you just jealous?”

I raise an eyebrow and purse my lips at him and he leans down to stare at me with an annoyed look.

“Get out of the car Y/N.”

I watch as Ric makes his way from his side of the car to mine, but just as he’s about to open my door I press down the lock from the inside. I smirk at him as he tries to open the door but it doesn’t budge. He stares down at me annoyed and then presses his key fob unlocking the car. He tries to open the door but I mimic my actions from before and lock the car again. We continue doing this for another 2 minutes before Ric gets the better of me and throws open my door. 

“Seriously, Y/n!”

I huff and practically crawl out of the car. 

“For the record, I would rather jump in front of a train than be here,” I say matter-of-factly to Ric as we catch sight of Jenna and Elijah walking up a grass path together.

“For the record,” Ric waves at them and then turns his head towards me, “I don’t care.”

Once again I groan as we make our way towards Jenna and Elijah. I lock eyes with the latter and he sends me a warm smile. I don’t reciprocate and quickly turn my eyes towards Jenna. I can still feel Elijah’s eyes on me, as always, as we stand in front of Jenna and him.  

“Uh, Elijah, this is my friend,” Jenna, who seems to be annoyed, introduces Alaric to Elijah, “Alaric Saltzman. And you’ve already met Y/N,” Jenna turns to me and seems much more happy to see me.

Ric who can’t seem to catch a clue speaks, “Ya, I got your, uh, message about walking Elijah here through the old property lines. I thought I, uh we,” He gestures to me, “would, uh, tag along. You know us being history buffs and all. Where to next?”

An awkward silence follows for a moment before Elijah breaks it, “I’m pretty curious about the freed slave property owners. Some say, you know, the descendants of the slaves are the true keepers of American history.”

I am almost one hundred percent sure Mr. Suit and Tie has an ulterior motive but Jenna doesn’t seem to catch it as she tells him she has the stuff in her car and that she’ll go grab it. I watch as she walks away and then turn back to the two men next to me. Elijah stands about a foot's width away from me while Ric is to my right. Ric must’ve noticed Elijah’s staring as he moved himself in front of me. If you didn’t want me to be around Elijah why bring me here? Dumbass. 

I can still see Elijah from over Ric’s shoulder and the movement Ric made doesn’t seem to sit well with Elijah as a small twitch in his upper lip presents into a snarl. He drops back into a neutral look almost instantly. 

“So you’re one of those people on Elena’s list of loved ones to protect,” Elijah says to Ric. Even though Elijah is relatively shorter than Ric the aura Elijah protrudes makes up for it. Anyone could tell that even though Ric is trying to put up a macho front, he’s afraid of Elijah. 

“So is Jenna.”

Elijah smirks at Alaric and then shakes his head slightly, “You don’t have to be jealous. I don’t really pursue younger women,” Elijah’s eyes trail to mine momentarily, “Most of the time.”

Elijah turns back to Ric and they stare at each other for a moment before Elijah pats Ric on the shoulder, “It’s a joke, Ric, lighten up.” 

Ric rolls his eyes and nods. 

“Wait,” I speak and turn to Elijah, “Technically isn’t every woman younger than you? You know, since you’re like old. Really old. ”

Ric just brings a hand up to massage the tension between his eyebrows and sighs deeply, but Elijah lets out a small chuckle that sends shocks down my spine. 

“I guess you’re right Y/N. I am really old,” He mimics my tone with a small smile on his face. 

—

35 minutes. We’ve been walking in this dirty ass forest for 35 minutes. I should be in bed asleep right now. But nope, here I am following behind three adults as they talk about history. It’s not that I don’t like history, I do, it’s just that it’s a Saturday. I shouldn’t be learning things on a weekend. 

I half-heartedly listen to what Jenna is telling Elijah as we cross over a bunch of fallen tree logs. Alaric helps Jenna over one, and I don’t miss the dirty look she looks she shoots him, making me try to cover my giggle with my hand. The giggling instantly stops though when I see Elijah standing by the front of the log with his hand outstretched towards me. We haven’t talked in these 35 minutes since Jenna has been occupying him, but that hasn’t stopped him from turning back every few moments to catch a glimpse of me, as if he thinks I’m just going to disappear into thin air. Honestly, I wish I would.

I’m not going to use Elijah’s help but realize that my clumsy ass would probably fall over the log if I didn’t. So I lightly place my hand into his, which results in him closing his hand over mine. Locking our hands together. Our hands are locked for a long moment before Ric clears his throat from the other side of the log. I quickly look away from Elijah and use his hand to get over the log carefully. I soon as I get over it though I wrench my hand away from his and walk over to Jenna who sends me a warm smile. 

“Seems like someone is fond of you,” She whispers to me as she raises his eyebrows suggestively.

I can already feel the redness making its way onto my cheeks as I stare at her horrified. Jenna just laughs at my face as she starts leading us farther down the trail we’re on. Sadly though, Alaric has occupied Jenna, which leaves Elijah to walk next to me. 

Elijah’s quiet for a moment, seemingly just enjoying my company before he starts speaking, “Is it true what Alaric says,” I turn to him confused, “That you’re a history buff?”

I sigh slightly as I shrug my shoulders realizing that just talking to the guy might make this little trip go by a little faster.

“I wouldn't call myself a buff,” I use my fingers to make air quotes, “but it’s also not something I dislike. Learning about how our world was made and all the small factors of why it was made are quite intriguing. I also like weird history.”

“Weird history,” Elijah questions me with a frown.

“You know, like the unexplained, or the odd things in history that many don’t understand,” At the still confused look on his face I continue, “You know like the dancing plague of 1518, D.B Cooper, or Oh! The lost colony of Roanoke. That’s probably my most favorite.”

Once I realized that I had just gone on a tangent I went to apologize to Elijah but when I look at him all I can see on his face is pure adoration. The type of adoration that makes the beating in my chest stops. He smiles at me and from being so close to him I notice the small dimple on his left cheek. 

“I understand now,” Elijah says, “You seem to be most interested in The Roanoke Colony. Why is that?”

I ponder his question for a moment, “I’m not sure, it’s just something I’ve always been drawn to. Maybe because of how mysterious and odd it is. I’m not sure, I know that some people say it was aliens or cannibalism but there isn’t a known answer. It’s amazing to me that so many people, an entire village, can go missing and there are no clues. Other than the word Croatoan!”

Elijah nods his head along but the look in his eyes and the smirk on his face tells me he’s hiding something. Wait. Holy shit.

I whip around to him stopping us, “You know, don’t you! I mean you’re old enough but I didn’t even think you would…,” I stop and stare at him in awe for a moment, “You have to tell me.”

Elijah opens his mouth but then I shake my head and throw a hand up to his mouth stopping him, “Wait! No, what if you tell me and it ends up disappointing me.”

I go through all the possibilities in my head at what he could tell me and then fight myself on whether I should have him tell me or not. I can feel Elijah’s smile behind my hand and bring my hand back.

“Sorry,” I wince embarrassed. 

“No worries, I enjoy seeing you so full of life,” I blush at his words, “Would you like me to tell you?”

I think about Elijah’s question for a moment and then shake my head, “No. I think the reason I love that moment in history so much is because of the mystery behind it. I don’t want to lose interest in it by knowing.”

Elijah seems pleased with my answer and nods, “Very well.”

We continue walking for another moment before Elijah chimes up again, “What else interests you?”

I shrug my shoulders, “Nothing much, I’m not a very interesting person.”

“I highly doubt that.”

I smile slightly at his comment, “Well I like reading. That’s actually something Elena and I have bonded on. I used to get bullied for being a book nerd but now having someone who likes it too is comforting.”

At this mention of Elena, Elijah’s smile drops slightly but then turns into a small frown. 

“I’m sorry that you were bullied for reading, as a literature connoisseur myself I find it quite depressing how reading has become something so rare in these past decades. What types of books do you read?”

I nod along to Elijah’s words until he asks what books I read. At this, I instantly get red and look anywhere other than him.

“You know,” I try to find a socially acceptable answer. Not really wanting to tell this 1,000-year-old man I spend my free time reading smut, “Literature.”

“Literature?”

Elijah looks at me with a smirk on his handsome features and I just nod and clear my throat, “Yep, literature. Just all the literature.”

“What about you? What literature do you like?”

Elijah laughs slightly at my change in subject, “Literature in general as well,” I roll my eyes at his joke, “But also I appreciate all types, Historical, the classics, thriller, even romance.”

“You read romance,” I ask surprised. 

He nods his head, “On occasion. There’s something so unique about how different authors portray love and devotion. Where some show it as a neverending, intense emotion others show it as one’s demise.” 

“And which do you believe?”

