#born with flaws and flawless

[idyllicidols]

Desire.

Shin Yuna. The world sees her as a world famous idol, a paragon of beauty of grace. An individual to look up to, a person to aspire towards. Some might see her as untouchable, in a social sphere somewhere near the clouds. But she is more than just an idol with a hectic schedule and a busy life. Yuna is a real life human being, and every human has their flaws, their desires, their dark secrets that they need to keep hidden from the world.

And right now Yuna sure is living up to desires.

"You gonna do it? You gonna cum on my face?"

There she is, the picture perfect idol, sitting on her feet, naked as the day she was born. Surrounding her are three hand selected males, her hand vigorously pumping the cock directly in front of her. Yuna's eyes are firmly set on the glistening knob that her hands are wrapped around, her fingers nimbly moving from tip to hilt, her thumb digging into the meat and tugging and massaging with ferocious intent.

The other two aren't just standing idly by—they're groping and spanking whatever they feel like, an opportunity like this one is unheard of, but a gift Yuna loves to indulge. You see, underneath that cute and bubbly personality, and beyond all her flawless photoshoots and iconic concerts, the fact remains that Yuna is, above everything else, a cock obsessed slut.

The feeling of multiple hands and several hard, throbbing members grazing her petite body always fills Yuna with a pleasure that no amount of her fingers can ever truly match. The pinching of her nipples, the light and harsh spanks to her ass, the feeling of a cock throbbing in her hands. All of these things send her reeling into euphoria.

"Do it! Cum on my face. You gonna make me work for it? Do I have to suck you off? Make you cum by slurping your juices? My hand not enough?"

Her questions comes with a gentle lick to the underside of his shaft. It makes the cock twitch violently in Yuna's firm grip. He's already reaching his climax, that much is evident to Yuna. The only thing she needs now is for him to vocalize.

"I'm gonna... Yuna, I'm..."

"Come on, babe."

With a guttural moan, Yuna feels her cheek being covered by a blast of sticky warmth, followed by spurts of cum across her lips and chin and nose.

She looks down, mouth gaping, tongue hanging out, eye's narrow. The feeling of the sticky substance smeared over her skin, a marking that has her feel warm all over.

"Who's next?!" Yuna moves away from the well spent man, turning her attention to the other two behind her. One has his hands clasped to Yuna's ample ass, the other never stops roughly groping and grabbing her tits, pulling her nipples this and that way.

Yuna doesn't even know these lucky bastard's names—and that's precisely the point. All she knows is that they're some of her biggest fans, and because Yuna's not one to disappoint her supporters, the only reasonable thing for her to do is invite them back to her hotel room for an honest to God gangbang.

No real names, no exchanging numbers. Just a night of fun.

It's Yuna's idea of an ideal way to unwind before an important gig, and she's taking it upon herself to fully indulge.

"You know I offer more than just hand jobs right? My mouth, my pussy...my ass."

Yuna puts some emphasis when she says the word ass—she knows how taboo it is, to be an idol who loves to be fucked in her forbidden hole. Tempting over eager fan boys is such a power rush to Yuna, especially since she always gets what she wants in the end. And tonight will be no different.

Not only does the sudden spurt of her words catch the other two guys off guard, so do her slender fingers, that have already found their way around the nearest cock.

She looks up into his eyes, practically staring into his soul.

"So what do you say sweetheart? Which hole do you wanna fuck? Do you want my mouth? Is it my pussy you craving?"

Yuna smirks.

"Or maybe," her other hand slowly reaches to her asshole, "you're gonna shove your cock right here and treat me like a total anal slut."

She isn't quite touching her tight hole, but her fingertips hover tantalizing close. Close enough to make the guy think of exactly what she's describing, all the dirty details, from start to end. And the mere thought is starting to make him go crazy.

"Have you ever done anal before?"

Her soft and playful tone is hard to resist. This entire experience has left the guy totally speechless. He shakes his head, unable to verbalize any words of any kind.

"Well what do you say Hun? Wanna pop your anal virginity with a world famous superstar?"

Yuna doesn't even give him a chance to answer—she bends down on the bed, ass up face down, spread apart in a position that leaves her totally open to her new fuck buddies.

He watches in absolute shock and disbelief as Yuna playfully wiggles her plump behind, teasingly caressing her puckering asshole in a display that leaves him unable to hold off. He licks his fingers, saliva coating his palm as he reaches forward to insert his middle finger into Yuna's butt. She wasn't lying; Yuna is an anal loving slut, a star whore, and this position is making her squirm. The soft, coos leaving her lips are proof of the immense arousal coursing through her veins. The fact that her pussy is dripping means even more.

"I don't want your finger," Yuna turns back, staring into his eyes again, "I want your cock."

He pulls his finger out with a lewd squelching sound, only to replace it with his cock—hard and pulsating, a sheer result of the slutty actions from the girl splayed out in front of him, seemingly on a platter.

The tip presses against Yuna's eager asshole. She starts to whimper, just slightly, an involuntary reflex as a wave of pleasure fills her veins. It's about to begin, and that moment is like heaven to Yuna.

"Do it," she utters, more quietly now that the tip of his cock is pressing up against her most private place. "Don't tease. Fuck me in the ass. Do it. Please..."

Those few simple, begging words are the green light the guy has been waiting for. A cue to fully penetrate her rear, spreading it open with a searing, heavy thrust. It doesn't matter that it's his first time—Yuna loves to fuck. She loves it in any position, anywhere, in any circumstance. Yuna was made to be fucked and tonight is no exception, that is a fact.

So the feeling of his heavy prick ramming her open, and the sweet, familiar burn that comes after sends Yuna into a total blissed-out state. Even though this is what Yuna was begging for, the thrusts are slow and inexperienced—her new living dildo seemingly afraid to hurt his favorite idol.

"Don't be gentle! Fuck me hard, deeper...please, please! Wreck my asshole!"

Those words are enough. They spur the young man into action, and instead of taking it nice and slow, Yuna feels her whole ass shuddering at the rapid pace her lover is now setting. It hurt. Oh God did it fucking hurt.

The kind of pain that leaves her feeling filled with the greatest pleasure. The kind of pain that reminds her that she's alive—not some brainless idol robot with an image to protect. Yuna is a woman with sexual needs and she's not afraid to admit them.

"Faster, don't stop. More, oh God yes!!" Yuna is spouting out all the right things and it's certainly having an effect. "Fuck me!" Her hands grope her perky ass cheeks, trying their hardest to keep them spread open for the fuckfest raging on in the depths of her backdoor.

Her insides felt great to her new partner, especially as he gets more adventurous and drives her over the edge of euphoria with a thrust here, a squeeze there. His hands are gripping her hips, driving his rock hard length further into her cavern.

It must have been such a fucking miserable sight. The third guy in the room ignored and forgotten, sporting a massive erection whilst sitting on the edge of a King sized bed. Yuna didn't even notice it, nor did the guy currently drilling her ass. But she definitely notices it when he lifts her head and presses his tip against her slightly parted lips. The action catches her off guard, almost. It's just a quick glance and a lust filled smirk, but the quick understanding between them has her open her mouth to swallow the intruding piece of flesh.

"You want me to suck your cock while I'm getting fucked in the ass?! What a joke!"

The man looks dejected. That is until Yuna licks her lips and flashes a coy smile. She shakes her head, waves of dark hair falling around her cheeks and onto her back.

"I'm not gonna suck it. But you can fuck my face. Spit roast me. Make me choke me on your cock, choke me as his big, hard dick fills my little asshole."

Yuna opens her mouth, her tongue laid flat and waiting to be invaded. There's an overwhelming desire to be filled from both ends, a carnal hunger. If that's what it takes for her to receive this much pleasure, then so be it. She just wants her holes stuffed, fucked hard until they're so worn, so well used that her mind blanks into total ecstasy.

Yuna sucks and moans and mewls as he's driving his cock down her throat. Any cries of pleasure from being torn apart from behind gets muffled and lost under the garbled and sloppy sounds of the face-fucking.

She takes his cock hungrily into her mouth, bobbing back and forth, not even worrying about the gagging sensations or the burning in her throat, or the spit dripping from her mouth, nor even her eyes beginning to water.

The taste, the scent—the full sensory overload from receiving both a full frontal assault on her gag reflex and a rump fuck all at once is driving her crazy. Her clit is swollen and sensitive, and everytime she shakes her ass to guide his cock deep inside, her clit brushes against the silk-soft sheets and tenses something tight and coils deep within her core.

It builds, tighter, hotter—and the wetness trickling out of her needy, untouched cunt only aids the thrusts from his eager tool.

Her whole body shakes and trembles. A total body orgasm as she's used and abused by two strangers, faceless tools for her sexual pleasure. They take her, use her, violate and violate, spanking and penetrating wherever they pleased.

And through it all she takes it with grace, glee, and happiness. The pain mixed in with the pleasure was intense. Overwhelming. Every time another palm cracks against her reddening cheeks, every time that she's choked and pounded harder, deeper, it leaves her begging for more. Every thrust from either end sends another surge of the hottest, fiercest tingling through her veins. Yuna's completely submerged into the moment, so lost within it. A cocktail of sheer masochism and perverted need to be nothing but an object for her boys' enjoyment.

Then it happens, with another hard thrust into her slutty backdoor, everything snaps—and Yuna screams into a prolonged, euphoric moan. She cums, and she cums hard. Her second one in such a short space of time. It's so intense—so overwhelming.

It takes a whole minute before the world starts to spin again, the rush and adrenaline is almost too much, the double penetration pushing the boundaries and making Yuna realize how she could die right here, right now, and still not care. She almost forgets she's an idol for a moment, the label seeming so alien and irrelevant as the rest of her facade disintegrates along with her mind and body, dissolving under a sea of pleasure. Slowly fading as her partner finally bursts with an eruption of hot, thick, cum, coating her insides, filling her ass until it can hold no more and starts leaking out onto her skin and the plushy fabric of the covers.

The constant moans of joy must have been too much for the man occupying her throat. Cuz shortly after her ass is stuffed full, so is her mouth, spurt after spurt, sending Yuna straight into an orgasmic daze.

It's incredible—such a heavenly, amazing, thrilling and powerful feeling of a double load pumped into both of her holes.

She swaps from feeling like an object, a fuck toy, something to be used and abused, to just Yuna. Yuna who craves pleasure, needs love, and wants a feeling of validation that she's doing her very best to fill up with constant sexual trysts and promiscuous nights. It doesn't work though, because she can never truly be satisfied. No man, no orgy, no gangbang has ever been enough, never even been close enough. But when it's all over, these times, these moments are what Yuna lives and breathes for.

