#bristol actors

[tabbpro]

Bristol Filmmakers, Actors and Creatives!

We've got some great upcoming events for you to get your creative projects in the new year off to a good start!

Run through your scripts, act out someone else's or just workshop a new idea at ScriptLab! Join for an industry talk and network with other creatives at Filmmakers' Shindigs! Or get set up or improve your presence on Tabb with an onboarding session!

Check them out here!

[ironmanrecords]

John Murry - Tour Dates 2024

“Our culture is a revolutionary culture, a revolutionary force on the planet, the seed of the new order that will come to flower with the disintegration and collapse of the obsolete social and economic forms” – John Sinclair “I am only a madman among the mad.” – Emil Cioran “Everyone must come out of his Exile in his own way.” – Martin Buber “We talk in black and white, ones and zeros and…

[weprint24x7]

Custom posters are a fantastic way to express creativity, personalize spaces, and make bold statements. Whether for homes, offices, events, or businesses, custom posters offer a unique opportunity to display individual taste, promote a message, or enhance an environment with tailored designs.

For more information, exclusive offers, and personalized quotes, please contact us: Email: sales@weprint24x7.com

[iamjosiahmovie]

#castingcall JOSIAH #1 Age range 16-18, caucasian, but it is more about matching characteristics and personality. #bristoltn #TN #northeasttennessee #tricitiestn

[productionsbyfaith]

Day 2

#joenichols preforming at the #AppalachianFair tonight.

Remember to stop by and register for the #grandprize #giveaway at the “i am JOSIAH Movie Booth Commercial Building 3 Booth 22

[txttletale]

how would you recommend watching doctor who? there are so many different guys idk how it works.

so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.

the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.

if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.

anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.

another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.

there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.

finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.

so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:

rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth

but i want to start with classic who because i'm a contrarian

alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:

an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.

spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.

if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.

i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.

finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:

spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child

all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned

[ingek73]

…

About 150 people carrying St George’s Cross flags, shouting “you’re not English any more” and “paedo Muslims off our street”, were greatly outnumbered in Leeds by hundreds of counter-protesters shouting “Nazi scum off our streets”. Skirmishes broke out between demonstrators and punks – in town for a festival – in Blackpool, with bottles and chairs thrown.

In Bristol, police kept protesters and counter protesters apart before a group headed to a hotel used to house asylum seekers.

The need for urgent political intervention was stressed by the government’s independent adviser on political violence and disruption, Lord Walney, who told the Observer that new emergency powers may be needed. “The system isn’t set up to deal with this rolling rabble-rousing being fuelled by far-right actors,” he said.

“I think home office ministers may want to look urgently at a new emergency framework – perhaps temporary in nature – that enables police to use the full powers of arrest to prevent people gathering where there is clear intent to fuel violent disorder.”

Keir Starmer held a meeting of senior ministers on Saturday in which he said police had been given full support to tackle extremists who were attempting “to sow hate by intimidating communities”. He made clear that the right to freedom of expression and the violent scenes over recent days were “two very different things”.

Last week’s riots followed the killing of three young girls at a Taylor Swift-themed dance class in Southport on Monday. Axel Rudakubana, 17, from Lancashire, is accused of the attack, but false claims were spread online that the suspect was an asylum seeker who had arrived in the UK by boat. In the wake of these messages, far-right protesters – guided by social media – gathered in cities across the country.

A key factor in this spread of online disinformation involved Elon Musk’s decision to allow rightwing activists such as Tommy Robinson back onto his social media platform X, said Joe Mulhall, director of research at Hope not Hate, the anti-fascism organisation. “The initial disinformation and anger was being perpetrated by individuals on Twitter, for example, that have been previously deplatformed,” he said. “And now they’ve been replatformed.”

Robinson was permanently banned from the platform (then called Twitter) in March 2018, then reinstated in November last year, after Musk bought it. “We hadn’t seen any significant numbers at any demonstrations since 2018,” Mulhall added.