This question has Elijah pausing momentarily, thinking, “I’ve lived a long time, Elskan. Seen people start wars in the name of love, and seen people kill and die in its name aswell. To choose just one thought when it comes to the idea of love is something I can not do. What about you, what are your thoughts on love?”

“I want nothing to do with it.”

Elijah goes quiet for a moment at my answer. I face back forward and we keep walking in silence for another moment.

“I understand your reluctance towards it. But still young why cut off something like love at your age?”

I fight the urge to roll my eyes at his words. My age has nothing to do with my hatred and distaste for love. 

“Don’t tell me all that romance you read is getting to your head, Elijah,” I say to him slightly snarky.

“I’ve struck a nerve,” Elijah says as he nods his head. 

“Nope. No nerves struck here,” I tell him picking up my speed and walking away from him. He doesn’t have to try hard to meet my speed though as he falls back into step with me. 

“Even though there have been no nerves struck,” He tries to lighten the tension with a joke, “I must apologize for overstepping. As I’ve said before, making you uncomfortable is the last thing I’d ever want to do.”

I move my gaze from Jenna’s back, who is currently in a small argument with Alaric, and turn to look at Elijah. Once again his face has no signs of malice or ill intent.

“It’s fine,” I shrug at him, “Like I said no struck nerves.”

Elijah slightly laughs and then nods his head. We walk for another 5 minutes in silence, Elijah helps me over logs and rocks whenever we come up to one. 

“Y/N and I should be heading back now,” Alaric tells the group as we get to a clearing. 

I nod, happy to be getting out of these woods.

“Well, thank you Y/N for coming today, I’m sure you had more exciting things to do today,” Jenna smiles at me and jokes.

“Just sleeping. But it was nice to see you Jenna,” I reluctantly look over to Elijah who hasn’t left my side, “You as well.”

This has Elijah’s deflated shoulders rising again. He almost reminds me of a dog that is happy someone is finally giving it an ounce of attention. 

“It was a pleasure to be able to spend this morning with you, Y/N,” I’ve noticed that Elijah calls me by my actual name when other people are around. But, when it is just him and I, he uses that stupid nickname. 

I nod as I go to follow Alaric back to the car but stop and turn back to Elijah, “I guess I’m not one-hundred percent against love,” This perks Elijah up, “I mean I totally loved the dress I wore to the tea party.”

Elijah lets out a deep chuckle that rattles his broad shoulders, “You weren’t the only one.”

I almost choke on my saliva at his words. Elijah’s smirk deepens and I put my lips together and nod my head fast.

“Well, um. I’ll be going now,” I don’t give Elijah time to respond as I speed walk past him and Jenna and grab Ric’s forearm pulling him roughly behind me.

“Keep up,” I whisper yell at him as we speed walk our way to the car. 

—

The original plan was that Ric and I would go on that stupid history walk and then after 30 minutes he would bring me back to my house, but of course, no one in this god-forsaken town follows any type of deal. So that’s why I am currently sitting in front of Demon and his “girlfriend,” and next to Ric who are talking about Elijah and how they don’t trust him. Thankfully Damon bought me fries so this whole trip hasn’t been an entire waste. I half-ass listen to their conversation but don’t really care so I don’t process a word they’re saying, at least not until Damon perks up.

I’ve come to learn from my time in knowing Demon that if I see him getting excited about something, someone is going to get hurt. 

So that’s why I follow his line of sight and see Elijah and Jenna walk into the Grill together.

“Ah, there Jenna with her new boyfriend,” Damon says. I know he’s just trying to get a reaction out of Ric but something about that sentence makes my skin crawl. 

Damon calls over both of them. Jenna welcomes all of us with a smile and wave while Elijah trails behind her looking complacent. As always his eyes find mine and his complacent smile lightens. 

“So I hear you two had a meeting of the historical minds today,” Damon speaks to the two.

“Yeah, I guess you could say that,” Jenna smiles looking up at Elijah who is now looking down at Demon. 

“Well, as much as I’d love to continue this, I, uh, I’ve got papers to grade and a teenager to get home,” Ric gets up from his seat and he gestures to me. I frown as I see my fries still half full and quickly grab a fist full and fill my mouth trying to get away with as many as possible, almost choking myself in the meantime. The adults around me watch me with a mix of amusement and slight disgust, but I don't care. I’m not wasting free food. 

“No, you know what,” Alex or Stephanie or whatever Demon’s girlfriend is named, chirps up, “We should continue this. Let’s have a dinner party!”

Hell to the no. 

“Ooh, my girl. Full of good ideas,” Damon looks over to her before turning back to us, “I’ll be happy to host. Say tonight. Maybe?”

“It’s good for me. Jenna,” Where Alessia agrees Ric tries to disagree. 

“Yeah, I’m free,” Jenna talks over Ric. Yikes. 

“Will the lovely Y/N be there,” Elijah asks me and I try to tell him, “Hell no,” but the fries in my mouth have left me mute.

“Of course, she’ll be there,” Damon exclaims as if there isn’t any other place I’d rather be. I send him a nasty glare which earns me a wink in return. 

“Then it’d be a pleasure.”

Damon’s smile is all but welcoming as he responds to Elijah, “Great.”

This is going to be a horrible night. 

—

This is a horrible night. 

First I get a nasty grade on my modern art project. Not my fault, since modern art is a crime against humanity. 

Then, I try to find a dress for this stupid dinner and the only half-decent dress that I have now is two inches too short.

And then after I said screw it, put the dress on and finished getting ready. I went down to my car only to find out that my front tire had gone flat. Honestly in this case I was happy about it because I had a reason to cancel, but when I called Jenna and told her the “upsetting” news, she told me she’d come pick me up. Great. 

So now I’ve been sitting on my front porch waiting for Jenna. After waiting for fifteen minutes I was close to just calling it quits and telling Jenna the fries from earlier made me throw up on myself. But, right when I stand up a dark sedan pulls into my driveway. Wait. I know that sedan. Damnit. Why the hell is Elijah here?

As if he could read my thoughts Elijah pretty much glides out of his car looking practically god-like in yet another five-thousand-dollar suit and smiles at me. 

“Good evening, Elskan,” Elijah walks up the walkway to stand before me, “Miss. Sommers so kindly asked me if I could escort you to the dinner tonight. To which I happily obliged.”

“Right,” I sigh, “Let’s just get this night over with.”

I walk to Elijah’s car as he follows me, just like before he opens the door for me. I send him an appreciative nod and get in. After another moment we’re driving down the dark road towards the boarding house. 

“You look breathtaking, Elskan,” Elijah says to me from his position in the driver’s seat. 

“Thanks,” I turn to him and look at his usual attire, “You look the same.”

He chuckles, “Yes, you always seem to remind me of my attire. Thank you for that.”

“Always here to help.”

We drive in comfortable silence for the entirety of the trip until we get to the Salvatore’s driveway.

“How are you feeling about tonight,” Elijah’s tone is flat but as he looks at me his eyes are filled with what I believe to be suspicion.

“You mean, do I think something bad is going to happen?”

Elijah’s upper lip twitches, “Aren’t you a smart one? But yes, I am not going to threaten you Elskan. I would never do that, but,” At that, I’m tensing in my seat, “I need to know if your friends are planning something, unbecoming, tonight.”

At Elijah’s serious tone, I shake my head, “I don’t know anything. Promise,” Elijah doesn’t seem to be entirely pleased with my answer, and something in me wants to fix that, “But, I do know that Damon is not one to have friendly dinner parties so,” I look at him uneased but speak in a strong voice, “Be on your guard tonight.”

“Thank you for your honesty, Elskan.”

— 

Elijah and I stand side by side as he knocks on the front door. We wait only a moment before a smirking Demon opens it up,

“Thank you both for coming,” Damon says a little too nicely, “Y/N don’t you look adorable. Come on in!”

Elijah places his hand on my lower back, “Just one moment. Can I just say that if you have less than honorable intentions about how this evening is going to proceed, I suggest you reconsider.”

“No, nothing, nothing dishonorable. Just, uh, getting to know you.”

“Hmm, well, that’s good.”

“Yeah,” I watch this back and forth waiting for something bad to happen. 

“Because, you know, although Elena and I have this deal if you so much as make a move to cross me I’ll kill you and I’ll kill everyone in this house,” And there it is, “Except Y/N and Miss. Sommers of course. Are we clear?” 

“Crystal,” Damon eyes Elijah wearily. And then Elijah leads me into the house as Jenna enters the room.

“Jenna, wonderful to see you again. How are you?”

“I’m seriously getting whiplash from you man,” I whisper so only Elijah will hear. The only response I get is a slight squeeze to my waist as he pulls me closer and away from everyone else who has entered the room to greet us. His right-hand stays resting on my upper hip. 

“Let’s eat.”

