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#blockbuster dividers
strangergraphics · 2 months
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video store/vhs themed dividers:
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please like and credit if you use, reblogs are appreciated! thank you! 💕
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Mom, I am a rich man || Tom Blyth x gf!reader
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Summary: Fans have always speculated that Tom was dating someone until he confirmed it in an interview. After digging through Tom’s socials, fans stumble upon you, a Yale law student.
Warnings: fem!reader
Wc: 341
A/n: anyone studying law atm? 🙋‍♀️ ALSO THANK U SM FOR 6K AHHH THATS INSANE!!!
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Divider by @pommecita
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“I did it!” You slightly furrow your eyebrows at the text message your boyfriend sent you before clicking onto the link that he sent. It was a 2 minute interview that he did while at one of the premieres for his hunger games movie.
Tom looked insanely good in his tailored suit, exuding confidence as he engages with the interviewer. Cameras flashed around him, capturing the glamour of the event, and you couldn’t help but smile, feeling a sense of pride for your boyfriend.
The interviewer, a charismatic host with an air of familiarity, turns his attention to Tom, eager to delve into the behind-the-scenes of the blockbuster. “Tom, how was the filming process for ‘The Hunger Games’?” She’s asks, a glint of curiosity in her eyes.
Tom smiles, his eyes gleaming with enthusiasm. “Oh, it was fantastic. The whole cast and crew brought so much energy to the project. But what made it truly special was having my family here. They visited during filming, and even my girlfriend, who took some time off uni to be with me. I greatly appreciated that.”
Your heart swells with warmth at his words. Tom, ever the supportive partner, acknowledges your sacrifice and commitment to being by his side during this whirlwind experience.
Your 2 months in Berlin with Tom was a great opportunity to take a break from all your uni work, and of course, spend some much needed time with your boyfriend. The revelation that he has a girlfriend elicits a gasp from the woman interviewing him.
That video goes viral on the internet. With Tom’s fans searching the internet for anything that could lead them to finding out who Tom’s girlfriend is.
With hard digging, fans discover your insta page. Your posts containing photos of your life as a law student at Yale and fans were pleasantly surprised to find never seen before photos of Tom that you’ve posted.
y/n_y/l/n just posted a story!
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y/n_y/l/n
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Liked by tomblyth and 2,941 others
this months dump!
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yourfriendsusername: 😍😍
↘️ y/n_y/l/n: ily!
yourfriendsusername: uh oh, ur getting famous…. remember me pls!
↘️ y/n_y/l/n: sorry, who are you 😂
user1: omg so this is Tom’s gf? SHES GORGEOUS
user2: damn she’s hella smart huh?
↘️ user3: DUH SHES IN YALE
user4: eh, she’s mid
↘️ user5: studying at one of the ivy league’s is far from being mid lol 😭
user6: she’s been posting him for so long now, how have we only just found this out 😂
user7: so she’s pretty, she’s smart, and she’s bagged Tom Blyth? Damn girl. Teach us ur ways!
user8: THE LAST PICTURE AWEE
user9: the bouquet behind his back- the way she’s looking at him- my single heart cannot 😭✋
user10: studying in Yale is such a flex oml. And studying law too? Imagine being able to say, yeah my mom’s a lawyers. COULD NEVER BE ME. 😃
~
tomblyth
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Liked by y/n_y/l/n, rachelzegler, phoebedynevor, tomblythupdates and 8,307,163 others
yeah my girlfriend is cooler than me.
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y/n_y/l/n: Alexa, play brooklyn baby by Lana Del Rey 😁
↘️ tomblyth: volume up Alexa!
rachelzegler: y/n’s side eye 🙈
↘️ y/n_y/l/n: 👀👀
↘️ tomblyth: side eyed me the whole damn time
user1: HE FINALLY POSTED HER!
user2: can’t wait for more gf appreciation posts 😆
user3: what’s a uni student doing dating an actor like Tom Blyth?
user4: first pic. sleeping on the road tn.
↘️ y/n_y/l/n: pls don’t 🙏
↘️ user5: AHH SHE REPLIED TO YOU
↘️ user6: UR SO LUCKY TO CALL TOM UR MAN.
↘️ user7: nah, he’s actually my man.
user8: crying. screaming. throwing up.
user9: it’s happening 😭 Tom finally posting about his gf
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astralnymphh · 4 months
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YES PLEASE. BLOCKBUSTER ELLIE?? 90’s?? SIGN ME UP. WHERE DO I PUT MY NAME??😖😖🙏
- 🩵
a/n + cw; OMGG AN EMOJI ANON i haven't seen you guys in a hot minute, but YESSS BLOCKBUSTER ELLIE!! specifically x customer reader. it's a cute duo! and let me relay why from my very scrambled 3 am jot-down. was going to make this a blurb, but it better translates through something more structured. ++ SFW! kinda mean!reader tbh (but ellie likes that), very fluffy you might squeet, quickly written, awkwardness, ellie being a nerd. [first pic from amoaeIIie on pinterest]
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Imagine Ellie, in her blockbuster getup, leaning her butt into the edge of the register counter, jamming to whatever is playing on her hand-me-down walkman; earsbuds in, eyes downcast, head bopping slowing - soundly unaware of you awaiting service on your over-due rental. "Hello?" your volume divides the soft ambiance of the store, but it isn't enough to rope Ellie's mindspace from the clouds. Calling out again, "Hell-looh?" you extend beyond the cash register and wave your hand - nothing, nada.