An example of the danger posed by the misuse of social media was revealed in Stoke-on-Trent, where police were forced to deny there had been a stabbing, countering claims made on social media. “There is growing speculation that a stabbing has taken place as a result of the disorder today. We can confirm this information is false and no stabbings have been reported to police or emergency responders, despite videos fuelling speculation on social media,” police said.

The danger of such intervention was stressed by Ben-Julian “BJ” Harrington, the National Police Chiefs Council lead for public order, who condemned social media disinformation as a cause of last week’s disorder.

He said: “We had reports today that two people had been stabbed by Muslims in Stoke – it’s just not true. There’s people out there, not even in this country, circulating and stoking up hatred, division and concerns in communities that they don’t care about, don’t know and don’t understand.”

[centrally-unplanned]

This was a very good video - i never looked into this subject, but I totally bought what everyone said! That there was some "partially artificial" mid-atlantic accent that early Hollywood standardized in its actors for prestige purposes. He does a great job of going through how the majority of that is fake - Hollywood had no standard accent, most actors spoke their own or changed it up for roles, and so on.

The rub of it is that the past was just very different from the present in how linguistics functioned. America had much more diverse accents, not just by region but class - elites cultivated their own accent intentionally. And the intentionality was hard-won - we don't have diction classes in school today, but in the 19th century you were taught how to speak, rigorously, which allowed such diverse accents. Theatre actors in the US were also mainly doing British works, and so a british-style "theatre accent" was also commonly used in those communities that complemented the Northern Elite accent that is the actual "mid-atlantic".

And the final rub is that Hollywood was just a crazy cultural melting pot; before the movie era California was population-wise tiny. Then a bunch of jewish finance types from New York City moved in to found studios, they brought New York actors with them, and then English actors, and then international actors! It is truly amazing watching him show other YouTube videos where people highlight Cary Grant as the archetypical "mid-atlantic faux-british" accent ~mandated by the studio~ and... he's fucking british! He was born in Bristol! That is just how he talks.

I will say the age of YouTube drivel has been a huge boon for creators like these. All of the misinfo stems from the badly cited Wikipedia article - so you could make a video where you show quotes from siad article and how they are false. But because there are always dozens of videos of people who just regurgitate Wikipedia articles in video form, you can instead show them and create beautiful montages of misinfo with their own diverse accents. Way more engaging, truly blessed to have them.

[captain-ross-poldark]

Red Magazine October 2024

I here’s a moment in Rivals, the new television adaptation of Jilly Cooper’s bestselling novel, when Aidan Turner’s character recites WB Yeats’ famous poem When You Are Old. It’s a moment of peak Irishness, and, for Turner, who has long cherished a yearning to play a literary Irish character, the scene was joyous. ‘I loved it!’ he exclaims over Zoom, grin wide across his face. ‘I think I was enjoying it way too much. I could smell the classroom again when I started reading that. I was going, “Oh, my god, I remember all of these poems!”’

Turner is trying hard right now not to use the word ‘fun’ when describing Rivals, but he tells me that it’s proving rather impossible. ‘It was the most fun I think I’ve ever had on a production,’ he declares. Watching the show, I can’t say that I doubt him for a second. Set in the fictional upper-class county of Rutshire, Disney’s raunchy new series delves into the cut-throat world of independent television in 1986, in which a long-simmering rivalry between Lord Tony Baddingham (David Tennant), controller of Corinium Television, and notorious womaniser Rupert Campbell-Black (Alex Hassell) is threatening to boil over. Against a backdrop of sex, scandals and scheming, Irishman Declan O’Hara (Turner), a talented talkshow star who is wooed to the countryside to join Corinium, vows to get his revenge.

‘I THINK WORKING ON RIVALS WAS THE MOST FUN I’VE EVER HAD ON A PRODUCTION’ 

‘It happens once in a while when all the stars align,’ enthuses Turner, ‘and you get a bunch of really great actors who want to work with each other, want to work on this material and who want to be in this particular place at this particular time.’ Reading the script, he could immediately understand O’Hara’s sense of alienation as he steps into a quintessentially British world obsessed with class. ‘Because I’m Irish, I didn’t have to try too hard to put those glasses on,’ he explains. ‘It seems to me very much like he is the outsider. He doesn't really like the people or what they’re trying to achieve. He sort of has a bohemian sensibility. He’s a literate person, a more serious person. He’s a journalist. He likes things black and white, straight and clear, and this world I think he finds a bit gross.’