There's four bodies on the bed, laid out and completely wrecked—Yuna, the man with the enormous cock that spread her anal walls, the man that got the handjob of a lifetime from none other than Yuna herself, and the forgotten dude who eventually got to fuck her throat. Yuna can barely see or talk after being ravaged, but even still she's smiling like the cat that got the cream—because in essence, she had three extra large creamy loads.

It's not enough, no amount of cock could ever satisfy Yuna, but this is good enough for tonight. Tomorrow brings another night. Another night to find a nice gentleman to stuff her pussy that was left unfulfilled, left on the verge, twitching and ready to burst. But tomorrow is a worry for the future—now is the time for rest and relaxation, for recovery.

[deusvervewrites]

I’ve been working my way through your stories and your lore posts. I’m also finally catching up to the end of the MHA manga. My thoughts on the endings of various character arcs is something you might vibe with. Sometimes, mercy to the guilty becomes cruelty to the innocent. It’s great writing when the villains are people you can sympathize with, but it’s weird that the heroes are this focused on saving the villains that are causing so much death and destruction. Your thoughts?

The entire point of My Hero Academia is saving people.

From the first page of the first chapter until now that has never changed.

I've seen people criticizing Midoriya for not going out onto the battlefield to personally and deliberately murder Shgiaraki and I wonder if they're the same people who think Aang should have killed Ozai.

The idea of mercy to the guilty leads to cruelty to the innocent is what caused the entire plot. Had the people at the Dawn of Quirks not immediately started murdering children for being born "wrong", All For One wouldn't have had to cope by doubling down on their propaganda to justify his own existence to himself. But those people were "guilty" of being born wrong, and if they showed mercy to them, then what? What if those people turned on them? No, no. Better to not take that chance.

If Kotaro had forgiven his mother, Shigaraki would never have happened.

If the Togas had accepted their daughter, Himiko would never have become a murderer.

Spinner never left the house because he was seen as "guilty" of the sin of being a mutant. People were massacred for that sin.

Civilians nearly murdered Ippan Josei, a civilian herself, because they believed that mercy to the guilty is cruelty to themselves.

The greatest flaw of the Hero System is that it dehumanized everyone under it. The Heroes were flawless paragons who could never live up to their own hype and swiftly abandoned for failing. The Villains were deemed to be inherently bad and punished for it.

Endeavor was allowed to abuse his wife and all four children and faced no repercussions. Because he's a Hero and Heroes are good. Touya wasn't born correctly enough and was punished over a one-sided feud a generation before him.

Nobody was seen as human. That's literally the point of the final battle. Midoriya, Uraraka, Todoroki, they all had to recognize the humanity of the people they were fighting and remind them of it.

The thesis of My Hero Academia, of every single arc of My Hero Academia, is that Heroes are not "good" and Villains are not "evil." That failing to recognize that fact leads to dark places, like a government that doesn't bat an eye at murdering its own citizens to maintain power. Laws that strip you of your own bodily autonomy.

During his battle against All For One at Kamino, All Might states the the reason Heroes never lose is because they have people to save. The chapter titled Bakugou Katsuki: Rising, his origin chapter, is about 300 chapters into the manga and the first time he saves someone.

All For One and the HPSC are both cruel relics of the past doing their best to manipulate their way to power, viewing everyone in their way as disposable pawns. They're the same. You could even make an argument that the laws against Quirk use means the HPSC is literally giving and taking away Quirks via licenses. And they both completely crumble in large part because of their refusal to see people when it is so much easier to see the enemy.

My Hero Academia is a story about extending your hand to those in need.

[intricate-ritualz]

“herbert does his own top surgery & it’s all fucked up lookin” is great and cool but i’ve gotta say. herbert would never. (a little rant)

like Yes he Is crazy enough 2 do his own top surgery but he wouldn’t do it himself if he didn’t Genuinely think he could do a good job😭

and yeah Obviously he wouldn’t Admit that he isn’t good enough 2 do it himself.. he simply Wouldn’t Do It or he’d work his ass off making sure he can do it Perfectly

like. bro has an Ego. there is No Way he’s gonna walk around w crazy ass scars on his chest and b all “yeah i did it myself 😊”

HERBERT WEST IS A SURGEON HERBERT WEST IS A SCIENTIST HERBERT WEST IS A GOD AND HE WOULD NEVER ALLOW HIMSELF 2 BE FLAWED BY HIS OWN HAND.

like i simply can’t imagine him doing something So important So symbolic and just. fucking it up. ESPECIALLY with that something being a SURGERY that is ON HIS VERY OWN BODY. he would be like. embarrassed to mess that up😭

surgery is Art to herbert and he’d want to Brag abt how skilled he is how beautiful his work is HOW HIS BODY WAS BORN FROM SCIENCE FROM SURGERY AND IT IS BETTER AND MORE DIVINE THAN THE ONE GOD DISGRACED HIM WITH

I HAVE TAKEN REFUSE OF YOUR GOD’S FAILURES AND I HAVE TRIUMPHED. THERE. THERE IS MY CREATION.

tldr: yeah herbert totally does his own top surgery but it’s Flawless

[imaginelegends]

ITS HIM

ITS LA PIETA

but seriously, I feel like this one screenshot encapsulates my... hesitations about season 2. because honestly... it's shaping up to be Mid, and I mean that in the traditional meaning of the word.

1. It's good, nothing to complain

2. No overly glaring problems - story hits all the plotpointa

3. It's not flawless - or the level of quality has not superceded its flaws

And its that third point that kinda really... Hammers it in

*insert picture of Jayce*

Look at the Viktor screenshot - look at the quote

"The reason for our failures in the commune"

WHAT FAILURES?!? WE SAW NO SUCH FAILURES!!!

What are you talking about failures??? Bc from where we stood, your commune is fucking excelling - happy content people everywhere. Its clean. It gets fucking sunlight. Its nice as hell. What FAILURES???

and thats the problem you see - bc Viktor went from reluctant jesus to full on Messiah to apparently The Bad Guy All Along - AND THERES VERY LITTLE CARRY THE CHARACTER FROM ONE PHASE TO THE NEXT

same with cait - oh we see the prison, we see the fictitious arrests, the way enforcers wage war on its own people who BTW still aint independent of piltover, who BTW remain under piltover's rule, who BTW for the most part are innocent people who have done nothing wrong aside from being born in the undercity

the gangs are gone bc they all hate topside - and thats the only thing

BUT HERES THE THING, we dont see Cait doing any of this... its her soldiers, the enforcers, but aside from her magnificent leap to the bottom in s1, shes actually back to the usual cait - when Jinx stopped sexually frustrating her, she regained her moral code

(and we're gonna have to talk about the missed opportunities between ambessa, jinx, and cait. let me tell you. ive been cocked the block)

suddenly s2 act2 cait seems more or less similar to beginning of s2 act1 cait - with her misgivings about martial law. WE DIDNT EVEN GET TO LUXURIATE IN CAIT BEING DRUNK OFF HER TYRANNICAL POWERS!! WHAT WAS THE FUCKING POINT!!!

give me MOTHER goddamn, where the fuck was that??? where is goddamn horny seduction of power? where is ambessa getting pussy enchanted bc cait would tap that at least once and ambessa is trying to be professional and as cait starts pulling away, the lesbian break up would have been AMAZING - caits betrayal bc she went back to Vi?!? hello????? DO YOU NOT SEE HOW FUCKING SIZZLING THIS COULD HAVE BEEN???????

dont fuck the warlord - dont sexualize the warlord - ONLY IF YOU WERE A COWARD

give me the seething, writhing pit of moral ambiguity thats hot as hell

bc otherwise it comes out perfunctory.

LIKE BACK TO VICKY

if vicky was supposed to be the bad guy, his little commune needed to be A LITTLE MORE creepy. SHOW US THE FAILURES. show us how the healing turns people WRONG. What does it mean if vicky gets his hands on you? SHOW US THE HORRIFIED LOVED ONES WHO UPON SURRENDERING THEIR DISABLED BELOVED FIND THEIR BELOVED IRREVOCABLY CHANGED IN A WAY THAT CAN NEVER BEEN UNDONE

SHOW US THE EXISTENTIAL LOVECRAFTIAN HORROR YOU FUCKS!!! This whole commune could have been fifteen hundred percent weirder and uncanny, make us feel like we're in a fishing boat in the middle of the lake and something massive just brushed under our boat. make us feel small and uncomprehending cucks.

I FELT NOTHING!!! I FELT LIKE WE WERE HITTING EACH STORY BEAT FOR THE SAKE OF THE PLOT POINT

it was all perfunctory as fuck. there was no lingering, stewing tension that just gnaws at your bones until you remember with each aching movement. there was NOTHING like that.

i couldnt bliss out on the jayvik messy breakup. i couldnt savor cait having a pussy rebound with a worse partner (we couldve gone from Lestat to Armand levels of bad decisions here)

we get Nothing

So Arcane gets ONE more act 3 to finish this off but honestly... it feels like each act is almost self contained in and of itself. and the buildup of viktor and the arcane feels thin - papery - wishy washy. Im not entirely confident that theyre gonna wrap up everything nicely.

ive already had ONE MASSIVE DISAPPOINTMENT THIS YEAR, please i cant have another so close to the last (iykyk)

[medievalandfantasymelee]

THE HOT MEDIEVAL & FANTASY MEN MELEE

QUALIFYING ROUND: 136th Tilt

Uhtred of Bebbanburg, The Last Kingdom (2015-2022) VS. Robin Hood, Robin of Sherwood (1984)

Propaganda

Uhtred of Bebbanburg, The Last Kingdom (2015-2022) Portrayed by: Alexander Dreymon

“He's your quintessential fantasy hero, the embodiment of rugged hotness! What's more, he's a complex, flawed character - courageous, smart and trustworthy but also arrogant, impulsive and stubborn, which makes him more realistic and adds to his overall appeal. He's far from perfect, but good at heart, someone you could trust with your life. And look at his blue eyes :) What's not to like?”

Robin Hood, Robin of Sherwood (1984) Portrayed by: Michael Praed

“Perhaps no one ought to be able to carry off an '80s haircut of that sheer exuberance, and YET. Dark eyes you could drown in, cheekbones that could cut glass, and the right amount of mischief and vulnerability for an excellent Robin Hood. This is to say nothing of the long, dexterous fingers that I have definitely spent too much time thinking about. Anyway! He is lithe, beautiful, a little bit rakish, absolutely devastatingly hot.”