How the hell has this girl not gotten her ass fired yet?
After numerous roadblocks, a brazen last resort comes into play. You cut around the counter briefly to take things into your own hands (literally) because you have not the time, nor the patience, for her slacking off.
Beryl eyes drop sharply to the walkman in her pants pocket when a single earbud is spooled from her ear, assuming it fell - but to her surprise, it hung low from your finger, and a glance above that finger was your face. Risen of one brow, flat-lined of your lips; impatient.
And her entire focus blanks out when you begin to speak, curtly and satirically, "Hey, I know busting out your Dad's old walkman in public makes you feel cool and whatnot, but you're on the clock." handing the slim cord back over to a stunned girl, flushed behind the pop of her freckles. Maybe your tone of voice sent her higher into the clouds, past a coven of angels, because her lips part narrowly and remain still for a single second - save two or three. Or maybe it's 'cause you specified it as her 'Dad's' which was.. spot on.
And whatever excuse she had quickly cherry-picked for you, hesitated audibly in her throat before it split from it, "O-Oh, right, shit sorry - was about to end my shift n' thought the store was empty. My bad." scrambling to stuff the other earplug in her pocket and avert all attention to you. Very eagerly.
"Looks like you've got a late fee on this one.." her pitch pummeled deeper, and coarser as she concentrates on the clunky screen she hunches slightly to use. Scrunching the freckles of her face together, hogging the blue-lit screen. Poor girl probably forgot her glasses at home. "Annnd are you looking to rent the sequel?" she peeks her auburn head from the screen and holds up the cased movie, tracing her index over the plastic cleft, tapping twice. "To this - it has a second part."
There's no denying it: she is cute - and guilt rolls your guts around for being so snippy and sullen to her earlier. But based on her demeanor growing enthused the second she saw what movie you had in hand - she doesn't seem to care a hoot.
"Out of stock," replied you, indifferent-sounding - and strking; crossed arms, bent knee, stiffly-standing. Comparable to a millpond. "Guess I won't be the only person with late fees." you take a breath to jest, shaking loose strands of hair from your eyes.
"Haha," you're no world-class comedian; that joke wasn't all that funny, but the need to hurl any affirming noise at you, was necessary. Relenting to reflex. What can she say? Love at first sight! "Yeah, that seems like the agenda these days," Ellie sighs out, molding the plump of her lip under her teeth and reshapes it into a dorky smirk. Isn't she just a sweet chocolate-box of adorability?
"Hmm, bummer."
That hum and word trips into her ears, knocking some brain-cog, and an idea limns her features; they glow wide. "Actually - um, I've got a copy of the sequel at my place. Technically it's my Dad's, but.." her pitch fluctuates, mindlessly thumbing the case between two fiddly hands. "Maybe you can - if you want, not pressuring you or anything - come over?" she throws a pointed thumb backwards, motioning a potential future. "Watch it? If you weren't planning on watching it with somebody else."
Slick trick to seeing if you're single; of course you'd watch movies with your boyfriend - or girlfriend.
"Hmmm.." you hummed longer this time, and this time it admitted the mushrooming of an almost aggravating anticipation in her belly. Like you meant to torture her with 'hmms' and nothing but 'hmms' as your answer hung high in cloudy abeyance, until, "What's the name on your tag - ah, Ellie."
"Yeah?"
"Ellie," you confirm her name twice, and speak it to enthrall her full-scale attention. Made it sound fucking sugary sweet, through a swirly whisper and a twist of your head. "If you can give me a discount, or a full wipe on that late fee, then yes. It's a date."
Light panic ensues. "Date?" she croaks and laughs it off, "I mean - pshh, guess that's one way to put it." backtracking to her hunched, elbows-on-the-counter pose.
"You put it that way."
"Yeah, I just.. didn't wanna admit that." immediately, she uncurls her spine again, relaxing her muscles to somewhat peer at you. "Sure. No more fees." Rounded eyes lost - adamant on indirectly staring at you and the space below you, because Goddess forbid a stroke of idiocy flickers through her while gawking at you.
The store runs dead-quiet in the background of your conversation, leading you to one golden question. "Your shift over after this?"
Oh damn, her cheeks are pink. "Uh-huh," bet she's oblivious to that red-hot beam nearly bursting the seams to her face, too. Nasal lines fold as a severe smile tugs, shadowed by her bent thumb poking at it. "Takin' my car?"
And that's how you pick up girls at a video store in the 90s - the Ellie Williams way.
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this isn't even the full idea
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sanguineterrain · 2 years
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i'll put us back together at heart - s.h.
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Summary: It's 1987. You haven't spoken to Steve Harrington in nearly five years. Then Dustin Henderson tells you about a sweet deal he has at Family Video, where he can rent any movie he wants.
Pairing: ex-best friend!Steve Harrington x fem!reader
Word count: 8.8k
Warnings/tags: friends to strangers to lovers. the reader is twenty in 1987 and i technically made steve twenty-one/about to turn twenty-one. s4 happened but eddie's alive and vecna's dead. no earthquakes or anything like that; reader has no idea about what really happened. lots of angst, mentions of billy hargrove (yuck) and steve's s1 asshole friends.
