#brian weiss australia

[awarenesshealing]

Unlock the mysteries of your soul with Past Life Regression » . Explore your hidden history, gain insights, and release blockages. Our expert therapists guide your journey. Embark on this transformative experience and discover a deeper understanding of yourself. Book now to delve into your past and enrich your present. 🔮🌟 #PastLifeRegression #SoulExploration #SelfDiscovery

[ccandd96]

This brand-new book is the perfect thing to pick up to cap off summer! Scars Publications just released the Down in the Dirt‘s May-August 2024 issue collection book “A Library of Collaboration”! This 422-page volume is a great way to stock up on issues if you didn’t buy all of the issues making this a GREAT deal! A listing of all the contributors and titles is available at Scars online, and authors are also listed in the description now online through Amazon throughout the U.S. and Canada. They can also be ordered in the U.K., all of Europe, and even Japan and Australia!

https://www.amazon.com/dp/B0DBDBH1HK

https://scars.tv/2024May-August-issue-collection-book/A_Library_of_Collaboration.htm

The contributors to this book (of writing and art) include A.R. Williams, Alan Ford, Alexandra Dark, Angela Carrozza, Anthony Thomas Voglino, April Fikstad, April Goodwin, Bill Tope, Binod Dawadi, Brenda Mox, Brian Beatty, Brian Connelly, Cailey Tin, Cameron D. Alexander, Camille Akers, Chitralekha Hore, Christopher Strople, Ciara M. Blecka, Clarence Allan Ebert, Clive Aaron Gill, Corey Smith, Corey Villas, Daniel de Culla, David J Tate, David Sapp, David Sowards, Debra Wilson Frank, Devin Sparkman, Dick Yaeger, Donald Reed Greenwood, Dorthy LaVern McCarthy, Doug Hawley, Douglas Young, Dr. Adyasha Acharya, Drew Marshall, DS Maolalai, Duane Anderson, Edward Michael O’Durr Supranowicz, Eleanor Leonne Bennett, Elena Botts, Eric Brown, Erik Priedkalns, George Beckerman, Gil Hoy, Greg Beckman, Hannah Ferris, Hasan Chaudhry, Helen Bird, Holly Day, Isabel G. de Diego, J. Ray Paradiso, Jackie Bayless, Jake C. Elliott, James Bates, James Nelli, Janet Kuypers, Jerry Guarino, Joan Mach, John F. McMullen, John Farquhar Young, John Grey, John Riebow, John Zedolik, Joy Myers, June Wolfman, Justine Fleming, Kassan Jahmal Kassim, Katarina Pavicic-Ivelja, Ken Weiss, Kris Green, Kyle Hemmings, Kyle Trenka, L. Sydney Abel, Latoya Kidd, Laura Bota, Lee Hammerschmidt, Madelyne Timmons, Mark Pearce, Mark Wolters, Marvin Reif, Matthew McAyeal, Megan Mealor, Michael Gigandet, Mike Rader, Mykyta Ryzhykh, Norm Hudson, Oleksandr Gorpynich, Olivia G. Benson, Olivier Schopfer, Paul Stansbury, R.T. Castleberry, Raha.M, ReLand, Richard K. Williams, Ronald Hernandez, Roseann Bauer, Rowan Tate, Roy N. Mason, Rykard Plaque, Salvatore Folisi, Sandip Saha, Sarah Das Gupta, Scott Taylor, Sean Meggeson, Shawn McMichael, Shontay Luna, Simon Kaeppeli, Steevie Karnes, Sterling Warner, Steven Grogan, Susie Gharib, Terry Sanville, Tom Ball, Toney Dimos, Tony Covatta, Vern Fein, and Westley Heine.

https://www.facebook.com/janetkuypers/posts/pfbid02X79WiLxMhVQRAjyUJdASt2iJ2LHeLrvTuYK2i1RmvSVzDMBcK7cPwCQbxzY67dkwl

[zacefronews]

After its first season became one of the bigger hits of 2020 on the streamer, Netflix is looking forward to the next season of Down To Earth With Zac Efron as production has begun on the second season in Australia. The second season is expected to premiere sometime in 2022.

In this new season, actor Zac Efron travels around Australia with wellness expert Darin Olien in search of healthy, sustainable ways to live. The hosts bring viewers to beautiful locales where they seek out sustainable practices in a way that is both educational and enlightening, embracing local food, culture and customs throughout their journey.

