#both of them got the short end of the stick in terms of canon though... maybe pink diamond had to sacrifice herself for the love she holds

[usagifuyusummer]

Is this what you meant @jjimene123, on the Timmy Turner and Pink Diamond parallels lmao?

Been thinking abt this quote from end of an era!! It makes me THINK

[the-100-days-of-junkan]

Day 89

SURPRISE! Days 79 and 85 were secretly the same AU all along! And by that I mean- wait before I get into that. Time for a headsup.

So tomorrow is Day 90. And as you know I try to do something special for those, which of course can lead to my little ramble sessions to go on for much longer than normal. And while I won’t guarantee it, this is more than likely going to be the longest one of the whole project, more than likely even longer than Day 100 which will be the post marking the end of the project.

Just to give you an idea of what kind of scale we’re talking about here, Day 90 took me a total of 3 Months, starting its creation on May 8th, and finishing on August 1st.

Alright! Now that you’re tense and speculating what in the merciful name of all that’s good is gonna happen tomorrow, let’s start talking about TODAY's art!~

Anyway, so when I made Day 85 I was trying to really think of what I could even do with an AU where the entire basis is “Oh, they’re kids.” And that reminded me! I had the same issue with the Adult AU, even if that had a bit more ground to stand on with them being adoptive parents to the Warriors of Hope.

Then it hit me! Why not combine the two of them? And thus was born the Childhood Friends AU! Though you could also just call this The No Talent AU because hey, you remember during Danganronpa WLWeek when I drew Junkan for the Talentless prompt? That’s right! It was secretly a tease for this art! Now if only I drew something for them during their college days I could have fully planted the seeds for this whole pic in your collective minds. 

Anyway, core idea of this AU is the timeline is slightly shifted so Junko and Mikan (along with the whole of the DR Cast) are born slightly earlier, while the Warriors of Hope are born at the usual point they would have in the timeline, solely because this allows our two favorite lovebirds to adopt them. Hope’s Peak doesn’t exist, nor do the ultimate talents of course (Though obviously for some characters like Mikan they’re still partial to those talents. It’s just that they don’t reach the absurd levels of skill that they do in main canon). And finally, Junko and Mikan were positioned in such a way that the two were childhood friends. I feel like I worded that in a way far too complicated and excessive for something that was pretty damn obvious, but hey I like to ramble.

Anyway, I can’t remember but I think I said that with the Fantasy AU it was the only other AU aside from Vampire that I would want to make a proper Fanfic for. If I did say that, I was either wrong or lying, because eventually I wouldn’t mind telling some kind of story of this version of the characters. More than likely just from their child and highschool years, but I’m sure eventually I’d get more ideas for them in college and as adults. 

The obvious dynamic here is that Junko since becoming friends with Mikan has been protecting her from bullies and not realizing that Mikan is very desperately pining for her (Don’t worry! They get together before the end of Highschool!). Also Mukuro is there! She’s got a stick.

I’m envisioning that up till they were entering middle school Junko would call her Bandaid Girl, because as kids Mikan was the kid who always had Bandaids (both in terms of wearing them and just carrying some around on her person all the time).

And look! Mukuro is in fact there, and not just that but a shit ton of other characters! I think I was really starting to crack and lose self control at this point in the project. So I decided to also make this a mini story of Mukuro getting together with Sayaka and Ibuki! Who both generally go down the same path they normally would, though eventually Sayaka becomes an Idol Manager after a short career as a proper idol, and Ibuki of course is a semi-popular musician. Mukuro has acted as a bodyguard for both of them before and will continue to do so when asked. 

And of course, by the time they’re adults Junko and Mikan decide to adopt the Warriors of Hope, very legally, and they definitely didn’t hide any bodies (I don’t even know how much I’m joking about that here). Fun fact! I almost forgot to draw Masaru! Don’t ask me how that happened, I have no idea. I will admit when it comes to the Warriors of Hope and Junkan most of my interest is mostly in their dynamics with Kotoko and Monaca. Not to write off the other three, Jataro especially, but I just think that’s what hooks me more immediately. 

I really tried to load today’s piece with as much as I could, because even if I didn’t know how long it’d take, I knew for a fact that finishing Day 90 would take a very, very long time.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[kitalphahart]

Stardew Bachelor/ette headcanons

Some may actually be canon? Or quasi-canon. Keep in mind that my character is like me in the aspect of not choosing any of them to marry. I might do Krobus as a roommate, but that's about it

Leah: was the newest arrival until the farmer showed up. Wasn't looking for a relationship after the whole fiasco with Kel, and generally keeps to herself. Is somewhat closr to Robin due to both working with wood, albeit in different ways, and Elliot for being the only other person in the town who doesn't have a connection to someone who is or was part of it. As a result, she's a stranger to lost the townsfolk

Maru: would be an anxious wreck if she weren't medicated. Tried to get close to her half-brother all the time as a kid, but slowly stopped as he kept pushing her away. She does wish they could connect, though she doesn't know how or where to start. She enjoys working with Harvey, but outside work she can't really stand him. Would call him a weenie if she used that sort of language

Haley: is materialistic because that's how her parents spoiled her to hide their not-that-great parenting. Secretly she wishes she wasn't like that, but feels she can't truly change it. Besides, she occasionally gets pretty clothes from her parents and she can't not wear them, even if only once. Even if they are the wrong size, which they usually are. Got into photography due to her sister gifting her a cheap Polaroid camera

Emily: is into mysticism out of spite against her parents. Makes her own clothes out of spite as well. She hates her parents, but would never say so. Sandy is an ex, the two realized they are better as friends than dating, which is why they're still on good terms. Some people don't believe they broke up, and if the Farmer marries her, Sandy makes them a throuple. She doesn't like Clint but gets the feeling that if she rejects him he'll go psycho stalker

Abigail: is actually really good at using a sword. Marlon has given her lessons in secret, and sees her as an excellent apprentice. If only her father wasn't such a--. Forced by her mother to take flute lessons at first, but ended up enjoying them. If she crosses paths with the Farmer heading to the mines, she wants to join. Even if the monsters do scare her. Once she dyed her hair purple, not only did it not fade, nothing else sticks. Even stripping the color has it come back the next morning

Penny: wants a large family with someone loyal to her so she can raise her kids right, not the way she was raised. An excellent teacher for young kids, the main thing holding her back from being properly educated and certified to teach is her mother's drinking habits. She wishes she lived somewhere she could feel pride, but instead has the short stick and has to make do. She took up reading to get away from her negligent father and later abusive mother. Educating others was the next step in her mind, and she's doing what she can with what she has. The war doesn't make getting new textbooks easy, however

Sam: does not know how to act now that his dad is back. He's been Man of the House for so long, and now he's not. Focused on making a band and his guitar to compensate. Is actually good at composing music, but his aimless wandering for band type and music keeps him from getting anywhere. He ends up making music for kid's shows because he gets some variety, at least. Is aware that Vincent looks up to him and tries to be a good role model. Barring the skateboarding. He's toned it down a lot since his brother was born, but he's not above stunts

Sebastian: pushed his half-sister away first out of anger that him mom remarried, then because she's a girl and cooties, and now doesn't know how to fix the rift. Has depression, but it shows as isolation. He's seen how Shane gets and does not want to be like that. Better to stay in his room all day. A natural night owl, he chafes at daytime hours. His mom doesn't understand, and his step-father certainly won't. Speaking of, the two only interact as necessary. Sebby does not like him, and made it clear as a kid, pushing him away like he did Maru. This rift he feels is far too late to fix, and doesn't care (he claims) to fix it

Elliott: he has fallen for Leah, but won't admit it. Not after hearing about her ex and how they affected her. While he loves the idea of being the knight in shining armor rescuing her, he's too shy to do so. Even so, he is striking up a friendship with her because her sculptures are beautiful to him, and give him ideas for his novel. He does wish he could buy one, though. Or be gifted one. Is close to Willy as well. Proximity helps, but he's also fascinated by the stories the fisher has to tell. Even if some have been repeated and exaggerated over retellings

Harvey: actually had a hard time keeping up with a lot of stuff in his clinic until he hired Maru. He knows she's the reason the place stays afloat, and does all he can to keep her. In a professional manner, he loves her. In a personal manner, he has respect for her, but does not see her as a potential romantic interest. Has a late girlfriend who died from an incurable disease back in high school, motivating him to become a doctor after his fear of heights and bad eyes kept him from aviation. He won't ever admit it, but he's happy where he's at. Even if his diet is shit. Takes pride in his 'stashe

Shane: despite being Jas' godfather, he forgets about her a lot, especially when drunk. Losing his friends aka her parents, an injury keeping him from remaining in sports, and losing his dreams turned him to drinking to cope, and now he's in a rut he can't get out of. Not without help, anyway. Marnie is worried about him, and also concerned as to how he got her white and brown chickens to start popping out blue ones. What's next, pink chickens??? Constantly has stubble because the doesn't remember to shave. Or he does but since he uses an electric razor, forgets to plug it in, turn it on, or otherwise have it operate

Alex: knows he washed up, won't admit to it. His primary reason for not actually going pro and only bragging about it is because he doesn't want to leave his grandparents behind to find for themselves. He misses his mother every day, though he believes he cannot admit to it. He is a man, after all. Men don't miss people. Or cry. Under his manly man persona is a sensitive man, in touch with his emotions, but he doesn't want to admit that

Krobus: learned to talk from Gil after being found as an orphaned shadow beast. While he's reconnected to his people, he still feels different from them, having been raised by a human. He got his name after his kin discovered his upbringing, hoping that he can bring peace to their kind, as not all shadow beasts are monsters. Sadly, too many are interested in fighting to make things work

[chr0macide]

Can you draw your oc as swap version

yeag

basically they switched lives, magdalena came from a family with ties to the mafia and now works for larry and kills people, christopher owed money to mafia and works for mary as an engineer

also theyre both like. more evil now

Magdalena:

uses traps and poison to kill people (she would not be able to chase people down the way Christopher does 🗿)

when she isn't doing that she's one of Larry's lab assistants, she has degrees in physical chemistry and chemical engineering instead of mechanical engineering and biotechnology

unlike canon Christopher she is NOT a police department double agent because she doesn't have any experience with cop stuff the way canon Christopher does and also i said so

kinda went insane from murdering people (her mind is just not built the way christopher's is 🗿🗿)

unlike canon christopher, magdalena being the one killing off spies/deserters/defectors is a secret, they just turn up dead and most of the mafia doesn't know who killed them + she mostly sticks to killing the traitors in larry's division (as opposed to canon christopher who would branch out into the other scaries' factions often)

eventually developed some kind of father-daughter relationship with larry; he was concerned that she might be attacked if people knew she was the designated snitch remover so he lets people think he's dealing with the traitors himself, not even the Headmaster knows what her real job is

after larry's defeat she was transferred to work for Mary in the break in 2 base (not the headmaster, canon Christopher was transferred to the headmaster but not swap Magdalena), but she didn't work as closely with Mary as canon Magdalena did because swap Magdalena didn't have as much expertise in the stuff Mary was doing. also Mary had no idea that Magdalena had been Larry's hitman so of course Magdalena wasn't assigned to kill traitors anymore

met Christopher while working at the base, after meeting each other a few times he said You're My Girlfriend Now (the rizzard 💯) and Magdalena said ok cool

Christopher:

he does mechanical engineering and biotech like canon Magdalena does

kind of an angry dude because of life and stuff, got into a lot of fights back in Purge University

like canon Magdalena he grew up poor af and had to take out loans from the mob to go to Purge University, couldn't hold a job (the mob totally definitely had nothing to do with that), now works for Mary as an assistant. but maybe not as closely as canon Magdalena did. hes a lot tougher than canon Magdalena and his vibes are too off so Mary thinks he might try to screw her over one of these days and shes probably right lol. hes not even power hungry but sometimes he just tweaks and fucks with people out of anger or contempt

he's more jacked than canon Christopher is, this is the mf you want with you when Mary sends you into one of her experiments' cells to move the subject to the surgery room or whatever. he's beat the shit out of more than a few of her abominations when they got out of control. DAMN MARY SENT US TO RELOCATE THE INDESTRUCTIBLE REPTILE WE'RE GOING TO FUCKING DIE oh wait i see Christopher's name on the roster nvm we're good

the relationship with Magdalena was supposed to just be a short term thing for him but after a while he went wait i fw her actually and it became permanent. he kept canon Christopher's good sleuthing skills and kinda started suspecting that Magdalena was the one who had been killing traitors off in Larry's faction when it still existed. Magdalena also kinda knows that he knows but Christopher doesn't really care so most of the time they both just act like they don't know lol

during the end of break in 2 he still stole a prototype key. Markus still used it on him like in canon Magdalena's lore, they became friends after Markus was transferred to Mary's faction and bonded over their mutual tendency to fuck around for no reason. the key didn't affect him the same way though. it still fed off of him like it did with canon Magdalena but swap Christopher is so built that it didn't really hurt him at all. though it didn't strengthen him either and he still ended up with only a partial automaton transformation

also idk if ive mentioned this anywhere but all Christophers think the purge masks are dumb as hell, in canon he straight up refuses to wear that shit ever, and in swap if he has to wear a mask he just wears his welding mask instead

ok i think thats enough words send post

[dartheclipse0816]

Trolls Band Together

Hello once again, everyone.

At this point, I’m sure you all already know why I’m not as active as I used to be.

But if some of you need a refresher, in Layman's terms, being an adult, with the responsibilities that all comes with being an adult, has left me very busy, and it just caused me to lose interest in Tumblr and only come back for short periods of time, from time to time.

But now, now that the newest Trolls movie, Trolls Band Together, has released, I figured I’d write my thoughts about it.

But before I begin, I must give you all a heads up: There’s going to be major spoilers with what I’m about to talk about, so if you are reading this and haven’t seen the movie yet but still want to see it, if you don’t want the movie to be spoiled, then don’t read this any further. It’s going to have major spoilers.

But, for those who have seen the movie, well, here’s what I have to say:

I loved it.

I loved the music, the animation, the voice acting, as well as the all the new characters and the chemistry between the new and returning characters.

I appreciated that the movie started acknowledging the Bergens again and gave them a more prominent role in the movie after they mostly went ignored for a long time after the first movie, Trolls Holiday, and the first few seasons of TTBGO (even though it and Trollstopia aren’t canon to the movies). Seeing Gristle and Bridget finally getting married and contributing significantly to the plot was nice to see, and cute, I'd say.

I also thought it was cool seeing that Branch also once was part of a band with his four older brothers, and him going through the movie trying to reconnect with them, while difficult for him after they left him in his childhood, was still nice to see, especially with Floyd. It was nice seeing Floyd comfort Branch when he was a baby, and be the most supportive of him throughout the movie next to Poppy, after seeing Branch being the one who always got the short end of the stick for a long time throughout TTBGO and Trollstopia. It really made me smile.

I also liked Camila Cabello as Viva. Seeing the singer who sung Havana voicing Poppy's secret long lost sister, it was cute.

And, of course, seeing *NSYNC appear in the movie and collaborating with Justin Timberlake again after over 20 years, was awesome! Their new song, 'Better Place', gives me the same feeling of joy when I listened to 'Green Light Ride' from Crush 40 when they reunited with the Sonic series after a long break for Team Sonic Racing. It was awesome to hear them back together again in both instances.

I also especially loved seeing the combined band of Branch, his brothers, and Poppy and Viva all singing together for both a remix of 'Better Place' and 'Family', and it made me realize why the film was even titled Band Together, because they were literally banding together!

Now, with all that being said, I did have some issues with the film as well.

The movie's villains, Velvet and Veneer, they felt kinda one-dimensional and shallow. I thought they could’ve spent more time with them to develop their backstories a bit more and make them a bit more fleshed out.

And also, what’s the name of the species of Velvet and Veneer? They never appeared in any of the previous movies, holidays specials, or non-canon shows, and were never implied to or hinted at before, but that we do know about their existence, why don’t the Trolls or Bergens know about them? And also, they have advanced technology that can suck out a Troll's musical talent? And apparently Wi-Fi and social media exists in the Trolls world? What the heck?

Okay, okay, I know most of that doesn’t bother a lot of you guys, but to me, it highlights an ongoing issue I’ve always seen within the Trolls series: Inconsistencies with regards to its world building. I know a lot of you guys have seen it in the non-canon shows, but I also saw it in Trolls World Tour, since that movie introduced Trolls tribes that all have their own unique musical genre. As cool as I thought that was, it also made me think: Do those other musical Troll tribes know about the Bergens? Do the Bergens know about those other Troll tribes?

And speaking of those other Troll tribes, I was also disappointed that they aren’t even seen or mentioned in this movie. It left me very disappointed, since there’s a lot of potential you could do with those other Troll tribes, like make some kind of new evil threat that could threaten the entire Trolls' and Bergens' species, and have all the Troll tribes and Bergens band together (pun intended) to stop that evil threat. That could’ve been awesome!