A/N: oh my lord. i don't know where this eighteen-wheeler of a fic came from but here it is. there is a happy ending, not to worry. i'd never do that to y'all <3 feedback and reblogs are always always appreciated!
divider by firefly-graphics
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August 1981
"I wish we could stay eighth graders forever."
You lift your head from your orange pool floaty. Steve drifts on the surface of the water. His hair is longer, way longer than you've seen it in the three years you've been friends. He says it's better for styling that way; he's even bought a gel and cream for his hair. You don't understand why he wants to change something that doesn't need changing. 
"Why?" you ask. "I thought you were excited for high school."
He hums. The sound echoes in his backyard. 
"It's bigger than middle school. More kids, more teachers, more work. I like eighth grade."
"I'll help you with your work," you say. 
Steve turns his head and smiles at you. Part of his face is in the water, the image distorted. 
"You'll do great," he replies. "You're so smart."
Steve doesn't say those things to get you to help him like other kids do. Steve means it. 
"You'll do great too," you say. "You're funny and nice and my best friend. People will like you."
"You think?" 
You nod. Steve turns his head and closes his eyes again. 
"We'll stay friends, right?" he asks. 
The floaty squeaks as you move to sit up. You paddle to Steve so you can look at his face. 
"Why wouldn't we?"
"I dunno." His eyes are still closed. "You might make super smart friends. And I'll just be a dumbass holding you back."
You shove Steve's shoulder lightly. 
"You are not dumb, Steve."
One muggy June night had had Steve admit he wasn't thirteen, like you and all the kids in your class, but fourteen. He had been held back in third grade after his parents moved from Illinois. It's why my brain's mush, he'd said. I was born dumb.
He had made you swear not to tell anyone. 
"You're not dumb," you say again. "Say it, Steve. Say you're not dumb."
His frown deepens, but he still won't look at you. 
"Tommy says I am."
"Tommy Hagan is a shithead," you shoot back with so much venom, Steve's eyes fly open. "It's not true, whatever he tells you."
You hate that they've been hanging out more this summer. You can't tell Steve that, because it's not like you own him. He can be friends with whoever he wants. But you can't help that your skin crawls when Tommy and his stupid girlfriend, Carol, drops by and pulls Steve away from you. 
“Promise?” he asks.
“Yes, Steve. I promise.”
“‘Kay.” Steve smiles a little. “Thanks.” 
You nod and lay back on the floaty. 
“Wanna get ice cream after this?” he asks. 
“Just us?” 
“Just us.”
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Now. (January, 1987)
You slam the phone back onto the receiver. A girl playing Pac-Man carefully glances at you. 
Whoops. Right. You're still at work. 
You smile and give a thumbs-up. She turns around. You return to your wallowing. 
You’ve called three different video rentals. Jewel Films, which is about to go out of business; More Movies, whose attendant hung up on you before you could say Molly Ringwald; and finally, Blockbuster, which is thirty minutes outside of Hawkins. None of them have a copy of Pretty in Pink. 
And okay. You could just watch another movie. You don't need that specific one. But this year has been shit. You'd thought after starting college, you'd finally break out of the Hawkins forcefield that had limited your social life. You'd thought you'd make friends and not be so terribly lonely. Life is supposed to get better after high school, isn’t it? 
Obviously, whoever said that is a big, fat liar. 
“Dude!” you hear a familiar voice exclaim. “Stop hogging the game!”
Tawny curls peek from under a green and yellow hat. The hat hovers over an older boy who’s glued to the Tempest booth. You go to them. Dustin Henderson lights up when he sees you. You can read his hat now; it says Camp Know Where ‘85.
“Hey, Y/N!” he greets brightly. “This guy has been here for a half hour. I left to get nachos and when I came back, he was still here.”
“I’m this close to beating my score!” the kid insists.
“Come on, guy," you say, one arm on the machine. "You gotta give other people a turn."
The kid, evidently demon incarnate, sneers at you.
“Who’s gonna make me? You?” 
You lean against the side of the game, considering.
“How old are you?”
“Sixteen,” he says.
You snort. 
“Sixteen? And you’re still on Tempest?”
He glances at you. 
“So?”
“Everybody your age is playing Rampage, that’s all.” 
You wink at Dustin. He beams.
“And, uh, I saw a couple girls hanging around Rampage,” you add. 
The kid turns to you. You tilt your head innocently. 
“Seriously?” he asks.
“Seriously. People always flock to the new games.”
Which is true. The girls part is not, but he doesn’t need to know that. With that attitude, he won't be getting many phone numbers anyway. 
You drum your fingers on the game like you have all the time in the world. And sure enough, the kid takes his quarters and heads towards Rampage. Dustin jumps in delight. 
“You’re awesome, Y/N!" 
You grin. “I try. Where are the others?”
Dustin sours.
“They ditched me. To hang out with their girlfriends! Can you believe that shit?” 
“No way!"
He shakes his head.
“I know, right? My friend told me that that’s what happens in high school. People change, y’know? And he’d know, I guess. He’s old like you.”
You scoff. “You make me sound like some kind of ancient. I’m not that old, Henderson.”
“It’s okay, Y/N.” He pats your arm. “In many cultures, the elderly are wise. Now in my experience, this hasn’t been the case. But I think you’re wise.”
“Gee, thanks.”
Dustin smiles like the little shit he is and puts his change in the slot. 