—

“I hate to break it to you, Damon,” Jenna says to Damon as she pours him a glass of wine, “But according to Elijah your family is so not a founder of this town.” 

“Hmm, do tell,” Damon responds. Damon sits at the head of the table sipping his wine as he stares at Elijah, who is currently sitting next to me on my right. Alaric sits to my left and Jenna and Abby sit across from us. I should really learn her name. There’s also this balding white man who is sitting across from Damon at the other end of the table but no one here seems to want him here.

“Well, as I mentioned to Jenna earlier a faction of settlers migrated from Salem after the witch trial in the 1690s. Over the next hundred years, they developed this community where they could feel safe from persecution.”

“Hmm, because they were witches,” Jenna chimes in.

“Yeah, there’s no tangible proof there were witches in Salem.”

“Andies a journalist. Big on facts,” Oh, so that’s her name. I liked Andrea more.

“Well,” Elijah sets down his fork and starts talking again, “the lore says that there was this wave of anti-witch hysteria. It broke out in the neighboring settlement. So these witches were rounded up. They were tied to stakes in a field together and, uh, burned,” Elijah says as if it’s something anyone wants to hear while they’re eating steak dinner, “Some say you could hear the screams from miles around us. They were consumed by the fire. Could you pass the,” He gestures to the salt and Ric passes it to him wearily. 

“I wouldn’t repeat this to the Historical Society,” Jenna says which has me wanting to roll my eyes at the mention of those bags.

“Maybe you should,” I say to myself but have seemed to catch the attention of the table. Shit.

“I’m just saying it would knock them down a peg, which is clearly needed,” I whisper out the last part, “Even though there is no proof of witches being burned at the stake during the trials. It was mostly done from self-drownings and using rocks.”

At my contradiction to Elijah’s statement he raises an eyebrow, “Is that so?”

“Self-drowning and rocks? How would that work,” Jenna questions with a slight stutter clearly having had a little too much wine.

“Well with the drowning it was more of a test,” I use fingerquotes at the word, “So to speak. The witch in question would be tossed into a body of water and if she was able to stay afloat she was condemned as a witch and was killed. But if she didn’t float, well. Y’know. So I mean either way it was just a way to punish women for being women. They used the rocks though to stone the people to death. Interestingly enough one of my ancestors was actually killed that way. R.I.P.”

I laugh at my little joke at the end which has earned me a few stares from the people at the table.

“Ok, moving past whatever that was,” Damon says as he turns back to Elijah, “So why do you want to know the location of these alleged massacres?”

Elijah thinks for a moment before smiling, “You know… a healthy historian’s curiosity, of course.”

“Of course,” Damon replies to Elijah who has already gone back to taking a bite out of his steak. I bring my glass of water to my lips and take a sip but start choking on it when I feel a hand gently grab my other one from under the table. 

“Y/N! Are you ok,” Jenna exclaims from her side of the table as Ric pats me on the back, I put up a thumbs up and try to smile.

“Yep all good. Just,” I cough out a bit more, “went down the wrong pipe. Don’t mind me.”

Even though I almost choked, Elijah still hasn’t moved his hand from mine. Instead, his fingers have begun tracing shapes into my skin. I know I should feel disgusted, but I can’t seem to want to move his hand away. He looks at me momentarily as if to check I’m ok. To which I send him a small nod. This in return makes him smile and grab a hold of my hand more firmly now.

Damon's standing distracts me momentarily, “Does anyone care for some cognac? I have a bottle I’ve been saving for ages.”

God, me, please.

“None for me, thanks. Nine bottles of wine is my limit,” Alaric says as he downs yet another glass of wine. Jesus dude, try water sometime. 

This has everyone standing from the table. Ok then, guess I’m done eating. 

“The gentleman should take their drinks in the study,” Anna says. 

“How 1950s of you Alice,” I smile at her sarcastically.

“My name is Andie,” She says back.

“Is that not what I said,” I smile at her as I walk past her into the study. I don’t even want to go in here with them but I’m doing it to stand on principle. And that I’m kind of an asshole. But that’s not my fault since I was awoken this morning before I was able to get my full 13 hours of shut eye.

—

My fingers graze the dozens of books I walk by as Damon and Elijah converse behind me. It surprises me that Damon has so many books, when he’s so dumb. Weird. 

“Are these Stefan’s?”

Damon spares me a moment's glance, “No, they’re mine.”

I hum. Weird. Maybe he just doesn’t have comprehension skills.

“So, let me guess, in the addition to the moonstone, the doppelganger, the lion, the witch, and the wardrobe… You need to find this witch burial ground.”

“Because I feel as though we’ve grown so close, Damon,” Elijah’s words have me chuckling as I flip through a book that seems to be at least one hundred years old, “I’ll tell you yes. Do you know where it is?”

“Maybe,” Damon’s answer has Elijah walking over to him, “Tell me why it’s so important.”

“We’re not that close.”

Damon getting rejected has me snorting which catches Elijah’s attention as he smiles up to me. He notices the book I have in my hands and speaks again to Damon.

“It’s quite a collection you have here. It is a funny thing about books. Before they existed people actually had memories.”

I go to make a snarky comment at Elijah’s words but Ric comes storming into the study. 

“Gentlemen,” I clear my throat and Ric looks at me, “And Y/N. We forgot about dessert.”

Addison comes over to Elijah and raises a hand for him to take, which has a nasty feeling starting in my gut. But before it goes too far Elijah turns to me instead and reaches out his own hand, “Y/N.”

I have to fight back a snort as we walk by Amelia Bedelia as Elijah leads me into the dining room where Jenna is.  

“Sorry, guys, dessert is taking longer than I thought,” Jenna’s words have me physically deflating, “I usually just unwrap food.”

Elijah leads me to a chair and moves it so I can sit down. He sits next to me and Audrey sits across from us. 

“So, I know this is a social thing but I, I would really love to ask you some more questions about the work that you’re doing here,” She asks Elijah who agrees. I’m quite interested in what he’s going to say since he’s created this big lie surrounding, Elijah Smith.

“Great,” She continues as Damon enters the room, “Oh, that’s so great. Ric, would you do me a favor and grab the notebook out of my bag?”

She instructs Ric as Elijah’s hand finds its way back to my hand.

“Elijah, did John tell you that he’s Elena’s uncle/father?’’

Damon’s question has me sitting up right.

“Huh?!”

I look between Damon and the balding man next to me and wonder how he was able to produce a girl as pretty as Elena. Also now I’m pissed and kind of sad no one has told me this before.

“Yes, I’m well aware of that,” Even Elijah knows?!

“Of course, she hates him, so there’s absolutely no need to keep him on the endangered species list.”

Now I don’t feel bad for thinking he looked like Charlie Brown earlier. 

Adeline says something to Ric but now my full focus is on Elijah's fingers which are now grazing up and down my hand that lays on my thigh.

I can hear Dead Beat saying something to Elijah but the words won’t focus as I try to calm my breathing. Elijah’s deep voice enters my ears as I hear him threatening the two men but the soft touching hasn’t gone away. 

I’m almost comforted by the feeling now until the once soothing feeling is replaced by his hand crushing my thigh. My yells are mixed with what I’ve just now realized are Elijah’s as he crunches up in pain. A loud scream escapes my lips as I see a dagger protruding from Elijah’s back and can only watch in horror and pain as Elijah’s once soft and light skin turns to grey and veining flesh. 

I blink rapidly as everyone moves around me but all I can focus on is Elijah’s dead body. Dead. Elijah’s dead. Oh god. 

I feel someone grab my upper arm and drag me out of my seat, “What’s wrong with you?”

My breathing halts. My vision goes black and, my body hits the floor. 

[smallestapplin]

What transformer character of choice when seeing a giant prediction looking milf bot and be smitten? Cuz Giant buff women

Ya know what? Hell yeah, I can appreciate a milf.

Warnings : mild horny but nothing explicit but still 18+ only please!

-

-

Smokescreen has to hold a servo up when they first encounter you, leaving Arcee and Bee confused until he spoke, “Mark me down as scared and horny.”

He did get smacked for it, and then got smacked around by you when they approached or got to close to what you considered your den. You weren’t very friendly at first, until Optimus had to be called in and actually speak with you to let you know he and his team mean no harm. At least that’s what Smokescreen thinks what happened, he heard none of it and was busy staring at you in your robot form.

Despite the stern glare on your face plate, he was very much into this.

Of course once you considered the autobots your own, you were around more often and more or less had Smokescreen hanging off of you, your care for the team was beyond sweet for a giant predacon that towered over everyone. How you shift into your alt mode and curl around the couch to watch the tv with him and Bee.

If they can’t find Smokescreen he’s with you trying to figure out how preadcons court cause he needs you to be his yesterday, he is the text book definition of down bad.