Efron, Michael Simkin, Jason Barrett will exec produce through their banner Ninjas Runnin’ Wild and Brian Volk-Weiss, Cisco Henson and Darin Olien will also exec produce through The Nacelle Company.

[maridmansa-blog]

film editing courses in chennai

It was the great F. Scott Fitzgerald who, probably after one gin rickey too many at his favourite watering hole, The Willard, famously declared that 'there are no second acts in American lives'. Fitzgerald, as it turns out, wasn't much of a fortune teller and his half-baked theory has since been disproved many times over, but for Glen Travis Campbell, pummelling yet another bottle of rum into submission in the backseat of his tour-bus as it snaked through the Australian moonlight, those ominous words must have seemed like his own personal prophesy. Campbell was down on his luck, he hadn't had a top forty hit since "Dream Baby" in '71, his syndicated T.V show with CBS had been pulled from the airwaves in '72 and his latest marriage was suddenly on the rocks. He was starting to look like a three time loser. After all, this was only 1974 and his improbable re-incarnation as the "Rhinestone Cowboy" was still more than a year away.

The first act in Campbell's remarkable life story, began when he made a name for himself as an ace guitarist with the now legendary Los Angeles musical collective, The Wrecking Crew; a bunch of peerless session musicians who played on scores of landmark recordings throughout the early sixties. Amongst the many milestones were the Righteous Brothers maudlin masterpiece, "You've Lost That Loving Feeling", the Monkees teen-trauma "I'm a Believer" and Sinatra's semi-swansong, "Strangers in the Night". Campbell also cemented together more than a few bricks of Phil Spector's palatial 'Wall of Sound' before the rise of the Beatles brought it tumbling down. Undeterred, he clambered onto the Beach Boys pop bandwagon, as the touring stand-in for a world-weary Brian Wilson. In the Kingdom of Pop, that's tantamount to understudying the Son of God. Campbell remained in the fold when the Messiah returned and stuck around long enough to play bass on the historic Pet Sounds.

Although he'd charted in 1965, with an unlikely cover of Buffy Sainte-Marie's pacifist melodrama "Universal Soldier" (Campbell supported the war in Vietnam ), it wasn't until he recorded John Hartford's Grammy Award winning "Gentle on my Mind" in 1967 that he truly crashed Pop's party. He soon forged an improbable relationship with self-avowed hippie Jimmy Webb, who was in the process of penning a succession of magnificent country-pop ballads that would ultimately launch Campbell on the road to international Stardom. "By the Time I Get to Phoenix", "Galveston" and, of course, "Wichita Lineman" remain pure examples of pop's incommensurable faculty for loosening the tear ducts.

For a while Campbell was on easy street - a succession of Grammys and gold records, T.V shows and Oscar winning films, followed in his footsteps, but as the Seventies slipped by, film editing training  the troubadour began to lose his Midas touch. Even Jimmy Webb's personal goldmine of heart-breaking ballads had panned out - their 1974 collaboration, "Reunion: The Songs of Jimmy Webb", came up empty in the desperate search for a hit single.

Campbell needed a break and he got one. Jimmy Webb had often remarked on Campbell's uncanny knack for identifying a sure-fire hit on first hearing and on that three week tour of Australia he'd kept playing a song over and over again. "Rhinestone Cowboy" had been written and recorded by Larry Weiss, a songwriter trying to pitch his way out of the minor leagues and was brought to Campbell's attention by producer Dennis Lambert after both Elvis and Neil Diamond had turned it down. The song reached No1 on the Billboard chart in September of 1975 and also topped the Country chart the same week, becoming the first single to achieve the ultimate crossover since 1961, when Jimmy Dean did the double with "Big Bad John". The album went to the top of the Country chart too, another first for Campbell.

"Rhinestone Cowboy" opens, as the first unwritten law of song sequencing demands, with its second best track. Written especially to reflect Campbell's parlous state of mind, by Dennis Lambert and Brian Potter, "Country Boy (You Got Your Feet in LA)" may be an over familiar tale of a farm boy seduced by the big city, but Campbell infuses it with a real sense of self and his 'on the money' vocal confirms an unshakeable faith in its deeply personal lyric. "Comeback", another tailor made ballad by Lambert and Potter allows Campbell to be more philosophical as he stands at the crossroads of life, "I wrote the book on self- preservation / I'm a firm believer in my peace of mind" he sings with a new found determination to conquer his demons and resurrect his career.