Additional Propaganda Under the Cut

Additional Propaganda

For Uhtred of Bebbanburg:

"If you want a textbook example of a hot medieval guy, Uhtred is IT. Alexander Dreymon is like, flawless from head to foot; gorgeous icy blue eyes, long lashes etc. and on top of all that Uhtred is just, such a likeable character. Short tempered? Sure, but humorous, just, fair-minded and loyal as well."

[Gifset]

[Gifset]

For Robin Hood:

“Amazingly great hair for someone living in a forest as an outlaw (but we're not complaining), and with eyes as green as a forest glade, this slim, fey Robin was a Saxon peasant who was ready to be a figurehead for the people of England who needed hope to endure under their Norman overlords. He accepted the role of the forest god Herne the Hunter and a legend was born.”

[hamiltonconfessions-but-better]

Alexander Hamilton is depicted as a deeply flawed yet compelling protagonist. To claim that Hamilton “did no wrongs” would be an oversimplification, but in the broader context of his life story and motivations, his actions and choices reflect the complexity of human nature. He is not meant to be a perfect hero. Instead, Hamilton is a well-written, flawed protagonist who personifies ambition, trauma, and survival. The tendency to criticize him for not being morally impeccable misses the point of his character arc. In reality, his flaws are what make him relatable and human, and they highlight the larger message of the musical: the struggle for legacy, identity, and self-worth in an unforgiving world. To expect Hamilton to be a flawless, ideal figure is to misunderstand both the character and the human experience.

From the first song, the audience is introduced to a man who has survived more hardship than most can imagine. Orphaned at a young age, growing up in poverty, and facing constant instability, Alexander Hamilton was forced to fight for his survival from the very beginning. His determination to rise above his circumstances is a central theme in both his life and the musical. Miranda's version of Hamilton makes it clear that his ambition was not born of simple greed or arrogance but of a deep-rooted fear of being forgotten or left behind. This makes his drive to achieve understandable, even when it leads him down darker paths.

It is easy for critics to say, “well, he didn’t have to write The Reynolds Pamphlet,” or “he didn’t have to antagonize people like Jefferson and Burr,” but these moments stem from a deeper, almost primal need to secure his place in history. For someone who grew up with nothing, the idea of losing everything he built would have been unbearable. Basic empathy requires us to understand that Hamilton's decisions were influenced by his traumas. No one who has lived through what he did would come out unscathed or free from flaws. 

One of the greatest disservices people do when discussing Alexander Hamilton is expecting him to fit the mold of a “perfect protagonist.” We live in a world where audiences are conditioned to look for heroes who are morally upstanding, never make mistakes, and always choose the right path. but life—and great storytelling—doesn’t work that way. Characters like Eliza, who retain their strength and grace despite enduring immense loss, are inspiring, but they are not the only valid models of heroism. Not every person who suffers will react with unshakeable composure or selflessness. Hamilton's flaws make him more real, more complex, and more interesting. They reflect the reality that people, especially those who experience trauma, are not always equipped to handle their emotions or decisions in ways that fit neat moral binaries.

Hamilton's recklessness, pride, and ambition make him both admirable and infuriating. He rises to greatness through sheer force of will, but that same will sometimes leads him to self-destructive choices. His need to defend his legacy (whether by writing The Reynolds Pamphlet or by relentlessly opposing political enemies) comes from a deeply personal place. He isn’t a perfect leader or a perfect family man, but that imperfection is what makes his story so compelling. To fault him for not being more like Eliza, or even more like George Washington, is to impose an unrealistic standard on a character who was never meant to be idealized.

It's fine to critique Hamilton's actions—we should critique all characters’ actions—but what many critics miss is the essential empathy required to fully understand Hamilton's motivations. His decisions, especially the ones that seem irrational or destructive, are the result of years of hardship, insecurity, and an overwhelming need to prove his worth. Writing The Reynolds Pamphlet, for instance, was a terrible decision on the surface, but it came from a place of desperation. Hamilton believed that by confessing his own sins, he could preserve his political legacy. For someone whose entire identity was wrapped up in being remembered, that seemed like the only choice.

Moreover, holding Hamilton to the standard of someone like Eliza—who, as people often note, endured immense personal loss with dignity—ignores the fact that not everyone reacts to trauma in the same way. Eliza's strength doesn’t invalidate Hamilton's struggles. His mistakes and vulnerabilities make him a more fully fleshed-out character, and while we may not agree with everything he did, we can understand why he did it. His life was a constant fight against oblivion, and he chose to make himself known, even if it meant sacrificing personal relationships or making enemies.

What makes Alexander Hamilton a great protagonist is not that he is morally perfect but that he is deeply, unapologetically human. Characters like Hamilton show us that imperfection and complexity are what make for good storytelling. If Hamilton were a flawless hero, always making the “right” choice and never stumbling, his story wouldn’t resonate as deeply. His ambition is both his greatest strength and his fatal flaw, and this makes him relatable to anyone who has ever strived for something and paid the price.

By the end of the musical, Hamilton's legacy is defined by both his achievements and his mistakes. He revolutionized American politics, laid the foundations for the country’s financial system, and fought for the principles he believed in. At the same time, his impulsiveness and need for validation led him into unnecessary conflicts and ultimately cost him his life. These contradictions make him a well-rounded, unforgettable character, and his flaws are what drive his story forward. to ask for anything more would be to erase the richness of his character.

Alexander Hamilton was not perfect, but he wasn’t meant to be. Miranda's version of Hamilton is a reflection of the complexities of human ambition, trauma, and survival. To dismiss him because of his mistakes or to judge him by unrealistic standards of perfection is to ignore the essence of his character. Hamilton's flaws are what make him great—they are the cracks in his armor that allow us to see the full depth of his personality and his struggles. 

To truly appreciate Hamilton, both as a person and as a character in the musical, we must recognize that perfection is not the point. He was a deeply flawed protagonist, but one whose story resonates because it is grounded in the reality of human existence.

-alexander hamilton defense anon

.

[omelepun]

General headcanons of mithrun and Kabru’s relations hip ? You can add some past!mithrun ones too 💗

Oooh sure!! Thank you for asking of course!!

- It would take them a couple of years to get together, Kabru realizes how he feels for Mithrun first but waits for the right time to say. Mithrun, however, after years of thinking “he’s a friend, a really really good friend who crosses my mind at least twice every hour, whose smile makes me feel warm, who i will die for” finally understands his affection for Kabru, blurts out his confession immediately.

- They would keep their relationship between closed friends, publicizing it means more trouble for the newly found kingdom and kabru’s prestige and position as the court counselor because people think elves are untrustworthy, they would be like “the advisor is banging an elf?! We’re doomed as a kingdom!” Lol. Kabru doesn’t really care because he loves that man to his grave, but mithrun is worried he will be the downfall of kabru’s career.

- They don’t argue a lot, but when they do Mithrun is usually the one to apologize first because it scares him to death whenever it crosses his mind that this trivial gripe they’re having might be taking up what little time Kabru has left with him due to the lifespan difference. They both desperately want to resolve the fight and get back to being lovey dovey as soon as possible lol.

- Mithrun’s parents know about his relationship, but they don’t care that much as long as he keeps it a secret and doesn’t disgrace his family’s name because in their eyes their son had died 40 years ago. He doesn’t see them a lot, once every 10 years or so, one time Kabru insisted on meeting his family if they are going to get serious, he begrudgingly agreed, a terrible idea as it ended with Mithrun teleporting his soup to spill it on his parent’s head and storming out holding Kabru’s hand after they made snarky comments about Kabru.

- Kabru likes to be the little spoon, Mithrun doesn’t mind this.

And here’s my headcanons for past Mithrun:

- Despite his arrogance, he was extremely self-conscious, always fretting over how people perceived him, how a strand of his hair was out of place. He spent a lot of time on the upkeep of his appearance like doing a 10 step skincare routine twice a day even though elves have naturally flawless skin.

- Most of his ex-lovers were people for whom his brother had feelings, he would specifically court them to “win” over his brother, trying to prove to himself that he is superior. These relationships didn’t last because his partners felt like his love for them only goes so far.

- Ever since he was a child he was made aware of his bastard identity, he was told that because of his silver hair and eyes he was lucky enough to be taken in and brought up as a lawful child. Because of this he hated (and loved) his eyes and hair, even though they were his ticket to life of luxury, he felt like he was reduced to less than a person, he was rather a replacement for their legitimate but flawed son. (Now that you think about it lol his situation was kinda the opposite of Kabru’s, who was literally almost killed by his father’s family for his eyes)

- Because of him being born from infidelity, he had to make up for it by surpassing his brother, in fact he spent a third of his life doing so only to be shipped away to the army in place for his brother. Just like that he was thrown away.

[tyrantisterror]

Saw Godzilla Minus One again and yeah, just as good if not better than I felt it was the first time.

But it does have me thinking - well, honestly, I've been thinking about this for a while - about how often critics of this series have bandied the argument that only certain Godzilla movies are "true to the spirit of the original," and others are not and thus are trash. It's always used as a way to not just praise the movie in question the critic is talking about, but to still paint most of the Godzilla movies as disposable garbage - which is really to protect the critic's status as an authority by emphasizing they do not challenge the popular assumption that Godzilla movies are by and large garbage, and instead only think certain Godzilla movies - a rare and specific few - managed to rise above their station as garbage to be worth something.

Godzilla (1985) is the only Godzilla movie to hold true to the spirit of the original.

Shin Godzilla is the only Godzilla movie to hold true to the spirit of the original.

Godzilla Minus One is the only Godzilla movie to hold true to the spirit of the original.

And I have... too many thoughts on this to put in a normal tumblr post, I should probably organize them into, like, an essay (god it's been ages since I actually wrote one of those, nowadays I just let myself ramble with only a thin grasp of a point). But this is bullshit, right? This is a bullshit thing that critics and especially fans, so many Godzilla fans do this. It's so fucking cowardly and pretentious, the act of a person without the bravery to truly stand up for art they love, a person who'd rather cover their own ass than be bold enough to fight for what others have ignorantly deemed trash.

Like, my feelings on Shin Godzilla are not negative - they're lukewarm, a "well it's not really for me but I get what they're going for" feeling. But so many people for so many years have held it up high and said, "Finally, a Godzilla movie that's not trash like all the other sequels, one that FINALLY lives up to the SPIRIT of the first, FLAWLESS, PERFECT FILM!" that I can't help feeling resentment for it, a sort of petty envy at how it is constantly held up so the people praising it can shit down on all the others that preceded it. I think I've been more harshly critical of it than I have most Godzilla movies specifically because so many people feel the need to praise it as flawless while shitting on the Godzilla movies that I like more - as if I need to find flaw in Shin Godzilla to prove my love for the others.

