#both have their value

[cinemaocd]

this is probably going to be long

OK, I lived through the AIDS crisis. I was a young person questioning my sexuality at arguably the worst possible time in American history. I discovered the word "bisexual" (hooray I have a label) only to read a few days later in mainstream news about how "bisexuals were responsible for spreading AIDS to the hetero community" which was a take that was tolerated on national news shows at the time. The only sex education I had in my entire public education was a film we were forced to watch about how you could get AIDS from french kissing (you can't) and heavy petting (which we didn't know what it was because it was outdated old people code for oral lol)...

The entire LGBTQIA plus community was not attacked as a monolith, the focus of hate came on gay men, because they were the most obviously effected and also the most visible and prominent in the community. The rest of the community did their best to embrace and protect them. (For example lesbian groups that were on the front lines of caring for people who were sick when no one else would...).

And there were people like myself who identified as allies but were in a place where they didn't feel safe to come out themselves. I did not come out at that time because even though I was in accepting local community at University and working at a feminist journal I knew I would lose friends and family and possibly future work opportunities. Being Bi it was easier to blend in for me and I took advantage of that. Part of the reason I hesitated so long about coming out was I felt a lot of guilt that I didn't come out in the 90s during the AIDS crisis. I felt like a coward who wasn't worthy to stand with such brave people.

It took me a long time to let go of that self-hate to the point where I could come out. A big part of it was acknowledging how fucked up the climate for LGBTQIA folks in the 80s and 90s. We had two family friends (which is how I knew I would probably be rejected by a lot of my family) who died of AIDS. Yes, these were brilliant, creative men who worked in theater. One of them was the props coordinator for Late Night with David Letterman (responsible for building Dave's velcro suit etc.). I also have a peer who died of AIDS in the early 2000s, long after the disease had supposedly been "not a death sentence" who also happened to be an actor.

Despite their lack of political involvement, they were be seen as radical just because they lived openly as gay men in a society that hated them and wanted them dead, and only tolerated them if they were the "fun gays" who weren't actually threatening the status quo...

Being in theater or the arts was a survival tactic for a lot of people ya know because it was a more accepting environment and because it wasn't considered important like politics, medicine, science etc. (Miss me with the gays can't do math jokes. A gay man invented the fucking computer).

The gay men I knew in long-term monogamous relationships survived the worst of the crisis and they automatically became "respectability queers" for having not died and wanting jobs with health insurance etc. Because one dude follows his dream of working in theater and the other quits theater and goes to work at the phone company and buys a house with his partner, one is fun and the other boring? One is a creative genius creating culture and the other is a consumer of cultural pap? Wow. Great take.

FUCK. I'm just getting so angry thinking about this. You want to know why it took me till I was FIFTY fucking years old to come out: AIDS. That's it. ONE Fucking word.

Sorry I have no idea WHY I fucking started this other than I saw a shitty post that said, our culture became boring because all the fun gays died and left only the boring gays who only care about marriage or whatever.

[lastoneout]

the whole guilt-tripping language in posts about important topics paired with how I'm still getting bitches in my notes talking about why it's actually good to tell "bad" people to kill themselves continues to prove to me that a lot of people have absolutely no concept of social justice or activism outside of assuming the worst of and then viciously attacking strangers on the internet

[poorly-drawn-mdzs]

All he knows is flirt with men and lie.

[First] Prev <–-> Next

[dsmp-lainey]

adore the concept of calling DSMP a modern folk tale because it truly is

it has shifted and changed and grown beyond what it originally was and it’s even more beautiful for that. there’s very little that is considered the exact correct story, it’s more like many versions that can all somehow be simultaneously true.

lots of the content is lost to time or difficult to find but the story lives on despite that because of the love people have for it. for the way we are willing to pass on what we know and our own interpretations of it. for the preservation that so many have put into not letting it fade away forever. for the way many have allowed it to inspire their own creations going forward.

just like mythology or folk lore you don’t have to know every tiny detail or every version or even what exactly was said by every person to understand who these characters are and what they mean to you.

dsmp as a story is about love and loss and power and comedy and tragedy, just like any other great story, and as long as someone cares enough to speak of it, the story will never fully die.

[bethanydelleman]

To be frank, I find the introvert/extrovert discourse online insane and completely ridiculous. People will fight to the death about if a character, Elizabeth Bennet, is an introvert or an extrovert, and people: they are opposites. If I/E aren't easy to tell apart for a main character of a novel, the categories are meaningless. But then oddly, considering that no one can tell I/E apart, extroverts are also some weird totally different species from introverts.

But Elizabeth Bennet is an extrovert and checks every single extrovert box and the reasons real internet people keep giving that she isn't are bonkers:

She takes solitary walks. I have some crazy news for you, extroverts can walk. I, a certified extrovert, take solitary walks nearly every day because I have a dog, whom I adopted knowing I would take her on these walks. It's shocking I know; I don't even die of loneliness at all! Consider for a moment that Elizabeth Bennet spends all day surrounded by four sisters and a very talkative mom, not surprising she takes walks alone occasionally. You'll also notice that she does invite her sisters along most of the time.