Oh, and the Snack Pack got reduced to extras, which, like my disappointment with the absence of the other Troll tribes, left me feeling a bit disappointed, since they could’ve done something more with them in this movie.

Other than those things, I really loved the film!

And for all you Trolls fans out there, I think it’s time that I mention the elephant in the room with regards to Broppy.

Finally…

After waiting over seven long years since the first movie…

And seeing a far away version at the end of World Tour…

Branch.

And.

Poppy.

Finally.

At.

Long.

Last…

…

…

…

KISSED.

THEY FINALLY DID IT!!!

BRANCH AND POPPY FINALLY KISSED EACH OTHER ON THE LIPS!!!

IT HAS FINALLY HAPPENED!!!

Now, unfortunately, unlike with Trolls World Tour, Trolls Band Together is still in theaters, and I didn’t find any leaked screencaps in time for the writing of this review, but trust me, I’m not kidding, this actually happened in the movie!

And I couldn’t have been more overjoyed to finally see it happen officially, front and center, on screen, and made me cheer in the theater!

And I thought I’d let you all know after being silent for a long time!

Because after waiting for over seven years, after all that waiting, I couldn’t be happier to see that the kiss was well worth the wait.

As a big Trolls fan.

Thank you all for reading this.

And I’ll talk again next time.

Maybe when there’s a new Trolls show or movie?

I guess we’ll just have to wait and find out!

Thank you all once again, and have a wonderful day.

[sombraglaze]

(GUILTY GEAR STRIVE DUAL RULERS SPOILERS BELOW THE CUT!!)

tl;dr this post is just me criticizing the latest episode, it made me feel upset so I wrote a huge wall of text about it, feel free to mock me or tell me that I'm being a snowflake or cringe.

I've been enjoying Dual Rulers a ton so I was looking forward to watching today's episode, but I just watched it and I'm lowkey disappointed, maybe it's because I've been having a shitty week, maybe it's just me being overly dramatic and whiny, I don't know why this bothered me. I'm sure transphobes will point at me and laugh because I'm getting upset over Bridget getting hurt, that's such a non-issue, in the grand scheme of things this isn't actually something worth getting upset about at all, I know, but let a bitch complain ok? it's good to complain every now and then.

So ok, for context: in this episode Bridget gets stabbed in the belly and her last scene shows her getting rushed to an operating room as Unika screams "BRIDGET!" over and over again, and they leave it vague as to whether she will survive or not. I feel like they probably won't straight up kill Bridget because as far as I understand this is actually supposed to be canon and she's been the most popular character since forever, I'm sure ArcSys makes tons of money off of her existence, especially with how disproportionately large the amount of Bridget merch is compared to the rest of the characters, I don't imagine them just removing her from the roster entirely because that'd be a bad move financially (though I will be very upset if she actually dies, obviously, I want to play as her in whatever Guilty Gear game is released after Strive).

So you may be thinking: this is just an action series, characters are bound the get hurt and even die, it creates dramatic tension, and conflict is part of what makes stories interesting and fun to watch, in fact, if anyone is going to die it kinda makes sense that it'd be Bridget because out of all the cast of characters she seems to be the weakest one, and I've even heard that she also doesn't have a canon arc that takes place after the series, so it doesn't seem completely arbitrary that they would pick her as the character that dies or gets almost killed, so why did I get upset about this?

In simple terms I don't like the execution of it, I get that they're trying to make a dramatic and emotional moment, but the way it was done rubbed me the wrong way and made me a bit uncomfortable, I've chilled out since then but when I first watched the episode it actually made me kind of angry, let me try to explain myself.

Queer characters in media are often killed or get the short end of the stick, and it's not like I think all queer characters should be untouchable or shouldn't experience hardships, again, conflict is important to narrative, but in this case it really felt like Bridget got stabbed purely because it would progress Unika's character arc, it happened because it gives Unika something to motivate her and get her doing stuff, but Bridget herself didn't learn anything or face any interesting struggle, we don't learn anything about her as a character and there was nothing interesting narratively about the way Bridget died/was almost killed, she was just helping out by carrying a box of magic supplies and she randomly got jumped by an enemy that was too strong for her.

I don't know if I'm making sense but I really feel like she got treated as a plot device rather than as a character in her own right, and I didn't like that, there was something that rubbed me the wrong way about that scene with her on the gurney being wheeled into the operating room as sad violin music plays and Unika screams her name, I think they probably could've found a way to give both of them a more interesting emotional scene that doesn't feel like Bridget is being used as a plot device in Unika's story.

And honestly I also felt a bit upset over the actual fight, I get that Bridget is not very strong in comparison to the other characters but at least they could've given her a cool fight scene, I think they could've done it better. And if they're actually intending to kill her off then at least give her a scene where she's valiantly sacrificing herself or doing something more meaningful than getting killed while she was just carrying a box, you know? That'd still be upsetting but at least there'd be a silver lining.

I wonder how the uniburi shippers will feel about this one, I get that it might be exciting to see that Unika seems to have very strong feelings over Bridget and shit but I just couldn't get over this uncomfortable feeling that this is yet another case of queer characters getting the short end of the stick, ugh.

Anyway, I also want to balance things out by spreading some positivity, so I want to say that I've liked Dual Rulers so far, I think it's really cool, I've been getting into Guilty Gear recently and this series has helped me learn about all the different characters and how they relate to each other, I enjoy how over the top and silly it is, it's so unapologetically cheesy and I like that a lot honestly, and I even like the animation (I don't know how much of a hot take that is, considering it's animated in 3D which is very unpopular in anime, but it's genuinely one of the things I like about Dual Rulers, it has cool visuals) So I don't think this series is trash all of a sudden just because it got a bit upsetting in the latest episode, I still appreciate it.

Again, I've been having a shitty week already, so that's most likely exacerbating my negative emotions, if I seem like I'm being overly whiny that's why, this is realistically not that big a deal at all, but I do feel like I want to put my criticism of the episode out there if for no other reason than to get it off my chest.

I'm a bit scared of getting flamed over this post, I get that a tumblr trans girl with a Bridget pfp getting butthurt over Bridget getting injured in an anime looks pretty ridiculous, I know, I'm very cringe, but I'm just tying to be genuine ok? Let me be.

[foxwitchaine]

Which is your most loved character in Miraculous Ladybug?

Buckle up, buddy, it's gonna be a while. Or not, given how the showrunners treat the cast. Let's just say that before Season 3 aired (cough, Chameleon, cough) I was rather indifferent to most of the cast. But now that it's been about five seasons going on six, I've got a better understanding of who (read: what the writers want) the characters are. All the pomp and circumstance aside, let's get to it

1.) Marinette Dupain-Cheng

I'm cheating a little, I know. But girlie gets so much crap thrown at her in the show, I just had to give her a little love. Never mind the fact the writers seem to have it out for her just for existing (which is a whole other can of worms I won't touch). Matter of the fact is, I see myself a lot in Marinette. I too stress myself out by overthinking the simplest things and need my partner Rafe to help bring me down to earth. I think Marinette is an excellent protagonist who is treated unfairly by both the fandom at times and the writers. But mostly the writers.

At the same time, though, I won't sugarcoat her flaws. Flaws are what makes characters feel human. No, they don't need to do things that sink them to unlikable levels (the stalking allegations towards Marinette by the fandom). But little mistakes like talking before thinking, missing the mood of the room, not always checking the time, things like that we do every day. What I can't wrap my head around is why the writers have given her Qrow Branwen levels of bad luck in her everyday life. It's very Wattpad-levels of writing skill (I say this knowing full well I've published The Wolves in the Woods on Wattpad).

Marinette deserves better than what the writers have done to her.

2.) Luka Couffaine

I won't lie. I was rather lukewarm to Luka when he was first introduced. He didn't quite make an impression on me when he first debuted. However, in light of the recent red flags shown by the canon love interest Adrien, he's unironically proven himself to be a better match for Marinette. It might just be me personally, but I'm not fond of overly aggressive suitors. I like men (yes, men; age myself, why don't I) who treat their women with respect. Which includes taking "no" for an answer. Luka is a strange case where the secondary love interest fits the MC better than the canon love interest. And for that, I place the blame entirely on the writing team.

Because seriously. How do you make a secondary love interest match your heroine better than the official one? It's mind-boggling.

And again, thanks to the writing of the show, Luka's personality is pretty much a blank slate. What little there is, the fandom has pretty much turned into a better character than what we see on the show. I find it very telling overall that the fandom prefers Luka over Adrien when it comes to matching Marinette with someone.

3.) Juleka Couffaine

Yet another one who was done so dirty by the writers. Juleka, alongside Rose, is one of the few classmates who I don't like reading about in salt fics since, like most of Bustier's class, she's not inherently a bad kid. She, like so many of the other female teenagers in the show, get the short end of the stick in terms of writing (I can't be the only one seeing a pattern here). I find Juleka's aspiration to be a model despite her shyness to be a very compelling storyline... in the right hands, given what we saw in Reflektdoll. Again, had it not been for Alya wrecking things, we could have seen a plot where Juleka got to come out of her shell on her own. It's a pretty logical next step after overcoming her photo curse in Reflekta, but the writing team is allergic to writing compelling female characters.

I also really love her relationship with her brother Luka. But then again, I'm a sucker for well-written sibling love.

What many writers, not just in Miraculous Ladybug, miss is that male-female relationships don't always have to be romantic. More often than not, you can write a really compelling male-female relationship without going the romance route. Like best friends, siblings from another mother, heck even adult friendships.

There were so many ways they could've handled Juleka's character instead of what they did.

4.) Kagami Tsurugi

Speaking of patterns I've noticed...

Jokes aside, Kagami is another one done dirty by the writers. And it all boils down to the fact she was literally created to be Adrien's substitute girlfriend. I wish I was kidding. I can feel the bile in my throat as I write this out. Kagami ties with Marinette on "most screwed over by the writers" alongside Chloe, but I'd rather see them be friends and ditch Adrien altogether.

Why can't female love rivals be friends instead of bitter enemies. But then again, female rivalries tend to be rather nasty in real life, too. See how many women competed against each other for the position of queen in olden times. Or queen consort. Whatever position of power there was available to women at the time. Or whatever accomplishment there was to be had. Anyways, this isn't the first time girls have been pitted against each other for a guy in fiction, and it unfortunately may not be the last.

Just like Marinette, Kagami deserved better than what the writers did to her.

5.) Nathalie Sancoeur

She's an icon. What can I say? Nonsensical "romance" with Gabriel aside, Nathalie's one of the few female characters who stands out from the Miraculous Ladybug cast without the aid of a man. I know. Very telling, isn't it. Not just her design, but her personality, too. I find Nathalie to be more of a charismatic villain than Gabriel, tellingly enough. It's not just how she helps him commit acts of evil. But how she's very cool and level-headed in what she does. Even her kinder acts, such as convincing Gabriel to let Adrien attend school (wow, not doing yourself many favors, Gabe) are met with cool indifference.

If that's not a recipe for an iconic villainess, I don't know what is. But like everything else, she was butchered by the writing team.

Seriously. Do they have something against strong women or something? I've never seen a supposed girl power show treat their female characters with such contempt before. Even allegedly problematic shows like Puella Magi Madoka Magica didn't have this problem (I say allegedly because it's subject to opinions I might not share).

Honorable Mentions

None this time, because MLB has very few actually likable characters.

[macchiatosdumptruck]

asdfghjkl your tags. 🧐🧐 how dare you. have me wanting high school aus with Daniel as the most popular cheerleader with all the various jocks after him. he is legit a serial flirt. i can see this.

different boyfriend every week. constantly swarmed by boys holding his books for him. breaking up fights in the cafeteria. plsss. 💅🏼

Took me a hot second to get my brain back online after the weekend but I assume this is in response to Ralph being a playful little whore while slapping Billy's tits?

There is a Daniel x cobras au where instead of being driven to beat him up the cobras have a gross teen boy rivalry over who will get in Daniel's pants first.

Daniel still meets Ali on the beach that day, only Johnny never feels the need to show off in such an aggro way. Instead he watches from a distance as he sees this annoying (and cute) stick of a kid flirting with his ex girlfriend. What has he got that Johnny doesn't have?

In this au let's say that Daniel still does karate, but Kreese and Johnny are less 80's villian and more repressed nerds. Daniel always feels like Johnny and his goons are staring at them but they never try anything so he shrugs it off.

Then, maybe as he's trying to get serious about dating Ali he joins the cheerleading squad to spend more time with her?

He ends up being a flyer because he doesn't have the muscles to be one of those people at the bottom of the pyramid.

(yes, a cheerleader skirt will play into this, but it's probably one of the other girls' that he borrows just to be a tease. His normal uniform is cute little shorts.)

Somewhere along the way Daniel and Ali realize they're better off as friends and Ali is like "btw, Daniel, when are we gonna talk about the fact that my ex totally wants to bone you?"

Daniel is the special kind of flirt where he underestimates his own appeal. So he figures the boys are just weird around him because teen boys are weird in general. Maybe they have some issue with Daniel being surrounded by cute girls all the time? The dichotomy of doing both karate and cheerleading is too much for their small town minds.

It makes sense now though... The way the football players will gossip in the lunch room about him.

It doesn't make sense to them. He's so girly and yet so popular with the girls?

They start making rumors that he's the school whore. Very similar to the canon blowjob jokes Sam and Daniel got ( at the same time) in s1.

Because they simply cannot come to terms with these strange and complicated feelings he gives them!

Daniel does his best to ignore it until one day one of the jerks is going really in depth about what he got Daniel to do with him behind the bleachers, ( "he'll let you get your fingers in him. His dick leaks for it. Wet like a girl.")

just as Daniel is about to let this guy know he wouldn't have a snowball's chance in hell, Johnny and the Cobras lose it and start wailing on him.

Daniel has a revelation. He can use this. A smile here and a wink there and he's got these boys eating out of the palm of his hands.

He asks them if they're gonna watch him cheer at the football game, (he mentions something about how teddy or whoever has been getting awfully up close and personal lately) he suddenly has a little group of guard dogs.

He asks the boys to help him stretch in karate class (similar to the INFAMOUS stretching scene in tkk3) and their brains and dicks go offline for at least 20 minutes.

Daniel says he's cold? He doesn't even know whose jacket this is around his shoulders.

Daniel wants a ride home? No problem.

Ali looks at what she has helped cause: Daniel is clearly too powerful.

It ends up in some sort of happy poly situation with Daniel x Cobra gang bangs occasionally because I'm just in that kind of mood tbh.

Bonus points for being easily applied to an abo scenario. (Perhaps this is what happens before Daniel manages to snag himself five alphas and is continuously knocked up for a decade?)

(pack bitch Daniel rights!)

[fourseasonsfigs]

New Year Wenzhou

We have an extra special treat with this set - a New Year's Chengling!

I really, really would like a fig of Chengling, but I'm happy we at least got a little standee of him!

Chengling came along with the figs - he was not an optional purchase. He's sticking with his Shishu and Shushu!

Speaking of the devil(s), the Shishu and Shushu came along carefully packed in their custom carved polystyrene cushioning. I've been really impressed with this form of packaging so far, it's done pretty well for me! (knocks wood).

They arrived perfectly. Yes, that's a white paint splotch on the bottom of A-Xu's foot. I tried scraping it off but no luck, it's pretty solidly painted on there. It's not noticeable when he's sitting, so I didn't worry about it!

Their little sitting selves. It's fairly shallow in terms of sitting depth, as you'll see in a bit.

You can also see that while they came with their little orphan, they did NOT come with a bench. I wasn't sure how to sit them up! I turned my house upside down for something that would work. Lao Wen is a bit taller than A-Xu, which I mean, fair, but in this case canon is working against me. Seats that work for his height don't quite work for his slightly shorter-legged zhiji. Finally I borrowed a little table from one of the Qing Cang acrylic backgrounds I bought a while back:

These are actually MDZS acrylic backdrops for the Untamed / Chen Qing Ling figures, but you know me and my love for dioramas. I bought the four sets for my figs, and I have to say the little furniture pieces have come in very handy.

The table I repurposed for these Siji Manor figs is the one with the guqin on it. The table with the scrolls is a fraction too high, unfortunately, as is all the rest of the tables with each of these sets. This one table is the perfect height for Lao Wen, and is a bit too high for A-Xu, but workable if I angle him exactly right.

I didn't use the MDZS background itself for this set, though, I used a fan-made Siji diorama. The diorama was scaled for OB11 figures, so it's sized a bit larger then my little figs. I so happy to get it though - I snapped it up from the leftovers the seller had right before they sold out, so I feel very lucky.