Which is cowardly too, in all honesty. We shouldn't need to burn one movie to praise another.

I love Godzilla Minus One. Objectively (or as objective as any critique I make can be) I think it's the best movie since the original, maybe even surpassing it (unlike the 1954 Godzilla, Godzilla Minus One has not jump cuts or other glaring editing mistakes caused by a rushed production time that didn't allow for proper film coverage). And while it may well be impossible to overcome nostalgia and topple the Holy Trinity of Godzilla sequels in my personal rankings, it might manage to fight its way into my top five Godzilla movies. It's an excellent movie, one of the best for sure.

...but people are ALREADY doing the "It's the first Godzilla movie that's true to the spirit of the original!" bullshit already, and specifically using it to tear Shin Godzilla down. I'm at least a little guilty of it - I mean, it was just an honest expression of my preferences, but still, there wasn't a need for me to express my lukewarm feelings on Shin while praising Minus One - and fuck, man, I already regret that.

It's a coward move. Fight for what you love even if people say you're cringe or uncultured for it. Fuck 'em, be the atomic freak you were born to be. You can't find your monster island if you don't.

[maranigai]

Do you still accept characters for that ask meme? I saw you only answered an ask about Messmer so far! How about Morgott for that ask meme? (not sure if asking DS characters counts since like 80% of info about them has to be manually hallucinated by the fan themselves, but I can if that's okay with you!)

Yep, I'm still doing character ask meme, Messmer simply was the only ask for me by now lol Also DS characters are fine too, of course they would be like 95% headcanon based, but that's why we love DS, isn't it?

But anyway, Morgott. My absolutely favourite of favourites of all ER characters...

favorite thing about them

First of all, Morgott is such a beautifully contradictory character. He's a demigod shardbearer and a cursed being, a proud monarch and a monster in his own eyes, a defender of all that is holy and a warlock shrouded in illusions. And all these things are actually logical and completely understandable given his story. Because, above everything else, Morgott is a broken creature, not as a result of his own deeds or guilts, but because of the things beyond his control, some ancient sins and crimes he's not aware of, some old vengeance that existed even before he was born. And this break, this pain, is a spiral, you know? Morgott hates his nature because he was convinced he's a monster, he supports the system that oppresses him because he believes that he's oppressed rightfully and this system is the best remaining option for the world as a whole, even if he and people like him have to suffer for it, and in doing so he causes even more harm, more oppression and misery for himself and everyone around. I love how he's a loyal, determined, faithful person, and this is exactly what makes him a villain in the story. He's an extremely tragic character, but completely consistent in his tragedy, his brokenness, and I have a deep weakness for broken things.

least favorite thing about them

I don't think there's anything I don't like about him as a character, I mean, he's certainly not flawless, but his flaws are what make him so interesting in the first place. So I say that my least favourite thing is his bossfight. Don't get me wrong, Morgott is one of my favourite FromSoft bosses in general, but I have a feeling that they made his moveset (super-complex and interesting) first, then remembered he's a mandatory mid-game boss and panicked to balance him to this level by drastically reducing his damage and hp.

favorite line

May the curse seep to thy very soul.

I just love his spiteful tone in this one, sorry.

brOTP

I could write Mohg or Godwyn here and it would be legit, but allow me to be more exotic this time and mention Malenia. They have many things in common, if you think about it: two cursed, yet somewhat noble beings, bitterly determined and endlessly loyal to their masters of choice. I can absolutely see how they can respect and understand each other, even if not sharing each other's cause. I also love the idea of a young, sick, not-yet-swordmaster Malenia and her Cool Big Brother Morgott, the only person around who takes her seriously.

OTP

Banished knight Oleg. Literally the mix of my favourite tropes of "liege and their a bit too loyal knight" and "my majestic, scheming wife and me, committing whatever crimes she wants me to commit today". Also Oleg dies before Morgott, so my inner angst enjoyer appreciates this as well.

nOTP

Mohg! I just can't see them as a pairing, their sibling relationships is everything to me. I'm also not a fan of Tarnished/Morgott, mainly because most of such arts/fics imply some level of self-indulgence and this just doesn't work for me (though I've seen several very cool works with this pairing too).

random headcanon

Three for the price of one: Morgott's hobby is creating clockwork automatons (a more detailed post about this hc); his favourite half-sibling is Malenia and this is mutual; he also shares Mohg's sense of fashion, but refuses to admit it.

unpopular opinion

While most people hc Morgott to be the elder twin, in my hcs he's the younger one (and the youngest of Godfrey's sons). Ironically enough, this isn't an important headcanon for Morgott himself, but it's an essential part of my perception of Godwyn and (especially) Mohg.

song i associate with them

Мельница - Что ты знаешь

My personal theme song for Morgott as the Veiled Monarch.

favorite picture of them

There're so many cool arts of Morgott that it's really hard to choose the most favourite one lol

So for now I pick this one by Cruentum_Noctis

[lnkedmyheart]

I like Oda as a character, I like the way he contributes to the story and how he influences the narrative. I do not however like Oda any more than say Karma or Fitzgerald. And in my very honest opinion, the huge problem with Oda's fandom characterization comes from idolization and the cool dead guy trope. The fandom sees Oda as this affable guy but also sees him through Dazai's eye where Dazai idolized him and puts him on a pedestal. The fandom sets Oda up as this faultless, flawless, perfect man who had all his shit together and was wise beyond his years and could do no wrong, all powerful token of perfection. He goes from a flawed interesting character to a Mary sue with silly quirks for "flaws". And this is why people so often misinterpret his relationship dynamic with Dazai and the impact of his final words. People are not allowed to analyse and critique Oda as a character because the moment you say you don't like him you have to put out an apology for hurting the fandom's feelings (real event, one user on tiktok had to actually apologise).

Oda is not perfect, he is not ideal and he is not faultless. Oda is not some pure soul like people insist he is, he was an assassin and while he no longer kills he was still working for the mafia. He was still involved in an organization dealing in assassinations, murders, gang violence, trafficking and more. He's barely 22 when he dies, he is young, he is traumatized and struggling to connect. Aside from that he takes dumb as hell actions like repeatedly going to visit the kids he adopted in broad daylight while there was a literal terrorist with a vendetta against him on the loose. He also repeatedly indulges Dazai's spirals, something that Ango explicitly calls him out on. Yes it makes Dazai feel like he has a peer but Oda is literally one of the most passive personalities in Dazai's life until his death, he rarely calls Dazai out on his spirals, often indulging his worst self destructive tendencies. He also struggles to place Dazai, putting him on a pedestal and alternating between seeing him as someone born to remain in the darkness and a child on the verge of tears. Oda also repeatedly fails to understand the sheer amount of hope Dazai had during dark era, most notable in their second last meeting when Dazai desperately tries to stop him from his suicide mission by trying to give him hope. Dazai is a very hopeful character who latches onto the most minor things in his life and postpones his death for them despite being actively suicidal. Oda's final words to Dazai take away any real hope he had while telling him that he should live to serve other people. Oda's words made Dazai into a martyr who only values himself through what he can do to save the innocent.

And no, I'm not saying this to slander Oda. I'm saying this to humanize him. Nobody in bsd is perfect. Everyone is flawed and human. Oda made stupid decisions, was involved with the mafia, etc and that makes him human. That makes his ending a tragedy greater than the fall of some faultless pious hero. Oda's final words were meant to give Dazai hope to keep living, to leave the mafia in a way that he never did and to do good in a way that he never could. And the problem was that he didn't understand Dazai was always this hopeful guy. He needed to be told that he will find a reason but Oda thought he wouldn't cause Oda was actively projecting on Dazai, and that's a theme in bsd, everyone projects on Dazai. In his final moments he told this suicidal kid looking for something to keep living for, that he will never find anything to live for and to dedicate himself to other people.

Yes Oda helped Dazai escape but he also broke something in that boy. And Atsushi is desperately trying to tell him now that no, Dazai doesn't need to martyr himself for others, that he deserves to live regardless.

Ready to get cancelled but I don't like the fandom Oda. I much prefer the Oda who accidentally fucked up his last words because he was projecting too hard. Like beast universe literally exists because that versions of Dazai took Oda's words way too seriously and tried to create a world where everyone but he survives and remains happy.

[dangermousie]

Something that struck me on this rewatch - how it's equally important that 17 fell for XY without knowing what she actually looks like (so there is really no element of physical desire there at the start - it's vvvv much a Victorian "I love you for your soul" set up) AND that for XY from the very start any feeling she had for 17 in large part relied on what he looks like and her finding those looks hella appealing. Long before she loved him or even liked him, she lusted after his bod etc.

Because for XY, even she herself doesn't know what her "true" look is like - she's been stuck in the transformation and cannot get out (when earlier she refused to show 17 her true face it's not even that she doesn't want to, she literally cannot) - it is super important for her to love her for what she is innately and she feels divorced from her actual look/her not looking like a beautiful high born woman for so long is such a part of her that I think she would always hold herself at a remove from someone she thought fell for her in part for her looks since she has such a fraught relationship with her identity and her looks are a huge part of it. It is so important to her that looks don't matter to him at all, since her identity/soul are so divorced from her body, through no choice of hers.

BUT!

It's the inverse for Tushan Jing. We are told repeatedly he was viewed as this beautiful peerless young master, with women swooning about his supposed perfection blah blah. But when XY lusts after him, he's no longer that. After his brother's torture (which was very much directed at ruining his perfection - it's the same reason Hou ruined his hands that were known for playing the qin; he scarred him all over very deliberately - in the novel they mention he had to go to great trouble to find some plant which is the only one that is applied meticulously can cause scarring to stick), his body is a complete wreck - he looks so hideous under his clothes that his fiancee who is planning to marry him no matter what for nefarious reasons can't even bear to pretend when she sees the damage and runs off for a bit. Even his well-meaning friends, like the rich girl Feng Long's sister whose name utterly escapes me, view him as seriously damaged. And here comes XY who is blushing and running off when he's barely well enough to stand, bandaged like he's auditioning for The Mummy and his scars are fresh as hell, who later obsesses over his hair like he's some sort of dude Lady Godiva etc etc. It is VERY clear that she finds him sexy as fuck, limp and ruined voice and horrible scars and all, and for someone with his issues - not just having his sense of self demolished, but having to live physically flawed in a flawless world, especially when he was viewed as perfect even by those insane standards before, is so so so necessary.

[libbee]

Many people in one body.

🌸When you dont feel like you know who you are, it can be the loneliest feeling in your own body. AIR signs sun/moon/mercury/venus have this tendency to become a different person with different people. It does not have to be with an ulterior motive. It is just thst they are predisposed to adapt to the social cues.