“Well, contrary to what this other friend says, I’m sure it’ll pass,” you say. “You guys will hang out again." 
You swallow your acidic truth. Dustin's a good kid, and so are his friends. You don't want him to turn cynical like you have. He's too young. 
Dustin shrugs, starting the game.
“I guess so. I got a copy of The Lost Boys for us to watch on Friday. They said they’ll be there.”
“Whoa, seriously? That one just came out, how’d you get a copy?”
“My friend,” he says. “The one I mentioned. He works at Family Video and reserves stuff for me.”
“Huh. I thought Family Video was closed."
You'd applied to work there last year and never got a call back. You'd gone by once and it had looked abandoned. Hence why you now work at the arcade across town. 
"It almost did, but Keith took over so now it's barely scraping by."
"Ah. Sweet deal on the movies."
“Yeah,” Dustin agrees, eyes crinkling. “My friend's pretty cool. You'd like him."
"Would I now?"
"Absolutely," he gushes. "He's a total badass too. He won his first fight last year. He used to be a jock but he's recovered." 
"Wow. Impressive."
"Mmhm. I could ask him to hold stuff for you too, if you wanted.”
“You would?”
The game makes a sad game over noise. Dustin sighs and takes a gulp of his slushie.
“Yeah, totally,” he says through a mouthful of blue raspberry ice. “Which one do you want?”
“Pretty in Pink? I missed it in theaters."
“Sure. I’ll tell him to hold it tonight and tomorrow you can pick it up.”
“Cool. Thanks, Dustin.”
Dustin gives you an apple-cheeked grin.
“Gotta stay in good graces with the arcade attendant who lets me play Tempest as long as I want.”
"I don't know what you're talking about," you say, walking away. "Don't get slushie on the game."
"'Kay!"
Dustin only gets a little bit of slushie on the game, but he cleans it up with about a million of the cheap snack bar napkins. When he leaves, he tells you to mention his name at Family. 
"Who do I ask for?" 
"You can talk to either of them," Dustin says. "Doesn't matter. Except Keith. You know Keith, right?"
"Unfortunately.” Keith used to terrorize the arcade before he blessedly moved on. “He works there?"
"Barely." Dustin scoffs. "He's almost never there, so don't worry. And feel free to ask for more movies. They owe me one."
Your sole interactions are with professors and a gaggle of high school freshmen. But now you get to watch any movie you want. Maybe this year won't totally suck. 
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The bell rings pleasantly as you step inside. There's a few people on line, so you take your time walking in. There's a movie display with about thirty copies of RoboCop. A cardboard cutout of RoboCop stares back behind his red helmet.
"Can I help who's next?"
You go to the counter. A girl about your age with a choppy haircut smiles at you but it's sort of strained. She has a pin on her green work vest that says Ask me!
"Please don't ask for Adventures in Babysitting," she says. 
"Oh. No, I'm, uh, Dustin's friend?" 
You can't believe you're name-dropping a high schooler. 
She nods in realization. 
"Oh, yeah. God, I keep telling that dweeb not to promise holds."
You wince. 
"Sorry. If it's going to get you in trouble…"
Her brows raise. She smiles a bit. 
"No, it's okay. Usually my coworker deals with it but, well. He's taking an extra long break today. So, what movie was it?"
"Pretty in Pink," you say. 
"Classic," she replies. "John Hughes fan?"
"Somewhat. I didn't get to see it in theaters. I like Molly Ringwald."
She grins.
"Me too. She's pretty."
"Super pretty," you agree. 
The girl considers you, then sticks out her hand. 
"I'm Robin," she says. "Nice to meet you."
You take her hand. "Y/N.”
"Did you go to Hawkins High?"
"I did. Graduated last year."
"Oh, cool. Are you in college?"
You nod. 
"Hawkins State. Twenty minutes from here."
"Sweet! I'm taking a gap year, but afterwards, I’m gonna apply there. It's cheap. College is college, right?"
"College is college," you agree. "But I wish I'd gone away for school."
You don't know why you're telling her this. You've known Robin for all of two minutes. But she seems friendly. And her sense of style is cool. She wears a blue blazer and tie underneath her vest. 
"How come?" she asks. 
"Everybody from Hawkins is there," you say. "And I… I just want a new start."
Robin smiles sympathetically. 
"They're jerks," she says. 
You huff. "Yeah."
You'd turned yourself into a social recluse a million years ago. It's your own damn fault you can't befriend anybody in this town. At least, not anymore. 
Robin types into the computer, then smacks the monitor. She groans. 
"Ugh. Gimme a second," she says. "Stupid technology."
"No problem," you say, smiling. You like her. Maybe you can integrate Family Video into your regular routine, become friends. You can see Robin becoming a good friend. One you wouldn't grow apart from. 
She disappears into the back room. You browse the old releases and stop at Die Hard. This one you saw in theaters. John McClane is a badass. 
You think of Dustin, and his supposedly badass new friend. It's too bad you didn't meet today. Dustin has a good sense about people. If he says so, it's possible you and this friend really would get on. 
The bell rings again. You're slow to look up. The entrance is empty when you do. You keep reading about John McClane's adventures. 
"Have you been waiting long?"
You turn at the new voice. The video slips out of your hand and clatters onto the counter. 
Steve’s hair has grown since you last saw it. He looks different too, though he has yet to break out of his signature church boy polos. There's a smattering of stubble on his jaw. His arms are lean with muscle. He wears a matching work vest like Robin's, name tag printed Steve in blocky font. 