As you’d expect from a Jilly Cooper adaptation, Rivals is a rollickingly entertaining romp, full to the brim with helicopters, horse riding, lavish parties and romantic entanglements. But the show has political shades, too, examining questions of race, gender, class and sexual liberation through a 2020s lens. ‘I think it feels really truthful and honest,’ Turner says with sincerity. ‘I think we’re showing a world that, I think in some ways, still does exist, but very much existed in a different way back then. And I think we show it in a kind of no-frills approach to it.’ With the exception of high-powered executive Cameron Cook (Nafessa Williams), Turner notes that the majority of the women in the show don’t hold positions of power. ‘We show the hypocrisy and the bigotry in that,’ he adds passionately. ‘It’s not just like, “Here’s what it was like, let’s move on,” you know? It’s not just a museum piece. I think we’re showing how wrong that was, how difficult that was, and I think how we’ve made improvements in the years gone by.’

He suspects that some viewers won’t expect that commentary from a show like Rivals. ‘They may think it’s fluffy, or it’s just a comedy,’ he says. ‘I mean, it’s very much not. I don’t think you get the calibre of actors involved in the show if it was just that, either.’ The cast became like a family unit, he says, and for actors of a similar age to himself, some of whom are parents, filming the show in the Cotswolds offered a unique opportunity to bond. ‘You know, we’re getting out of London for a week or two, and we’re getting to hang out in Bristol and have cocktails at night and talk about the show and do all these things,’ he explains. ‘We quickly realised that this is quite special, and we’re going to lean right into it.’ Did that involve getting into the party spirit, I ask? ‘I don’t want to start getting in trouble,’ he chuckles. ‘But there was a sprinkle of hedonism over the production, for sure. It makes the show better.’

If Rivals offered Turner a little escapism, it’s also further proof that as an actor, he can’t be neatly categorised. Since galloping onto our screens as the swashbuckling, scythe-swinging protagonist in Poldark, he’s resisted being pigeonholed as a romantic lead, winning plaudits playing a top coach accused of abuse in tennis drama Fifteen-Love, and a chilling clinical psychologist in crime thriller The Suspect. ‘It was nice to do a couple of shows that were in contemporary worlds, you know, wearing suits and jeans and shoes and carrying iPhones,’ he says modestly. ‘And not riding around in horses and carriages, or in a world of goblins and orcs or whatever. So yeah, it’s good to mix it up, but you never know what’s around the corner.’

Let it be known, though, that if the occasion calls for Turner to jump on a horse, he’s more than up to the task. As well as riding, he boasts an impressive range of talents, including being a champion ballroom dancer. What skills did he learn on the set of Rivals? ‘I can drink whiskey like nobody’s business,’ he laughs. That, and drive O’Hara’s yellow Mini. ‘That Mini was almost impossible to drive, and I’m pretty good at it now.’ He did also grow a statement moustache. ‘For the first time in my life as an actor, I felt a little bit sad to get rid of it,’ he says ruefully. ‘I had it for so long. We’ll see if it comes back’. 

He’s excited for Rivals to make its way out into the world. ‘We’re all just really happy and proud, he says. ‘You know, it’s the show that we set out to make, which is also a rare thing.’ That said, he’s not in a rush to find his next project. ‘Sometimes you also just need to step back for a while and not work all the time, and wait for the good thing to come along,’ he muses. ‘I’m a better person when I do the work that I really want to do.’ When we speak, he’s in Canada with his wife, Succession star Caitlin FitzGerald, who is filming, and his two-year-old son. They navigate who takes on the next project, he explains, by having an open dialogue. ‘I mean, our lives have changed a lot and not a lot at the same time, if you know what I mean. We’re still both working. We’re still both lucky that way. We can keep working and keep our family life together, and everything is just great and happy.’

