#bro what would the tag for this even be

[tautonic]

fuck this academia. pissed-as-hell academia. let-me-take-a-swing-at-my-collaborator-just-once academia.

[kamabokobun]

Old rough gijinka raidon designs

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[om0000]

woy s3 prediction hater n peepers break up n hater pulls up to the star nomad lookibg like this

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[quehecke]

im spreading my gay blue lock propaganda now bc its pride month 🏳‍🌈🏳‍🌈🏳‍🌈

the images were just BEGGING to be edited into hand holding

bonus arm linking for the ones who had hands on their hips

[turtleblogatlast]

[ cw: dismemberment / ]

I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)

I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.

[sanest-ultrakill-fan]

Do you guys understand how objectively hilarious it would be if Krerdly turns out to be canon. It would legit be the funniest thing to happen in Deltarune, bar none

[torchstelechos]

I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.

Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.

SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.

However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.

His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.

[dracodatum-co]

A not-so-young man stands in a kaiju wreckage. It just so happens that today, the 13th of April, 2024, is this man's anime premiere. Though it was thirty years ago he was given life, it is only today he will be fully animated!

[hannamoon143]

Oh I kinda need comfort rlly bad rn

*normal people: going to their family/friends and telling them what’s wrong, and let them comfort them*

*me: going on tumblr searching for skz comfort fics*

[bread-is-my-life]

ermmm school doodles

[robertwaltons]

behold: the doomed unrequited waltonstein manifesto courtesy of twitter user ustfile

[feroluce]

Thinking tonight about Caelus, and the nature of his loss and his grief after the Everything that went down in Penacony during 2.0.

Because Acheron, Black Swan, and Misha kind of knew of Firefly, they at least met her, but they didn't like really know her, and Caelus never even got the chance to introduce her to the rest of the Astral Express Crew. The only person who would have talked to her much was Sparkle, who is. Probably not really someone Caelus is interested in grieving with skznmsks

Anyway, all this to say, I like thinking about how alone poor Caelus is in his grief, because he was the only one who knew Firefly. He's the only one really mourning her. There's no one to talk about her with. There's no stories to trade or memories to reminisce with anyone over. It's not as though he knew her for long, but still. No one else knew her at all.

And I love the thought of all of this coming bubbling up, hot and acidic and bitter, during a conversation with Sampo, who Caelus just so happens to run into in the Golden Hour. Poor Sampo is kinda blindsided, he knew shit was going down in Penacony, but yeesh. And he just. Isn't quite sure what to say about it all, because he's never really encountered this before. His feelings about the Masked Fools are...a mixed bag, but he's been a part of them for a very long time, and when you're with a close organization like that, it's hard to feel alone, in grief or otherwise.

So Sampo sits there on their little bench that the two of them have occupied, and he thinks of his old friend April, how she'd died in his arms cackling and spitting her own blood after a heist gone wrong, and how after he'd dragged himself back to the World's End Tavern they'd all held a Fool's Funeral- which is basically just a big party where everyone gets really really drunk and reminisces and toasts the dead and celebrates their life.

He still thinks about her a lot, and he remembers how the time he'd most keenly felt her absence was on Jarilo-VI, the one place where he couldn't talk about her because he couldn't say anything to give himself away as an alien. The Fools still tell stories about her every time he goes back to the Tavern. His first toast of the night is always in her name. Even now, all these years after she'd died, Sampo is still learning new things about her. He's never had to grieve her alone.

Caelus doesn't have any of that.

He might never have that. As they speak, Caelus has no proof that Firefly was even her real name, or if she dreamt with her true appearance. He might not ever find out who she even was.

And just imagining that kind of loneliness hollows out a strange little pit, right behind his sternum, deep between his ribs.

So Sampo claps Caelus' shoulder and offers him a deal. Come find him outside of the dream. He knows a guy who can get them a lot of beer for really cheap-

("Is that guy you and your five finger discounts?" "Whatever do you mean, dear friend, I don't even know the meaning of the phrase, hehee.")

-and they can hole up in a bar or a hotel room or something, and get completely shitcanned. Tell him all about Firefly, tell him everything, and he'll tell Caelus about April and everyone else he's ever lost. Sampo will carry Caelus' memories of Firefly with him, and at least this way, Caelus will be a little less alone in remembering her. And the next time they cross paths, Sampo will be the one to bring her up, and to tell her stories, and Caelus can get to be the one listening. He won't have to be the only person to talk about her anymore.

Caelus rolls his eyes when Sampo avoids another remark about sticky fingers, but...ok, yeah. That sounds good. Nice, even. Thank you. Caelus bumps his shoulder against Sampo's. Sampo bumps back.

(They find each other again the next day, and true to their word, get themselves completely and utterly shitcanned. Caelus talks more than Sampo has ever heard him; every minute detail, every word choice, Firefly's every odd little mannerism and habit. Because Caelus wants to make sure this will outlive him, that even if the Stellaron dwelling within him finally burns him to a crisp and he really does up and kick the bucket, or even, godforbid, if he forgets, he wants to make sure someone remembers her. She deserved that.)

((And it takes quite a while, after that. Caelus doesn't see Sampo again until after everything has settled down. On his last day in Penacony, he finds the guy slinking out of a seedy back alley and all but runs right into him. Sampo happily leads him to some dive bar in an even seedier back alley that Caelus has never even heard of, and Sampo raises his glass. "To Firefly! Who sounds like she probably would have hated me at first, but I would have liked to have met her anyway."

And Caelus stares at him, almost looking startled, long enough that Sampo worries that he's read him wrong and brought this up too soon. He's halfway into planning how to talk himself out of this situation when Caelus finally throws back his head back and laughs, tells him that yeah, Firefly would have politely called him out on every lie he told, and all their conversations would take twice as long with the way Sampo is so full of shit.

And he can see it, the same way he watches and sees through everyone, that Caelus' eyes have a tightness to them, his knuckles are nearly white around the handle of his mug. But he smiles. He hits his glass against Sampo's far too hard and throws it back and gets foam everywhere like he does every time they drink because the guy's about as elegant as a raging bull, but those things don't lessen the genuineness of his smile.

The grief is there, but so is the elation, and those emotions aren't a sliding scale between one or the other. It is all of both and both at once, and that's what contents Sampo enough to throw his own mug back when Caelus makes a toast of his own, "to April!!".))

[oneroomjestershow]

wait he's innocent it was the rats

[t4twincest]

does anyone else self ship w wincest in the wierd freaky "3rd sibling" way..?? like adam is NOT revelant i am the 3rd freaky brother