He looks at where you've dropped Die Hard and smiles. 
"This is a good one," he says. "John McClane is a total badass."
You blink.
"Did you want to rent that one?" he continues, meeting your eye. 
"No," you manage. 
"Okay, no problem. Just browsing?" 
He doesn't remember you. 
You stare and stare. Steve leans in, concerned. He's changed, but he hasn't. He's still handsome with his swoopy hair and big, dark eyes, but the Steve you knew wouldn't have been caught dead working at a video store.
And he doesn't remember you. 
"Are you okay?" he asks, sounding genuine.
You take a step back from the counter. The blood roars in your ears. Robin comes back in, Pretty in Pink in hand. She looks at you, then at Steve. 
"Got it!" she tells you. "Computer should work now."
"I have to go," you say. 
You don't look at Steve again, instead focusing on Robin. 
Her brows rise. 
"Oh. Is everything—"
"I forgot my wallet," you blurt. "I can't pay for the movie. Sorry."
"That's okay, we can just—"
You run. The bell chimes over her words. You keep running until you get to the bus stop, three blocks away. 
Only there do you stop to catch your breath. 
And then you cry. 
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February 1982
"What do you think about Marie?" 
You look up from your textbook. Steve is doodling in the margins of his notes. You gently prod his arm. He returns to reading but his leg starts to bounce under the table. 
"Marie Iverson?" you ask.
"Yeah." 
Steve glances at you. He pushes his hair back. It had taken him freshman year to get his bearings with all the gels and creams, but now, his hair is a point of pride, always perfectly coiffed. Seniors call him "The Hair" and high-five him in the hallway. You hate it. 
"I don't know. I don't know her that well."
"She's cute." 
"I guess so," you say. 
It's harder to get Steve to focus on homework these days. Last year, he happily made flashcards with you and even bought fancy gel pens to share for your notes. Now, he prefers to talk about girls or—
"I was thinking of asking her out."
The tip of your pencil breaks. You really ought to start using pens, but you don't like being unable to erase. 
"Shit, here. Take mine." 
Steve offers his still perfectly sharpened pencil. You stare at it. 
"Y/N?" 
"Yeah." You take the pencil. "Thanks."
"Sure. So what do you think?" 
"I don't know, Steve. I thought you talked about this stuff with Tommy."
"I would, it's just…" Steve shifts uncomfortably. "He can be rude about it sometimes. He doesn't even get why we're friends, y'know? Doesn't understand why I don't just date you."
Tommy is a moron, but you've said that since last year, and Steve's never listened before. 
"Some people don't get it," you say mildly, because you have an upcoming French test and there's no use in getting upset over Tommy Hagan right now. 
"But you do. And you know about this stuff better than me. Girls and all."
"Just because I'm a girl doesn't mean I know what girls are best for you to date, Steve. It's weird to talk about."
Steve deflates. 
"Oh. Yeah, I guess so. Sorry."
You sigh and rub your temple. 
"I thought you knew all about that," you say, extending an olive branch. "Asking girls out and stuff."
"Well, I mean, I've kissed girls but I've never… you're, like, the only girl I really know."
Something like pride swells in your chest. Selfishly, you want to keep Steve. You don't want to help him if it means losing him. Oh, you're so greedy, aren't you? You watch Steve run off with Tommy and Carol and nameless seniors and seethe, because Steve was yours first. Steve is yours.
"Y/N?"
"Yeah." You give him back his pencil and fish for another one in your bag. "Did you ever think about writing how you feel?" 
"Writing?"
"Yeah, like a poem or a letter."
"I'm terrible at writing," Steve laments. "The letters get all jumbled and I never spell a damn thing right."
He'd told his mom once how letters melt into each other, how b's become d's. She'd taken him to get his eyes checked, and when the doctor said Steve was fine, Deborah Harrington had told her son to stop begging for attention. 
"Someone who really likes you won't care about spelling mistakes, Steve," you tell him. "As long as you write from the heart. Don't do that cheesy shit and quote Romeo and Juliet. They're young, impulsive, and they die at the end, and that's not romantic."
Steve laughs, nose scrunched. 
"What!" you demand. "What's so funny?"
"Nothing, 's just—of course you'd have something to say about quoting Shakespeare."
"It's overdone," you say, crinkling your nose. "And girls would much rather read your own words." 
"So you think I should write Marie a letter?"
"If you really like her," you say. "Only write letters for girls you really like. Otherwise they lose their meaning."
Steve frowns. "I don't know if I should write her a letter, then."
Don't, you want to say. Don't write any of them letters.
You shuffle your papers into a stack. 
"Can we study now?" you ask.
"Oh, sure, yes. Sorry."
"You don't have to keep apologizing, Steve."
He shifts closer to you. His leg has stopped bouncing.
"Lemme take you out," he says. 
You nearly swallow your tongue. 
"Wh–what?"
"For ice cream," Steve clarifies. "Like we used to. Dairy Queen."
"Oh. Okay, sure. But after we study."
Steve beams. "I'll drive you."
Steve's dad had bought him the BMW as a birthday present this year—not that Richard Harrington actually knows when his own son's birthday is, considering the gift was three months early. Still, it's another point of pride for Steve and about all anybody talks about whenever his name comes up. Steve is the only person in your grade with a car. Junior girls hit him up for rides. You make yourself scarce when they do. 
