#boy that's a lot of words

[erebus0dora]

something something a chat i am in discussing the loneliness of Armand who needs someone to define him and see him, so

"...it was ghastly and awful and loathsome, and beautiful all at the same time."

and yeah i kinda just want to give ppl hugs with anything i do and talk to them in hushed tones, so there you go

[molabuddy]

"girl" as in girl help & good afternoon girl im in the water & #girl

"boy" as in boy you want some hotdogs & its me boy im the ps5 & autism be damned my boy can work a grill

[demoniccak-e]

"we didn't matter."

they didn't matter. whatever they did, whatever they accomplished, no matter how good they were, no matter how much they hid themselves; they. didn't. matter.

charles was stuck in this place in time that was on constant egg shells, anything could set him off. his name, his being, his music, his voice. anything. didn't matter what he did. and then with his "friends". they were everywhere, they decided to kill him because he helped another pakistani boy, and he was half indian. but even then, he was half. it was a hate crime, it was useless, and nothing he did mattered.

edwin was hidden in a place, he hid with his own thoughts, but he never let them travel far. but it didn't matter. people still just looked at him, just one look and they judged him for his femininity. they looked at him with his books, and how he hid in a corner and they decided to drag him out, and they decided that he should be sacrificed because he didn't matter.

charles was too loud, and edwin was too quiet.

thank god they found each other.

[irisbaggins]

In rewatching the season, I'm noticing how clever Aabria and Brennan were in crafting Tula's story. How well thought out everything was.

Specifically, the bear. It's been mentioned so many times before, but with the context of the completed season, I cannot help but be in awe at the skilful storytelling at display here. The way in which the Blue is described to appear wrong only in reference to Tula and her heart, the way in which Tula talks about curiosity and and having experienced knowing someone who died because of it. Of how Aabria describes to Izzy how Tula looks when she heals the bear, of how Aabria specifically points out that Tula recognises the commonalities between herself and the bear. These breadcrumbs that mean little in the beginning, that tell everything at the end. It's amazing, stunning, masterful storytelling. I am in awe.

[fairandfatalasfair]

I do think there's value in Charles' ability to let insults and verbal antagonism roll off him - I think it makes him happier than he'd be otherwise, and I think it's a big part of why he does so well at adopting prickly hostile people who try to drive away potential friends by reflex because they've been burned so many times before. I think he likes being the only person allowed to hug Edwin without complaints or the one Crystal can talk to when she's feeling insecure about her powers disappearing on her or missing her family.

But I also suspect it's a survival skill he learned by growing up in a home where nothing good was ever said about him and the other place he spent most of his time was a school where yes, he had friends, but their support came with the caveat that they were likely to be casually racist and possibly classist towards him, and if he had too much to say about it he'd be out.

Like I don't think it's a bad thing for him most of the time, but I do think it comes from a place that hurts my heart to think about.

[3liza]

i have another pet tip, for all pets not just dogs: take them to the vet young and/or soon after you adopt them, BEFORE something is wrong with them. either book a basic wellness appt for checks (no shots or procedures) or just ask the vet if it's ok if you drop by with the pet either on leash or in a carrier and just get as far as the waiting room or outside the clinic if they're still doing COVID airlock protocols or busy. plan for this to take several hours. let the pet approach the vet office entrance and hear/see/smell the waiting room, windows into the room, the door, all the spots around the door, etc. engage positively with them if they're feeling interested, soothe them if they're nervous, and give high value treats if possible. maybe assign a super S tier treat JUST for the vet (bacon, shrimp, stinkiest cheese, whatever). feeding them can short circuit their anxiety loops (not all the time for every animal, but as a general guideline). even a single positive exposure to the vet office environment will help next time you bring them in. a treat jackpot for every time they act brave and explore further is a great technique

vet visits aren't just more pleasant when the pet is not freaking out, they're safer for the vet and safer for the pet, not just because animals injure themselves and humans when scared, but also because it's a lot harder to examine a panicky cat or aggressive dog. if your pet is sick and you bring it to the vet and the vet needs four techs just to restrain it to take a temperature, that vet is not going to be able to get a good observation of the symptoms. they won't be able to get a baseline blood pressure or heart rate. panic alone can kill small animals like rabbits and birds.