Look at these two, snacking on melon seeds, happy and smiling! The Chengling standee is super sweet looking.

You can see here how A-Xu's feet don't touch the ground, right? Makes me a bit nervous to have him propped up like that.

You can see the little black melon seeds in their hands from this angle!

The good news here is when A-Xu does tips forward, his feet hit the ground and he actually hangs on to the bench (barely). Makes me nervous! I ended up sticking both of them to the bench with quite a lot of museum wax.

I'm really lucky I had this little bench. If not I think I would have had to get some Fimo-type clay and just make a bench, with a slightly lower divot for A-Xu.

Lao Wen's hairpin looks really good here!

Hehe, they both look like they are just about to stand up from the bench!

Lao Wen has quite a bit of a forward lean here, but his feet do touch the ground.

Ah they are cute. I like the poses, all ready to eat.

Here we have a close up! My weak winter sunlight isn't the best for taking pictures, but you can still see some good detail of their New Year's Eve clothing here.

I take it back, I do have one other little piece of furniture that actually sits A-Xu perfectly. This is the a little weiqi table from another one of the Qing Cang sets, but I only have one of them. Plus, I need the weiqi table to put the weiqi board on for my Bazaar figs! It's too short for Lao Wen anyway, so even if I did have another one, I'd have to figure out how to put some fig stickers underneath or something to get the table a little extra height.

The top down directly from above - sorry it's a bit washed out! The diorama in general is brighter than these pictures make it look, it's just been so overcast lately.

And from the back.

Here's Chengling's back - he's dual sided!

Here's the other view of the diorama from the side, showing the New Year's Eve decorations with the one hard working member of the bunch.

The box art, once again, gives you a wonderful set of spoilers for the next fig sets in this series! I have the Good Sword set here at home, and the Ni Bu Pei and the Waist Hug set should be shipping soon. I'm excited!

Material: (new) Resin

Fig Count: 293

Scene Count: 23

Rating: Out of the depths of misfortune comes bliss. This year must be a good year.

[link back to Master Fig Index for more posts]

[recurring-polynya]

Do I mind if I ask how you approach writing longer fic? I've always struggled to write anything more than maybe two chapters long and I'm curious if you have a particular method to how you approach such stories.

Thank you so much for this ask! I absolutely love it when people ask me for writing advice because it makes me feel like a Smart Person Who Knows Things.

Before we start, here is one grain of salt to take all of this with: I have a naturally long-form brain. It is very hard for me to write something less than 1k. Short fiction is great, and there is nothing wrong with sticking to short things if that's what your brain likes to do.

So. You have decided to write a story. This is going to focus on "stories". Some people write fic that's more freeform or whatever, I am not going to cover that. What I mean by a story is this:

It starts

Some stuff happens

It ends

It is highly probable that your story contains a change of state, which could be that a villain is defeated, or a goal is reached, but it could also be that character falls in love with another, or someone learns to like broccoli.

I like to start out by completing the sentence, "This is a story where _______". This is basically like coming up with a summary for an ao3 post, except that it doesn't need to be catchy. Lots of different kinds of things could go in that blank! It could literally be what happens: This is a story where Ichigo goes back in time and punches young Aizen in the nose. It could be about what you want to explore: This is a story where Hitsugaya gets a better understanding of his zanpakutou. It could be about the vibe you want to achieve: This is an AU where everyone is in a punk rock band and has cool hair and outfits. The idea of this is to clearly define what you, the author, is interested in writing. Make sure it feels right! Maybe you pick the first one, but when you say it out loud, you say, "You know, I really just want Ichigo to go back in time so he can horse around with young Renji and Rukia and punching Aizen in the nose is just an excuse for that." That may sound dumb, but it's fine, actually! Most people don't read stories strictly for the plot, they read stories for the implications of those plots! Will my favorite two characters kiss? Will there be funny interactions between these two groups of characters? Will there be sick fights? Stories are excuses to have scenes. Sometimes, you will have a story where the interesting sequence of events is the draw, but the point is to know what you're about.

Once you feel happy with your "mission statement", you need to decide the bounds of your story: where it starts and where it ends. It may be easier to start with the end. In some cases, it may be obvious from your mission statement: everyone gets home, a villain is defeated, Kenpachi realizes the meaning of friendship. On the other hand, let's look at that punk rock AU. You've picked a vibe, but you don't really have a natural story arc. It has to have a destination, though, otherwise, it's not really a story, it's a recipe for 3 chapters of an abandoned fanfic. So brainstorm a little: Maybe they get a record deal? Maybe they win a Battle of the Bands? Maybe Byakuya accepts that the band is actually good and tells Rukia he is proud of her. Do not settle for a plot just because it works. Pick something that makes you excited! You're the one who is gonna have to write it!

I said that we needed to pick a beginning point, too, but I'm actually going to skip that for now. The next thing I do is think of all the Big Scenes I want to write, the ones you are hype to write, the ones that pop in your head as you think about the premise. Make a bullet list. They don't need to be in order. The descriptions don't need to be super detailed, but write down anything about it that is important to you. If there's a mood or a snippet of dialogue or a joke you want to make, go ahead and jot that down so you don't forget it later. What you're doing now is putting broad blotches of color on a canvas, filling in space and leaving the detail for later.

Once you are pretty happy with what you have down, try to arrange it in chronological order. Put your end at the end (if it wasn't one of your big scenes, add it now). The next task is figuring out how to traverse your scenes. You've already picked out where you want to spend the majority of your energy. The rest, I regret to tell you, is your slog writing. Now, it often happens that you will find joy in some of these scenes and your best writing may occur there, but that's serendipity. These are the scenes that you are gonna have to make yourself sit down and write, so you honestly want to limit them to just the ones you need.

So how do we do this? Look at the first thing on the list. Can you start there? If so, congrats, that's your beginning. If you can't, what needs to happen to get to there? Where can you start so that you can get to your first fun scene as soon as possible? There. That’s it. You’ve picked your beginning, good job! Now, go through the rest of your list, and add in things that must happen, even if you don’t particularly look forward to writing them. The characters need to travel from geographic point A to point B. Shuuhei needs to say something that Izuru hears and misinterprets. The Central 46 makes a new law. If you have a good idea of how these things happen, go ahead and write them down, but it’s okay if you don’t know yet. Fill in all the blanks so that if you think of each bullet list as a scene, you could read it as a story, start to end. Once you get writing, you might add more scenes, or move things around or whatever, but you should have a thing that functions as a story.

If you struggle with this, an alternative is a story with a very strong structure that is going to guide you though what you have to write.Here are two examples from my own stories Hold On, Hold On (which is only one chapter, but the principle is the same) is structured around the 5 stages of grief. Not Broken, Just Bent takes place over roughly a week, and I just decided what happened every day of the week. See You on the Other Side takes place in the middle of a bunch of canon events, which worked at mile markers.

Congratulations. You’ve just made a rough outline!

Special note for avoiding burnout!: I am a slogger. I will drag myself through the broken glass of an interminable plot to get to a single thirsty scene. That's why, at this stage, I try to look at the ratio of what I want to write to what I must write. It's gonna vary for everyone, but this is a hobby, and if looking at this proto-outline makes you feel deeply tired, maybe this isn't a good story to be devoting your time to! Can you carve it down? Can you chuck two scenes you really want to write and get rid of 80% of the slog? Or maybe you can't! In that case, just write that thirsty scene as a standalone drabble! Or just go work on something else! Maybe in the future, this one will come back to you and you’ll have a fresh idea or a renewed enthusiasm for it.

Another thing I sometimes like to do at this point is to write out some notes about my characters and their motivations and moods. Character A is homesick. Character B is so determined to defeat the enemy that they are having a hard time being sympathetic to Character A. Character C cares for both A and B and is trying to support them both. This is sort of background info that you want to keep in your head as you are writing. Depending on the type of story you are writing, this might actually be the main plot, or it might be happening subtly, but adding to the emotional impact of the story. It’s very easy for me to write these sorts of emotional arcs, but if you struggle with that, you may wish to go ahead and made a more detailed outline for that, too.

Now, it’s time to start writing! I am great at beginnings-- it is very often the case for me that the opening scene was one of my Big Tentpole Scenes. (Before you hate me too much, I make up for this by being double horrible at endings; just let me have this) Usually, I will start at the beginning and write linearly for as long as I can until I get stuck. Then, I will look forward on my outline and do the next chronological scene that I feel like writing. In general, if I sit down to write and there is something I have an urge to write, that trumps everything else. Inspiration is a precious commodity, and you should embrace it when it hits! You can slog any day. I will occasionally hold off writing a scene that I really want to, because I am saving it, like a prize for myself for getting that far. This is a very personal process of figuring out what motivates your brain and then giving your brain what it needs to be its most productive.

Eventually, you will run out of things you are excited to write, but the good news is, you’ve got a bunch of story now! Odds are that what’s left is going to be a lot of those connective tissue scenes, and you’re just going to have to do them, except that now, because you’re connecting two concrete points instead of two abstract points, it will be a lot easier. You can continue running jokes you’ve started. Maybe you invented a cafe in an earlier scene where your characters hang out and you can have them return there. Try to think of ways to make these scenes more fun, both for yourself to write and for your reader to read. 

Around this time, I like to start refining that rough strokes outline into what I will call an “as-built” outline. (This is an engineering term where you update your plans or models for something to reflect any changes that had to be made along the way). This is a great activity to do at times when you feel like you have writers block. I write down every scene I have written as a 2-3 word blurb, in order. I break the scenes into what I think makes logical chapters, and I will do a word count on those prospective chapters and write it down. As you do this, you will realize that maybe you can move a scene from here to there, which will make it 1000% easier to write. Things may be happening too much, or you’ve got the characters eating three times in the same chapter. If you have subplots and dangling threads, this is where you make sure they get closure. I know this sounds very headache-y, but you are so far along in the story at this point that it’s really not-- it’s a way to look at the problems you have left. Use some sort of formatting (I like to bold things I haven’t done and sometimes I put them in red) and it gives you a very visual to-do list.

You specifically mentioned multi-chapter fanfics and I admit that I don’t tend to think in chapters, I tend to think of the story as a whole and just break it up where it feels natural. The as-built outlining I described is very helpful in making sure that my chapters feel balanced. They don’t necessarily need to be the same length, but I like them to have the same amount of stuff in them. One chapter may basically contain one long scene, and other may contain many short ones. I don’t tend to, but you can certainly have a fanfic that varies between short and long chapters, that can actually be an interesting effect. But like I said, I always like to know what I am doing, and so having it mapped out, you can say “welp, this is what I’ve done, how do I feel about that?”

Polynya, you may be saying at this point, do you write the whole fanfic before you post any of it? and I regret to inform you, the answer is yes. A lot of people write as they go, and I have made one attempt at this and I didn’t like it. I don’t like locking myself in, I just need to be able write out of order and go back and change things. Here is the story of a little in love: someone gave me an AU prompt and I got mildly obsessed with it, and wrote 5 snapshots drabbles in that universe, ending with a slight cliffhanger ending. I probably should have stopped there, but I decided to keep going. I wrote out an outline of 5 acts where the first act was detailed to the degree of each chapter being specified. The chapters here were much smaller than I usually make chapters: 1-2k. I wrote act i and ii and it was actually great, and then I hit act iii which required a lot of set up for misunderstandings and a mini romance arc. I couldn’t wing it, but nor could I figure it all out with outlining. I write dialogue in almost sort of an improv “Yes, and...?” style, so until I do it, I don’t know what’s going to happen. So, what I did was treat the second half of act iii as a complete story in the process I describe above, wrote the entire rest of it, and then posted it. One might notice that the chapter lengths grew to 3-5k each. I have two more acts to go, and I haven’t decided how I am going to do them yet, but I suspect I will treat each of them as their own mini-stories.

(I will admit that in Heart is a Muscle, I tend toward chapters that are about 10k long, and this is honestly too long, someone should smack me. If you like punchy chapters, 1-2k is good. I think 3-6k is probably an ideal chapter length. Is this how long the chapters are in my latest fanfic? Absolutely not.)

Okay, so there’s one more step, which is quality control. I am habitual re-reader-- I read my fanfics-in-progress over and over and over while I am working on them. I understand that not everyone does this, but I am usually the primary audience for my own writing, and this is the actual fun part for me. Nevertheless, you should re-read your work at least once, to make sure it hangs together.

This is purely optional, but I recommend it: get a writing friend (if you don’t like re-reading your work, I recommend this even more strongly). If you can get a full-service beta reader, that’s great, but if you can’t find someone, or if receiving that level of critique stresses you out, it’s perfectly valid to just find a friend who will read your stuff and a) shower you with compliments, b) reassure you about parts you aren’t sure about (or suggest ways to help) and c) point out any huge problems you missed. When I am writing a long fanfic, it is a huge motivational factor for me to be able to send my beta chapters as I finish them. If you are already an established writer, and you have people who consistently comment on your fic, they might be overjoyed to get a sneak peak at your work.

And that’s it! That’s the way I do it, anyway! Some people are able to sit down and write a very detailed outline and the write it start-to-finish. Good for them, I say! I have tried this and it doesn’t work great for me. I will admit that some of my fics (especially my early ones) I just sat down and banged out whole-cloth like an insane person and they are generally better than the ones I actually plan out, but that’s not a reproducible process.

As one final mechanical note, I usually write in Google Docs, which I can access on multiple devices (I used to write a lot on my phone), has convenient sharing functionality, and I use the ao3 html formatting script add-in. I generally have two documents for a single story-- one is the outline, and any other notes I want to have handy. I’ll usually put a trashcan space at the bottom for scenes that got cut but I don’t want to lose. The other is the fanfic itself.

I hope this is helpful! Please feel free to follow up with other questions and good luck with your writing!

[jrow]

Fic year in review

@calaisreno and @raina-at both tagged me (and Raina said some really nice stuff!) so I figure, why not do this? For the record, I’ve stolen Raina’s format ;):

I am pretty happy with my fic output this year. It’s been a busy, stressful one in the non-digital world, and I was very glad to have fandom to unwind in. Things are getting busier and far more stressful in my offline life (work, volunteering I’ve started, young kids, stuff) but keeping some time aside to write/edit is pretty important for my mental health. Sometimes it’s just a couple hundred words a week (with millions of imagined words in my mind) or betaing a few pages, but it’s still very needed.

Total number of completed stories: 5

Total word count: about 110k published, but I know I wrote about 20k of that in 2021. Plus there is probably 10k or so words in WIPs (that may or may not see the light of day)

Fandoms written in: BBC Sherlock

Looking back, did you write more fic than you thought you would this year, less, or about what you’d expected?: Probably about what I expected. If I had put money on it, I would have said 100k. I’d make the same guess for 2023...

What’s your own favorite story of the year? Depends on the day....potentially Jam, because I’m pretty proud of the epilogue. But I suspect that The Man in the Cartier Frames is the one I’ll reread the most.

Did you take any writing risks this year?: I participated in FTH which was a little nerve-wracking, but it turned out really! I am not sure I would have overcome writer’s block if I didn’t have those pieces to work on. I like a bit of pressure sometimes. In terms of writing, I took fewer risks than I would have liked, but the alternating perspective in Jam certainly felt like a risk.

I also started beta’ing this year, which was a bit of a risk, I suppose. It also worked out really well though. It’s something I think I’m good at. It’s also easy when you are beta’ing for people whose stories you really, really like! And for the record, a co-worker of mine suggested earlier this year that I make an easy shortcut for em-dashes (I use them a lot in my work) and it’s honestly changed my life. It’s why I’m so quick to insert/correct them when beta’ing now! I do love an em-dash.

Do you have any fanfic or profic goals for the new year?: Post at least a part of an AU. So far, all of my posted works have been basically in canon. I have a handful of AUs sketched out or, in two cases, partly written. But, I have a lot more trouble sticking with them. I think it’s the world-building aspect (something both @calaisreno and @raina-at are amazing at!) and fear that what I develop won’t read true. I do a ton of research for all my fics, regardless of when/where they take place (I like to be accurate when I can), but world building is a step beyond researching. The reality is, that (at least some) of the AUs I want to write won’t be as popular as my regular stuff...I am fine with that most of the time, but sometimes there’s a worry you will be writing for no one but yourself (which shouldn’t matter, but some days does ;) )

Most popular story of the year?“ Hmmm...in terms of kudos and general love, it’s definitely The Man with the Cartier Frames. People love parentlock and I do think I write it well (it helps that my kids are good ages to model Rosie). But I got a lot of love and really amazing comments on Blue Plaques too.

Story of mine most under-appreciated by the universe, in my opinion: I’m not sure anything this year was under-appreciated. Possibly 5mm (a very short (and fluffy established relationship fic), but it’s the third in my That Time of Year series, so I expected small numbers.