🌸Water sign in 5th house can give a dreamlike and dissociative personality. You escape into a world of make believe. Sometimes it might feel like a compulsion. Without it, the life feels utterly dull and tiring.

🌸Incompatible placements in one chart aka air-water or earth-air combination is like universe's way of making your life harder than it needs to be. You spend your energy fighting with yourself and creating a stable self.

🌸Do you ever look back and wonder "who the hell was that person?" You recall having friends but you dont remember who you were, what value you offered them in friendship, why they chose you in their friend circle. That is just you shedding skin as an 8th house native. 8th house can make you twice born. You were born once from your mom's womb. You were born again when you built yourself up from ground up. Literal self development.

🌸7th house sun/moon/mercury is not really a social charmer placement, that would be 11th house. 7th house is one on one connections, especially romantic. It can make native be like relationship is the sole purpose of thier life. You were born to marry and work on your relationship. It can make you so dependent that you cannot even function when you are single. You need that other half to be there. It just feels like a team strength.

🌸People who think they are sure of themselves are the ones who are the most unsure. People in TV/video/pictures/screen appear to be flawless and confident. But the screen just eliminates their anxiety and rawness. Learn human skills from the people around you not the ones on TV or cinema. They exaggerate their expressions, rehearse their dialogue and everything is edited and filtered. Real life has flaws, spontaneity, anxiety, raw intimacy and to be able to think on your feet.

🌸In Persona by Ingmar Bergman, Alma is the talkative, expressive and soulful self while Elisabet has chosen to remain silent, running from her past and a cold person. "Her problems is that her notions dont match her life experiences". People are not one person all the time, at every moment of their life. People change. Personality changes. Personality happens to people. We do things we never imagined ourselves capable of doing. It is scary to think you can be an unpredictable beast and surprise yourself by what you end up doing. It is like you cannot even trust yourself. Two women battling their guilty conscience. Emotions they did not choose to feel. Stuck in existantial question of who they are and why they suffer. Are the two the same person? I am a different person in my head, i look different, act different, everything is much easier in the head and the two lives coexist together. I think that the person in my head is not really me, it is some other girl I am fascinated with at the moment. So in my head, I am who I think I will be if I was like that other girl, makes sense? Something in her hooks my lackings, whether it is her extraversion or ability to befriend people or social confidence or looks or a hobby that is not mine. I live through the girl in my head another life, with another life theme, another life story, another persona. When you are like that, how can you be one person in one body?

🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸

[prettyinpwn]

Ford Pines: A Masterclass in Writing a Good Flawed Character

(Title disclaimer: his brother Stan is also fantastically written and deserves as much praise, but we’ll be focusing on Ford in this post).

It’s no secret that Ford is my favorite character in Gravity Falls. The reason why boils down to this: he is a perfect example of a character that is A. flawed, and B. goes through a character arc that addresses both his core want and need, and it successfully punishes him for seeking that want and rewards him for pursuing his need.

His flaws perfectly match his character want and backstory, and despite the fact that he does make mistakes, you understand exactly why Ford makes them. Not only that, you actually might root for him even though he’s not a flawless hero, because you understand the good intentions/character virtues and backstory driving his actions.

Lastly, his flaws are justified, but not excused by the writing, and he works to make up for them, which in my opinion is the key to creating a hero that is also realistic.

For those of you who read the above two paragraphs and are asking, “Wha...? Core want? Need? What do you mean?”, here’s a quick summary:

When I took writing classes in college (and over years of writing in general and drooling over writing advice podcasts and blogs), I found that the best method for me, personally, when it comes to crafting characters is to focus on two major things:

1. Their want.

2. Their need. On the surface, these look like the same things, but in character writing, they can be vastly different. For example, say that you have a character that greatly desires fame and recognition. They want these things.

But what’s the real reason behind it? Is it because they had a parent that was famous and want to live up to their example? Is it because they want to be adored by people? Is it because they were told they’d never amount to anything by someone and want to prove them wrong?

This real reason behind it all is the core need. Yes, they want fame and recognition, but they need it because, say, they have low self-esteem and need copious amounts of outside validation to boost it.

Tied to this need is usually a backstory reason (sometimes called their wound). Say your hypothetical character was bullied a lot as a child. Or abused by a parent. Etc. Whatever the wound was, it caused a big, painful hole in their heart that they try to fill and fix with their want.

So they go on a journey. The want is often the external journey. The need is often the core journey / character arc. Our example character seeks fame and recognition on an external journey, but deep inside, they realize they need something else, which is to understand that their past trauma/wound doesn’t define them, and fame and recognition will not be the balm they expect it will be. Often, they realize they had what they needed all along. They grow past their flaws associated with their seeking this want through understanding and instead pursuing the need.

Alright, Writing 101 lecture aside, Ford is a perfect example of a character that has all of the above. He has a want, a need, flaws related to pursuing his want, a backstory that justifies it but doesn’t forgive it completely, and a character arc that makes him realize he had that need all along, and he acknowledges his flaws and tries to grow past them. Let’s begin with some analysis to prove my point:

Ford’s Backstory: Protecting/Providing for Family > Everything Else

Ford was born in Glass Shard Beach, New Jersey, to a Jewish family in what is jokingly referred to as the “lead paint district”. His father owned a pawn shop, and his mother was a phone psychic in an era where not many women worked. Their social class is never strictly pointed out, but through context clues we can tell that they were not rich by any means.

Their small house was an addition atop their family shop and had mismatched furniture and peeling wallpaper; enough to keep a roof over their heads, but not enough to upkeep things for aesthetic/fashionable decor reasons. That, combined with a family conflict later that surrounds money that could have - as their father put it - “been their ticket outta this dump”, tells us quite plainly that Ford grew up poor, likely lower to lower middle class.

(I want to preface this next part about Filbrick, Ford’s father, with a note that yes, I personally consider what he did to Stan in A Tale of Two Stans abusive, but I will explain why he threw Stan out, or at least how he justified it from his perspective. Filbrick isn’t perfect, and no well-written character is. What he did makes total sense for his character, even if we as an audience don’t view it in a positive light.)

Ford’s father was a very strict, unemotional man. He provided for his family and worked hard, but he likely was the sort to have never told his children that he loved them verbally. Action > words to Filbrick, and everything he took issue with, were things he perceived as threats to his family. In the comic Lost Legends, released after the show ended, we see Filbrick take issue with Ford’s twin brother, Stan, who he accuses of stealing a gold chain from his pawn shop (and it turns out, Stan actually did, though purely for good reasons).

Filbrick gets upset with Stan because he’s protecting his family. He’s protecting his son from making the wrong decisions in life, because he wants what’s best for Stan. While it may hurt Stan to feel so picked on by his father compared to Ford, Ford explains why in this way:

(Also, can we talk about the symbolism in Stan looking at his reflection here? Throughout the series, we learn that Stan looking at his reflection = him thinking about his brother. Stan looking at his reflection while wondering if his father hates him? Translation: “Why does Pa love you and not me, Ford?” and/or “Why doesn’t my reflection match Ford, would my Pa love me if it did?” /cue heartbreak).

Anyways, it turns out, Filbrick was right. Not just about Stan - who later nearly ends the whole universe trying to get Ford back home - but also about Ford. Ford also takes shortcuts later on in life, namely with Bill, and they become his biggest regrets. But we’ll get to those later. All in all, both Filbrick, Stan, and Ford do things for benevolent reasons - usually for their family - but their flaws often come into play in the manner they try to achieve that.

Filbrick throwing Stan out is a great example. Stan’s breaking of Ford’s project was the breaking of Ford’s future as a millionaire, which would have lifted the Pines family out of poverty. Filbrick should have understood that his children are not tickets to wealth, talked it out with Stan and Ford to get Stan’s side of the story and helped them patch their relationship wound, and tried his best to help Ford find a different college to go to, but... instead, he throws out Stan, and tells him that until he makes millions, he’s not welcome back in the family. Ouch.

Like I said, I’m not justifying what Filbrick did in any way. That was straight up abusive. But Filbrick is a character where family security/stability > everything else, and so when Stan threatens that security/stability, it crosses the line for Filbrick. To him, Stan hurt him, their mother/wife, and his own twin brother, and Filbrick punished him for it.

But the irony is, is that in throwing Stan out, he was threatening the security/stability of his family, because Stan was his own son. Greek tragedy right there, folks. Often the things we do to avoid something, make us cause that thing to happen anyways, at least in stories. Sometimes it’s throwing your son out because there was a prophecy that he’d kill you and marry your wife/his mother, and later finding out he only could have done that if you’d thrown him out, so... oops? Other times, it’s trying to protect your family by throwing your son out, and yikes, you just hurt your family by throwing your son out, not just that son, but the happiness of both of your twin sons for decades to come.

Yes, I just compared Gravity Falls to Oedipus Rex minus the weird mother-son parts, deal with it.

Another factor is how they were treated as children. Ford was obviously the golden child. Stan was not.

I mean, literally, a golden child:

Heh, I see what you did there, writing team...

Anyways, a golden child is often described as, “held responsible for the family's success. Parents appreciate and adore them and, in a way, reinforces them to become better in whatever they are doing. A golden child is an example for others to follow. Even the siblings of the golden child are compared with them to create continuous pressure on their performance; to ensure that they shouldn't fail or fall short in their good behavior and accomplishments."

And also, “Their main purpose in life is to satisfy their parents' needs and procure success, name, and fame for their family from outsiders. Parents consider [them] an asset to the family and always make them appear superior in front of others.” (Source).

Often, you can tell a golden child by:

-An overwhelming need to please / a people pleaser. Notice how when his principal tells him about West Coast Tech, Ford only gets especially excited when he hears about how it might make him a millionaire, and when his father says he’s impressed. Once again, to Ford: providing/protecting for family and approval from his father > everything else.

-Required to grow up faster or contribute to the household at a younger age than siblings. “Your brother was gonna be our ticket outta this dump!”.

-Super high achieving, especially with grades.

-Fear of failure. His rejection from West Coast Tech he considered a massive failure, even though A. it wasn’t his fault, and B. he did just fine at the university he went to instead.

-Attachment to those that praise them / low self-esteem / a need for excessive validation from relationships AKA the exact flaw that Bill took advantage of to manipulate Ford.

-Sensitive to criticism. In Journal 3, when the Tarot reader tells him his flaws, and Fiddleford asks him to maybe reconsider finishing the portal, Ford gets angry. Whenever people make fun of his hands, he hides them.