when you meet the nurse or tech or vet at an appointment, pass them some of the special treats and ask them to feed some to the animal if the animal is willing to take them and it doesn't interfere with the appointment. vets are usually able to spare a couple seconds to do this to make the visit easier and the next visit even easier. i did this for my dog and he thinks the vets are his best friends even though he's had multiple surgeries, vaccinations, exams where he was nervous or uncomfortable, etc.

not all animals can be acclimated to the vet but most can. in an emergency it can make a huge difference whether your pet is a behavior case when you bring them in to the office or not, which is not the vet's fault but a factor of animal behavior. you can plan for it and make it easier on yourself!

edit: buying a muzzle in your dog's size and getting him used to it is an even bigger bonus tip. vets will love you for this. even good dogs sometimes need a muzzle. pain and fear do weird things to animal behavior

[fightmewiatch]

The emotion behind the way Edwin uses fuck is so heavy, because outside of the pilot episode and the scene on the stairs, he doesn't swear. He's a proper boy, repressed and focused and he bottles everything up.

In the Pilot, "The police don't know what to do with a fucking witch", he isn't swearing about the witch. He's angry, and he's upset, and he's frustrated. He's trying to focus on solving this case, saving the girl, doing the right thing, fixing things. Edwin spent seventy years in Hell, fighting for a way out (the detail in his journal, he didn't get out on the first try, he spent those 70s years trying over and over and over to find a way out - but that is a story for a whole other time), torture and pain and heartbreak, only to get out and fall into the school to find out no one cared that he died. "An act of God." The school wrote him off, everyone wrote it off and that was it, that was the end of it, no one cared that a 16 year old boy went to bed and was never seen or heard from again, poof, gone. He spent Charles' last moments with him to keep him company, and calm, and not scared, the two of them knowing what had happened only for the school to once again cover up the death of a 16 year old boy and pretend that whatever happened didn't. Edwin spent the next 30 years connecting with Charles, trying to help ghosts so they don't spend their entire afterlives in a state of absolute sorrow and heartbreak like has. We get such a bare taste of the ghosts they've saved and helped move on, who knows how much good they've truly done, how many they've saved from going to Hell on technicalities like Edwin had done. He's frustrated with Crystal, because he's spent 30 years working with Charles and only with Charles, he knows his friend, he knows how he behaves and how he works and how he acts, those two are connected on a level some people only dream about, and here she comes, she latches on, and she joins them to help but she's so hyper focused on herself and David (understandably so), that she isn't giving the same attention to the case that Edwin and Charles have always done, and he's angry, and he feels like it's going to happen to this girl, he is worried that her focus on David, is going to cause them to fail. Crystal has every right to be upset and scared and everything else that she is, but she doesn't consider, until that moment, that Edwin has a right to be upset about how it seems to be interfering with the case. The way that she reacts when he says "The police don't know what to do with a fucking witch," she realizes it then just how important this case is. Edwin was dragged to hell, the boys around him obliterated - leaving behind the idea that maybe he was, too - so to the school, maybe Edwin just disappeared, like Becky, like all the other little girls over the years in Port Townsend. Solving Becky's case is so damn important to Edwin that he is taking it personally. And while it's subtle, Charles reacts to him swearing, too, as though Edwin does not swear. And based on the rest of the season, it's clear he really doesn't. The way he swears in the pilot is from a place of complete and utter sorrow and anger.