Most fun story to write: Blue Plaques. Figuring out a ridiculous mystery that would give the ending I wanted (I knew the solution before I knew anything else), and researching about blue plaques and random spots in London was a ton of fun.

Most unintentionally telling story: Oooohhh. That’d probably be The Man With the Cartier Frames. There is lots of my daughter (M) in Rosie in this story. This includes a freak accident that made my partner (M’s father) an absolute mess at the hospital (that Sherlock sobbing scene was inspired by real life). M was totally fine (I still don’t know how but am so thankful) but that moment was the seed that led to this fic.

Biggest disappointment: Probably that I didn’t post an AU? But honestly, I am not really disappointed with this year’s writing or reception.

Biggest surprise: The engagement I got from some of my favourite authors (including art!!) this year. It’s a real honour when people whose writing you admire start commenting on your stuff. It’s worked the other way too, I have started reading people’s because they comment on my stuff and it ends up being amazing! I was going to tag people here, but I’m afraid of forgetting someone...if you’ve commented on my stuff and you write, I’m probably talking about you!

I’ll nominate anyone who wants to reflect on the past year :).

[jkrobertson]

as both a ulquihime and ichihime shipper, what do you like about both ships?

This is probably way more than you asked for, but here you go: As a preface: I watched the anime for the first time in the early 2010s, binging it until it ended in 2012, then set the series down until I picked up the manga around the beginning of 2016. During that time, I was not involved in the fandom AT ALL. When episode 3 came out and Orihime and Ichigo saved Sora’s soul, I decided I wanted them to be together. Then things changed. Ulquiorra captured my attention, and the Orihime was spending all her time with him, and I could see it. I could see it and I didn’t hate it. Ulquiorra was terrifying and seemingly unstoppable, but he was hot. I couldn’t hate the idea of him and Orihime together. But then, the protagonist came back and somehow asspulled himself back to life and Ulquiorra died, and with him, any idea of Orihime and him becoming more. So I regrouped and cheered for Ichihime and was elated when the epilogue came out.

But I never, ever, forgot about Ulquiorra.

When the final arc was starting to wind down, I decided that where canon ended was never going to be enough of the Bleach universe for me, so I started dipping my toes into the fandom. In the beginning, I alternated between which of these ships was my OTP. There was a time when I liked both ships equally. There was a long time after chapter 686 came out when I was still all about getting more Ichihime.

But I still couldn’t forget Ulquiorra.

These days, I like Ulquihime more, largely in part because it was never and will never be resolved. That open end is fuel for my imagination, whereas Ichihime has their happy ending. I can be satisfied with that, even though I never got a comprehensive story.

Now, to FINALLY get to your ask, what do I like about both ships:

Ichihime

General:

The canon OTP

The looks. The softness in their gazes when they look at each other. The fire in his eyes when he resolves to protect her. The adoration in her eyes when he makes a good decision.

The way they worry about each other.

The way Ichigo can relax and be the sweet, loving boy around her that he was with Masaki before her death stole his innocence. The way that Orihime is inspired to invest in herself and learn how to be strong enough to be an asset to him instead of a liability; to meet him at his level, instead of bringing him down to hers. Their bond is not performative. It is quiet, slow building, and strong. It feels healthy and organic and it makes me comfortable.

They are also physically and aesthetically compatible. To put it in animal husbandry terms, they make a good breeding pair. To put it in more pleasant terms, they are a good-looking couple. I want them to make the sweet, sweet love, and it doesn’t take a lot of imagination to consider the possibilities.

Although they are not as dynamic as other ships, I don’t find them dull. I think they are the opposite of dull, really. He thinks she is wonderful and mysterious and a good confidant and source of moral support, but he also thinks she is funny and they share taste in manga. She thinks he is cool and hilarious and worthy of admiration. They stick up for each other and gently tease each other. I prefer this kind of dynamic to a confrontational, bickering, competitive one between lovers. I have had both kinds of relationships IRL, and I would not wish the bantering one upmanship type on my worst enemy. I find it exhausting, demoralizing, and abusive. Give me a more soft spoken kind of love any day of the week.

The fandom:

The passion in the pre-canon days that went into analyzing the interactions between the characters - there were a lot of excellent arguments presented that helped me feel validated in shipping them before Kubo gave the ultimate validation.

There are a lot of really good ichihime fics (been a long time since I read one - now that ichihime is canon I don’t have to wonder about what could have been and just be satisfied by what is) and a fair amount of super cute artwork.

Ulquihime

General:

The other canon OTP/my favorite OTP

IT IS TABOO, NEED WE SAY MORE? Lol jk

THE AESTHETIC - monster/cinnamon roll; black/auburn; pure princess/devil; maiden/mercenary - all high drama/high beauty archetypes

THE CHEMISTRY IS FIRE - while it never even comes close to anything as obvious as flirtation, the body language between them - the proximity, the posturing, the way he stands between her and any rival for her attention, the way she drops her guard and makes her body vulnerable to his despite being aware of the danger… It’s like watching a tango. The tension between them is always strung tight and delicious. Also, it is projection on my part here, but Ulquiorra isn’t interested in anything, ever, EXCEPT ORIHIME. Who wouldn’t want hot goth daddy’s full attention? Especially a fair maiden who has, for all intents and purposes, thrown away her old life in a noble sacrifice and has made peace with that, who finds herself in a strange, hostile new world with only said hot goth daddy (HGD) to talk to and tend to her needs. If she were to stay in that situation, I can only imagine the ways she might adapt to make her life more tolerable, including, but not limited to, experimenting with HGD and fantasizing about him.

THE LITERARY TROPES - I really don’t need to say more here, do I?

The huge effect they had on each other - people often take lifetimes to learn the deep lessons they taught each other in a short time.

THE WHAT MIGHT HAVE BEENS - The tragedy of Ulquiorra’s potential redemption and Orihime’s potential alternative destiny being lost to the sands of Hueco Mundo is both sorrowful and poetic as hell.

The unending What ifs that can be explored with these two is inspiring, which leads me to...

The fandom:

THE ART!!!!!!!!!!!!!! OMG THE ART!!! THE FICSSSSSSSSSSSSSSSS!!! Overall it’s sexier in this ship in regards to art and fics.

The community is small but just happy to still be alive, and is overall really lovely.

To sum up, there is a lot to love about both ships. Ichihime is a lovely, hopeful ship that has fulfilled its destiny. Ulquihime is a darker, enthralling ship that is ripe for the fandom to rekindle and ignite. Ichihime is Dvorak’s New World Symphony: Largo, and Ulquihime is Vivaldi’s Four Seasons: Winter. Both are good. Both have substance. They are different flavors, different timbres, different themes, and I love them both (but obviously one a little more than the other).

[sourwormsaresour]

what are your thoughts on La Squadra's sexualities?

First off, Happy Pride Month! Please have a safe one. Before I start, I just want to let you guys know that I’m a straight cisgender woman so I’m not 100% knowledgeable on sexualities so these are based on my current knowledge of the community. I’m open to all head-canons about La Squadra’s sexualities besides my own :)

Sorbet and Gelato are gay, both using he/him pronouns, and are the most out compared to everyone in the team. Even though La Squadra knew about their relationships, the two themselves aren’t open about it outside of the team and their families. This is especially because relationships can be used against you in the crime world but also because their families rely on them to have a “good reputation” to live comfortably. I head-canon that they are both breadwinners of their families: Gelato has siblings that go to very conservative, academic institutions and rely on scholarships that look into family history for recommendations, and Sorbet’s mother requires medical attention from reputable doctors that also have homophobic biases that can be used against her. They’ve secretly used some of their money to help a street kid or two that they learned was disowned after being outed or assassinated a few people for hurting kids for being part of the LGBTQ+ community or even preying on them. The two men probably both went through phases where they thought they only liked women, tried to be in heterosexual relationships, and their enemies-to-lovers type of relationship had probably stemmed from their inability to properly process their attraction to each other at the time.

Formaggio is bisexual and prefers using he/him pronouns; he has a stronger attraction to women but is unaware that he’s attracted to men as well. A big part of why he’s so unaware or in denial of it came from his conservative upbringing in a working-class family and lack of representation growing up. Formaggio knew that men can be attracted to other men, but other aspects of the LGBTQ+ community is either unknown to him or seen in a negative perception; he’s learning more about the community and how to be a better ally, especially after meeting Sorbet and Gelato, but he’s still struggling to reverse the anti-LGBTQ+ sentiments he grew up believing. As a result of his past, Formaggio assumed that one can only be attracted to one gender and never crossed his mind that people can be attracted to more than one. He often tries to hide his attraction to men via “straight guy who’s unaware he’s gay occasionally spits homophobic jokes and says ‘no homo’ every time he says "I love you" to his friends but he means full homo” approach.

Illuso is pansexual and gender fluid, preferring he/him/they/them pronouns most of the time but also likes using neo-pronouns and occasionally prefers to use she/her pronouns. As a former intern for a fashion designer before he joined La Squadra, he’s relatively more exposed to meeting different people in the LGBTQ+ community through fashion; those who were higher in status and power would be more out about it than those in lower ranking and the community was a huge source for avant-garde, counter-culture influences. Despite getting more inspiration for his designs from his interactions and developing his identity in the LGBTQ+ space, that also led to him witnessing discrimination, abuse, and powerplay caused by the higher-ups; some became victims simply because of rumors that they may be part of the LGBTQ+ community or being forcibly outed, some are forced into relationships in exchange for opportunities and privileges, etc. He remains closeted and part of his arrogance stems from him hiding his sexuality due to the trauma of enduring the abuse and witnessing it as well. La Squadra doesn’t know his sexuality or know that he’s genderfluid, but they’re fine with adapting to his pronouns whenever they change.  

Pesci is unaware that they’re gay and are non-binary that prefers they/them pronouns. Although they try to stick to he/him pronouns to avoid being out, they like using they/them more and get secretly happy when someone refers to them as such. I head-canon that they’re actually younger than Giorno when they encountered Team Bucciarati, which would explain why he never killed anyone up until this point (they’re a literal kid that’s slowly getting involved in the team when Sorbet and Gelato were killed, albeit they’re on the buffer side despite their age), and with their sheltered childhood and Prosciutto’s strict mentorship, they never got to sit down and think about their sexual and gender identity. They often try to pretend they’re a macho straight man alongside Formaggio but they end up feeling bad about it after trying to say a bad comment or joke to fit in. Pesci themselves feel like they’re alone in terms of the emotions of not being able to put your sexuality into words. It doesn’t help that they’re rather isolated compared to everyone except Risotto; they only knew La Squadra as their family ever since they joined the team and they never talk to anyone outside of the group.

Prosciutto is bisexual and genderfluid, preferring to identify with he/him pronouns, but he’s also the most closeted and probably has the most internalized homophobia as well. Growing up in the entertainment industry, especially in acting, means adhering to heteronormative standards; controversies of any kind would make or break a career and he constantly heard homophobic statements “disguised” as critiques around him from all levels of the entertainment industry. The fact that he was overworked up until his “career retirement” also didn’t give him the time to sit down and realize both his sexuality and how fucked up the film industry is in terms of its treatment towards the LGBTQ+ community. With his upbringing of being presentable and hiding his sexuality, he tries to present himself in the most Italian metrosexual straight machismo man he could and uses his “gentleman charms” towards women to avoid people from questioning further about his sexuality. But at the end of the day, he knows he’s lying to himself about his sexuality. And unfortunately, his anger at being unable to express that is often misdirected.

Melone is demi-sexual, though he presents himself as asexual and panromantic, and prefers using any pronouns. Like his teammates, he prefers using he/him for his safety. As a former scientist, he learned and got to know about the LGBTQ+ community through a more scientific perspective, but also knew there are hidden homophobic biases in the science community as well. Still, he does his best to be an ally for his peers before realizing he is demisexual and panromantic. His sexuality allows him to view the incubation and child-rearing aspect of his Stand without emotions or feelings involved and further explains how he views fornication and training his Juniors in a very scientific and analytical way without guilt taking over. Despite presenting himself as ace/straight (mostly for safety and because it’s easier to explain that he has no attraction to people than being a demisexual), I also see someone who yearns to have a strong emotional connection to someone and would give his all to the person he loves most. His overtly sexual nature is more of an act (I've heard that some aces tend to act overtly sexual, either to avoid being outed or as a result of growing up thinking that need to feel an attraction is necessary) and Melone secretly desires being attracted to someone he learns to trust, admire, and love over time. I have a backstory that plays into that but I might disclose it another time. ;)

Ghiaccio is on the same boat with Prosciutto in terms of having internalized homophobia due to his childhood career as a child athlete. At the time he was training to be an Olympic hopeful as a solo figure skater, Ghiaccio was born female and had to remain in the closet due to the conservative nature of the ice skating world and his step-father being notorious for his opinions favoring homophobia and sexism. Once he joined La Squadra, Ghiaccio began experimenting with himself and ultimately came out as transgender, presenting himself with he/him pronouns, and had been using testosterone ever since. Most members that joined after him only knew Ghiaccio as male while the other members are either indifferent about his gender or are involved in helping Ghiaccio transition to be male. Transitioning also helped him realized he was aromantic and gay, which provided him closure from the years of struggle he had trying to fit into the heteronormative expectations he thought he had to conform to when he was female. The effect of testosterone also explains his brash and short-tempered nature, although that stems more from him finally being able to express himself after years of repressing his emotions as a child.

Risotto is also aromantic and asexual, preferring he/him/they/them pronouns, although he doesn’t know that he is aro/ace, to begin with. Growing up, he never really cared when he heard his older relatives or adults making comments about how “he’d make a good husband” or “have the girls chase him”, because all he cared about was his family and friends. He just assumes that once he becomes a “big boy”, then he’ll have thoughts of wanting to get married like the fairytales say. Just let his future spouse have children with him in any way and he'll play the role of husband regardless. Since his cousin’s death, he gave up the idea of having any sexual or romantic interest in anyone. Why to go out of your way to find any relationship when they’ll be dead soon enough- that was Risotto’s logic. He’s not aware that he can define himself as aro/ace, he just assumes that the trauma he went through with his cousin’s death stops him from feeling any attraction and doesn’t make an effort to figure out why.  

[rpbetter]

Sorry if this isn't the place to ask but I'm in need of advice. I have a canon character I truly adore, but I haven't gotten muse or any opportunity to write them at all. My blog is collecting dust and the fandom is kinda dead at this point. Not to mention, it's hard to find compatible writing partners, especially with how picky I can be. I'm honestly considering deactivating the blog (for the nth time), but I don't want to lose the writing I have. I know I could archive, but I hate having blogs just sitting around.

In short, I really want to write the muse/keep the blog but I'm not getting any incentive to do that.

Hello, Anon, it’s totally the place to ask!

I will say, though, that since finding and keeping muse can be flavored rather personally, I can’t promise that what works for me is going to work for you. I’ll even confess that in over two decades, I’ve never personally lost muse. I don’t know if it is due to underlying, neurodiverse style, fixating, or if it is due to keeping myself continually invested in both my muse and writing regardless of what else is going on. (Probably a combination of both, though, and the things I do to keep myself highly in touch with my muse I’ll be recommending.) I’m definitely happy to try to help, however.

That really is a very frustrating spot to be in, wanting to write the muse and keep your blog active, but logging in every day to be reminded of what little reason you have to do so. Since we’re drawn to the characters we are for reasons of personal appeal and writing in itself is a pretty personal form of art, it can also feel depressing on top of the frustration.

However, that’s also the good news, in my opinion, because your incentive here is, or can be, yourself.

You were drawn to this character because you connected with them. They mean something to you, you can relate to them, maybe they have qualities (good or bad) that you wish you could experience. Whatever it is, there’s a reason why you had this draw. Writing is like that as well, there’s a reason why this is a hobby that drew you, that you get enjoyment out of. Again, though all art (it doesn’t matter if it is a hobby) has personal bits of the artist in it, writing is uniquely personal. When you write, you’re exploring thoughts and feelings, giving them life in a character that matters to you. I know, all of that sounds really convoluted and hokey, but it’s true.

And it’s good! That means you always have a reason to write and that you have the tools necessary to find and keep muse without any outside push necessary.

I’d say, firstly, work on getting muse back.

Get back in touch with your muse the next time you feel a particularly strong urge to write. Instead of spending time trying to find people in a silent fandom or forcing yourself to write something you don’t want to, just do some exercises that will help you get back into your muse.

I don’t know what media type your character comes from, but especially if it is something like movie or show that you can have on in the background of what you’re doing, do that. If it’s a comic or a book, think about your favorite scene and read it over first. If you’ve ever made some playlists for writing/your muse, you can always do that instead or as well. The point is to do something passively inspiring while you actively create. Now, that creating...