So, getting back to the character writing lesson I explained above, how does this lead to Ford’s core want and need? Alright, friends, let’s summarize Ford with a few sentences:

“I want to find where I am accepted/loved and I want to protect those I care about, but what I need is to realize I had that acceptance all along, and often times the things I did to protect those I care about, I actually instead hurt them. This stems from a wound from my childhood where I was a golden child placed under high pressure to succeed, and simultaneously was outcast for my six fingers.”

And as I said, Ford had his need all along. Stan always accepts him from Day 1. Fiddleford McGucket also accepts him in the events of Journal 3. When these relationships break for Ford, is when an event happens that threatens his core want: to be accepted. But on a superficial level, when he’s rejected or criticized, an especially sensitive matter for Ford, someone who has been outcast for his hands and treated as a perfect golden child his entire life.

He has acceptance from both these characters, but the moment he gets rejected from West Coast Tech, and the moment Fiddleford criticizes his portal project... we see Ford at his worst. Both Stan and Fiddleford accepted Ford despite his flaws, but when reminded he wasn’t perfect... all hell breaks loose internally for his character. He says nothing to defend Stan when he gets kicked out, and he gets upset at Fiddleford and risks his health and the universe to finish the portal project. Because for Ford, not being perfect means he is failing to be that golden child.

Cue Ford’s Dark Night of the Soul, or the biggest mistake he makes and he tells Dipper later on was his biggest regret: trusting Bill Cipher. Someone who told him he was perfect, fed his ego and insecurity like cheese in a mouse trap, then snapped the lever when Ford realized he was being used and lied to. When Ford realized that his fears were true: he was not perfect, and in trying to attain perfection, his flaws were only made that much clearer.

He had made a giant mistake trying to attain the one thing he had all along, but feared he never would get, so traded real acceptance that acknowledged his flaws for false acceptance that told him he was the perfect golden child he’d been trained to be.

This is why Ford is a well-written character. He has flaws and suffers for them until he makes up for his mistakes. They are understandable flaws, but like in real life, just because it’s understandable why we act poorly at times - be it because of trauma or upbringing - it doesn’t mean we’re justified in continuing to hurt others or ourselves because of those flaws. We must acknowledge them, grow past them, and do our best to do better in the future, as well as apologize to those we hurt along the way.

This is also what separates Ford from his father. His father - as far as was shown in canon - never tried to make up for his mistakes. Ford does. This is why Ford is a hero and Filbrick is not, despite Filbrick thinking from his POV that he had good intentions for what he did. Additionally, Ford is also an example of breaking generational trauma because of this.

How it Plays Out

So Ford is deeply flawed, realizes those flaws almost got himself and the universe destroyed, and what’s the first thing he does? Whine? Complain? No, this vengeful, nerdy BAMF goes on a thirty year redemption arc to stop Bill, knowing that he could spend the time getting home, but instead choosing to use that time to redeem himself at the expense of his own life and freedom.

See? That’s the thing. While Ford is flawed at times for acting out what his father taught him to be, he also has virtues we can root for him for based on these same teachings.

He’s protective of his family at the expense of himself:

He’s protective of the universe at the expense of himself:

He doesn’t hide from his mistakes, he tries to confront them head on:

He often isolates himself to be a lone hero shielding against danger AKA “Dipper, you shouldn’t be down here because my work is far too dangerous for a living soul to spend even one second down here!”, whereas... like, Ford, you’re a living, human soul, too. Doesn’t your safety and the chance to receive familial love you’ve missed out on for three decades matter? Think about how long he must have ached to see his family and home again? And his first inclination isn’t to bask in that love and warmth, it’s to act as Cerberus guarding the gates of the underworld, all alone. Because to Ford, that’s his purpose: to protect and prop up his world like Atlas, all alone:

“You risked the universe for worthless old me? Why would you do that, Stanley?” AKA “I’m the sacrificial golden child meant to prop up our family and further mankind through science, why didn’t you let me sacrifice myself and bear this burden all alone, you idiot?” *CUE RIGHT HOOK*

“Oh, there are children down here? Let me put away my thirty-years-festering gripe with my brother for a second to protect their comfort and stable environment with maturity because I am an adult. Also, let me kneel to their eye level and praise them for their weirdness.”:

“Oh, my brother is cheating off of me in class?” *Smiles.*:

“My brother gets called the dumb one who will never amount to anything?” *Frowns and looks guilty.*:

“There is a mere suggestion that Stan and I should hug and I’m the one who looks back to see if Stan will go for it?”:

“Stan, you broke my trust and chance to provide for our family years ago, but I’m now giving you another chance to earn my trust again by asking you to do the most important thing I’ve ever asked anyone to do while I stay by this portal and likely get turned into a demon snack and/or get mentally tortured here alone.”:

“Hey bro, I know you just broke my trust a second time by threatening to burn this book, and I just burned you, but I trust you still to save me and/or at least still take the book far away so that Bill is stopped even though it might sacrifice me.”

“I am shameless in my love of nerdy things, and don’t tease my nephew for them, either. I make him feel accepted and like he belongs, because I know what it feels like to be outcast.”

“I invent things for my family as soon as they need something, and go above and beyond what is necessary for it.”

“I was a big old dumby dumb and trusted Bill, and you were, too, Dipper, but we can still defeat Bill. Also here, Dipper, I got you a soda.”

“Mabel, you did that family protection thing that has been my core drive and/or wound my entire life, I will entirely ignore the wealth you just heaped in front of me and appreciate only the unicorn hair that will protect said family, you’re a good person.”

“I am the world’s nerdiest, most badass old man.” Okay, this doesn’t really stem from a flaw, but it needs to be said...

“Dipper, wouldn’t you also like to use your smarts to improve humanity selflessly and have the reason you’re an outcast become your strength, too?” also the way he dorkily poses in front of this like Ford you ain’t Alexander the Great or Luke Skywalker calm down you chicken nugget

“Fiddleford, I’m the reason you live in a dump and married a raccoon. I was a stubborn, self-centered, insecure owl shit and I am sorry.”

But all these good things go out the window when Ford’s central flaw comes screaming back:

“Hey Stan, I am the golden child, you must be perfect like me, I am very smart, you are not, and you are not like me, you know that one thing our father always faulted you for and you spent decades trying to make up for even though you shouldn’t have had to, because grammar, Stanley.”

But then his redemption comes in this single, heartbreaking shot (’scuse the pun):

“Stanley, I know all our life that father wanted you to be like me and not yourself. How fitting that my character arc redemption comes when you are dressed like me and I have to erase you, Stanley Pines, and I can’t even look as I take away who you are because who you are has value, even if you’re not me like father said.” AKA “I want you to be Stanley and not just my reflection.”.

And:

“I had somewhere I belonged. Somewhere where I was accepted and not outcast. Somewhere where someone appreciates me but doesn’t put pressure on me to be perfect or because they just want something from me. Someone who wanted us to sail around the world finding the supernatural and having fun because he promised it to me all those years ago, right after I complained that I just wanted somewhere where I fit in. Stan was where I fit in, and after decades of pushing him away, I realized that. I had my need - acceptance and protecting my family and familial love - all along. And because I often hurt Stan Greek tragedy style in my quest to find those things, I now will make it up to him as a thanks for being the one who never used or outcast me, no matter what.”

TL;DR: Ford wanted love and acceptance, but he needed to learn to stop rejecting that love and acceptance that people like Stan gave him from the get go. Also, daddy issues, I guess.

In Conclusion

So, is Ford an egotistical, insecure assbrain sometimes? Yes. Does he treat people like garbage at times? Yes. Does he treat himself like a tool to be used and is he self-sacrificial to a fault at times? Yes. Does he let himself get used like a tool for the sake of praise and ego-feeding? Yes.

Is Bill Cipher tricking him like that a metaphor for how his father treated him because “Ford I will praise you as long as you are useful to me” type sentiments? You decide.

But we understand why he does what he does because of his backstory. We know why he has these flaws: his upbringing.

What elevates his writing even more, though, is A. the writers were not afraid to show these flaws in all their grisly light, B. even though they justify his flaws, they never excuse them. Ford suffers for the above qualities. Those he cares about suffer for them, too. And there’s no easy path for him to fix them.

Like people in real life, it takes him decades to identify and solve these flaws from childhood issues and apologize to those he hurt. But he does it because he is a good person. A flawed, but good person at heart, who will do everything he can to make up for his mistakes and protect his family. Just like Stan.

Perfectly written character. 100%. Fantastic job, GF team.

[homunculus-argument]

Whether or not a person is attractive doesn't depend on whether their appearance has any inherent "flaws". As a matter of fact, as rare as they are, people whose faces and bodies are "flawless" aren't even particularly attractive, mildly pretty at best. The biggest factor to whether someone's good-looking is presentation.

Most things that genuinely detract from someone's appearance are fixable - things like being clean and well-groomed, having a haircut that frames their face well, wearing colours that compliment their complexion and clothes that fit well, all make a world of difference, but first and foremost it's about how they carry themselves, good posture, and having genuine confidence in themselves.

Features that people are born with are never truly flaws, but simply features of their appearance. They give a face character, and frankly a person can't be truly remarkably, stunningly attractive without them. People that make people halt on their tracks almost always have something distinct about them, like a woman with a handsome hooked nose or a man with slanted teeth like a wolf. The kind of features that you couldn't remark on without it sounding like a backhanded compliment, but which you couldn't remove or "fix" without detracting from their appearance.

And even if you think you just look weird as hell, you should know that being weird-looking and being good-looking aren't mutually exclusive. Try doing something with your appearance that accentuates the features you have, instead of trying to tactically hide them with the way you dress or style your hair. Being "well-dressed" isn't about being understated, but having a distinct style, first and foremost wearing things you like to wear.

Ignore the people who advise you to not wear a specific style, item or colour that you like because it draws attention to some "flaw" in your appearance, it compliments you if you like it. There are clothes that I would absolutely never put on myself, but which look good on the person who wears them because you can tell that they're wearing it on purpose.

Think about blue cheese. Not everyone likes it, but the people who do like it fucking love it, and they would like it less if it tasted less like blue cheese. But if one of them found a random plastic grocery bag from the side of the road and found mushy, pungent, greenish-white substance inside, most of them probably wouldn't go ahead and give it a taste - even if it was the best goddamn Aura they could ever have tasted. But if the exact same stuff is all packed up in a neat, shiny package and a well-designed logo on the side, it's the most expensive damn thing in the grocery store.

It's all about the presentation.

[lemonhemlock]

To me Rhaenyra would’ve been such an enjoyable character if she wasn’t perpetually framed as the hero (which is the intent, so that’d be a different show), If she could’ve been as sheltered, entitled, and even cruel as she actually is without always being presented as the flawless chosen one… she’d been great to watch ngl. She happens to be portrayed by two strong performers, and Emma in particular plays the “entitled” and “manipulative”part very well.