[theymetinthetoihlet]

I was tagged by @queserademividaquesera.Thank you <3

rules: tag 15 people you wanna get to know better

Relationship status: single

Lipstick or chapstick: lipstick

Song stuck in your head: Happy now

Last movie I watched: A knight’s tale.Actually I re-watched it because it’s one of my favourite movies

Top 3 shows: shameless us,this is us,how to get away with murder

Book I am currently reading: Many lives,many masters by Brian Weiss

Last thing I goggled: lab glassware

Time: 20.59

Dream trip: Australia

Favorite smells: sea breeze,new books,lavender,gasoline,cinnamon,rain

Anything you want: right now pizza.

@solounabarca @la-paritalienne @la-dure-realite-de-la-vie @ghlden @jimmytfallon @lhovemeplease and everyone who sees this and wants to do it (sorry i’m really not good at remembering urls 🤦🏻‍♀️)

[un-enfant-immature]

Daily Crunch: Apple launches ‘Exposure Notification Express’ for COVID-19

Apple and Google are adding support for app-less exposure notifications, Facebook says it might block news sharing in Australia and Samsung has a new foldable phone. This is your Daily Crunch for September 1, 2020.

The big story: Apple launches ‘Exposure Notification Express’ for COVID-19

Apple and Google are introducing new tools that should make it easier for public health authorities (PHAs) to implement notifications for people who may have been exposed to COVID-19.

We’ve written before about the two companies’ efforts to create technology that supports contact-tracing efforts, but with the latest update (available today in iOS 13.7 and coming later this month in Android), users no longer need to download an app. Instead, the local PHA can send a notification about exposure notification and what it does, then the user can choose whether or not to opt-in.

Apple and Google said that 20 countries have already built apps based on their API, along with six U.S. states.

The tech giants

Facebook threatens to block news sharing in Australia as it lobbies against revenue share law — The threat is Facebook’s attempt to lobby against a government plan that will require it and Google to share revenue with regional news media.

Samsung’s new Galaxy Fold arrives September 18 for $2,000 — Brian Heater runs down Samsung’s latest foldable phone.

Netflix is making a series based on ‘The Three-Body Problem’ — The show will be executive produced and written by “Game of Thrones” showrunners David Benioff and D.B. Weiss.

Startups, funding and venture capital

Bambuser raises $45 million after shifting focus to live video shopping — Bambuser’s history goes back more than a decade, but it moved into live video shopping last year.

Sarcos raises $40 million to bring its Guardian XO exoskeleton to market — Sarcos’ technology is designed to augment an existing human workforce.

InfoSum raises $15.1 million for its privacy-first, federated approach to big data analytics — The startup has built a way for organizations to share their data with each other in a more secure and decentralized way.

Advice and analysis from Extra Crunch

Jeff Lawson on API startups, picking a market and getting dissed by VCs — The Twilio CEO told us, “The world is getting broken down into APIs.”

Your first sales hire should be a missionary, not a mercenary — Next47’s Micah Smurthwaite discusses the importance of your first sales hire.

Zoom’s Q2 report details some of the most extraordinary growth I’ve ever seen — The “I” in question is Alex Wilhelm, who delivers his daily dive into startups and markets.

(Reminder: Extra Crunch is our subscription membership program, which aims to democratize information about startups. You can sign up here.)

Everything else

Movies Anywhere officially launches its digital movie-lending feature, ‘Screen Pass’ — Screen Pass allows you to lend out one of your purchased movies to a friend or family member.

Oral-B’s iO smart toothbrush is a big upgrade in just about every way — It’s easy to make fun of the idea of a smart toothbrush, but Darrell Etherington makes it sound like this one is actually good.

Watch these 6 startups compete in Pitchers & Pitches tomorrow — It’s a rapid-fire pitch competition with a hefty side of advice.

The Daily Crunch is TechCrunch’s roundup of our biggest and most important stories. If you’d like to get this delivered to your inbox every day at around 3pm Pacific, you can subscribe here.