‘I LOVE BEING AN ACTOR, BUT I THINK THERE’S ALSO SOME OTHER HATS THAT I CAN PUT ON’ 

Turner’s not at liberty to discuss his next project, but he’s very excited for it. ‘It’s a very different type of show than anything I’ve done before,’ he smiles. In the future, he envisages working more with friends and hopes to turn his hand to producing. ‘I love being an actor. But I think there’s also some other hats I can put on that I can be equally as good at, if not better.’ In the meantime, he says, his roles are only getting more interesting. ‘It’s the best thing!’ he exclaims. ‘I mean, I sort of knew it was gonna happen.’ With the benefit of life experience, he explains, his characters are naturally getting more layered. ‘I think that matters you know? I want to listen to a 41-year-old man, over a 21-year-old man. I just do,’ he says emphatically. ‘For me, that’s more interesting.’ 

Twenty years after breaking into the industry, he’s lost the ‘cacophony of nerves’ that came with trying to impress as a young actor. ‘I’ve learned that it’s okay to find the thing, or to not know the thing, to get on set and go, “Okay, I have no idea how we’re going to do this.”’ It’s been freeing, he says, learning to let go. ‘Now it’s fun and creative and it feels more relaxed, and then the work is better through all that, too. So I guess if I could say something to the younger actor, it would just be, breathe. Everything’s gonna be fine. You know the lines, you know the work. Just get in there and have fun. And don’t worry so much about the work itself. The work will happen. Just let you happen first.’ 

Rivals is streaming on Disney+ this autumn 

[ravenadottir]

islanders' data and anecdotes if they were honest:

SEASON 1

❝ main character ❞ she's the only one that makes any sense

❝ allegra ❞ 24, swansea, cocktail entrepreneur, the public loves to hate her

❝ erikah ❞ 20, norwich, jobbing actor, she changes, every guy will be the love of her life until a new guy comes around

❝ jen ❞ 22, london, fashion blogger, the equivalent of a piece of paper until she couples up with someone for clout

❝ talia ❞ 23, watford, music journalist, she's the only one everyone agrees is the best person here

❝ jake wilson ❞ 29, preston, chef, chicken shit that waits way too long to say something

❝ mason❞ 24, romford, musician and underwear model, if "this could've been an email" was a person

❝ miles ❞ 22, glasgow, carpenter, not interesting enough to remember. also tattoo

❝ tim ❞ 23, truro, dj, alright, we'll allow it

❝ jasper ❞ 26, kingston, financial advisor, straight to the bin

❝ levi ❞ 26, manchester, professional water polo player, sock balls

❝ rohan ❞ 23, wolverhampton, psychology student, he joined the villa and that's pretty close to the circus. also, see "injustice"

❝ cherry❞ 20, suffolk, west end performer, try hard

❝ reese taylor ❞ 22, birmingham, newsagent by day, professional wrestler at weekends, revolting lack of personality

❝ sammi ❞ 22, london, graphic designer and artist, the definition of 'wasted potential"

❝ lucy ❞ 25, bristol, “adventurer”, *snake sounds*

❝ returning miles ❞ 22, glasgow, carpenter, we still don't care

❝ returning jasper ❞ 22, kingston, financial advisor, at least we found out he has a pet snake

SEASON 2

❝ hope ❞ 26, london, brand ambassador, '‘voted “most likely to be the center of the drama because she puts herself there"

❝ lottie ❞ 24, melbourne, makeup artist, i have one personality trait and that's all you're gonna get

❝ main character ❞ she should change her name to 'girl #5'

❝ hannah ❞ 21, st. albans, social media assistant, she went home really soon because she was so shy, we're sure that's not gonna bite anyone in the face

❝ marisol ❞ 24, portsmouth, law student, talks too much/says nothing at all

❝ gary rennell ❞ 23, chatham, crane operator, SLUT

❝ noah ❞ 25, romford, librarian, QUIET SLUT

❝ rocco ❞ 21, belfast, owns a “cocktails and cronuts” food truck, LYING SLUT

❝ ibrahim ❞ 22, birmingham, gold player, SHY SLUT

❝ bobby mckenzie ❞ 24/26, glasgow, hospital caterer, does impressions and bakes some stuff