In ep 7, it's different. He's spent the whole season struggling with who is he, trying to come to terms with a feeling he'd repressed for at least a century, and he's had to do it while dealing with the Cat King and Monty and watching Charles flirt with Crystal and struggle through his own rage, he's done it as quietly as he could, as if bringing it up out loud might ruin everything that he's worked so hard for. But now he's in Hell, again, now he's trying to get out, again. Edwin encountered the reason he was sent there in the first place, and found out what really happened. Edwin spent all those years thinking it was purely malice that got him sacrificed, only to find out it was just because Simon had a crush on him, and did an absurdly stupid thing thinking it was harmless. I think in that moment, Edwin realized how easy it is to misunderstand something - because clearly, Edwin had absolutely no idea that Simon liked him at all, until the moment he admitted it in Hell. And then Charles shows up. Charles came to save him, armed with a bomb, a Molotov cocktail, and Edwin's notebook with a map of hell on it. Charles came down, he listened to Edwin's directions, he ran behind him most of the time to make sure Edwin was going to get out. Charles was with him, saving him from one of the rooms, following him to the stairs and up. He stopped with him, even when they needed to keep going, Charles let him have a moment on the steps. Edwin is in shock, he cannot believe it. All these years, all these write offs, all these moments where Edwin genuinely didn't think he'd ever get out of Hell if he were to go back, believed that if they ever got caught by Death or anyone from the afterlife, he would be damned forever because who gives a shit about a technicality, who cares about the poor boy that was sacrificed and written off by the rest of the living. Edwin didn't know what else to do or say, the emotions he'd kept bottled up while he tried to figure them out were coming out one way or the other. "It's so fucking stupid, it's unbelievable." Edwin didn't think he deserved it, thought it was stupid to come down and save him, because who would do such a thing. Charles risked himself to come down to Hell to save Edwin. Edwin never thought he'd be worth it. And when Charles just shrugs it off a bit, reminds him that he was gonna do it, and he's so easy about it that Edwin just. Confesses. And corrects him, when Charles misunderstands for a second. Charles didn't think twice about "Great. Love you too. Can we go?" And he really didn't even hesitate to reassure Edwin when Edwin clarified what he meant, that they had forever to figure things out.

[princesshair]

happy 31st birthday niall! love you ♡

[turtleblogatlast]

Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?

He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.

Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.

And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.

[not-so-casualenjoyer]

Simon (trying to be) casual about the mask

By that I don’t mean he’d take it off whenever you asked. Of course not. You have to have very, very special privileges to see his face, and even each of the 141 members practically had to pry it off him once he agreed to let them see.

Simon’s mask is what makes him Ghost. It’s what makes him able to slip into work mode. It’s what holds him together when he needs it and what lets him block out everything else and pretend it’s never happened. The mask allows Simon to assume another identity.

He puts it on at night after his nightmares, when he feels like the world is crumbling down around him. It holds everything together, making sure his scars won’t tear apart at the seams, letting him find reprieve in his second skin.

The mask is an essential, immovable part of who Simon is. Who Ghost is. And he doesn’t take that thing off for just anyone.

Simon is an intimidating, bloodsoaked, unadmittedly sad, broken man. All these things, coupled with lesions on emotions beat into him by his father, make for a not so smooth approach to communication.

By which I mean, almost none at all.

Which isn’t a fault of his own. He likes to shove everything down, and almost nobody he knows is willing to risk his temper enough to dredge it back up again. So he gets to keep it locked away in a tight little bottle. He’s never had to express himself, communicate with another person, explain the reasoning behind his sometimes irrational actions (and he is not willing to admit it may be akin to the fact that he doesn’t quite know why he does them himself sometimes).

But when you came around, it jolted his entire world.

You, little firecracker you, who doesn’t flinch when he glares or snaps and pushes him to explain until he wants to scream his tar-soaked lungs out in newfound frustration.

You’re so different. You don’t fear his wrath. You meet it with a firm hand and a possibly more stubborn attitude. The team has never seen someone who can go head to head with Simon, and they don’t think they’ve ever seen him get so irritated either.

You push him until he snaps, spitting his reasoning and thoughts to you, explaining with a growled “I don’t know, okay?!” when you push him too far. You bend him on topics that make him itch until he breaks, and then you soften. You lower your voice, sweeten your tone, comfort him with words that make his stomach churn with how kind they are, and drag each word of explanation and processing out of him with coaxing gentleness.

You learn more about him than he intends over time.

You learn about the scars that cut through him–his mind, his heart, sometimes his flesh body. Sometimes when you look at him, he thinks you can see them, the slashes and cuts that mangle his body. His gnarled heart, his twisted mind.

That doesn’t scare him the way it would if it were anybody else. It doesn’t scare him because no matter what he shows you, you always come back. You always learn more, and you always show him that syrupy, worried look whenever he bears a new mark to you, physical or not.

So he wonders, in spite of himself, what would you think of his face? His cleft lip, his scarred cheek, his cut brow? What would you think of his eternally crooked nose, his drawn brows?

