Role of Directors Networking in Corporate Governance
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Honestly with the workload these kids be getting, what they are studying in school and just generally how they are treated. You really forget these kids are like 6 years old.
Anya is the only one that consistently acts her age and so she sometimes comes off as immature which is insane when you think about it they are all literally 6. This also works cause we can assume she is a year or 2 younger than the rest of her grade, still, even then it’s insane.
Which is why when the other kids actually start to show their age usually in situations of great emotion, the bus hijacking for one. Or even when the kids think one of them is going to have to leave because his family is now poor and they all rally around this kid they never even really spoke to, or when they literally think that some macaroons will make them smarter and help them pass the test. Or when they simply want to play outside.
it’s so jarring and you’re left being like oh right they're six, this isn’t normal. Six-year-olds shouldn't be put under this kind of pressure.
It's another neat little insight into just what kind of society these kids are living in. And a little bit of irony that Loid who wants to create a society where little kids don't have to cry anymore is on a mission that requires the infiltration of a school where little kids can't even be ones.
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For Juneteenth I want to tell you about Sarah Boone: inventor of the modern ironing board, and the second Black women to receive a US patent.
Sarah was born into slavery in Craven County, North Carolina in 1832. Legally barred from education, her grandfather secretly taught her instead. In 1847 she married freedman James Boone, and was herself freed for unknown reasons. They moved to New Haven, Connecticut before the civil war, and had 8 children together.
James worked as a brick mason, and Sarah worked as a seamstress and dressmaker. While other inventors of the 19th century had been slowly improving the design of ironing boards, Sarah found them inadequate for the job, so she set about making something better.
She wrote in her very detailed patent,
"The purpose of the invention is to produce a cheap, simple, convenient and highly effective device, particularly adapted to be used in ironing the sleeves and bodies of ladies’ garments."
Her ironing board was narrow, curved, symmetrical, and tapered so that the narrowest parts of a garment could fit around it flatly without ceasing while easily turning the garment for each side. It was padded so the fabric would drape more gently, also reducing ceasing. It had collapsible legs that started towards the center of the board so that there was plenty of room for clothes to fit around it while also being mobile and easy to store. It was easy and cheap to manufacture so that it would be accessible for anyone to buy. Especially important when Black people were (are) both poorer and more harshly judged for their appearance.
She submitted she her patient in July of 1891, and obtained United States patent number 473,563 in April of 1892. 132 years later we are still using Sarah Boone's design with very few changes.
She died in 1904 at the age of 72 and is buried in the family plot in Evergreen Cemetery in New Haven.
So next time you iron something, admire how well thought out and purpose built Sarah's design is. Black excellence and freedom made that possible. If she'd remained in slavery she would never have been able to design it or patent it.
I'm thinking about her story today and mourning the generations of Black innovation we never got because because of slavery. All that brilliance held back by such an evil and dehumanizing institution. All the Black innovation held back today due to the legacy of slavery and ongoing racism. The inmates who are still legally enslaved in this country and not given a chance to thrive and create. I'm thinking about how reparations could help other descendents of slavery have the money to work on their ideas. (Or just live other fulfilling lives because no one should have to be exceptional to be respected.)
I'm also thinking about how vital Sarah's ironing board has been to activist organizing. They're cheap, flat, long, fit in small crowded rooms, and historically everyone had one. The humble ironing board was vital to the Civil Rights movement, union organizing, and the queer rights movement among others. Ironing boards are an unsung hero of Black liberation.
Ironing boards are so simple that we never think about the care that went into their design or the woman behind them. But we should. And now you know the story.
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Sarah Boone (née Sarah Marshall; 1832 – 1904) was an African-American inventor. On April 26, 1892, she obtained United States patent number 473,563 for her improvements to the ironing board. Boone's ironing board was designed to improve the quality of ironing the sleeves and bodies of women's garments. The ironing board was very narrow, curved, and made of wood. The shape and structure allowed it to fit a sleeve and it was reversible, so one could iron both sides of the sleeve.
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Armand sneering about how torturing daniel for five days and wiping his memory was a drop in the bucket of damage daniel did to himself, only to immediately pivot to "oh, you remember it was six days? you're fine after all! i didn't even leave a scratch" is so classic. "How could I have hurt you? You were already so damaged" exists alongside "How could I have hurt you? You're completely undamaged" and the contradiction doesn't matter at all. What matters is that Armand didn't hurt Daniel, not really, he was just having a moment. He apologizes, because he's so gracious and put upon while Daniel makes a big deal about nothing.
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Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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