You want to do something that requires you to think about your muse so you can get in touch with them, not something that is going to make you feel overwhelmed and shut down. So, maybe don’t pick writing prompts for this - you can work up to that. Try out headcanon and character development memes and other question lists instead for right now. Things you can scroll down a list of, find questions that jump out as interesting (or even simply answerable to you at this point, you’re jump-starting a dead battery, it’s alright) and answer them. You can also do something as simple as write down what you like best about the character or their story, or put down the basics of filling in missing information that has always bugged you.

The beauty of this is that it is all on your own terms, your only objective here is to answer what you want, as much as you want. You can stop any time, but you can also answer a single question for three hours, making it eight pages long if the inspiration strikes you. It’s only about recharging your inspiration and establishing a connection with your character again. (This is also going to help you with getting back into writing, or approaching it for the first time, with a more internalized focus of interest.)

When you feel like you’ve done that, you can branch out on these exercises more. Answer the memes more in-depth, answer more of them/the ones you don’t have immediate answers for. You can also try writing out scenes from the character’s canon from their perspective, if it wasn’t already so, adding in their thoughts and feelings, or changing the scene in some ways that would be interesting to write out. This is the point where it’s a good idea to try a writing prompt or two, as well! Take the prompt as a sort of starter sentence from a mutual, you’ve got the situation, fill in with your muse.

Write when you feel like writing. The RPC is great at saying this when it comes to muns not wanting to write, but kind of ignores the other side of the equation. The side where you want to write, have the inspiration and muse to do so, but it might not be the best time. As in, you’re not home/wherever you usually write, with whatever device you tend to write on accessible. No, you’re not going to be able to get as much done, but you can write without the usual situation and device regardless. You can write a scene or ideas down using your phone or tablet, or go old school and use a notebook. If you’re at work and your job isn’t applicable to being able to get down a single sentence, that still doesn’t mean you have to wait 8+ hours to get home; while you’re taking your break, write a little bit. It is a break, and writing is your hobby, it isn’t work. It’s good to do things you enjoy on breaks, and far more fulfilling to have also accomplished something you happen to enjoy.

Not writing when you have the drive to do, putting it off and holding it in until “the perfect moment,” is a great way to lose your inspiration and never actually have that moment. If you feel like doing it, that means it is the perfect moment. Life is restricting, don’t impose even more restrictions on yourself by having to be at home, in a specific spot, with a specific device, at a specific time, on a specific day. Was that annoying repetition? You’re right, it was. And that’s how your creative mind processes all the crap piled onto it that doesn’t allow for creativity.

Now, the other problem, the fandom situation.

There isn’t anything you can do about that, to be absolutely honest. I’m not going to blow smoke and tell you to be positive, wait it out, maybe the fandom will spring to life again. You know, maybe it will...but you could be waiting literal decades for that to happen. Not cool. Please, take my word for that, it’s personal experience that it blows even more than you imagine it will.

What you can do is take the matter into your own hands in other ways; putting yourself out there with more availability in multiple ways.

Are you a single-fandom blog, or are you crossover friendly? If you’re not crossover friendly, try to think of a single, relatively popular fandom that you enjoy. Don’t look at it like a hassle, but rather, just another creative exercise. A serious pitfall of creating alternate universe versions of muses is to take the simplest route, merely picking something you want from that other universe and applying it to your muse with no relevant changes that would naturally occur from it. It isn’t just reductive as hell, it’s not remotely creative, it’s like sticking a sticker on your muse’s forehead and saying that’s a whole different muse. It’s neither attractive to potential partners nor going to sustain your own interest for long. You want this to be a passionate investment on your own end, for yourself.

What not to do:

Let’s say the fandom you picked to do crossovers with is based around magic, the main characters are witches, and they are divided into factions based on how their magical talents display and develop. Not only do you decide to make your muse a witch, you pick the most badass faction. It’s the one full of assassins and action and (metaphorically or literally) sex appeal. Well, that’s also going to be the most popular faction in the fandom. That means there will not only be plenty of big name canons there but also that there’s going to be a plethora of OCs designed just for this universe...and other crossovers from other currently active fandoms.

While that might sound like it’s great for maximizing interaction chances, it’s really not when you’re just starting somewhere new with a character from another fandom that might not be known or liked. It can also take a minute in another fandom’s RPC to identify where the good partners are. Every now and then, it is the most popular and over-populous era/faction/etc., but most of the time, it isn’t. People who write with considerable dedication and talent fairly rarely are in the popular kids club even in their fandom choices. By inserting yourself into that area, you might be bypassing (and being bypassed) by better partners on the assumption that their characters are simply going to bore you to death since they’re not within the scope of your focal point.

It’s not a situation of not being allowed to be picky, you not only have that right regardless of your situation, you also should be. This is not a “beggars can’t be choosers” situation, you’re not beholden to anyone on the basis of being new and bored. However, some of my best, and longest lasting, writing partners over all 23 years I’ve been RPing didn’t/don’t fit with all the exact surface details that automatically draw my interest. It is as true within my own fandom as it is in dealing with crossovers. Opposites (with enough similarities) really do attract and work out well together!

Don’t judge and write people off for anything that isn’t an issue of compatibility with your muse, your writing, or yourself. Decline someone because they do one line only and you are novella, they write topics that are upsetting to you, you can see no way your muse and theirs can interact without instant murder, or because you cannot stand writing with someone who is pulling 90% aesthetics and purple prose. Not because their muse is a witch who uses life-based magic, loves nature, is a healer, and into their health...while your muse in this AU is all about the death, only appreciates an urban environment and is grossed out by animals, kills as an occupation, lives on cheeseburgers and caffeine. You see what I’m saying? Don’t limit yourself unnecessarily!

What to do:

Did you consider if, in that hypothetical idea of a fandom, your muse based on their purely canon self would even fit into that faction? Or is it just something you wanted to see? If you didn’t consider this, or it was the latter, fix that. That’s bad.

If you’re not absolutely dead set on that and only that, think about what really does fit the muse better. Maybe, they would be better as a healer, someone who messes with the very fabric of reality, or someone who manipulates natural elements at will. Then again, they might not even be a witch. They could be more mundane in terms of power, but more accurate and interesting as a normal, human (or whatever). They could even be greatly opposed to the use of magic and witches. Use your muse’s original canon as a base to decide these things.

If you are absolutely dead set on it, though, you have a lot of work to do making the character into what amounts to a markedly different one while still retaining some recognizable aspects of themselves. Consider what events, in this new universe of fandom, might have happened to alter the character thus. Keep in mind that even small changes can have great consequences in a character’s development, and you might need to think about the myriad ways in which that can display, how it changes still more things for this character.

While that job becomes so much more intense when you haven’t planned out a path that matches your muse’s canon characterization at all, it is still an important part of constructing an AU, of any kind, in general. Ask yourself what experiences led to the character you know as you already know them (including your own headcanons, yes). Then, find similar possible experiences within your new fandom verse that can have the same effect. Again, though, it’s important to understand that you are never going to have an identical set of experiences, so you need to explore relevant changes still.

When you do this, you’re allowing your muse to more seamlessly fit into this other universe in a fleshed out, interesting way. Interesting both new partners and yourself.

Okay, next obnoxious question from me! Do you have multiple verses, or are you single-verse?

Whether you are already exploring new fandoms or not, by creating a variety of verses for others to interact with, you’re increasing your chances for interest and activity. When you have a verse from a different fandom you can then, additionally, advertise your presence in both that fandom’s tags when you do a promo or applicable open starter and on active RPer lists for that fandom.

Every popular fandom has such lists. You can get on them by messaging/sending an ask to the blog or by reblogging their post to be added, following the directions. I haven’t seen one yet that doesn’t allow for crossovers. You simply have to tag it as stated in the post, such as “your canon’s name here - original fandom name - crossover.” By tagging your open starter or promo as “-insert fandom here- rp” and “-fandom here- open starter” you allow people in that fandom to find you to interact. Either way is excellent for getting started in totally new places with a character others might be unfamiliar with.

Please remember that if you tag a promo as “promo,” it’ll not show up in searches off of your blog. You know, where it actually needs to be searched. Thanks, tumblr, for being janky! Being more specific as to the fandom and character will help others actually find you. Don’t shoot yourself in the foot by tagging it as “promo.”

Make your verses accessible on your blog itself, in the nature of those verses, and how you set up your page or post that lists them.

Don’t put any page behind an impossible or complicated aesthetic. You really shouldn’t anyway, but when you’re needing interactions, it’s actively hurting your chances. Many people don’t want to have to play a game with your theme, it’s a turn off. Try a pinned post that lists all of your links to important pages like rules, verses, and bio instead. It means that, even from the dash, that information can quickly be found while other muns are first interested, and also that anyone who might be using the app can access it more expediently. (I’m genuinely not a fan or big supporter of doing google docs for rules, verses, bios, etc., as it forces people off site, so I can’t personally say, in good conscious and honesty, that I’d recommend it, but you do you!) You want to keep things quickly accessible is the idea here; when people are interested, you want to catch them right then and there before they have a chance to forget and lose your blog.

As to the nature of the verses themselves, give people real options. Don’t have 20 verses that all read same way. Same themes, plot possibilities, and backstories, or incredibly similar names. Have a diverse list of verses that can act as foundations for a variety of different muns. As many fandoms as you can reasonably have a good portrayal of, and different types of fandoms; not all the same genre (all fantasy, all horror, all scifi). Verses where your muse has substantially different goals, occupations, and other life situations that will involve another muse; don’t make your muse A Warrior™ in every verse, you can keep plenty of those aspects without being that literal. People love “modern” verses set in our own universe and, usually, in our own era. That doesn’t mean you have to go stereotypical or otherwise bore yourself by doing the standard “high school/college verse,” for instance. You don’t even have to designate that sort of thing, let alone make it the focus; simply create the verse by considering what your character really would be like if they existed within your reality.

As a final note on verses as pertains to this point, when you’re doing crossover verses, it’s alright to do some verses where your muse from their own canon existence somehow ends up teleported or whatever to another fandom’s reality, or even our own. Just don’t make every verse like this, it puts the onus of a great deal of creativity and effort onto the other mun by default; your muse has cluelessly dropped into the universe, and while it is high drama time for you, the other mun has to babysit, educate, deal with fallout, etc.

On making the list of your verses accessible, you want to focus on ease of browsing and not being overwhelming. People tend to look through a verse page and not read every verse listed, rather, they look at the titles and breakdowns to see if it is of interest, then read it. Don’t try to make everyone read them all, it isn’t going to happen, and shouldn’t change your effort any as the right people are going to find the verses that interest them...if you make it clear and easy enough.

Have a basic format you stick to, firstly. I do it this way: small verse banner, title of verse (linked to its overall tag so that muns can look through the tag at headcanons, aesthetics, pictures of the FC, and threads), muse age/age range, small blurb, possible triggers found uniquely or just heavily within this verse. In that order, one following the other in a simple, but pleasing way. Below that, is a more in depth breakdown of the “verse canon.” Sometimes, that is giving a brief rehashing of canon itself and anywhere my muse differs, be it in this verse only or overall, ending with where my muse is in this verse. Not literally where. I mean their present occupation, emotional and general state in life. At the very end, I provide any other relevant links and/or an expansion on the triggers mentioned at the top of the verse description if they’re that serious/recurrent so that muns can decide this isn’t the verse for them. I happen to have a potentially triggering muse, triggering verses, and writing triggering topics, though. That’s not something everyone needs to do.

Secondly, group your verses in a sensible way. I do my short list of default verses first. (And, I do mean short, you don’t want this be any more than four or five, it is overwhelming right out of the gate.) For me, that is two default verses of canon at different points on the timeline, one default AU that is a bit of a reversal of canon, and one default “modern” verse. Then, I list the verses that are in line with the altered canon one, just different possibilities, changes, points in history. After that, the different “modern” verse options. Then, verses for other fandoms, the crossover verses. And so on. This way, a potential partner can find the type of verse that might appeal to them and have an easier time picking from those possibilities and getting ideas.

Lastly, don’t be so succinct that you give too little information and underwhelm, but also don’t be so excessive that it takes all of the mystery of interaction away and overwhelms someone. It can be a difficult balance to strike, and some verses require more information than others, just experiment a bit. Additionally, it’s fine to link to pertinent information for the other mun to view aside from this, but don’t just link people to a fandom wiki as your “description/bio.” That isn’t giving information on how you write this muse, approach this fandom, or what another mun can otherwise expect. Keeping your descriptions interesting is important, you’re not giving a boring lecture, you’re trying to inform someone while making them hyped for their choices. It’s more interesting, and informative, to read if you do them with an ear to the “tone” of your muse in that verse. Is it a sad one? Sound that way. These can, indeed, function as snippets of your writing, so be sure you are writing them with the same care you should be giving your replies; spellcheck, good word flow and use, mind the grammar, and read over what you’ve written for common, easy mistakes.

Again, by giving a genuine variety of verses to choose from, you’re allowing for a greater reach in potential partners. Everyone from those still in your original fandom to those in new ones, all the way to fandomless muses will be able to interact with you this way.

Finally, in regards to what you can change or do when you’re in a dead fandom and seeking interactions; make sure you are increasing your reach by using proper tags, being honest about what and how you write, and don’t wait for others to stumble across you.

When you use tags properly, you’re increasing your chances of being seen at all. Every time you post something at all applicable on your blog, tag it with relevant things. Tag as described above with whatever fandom it is and “RP,” your character’s name, “open RP,” character name and RP, indie RP, open starter, and so on. Be sure you are optimizing your tags by placing the most relevant to finding you in the first four, those are what show up in site-wide searches only. Anything after that isn’t going to appear in a search across all tumblr.

By tagging your character’s name, as a canon, you should know that you are likely to get personal blog interaction. I’m pretty against being nasty to personal blogs for no reason, as I don’t appreciate personal and fandom blogs being shitty to me for the sole reason that I am an RPer. Please, use clear, short, attention getting directions for them. If you want no interactions with them, put right in the description of your blog “RP blog, does not interact with personal blogs.” When you say things like, “personals dni,” or “personals blocked,” you’re not doing anyone any favors. Personal blogs often don’t even know what the hell a personal blog even is! They do not denote themselves this way, to a personal blog, they’re just a blog. By designating first that you are an RP blog, you’re making it clearer that they’re the personal; they’re obviously not an RP blog, so that must make them a personal. Follow this up in a pinned post, right on top. Give a note to personal blogs that describes them as “any blog that isn’t an RP blog” first, then either tell them in brief what they can and can’t do or that you don’t interact and will block.

I don’t recommend taking your blog off of being findable, however. That’s alright once you have the RP activity you are looking for, but until then, it’s working against you. Other RP blogs cannot easily find you either, they will only find you if you’re on a list or appear in their recommended blogs, if you interact with a mutual, or are recommended by a mutual. You’re not just lessening your chances of personal blogs finding you, so if you have that turned off, turn it back on.

Don’t entirely rely on others finding you regardless, though. You can’t be 100% passive when you have no interactions, and by relying solely on serendipity you’re far less likely to get them. I know that everyone here is terminally shy, but seriously, you have to do more than put your silent will into the universe that someone perfect find you. You have to make this happen. Once you get a few people, you can afford to be more passive. Not only do you have some people to write with, you will be more visible to their mutuals, and more established as a presence. I’m not saying this is easy, or that it will become easy, not awkward or stressful, if you have a legitimate issue behind the shyness. Just that it is the only way to really proceed, and I believe you can do it!

So, go looking for interesting blogs. Be crossover and OC friendly (again, this doesn’t mean “accept everyone,” there are valid reasons for not accepting people you won’t work out with that have nothing to do with their fandom or being an OC), and search those fandom’s RPCs, following any blogs you think you might work out with upon reading their rules and other pages. Search for fandomless OCs and do the same thing. Fandomless OCs aren’t just floating around in the ether, they just weren’t created expressly for a particular fandom and within its confines. What is excellent about that is their ability to have a wide variety of verses and many possibilities to fit into any fandom or verse. So, don’t count them out solely on the basis of being an OC and fandomless. It doesn’t mean what people seem to think it does!

Do not stop at having followed 50 blogs. I mean, other than that you probably should stop following people for a bit. That you should do, as you need to be building writing relationships here, not following so many people that you cannot get to them. Don’t just stop at the follow, though. Since you’ve read their rules and information like a good RP partner, you should have some idea of what their interests are and where they align with yours, as well as how they prefer to be approached, if they accept memes right away to start, need plotting, have a rules password. When they’ve followed you back, proceed with interaction!

Ask if they’d like to plot when they have time, you’re really looking forward to writing with them. But...have some idea of a plot, please. It is a serious turn off to have someone message you wanting to plot, only to reply and get “lol I don’t have any ideas, anything works for me/whatever you want to do.” That isn’t plotting, it’s one party coming up with ideas and constructing a plot while they’re being told “I’m fine with anything.” That may be true, but it’s disheartening and a red flag for many people. If you genuinely can’t come up with anything, pick verses that match up well and suggest doing something within them.