-

Ratchet, two milfs they might kiss! At first like always he’s annoyed by you, how curious you seem to be over his tools and such, but surprisingly you two make a good team. Anytime someone is hurt you scruff them and bring them to him. He scolds and you stand behind him with a stern and disappointed expression, making whoever got hurt feel guilty for rushing in to a mission.

Your strength and power alone gets him smitten though he tries to deny it. You are very protective over the autobots and have shown time and time again how you are willing to risk your life for them, even if that means it’s your turn to earn ratchet’s scolding.

He’s not free though, he tries so hard to act like he hates and loathes when you pick him up and take him to his habsuite, just to curl around him in your alt mode and keep him pinned, he can’t work if his giant predacon spouse is laying across him. Stupidly finds your strength and height over him attractive, more so when you purr lowly and lean over him, trying to show him affection.

Ratchet gets too flustered for this.

-

Predaking, a list like this wouldn’t be complete without the King himself, and oh is he smitten. You, who are so strong and fiercely protective over your den in which he found you in, you, who actually stood a chance against him, growling deeply as you told him to back off.

It’s not surprising he returns to your cave and dropping mass amounts of energon at the entrance, your stern glance only makes his spark sing and oh by the stars how his tail wags when you accept his offering. Predaking like his big strong conjunx, you are so tender with the life living around your home, and so aggressive in battle! He adores he doesn’t have to hold back with you, know you can take whatever he can give you.

The only one who can command him easily with just an upset sound.

-

(Bonus round!)

Bumblebee took one look at your thighs, took one look at your size, and took one look at you and decided he already knew how he wanted to offline, if it is not by your thighs alone then he is a coward and weak. He truly is a little Bee buzzing around a great big dog.

Anytime you show up or the team finds you he’s sliding across the ground to close the distance, arms around your pedes and helm buried into your lower stomach. He’s very easy to pick up, but you honestly don’t need to with how he climbs you and sits on your shoulder with ease, always beeping happily.

He’s already told Arcee he is not going to survive your spike but he will try his damnest like a true warrior.

She’s already prepared to tell Optimus and Ratchet Bee went out the only way he truly wanted to, and that’s by a thick bot snapping his neck cables.

[apoloadonisandnarcissus]

One user asked me if the reason for the “push back” against Robert Eggers intention in his 2024 “Nosferatu” adaptation (especially Ellen Hutter relationship with Count Orlok) is because 1922 Ellen Hutter is meant to be a pure-hearted and virtuous woman, like her book counterpart Mina Harker from “Dracula” (a model of purity and modesty of the Victorian woman), and I decided to write a post about this.

I think many are missing Eggers intention with this film for several reasons:

1) Going Mainstream

First, this film is being a success at the box office, and while that’s amazing because I want more films like this getting made, this also means many who aren’t the “target audience” are seeing it, and completely missing the mark because they aren’t familiar with the Gothic Horror or Gothic Romance genre. Nor with Robert Eggers work.

Not liking this film is completely valid, not every piece of media and art is meant for us. Great, move on.

And there’s nothing wrong with folks not being familiar with the Gothic genre if they are interested in learning and understanding it. The problem is when people are hellbent in misunderstanding it and stuck on their own narrow views to the point they sound brainwashed, without an ounce of critical thinking and behave like a hivemind: “if many are saying this is probably true” type of thinking. And we are in the “social media era” where everyone thinks their own opinions are valid, so there’s that too.

Also I would add many are probably used to the “Marvel formula” of “over exposition”: having the entire story spelled out on screen instead of classic storytelling with an actual build-up and narrative devices (foreshadowing, red herrings, Chekhov's Gun, etc.). This causes misunderstanding, as well, because folks used to this type of storytelling won’t understand what they are seeing because they are used to be fed everything (“exposition”) and taking everything literally. This is also a film that requires analysis; this is clearly for the “film buffs” because Eggers wants to become a “cult director” too.

Eggers probably knew this was going to happen and he probably doesn’t care either. As Von Franz so interestingly says in the film: “Neque mittatis margaritas vestra ante porcos!” And ancient Latin saying which means “Nor cast your pearls before swine!”

Directors with strict artistic views (like Eggers) rarely care if the audience understands it or not. “The VVitch” was a feminist success when it was released in 2015, apparently now some are saying it’s problematic, because “oh my God, the Devil is a deceiver! Who knew???”. “The VVitch” and this version of “Nosferatu” are also pretty much the same story with a different framing.

2) Lack of Knowledge concerning the story and the time period

Many don’t seem to know that “Nosferatu” and “Dracula” are the same thing. Count Orlok is Count Dracula.

This story takes places in the Victorian era, and Eggers transports his audience to the time period his films are set in. Which means, we can’t look at this story through contemporary lenses, nor with our current sensibilities because that’s missing the point of Eggers work.

This movie deals with female sexuality, especially its repression and containment, which was the case in the Victorian era. Women weren’t supposed to be sexual, at all. If women displayed sexuality they were considered “hysterics” and could be institutionalized by their fathers and husbands (which is what happened to 2024 Ellen, as she tells Von Franz). Really, women could be institutionalized just by talking back to her husbands in this time period. And even within marriage, female sexuality should be modest and restrained, women weren’t suppose to know sexual pleasure, and it’s the husband who took the lead, always.

Men could sleep with whoever they wanted and even go to brothels every night, but this wasn’t the case for “decent Christian women”, at all. Sex for women in the Victorian era was supposed to be a painful task they had to go through to have children. There was even the famous saying “think of England” when wives were having sex with their husbands (“think of England” as in “think of something nice” other than what’s happening).

Ellen having astral sex with Orlok and getting pleasure from it was highly scandalous for this time period. Of course this a freaking horror movie and he’s a demon, but if they were actual people, doing this, unmarried, in the Victorian era, this would be a scandal and she would be ruined socially. Which is kind of what happens, and why the whole thing causes her great shame and guilt. It has nothing to do with “abuse” or “grooming” or whatever.

And, I don’t know why many are saying this happened during Ellen’s childhood? Because what she had since childhood are her supernatural abilities, as she tells Von Franz: she knew what her Christmas presents were before opening them and had a premonition of her mother’s death. She wasn’t talking about getting that demonic D, that was during her teenage years as a metaphor for her sexual awakening/puberty. Obviously.

3) Confirmation Bias

While seeing this movie without any previous knowledge (like “Nosferatu” = “Dracula”; or the historical context where this story takes place) the opposite is also true.

I think this is more true for fans of the previous adaptations of “Nosferatu”. They are misunderstanding the story Eggers is telling in his own adaptation because their perception is shaped by the 1922 film (mostly) and the 1979. And so, they will interpret what they are seeing as a “rehash” of the previous story (which isn’t the case here, this is an entirely different story).

And so, they see 2024 Ellen as the pure-hearted and virginal 1922 Ellen who selflessly sacrifices herself to save everyone, even though that’s not the story Eggers is telling and the script contradicts this. Eggers added plots that aren’t a a part of previous adaptations (Orlok and Ellen psychosexual connection; their covenant; occult meaning) and Ellen character being completely different from the 1922 and 1979 films (she’s a antithesis to them).

And how on earth someone sees these three adaptations (1922, 1979 and 2024) and thinks they are equal and this “sacrifice” has the same meaning is beyond me, honestly.

4) The “Sexy Vampire” Trope

Last but not least, we have to talk about the “Twilight”, “Vampire Diaries”, “True Blood”, etc. generation. Some probably heard “vampire” and “Bill Skarsgård” alongside with “obsession” and a female character involved, and were probably expecting something like this:

(That’s 2024 Count Orlok beneath the prosthetics, when he played another vampire)

Eggers truly catfished his audience into watching this film by not revealing how is his Orlok truly looked like. They did warn us Bill was covered in prosthetics and completely unrecognizable, but that flew over some people’s heads?

Personally, I loved the historical and folklore accurate Orlok Eggers created, but, indeed, many didn’t felt the same. I’m still hearing folks complaining about the freaking mustache when Gary Oldman as Dracula, in “Bram Stoker’s Dracula” (1992) also had one, but yeah, he was hot when he was with Mina (not his usual monstrous self, we also see in that movie) so the problem isn’t the mustache is it?

Of course not, it’s because he’s a freaking rotten corpse and he won’t make the list of the “sexiest vampires ever” in cinematic history. Because that’s not what Eggers was going for. We are suppose to see Orlok was handsome in life, but he’s still a walking corpse, because, shocker, that’s what vampires are.

And Eggers is forcing the audience to confront their own bias with all the necrophilia going on in this film: “you like vampire love stories? This is what you actually like.” Many didn’t like to be confronted with that. Which probably has Eggers laughing diabolically because that was his intention, which is why he brings “Twilight” in his interviews.