[psychicsaustralia]

As a medium are you able to confirm the finings of Michael Newton and Brian Weiss ? via /r/Psychic https://t.co/PyEcefp6wW

As a medium are you able to confirm the finings of Michael Newton and Brian Weiss ? via /r/Psychic https://t.co/PyEcefp6wW

— Psychics Australia (@aussiepsychics) August 23, 2019

from Twitter https://twitter.com/aussiepsychics

[nonej]

Nose Hair from Lou Morton on Vimeo.

After playing a smelly game with his friends young Nate discovers that he has an unusual condition. Learn more about the senses of smell and taste in this educational children's short, produced with the support of the Alfred P. Sloan Foundation.

Screenplay: David Guest Cast: Jayden Mason Eastaugh, Ryan Lacey, Sean Bolger, Grant Ginter, Christopher Wells Music and Sound Design: Ulrich Troyer Sound Mix: Alex Weiss and Katie Gately ADR Record: Bethany Sparks Storyboard Artists: Miguel Jiron, Javier Barboza Animators: Brian Smee, Yawen Zheng, Jovanna Tosello, Josh Weisbrod Coloring Assistance: Caress Reeves, Josh Weisbrod, Max Graenitz Direction, Animation, Storyboards, Story: Louis Morton

SCREENINGS Museum of the Moving Image Special Screening, 2018 Berkeley Film and Video Festival, 2017 Animation Block Party, NYC, 2017 Melbourne International Animation Festival, Australia, 2017 Creativa Fest, Mexico City, 2017 First Film, Los Angeles CA, 2017 International Children's Film Festival Bangladesh, 2017 Los Angeles International Children's Film Festival, 2016 St. Louis International Film Festival, 2016 Alameda International Film Festival, Alameda, CA, 2016 Anibar Animation Festival, Peja, Kosovo, 2016

[goalhofer]

2018 Atlanta Braves Roster

Pitchers

#15 Sean Newcomb (Middleborough, Massachusetts)

#26 Mike Foltynewicz (Minooka, Illinois)

#30 Peter Moylan (Lesmurdie, Australia)

#32 Brandon McCarthy (Glendale, California)

#38 Arodys Vizcaino (Yaguate, Dominican Republic)

#39 Sam Freeman (Carrollton, Texas)

#40 A.J. Minter (Bullard, Texas)

#46 Chase Whitley (Ranburne, Alabama)

#48 Miguel Socolovich (Caracas, Venezuela)

#49 Julio Teheran (Cartagena, Colombia)

#51 Shane Carle (Scotts Valley, California)

#52 Jose Ramirez (Yaguate, Dominican Republic)

#53 Luiz Gohara (Tupa, Brazil)

#58 Daniel Winkler (Effingham, Illinois)

#68 Jacob Lindgren (Bay St. Louis, Mississippi)

#71 Josh Ravin (West Hills, California)

#75 Grant Dayton (Madison, Alabama)

Catchers

#8 Chris Stewart (Moreno Valley, California)

#24 Kurt Suzuki (Wailuku, Hawaii)

#25 Tyler Flowers (Roswell, Georgia)

Infielders

#1 Ozzie Albies (Willemstad, Curacao)

#5 Freddie Freeman (Orange, California)

#7 Dansby Swanson (Marietta, Georgia)

#17 Johan Camargo (Panama City, Panama)

#27 Ryan Flaherty (Portland, Maine)

Outfielders

#11 Ender Inciarte (Maracaibo, Venezuela)

#12 Peter Bourjos (Scottsdale, Arizona)

#18 Lane Adams (Red Oak, Oklahoma)

#20 Preston Tucker (Tampa, Florida)

#22 Nick Markakis (Woodstock, Georgia)

Coaches

Manager Brian Snitker (Macon, Illinois)

Bench coach Walt Weiss (Tuxedo, New York)

Hitting coach Kevin Seitzer (Springfield, Illinois)

Assistant hitting coach Jose Castro (Miami, Florida)

Catching coach Sal Fasano (Hoffman Estates, Illinois)

Pitching coach Chuck Hernandez (Tampa, Florida)

Assistant pitching coach Dave Wallace (Waterbury, Connecticut)

Bullpen coach Marty Reed (Tampa, Florida)

Bullpen catcher Jose Yepez (Carora, Venezuela)