He hopes the scars on his face won’t stop you from giving him that sweet look, because none of his scars have before.

Simon isn’t quite sure how to integrate his bare face into the equation.

He wishes he didn’t have to go through all the muss and fuss, could just take it off with no overdramatic theatrics. He just wants to rip the bandaid off as quickly as possible.

So, that’s what he does. Saunters into the rec room one day while it’s just you, completely maskless.

He casually walks to the kitchen counter (despite how he thinks he might be having a heart attack from how hard his heart is beating against his ribcage) to make some tea.

You glance over your shoulder when you notice his presence, and–

“...Simon?”

“Yeah?”

“Did you forget your mask?”

He turns the knob on the stove to light a fire under the kettle.

“No,” He grunts.

You blink at him, speechless, for lack of a better word, trying to process this situation and the face in front of you.

It’s almost surreal, seeing it all come together. Those familiar eyes, the glance of jaw and lip, his light brows, furrowed down. Now connected with the rest of his face, a crooked nose and a gnarled cheek, lines in his forehead from scowling so much.

“What?” He mutters from his spot at the counter, seeing how you’ve twisted around to stare at him over the back of the couch.

“Nothing,” You say quickly, turning back to your phone with a grin.

a/n: haha hey guys sorry i fell off the face of the earth! i do that sometimes ANYWAYS gonna try to write some more 😭 i have little thing in the works rn but it takes me at least three days to start writing literally anything beyond a base idea so

[hellomagicalsouls]

✨he looks heavenly✨

i am so excited to see this man in action for season 4. it's going to be full one tarot card, séance readings, all round witch shit. which is what i've wanted since day one.

the fashion, the vibe, the pose. beautiful. its giving klaus season one or the closest we'll get to season one.

and klaus season one will always be famous. the jewellery. the background, yes it dingy and grimy but im obsessed. i have way too many feelings on how good he looks.

i would prefer he had his curls but im willing to overlook it for this absolutely impeccable picture.

i am so excited to see him hopefully use his powers and maybe even enjoy using them. still worried about the damn tower tarot card but this. this is everything ive wanted in klaus.

when i think about klaus, this is damn near perfect to what i think. add curls and it is perfect.

[luna-loveboop]

Twilight and Legends relationship

...I love it

**in this post there's a lot of stuff I didn't notice before. I'm gonna resist the urge to write an essay on each point, and attempt to leave most of it up to the reader's interpretation**

Ok ok there's a ton of stuff here, starting with early character scenes

They're like the rest of the chain: They fight together and talk. Legend is close to Hyrule, and Twilight to Wild and Time.

We see some things Twilight and Legend have in common. One is their dislike of Hyrule knights, and-

As seen in the Gerudo clothes scene, both Twi and Leg like to mess around with pranks and have a lot of snark... wonder what would happen if they worked together

But there's something really important about how Twilight views Legend:

I wasn't aware this was before looking closely at their interactions but... Twilight didn't originally like Legend. This is shown a lot later on- in his facial expressions and words towards Legend. But from the start he didn't like him much, and here's why:

From the start, Jojo says this- Twilight judges Legend's actions as too harsh since his mannerisms come across as picking on someone. (Also Sky you are so so pure and cute 10/10 most huggable Link)

Legend is abrasive because he's had so many adventures- he's hardened to the point of being sharp. But it's wonderful that that character can still be so loved- his heart is good (hero duh)

Twilight has always been a big brother. It makes him well loved (rightly so). Jojo says he knows people can change- for good or bad. But because of his past Twilight doesn't like people picking on others "not even a little". It's complicated- we see it affect Twilight's attitude towards Legend a lot.

Anywho moving on to the plot

Wolfie, Aka twilight

Dark mirror stuff happens, and Legend finds out Twi's Wolfie- as we all know. But he can't just. Acknowledge it of course. He's gotta probe and tease, asking pointed questions (snark snark snark)

And in his attempts to be certain about the Wolf stuff, we were blessed with:

Bunny Legend

Welp. That investigation did not go as planned.