“When you have the time, would you be interested in discussing writing? I was looking at your verses, and I think your verse -name- and mine, -verse name-, would mesh well.” Is a good way to start. Once you have a discussion flowing about the verses meshing and the muses, it’s typically easy to organically develop some plot ideas to go off of.

If both you and the other mun are alright with plot-free interaction and memes, you can send a meme any time. If you can’t find any memes on their blog, look for a wishlist or navigation page that shows you the tags for memes/wishlist. Still can’t find it? Ask them if they’ve got a wishlist or meme tag you can look through.

Additionally, if open starters are a thing you both do and are alright with, find some of theirs and respond. Post your own, tag it appropriately to be found in general and on your blog, and reblog it once or twice. Don’t excessively reblog it, and don’t get upset on the dash if no one interacts with it or any memes you reblog. Both are demanding to outright guilting, and not a good way to get partners. Just provide them with the ability to easily interact by making the posts available in the first place and by making them findable on your blog search and navigation.

Provide something for potential partners to see. Since you said you already do have writing, that’s great! That’s content on your blog that your partners can view. However, since you’re also having the issues you’ve stated, it’s likely that you haven’t many new posts. Show that you are active, interested in being here, and how you write your muse (and in general) by posting some newer content. For original content, do a headcanon or some meta, or post about new verses you are adding, the changes on your blog, a promo. For reblogs, things pertaining to your muse like canon imagery, fanart, quotes from canon or that generally express your muse, and aesthetics relevant to your muse are all excellent things to queue.

Use that queue. Not only do very few people appreciate having dash spam of similar content for the comparatively short time you might be around, but also, running these things on a queue means you spread that out for maximum view. While there are hours of heavier activity, you’ll have mutuals who are on at unusual hours due to their life and preferences or their timezone. This way, you’re not appearing inactive, if not outright invisible, to those mutuals. It’s not a bad idea to use a queue tag so that people know if they interact with a post that’s been queued, you might be here to quickly respond.

Ultimately, to fix your fandom and lacking partners problem, you just need to up your availability and reach beyond that fandom alone. Be proactive in following and approaching, decline blogs based on not working out only, utilize tags and fandom RPer lists, have everything on your blog easy to follow and not overwhelming, and have your verses meet as wide of a range of people as possible while also not being overwhelming.

Try updating your promo, as well, by the way. They’re not dead, they just really tanked when people kept making them based solely on aesthetic principle instead of being at all informative about the muse. They do seem to be coming back, so it’s a thing to consider.

Yes, make it visually appealing, it will draw people to reading it. No, do not just use a song lyric or quote with words highlighted linking your rules, verses, bio. Tell people basic info like the age of your muse and yourself, if you are multiverse and multiship, your muse’s canon verse and a couple of big interest verses of other major fandoms or themes that tend to be of interest to people, and what kind of RP you write - one line/para/multipara/novella. Absolutely give links to rules, verses, bio, and either memes, wishlist, or open starters, but give them just like that; make it very clear what this link is to. Put a very short statement of interest on there denoting that you’re expanding to new fandoms and looking for writing partners.

Do not sound desperate, demanding, or devaluing of yourself. Don’t say shit like “because my fandom is dead,” “trying this before I give up and delete my blog,” or “I suck at interaction/writing/ooc interaction/being a person but welp giving it a try, so follow and hit that heart.” (Conversely, calling yourself derogatory things and implying that your partners are too, such as the “we’re all just losers here” shit.) All of the above are not attractive, and they’re not even surprising enough to stand out anymore. It’s another reason to scroll right by that promo because nothing at all was different or of interest.

And as a wrap-up/rehash of the first topic, getting muse back: try starting over at the beginning by approaching the media involving your muse that has really stuck with you emotionally over the years, and exploring and developing your muse again.

Don’t tell yourself you can only write, for example, at home, on the laptop, after 7pm, and with a pop toy staring at you. The best thing about writing, as opposed to so many other hobbies, is that you can do it anywhere! So, do that. Do it any time you both feel the inspiration to do so and aren’t going to get fired or expelled for it. This isn’t work, it’s something enjoyable that does take effort (like literally all creative activities and skills do), but approaching it as though you need to follow novel writing advice from someone who has never published anything of note and isn’t you on the internet, with strict rules for success makes it feel that way. So does being frustrated with a dead fandom, no interaction. It’s disheartening, feels as annoying and fruitless as work often does. You probably need to break out of that mindset, and you can only do it by beginning to allow yourself to be creative on your own terms, entirely for yourself.

Do write simple things at first that you are inspired to do (you can’t get a scene out of your head, or a bit of dialogue), and/or headcanon/character development memes and question lists. Build from there as you get back in touch with your muse, writing things primarily or entirely for yourself still. Expanding on headcanons, doing some meta, or maybe writing out a missing piece of canon or what you’d be interested in seeing happen in canon if some event was altered.

Doing this sort of thing, you are getting in touch with your muse again and back into the real spirit of writing creatively, simultaneously.

Whatever you find most inspiring, do it. If it’s watching the movie or show again, do that, have it on while you write or simply think on the character’s actions, thoughts, and emotions during those scenes. If it’s reading the material again, do that, and read snippets of personal importance before you write. Maybe it’s some past playlists you can have on while writing, or even while you’re cleaning, walking the dog, driving or riding somewhere. It could even be your own previous writing! Go ahead and re-read that, it sounds like you still appreciate it, and that’s truly promising. If you find that you’re horrified by some of the things you’ve written in the more distant past, hey...that’s not just valid as hell, it’s natural. You know what else it is? An inspiration. You can clearly see that you could do better, that means you now know how to do better and are ready to do so. Validate yourself, prove it to yourself by rewriting or fixing something.

Don’t delete the blog or archive it. It is unpleasant to have a dead blog around, but don’t keep it dead. Use the same blog and simply transition it into wider things that will net you more partners and the interactions you deserve.

Look, even if you weren’t the most popular blog in your fandom before it went quiet, you really appreciated the blog, muse, and writing you were doing. You’ve defined that it wasn’t something you did to cause this situation, you just had the shit luck we all run into eventually of being in a fandom that ran out of material or interest. People are really fickle, so by taking a wider approach and fixing on the writing and muse instead of fandom now, you’re stopping this from repeating. Seriously, on a long enough timeline, every fandom dies or goes into hibernation. If you make a whole new blog with a different muse, it is going to happen again eventually.

So, don’t feel like you’re ridiculously clinging to the past and need to move on, you’re just sticking to something and can continue to stick to it through the next five fandom deaths. Just because it is the most popular thing to do to drop muses, constantly add new ones, and have this attitude that you can “blog refresh” your way out of recurrent, and inherent, problem doesn’t mean it is actually the right thing to do. It’s not even the most sensible, and certainly not the best thing to do with anything you’ve spent time and effort on.

That’s your incentive; yourself, the time and care you’ve put in, and your continued interest in writing and the muse. You’ll find good people, and bluntly, everyone else can fuck right off when you’re incentivized by yourself. It becomes a self-fulfilling activity at that point, I swear, and it feels really nice.

Just get back in touch with your muse and writing itself so that you can begin to expand and start interacting again!

[notallthosewho-wanderarelost]

Since it’s Tuesday and we get Loki 1x05 tomorrow and then I’m seeing Black Widow the day after, and I guess I’m doing these now, some thoughts on Loki 1x04.

Hopefully this will be a shorter post due to me not knowing wtf is going on. This show is so chaotic and it’s perfect but that makes trying to predict it impossible. How VERY LOKI OF IT.

NOPE, NOPE THIS IS NOT A SHORTER POST, I have no idea what is going on plot wise but this episode gave me a lot of character stuff to talk about apparently.

Alright, let me get the big one out of the way. I’ve already said this in various places, mostly tags, but if I’m gonna make this post it’s gotta be here. I’m uncomfortable with Loki/Sylvie being romantic. Would prefer for Marvel to stay away from selfcest. PLEASE. I’m kind of hoping and wondering if it’s a fakeout for a reveal that Loki has finally learned to love or at least accept himself through his care of and admiration for Sylvie, which would be VERY Agent of Asgard-esque and I can see it being very probable.

I think giving Loki a love interest of any kind was always going to be difficult to pull off, but especially Loki as he is at the point in time when the show finds him- fresh off his attempted takeover of Earth and probably still deeply reeling from the revelation of his adoption and also likely mentally affected by any torture and/or mental manipulation Thanos might have done on him. Loki’s self-loathing is probably still close to an all-time high here and he’s questioning who he even is. I’m not saying that you have to love yourself before you can love someone else- I don’t think that at all; in fact I think loving someone else would probably encourage someone to value themselves more- but Loki as he is here I think would need to work through some of his own issues before he could get involved with anyone else. I think that Loki would need to learn to love himself first, to accept that he’s worthy of love, before he could genuinely fall in love with anyone else. (Remember this, I’ll come back to it.)

I got major sibling vibes from Loki and Sylvie on Lamentis. Like I said last post, they felt like alternate universe twins to me. They’re the same person from different universe, but also very much not the same- I feel like twins is the closest description? I can admittedly be pretty awful at picking up romantic vibes when I’m not expecting them, but I did not get romance vibes at all.

I also feel kind of annoyed that we would never be having this conversation or having this as a canonical ship option if Sylvie hadn’t been female. Loki is now officially canonically bi, (which means Sylvie is too btw) but in comics Loki is both bi and also genderfluid. Lady Loki is just Loki when Loki is identifying as female. So having Loki fall in love with a female version of himself feels both unnecessarily heteronormative and kind of...awkward in terms of 616!Loki’s genderfluidity, to put it lightly. (Note: I am not genderfluid, this is just my opinion, please prioritize actual genderfluid people’s opinions on the subject over mine.)

That said, after I finished the episode I was genuinely confused if they were actually going there and had to go look up interviews to see what the Loki team was saying about it. I found this interview with head writer Michael Waldron, also featuring quotes from director Kate Herron and from Tom Hiddleston. Relevant quotes below:

“That was one of the cruxes of my pitch [for the series], that there was going to be a love story,” head writer Michael Waldron explains to Marvel.com. “We went back and forth for a little bit about, like do we really want to have this guy fall in love with another version of himself? Is that too crazy? But in a series that, to me, is ultimately about self-love, self-reflection, and forgiving yourself, it just felt right that that would be Loki's first real love story.”

Loki reassures her that while they might lose, they don’t die — they survive. He goes on to call Sylvie “amazing” for how she almost took down the TVA on her own, and it’s clear from the look on his face that even though they’ve only been together a short while, Loki’s already come to admire and respect her. As the moon literally crumbles around them, Sylvie places a hand on Loki’s arm, and that’s when it happens: A branch on the Sacred Timeline. These two Lokis are having a moment they were never supposed to have, which as Mobius puts it, is “pure chaos.”

“The look that they share, that moment, [it started as] a blossoming friendship,” continues Waldron. “Then for the first time, they both feel that twinge of, ‘Oh, could this be something more? What is this I'm feeling?’ These are two beings of pure chaos that are the same person falling in love with one another. That's a straight-up and down branch, and exactly the sort of thing that would terrify the TVA.”

...

“Who’s a better match for Loki than himself?” director Kate Herron chimes in. “The whole show is about identity. It's about him, and he is on a very different path, and he is on a different journey. He sees things in Sylvie that he is like, ‘Oh, I've been there. I know what you feel.’ But she's like, ‘Well, I don't feel that way.’ And I think that was the kind of fun thing about it. She is him, but she's not him. They've had such different life experiences. So just from an identity perspective, it was interesting to dig into that.”

“When Loki meets Sylvie, he's inspired solely by curiosity,” reveals Hiddleston. “He wants to talk to her and understand her and try to discern what was similar about their experiences, and what was different. He keeps asking her questions because he wants to see if his experience was also her experience. I think he realizes, and she realizes, that while they're the same, they're not the same.”

Aside from the parts where Michael Waldron says “...have this guy fall in love with another version of himself...” and “the same person falling in with another version of one another,” everything they talk about in this article could be read as Loki and Sylvie caring for each other in a way that’s not necessarily romantic. Waldron even says that the series is specifically about self-love and forgiving yourself.

(Coming back to the thing from earlier about Loki needing to love himself now.) The way I’d read Loki and Sylvie’s relationship, especially from Loki’s side since we know more of his history, is that this is the first time that either of them actually cares about themselves. Because of their trust in and their love for each other, they’re each able to see themselves as a person worthy of love. I think that’s what the Nexus Event was. I think that’s why Loki and Sylvie’s moment of connection destabilized the timeline. Because Loki’s self-loathing is a deep root of his villainy, and the sacred timeline needs Loki to be a villain, two versions of Loki feeling self-worth, at the same time and place, created a HUGE nexus event. Loki even says it himself in the first episode: he doesn’t enjoy hurting people, he does it because (he feels) he has to, in a desperate play for control. He lashes out and hurts people because he thinks it’s the only way for him to have some control over things.

What Loki starts to speak to Sylvie at the end, he says, “This is new for me,” and references the nexus event on Lamentis. We never get to hear what it is that’s new for him. The episode sets it up to make us think that Loki’s about to tell Sylvie that he’s in love with her. But I think (or hope) that he was about to say something more along the lines of how the time he spent getting to know Sylvie on Lamentis helped him learn to care about himself and see his own self worth. That’s certainly a new feeling for him, since Loki seems to have always been an outsider and been looked down upon. And actually saying out loud that he’s starting to gain a sense of self worth would definitely be new for him. Loki knows that he and Sylvie will figure this out because he’s figured out the nexus event on Lamentis- that when they accept themselves and their own self worth, they can do pretty much anything.

I think it’s also worth mentioning that we never actually hear from Loki himself that he’s in love with Sylvie. We only hear it from Mobius, who’s feeling pretty betrayed by Loki and uses the entire concept to write Loki off as a huge narcissist. That way, he won’t feel as bad about Loki betraying him, or about sticking Loki in a time loop jail. Not that Loki would be the type to shout any romantic feelings to the world, especially in this situation, but the way he kept denying it didn’t seem like it was something he had to lie about.

This episode also called Loki a narcissist a lot; I assume to set up the “reveal” of his feelings for Sylvie and explain why he would fall in love with an alternate version of himself. But while Loki is many things and sure has a lot of issues, I do NOT think narcissism is one of them. When the time loops really start to get to him, he says to Sif: “I crave attention, because I’m a narcissist. And I suppose it’s because I’m scared of being alone.” But that second sentence completely contradicts the whole idea of narcissism! According to a quick google, the definition of “narcissist” is “a person who has an excessive interest in or admiration of themselves.” But Loki is the exact opposite. He has such a low opinion of himself that he acts out to get attention, because he’s so used to being overshadowed, overlooked and alone that he’s afraid that if he doesn’t do things for attention then nobody will give him any. He can be arrogant, yes, but even a lot of that stems from well-earned confidence. Loki is very talented magically and is used to being the smartest person in the room. He knows what he’s good at. But he sure isn’t attention-seeking just for its own sake. Any narcissism he’s displayed, he’s done since becoming a “villain” in Thor, and it’s actually been a mask to cover up his massive inferiority complex.

I also think it’s definitely worth mentioning that when Loki calls himself a narcissist, he’s repeating what Mobius said to him earlier. Loki clearly does care about Mobius and his opinion of him and feels bad about how things have fallen out with him. He’s also been through the time loop dozens of times now, and there’s a reason the TVA picked that memory. Because what Sif says to Loki really reflects his deepest fear. He doesn’t want to be alone, but he has such little love for himself that he might very well think he deserves to be. Loki’s emotionally exhausted at that point and just wants things to stop.

Okay. I think that covered most of my character analysis of the episode. I have some theories about Sylvie and the Time Keepers/TVA, etc, but they won’t be anywhere near as long as THAT^ was.

To start at the beginning of the episode: Sylvie’s backstory is SO SAD. I want to hug her. She spent almost her entire life on the run, growing up and living in apocalypses so the TVA wouldn’t catch her again. She didn’t deserve any of that and I’m so upset on her behalf.

Especially because as I said in another post, I think that the reason Sylvie got taken by the TVA was because she was never going to be a villain. Sylvie was kind and wanted to be heroic in the clip we see of her as a child, and she knew she was adopted. She was never going to be the Loki the TVA needed her to be for the Sacred Timeline because nothing would have ever pushed her to do what our Loki did.

The scene with Sylvie and B-15 was so good. Sylvie was kind to B-15, because her natural instinct is to be kind, and I have so many feelings about that. I love Sylvie. And then B-15 coming to the rescue to uncollar Sylvie and Loki and give Sylvie her sword was EPIC. She’s so cool.