❝ priya ❞ 29, manchester, estate agent, should've noticed she's bi during the fucking season

❝ henrik ❞ 23, isle of wight, climbing and wilderness survival instructor, shiny and dumb/smooth brain/nothing behind those eyes

❝ lucas koh ❞ 27, oxford, physiotherapist, yes

❝ chelsea ❞ 23, buckinghamshire, interior decorator, there's pink and there's champagne

❝ jakub zabinski ❞ 25, rochdale, personal trainer and fitness model, real life mutant ninja turtle but like white

❝ elijah ❞ 26, watford, hairdresser and model, he's there and then he's not

❝ felix ❞ 21, rotherham, nightclub promoter, annoying little cousin that grows up to be the annoying little virgin at the club

❝ kassam ❞ 26, new castle, techno dj, if you blink you might miss him

❝ graham ❞ 23, devon, commercial fisherman, ginger thanos

❝ arjun ❞ 24, norwich, dog groomer and influencer, "where's my hug?" kind of guy

❝ carl ❞ 29, dublin, tech entrepreneur, he's almost learning how not to sound like a robot

❝ shannon ❞ 24, dublin, professional poker player, "you'll forgive how annoying she can be because of her body"tactics, players, poker analogies all the time"

❝ blake ❞ 22, kensington, if you blink you won't miss her because she's so goddamn annoying

❝ elisa ❞ 22, london, social media influencer, the human form of a gear shift because of all the blame she shifts

❝ jo ❞ 23, cheshire, bmx racer, was here for only three days and it was still too long

❝ returning henrik ❞ 23, isle of wight, climbing and wilderness survival instructor, absolutely not the same person and it gets worse

❝ returning lucas ❞ 27, oxford, still a physiotherapist, "toxic fucks"

❝ returning hannah ❞ now 22, st. albans, she resented lottie so much she became her

[colonellickburger]

Herbert Shergold. Now Keep Quite Still - actors and locals in Bristol in the 50s and 60s

[tabbpro]

This month at Bristol's Filmmakers' Shindig!

Hayden Brown of Dirty Jack, the creative video agency known for their "unconventional" strategies, is joining Tabb at Square Works Bristol for an exclusive look into what makes their method work.

Join us for a brilliant talk, to meet local creatives and a night of general filmmaking joy!

[ironmanrecords]

John Murry and Michael Timmins - A Little Bit of Grace and Decay (Gatefold CD)

TENOR VOSSA CD / TV022CD / RELEASE DATE : 20/09/24 **Pre-order now for an Estimated dispatch between Thu 19 Sept and Fri 20 Sept 2024** Gatefold CD. The Soundtrack to accompany the Award winning Documentary “The Graceless Age: The Ballad Of John Murry.” Written and performed by John Murry and Mike Timmins (Cowboy Junkies). The film has already won Best Irish Documentary at the 35th Galway Film…

[carsthatnevermadeitetc]

Bristol 407/410 Convertible, 1963, by Viotti. A one-off Bristol convertible that was originally owned by actor Peter Sellers is for sale in the UK. A standard RHD Bristol 407 was sent to the Italian coachbuilder, it was a design exercise requested by Bristol Cars and made its first public appearance at the 1962 Turin Motor Show. Bristol decided against putting the car into production but Peter Sellers, a loyal Bristol client, persuaded the company to turn the prototype into a fully-finished car. It was often used by his wife, Britt Ekland

sales listing

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … December 13

1904 – The Iowa Supreme Court rules that "irresistible insane impulse" is a possible defense against a charge of sodomy.

1904 – Glen Byam Shaw (d.1986) was an English actor and theatre director, known for his dramatic productions in the 1950s and his operatic productions in the 1960s and later. Created CBE in 1954, he also received the Hon DLitt of the University of Birmingham in 1959.