And then we have the magnificent love triangle “Twilight” style, too; Ellen is Bella, Thomas is Jacob and Orlok is freaking Edward Cullen. Someone said Eggers has balls of steel, and he truly does. And it’s actually amazing he didn’t cast Robert Pattinson in Count Orlok role (they already worked together in “The Lighthouse“, 2019). But Bill Skarsgård’s imposing height and previous cinematic experience (Pennywise in “It”) was probably more in line with what he wanted, and he absolutely nailed this role.

Although we could still see Bill’s face as Pennywise in “It” (beneath all that make-up), which isn’t the case as his Count Orlok, as he’s in full prosthetics.

This also means many will latch on to the “hot guy” in this demonic love triangle: Thomas, played masterfully by Nicholas Hoult.

Many didn’t see any love story between Ellen and Orlok because they were also expecting a Disney fairytale in a freaking horror film about demons and walking corpses, but I would argue that’s not Eggers fault nor an execution flaw. Ellen and Orlok are a demonic love story, they aren’t suppose to be rainbows and unicorns. Duh? Although, yeah, if the audience could actually see Bill Skarsgård, I have no doubt more would recognize this wicked/evil love story going between these two characters.

[uvonobu]

I swear I’m not crazy but Togashi has rlly been pandering to the lesbians in the succession arc with all these gorgeous women and I am HERE for it

If Shizuku is for the “male gaze” then these women are for the female gaze. Especially with true form Bisky and Longhi. Like. Hello. Sir. You knew what you were doing putting Bisky in that outfit… only gay women can truly appreciate the beauty of a gorgeous buff woman wearing a tight fitted jacket she’s so mmm

AND U CANT EVEN SAY IM REACHING. LOOK AT THE GAY ASS SHIT THAT’S BEEN HAPPENING IN THE SUCCESSION ARC. WE LITERALLY SAW TWO WOMEN MAKE OUT ON SCREEN

Togashi is feeding the gays so well he knows his audience love him for that <3

[midnightshindig]

Very much inspired by that other post with Rex and Cecil but Immortal x Viltrumite reader. Reader is a deep cover agent to back up Nolan but stayed in cover when Nolan went off the handle. Instead of Kate, reader started hooking up with Immortal. Eventually, Immortal finds out and confronts reader. Although, reader does love Immortal since he's at least as strong as a young Viltrumite and will live just as long if not longer.

Immortal x Viltrumite!Reader

Gender neutral as per usual, and as always, fic under the cut!

You were so pissed when Nolan abandoned Earth

Luckily you had the foresight to not tell anybody you were also a Viltrumite

Especially not your Nolan-hating partner of a few months

You'd been casually hooking up since he came back to the Guardians, since you were the only person on the team who could keep up with him physically, and who also had the longevity he did

Honestly it was pretty sad, you thought, that you'd have to take him out before conquering Earth

I mean... did you really have to? As long as you didn't copulate with him, you could probably keep him as a pet of some type?

Either way, he was pretty obsessed with you

What had started at hooking up in the showerroom turned into sitting together on the couch turned into talking about your past lives.

"I've lived dozens of lives, Y/n. I've been married to hundreds of women and had a handful of children across them all, none of which possessed the powers I do. I've been alone in this universe for the entire duration of it-" He put his hand over yours as you watched the sky "But it comforts me to know you have just as much of a past as I do"

You told him altered versions of your childhood, true to life in all but the Viltrumite details

"I grew up on a highly militaristic planet that believed companionship made one weak. I've never..... had a real partner before. Not on my home planet- I mean. I've been with humans since arriving- but I'm hundreds of years older than they are, and will live for thousands more."

This was a sentiment you shared

and so, battling many different obstacles, you two started dating seriously

Keeping him as a pet post-colonization was seeming more and more likely as the days went by

So when he proposed...

with a ring, he hand forged nonetheless...

How could you say no?

and things were good for a while.

but not even the smoothing sandpaper of immortality could buff out the rough edges of your relationship

Especially not when your partner overheard an intercom between you and your fellow Viltrumite, giving an update on the progress on Earth since Nolan's disappearance

"Yes, commander, things have been well. These people and their protectors are weak, our only concerns are Nolans spawn, but they are weak willed and have not been trained in any meaningful capacity-"

your comms were cut off as The Immortal smashed the device laid in front of you, cutting you off and peering down at you with disdain and hurt

"What was that?"

"what was what?"

"Y/n, you're... a viltrumite? Here to take over Earth?" his voice was stern, gruff like it always is, but covering it was a thick layer of pain

He folded his arms and sighed "What was your plan? To dispose of me? To marry me and what? Keep me as a pet?"

....ouch.

He had you pegged.

You wanted to defend yourself, but you didn't have anything to say

"Was it even real? Or am I like Debbie to you? Weak and a waste of time like she was to Omni Man?"

"No-!" You cut him off, reaching for him but being met with an evasive step back

"No. Immortal, I wasn't lying to you" you lied. like a lying liar. "I love you, and you're not like Debbie- you're an equal to me!"

You motioned with your hands as he tensed, allowing you to speak, steadying his glare on your figure

"You're going to live just as long as I am, if not longer! you're not as strong as me, but you could easily pass for a weaker Viltrumite. My people- ugh.... Immortal, they could accept you as one of our own. We could be happy."

His stiff upper lip didn't give you much hope, but when he sighed a deep, heavy sigh, slumping his shoulders and leaning onto you, you knew it would be okay

"I'm not like Nolan, I'm not going to let any real harm befall these people. I'm going to prepare them for takeover, they'll be ready. Nobody has to die, Immortal. This will be a safe process if you let it be, and... you can stay with me"

He said nothing, wrapping his arms around you wordlessly and burying his head into your shoulder, his massive frame hunched over you

After what felt like an eternity, he spoke in a soft voice

"I have to protect these people. They're my people."

You lifted his head and cupped his cheek "aren't you tired? We have the resources to protect these people, your people- our people- forever. Wouldn't you like to retire? Wouldn't you like to... settle down?"

That convinced him, and his cracked a soft smile at you

"No needless bloodshed or subjugation?"

You shook your head "A peaceful transfer of power, let the people with millennia of experience take the reigns for a while, put up your feet"

He sighed again, and the tension leaving his body was obvious

"God I can't wait to marry you, Y/n."

You stroked the back of his head and smiled "I can't wait either, Immortal."

Hopefully he wouldn't be too mad when he found out you'd continued to lie to him

but by then, you'd have worn him down enough to be truly okay with it

for now, all you had to do was plan a wedding.

[henry-fox-biggest-stan]

I have been thinking about how come than there is nothing than shows mike’s attraction to women.

“Oh but, he’s dating El!” True, but what I mean is than all the other heterosexual characters (you can have all the headcanons you want, but they have been shown over and over to be attracted to the opposite gender) all have moments than show their attraction to men / women, aside from their romantic partners.

We have Max dating Lucas, yes, but she also, for example, looks at a shirtless Steve with binoculars. She is a teenage girl attracted to men, and it makes sense she wants to see this older guy shirtless. She also talks about how Ralph Macchio from karate kid is “so hot”

We have Lucas dating Max, but in s2 while playing at the arcade, Lucas mentioned how princess daphne was still his, a female character who, tbh, is kinda sexualized and mostly serves as eye candy. The typical “hero needs to save princess” trope. A preteen / teenage boy attracted to women would find her attractive

We have Dustin dating Suzie, but he also had a tiny crush, or at least, interest on max at the start of s2. He asked a girl to dance at snowball, he talks with Steve about girls, etc.

We have Steve who is just constantly reminding us of his attraction to women, he dated nancy, he talks about girls, he mentions liking boobs, etc

We have Nancy dating Jonathan, and she dated Steve before, but she also has a Tom Cruise poster in her room, who was very popular among girls during the 80s, and the first time we see her in s1 ep 1 she’s talking to Barb over the phone saying things like “yeah he’s cute” about a boy, probably Steve.

But with Mike, the opposite happens, he’s dating El, sure, but he shows rejection to the opposite gender. He doesn’t care about Max at the start of s2, he doesn’t seem interested in princess daphne, and then there’s the lingerie scene paralleling the sauna scene in s3. Lucas (attracted to women) is the first to enter the lingerie store. And Mike (attracted to men) is the first to open the sauna (full of men). (This is not me saying mike was attracted to those men, he wasn’t, but having him have the idea and open the door is interesting)

Same with Will, except he’s canonically gay now. A girl wanted to dance with him at snowball and he reluctantly said yes, but he didn’t seem too focused on her, a girl is interested in him in California, and still, he doesn’t care. He welcomed max in s2, but in a completely different way than Dustin and Lucas did.