Animal forms:

Bunnies are soft, but Legends actions are not. He is guarded and sharp yet his form shows how sweet his true heart is

Wolves will love/protect their family yet are fierce, they have fangs and will fight. The root of who Twilight is is his kindness and family

Also (sarcastic) good job to Four and Wild for being SO SUBTLE with their emotions when Legend's asking questions hinting he knows Twi's secret

Legend: asking questions about the secret shhh

Four and Wild: Are having a freaking heart attack about it

Twilight: starts ranting about goats

...

Once Twilight gets over the shock of Legend like. Absorbing his crystal. He... well, looking at the harshness in his face and words, this is where Legend's attitude and his past with Colin being bullied biased him against Legend.

Look at his face in each panel through the progression- Twilight is more and more confused thinking legend is not who he thought he was...

And Twilight certainly sympathizes/relates to being hurt by losing someone he loved (in whatever form the relationship took)

And WHY is it always girlfriend trauma with these boys of COURSE it's girlfriend trauma that brings them together NOT SHARING A SPIRIT AND LOVE OF SWINGING GLORIFIED METAL NO THEY HAVE TO BOND OVER RELATIONSHIPS GONE WRONG

Twilight then thinks well that's a good reason to be pretty changed because from the start Jojo said he'll always understand people changing...

So they go, and make legend human again (with pink hair) and Legend is... surprised. And grateful...

Another few defining moments:

Legend's dialogue thanking him is the real start of them connecting like in Leg's original character description "the most reliable, you want him on your team"

And again Twi's face, Twilight is looking at Leg differently throughout this- contemplating to be honest. Considering...

And remember when I said these two both like to prank? Well the second they have a shared experience and get back to camp they immediately team up and start barraging Warriors with snark

Heaven help the chain when these two are on the same side

Legend has never been close to people outside of the few he's accepted as his (love him and hyrule's bond). After this? Twilight's one of his people. There's much more expression of caring and closeness towards Twilight- something we don't see with many.

And then, well, Twilight nearly dies. And Legend, he cares

Bunny boys puppy dog eyes are gonna kill me someday

Twilights pretty injured, he really doesn't see/remember all these moments showing how much Legend wants to help

And then we have this moment

this moment

Matters so so much

Look at Twi's face. Look at his surprise, realization, and acceptance- this is when he realizes- when he sees how much Legend cares for him

Twi woke from his deathbed for his family

and then in the next few updates it's really cute- he just is barely recovering and legend is just... beside him. Staying by his side

Animal forms later development:

Legend's bunny form is soft- but he is still not totally soft. Looking at Legends actions and facial expressions towards the others, while he's definitely closer to Twi now, he's still the snarky boy we know and love.

Twilight's Wolf form is loyal and loves family: Once he knows legends heart? Full on pack love.

And WHY were they so very intent on petting each other

Legend: I'm gonna go try and pet the wolf since I think he's my dude yes good plan

Twilight: I KNOW THIS IS WEIRD BUT IVE NEVER PET A RABBIT BEFORE LET ME TOUCH YOU

...

Here's a few random parallels of them to chew on because I love parallels (them snarky snarking each other, then some brother love parallels)

The thing with these two is their character bonding and whatever is not all sweet and lovey like some of the others. They have some REALLY sweet caring moments with each other. But snark plus snark equals double snark, meaning them together is the weirdest mix of kindness and teasing you've ever seen

And although at the beginning they were pretty harsh towards each other, it makes their getting closer and learning their similarities all the better.

[lucaswarmhotchocolate]

Harry Potter can cook. tbh. He deserves it. Also I headcanon that voldemort has made it so he does not need to sleep or eat much in order to thrive, physically and mentally, but he still eats anything Harry cooks and offers to him. A love language, of sorts.

[revvethasmythh]

This episode is Avanash’s worst nightmare. We’re worried about the bones. The water is trying to take the bones—meanwhile the bones are trying to take your bones. Am I being unclear? We’re worried about the b o n e s

[dont-offend-the-bees]

Such a little heartbreaker... Alexa play Oops! I Did It Again...

[rynli]

doodle from a fanfic-length DE dream I had that I can’t stop thinking about (in which Harry has a panic attack trying to walk through the doors of his precinct, flees into Jamrock, investigates a booby-trapped corpse, fails to explode, has a low-morale depression episode, and makes a shitty ceramic bowl to cope) (it tells him positive affirmations)