#books to films

[starrynightsxo]

me before you (2016)

[letthehatersbark]

The funniest one star review of Wicked I've seen so far

[going2hell4everythingbutbeingbi]

I firmly believe that some stories can never be translated into a different medium and that's okay

[reallybadblackoutpoems]

imagination (1963) - harold ordway rugg

"chekhovs cat / schrödingers razor / occams gun"

[mysharona1987]

[livinliterary]

7 Books to Read Before The Movie & TV Adaptations Premiere in 2024

When it comes to adapting books into movies and tv series, there’s often a bit of controversy leading up to the film/series, during its run, and afterward. It’s not as good as the book. It changed too much. It can’t compete because there’s too much to explore. Inner dialogue and narration are not synonymous, and the effect is different. The casting doesn’t fit the novel’s character descriptions.…

[jadesenigma]

Portra 800

Strand Book Store, NYC

[superectojazzmage]

Deadpool and Wolverine is the single best portrayal of Wolverine in live action so far because it's the only one that really understands how best to depict him; a grouchy trainwreck of an extremely divorced dad who loves his dysfunctional shitshow of a family but also can't fucking stand them and is THIS close to driving the station wagon off a cliff during the drive to Sunday church with everyone inside in a fit of alcohol-fueled manic depression.

[the-blueprint]

"Brazilian hand games and American hand games!!!! Realizing that the art of hand games comes from Africa! I never thought about it before. It was just embedded in our childhood."

"The collective consciousness is real"

"My goodness. We played this in Nigeria too."

There's a documentary with @jamilawoods called "Black Girls Play" about the history of handclap games in the US and their importance in the Black community. And a book before it called The Games Black Girls Play, by Kyra D. Gaunt.

[fascinationstreetmp3]

James Spader as Michael Boll BAD INFLUENCE (1990) dir. Curtis Hanson

[warningsine]

Love seeing the new generation find out how, well, gay "Wicked" is.

Closeted high femme dressed as the lesbian flag not getting on her rebellious activist bestie's broom and regretting it for the rest of her conformist life.

[jordanbolton]

To The Cashier Who Asked How I Am Today - Jordan Bolton

My first book ‘Blue Sky Through the Window of a Moving Car’ is now available to pre-order! Get it here - https://smarturl.it/BlueSky

[writingwithfolklore]

If it doesn’t impact the rest of the story, you didn’t raise the stakes

              I recently went back to a chapter at the midpoint of my novel and changed a huge detail of it because I thought it didn’t raise the stakes enough as it was. Because of this change, I had to go through every single scene and chapter beyond that point and edit it to fit in and make sense. It was annoying, but that’s how I knew I achieved what I wanted to.

              Raised stakes change everything about a story.

              If your characters can continue on as they were, then you didn’t really raise the stakes at all. This heightened pressure or danger has to be heightened enough that their lives as they know them are different now.

              Consider this: at the midpoint, you introduce a mutated form of a monster your characters have been facing that’s more deadly and intelligent than its predecessor. It’s a super scary scene, but after that, your characters go back to their safe house to talk over how best to kill it.

              Suddenly, this new monster doesn’t feel as much of a threat. It’s just another element of the same threat they’ve already been facing.

              To properly use this element as a way to raise the stakes, it should take away something the characters rely on—safety, allies, powers, etc. Something they can’t get back, and don’t get back for the rest of the story. They now have to adapt to new circumstances, and things will never be as easy for them again.

              So maybe instead, they flee to their safe house only to discover that it’s no longer safe—the monster is smart enough to get through their hidden entrance and corner them. Now they’re stuck out in the open, taking turns keeping watch and slowly deteriorating to sleeplessness and stress.

              That’s a delicious steak.

[reallybadblackoutpoems]

animal farm (1945) - george orwell

"womp womp"

[emilyscastlevania]