1st base coach Eric Young (Piscataway, New Jersey)

3rd base coach Ron Washington (New Orleans, Louisiana)

[pardontheglueman]

Glen Campbell - Rhinestone Cowboy

It was the great F. Scott Fitzgerald who, probably after one gin rickey too many at his favourite watering hole, The Willard, famously declared that ‘there are no second acts in American lives’. Fitzgerald, as it turns out, wasn’t much of a fortune teller and his half-baked theory has since been disproved many times over, but for Glen Travis Campbell, pummeling yet another bottle of rum into submission in the backseat of his tour-bus as it snaked through the Australian moonlight, those ominous words must have seemed like his own personal prophesy. Campbell was down on his luck, he hadn’t had a top forty hit since “Dream Baby” in ‘71, his syndicated T.V show with CBS had been pulled from the airwaves in ‘72 and his latest marriage was suddenly on the rocks. He was starting to look like a three-time loser. After all, this was only 1974 and his improbable re-incarnation as the “Rhinestone Cowboy” was still more than a year away.

The first act in Campbell’s remarkable life story, began when he made a name for himself as an ace guitarist with the now legendary Los Angeles musical collective, The Wrecking Crew; a bunch of peerless session musicians who played on scores of landmark recordings throughout the early sixties. Amongst the many milestones were the Righteous Brothers maudlin masterpiece, “You’ve Lost That Loving Feeling”, the Monkees teen-trauma “I’m a Believer” and Sinatra’s semi- swansong, “Strangers in the Night”. Campbell also cemented together more than a few bricks in Phil Spector’s palatial ‘Wall of Sound’ before the rise of the Beatles brought it tumbling down. Undeterred, he clambered onto the Beach Boys pop bandwagon, as the touring stand-in for a world-weary Brian Wilson. In the Kingdom of Pop, that’s tantamount to understudying the Son of God. Campbell remained in the fold when the Messiah returned and stuck around long enough to play bass on the historic Pet Sounds.

Although he’d charted in 1965, with an unlikely cover of Buffy Sainte-Marie’s pacifist melodrama “Universal Soldier” (Campbell supported the war in Vietnam), it wasn’t until he recorded John Hartford’s Grammy Award-winning “Gentle on my Mind” in 1967 that he truly crashed Pop’s party. He soon forged an improbable relationship with self-avowed hippie Jimmy Webb, who was in the process of penning a succession of magnificent country-pop ballads that would ultimately launch Campbell on the road to international Stardom. “By the Time I Get to Phoenix”, “Galveston” and, of course, “Wichita Lineman” remain pure examples of pop’s incommensurable faculty for loosening the tear ducts.

For a while Campbell was on easy street – a succession of Grammy’s and gold records, T.V shows and Oscar-winning films, followed in his footsteps, but as the Seventies slipped by, the troubadour began to lose his Midas touch. Even Jimmy Webb’s personal goldmine of heart-breaking ballads had panned out – their 1974 collaboration, “Reunion: The Songs of Jimmy Webb”, came up empty in the desperate search for a hit single.

Campbell needed a break and he got one. Jimmy Webb had often remarked on Campbell’s uncanny knack for identifying a sure-fire hit on first hearing and on that three-week tour of Australia he’d kept playing a song over and over again. “Rhinestone Cowboy” had been written and recorded by Larry Weiss, a songwriter trying to pitch his way out of the minor leagues and was brought to Campbell’s attention by producer Dennis Lambert after both Elvis and Neil Diamond had turned it down. The song reached No1 on the Billboard chart in September of 1975 and also topped the Country chart the same week, becoming the first single to achieve the ultimate crossover since 1961, when Jimmy Dean did the double with “Big Bad John”. The album went to the top of the Country chart too, another first for Campbell.

“Rhinestone Cowboy” opens, as the first unwritten law of song sequencing demands, with its second best track. Written especially to reflect Campbell’s parlous state of mind, by Dennis Lambert and Brian Potter, “Country Boy (You Got Your Feet in LA)” may be an over-familiar tale of a farm boy seduced by the big city, but Campbell infuses it with a real sense of self and his ‘on the money’ vocal confirms an unshakeable faith in the songs deeply personal lyric. “Comeback”, another tailor-made ballad by Lambert and Potter allows Campbell to be more philosophical as he stands at the crossroads of life, “I wrote the book on self- preservation / I’m a firm believer in my peace of mind” he sings with a newfound determination to conquer his demons and resurrect his career.