You don't care. You liked Steve before the car. And the clothes. And the hair. 
Your throat feels tight. You want your best friend back. 
"Just us?" you check. 
You can't tell these days. Steve seems to hang out with everybody but you. You're shocked he'd even asked to study together. 
"Oh, sure," Steve says. "I just have to drop off Tommy and Carol first, okay?" 
You check your watch and close your book. 
"I have class," you lie. "I'll see you later." 
Steve catches your wrist. He looks at you and you're struck by how sweet his face is. It's not like you didn't understand why girls want him but it's Steve. Your Steve, who still sleeps with a nightlight and who framed a picture of a sports car he cut out from a magazine because he'd thought it would make him cooler (it didn't. You still tease him about it.) 
"Please," he says. "For helping me."
Your eyes slit. "I didn't help you to get stuff, Steve. I helped you because you're my friend."
Steve blinks like he's forgotten what it's like to be friends with someone just for the sake of being friends. 
"You're right," he agrees. "You're not like that. I'll tell Tommy and Carol to find another ride. It'll be just us. I promise."
You perk up at that. "Really?"
"Really. You can sit in the front with me and we'll play Bruce Springsteen, like we used to. Please?" 
"Okay, Steve." You ache. You’ve never been very good at telling him no. "I'll meet you in the parking lot."
And maybe… maybe your best friend is still in there after all.
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Now
You ask your shift manager if you can work at the snack bar today. It's in the back and you won't have to deal with any game hogs. 
"You didn't put enough syrup in my slushie."
You might have overshot the perks, though. 
Slushie Girl's hair is bleach blonde and hairsprayed to God. You want to tell her that all that hairspray doesn't keep friends. Or brain synapses. 
"I don't make the slushie," you say for the third time. "That's how it comes out of the machine."
She shoots you a mean look. 
"I'm complaining to the manager."
You paste on a smile. 
"You do that. Have a nice day."
She finally walks away, probably on the hunt for your manager, who's definitely smoking a joint outside to avoid this exact situation. 
Dustin comes around the corner and this time, he's with the rest of his party. You smile. 
"Hey, Y/N!" Dustin greets.
Lucas waves at you. Max and Mike are arguing and therefore are in their own world. And there's their newest addition, El, whose story you're still not clear on, as well as Will, quiet as always. 
You lean your elbows on the countertop. 
"What'll it be, gang?"
"Six nachos and six slushies, please. One blue raspberry, three cherry, and two Coke."
You fill up the slushies first. Dustin dances on his toes. 
"So did you pick up the movie?" he asks.
"Oh." You try to smile. "I went there but I couldn't. I forgot my money. Pretty dumb of me."
Dustin accepts this with no argument. 
"Well, you can go back. They'll hold it for a few days."
You're never setting foot in there again, but you don't tell Dustin that. 
He takes his slushie and immediately starts drinking. 
"Slow down, dude. You'll get a brain freeze," you say. 
"You sound like Steve," Dustin informs you. "Doesn't Y/N sound like Steve?" 
Lucas nods. 
"Yup. They're both parents."
You feel queasy. You focus on making the nachos, the cheese pouring out thick and gooey. 
"Did you meet Steve?" Dustin asks. "You probably know him from high school, but he's different now."
"Yes," you say quietly. "I knew him."
"I promise he's different. Even Mike likes him, and Mike hated his guts. Right, Mike?"
Mike pauses in his animated discussion with Max and looks at you. 
"What?"
"I'm telling Y/N about how Steve is cool now," Dustin explains. 
"Oh." Mike shrugs. "He's fine. Much better now that he's not dating my sister."
"He's not?" you ask. "But they were in love. I–I mean, that's what I heard, at least."
"She dumped his ass," El says, and it sounds a little ridiculous in her soft monotone. 
Max scoffs, taking her Coke slushie. 
"Did you live under a rock? It was a huge thing."
"Now Steve is lame," Mike says with a snort. 
"Getting dumped doesn't make somebody lame," you say with an old ferocity you'd thought had disappeared. 
"Okay, jeez." Mike holds up his hands. "Steve's alright. He's different, that's for sure."
"He's our paladin," Lucas says. "A protector." 
Dustin nods eagerly.
You blink. "He protects you guys?"
Max elbows Lucas. You have no idea what that's about. El steps forward and smiles softly. 
"Yes," she says. "He's our babysitter."
"Aren't you guys freshmen? I thought you were too old for babysitters."
"Oh no, Steve doesn't get paid for it or anything," says Mike. "He just does it 'cause he has nothing else to do."
"That's not true!" Dustin argues. Then he shrugs. "Well, it's a little true. But he does like us. He's a good guy. He cares about his friends."
You bite your tongue, not wanting to reply to that. 
"That's great, guys. The girl, Robin? She seems pretty cool too."
"That's Steve's best friend," says Dustin. "She's great."
"Oh." You wince. "Best friend?" 
Dustin huffs. “Yeah. They don’t date. He won’t say why."
"Platonic with a capital P," Max confirms. “It’s obviously because he’s in love with somebody else.”
“Not Nancy!” Lucas protests.
“There are other girls besides Nancy, Sinclair.”
You busy yourself with serving the last set of nachos. The kids pull out crumpled bills and coins in return. You count the money and stack it directly into the register; you know there won't be any change. 