I’m definitely Team Green, as in, i do think Aegon is the heir over Rhaenyra from the moment he’s born, but my issues with Rhaenyra aren’t about her thinking the throne is hers, or fighting for it. She’s the firstborn and it was promised to her. I get that and do sympathise with her because of that.

The obvious comparison is Shiv Roy (the circumstances are very different, i’m talking framing/writing) who many might say is the best Roy (and this could’ve been said about Rhaenyra even without the hero framing) because she is the most left-leaning, and she also says pretty things like “when I’m queen I’ll create a new order”. It’s when it comes to actions, neither can truly back it up, because the quest for power is what matters the most, and Shiv wasn’t patted on the head during hers. It was also acknowledged a few times that she does believe in the things her brothers don’t care for. Why was it impossible for Rhaenyra to be written like this? Cause she’s supposed to be Daenerys 2.0 and that’s a shame

rhaenyra would have benefited tremendously from shiv's writing. for example, shiv's storyline during "america decides" is so well-executed & elaborate - hotd could never. she wants the democrat candidate to win bc she does believe in more left-leaning ideals, but, at the same time, her selfishness and self-preservation and desire for power come into play as she wants to lead her father's company via the arrangement she has with matsson. so she finds herself in a situation where she wants to eat her cake and have it too - have jimenez win but NOT if he agrees to block the deal to sell off waystar.

in the end, her desire for power wins over and she refuses to even try to (indirectly) convince jimenez' team to accept to block the deal like her brothers want - she never makes the phone call. if waystar gets sold off, she can't "win" and she wants to win no matter what. and she gets called out for this. explicitly and dramatically. kendall catches her red-handed and her hypocrisy is exposed for all to see. shiv doesn't care enough for her principles to make a personal sacrifice, even if it's for the good of the entire country. it's sympathetic because she is trying as a woman to react to being excluded from the high echelons of power, but, at the same time, it's utterly meaningless, because she is/will be rich af no matter what, so being CEO is just child's play. just that other people will get hurt if the fascist mencken becomes president, but who cares about that, right? shiv is a privileged woman who will be ok no matter what, the suffering will always be reserved for other people.

poignant parallel to the targaryens fighting over the throne and never choosing the welfare of the people over their own consolidation of power. rhaenyra could have been a rich woman living her comfortable housewife life, but she feels so entitled to a position she doesn't even care to fulfill properly that she plunges the entire continent in a pointless civil war. she doesn't have a political bone in her body, is diplomatically inept and her administration skills are lacking, but viserys promised she'd be queen, so that's that. just like shiv doesn't have any true qualifications or experience to be CEO, but she pursues that goal to the detriment of her personal relationships and morality.

as you said, shiv is not patted on the back for holding the "right" political beliefs, she is not given chosen-one white-hart framing, she is presented with all her complexity and flaws and contradictions. like rhaenyra, she is not shown to do an altruistic gesture if it doesn't benefit her in some way, so the narrative doesn't treat her like the second coming of christ. rhaenyra could have similarly been a groundbreaking female character - not necessarily likable, but sympathetic and complex and ultimately interesting.

[mitsukiwa]

Made for vice

A/N: You may have read this same one before but this one was edited; my other story was roughly draft also criticism is welcomed. If there are any mistakes pls let me know. Hope you enjoy.  !MDNI!

word count:0.3k

You were forced, against your own will to be his. He took what soldier’s had fought for all mankind to have Freedom. Never had you ever thought it’d be something taken from your grasp. Simply because of a rejection, we all had that choice to make. But him he took it from you, whatever liberation you had before seized away from you. 

The two of you encountered back in October. There was a coffee shop a few blocks down from your work building. The doors of the cafe dinged as a new customer entered, glancing up from your computer. There was a man of average height with a slim and narrow build, Captivating crimson wings. 

You couldn't help but stare, knowing it may come out as crude despite having such fierce wings. 

It's an astonishing sight to see something so surreal, golden irises staring back at you. 

You quickly looked away, cheeks beginning to warm up at the reality that you were caught goggling.

It's not strange to have specialties like this in this world.

They're known as quirks. Quirks superhuman capabilities, that can be possessed. Along with being unique to each user. Quirks are sorted into different categories. Though then there's the quirkless to sum it up people who are are are born as ordinary normal whichever you want to call it. I'm one of those people born without a quirk. Those who are expected to rely on those with quirks, Those called heroes. 

Yet not all heroes are flawless, there is always a flaw within them.

And I comprehend that by experience.

How it all began

You resumed typing away into your computer, Entirely ignoring the humiliation you'd just put yourself in a moment ago.

From your peripheral, you notice someone walking over to your table.

They cleared their throat to grab your attention.

you gaze up 

it was the man you had just been staring at with a cup of coffee in hand.

Not sure if he came over to scold you about how rude it is to stare at a person.

 wait...

you know this man he's a

hero

Known as the hero hawks, you've noticed him on the news. 

Pro Hero Hawks 

Number two hero

And he's standing in front of you right now?

''hello,'' he said with a grin.

You greeted him back.

'' would you care if I sit here?" he asked as he indicated the chair in front of you.

You couldn't help but look around the cafe. There were plenty of stools and tables unoccupied.

Yet you hummed a yes.

There was one word to describe what you deemed at the moment awkward.

''what's your career'' He suddenly asked.

You were surprised he even continued to try a conversation out of you. Nonetheless, you responded

''I'm an Author,''

he hummed 

''interesting''

''And you?''

Sure, you already knew but still, you wanted to continue the conversation a little longer. Out of boredom really.

He gave a breathy laugh

'' you don't know?''

You shook your head

''no, sorry''

''well, that's a first,''

''what's your name?'' He asked

''what's yours,''

You were well aware, you probably sounded like a child right now.

He chuckled

''Takami''

''nice to meet you Takami,''

He had a shit-eating grin you wanted to punch off his face.

Why was he smirking?

''what's your name?''

You told him your last name, not really on first-name bases since you didn't know this man at all.

He repeated it himself. You felt a weird sensation at him pronouncing your name. 

And you heard him say your name along with his ''Takami''

You widened your eyes at his boldness. How dare he say that you don't even know-

''I gotta head off duty calls,'' he said as he got up from the seat and stretched.

''wanna maybe give me your number? So I can call you later on?'' 

he had that shit-eating smirk again

''no, thank you''

Hawks was surprised. He's never been rejected before by anyone. Every girl he'd wink at would fall to his feet at a chance with him. He was popular with the ladies. However, you were different.

''I'm just glad at least I got your name.''

He waved you bye and exited through the glass doors of the cafe, you saw him flap his wings, as they slowly levitate him up into the sky, but before he was out of view, he winked at you flashing you his smile.

I hate him

I hate him

I hate him

But you don't know why, do you?

Is it because he made you feel something?

Or is it because you want to hate him, but you don't have a reason yet

                                       ───── ⋆⋅☆⋅⋆ ─────

''you met THE hawks!''

''yea,'' you said coolly

'' He was willing to ask for your number, and you refused!''

You knew exactly where this was going. Hori was your close friend from work. Knowing each other for three years is enough time to promote the title.

She was a ''big'' fan of the winged hero. It only made sense, She'd be mad I rejected her idol.

''Shimoda!''

''what is it ?''

''she rejected Hawks,''

''wait what you spoke to the Hawks ?''

you nodded. Honestly, it wasn't something to be proud of.

''He even asked for her number,''

And the discussion persisted. They got infuriated at you for being so hard-born.

Serendipity 

fuck serendipity 

Why?

Hmm, you may be asking at this very moment, Well simple serendipity fucked up your life.

It didn't leave things as they were no, instead it wanted to ''help'' out.

Your company had gotten a call around noontime. The caller had asked for you.

And, you were shocked to find out who it was. They claimed it was urgent to speak to you. 

Which was weird for you, your parents never called you.

That right there could've been your red flag instead curiosity gets the best out of a person always.

''hello?''

''hey little nugget''

your brow furrowed.

what the actual hell was this

''Who is this?''

''aww, don't tell me you forgot about me already,''

The voice sounded familiar, it could be no other than

''Hawks?'' voice sounding high pitched though it wasn't intended to be.

''the one and only, ''

''how'd you get my works phone number?''

''I got my ways,'' he cleared his throat '' I was thinking... I could maybe take you out to dinner?''

cliche' 

you thought as you rubbed your chin

''I'm busy,''

''C'mon,  just let me take you out.'' he persisted

"I'll pick you up by the time you clock out,''

''I said no-''

Beep

fucken prick

You dreaded leaving work, and having to deal with a huge ego pro-hero exhausted you.

You never wanted more from him. He was the one who approached you, after all.

He went to extreme measures to find out your work location, which did startle you.

Of course, you didn't tell your work friend, knowing if you did, she'd make you go, so you kept this one to yourself.

You looked over to your mini clock located on the right corner of your work desk.

It read 8:30, and your eyes widened.

You groaned running your hand down your face.

god no

You thought to yourself.

Just great, so fucken great

You start thinking of ways to avoid him, but the thought that he is there blocks you from even thinking straight.

Grabbing your purse as you stood up from your chair.

Your phone chimed.

Without a second thought, you opened up the notification.

Hori<3:you wanna go to the bar with me and Shimoda

A wide smile made itself in your features.

And here I thought my luck wasn't any.

With newly made confidence, you grabbed your belongings and made your way to the front door of your work building.

Walking out of the building, the first thing you saw was a sports car, colors red and black.

The windows of the car rolled down and revealed hawks.

He gave you a boyish grin.

As he indicated you come over.

Reluctantly you did, Hawks then got off the car and walked over to the passenger's side, and opened the door for you.

"hawks something came up'' you begin your excuse.

''get in'' He demanded with an apathetic expression.

Whatever gentleness or outgoing aura he had before dissipated completely.

His voice raised, and you felt intimidated.

So you silently stepped into the car. The door slamming was heard, along with him mumbling something you couldn't quite hear from the inside of the vehicle.

You swallowed the lump forming in your throat, as he walked around the car.

The driver's door opened, and he stepped in slamming the door shut, and locking the doors.

He turned his head in your direction and gave you a tight-lipped smile.

''wasn't so hard was it?''

You opted to nod, not trusting your voice, knowing that at any given moment you'll break down into tears.

'' We need to get you something to wear, work clothes aren't very appropriate for this occasion''

Now realizing that he indeed has a nice dress shirt with black dress pants and a Rolex.