Hell, even Robin has scenes showing her attraction for women. She mentions a crush on Tammy and the next season a crush on Vickie, but she also talks about how Julie Christy is “bonkers hot” in doctor zhivago, or how “these ladies are hot, they’re so very hot”.

Instead what does Mike have? Posters of buff, shirtless (male) dragons on his walls

Basically: Mike’s attraction to women is just like my attraction to men, nonexistent.

[katerinaaqu]

Hi! Love your takes and all! What do you think of people talking about Penelope being all buff and strong physically as she was "Spartan?" or that she find Odysseus more attractive with blood plaster on his body as she is "Spartan" or such?. Is it true in the Epics? I read something about a Lykurgus or something..I just want to have a nuanced answer to that, also sorry for the silly question.

You are very kind Anon and I am glad you find them useful

Okay for starters I think this whole thing is a massive stereotype in regards to Sparta that "they are all sexually aroused by blood and violence". I mean yes Sparta as we know had an extreme military outline but it is not like they all just killed around to have fun like a twisted version of Asterix village or something. They valued war and the strength in war of course and they took pride to their warfare and all but yeah I think the whole thing of "oh gosh! Blood! Foreplay for Spartans" is just a joke that goes too far sometimes (although we DO have some exaggerated sources about the Spartans but, surprise surprise, they come from their main rival, Athens so yeah one needs to consider that too. So yeah although the Spartans were strictly military I do not think it is actually realistic to say that they all went like:

lol XD

Two this "Sparta" that they mostly mention is at least 100 years if not more away than the "Sparta" mentioned in the epic cycle. You see the Epic Cycle might have been synthesized at the 8th century BC but the events taking place in it, reflect on the Bronze Age or the Mycenean kingdoms which existed before. These "Spartans" everyone speaks about is usually referring to the Doriean Spartans. The Dorieans were a Greek set of tribes with their own dialect that came down from the north at the year around 1100 BC, around 100 years after the estimated date of the events of the Trojan war and they got to remain to the areas such as Macedonia or Lacedaimona aka Sparta thus we have Macedonians and Spartans speak Doric Greek dialect while Atheneans speak Attic Greek dialect and the Asia Minor greek cities speak Ionian etc Either way as I said the events of the Trojan war happened around 100 years before this Doric Tribe descend much less till the strictly military spartan system to be fully crystallized. So we need to think of that. And even then it is not like the Spartan women were some sort of body-builders who didn't have any sort of binary roles to their society or being active warriors in armies etc (don't mistake them for Amazons guys! Hahahaha!). They did actively excersize more than most Greek cities at that time and they did take part in athletic events more than let's say Athens (Athenean women by n large seemed to participate in sports such as running and those were exclusively for Hera's celebrations) so we can imagine they would be more athletic than the average Greek lady but that doesn't mean they were soldier-trained or anything. The military training was for boys at the city of Sparta. And women still had their own binary roles in their respected society, they just had some more freedom as compared to their Athenean counterparts.

So even if Myceneans DID have a more military form of society or at least based on the findings they did focus on warfare to their art and such and the building of their walls and all they still wouldn't be the same as the doric Sparta that were exclusively military. Could perhaps mycenean Sparta have the basis for the future doric Sparta? Perhaps but I doubt we have sufficient evidence to say they are identical.

Three. I believe that people who wanna desperately depict Penelope as some buff lady, misses the concept of Penelope's strength in the Odyssey. Penelope was not strong because she could fight with the sword. She was strong because she was mentally steadfast, clever and resourceful and enduring and she managed to hold the kingdom of Ithaca steadfast by herself for 20 years. It wasn't about her being buff lady. Homer does seem to imply she was tall and stoutly buillt; see my other post where I mention her physical description in Homer:

but not buff as "I'm gonna kick your ass" buff and all. Homer doesn't mention that any of the Spartan princesses have some specific training (Helen Clytemnestra or Penelope) but later literature implies that they have basic knowledge on weaponry (for example in later 5th century dramas and above Clytemnestra not only is seen wielding a weapon but knowing some basics as to how it was made) but it needs to be said that the posthomeric sources were also influenced by their contemporary Sparta aka the doric military Sparta. Homer doesn't imply that this strict military doric way of life was part of his lore but he does imply that Sparta relies more to its military (as compared to Ithaca or Pylos for example) so maybe he attempts to create the illusion of historical continuation but either way no this whole "300s-like" Sparta was not crystalized yet to the times that Homer synthesized his poems much less to the time of Bronze Age.

And there is no hint that Penelope goes "WOW BLOOD!" that seems to me one of the overused jokes on the internet, again emanating by the whole series of Sparta stereotypes used for comedy. It was in fact Euryclea the one to almost welp in happiness seeing Odysseus covered in blood and that was because Odysseus had killed the men she hated. Penelope doesn't show such a thing. Odysseus also washes himself up to be presentable to her. And even in posthomeric sources Penelope was not linked to physical strength but rather with the strength of her mind and the purity of her intentions (well...except maybe from Parthenius narrative if I recall correctly. There Penelope is pictured as scheming in jealousy against one of the sons Odysseus ellegedly produced and manipulated her husband to kill his illegitimate son)

As for the last part I am not sure what you are referring to? Are you referring to Lycurgus that is mentioned in some later sources as king? I did find for example the reference of Plutarch (who lives much much later) that he implies that Lycurgus lives at the same time as Homer or possibly had met him personally but is that what you are referring to? Either way I assume you refer to the historical person rather than some mythical figure because in homeric realm we do have rulers such as Tyndareus (the king of Sparta father to Helen and Clytemnestra) and Icarius (father to Penelope). It seems that Homer with the mention of the two rulers, even if not directly mentioning it, seems to be winking at the later but still ancient custom of doric Sparta to have two kings but I am not sure if that truly was his objective (and therefore creating an anachronism most likely)

I hope that answers your questions a bit

[williamaltman]

On Lochlan, his sexuality and incest

Ok, so the following text was written with reddit in mind, so my tone is a bit more... idk, serious and cautious than it usually is, but I decided to post it here as well, cause this whole topic has been eating me up. I'm also aware that I'm kinda preaching to the choir when it comes to how tumblr sees this situation, but still.

Ok, so I was thinking of waiting for the end of the season to talk about this, but to be honest it's been kind of driving me mad.

For a while now, there has been debate about what exactly is going on with Lochy and his relationship with his brother and what exactly is the truth behind this whole situation. After all the debate about him supposedly being an evil predator who spit the pill (which he didn't!) so he could take advantage of Saxon, it seems that now most people have settled on "he was just genuinely trying to help and the handy was bad but not actually incestuous in nature", and I kind of understand why because this is pretty much how the actor is explaning his character away, but I'm gonna be honest, I don't think that's really the case.

I don't want to discredit Sam entirely, cause I do believe that actors' opinions matter as it affects how they play things, but he's still not the writer/director/anything with actual input in the story, and both he and Patrick have also said that Mike White decided to leave things up for interpretation, and he hasn't given any interviews or explained his thoughts himself (well, apparently he mentioned something about a "gay storyline that is truly satanic", as that's mentioned in a couple articles, and if that is true, the fact that he's even referring to it as a gay storyline kinda supports my point).

I actually agree with most of what Sam has said, which is that Lochy is a people pleaser who is desperate for approval and attention. As of these last few episodes, he has basically followed his brother's lead and done everything that Saxon has told him to. I do believe he did not have any malicious intentions.

However, this doesn't necessarily negate the idea of him being sexually attracted to him. I think the way Sam talks about it, as well as a large part of the audience, comes from the idea that it has to be either one of two extremes: Either Lochy is a creep and a freak and predatory, or he's actually just a teenager helping out his brother in a no homo way... Which honestly just doesn't compute.

If you pay attention, there has been a lot of stuff suggesting Lochy is queer. Whether he's gay or bi I don't know, and I don't think it really matters, but I just can't possibly think he's straight. I'm gonna list all the ways that I think indicate that, and I will warn that some will probably be considered a reach by some, but others imo are very clear, and I ask you to read this with an open mind.

1 - From the beginning, he has the dilemma of going to Duke or Tar Heel for college. As in, will he follow the same path as the men of his family or the women. He doesn't know himself. This could mean different things, like does going to Duke makes him more masculine like his father and brother, or does it mean that he's choosing their side as in... choosing men? And vice-versa. Not like it's an actual choice, but again, as a storytelling device.

2 - Both his parents (but particularly the dad, I think) are adamant on him fixing his posture. Straightening his spine. Making him stand up straight. Saxon also encourages this, on the same situations where he encourages him to hook up with women or drink his protein shakes to get buff.