“Count On Me” finds Lambert and Potter and, by extension, Campbell himself in a forgiving frame of mind, as he pledges undying love to the girl who’s broken his heart. Encouraged by Sid Sharp’s gentle strings, and a catchy, full-throated chorus, Campbell somehow summons up an air of genuine nobility in defeat.

Lambert and Potter’s fourth and final contribution, “I Miss You Tonight” is a rather solemn ballad that doesn’t quite get off the runway. The nostalgia feels a little forced here, and even Campbell’s steadfast delivery can’t dispel the air of sluggish melancholia that pervades the song.

Nevertheless, if the album had continued in this soul-searching vein Campbell might have delivered one of pop’s great concept albums, a countrified Astral Weeks, or a star-spangled Blood on The Tracks. The reflective mood, however, is undermined fatally by the inclusion of Smokey Robinson and Ronald White’s soul-standard, ‘My Girl’. Campbell, as one would expect, handles the number in an entirely professional way, but after hearing the irrepressible Otis Redding knock this song clean out of the ballpark I wouldn’t have volunteered to be next up to bat! Despite the accomplished vocal, the end result is no more than a pale imitation of Redding’s classic version. It sounds like someone put a little too much water in the whiskey!

Suit courtesy of Manuel Cuevas AKA the Rhinestone Rembrandt

“Rhinestone Cowboy” is, without doubt, the emotional lodestone of the album. Whilst it might fall short of the unimpeachable ‘Wichita Lineman’, there’s no denying that, under the right circumstances, it can bring a self-pitying tear to the eye and a lump to the throat as you sing along with Campbell on that super-sized chorus –

“Like a rhinestone cowboy / riding out on a horse in a star-spangled rodeo / like a rhinestone cowboy/getting cards and letters from people I don’t even know"..

On paper “Rhinestone Cowboy” seems a hackneyed tale - the travails of a country boy drawn to the bright lights and the big city - however, Campbell has plenty to work within the shape of an insightful, evocative lyric –

“I’ve been walking these streets so long / Singing the same old song / I know every crack in these dirty sidewalks of Broadway / Where hustles the name of the game / And nice guys get washed away like the snow and the rain”.

Campbell plays it dead straight and he delivers the ‘western’ lyric with all the poise and purpose of a Shakespearean actor.

Time can be unkind to a certain kind of song, just this kind of song, as a matter of fact. The kind of song sung by a man sporting an ultra-white rhinestone suit, the kind of suit that not even Jay Gatsby in his Cotton Club pomp would ever have dreamed of wearing. “Rhinestone Cowboy”, though, transcends time and place, transcends our sickly obsession with image, transcends its source material, transcends even the supposed wisdom of F. Scott Fitzgerald. It’s a starry-eyed song and my guess is that it will continue to orbit rock ‘n’ roll heaven forever.

No sooner have we reached the album’s highpoint than we’re brought back down to earth with a bump, courtesy of a pair of mundane ballads. “I’d Build a Bridge” is a clichéd love song that left me more than a little queasy before its sorry end, while “Pencils For Sale” is laboured from the word go and not even an outbreak of whistling at the songs close (usually a sign of desperation) can salvage this schmaltzy, underwhelming ballad.

Thankfully, Randy Newman rides like the cavalry to Glen’s rescue. Campbell’s interpretation of “Marie” not only reminds us of what a truly wonderful composer Newman is, but it also serves to remind us just how good a singer Campbell could be when he put his heart and soul into it. Recalling the making of the album for the Guardian in 2013, Dennis Lambert summed it up this way “If we could bring something special to the table, he had the artistry and a name to make it really great”. “Marie” is a testament to that, as is the album’s closer, a cover of Barry Mann and Cynthia Weil’s “We’re Over” a scathingly realistic break–up song. Tom Sellers’ arrangement is just the right side of grand and this allows Campbell to give a measured, understated interpretation of a very fine lyric.