Small aside, I got emotional seeing Asgard again in Sylvie’s flashback. I miss Asgard. :(

Also, if a kid can escape the TVA just by biting the agent holding her, the TVA have really got to step up their game. That’s kind of pathetic. Good for Sylvie though, that was very clever of her. The most juvenile yet effective tactic.

The Time Keepers being fake robots was an excellent twist, and one that I kind of saw coming as soon as they didn’t show Ravonna’s conversation with them earlier in the episode. It immediately made me feel like there were no Time Keepers at all. (And I was wondering if the no-robots rule from episode 1 would be plot relevant! I wonder if it has anything to do with the Time Keepers actually being robots?) It was also really clear that Ravonna was lying about what happened to C-20. As of now I think that Ravonna might actually be the real power behind the TVA. Or possibly a designated lieutenant to the real power behind the TVA:

When I was looking up interviews about Loki/Sylvie in this episode, I stumbled across an article about Ravonna’s comic counterpart and started kicking myself so hard for not recognizing her. In comics, Ravonna Renslayer is Kang the Conqueror’s wife. (Now, in my defense, my previous exposure to Ravonna was in Avengers: Earth’s Mightiest Heroes, in which she spends most of her screentime in a coma.) For anyone who doesn’t know, Kang the Conqueror is a time traveling classic Avengers villain. His whole thing is that he time travels, and wants to take over all of time. So it’s possible that Ravonna runs the TVA to benefit Kang somehow (maybe because Kang needs a certain sequence of events to assure a future victory over the Avengers?) or even does it on his orders. Kang the Conqueror is also set to be in Antman and the Wasp: Quantumania. (Aka Antman 3.)

(I don’t know if it’s relevant, but Kang the Conqueror also happens to be the reason the Young Avengers form. The very first member, Iron Lad aka Nate Richards, is a teenage Kang who meets his future self and decides he doesn’t want to be evil, so he travels back in time to get the help of Kang’s nemeses, the Avengers. However, he lands when the Avengers have disbanded and winds up putting together a team of Avengers-affiliated teenagers instead. The team gets bigger over time and a later version of it notably includes Kid Loki. I’m not going to go off on a Young Avengers tangent here but I LOVE the Young Avengers, please read Young Avengers volume 1 by Allan Heinberg and Jim Cheung and all of its associated tie-ins. It’s fantastic. Unfortunately Kid Loki is only in volume 2, which gets a very solid “no thank you” from me but ymmv. Imo if you want Loki, read Agent of Asgard instead; I keep bringing it up for a reason and that’s because it’s amazing. Kid Loki is also in Journey into Mystery prior to his appearance in Young Avengers, and I haven’t read that yet but it looks very good.)

I’m VERY curious as to what the deal is behind the TVA. This could go a lot of different ways but they all seem exciting.

This show is definitely gearing up for a finale in which the TVA no longer exists or at least no longer decides everyone’s fates, which is exactly what I predicted back in episode 1.

Final thoughts on the episode: I was just wondering after Mobius was pruned if maybe the pruning sticks are actually teleporters of some kind, instead of time tasers, and then we got THAT CREDITS SCENE. I am so confused but also VERY EXCITED. I almost screamed when I saw Kid Loki. MY CHILD. I just had this thought but oh, I would kill for a Thori reference. Best murder dog. Classic Loki’s costume looks so terrible, it’s absolutely on purpose, and I love it.

THIS SHOW HAD BETTER END WITH MOBIUS GETTING A JETSKI. AND BOTH SYLVIE AND LOKI HAPPY.

I’ve been wondering since the show was announced if this show would somehow end with a version of the comics Kid Loki + AoA Loki storyline, where this Loki gets reborn into the main MCU as Kid/Teen Loki so he can join the Young Avengers, and I still don’t know how I feel about that, but with how things are going I can still see it happening.

LET EVERYONE WE LOVE BE HAPPY AT THE END MARVEL.

[noladyme]

The Crown Princess of Charming - Part 1

Welcome to Charming - its name says it all. Cat needed a fresh start; and though she hadn’t planned on that being in the arms of the crown prince of this little town’s bikerclub - that was what happened. This Charming CA would either be the death of her - or a whole new life. 

This story is obviously non-canon. It will include characters from multiple seasons; some of them having never met on the show. In this universe, Tara didn’t come back from Chicago. I’ve done this to get the story I wanted.

I’ve also decided to give the protagonist a name in this story. I hope you’ll enjoy reading it.

1

“Move, you goddamn piece of shit!”. My car had stalled just a few yards before a sign that read Welcome to Charming – our name says it all. So far it hadn’t been very charming at all. Multiple cars were passing me and blaring their horns. “Do you think I just decided to park here?”, I yelled at a white Honda, with a blonde behind the wheel. She gave me the finger in response. “Shit!”.

I heard a roar of engines behind me; and a leather clad man on a motorbike pulled up next to my window. “You found a hell of a place to break down, luv’”, he said, with a Scottish drawl. “Yeah, thanks. I hadn’t noticed”, I sneered. “Pardon me, I was just stating facts”, he smirked. I frowned. “Sorry. I’ve just had a long ass drive”, I mumbled. “Mind if we take a look at it?”, he asked. I gestured for him to go ahead; and stepped out of the tired, beat up car; that had been my home for the last 4 days – driving from Chicago, to my new home in the town I’d chosen by its name alone. Charming.

I needed something charming at this point in my life – the last few years having been chaos – so I’d thrown everything to the wind; and had basically run away from the city, when I’d applied for, and been offered a job at Charming Middle School.

Behind my car, two more mc’s were parked – one of them a tall bearded man who sent me a friendly smile; and the other a blonde, lean guy, wearing a white t-shirt and white sneakers. Interesting choice for riding a motorcycle, I thought. All three men had the same patch on their backs – a skull-headed reaper. The writing said Sons of Anarchy – California.

The scot had opened my hood, and was looking into the steaming entrails of my car. He let out a long whistle. “When was the last time you checked our oil, luv’?”. I decided to ignore his choice of nickname for me. “I have no idea. I just bought it a week ago; haven’t really done anything but drive it”. He smiled and shook his head. “Jackie!”, he called. The blonde man looked up; and took of his sunglasses – revealing a pair of piercing baby blues. “We’re gonna need the tow-truck”.

The blonde got off his bike, and joined the scot at the front of the car. “Shit”. He drew out the word, ending it with a full-on laugh. “Darlin’, you’ve killed it”. I sighed. “Great…”. “Were you going far?”, he asked. “Charming was my destination; but I didn’t even make it past the sign”. I ran my hand through my hair. “Shit!”.

Blonde guy called out to the bearded biker. “Ope! Call TM. Get Rat out here with the tow”. “We can’t leave her here, on the side of the road”, the third man answered. Blondie chewed his lip. “You up for a ride?”, he asked me. I was caught off guard. “What?”, I asked. “We’ll get your car back to our shop. You can wait there for it; and figure out your next step”. I shrugged. “Yeah, why the hell not”.

Blondie walked up to me and stuck out his hand. “I’m Jackson. Scottie here is Chibs; and the kind man calling a tow-truck for you, is Opie”. I took his hand and shook it. His grab on mine was firm, but gentle. “I’m Cat”, I said cautiously. He smiled brightly at me; a glint to his eyes that made me blush slightly. “Welcome to Charming”, he said. “Now, come on”.

He handed me his own helmet; and got on his bike; patting the seat behind him. I grabbed my purse from the front seat; leaving my keys on the left front wheel. Welcome to Charming, indeed, I thought, and got on Jacksons bike with him, looking for something to grab on to “You’re gonna have to hold on to me, Cat”, Jackson smirked. I put my hands on his waist – noticing his firm and muscular frame – and he started up the bike. The force of the engine between my legs made me jump a little; and I heard Jackson chuckle in front of me. “Don’t worry, I got you”. He revved the engine, and we rode in to town.

—

We drove into a big lot about 10 minutes later. I noticed a large amount of motorcycles; and more bikers clad in leather. They all wore the same patch as the three men I’d just met – though some said Nevada. There were two large buildings; one was an auto shop – Teller Morrow – and the other seemed to be some sort of a clubhouse.

Jackson halted his bike at the end of the line of motorcycles; seemingly a spot reserved for him. I climbed off, almost stumbling; and he grabbed my hand to steady me. “You good?”, he asked. I nodded.

A tall middle-aged woman, with an amazing rack, came out of the office of the auto shop. “Jax; Clays been looking for you”, she said. Jackson smirked, and backed his bike into his spot. “What else is new?”, he said. The woman kissed his cheek. “I’m picking up the kid in a few. You need anything at home?”. “Milk. And coffee”, Jackson answered. He looked towards me. “Ma; this is Cat. Her car stalled just by the edge of town”. The woman looked at me; her eyes enquiring, but mostly friendly. “The one Rat and Juice went out for?”. Jackson nodded.

She shook my hand. “Gemma Teller”, she said. “Cat Rose”, I smiled. “You’re the new teacher down at the middle-school”, she said – more a statement than a question. I nodded. “Yeah, I am. How’d you know?”. “Gem knows everything”, the biker named Chibs said; and kissed Gemma’s cheek. “Hi, mom”.

I chuckled. “You seem a little too young to be his mom”. “Around here, I’m everyone’s mom”, she answered. “Though my only biological kid, is the cheeky blonde you rode bitch with”. I took that as meaning Jax was her son. The cheeky blonde sent me a smile. “Gemma will take care of you from here on”, he said. “See you around, teach’”. I smiled in return; and Jackson walked towards the clubhouse.

I followed Gemma into her office. “What’s the Sons of Anarchy?”, I asked. “Sweetheart, stick around long enough, you’ll find out”, she said. “Coffee?”. “Yeah, thanks”, I smiled.

I didn’t see any of my new biker friends the rest of the day; as my car arrived not long after we did. A mohawked Latino named Juice, of all things; informed me that my cooler was shot; and I needed a completely new starter. None of this made any sense to me; as I didn’t know anything about engines – but looking at the costs of repairs needed to have the vehicle function again; I decided to sell it for scrap.

“Too bad, honey”, Gemma said. “I had one of those as a teenager”. “You wanna buy it?”, I grinned. “I wouldn’t be caught dead in it”, she answered, and lit a cigarette; offering me one. I accepted. “Juice; is Tig still selling his old chevy?”. “Yeah, he hasn’t gotten a buyer yet. I think it’s ‘cuz it smells like wet dog”. I shook my head. “I won’t be able to afford it; with or without the smell”. Gemma winked at me. “I’ll get a you a good deal; and you can make payments”. I smiled. “I’m gonna like this town”. “We all do”, she smiled back.

—

Gemma gave me a ride to the motel I was going to stay at, until I found a new place. I got my four boxes and two suitcases out of her trunk and backseat; thanking her for all her help. “It’s me who should be thanking you. The school had been looking for a good arts teacher for over a year”. “I’m taking over 6’th and 7’th grade English as well”, I said. She laughed. “Mrs. Bloom finally decided to retire, huh?”, she said. “She taught both me and Jackson”. “Wow…”, I grimaced. “I’m not that old”, she said. “That’s not…”, I began. “Just pulling your leg sweetheart”, she smiled. “See you around”. She drove off, and left me to settle in to my new temporary home.

I spent the evening scanning the newspaper for cheap rentals. Money was scarce; but I knew the motel needed to be short term – especially after noticing the thin walls inability to hide the sounds of my neighbors having kinky sex. Some woman kept screaming Yes, Daddy!; making it difficult to concentrate on my apartment-hunting .

In the evening; after ordering a pizza; I decided to take a shower. I let the water run for a bit; before stepping in – trying to ignore the metallic smell of it. Washing 4 days of roadtripping off my body; I finally felt clean enough to face my new situation.

I’d left Chicago in a hurry; leaving my furniture, and only bringing my most cherished belongings. I wanted to get as far away from the city as possible; but a ticket to Hawaii was out of the question on my teachers’ salary – and I wasn’t ready to go back to dancing at clubs. Most of my last cash had been spent on the now dead Ford; that I’d sold for scrap through TM.

Chicago wasn’t my home town; but I’d thought it was the place for me. I’d been proven wrong, when a relationship had gone wrong. Very wrong. I’d needed to get away from the guy in question; as his possessive nature throughout our relationship had ended up scaring me. Trying to get a restraining order hadn’t worked due to his own contacts within the court-system. I wanted a new life. Maybe Charming could be the base for that.

Stepping out of the shower; I wrapped myself in a towel. There was a knock on the door, and I went to open it. Outside stood Jackson; a grin the size of the county on his handsome face. “You’re not pizza…”, I said. “Not the last time I checked”, he chuckled. “You left behind some paperwork at TM”. I looked down at my lack of clothing. “I should get dressed”, I smiled. “Come on in. Sorry about the mess”. He stepped inside. “It’s fine, darlin’. You should see my place”.

I grabbed a pair of pajama bottoms, and a tank top from an open suitcase; and went into the bathroom. “Do you usually order pizza in just a towel?”, he called after me. “Only if the delivery-guy is really cute”, I called back. Shit… now you’re flirting with the biker. Good one, Cat. “I’ll have to change professions”, I heard him mutter.

I stepped back into the room, fully dressed. “What’s the paperwork?”, I asked. He handed me an envelope. “Just a signoff for the scrapping of the car”, he said. “It’s too bad. My mom had one of those back in the day”. “She told me”, I smiled. “Coffee?” He smiled. “Nah, sorry, I gotta run again”. “Too bad”, I said. Dammit! Stop, you idiot.

He chuckled. “It’s good to have some fresh blood in town. I hear you’re starting at the school. You’ll be teaching one of Opie’s kids. Ellie – sweet kid”. I signed the papers he’d handed me, and gave them back. “I’ll remember to give her good grades”, I said. “Yeah…”, he answered sadly. “She’s been through it. Her and Kenny both. Their mom died a year back”. “I’m sorry to hear that”, I answered earnestly. “Donna was a good mom. And a good old lady”, he said. “What’s that?”, I asked. “An old lady? Shit, you are new in town”, he smirked. I shrugged. “Just not used to biker lingo”, I winked. “I’ll have to get you used to it, then…”, he said with a smile. I chewed my lip, a rush of heat going through my body.

He remembered himself. “The car – the one you’re buying”, he said. “Tig will be down at the shop tomorrow night. You can pick up the keys then”. I exhaled; trying to calm down my budding crush on the gorgeous man in front of me. “Thanks. I’ll be there. 7 pm good?”. “We should be done with church by then”, he said. “Tomorrow’s not Sunday”, I answered. He chuckled. “Not that kind of church”. I narrowed my eyes playfully. “Biker lingo…”, I said. “Biker lingo”, he smirked.

We stood there for a while, both unsure what to say; before Jax broke the silence. “Tomorrow; it’s Gemma’s birthday. There’s gonna be a party at the clubhouse”, he said cautiously. “If you wanna stick around for a while…”. “Maybe”, I smiled.

“Yes Daddy! Slap that ass!”, we heard from next door. We both laughed. “If I’m not mistaken; Tig might be right next door. But it’s probably not a good time to disturb him”, Jackson said. “I’ll wait”, I agreed. “See you tomorrow?”. “I’m looking forward to it”, Jackson winked; and walked out the door; giving me a final grin; before closing it behind him.

Cat. You can’t have sex with the biker, I told myself. But the warm sensation streaming though me, told me I’d probably have a problem sticking to that, if I had the opportunity.

—

The next day I slept in; enjoying the feeling of being in an actual bed for the first time in days. I did some light shopping for groceries – the fridge in my motel room not being very big. The people I met seemed friendly enough, though a bit standoffish. I figured it was because I was new in town.

Walking back towards the motel; a group of bikers rode by – one of them being Opie. He lifted a hand in a wave at me. I noticed that the bikes were ridden almost in a procession; with a leader in front; and everyone else keeping to their assigned position in the group. It was led by a grey-haired man with a prominent jaw. He looked at me, and nodded. I nodded back.

Back in my room, I had a light lunch; and decided to figure out what the hell one wore for a birthday party at a biker club. I figured some skinny jeans and an off the shoulder, black t-shirt would have to do. Putting on my favorite necklace – a silvery hand with an eye in the middle; a Hamsa symbol – I let my hair hang lose; and put on a little makeup. Black cat eye; and red lips. It usually did the trick. You’re actually dressing up for the biker now, I smirked at myself.

I was early; so, I tracked down a coffee shop to sit and read a book. My shoulder bag usually had at least one volume in it. This week, it was American Gods, by Neil Gaiman. I was completely concentrated on my book; when suddenly Chibs and a large curly haired man stepped in to the shop. “Well, look who we have here!”, Chibs smiled. “Bobby, this is the young lady who killed her car just outside town”. I grinned. “Thanks”, I said. “I needed a reminder of my bad mechanic skills”. “I aim to serve, madam”, the scot grinned. Bobby stuck out his hand. “Welcome to town, my lady”, he said; and kissed my hand chivalrously. “Careful Bob. VP’s got his eye on this one”, Chibs said. “What’s that supposed to mean?”, I asked. “Don’t worry about it”, Bobby grinned.