3 - If you think the last point is a reach, in the very session that he takes for said issue, the therapist tells him that he sits in a defensive posture because he's "protecting himself with his female side."

4 - He's the one who notices the "ladyboys" and asks "Dad, are they women?". When Saxon makes his joke about them, "you never know which one is gonna have nuts", he looks visibly uncomfortable. He tries to laugh at it like he does with most of his jokes, but for that one he can't. You can see that he's affected.

On his mother's dream, she also sees him sitting with two "ladyboys" as he talks about the tsunami.

5 - When Saxon is getting drinks for them on the Full Moon Party, he says "pink one for the lady" and tries to hand it to Chelsea. When she refuses and goes to take her call, Lochy takes it instead.

Now, to kinda go back on the Saxon/incest-related.

If you're a straight guy, losing your virginity to a woman, would you really be so focused on jerking off another man? Even if it's like, some guy you really like such as your best friend or your brother? I don't know. And he didn't seem to be actually that interested in Chloe to me. Not grossed out either, so I don't think he has to be gay necessarily rather than bi/pan/whatever, but still.

Chloe also mentioned how young virgin guys get all flustered and shaking with their hearts beating rapidly when they take off their clothes and etc, that she wanted that kind of attention. Yet we don't see any kind of excitement from Lochy over her, really. If you look at Saxon's memories, Lochy only smiles when he's looking at Saxon and Saxon looks like he's about to come (as he jerks his body up).

Going back to the first episode... Many people have rationalized that scene as not really being sexual. I know what Sam has said about it on interviews, too. But I just don't think it checks out. There is a real focus on Saxon being naked and Lochy staring at him. That soundtrack, which seems to be one that plays when something kind of spicy and perhaps unsettling is happening, starts playing right as we get the shot of Saxon walking naked with his ass on full display. It continues as Lochy is looking at him.

And then Saxon notices, and even him, who has no boundaries and was talking about porn and sex, seems a little freaked out when he does. As Saxon closes the door, Lochy looks like he's either embarrassed for being caught looking, disappointed that he closed the door, or both.

And then on episode 2 we have the scene of him waking up. And again the first thing he sees is Saxon's ass, and then he goes wash his face and looks in the mirror. Yeah, this isn't quite proof of anything, but what is the purpose of the scene then, why was it written and shot and kept in the final edit? Especially when you consider it in addition to the previous one.

And lastly, spoiler alert, in one of the trailers/promos,there are scenes where he says to Piper "I don't want to give in to my dark shit" and "if everyone gave in to their base instincts, it'd be total depravity."

If he does not have any incestuous feelings for Saxon, what is this "dark shit" he has in him that he's talking about? For the second one there could be some other context, but even then it seems like he's thinking of his own "base instincts" as depraved.

To go back to what Sam has been saying on interviews a bit, I think a lot of it comes from the fact that he wants to defend Lochy and believe that he's a good person, especially after the reactions to episode 5 where so many people were saying that Lochy was a creep, a predator, some kind of evil mastermind/manipulator and theorizing that he had spit out his pill and was perfectly sane.

I think he feels the need to defend him and not paint him in such a negative light, and because incest is a thing that is considered, well, bad by most people, he's denying that as well. In another interview he also said actors need to find a way to love and connect with the character no matter what, and I think this is a big part of it, not seeing him as fully incestuous if one thinks that incest is something irredeemable.

Both he and many people watching also seem to think that Lochy thinking of the handjob or even the kiss as him wanting to make Saxon happy and impressed automaticaly negates him being attracted to him and having any other feelings about it, but that isn't necessarily the case. It can be both, it makes sense that it's both imo, and I think that's part of what makes him and this storyline as a whole so interesting, that there are so many layers to it.

But in my mind, with all of the context we have for the character in relation to both his relationship with Saxon and in regards to how his own identity and individual arc is portrayed, I think Lochy is definetely queer, and indeed attracted to his brother. And when you put these two things together, it can easily be explained as something similar to, if not straight up the same thing, as the Oedipus/Electra complex.

Lochy, even though he's legally an adult at 18, is clearly still developing in many ways, including his sexuality, and Saxon is the closest male figure in his life, not to mention one who's showing up naked in front of him and talking about sex.

If you're grossed out by it and want it to be explained away, or get some comfort about it in general, I think it would make sense for him to sort of grow out of that as he gets older and more secure in himself/his sexuality, especially after the confusion and guilt he feels over what he did as seen in the monastery scene when he remembers things.

[phoebejaysims]

Bubble Bath Runs Out Mod - Update

It was due time I added some more scents to the Bubble Bath runs out mod! So here are three more to add to your collection!

New Bubble Bath Types:

3-in-1 Shower Gel (if kUseInShower tuning is true, this will only be used for showering, not for bubble baths)

Deep Metal

Tea Tree

Features:

3-in-1:

Has a chance of removing the 'stylin' buff. If my hairdresser mod is installed, it may add the 'bad hair day' buff.

Can either give a positive or negative custom buff.

Deep Metal:

Trait positive ladies may get 'dazed' or 'nauseous' buff. Otherwise they may get the 'embarrassed' or 'inspired' buff.

Men have the chance to get 'nauseous' or 'anxious to advance' buff if trait positive. On the flip side, the buff can also remove 'anxious to advance' and 'overworked ' buff. Men may also get the 'pumped' or 'oddly powerful' buff.

Gives custom positive buff.

Tea Tree:

Removes 'bad nights sleep' buff.

Has chance to make sim nauseous for trait positive sims.

Gives either positive or negative custom buff.

Has chance of getting either 'wide-awake', 'itchy', 'smooth skin' or 'adrenaline rush' buffs.

Changes:

Bottles are now designated either male, female or unisex. The only thing this does is make certain sims more likely to use certain bottles while bathing. It doesn't exclude sims from using any of the bottles.

For men: 3-in-1 Shower Gel & Deep Metal

For women: Rose

Unisex: Scent Free, Tea Tree, Lemon

Download: Simblr.cc - Bubble Baths Runs Out

If you'd like to donate to say thanks: ko-fi.com/phoebejaysims

Enjoy!

Phoebe x

[miwiheroes]

Dropping Byler Evidence Every Day Until Season 5

. ݁₊ ⊹ . ݁˖ . ݁ Day 18: Mike's Bedroom Scene . ݁₊ ⊹ . ݁˖ . ݁

Everyone knows this scene, everyone here LOVES this scene (or they better love it). It's so ripe for analysis in every single way, not even just for byler, but for things that happen later on in the season. I think shots like this are extremely thought out. They chose a wide angle shot to show you Mike's bedroom for a reason. They also showed you this bedroom right after seeing El's, to show the contrast between their two lives and how they view each other.

I've already talked about this contrast between their two rooms and the fact that Mike has nothing from El in his room in this post.

1. Rainbow Letter + Closet

I want to talk about something else before the glaringly obvious queer coding first: and that is the fact that El has her own stationary specific for writing Mike's notes, while it is canon that Mike just writes his letters to El on some scrap pieces of paper, showing the unequal amounts they are putting into their relationship:

Anyways, back to El's letter to Mike having literal rainbows on it. For El, this is some clear foreshadowing for her being in the rainbow room, and we can all agree on that right?

So if we can agree on that, then I think we should agree that it could also be true this is queer coding for Mike. It's the first thing you see in this scene, even before you see a shot of Mike himself. Also the fact that the next shot of the scene is Mike next to the open closet with the light on, kind of implies or foreshadows his story being tied to queerness for the rest of the season.

Having the light on in the closet is also to draw your attention toward it. I've talked before about how often in film it is to use light to mean truth, meaning this would imply that being in the closet is the truth that Mike is hiding, since a lot of this scene is taken up by the fact El's lying to him. So what does he have to hide? The set designers utilise light in this scene very carefully, which I will touch on in the later sections <3

2. Posters

This is such a famous piece of evidence that I feel like I don't really need to say anything here lmaooo, like we can see in multiple different shots that instead of having posters of literally anything else on his walls, he has posters of men. Specifically buff men (or a dragon if u wanna be pedantic guys).

This seems so on the nose that it has to be queer coding, just like the scene where Mike goes to the wrestling gym while on his search for a DND replacement for Lucas, and stuff like this has been used on many different queer coded characaters in media for a long time.

I've heard people argue that there is also a girl character in the Conan the Barbarian poster, but honestly, if you watch the film you would know why this is not a great thing to say or equate women to lmao... Basically this film does not shy away from the fact that men in this time period treated women like property so I'd be careful saying that.