As this is the 40th Anniversary Edition, the folks at Capitol have thrown in five bonus tracks for good measure. These include remixes of “Country Boy” and “Rhinestone Cowboy” and more interestingly the quirky “Record Collectors Dream” and, best of all, “Coming Home” a rather likable track that I hadn’t come across before. Released as a single in Japan back in 1975, it has a naively infectious, “Shiny Happy People” feel to it that Campbell wrings every last drop out of –

“Coming home to meet my brother / we’re coming home to one another / we gotta get to know each other now”.

Forty years on, it’s difficult not to see “Rhinestone Cowboy” as something of a missed opportunity. The album’s producers, Lambert and Potter, had a keen sense of the aesthetic environment that would inspire Campbell, that would strike a chord with him and force him to buckle down. However, their quartet of custom-built songs served only to set a standard that the rest of the album failed to live up to. Although the record finishes strongly, with a pair of perfectly realised covers, it’s in the middle section, despite the gigantic presence of “Rhinestone Cowboy” itself, that the album loses its way. With a Mickey Newbury cover here or there, say the heart-rending “ San Francisco Mabel Joy“ or the wistful “Frisco Depot”, “Rhinestone Cowboy” could have been an imaginatively thought through Urban Cowboy concept album (and there aren’t too many of those in anyone’s record collection!) Ultimately, though, Lambert and Potter didn’t quite have the courage of their convictions.

[awarenesshealing]

15 Things You Should Know About a Past Life Regression

Welcome to Awareness Healing! We are here to help you discover and explore the depths of your past lives through past life regression.

Past life regression is a form of hypnosis, which helps you to access memories and feelings from previous lives. It can be a powerful tool for uncovering subconscious emotions, beliefs and patterns that have been carried over into this life.

Here are 15 things you should know about past life regression:

1. Past life regression is not the same as reincarnation. Reincarnation is the belief that our souls have been reborn in different bodies over time, while past life regression is the process of exploring and learning from the memories of a past life.

2. Past life regression can help to uncover deep-rooted issues that may be influencing your current life. It is a powerful way to understand why you may be struggling with certain issues, or even to find the root cause of physical ailments.

3. The process of past life regression is different for everyone, and may take you to different places in time. You may find yourself in different locations, different times, or even different genders.

4. You are always in control during past life regression, and you can stop the process at any time. There is no risk of being stuck in the past, and you will be able to come back to the present whenever you want.

5. Past life regression can be used to reveal hidden talents and abilities. You may find yourself uncovering skills and abilities that you are not even aware of in your current life.

6. The memories that come up during past life regression can often be quite vivid and emotional. You may find yourself feeling strong emotions that have been buried deep within you.

7. There is no right or wrong way to experience past life regression. You may have very vivid memories, or you may have more subtle feelings and impressions.

8. You may find that the memories from your past life help you to gain greater insight into your current life. It can help to give you clarity and perspective on the issues you are dealing with in your current life.

9. Past life regression can help you to heal unresolved issues from the past. You may discover memories that have been locked away, and those memories can be released and healed.

10. Past life regression is not always a pleasant experience. You may find yourself facing events from the past that were traumatic and painful. It is important to be prepared for this, and to have a trained practitioner there to help you through the process.

11. You do not have to believe in reincarnation to benefit from past life regression. The process can be just as powerful and effective even if you don’t believe in the concept of reincarnation.

12. Past life regression can be used to explore your spiritual side. You may find yourself having spiritual experiences and insights during the process.

13. Past life regression can be used to explore past relationships. You may discover insights into why you have been attracted to certain people in this life, or why certain relationships have been difficult.

14. Past life regression can help you to understand the patterns and beliefs that have been carried over from past lives. You may be able to identify old patterns and beliefs that have been holding you back in your current life.

15. Past life regression can help you to discover your true purpose in life. You may find yourself uncovering your life’s purpose and understanding why you are here.

We hope that this article has given you a better understanding of past life regression and how it can help you to gain greater insight into yourself and your life. If you would like to learn more, please do not hesitate to contact us at Awareness Healing.

[psychicsaustralia]

I just tried Brian Weiss' Past Life Regression session. via /r/Psychic https://t.co/ImoblKDdiX

I just tried Brian Weiss' Past Life Regression session. via /r/Psychic https://t.co/ImoblKDdiX

— Psychics Australia (@aussiepsychics) December 31, 2017

from Twitter https://twitter.com/aussiepsychics