In the 1920s and 1930s Byam Shaw was a successful actor, both in romantic leads and in character parts. He worked frequently with his old friend John Gielgud. After working as co-director with Gielgud at the end of the 1930s, he preferred to direct rather than act. He served in the armed forces during the Second World War, and then took leading directorial posts at the Old Vic, the Shakespeare Memorial Theatre and Sadler's Wells (later known as the English National Opera).

Byam Shaw was born in London, the youngest of five siblings. He was educated at Westminster School, where his contemporaries included his elder brother, James Byam Shaw, later a well-known art historian, and John Gielgud, who became a lifelong friend and professional colleague.

Byam Shaw's first appearance was at Torquay in the west of England, in C. K. Munro's comedy At Mrs. Beam's. In 1925 he made his London debut, playing Yasha in J.B. Fagan's production of The Cherry Orchard, in a cast that included Alan Napier as Gaiev, O.B. Clarence as Firs and Gielgud as the young student Trofimov. Over the next few years Byam Shaw appeared in three more plays by Chekhov, and in plays by Strindberg and Ibsen. He made his New York debut in November 1927 as Pelham Humphrey in And So To Bed.

Actress Constance Collier was impressed by Byam Shaw and used her influence to gain him roles. Among those to whom she introduced him was Ivor Novello, then a leading figure in London theatre. She directed them both in the play Down Hill in 1926. Byam Shaw and Novello became lovers for a short time. This drew him into contact with the poet Siegfried Sassoon, another friend of Collier; he and Byam Shaw became close. Their friendship lasted for the rest of Sassoon's life, although they ceased to be sexual partners quite quickly; Sassoon became involved with Stephen Tennant, and Byam Shaw fell in love with an actress, Angela Baddeley. They married in 1929. The marriage, which lasted until her death in 1976, was, Denison writes, "a supremely happy one, both domestically and professionally"; the couple had a son and a daughter.

1912 – England requires flogging for a second violation of the 1898 law prohibiting Gay solicitation.

Peter Dorey (L) with Ernest Cole

1947 – Peter Dorey (d.2021) was the co-founder of Gay’s the Word, the first bookshop in the UK dedicated to selling books and magazines for the LGBT+ community.

Dorey founded the shop in Bloomsbury, central London, together with Ernest Hole and Jonathan Cutbill, in 1979. Naming the shop after the Ivor Novello musical, the trio aimed to provide a safe space where LGBT+ people could meet and share a love of books, including many titles that were not available elsewhere.

Peter Dorey was born in 1947 in London to Frederick and Irene Dorey and educated at Preston Manor Grammar School in Wembley. Whilst at the University of Leeds he became interested in broadcasting, working for the student radio station on campus. Upon graduating he joined the BBC as a sound engineer, spending more than 20 years at studios in Belfast and Bristol. It was at a meeting of Gay Icebreakers, a social group, that he and his colleagues came up with the idea of a specialist bookshop for the LGBT+ community, with Dorey providing the funding.

During the miners’ strike of 1984-85, the bookstore became the meeting hub for Lesbians and Gays Support the Miners (LGSM), a group which raised funds for striking coalminers in south Wales. Their story is celebrated in the film Pride (2014), directed by Matthew Warchus.

As the subject of long-term surveillance and institutional homophobia, Gay’s the Word was raided in 1984 by HM Customs and Excise, which claimed that “indecent or obscene” material was being held there. Thousands of pounds of stock was removed by Customs officers whilst Dorey and his colleagues were charged with conspiracy to import indecent books, under the archaic Customs Consolidation Act of 1876.

Questions in parliament from Chris Smith and Frank Dobson and pressure from campaigners forced a review of the case. A crowdfunding campaign raised £55,000, including £3,000 donated by the author Gore Vidal. Smith came out as Britain’s first openly gay MP a few months later. The charges against Dorey and his co-directors were eventually dropped.

Dorey met Timothy Groom in 1985 and they were partners until Groom's death in 2010.

1948 – Tom Walmsley, born in Liverpool, England, is a Canadian playwright, novelist, poet and screenwriter.

Born in Liverpool, Walmsley came to Canada with his family in 1952, and was raised in Oshawa, Ontario, and Lorraine, Quebec. He dropped out of high school and battled addictions as a young adult.