If you want to go past talking about the fact this CtB poster is just a poster of a buff man, I'd say that it could symbolise Mike's need to be normal and fit into the "male role" in society that we saw in S3. To be honest, if I saw a guy with this poster, I'd.....run, girl RUN

So anyways, not only is there one poster of a buff guy, there is another. The one on the left is a poster designed by Rick Ruhman, whose other posters can be seen in the show, like in Reefer Rick's house. Buff dragon poster you'll always be famous <3

This is two instances already of Mike being associated with buff men, um, and to be honest that should be enough, but it's funny that there are two other instances of this happening in the show. Another is literally in episode 1 of S4, where Mike goes to the wrestling gym, and another is when he mentions Superman in relation to El for some reason, rather than calling her 'Supergirl' like Argyle does 10000 times.

This is a pattern, everyone. And can be compared to the fact that other male characters who were around the same age as him have posters of women surrounding them in different scenes.

In Steve's room: he was 17

In Lucas's scene with the other basketball guys: he is same age as Mike

3. His Noticeboard

thanks to @runninguplenorahills for this very good photo haha

First of all, want to establish that the lamp is placed next to this notice board on purpose, in order to draw your attention towards it, just like his closet earlier on (and later, you shall see). So you are meant to view this notice board as having little hints on it.

And there are! Not just towards his queerness. and they are pretty much confirmed to be foreshadowing for some of the plot points in S4, so other stuff in his room could also be foreshadowing , but for his queerness too.

These Garbage Pail Kids cards clearly foreshadow some events of S4. I think Heavin Steven may have something to do with Steve literally biting the head off of a demobat, which makes sense, or it could be about him randomly pouring his heart out to Nancy in the caravan. Evil Eddie obviously foreshadows that everyone thinks Eddie is the head of an evil cult and has murdered a woman, which is what's happening in the card. Live Mike is either a reference to Eddie playing his guitar later on, or it could be a reference to Mike's monologue where there are many lightning strikes at the most interesting times... Finally, Mad Max's card shows a brain being outside someone's head, foreshadowing her mind visiting Vecna's mindscape and her being braindead by the end of the season.

Also on his notice board are:

Escape Fun City: reference to California

Pizza Sticker: foreshadowing his time in the surfer boy pizza van and the pizza place.

Will's Drawings: obviously showing that he places more care in Will's drawings than El's letters which I talk about on one of my previous posts. He also still has Will's drawings in his basement.

So how is this byler evidence? Well, I really think this proves just how much thought and care went into making Mike's room foreshadow some later plot points, because the audience can hardly see what's going on here, but it still foreshadows stuff. This leads me onto....

4. The One Way Sign ;)

This one is a classic, and if you don't know this already, then I guess you must be new here hello

I just want you guys to think for a second about the intentionality of this. And I want you to imagine people setting up his room for filming. Because it wasn't just created out of nowhere, people genuinely thought about each decision. Imagine this just being written off as a coincidence, because let's lay out some facts here:

A light has been set up in Mike's closet

That light has been pointed so that it is a beam towards Mike

The closet door has been opened for no practical reason

A one way sign has been ordered, put on the wall in this specific spot.

A one way sign does not foreshadow any other plot points in S4.

I am baffled when I talk to people and they don't think this type of stuff is intentional. It's a blink and you miss it hint, yes, but those types of hints are supposed to be subtle so that when you look back on them, they make a lot of sense.

Overall, this shot of Mike's room is the perfect introduction to his character this season and makes the most sense. There is no other way that he could have been introduced in S4, in my opinion. It's subtlety is only for people who care enough to look, but it heavily queercodes him nonetheless. Just because they're small, doesn't mean they are insignificant.

[ecoterrorist-katara]

The only stereotypically masculine thing about Aang…is his romantic arc

There’s a really popular post on Tumblr called “Avatar Aang, Feminist Icon.” The thesis is basically that Aang, unlike his female teachers and friends, is actually not a badass. He listens, he defers, and he respects women. He seemed to have no problem with Katara’s crush on Jet, despite his own crush on her. He chooses love and kindness and friendship and pacifism. He’s not tall and handsome as hell or buff. He wears flower crowns!

And I agree! This is Aang for most of the series and I love those qualities (though I do think the bar is in hell if those traits make a character a feminist icon, as opposed to a person who simply sees women as human beings). Anyway, I just think there’s a glaring omission. And that’s Aang’s romantic arc in season 3.

Bryke managed to take the worst of both worlds: Aang’s romantic arc retains the male-centricity that make most romances so problematic, while retaining none of the characteristics that make problematic romances compelling to women.

Aang falls in love at first sight with a beautiful girl. For the majority of their friendship, he remains respectful and supportive. As his crush hits an all time high, however, it gets distinctly more stereotypical: he kisses Katara at the invasion, and when she didn’t want to talk about that kiss, he firebends at her (the fact that this comic is canon, and was published years after ATLA’s conclusion, only demonstrates that the creators still don’t understand critiques of their romance). Aang considers Katara “his girl” and becomes furious (“I would be in the Avatar state right now!”) when the actress version of Katara didn’t like him romantically, and then he kisses her again — this time explicitly against her wishes. Throughout the show, people reassure him that she will come around, continuously reinforcing the idea that Katara is “his” and he just has to be patient. And even though Ka/taang is supposed to be endgame, we never hear directly from Katara how she feels, even though we’re no strangers to her opinions and feelings on other topics. It’s almost like the creators wanted Katara’s feelings to be a mystery because we’re meant to resonate with Aang. That’s…a male-centric, action hero romance.

In addition, the friendship dynamics between Katara and Aang feel pretty gendered. The distribution of emotional labour between Aang and Katara is quite skewed: Katara takes care of Aang much more than he takes care of her. She’s the one responsible for calming him down from the Avatar State. She’s the one who cooks for him and performs a whole lot of domestic chores. Post-canon, Katara’s storyline revolves around Aang, and she’s treated as his accessory and the keeper of his legacy instead of her own person, to the degree that she’s not even recognizable in LOK anymore. A beautiful, badass, independent woman who dedicates her energy and intelligence to a man’s needs? Wow, that is definitely something I’ve never seen in media geared towards men!

A lot of gushing about Aang’s lack of stereotypical masculinity seems to also hinge on how Aang is not conventionally attractive, but that’s…not true. Aang may not behave like James Bond, but he has plenty of admirers. Meng and On Ji liked him even without knowing that he’s the Avatar. Post-series, Acolytes descend en masse to steal Katara’s man. And of course he grows into a tall, buff dude. Aang’s romantic arc is not about becoming attractive to women, or finding a woman who loves him despite his looks. His romantic arc is about getting the girl who’s hard to get, because she only sees him as a friend or a little brother / babysitting charge.

Bryke do not deserve the credit for creating a “feminist icon,” not when the only stereotypically masculine traits they gave him are in relation to his romance arc. It honestly feels more insidious this way, because it’s like, “see? You don’t have to be masculine to reap the benefits of performing masculinity” — the benefits being, of course, “getting” the girl you want.

[cursedcola]

You know, I really like how Yana has a different “Yuu” for each chapter in the TWST manga.

I hadn’t a moment to truly look at it until now - but I feel like the story is perfect for an alternate reality theme. The only way any Yuu would be able to ‘fix’ every problem would be if they were some kind of Mary Sue or shounen protag.

I love how each Yuu is reflective of the Dorm leaders. Of *course* the Heartslabyul chapter is going to have a strong, buff, very jock-like Yuu. That’s the complete foil of who Riddle is. Not to mention how it’s reflective of the Dorm’s rambunctiousness.

And *of course* Savanaclaw’s Yuu is a woman. Women are powerful and respected in the Sunset Savannah. Leona’s more likely to listen to a female Yuu, and most of the students in his dorm are strength-oriented that would crumble under the authority of a feminine god.

Then we have Octavinelle’s Yuu - my favorite, personally. He loves food, has a tender heart, and has a bit of chub. Now - yes he’s what Azul fears he will become but *also* I think this Yuu is reflective of Azul’s mother and her ideals. Or at least is the man she was raising Azul to be until his self-hatred began. I feel like most Octavinelle students have a flip side to them, so a Yuu that’s true to himself is perfect for this chapter.

I write my fics similar to this actually - every character has a Yuu in my mind that I think would match them. I don’t just write with one personality for Yuu in my works. Just an example, but the Yuu I place with Deuce is extremely different than the one I put with say Floyd when writing. Both physically and personality wise. It gets a bit wishy-washy since I have to write in 2nd person most of the time, but it’s still there when I’m formulating scenarios. Especially when I write anything that has dialog or flitters into Yuu’s thoughts. This really came out when writing the plot for my game since it’s dialog heavy.

I won’t make it because I’m already doing one game (and I want to move on after this), but there’s some good wiggle room for an alternate reality spinoff using TWST. Like once TWST finishes its main plot, there could definitely be some branching where Yuu has a bit more personality and different routes to go down depending on their chosen dorm.