When you turn, they're still there. Dustin has his signature grin on, eyes squinty. 
"Yeees," you drag out. "Can I help you?"
"We need a favor," Lucas says. "Please."
"Hmm." You lean over the counter. "What's up?"
"They're showing Prince of Darkness on Friday," Dustin explains. "But it's rated R."
"So just sneak in. Isn't that what you guys did at Starcourt?" you ask.
"We had an inside man then. They're a lot stricter at the new one," Lucas frowns. "They ask for IDs 'cause some mom complained after her kid snuck in to watch Risky Business." 
"And why can't your babysitter take you?"
You sneer at the thought. Steve spending his Friday nights herding a bunch of adolescent teens into a movie theater. There's a reason you consider Dustin affectionately delusional. 
"He has a stupid date," Dustin groans. "He's a serial dater, Y/N. It's terrible. He gets lucky once and totally ditches us."
Now that sounds like the Steve you knew. 
"I see. I don't really like horror stuff."
"You don't have to stay!" Dustin insists. "You can watch whatever you want after we’re in. I'll pay you back for the ticket."
“This would be so much easier if Steve still worked at Scoops,” Mike grumbles.
You blank for a moment, the image of Steve in a sailor’s hat and those ridiculous shorts whiting your brain.
“Um,” you begin. “You know I don’t have a fancy BMW to cart you guys around in, right?”
“It’s cool. We’ll get there,” Max says.
“So?” Dustin bounces on his toes. “Sooo?”
You sigh. It’d been nice of Dustin to get you the movie, even though you’d chickened out and ran. And it’s not like you have anything better to do.
“Okay,” you say. “I’ll get you guys in.”
Dustin pumps his fist. “Thanks, Y/N! You’re my favorite old person.”
You roll your eyes. “Funny. Any funnier, and I might rescind my help, Henderson.”
“Byeeee!”
They all disperse to the arcade. You wonder how on earth Steve got involved with them.
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March 1983
“Okay, but if you had to choose.”
“Pass. I would literally rather swallow pennies than kiss Principal Coleman’s bald-ass head, Steve.”
Steve takes a triumphant swig of beer. “So you’re saying you’ve got the hots for Benny the janitor.”
“No!” you insist through giggles. “I don’t. God, you’re gross. Can’t believe I’m being treated like this on your birthday.”
“Exactly! My birthday.”
He rolls onto his side in his deck chair and nearly faceplants on the cement. You reach out, reaction time delayed.
“Steve!” you yell. “Careful.”
“I am, I am,” he mumbles, and rights himself on the chair. “Jus’ wanna see you better.”
“I keep telling you you need glasses.”
“I do not,” he whines. “My vision’s ten outta ten. Could a guy who needs glasses do this?”
He crumples up a Twinkies wrapper and throws it towards the garbage. The wind picks up and sends the wrapped into the pool. 
“Shit,” he says.
You belly laugh in delight.
“Wait, wait, redo. Go fish it outta there.”
“Oh, as if. I’m not going in there. I told you you need glasses. Even Mother Nature agrees.”
"She does not. Mother Nature thinks I'm a doll."
You hum and close your eyes. Alcohol always makes you sleepy. 
The chair scrapes against the concrete. You hear a crinkle of a chip bag. Those are your only warning before you’re crushed by two hundred pounds of drunk boy. 
“Steve!” You wheeze, squirming as his hair tickles your face. “Get off!”
"’M sleepy,” he mumbles.
“Well, don't sleep on me, weirdo.”
“‘S cold.”
“You run, like, a hundred degrees, don’t lie.”
He lifts his head. “So you’re saying I’m hot?”
“I’m saying all that booze cooked your brain,” you reply sweetly.
“I’ve been wounded,” he moans and plops onto your shoulder.
“Ugh.” You resign to your fate and lean back. Steve’s not actually that heavy; even drunk, he has a lot of control over his weight and he’s situated himself so he isn’t crushing anything important. No, you squirm underneath him for a very different reason. 
“Steeeeve,” you whine. “You’re gonna squish me into a pancake.”
“Can’t believe no one else came.”
You still. Steve’s face remains buried in your shoulder. His body is beside yours, and he has an arm slung over your belly.
“I didn’t—didn’t want a party,” he continues. “I always throw parties. I thought I’d do somethin’ different. An’ none of them even wished me a happy birthday. ‘Cept you.”
You rest your hand on the back of his hair. It’s wind-blown and messy from the drinks, free of his heady hair gel. You’ve never loved it more.
“Did you tell them your birthday is today?” you ask gently, even though you know he did.
“Yeah,” he says. “Told all of ‘em. Guess they weren’t listening.”
“I listen.”
Steve looks up at you. His eyes are glassy.
“God, I miss you,” he says.
You feel the wall you’ve built this year crumble, just a little. 
“I’m right here, Steve.”
“I know but—been a jerk lately. I know I have. You’re my best friend, okay? Nothing’ll change that. I–I love you so much.”
Your breath hitches. Steve barrels on, not noticing.
“And I’ll be better. We’ll hang out more. Not–not here, drunk. But for real. We’ll go to the movies. Y’wanna see a movie?”
“Yeah,” you whisper. “I wanna see a movie.”
“‘Kay, what movie? Anything you want. We’ll get popcorn and Raisinets.”