I took a sip of my coffee, and shook my head. “What are you doing here?”. “Coffee run for church. It was a long night”, Chibs winked. The man behind the counter handed over some coffees to Bobby; who pulled out his wallet. “Your money’s no good here”, the barista said. Bobby nodded. “How’s your mom?”, he asked. “Much better, thanks”, the man answered and smiled. “I’ll pay you back”. “We know you’re good for it, Gary”, Chibs said. He looked at me. “See you later?”. I nodded.

The bikers left the shop; and drove off towards TM. The barista walked up to me with my check. “Welcome to town”, he said warily. “Look… Samcro; they’re a part of this town; and they do a lot of good. But they’re in to some pretty bad stuff as well. Be careful”. He didn’t wait for an answer; but just went back behind his register. I frowned, and tried to wrap my head around his words. I paid Gary, and left the shop myself.

I decided to do some light sightseeing. It was Saturday; so most of the small shops closed early; but I made my way to the middle-school that would be my new place of work the coming Monday. The trek was a bit longer than I’d anticipated; so I was glad that I had a newish car set up for me. The building wasn’t large, but I figured it was large enough for the amount of kids in the area. The look of it gave me some peace of mind. It would be an easy start, I thought. And I was looking forward to it.

—

Walking back towards TM, I stopped by a florist who was closing up. I got a nice bouquet for Gemma, and walked into the auto-shop lot. The place was bustling with people. At least 20 bikes were parked in the lot; and everywhere people were shaking hands, and grabbing wrapped presents out of their cars. The men were all clad in leather; except for a man in a sheriff’s uniform; and the women were mostly wearing miniskirts and dresses – their boobs on display as much as possible.

I didn’t recognize any faces, and felt a bit anxious, before someone grabbed my shoulder. “Hey, darlin’”, Jax was beaming at me. He leant in and kissed my cheek; his stubble and short beard scratching my chin in a delicious way. “I’m glad you made it!”. “Yeah, me too”, I smiled. He took my hand, holding it confidently. “Come on. I’ll introduce you”.

We walked in to the clubhouse. It smelled like motor oil and whiskey, and the air was heavy with smoke. It should have put me off; but I was enjoying it. It reminded me of my former profession as a  dancer, and the kind of trouble I’d gotten in to then. Jackson let go of my hand, and put his own on my lower back, leading me to the bar counter. “You remember Opie”, he said; gesturing at the tall bearded man. With his helmet off, he was now wearing a hoodie, and had a beautiful blonde on his arm. Opie shook my hand and smiled at me friendlily. “This is Lyla”, he said softly, and gestured at the woman. “Nice to meet you”, she smiled. I thought I recognized her face from somewhere, but I couldn’t make the connection. “Cat”, I smiled, and shook her hand.

Jax led me on. “Chibs and Juice, you know as well; and I’m told you already met Bobby”. The men both nodded at me. “Then there’s Happy…”. A tall menacing man sent me a warm smile. “Piney; Opies dad”; Jackson said, gesturing at an elderly man with an oxygen tank hanging from his shoulder. Jackson looked at a scrawny looking guy, and a tall heavy man standing next to him. “Those are the prospects. They don’t matter”. I scrunched my brows at him. “Trust me”, he chuckled.

We walked towards a dark-skinned, kind looking woman, holding a beautiful baby in her arms. “Hey Neeta”, Jax smiled, and took the baby from her; holding it to his chest. His face was glowing with pride. “And this is my boy. Abel”. I let the baby hold my finger, and smiled at his chubby face. “Hi, Abel”. Jacksons eyes met mine; gleaming. “Is… his mom…”, I tried – fearing the answer. “Not around”, Jax answered. “It’s better that way”, he said meaningfully. I nodded. It wasn’t the time.

Abel started fussing. Jax took a baby-blanket from a diaper-bag on a table. “Did you bring…?”, Jax said, before Neeta handed him a bottle. Jax smiled warmly in thank you. He put the bottle to Abel’s mouth. “Here you go, little dude”. He bounced the baby up and down softly. “You’re good at that”, I smiled. “My mom would have my ass, if I wasn’t”, he grinned. “Besides, he’s my little man”. I stroked a finger over the baby’s forehead. “He’s perfect”. Jax looked at me proudly. “Yeah”, he smiled.

I looked around. “Where is your mom, by the way?”. “Shit, yeah”, he said, looking at the watch on his wrist. Jackson kissed the top of Abel’s head, and handed the bottle back to Neeta. “Gemma and Clay will be here in 5”, he called into the room. “She doesn’t know why she’s here. So quiet the hell up!”. There was a rumbling of an engine outside. “Shit, they’re early!”, Bobby said. “Turn off the lights!”.

Someone hit the lights; and about ten seconds later the door opened. “Goddammit, Clay”, Gemma grumbled, as she walked in. “You promised to take me to dinner, you jerk!”.

“Surprise!”, everyone yelled; and the lights turned on again. Gemma stood, mouth agape; flanked by the grey-haired man I’d seen on the road earlier; and a black-haired man with piercing eyes, I figured was Tig. “Oh my God!”, Gemma cried out. “You assholes!”. She laughed, and began hugging the people around her. Jackson walked up to his mom; and embraced her warmly; Abel still in his arms. Gemma kissed first Jackson; and then the baby, taking him from Jax’s arms. “You guys are dicks”, she said; happy tears in her eyes. The grey-haired man – Clay – put his arm around her waist, and kissed her warmly. “Happy birthday, baby”, he said. “At least you remembered it this year”, Gemma pouted playfully at him.

She looked towards me, a sense of wonder in her eyes. I smiled, and mouthed happy birthday. She mouthed me a thank you in response; followed by a warm smile. For a second her eyes shifted from me to Jackson, and she narrowed her eyes at him; whispering something in his ear. He laughed in response, and looked at me, biting his lip. He nodded at his mom, and walked back to me.

“Do you want a drink?”, he asked. “Please”, I said, smiling nervously. “Don’t worry, babe, you’re here with me”. I laughed. “Maybe that’s why I’m worried”. He winked at me. “In that case, you should be worried. Word around the street is, I’m dangerous”. He kissed my cheek again, and put his arm around me. “Rat, get this lady a beer”. The scrawny prospect handed over a cold bottle, and I took a welcome sip of it.

Opie joined us. “You’re teaching my kid this year”, he said. “Yeah, Jackson told me”, I answered. The tall man looked a bit uncomfortable. “She’s been having some issues… It’s been messing with her schoolwork”. I smiled comfortingly. “Don’t worry, I won’t be a hard-ass”, I said. Opie smiled softly. “Thanks”, he muttered.

Jax looked at his friend. “I told Cat about Donna”, he said. Opie nodded and met my eyes. “So you get it”, he said. “I do”, I said. “Let me know if there’s anything I can do to help”. Opies expression warmed. “Thanks”, he said. “Cheers”, he said, raising his bottle at me. We clinked our beers, and both took a sip.

Opie looked meaningfully at Jax. “We got that thing, brother”, he muttered. Jackson frowned slightly, and looked at me. “I need to do some business”, he said, and put a strand of hair behind my ear. “Be back in a bit”. He walked off with Opie, leaving me to sit on a stool by the bar.

The black-haired man walked up next to me. “I hear you’re in need of a car”, he said, accepting a beer from the larger prospect. “I’m Tig”. “Cat”, I answered. “I know”, he winked at me. “It’s a piece of shit old chevy, but it’s better than the one you came to town in”. “Anything is better than that”, I laughed. He handed me a set of keys. “80 a month for a year work for you?”, he said. “That’s cheap”, I said, frowning slightly. “We take care of our own”, Tig said, and patted my shoulder. “By the way; if you get sick of the VP, let me know”, he smirked. I laughed again. “Sure, Daddy”, I grinned. “So the was you, next door”, he chuckled. I shrugged, and nodded.

Juice stepped up to stand on the other side of me. “Hey”, he said, giving me a crooked smile, and a lifted brow. Tig tapped him over the head. “Hands of, Juicy!”, he said. “Jax territory”. The young biker took a step away from me. “Sorry”, he laughed nervously. I shook my head, laughing. “This place is weird”, I said. “Welcome to town”, Tig said; and clinked his bottle to mine, taking a sip of beer. I joined him in the drink. We took a shot of whiskey together, before Tig’s attention went to a busty brunette in the corner. “Excuse me”, he muttered; and sauntered off, leaving me alone again.

I decided to look for a friendly face in the crowd, being a bit uncomfortable on my own. Jax hadn’t come back for his business yet, and I was worried he’d leave me alone all night. Lyla was standing with another woman, looking like they were gossiping about something. She caught my eye and waved me over. “How are you holding up?”, she asked. The other woman walked off; climbing on to Happy’s lap, where he was sitting on a couch. “Uhm…”, I began. “I just got in to town, and I’m already having drinks with the local biker gang. I’d say I’m a little out of my comfort zone”. She smiled friendlily at me. “You’ve already bagged the vice president. You’re doing just fine”, she said. “I haven’t bagged anyone”, I smiled. “He’s known you for 2 days, and already invited you to his mom’s birthday. I’d say you’re a bit more than some crow-eater”, Lyla responded.

I took another sip of my beer. “What’s a crow-eater?”. Lyla chuckled. “Ok, quick lowdown on the women in the club”, she began. “Most of the women in here, are what we call crow-eaters. They hang around the club, make the men feel good about themselves… you know”. “An easy lay”, I muttered. “Yeah”, Lyla smiled. “Some of us are what you’d call old ladies. We’re the ones who have locked our men down. See this…”. She showed me a tattoo of a flying crow on her shoulder. “This means no one but Opie touches me”. “Doesn’t it feel weird to be… marked, like that?”. I grimaced. “Sorry… I didn’t mean…”. “Don’t worry about it, honey. I get it”, Lyla responded. “This is just my way of showing everyone around me that I belong to Opie; but also, that Opie belongs to me”.

She smiled, and took my hand, squeezing it. “You seem nice, so I’ll let you in on a secret. This life… it’s not easy; but I wouldn’t have it any other way. I love Opie – and his kids. He takes care of me and my boy”. She looked at me meaningfully. “But if you’re unsure about whether this is your idea of a good life; you should walk away. I mean that in the nicest way. Please don’t take it as anything else”. I gave her a crooked smile. “I’ll take it a day at a time”. She nodded.

A hand grabbed mine. Jax was standing next to me. “Hey”, he said softly. “Come say hi to my mom”. I followed him over to Gemma. “Hey sweetheart”, she said. “Thanks for the flowers. They’re beautiful”. “You’re welcome”, I smiled. “This is my husband, Clay”, she said, and the man at her side shook my hand. His eyes were deep and menacing; and I was unsure whether to be afraid of him or respect him. “Welcome to town, teach’”, he said. “Thanks. It’s been good so far”. Clay nodded at me, and looked at Jax. “Did you finish that business?”. Jackson clenched his jaw. “It’s done”, he said. “I made the call”. “Good”, Clay said. “Let’s just hope it doesn’t blow back on us”.

Gemma patted his chest. “No club business on my birthday, baby”. Clay smiled at his wife, and kissed her again. “Yes, ma’am”, he muttered. Gemma looked at Jax. “Do you need me to take the baby tonight?”. Jax looked at me, and then back at his mom. “Would you?”. “You know I love taking him”, she smiled. “Make it my birthday present”. Jackson chuckled. “Shit, I’ll take back the diamond necklace then”, he said. He took my hand. “Come on, let’s find somewhere quiet”. My breath hitched, and I followed him out of the clubhouse.

We sat down by a picnic table just outside the door. Jax had brought us a pair of freshly opened beers. “You doing ok?”, he asked earnestly. “Yeah”, I smiled. “Just … a bit out of my element”. He bit his lip and looked at me enquiringly. “What element is that?”, he asked. “I dunno… I usually don’t go to mc-parties”. He chuckled, and took my hand. “I’m glad you’re here”. “You don’t even know me”, I said quietly.

He sighed. “Tell me, then”. “What do you want to know?”, I smiled nervously. “Whatever you want to share”, he shrugged. “Why?”, I asked. He looked at me with a genuine warmth. “Because I’ve been thinking about you ever since you wrapped these hands around my waist, and it sent chills down my spine”. He took my other hand, linking his fingers with mine. “Where did you come from?”.

I didn’t know how much to tell him. I was still mentally sore from my ordeal with the guy in Chicago – but his serious expression made me trust him. “Chicago”, I said. “I was a teacher there as well. It didn’t work out…”. “Why?”. I sighed. “The city can wear a girl down”, I smiled theatrically. “And there was… a guy. He didn’t know how to take no for an answer”. Jacksons jaw clenched. “What’d he do to you?”, he almost growled “At first he was fine. We had a few dates, before he suddenly proclaimed his love for me”. “You didn’t feel the same way?”, Jax asked. “No. I mean; back then, he was friendly, had a steady job… He saw himself as a catch; and I guess he was. But I just didn’t care about him like that. He was… possessive. I tried to call it off, but he acted like I’d never said anything, and continued dropping by at my school; sending me flowers; and showing up at my apartment at all hours of the day”. Jackson bit his lip. “Sorry… I guess you’re off men for a while”, he said, and met my eyes again. I smiled. “No. Just him”. “Good to know”, he muttered. “But why didn’t you get a restraining order?”.

I sighed again. “I tried… he has connections. When he didn’t like my way of handling things, he let the word spread in the school council that I had an issue with drugs”. Jax shook his head angrily. “Asshole”. “Yeah”, I agreed. “I managed to get the drug accusations of my record – but it was too late, and I was fired”. “So you came to Charming”. I nodded. “I looked at names of towns on the west coast; and Charming seemed promising”, I smiled. “There was an opening as a teacher the elementary school; so I applied – and they must have been desperate, ‘cuz they gave me the position with just a phone interview”.

He squeezed my hands again. “I’m glad you’re here”. “Me too”, I muttered.

Jax put his hand on my cheek, and stroked my temple. “So if you’re not off men… mind if I give it a shot?”. I bit my lip, trying to stifle a smile, and shook my head.

He leant in, and stroked his nose against mine. Our lips brushed each other for a second; and he kissed me. I parted my lips slightly, and the tip of his tongue met mine. He put his hand on my lower back, pulling me closer to him. He smelled like leather and some musky cologne; a warm smell that fit him perfectly – and his kiss tasted like the beer he’d been drinking, and mint chewing gum.

He exhaled deeply and pulled back a bit. “Do you want to get out of here?”, he asked softly. My body was screaming yes, but I was desperately trying to control myself. “Jax… I just moved into town. We’ve known each other for 5 minutes… I don’t think…”. “I get it”, he smiled. “I’m not expecting you to jump in to bed with me. But I do want to see you again”. “I’d like that”, I smiled.

Our lips met again. “You taste like… pancakes”, he smiled. “Is that good?”, I smiled. “It’s perfect”, he said against my lips, kissing me deeply one more time.

The door opened, and Juice stepped outside with a ginger girl. “Shit, sorry”, he smiled. “It’s fine, Juice, the table is yours. Just clean it up afterwards”, Jackson smiled. “Come on”, he said to me, pulling me with him.

“I think it’s time for me to go home”, I said softly. He looked at me with a kind smile. “You want a ride?”. I jingled the keys in my pocket. “I got a new car; remember?”. Jax groaned. “Shit; I would have loved to have these legs wrapped around me, in one way or another”. He slid a hand over my thigh; squeezing them gently.

Juice looked impatient; and Jax took my hand – leading me over to a black, classic looking Chevrolet. “Wow…”, I said. “I popped an air freshener in there for you. It had a pretty gnarly smell”, Jax chuckled. “Thanks”, I smiled, and looked at him warmly.

Getting into the car – immediately thanking Jax an extra time for the air freshener; as it was needed – I rolled down the window. “Thanks for inviting me”, I smiled at the blonde man. Jax took the hand I had resting in the window-opening, and squeezed it – winking at me. His face suddenly dropped. “Shit, Cat. I didn’t get your number…”. I grinned, and rattled of my digits, and he punched the number into a flip phone from his pocket. Who uses flip phones anymore?

Jax leant in, and planted a final soft kiss against my lips. “Bye”, he whispered, and bit his lower lip. I smiled and started up the engine. My new car purred, and I had a wide smile on my face, as I left the lot – sending a final look towards the picnic table, where Juice was face deep in the red-haired girls cleavage.

Welcome to Charming, I grinned to myself, and drove off.

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