She reads. More shocking news: extroverts can read. Some of them read a lot. You know enjoying being around other people doesn't exclude reading. In fact, in the Regency you could even read aloud as a group activity! That is something we see in the novel. And Elizabeth also puts down her book when she finds a conversation more interesting.

She processes issues internally. That is not her preference, she likes to talk it out with Jane. When she's leaving Hunsford, Elizabeth is desperate to finally talk with Jane about all the crazy stuff that has happened to her, but she is forced to conceal a good deal of it because it's about Jane. She can't discuss Darcy with the Gardiners because his proposal is a secret, but she is eager to talk about the Lydia thing and learn her uncle's opinion. Also, extroverts are fully capable of processing internally, because again, not a different species.

She has trouble talking/feels awkward after the second proposal. Who wouldn't be awkward? Do people honestly think extroverts never feel awkward??? Not even when they love a guy that they verbally destroyed a few months ago? Not even during a confession of love? We uh... do. We get awkward too. In fact, sometimes when an extrovert talks rapidly, they are trying to talk their way out of an awkward situation. I have to work myself up to making phone calls.

Anyway, it drives me totally up the wall. Elizabeth Bennet is an extrovert, she thrives around people. Both end couples, Jane & Charles and Elizabeth & Darcy, are introvert/extrovert pairings, which is fun. If you want an introverted heroine, Jane Austen wrote five of them and they are all excellent: Elinor Dashwood, Marianne Dashwood, Fanny Price, Jane Bennet, and Anne Elliot. Catherine Morland, Emma Woodhouse, and Lady Susan round out the extroverts. It's awesome that Austen had such range in heroines.

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[msnihilist]

Headcanon that, as Timmy gets older, he kind of starts to hate his last name. He already has some bad connotations with his full name after the Wishology situation (Timmy having a fear-response to his own name lives in my head rent free), but the older he gets, the more he dislikes it.

It's the last name of his parents, who neglect him and don't try to learn the first thing about him. It's the name that teachers snap at him when he's failed yet again. It's another reminder that the family he has with his fairies isn't really his and he can't keep them. He doesn't have a single good connection to his last name.

Anyway, all of this to say that I'm thinking about the way Jimmy says Timmy's last name in Part 3 of the crossover. Not with disappointment or disdain, but fondness. Like it's just Timmy's name. He uses his last name, "Turner," and it doesn't mean "terrible student" or "useless kid," it means "friend." Like Jimmy looks at him and just sees a person instead of everything that everyone's ever told Timmy is wrong with him.

[freakinator]

devotionduo so codependent that when they try to be less so they end up hurting each other what if i kms

[athina-blaine]

for my money, labru is head and shoulders above other ships involving them simply due to the unmatched yap potential, i imagine them feeding off each other's energy like they're slipstreaming in mario kart until they start going fast enough to break the sound barrier

[realbeefman]

choreman is the beautiful love story between two men who are so deeply morally fucked and repressed and who have been through hell together but who are still both. at their core. deeply boring and uninteresting people. their ideal date is going out to a nice restaurant together and sharing a bottle of wine. they go home every night to a picture perfect apartment that they clean together every sunday afternoon and read medical journals next to each other on the couch. they play video games together on the weekends semi-regularly and it’s the closest either of them ever get to having a hobby. on special occasions chase gets foreman a new tie and foreman gets chase a new cologne and then they have sex in missionary and fall asleep at a reasonable hour.

[rosemarytales]

arthur pendragon, you come to me as a long lost son. I would gladly hold your head up and feed you soup when you're sick, cheer for your victories and grieve for your pain. I want to brush your hair and make little braids and laugh as you knot it trying to untangle them

merlin. I need to breed you.

[freakartack]

For being the only animals in the crew do Dribble and Spitz go to a regular doctor like everyone else or do they go to a vet? (This question was on my mind for a while-)

Yeah

[lemonisntreal]

okay @biaweck brought this old piece to my attention in their recent post, and also made me go through all my old uploads to double check [horrific]. But apparently I never actually uploaded this one, so:

My bad! 😛

This was started all the way back on January 27th of 2023, so it's like a whole year and a half old. Honestly, didn't age too horribly, I might redo this one at a later date [also Mike smokes, and you can't convince me otherwise [well kinda [see tags]]]

This redesign also REALLY needs an update or two, it was really hashed together at the time [which is a reason why it wasn't ever uploaded, if I were to guess]

[kasieli]

When they said “blend in with the crowd,” they didn’t mean that. | From this scene in Winter Soldier because I saw it again and had to recreate it with these two

Bonus:

Feat. Poppy forgetting that Ominis is blind

[blank-house]

elio is such a sweetie. mc teasing him during volleyball n he immediately is reminded of percy he loves his friends so bad….

he really does! lol, we wrote in so many moments for elio with his boys (and vice versa) because are you really best friends if you aren't a little in love with each other?

[iwritenarrativesandstuff]

When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.