And you looked nothing superior to his level. If anything, you seemed like you were nothing.

The drive was about 20 minutes, and it being quiet was very uncomfortable, but you are glad you've finally made it.

The store he'd token you were an indeed expensive and a very well-known store.

Hawks then got off the car and walked over to your side to open the door for you.

You wanted nothing more than to puke.

He reached his hand out for you to take, which you hesitantly took.

The street lamps illuminated his gold irises perfectly. His red crimson wings seemed more contrasted.

He helped you out, closing the door behind you. 

He placed his hand on the small of your back as you both walked to the entrance.

You both walked into the store. 

Immediately you felt like you didn't belong.

Soon a worker came to assist the two.

 She was stunning.

She had lengthy light brown hair with greenish-brown eyes. You were starting to feel envious.

'' How may I help the two of you'' she wore a bright smile.

''I need the finest dress in this shop''

Hawks sounded arrogant, it bugged you. You bite your bottom lip to avoid the commotion.

''all right, come this way, sir''

The women's heels clacked along the white floor as she walked over to a dressing room.

''wait here while I check for it''

He simply nodded as the woman took her to leave.

Hawks called out your name.

You turned your head in his direction.

 ''yes, hawks''

He then rolled his eyes, glaring at you.

'' Don't call me hawks call me Keigo.''

He wants you to call him by his name? And again, you did comply.

''sorry, I meant to say Keigo'' you corrected yourself.

The widest smile made itself on his features

you could've sworn his eyes were sparkling.

Soon she came back with a dress along with a manager.

''Hawks my man, how you doing'' the man conveyed in a cheerful voice.

''Great, I just need this one to look gorgeous for tonight''

He indicated to you.

Your face started heating as all eyes were on you. You hated too much attention.

''Don't worry we'll get that handled''

The man assured hawks, flashing you a smile.

Soon they left the fitting room to get ''the best dress'' they certainly have in stock.

''I would have gotten a dress tailored for you if I had planned '' Hawks voiced.

''you don't have to''

You stated, waving your hand dismissively.

                                          •─────⋅☾ ☽⋅─────•

You stared at yourself through the mirror, the dress fit perfectly, showing every curve on your body with enhancement.

 You wore a black cami cowl neck midi dress, it looked stunning.

Through the mirror of the fitting view, you saw hawks on the bench, licking his lips at the sight of you.

You shyly look away

''I think that's the one, don't you think love?''

You nodded your head, not giving a verbal response.

                                · · ─────── ·𖥸· ─────── · ·

The restaurant was beyond what you have imagined. The valet opened the doors to the car as you then stepped out.

Hawks walk alongside you with his arm snaked around your waist.

You fiddled with the expensive jewelry on your neck he had brought you before arriving at the restaurant. The pendant had a k with diamonds engraved on the insides of the k. The necklace felt heavy on your neck.

Suddenly you feel something tickle your cleavage. You glance down and notice a crimson feather in between your breast. You stare at it, confused, as you walk side by side with hawks up to the desk.

The waiter seated you shortly after, and you both sat at a secluded table.

''Isn't it perfect Babe'' hawks mussed. 

You nodded.

 You pulled the feather out of from in between your breast.

holding it in between your fingers

''Keigo why'd you do that?'' you said sternly.

''It's marking my territory, my little nugget.''

''territory? so now I'm owned'' You scoffed.

''Yea'' he said with a wide smile.

You couldn't believe this. What are you some object he can take a liking to, write his name on you?

''unbelievable'' 

''so, what are you ordering baby?''

The feather in between your finger then began to wiggle out of your hold as it flew its way back to your cleavage.

Looking down at the menu before you. Officially deciding that there was no way you'd make up your mind. All the dishes looked delicious your mouth was watering.

You ended up ordering a salad and water while hawks ordered chicken wings. Which for you was funny you were just about too close to comment on him and his wings but ended up biting your tongue once more.

For some reason was spent how any other couple would.

But you two weren't a couple.

''We should go to this nice hotel I saw-''

''it's getting a little late, and I have work tomorrow,'' you spoke.

Once again, hawk's face dropped, staring at you.

''But we can on my day off'' you tried

In an instant, his face lit up. It was rapid, you thought you were assuming things.

''so this means we'll see each other again?''

''sure''

As you were opening the door of the car to let yourself out, he quickly grabbed your arm and pulled you close.

His lips meet your own in a tender kiss. You felt pubes on his chin against your own. The kiss was short-lived as he then pulled away. Still in shock, you stepped out of the vehicle.

''ill text you later on,'' he said 

'' you don't have my number'' you stated

''I do, and ill send you a selfie of myself to prove it''

''wait how'd you even get my phone number,''

''I have my ways, anyways.''

With that being said he wished you goodnight and drove away.

You walked over to the front door of your home.

All you wanted to do at this very moment was to take a warm shower and sleep in your comfy bed.

                                                 ｡ﾟ•┈୨♡୧┈• ｡ﾟ

Your phone chimed repeatedly as you typed away on your laptop. You were just about to turn off the notifications when you read it.

You've seen the media little bird

You furrowed your brows at the nickname.

And wait what did he mean about the media?

The first thing you saw when you opened up the media was some gossip article about hawks. The title grabbed your attention in an instant.

Hawks' latest hookup?

Hawks secretly has a relationship.

Hawks spotted in the spatula restaurant!

What the actual fuck was this?

Your face was all over the media.

You heard whispers around you in your workspace as you scrolled through your phone.

                               ⋅•⋅⋅•⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅∙∘☽༓☾∘∙•⋅⋅⋅•⋅⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅

These past few days have been nothing but gossip about the number two hero and his secret relationship.

Even going as far as having to hide your appearance, you'd have paparazzi tailing you at any given moment to take a shot of you.

A buzz interrupted your train of thought pulling you back into reality.

Flicking your eyes over to the phone. The screen lit up a notification on the lock screen.

Skimming the notification

Annoying bird

New message

In all honesty, you didn't feel like responding. Knowing Keigo, he would probably come over to your house and confront you for not answering in at least 6 minutes.

Opening the message

Let's go out again.

You typed onto the phone's keyboard. Pressing the send button after you've typed your sentence.

I'm busy, maybe next time?

That was a lie, you were currently comfortable on your bed you had decided to call off work not in any mood to be confronted by your coworkers about your ''relationship'' with the hero.

Darting your eyes over to your nightstand you grab the red feather. That was placed on top of it.

Holding it in your hand, you stared into the crimson feather.

At any given moment, this soft delicate feather could turn into a razor-sharp knife, if he wanted it to.

You hummed as you placed it back on the nightstand.

The phone buzzed again

I'm picking you up from your house be there in 5 min

Wait, how´d he know?

You looked over to the feather beside you, brows furrowing in realization.

You heard your balconies sliding doors open, your head snapped to the direction of the noise.

You stepped quietly out of your room looking down the hallway. Eyes squinting to adjust to the darkness.

Now in your living room, you glance over to your balcony door.

It was closed switch locked 

But you could´ve sworn you heard the door open

Dragging your feet over to turn on the living room lamp you heard a cabinet shut close.

Making your way over to the kitchen, you felt a strong arm grab you against him, slapping a hand over your mouth and muffling your whimpers.

''little bird, the second you hear someone come into your home you dial 911''

Your eyes widened.

He then let go of you.

Turning over to look him in the face, he wore a smirk.

''you scared me'' you barked.

''This just shows you wouldn't know what to do in that situation. Now I'm worried you can't protect yourself.''

you scoffed.

''no one really barges into my house without telling me first.''

'' I did tell you.''

''no, I told you I was busy'' you remarked. 

''busy? you called off work today.''

He spits back.

Crossing your arms, you then said something you´d later come to regret.

''I'm not your girlfriend, stop acting as if I were.''

He stared at you intently, his slit pupils narrowing. His wings spread a bit as he walked over to you. This image of him looked intimidating, placing both his hands on your shoulders.

''you're going to be soon.''

                        ______________⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆____________                                                /*yandere ml*/                         ______________⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆____________

''Your home is small.''

''it's fine'' you retorted.

''you say that now but you´ll soon come to realize this place would be small for our kids to roam around.''

You stared at him with pure disbelief. Why would he imply such a thing, especially after you´d just told him you two were nothing, not even friends?

''Don't worry frills, I got enough money to find us a good enough house.''

He took one more step further close to you.

''no need to look so troubled'' He reached his hand out to cradle your cheek, and you pushed him back away from you.

But it seemed no matter how hard you tried to get away he was always one step ahead.

'' Of course, we´ll do everything the right way we´ll get engaged and have a wedding honeymoon. All that package.''

Suddenly the words caught in our throat, and your heartbeat was banging against your ears.

''it won't be the same as my parents did, I'll protect you and our soon-to-come family. And provide you with your needs. You'll be a queen.''

All of a sudden breathing was now hard to do.

You didn't dare move an inch.

As the feather was now against your neck, no longer soft but in its sharp form.

Those gold eyes stared directly into your awaiting an answer.

You swallowed hard, breathing in sharply.

slowly nodding your head.

At this, he beamed with excitement, the corners of his eyes crinkled along with his pearl-white canines in view.

He then embraced you in a not-too-tight but not-too-loose embrace.

Wings enclosing around you.

Your face was flushed against his chest.

''You really were meant for me, baby bird. ''

Too scared to even bite back you nodded against his chest.

The aroma of his cologne enveloped your senses.

''can't wait to be a Takami huh?''

you bite hard on your tongue to prevent yourself from saying something you'd regret.

''You no longer have to worry about financial shit'' He assured you in that sick sweet voice he's fooled many with.

''Your main concerns will only consist of worrying about the kids and the house being neat and cleaned'' His voice became soft in a soothing voice, almost too good to be true.

____________

''How'd you get my ring size?'' You questioned.

You don't remember ever giving it to him.

''remember that feather?'' he questioned.

As you recalled that feather that had curled around your finger as he told you it would be your temporary ring. A way to let many know you belonged to him. And every individual who saw it had an idea of who.

You nod your head.

Staring down at your hand

no doubt this ring must have cost more than what you earn a salary a year.

Although the ring fit perfectly, it felt, as if it were cutting off your finger's circulation.

''beautiful huh?''

''yes''

This ring should not be on you, but on someone who really was in a happy engagement, and you were certainly not.

''I tried to find one that was good enough for you, but if this is not what you want, I'll find you another.''

''no, it's okay, this one’s alright.''

''alright?'' he questioned eyes sharp.

You cleared your throat ''I meant divine it's beautiful.''

''not as much as you are frills.''

© Mitsukiwa 2023-Do not copy,post or translate my work anywhere.