In addition to his plays, Walmsley was the winner of the first Three-Day Novel Contest in 1979 for his novel Doctor Tin. He later published a sequel, Shades, and another unrelated novel, Kid Stuff. Walmsley wrote the screenplay for Jerry Ciccoritti's film Paris, France in 1993. Ciccoritti also later adapted Walmsley's play Blood into a film.

Walmsley's style of writing ranges from the naturalistic to the poetic and, at times, the absurd. He moves easily between dramatic and comedic, and some of his "darkest" work is treated with a cutting sense of humour. His most common themes include sex (both hetero- and homosexual, often involving sado-masochistic fetishes, adulterous affairs, and, in the case of Blood, incest), violence, addiction (to alcohol and heroin in particular), and God (from a Christian perspective). He rarely deals with politics directly, although he openly displays a distaste for middle-class morality and social conservative interpretations of Christianity.Early in his career, Walmsley summarized his sense of personal identity as "blond, stocky, below average height, uncircumcised, bisexual, tattooed, with bad teeth and very large feet".

1975 – Lionel Baier, born in Lausanne, is a Swiss film director. He began his career with a short called "Good Enough To Eat" and two docs: one for Swiss television called The Pastor, the other about gay pride in the Valais.

At 28 he released his first feature, a breakout festival hit, Garcon Stupide, about a confused, uneducated, perpetually frisky 20 year-old named Loic who wants more than the quick tricks he turns with older men on the streets of Lausanne. The marketing department tried to sell Baier's follow-up, Stealth, as another gay romp but the character's main preoccupation is coping with the discovery that his family's background is Polish, which leads to a road trip, which leads to a providential hookup.

In 2009, Baier made Another Man about a straight writer who stumbles into a job as a small-town newspaper movie reviewer For something different, the next year Baier shot Low Cost on his cell phone in a month. Low Cost is a 60-minute drama about a 34 year-old who knows when he's going to die. In 2013 he released Great Waves, his first period drama, set in April 1974 during Portugal's Carnation Revolution.

1990 – Anton Hysén is a Swedish footballer who plays in the Swedish third division for Utsiktens BK, which is coached by his father Glenn Hysén. He is a former member of the Swedish national under-17 association football team and was given a trainee contract with BK Häcken from 2007 to 2009,[3] but was hindered by injuries and instead joined Utsiktens BK, for whom he plays in his third season. He was previously a member of Torslanda IK. His older brothers are football players Tobias Hysén (half-brother) and Alexander Hysén. He won the seventh season of Let's Dance, being the first openly gay person to win this competition.

He came out as gay to the Swedish football magazine Offside in March 2011. Daily Mail has described Anton as the "first high-profile Swedish footballer to announce that he is gay" and as the second active professional football player to come out, after English footballer Justin Fashanu in 1990. The BBC called him "a global one-off".

Hysén was profiled on Swedish broadcaster TV4 on March 9, 2011, in a debate show moderated by Lennart Ekdal titled "Can gays play football too?".

He works part-time as a construction worker.

1999 – US Defense Secretary William Cohen ordered a full review of the "Don't ask, don't tell" policy. The policy had recently been criticized for creating a hostile environment.

2002 – The Belgium Senate approves same-sex marriage, making Belgium the second country to do so.

[productionsbyfaith]

Networking, Meet and Greet: Filmmaking, Video, Actress, Actors, Extra, Cast, Crew, Sound and Audio

i am JOSIAH Movie Group is Meet & Greet / Networking Group


Designed to bring together people that are interested in the making of the “i am JOSIAH Movie”, interest in film making, video production, sound, audio, cast, actors, actress, extras, etc.

Skills/Experience:
 Interested, no experience to very experienced. This is no judgement group

About:
i am JOSIAH Movie is a Feature Film (Shown in Theaters)
Location Filming: Tri-Cities area

Filming Timeframe: July-August 2023

For additional information go to www.iamJOSIAHMovie.com

Make sure to SUBSCRIBE to stay in the loop.