“You hate Raisinets,” you choke through a watery laugh.
“I’d eat Raisinets anytime with you.”
You lay there, in the dark, the only sound being the pool filter.
“Let’s watch the new James Bond.”
“Hmm, okay. But you’ll have to say the name eventually.”
Your nose crinkles. “I am not calling it by its name.”
His laugh is warm in your neck. 
You don’t tell Steve to get up again. He snuggles into you, leg over yours. You fall asleep like that, curled underneath him.
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Now
“Wait.” Max stops. “Shouldn’t we have, like, a game plan?”
“Game plan?” El asks quietly.
“Yeah. Some of us aren’t so great at playing it cool.”
She stares at Lucas.
“I play it cool!” he squawks. “I am so cool!”
“Right.”
“Just let Y/N do the talking,” Will says. “She’s technically the adult so she should act like this is a conscious choice.”
You shrug. “Makes sense to me.”
Dustin beams. “This is gonna be great!”
“Or a total disaster,” Max says.
You go to the counter, the kids trailing behind like ducklings.
“Six tickets for Prince of Darkness, please,” you say. “And uh, one for Dirty Dancing.”
The attendant looks at you, then at the kids.
“Don’t you mean seven tickets for Prince of Darkness?” she asks. “It’s rated R.”
Shit. “Right, yes. Sorry. Seven tickets. And one for Dirty Dancing. We have another friend who’s late.”
“Uh-huh.” 
The attendant, whose bored expression you’ve recognized on your own face after long days in the arcade, hands you your tickets without any questioning. 
“I think we’re in the clear,” Lucas whispers when you enter the concession area. 
You wait for them to buy their snacks. Max persuades Lucas to let her mix M&Ms into their bucket of popcorn. He agrees and shuffles closer so they’re pressed shoulder to shoulder while they share. 
“Okay, last stretch,” Mike says, shoveling a frighteningly large handful of sour worms into his mouth. “We just have to get past the ticket guy.”
Said ticket guy is a kid who can’t be much older than you. You think you might’ve gone to school together, but you’ve made it a point to eviscerate everything about high school from your mind.
“Hey,” you say, trying to act cool. Maybe you’re the one Max should’ve been worried about, instead of Lucas. “Uh, here are our tickets.”
He takes the tickets, then looks behind you.
“Prince of Darkness is only for people seventeen and older,” he says.
“I’m an adult, so I’m with them,” you explain. “I’m, like, their guardian?”
“Yeah, uh—” He hands you your tickets. “No can do. There needs to be an adult for each person under seventeen.”
“Come on,” you cajole. “They’re high schoolers. It’s not like they’re gonna be scarred for life watching some zombies, or whatever.”
He shrugs. “Rules are rules.”
“She’s an adult!” Dustin argues.
“Look, if you’re gonna hold up the line, I’m gonna have to—”
“Yo, Gillespie! That you?”
Dustin turns and lights up. The seven of you part for Steve Harrington and his date, a pretty strawberry blonde you think you had biology with.
“Harrington, man, what’s up!” 
Ticket Prick gets up to slam Steve into a bear hug. You barely resist an eye roll.
“Shit, I haven’t seen you in a year! Where’ve you been all this time? Hey, did you hear about that shit with Munson?”
Steve flinches. It’s a tiny movement, indiscernible to the trained eye. But it’s there all the same.
“Gillespie, c’mon. Don’t bring the party down with that,” Steve says, all sweet charm. 
“Sorry, sorry. Daisy,” he greets the girl attached to Steve’s arm.
“Gil,” she replies with a giggle. “You smell like popcorn butter.”
America’s future taxpayers. Terrifying. 
“Are you gonna let us in or not?” Max interrupts, arms folded. 
You feel a burst of pride.
Gil shoots her a dirty glare and puffs up, ready to fight a fourteen year old. Steve cuts in smoothly.
“Gillespie, listen. I know her.” He points to you. You bristle. “I can personally vouch that she’s just trying to do right by these kids. They wanted to see Prince of Darkness, y’know? Get away from the parents.”
“It’s a sick film,” Gil agrees. “You seen it?”
No, of course Steve hadn’t seen it. He hates horror. 
“Planning on it,” Steve says, the ultimate image of playing it cool. “Look, you remember sneaking into the movies. Fast Times? Ring any bells?”
Max rolls her eyes. You’re inclined to do the same.
Gil laughs dopily, and nudges Steve. “Hell yeah, I do. That was a crazy night, Harrington.”
Steve smiles thinly. “Sure was. So whaddya say? For old times’ sake?”
Gil considers your little troupe. Then he shrugs.
“Why not. Manager’s not here anyway.”
He takes the tickets and tears them to stubs, then gives them back.
“Theater six. On your left. Enjoy.”
The kids stampede into the left theater wing. You hang back with your own ticket. 
“Appreciate it, man,” Steve says, all smiles. “Take care, alright?”
“Hey, you too, Harrington! We gotta catch up!”
Steve and Daisy go in. You expect them to walk right past you, and Daisy does, predictably. But Steve stops.
“I’ll catch up, okay?” he tells her. “Find us some good seats?”
She paws at him a little, then goes, sodas in hand. You stiffen as Steve walks and stops three feet away from you. 
“Hey,” he says. “Sorry about that. Gil’s an asshole.”
“I know. He yawned during my poetry reading sophomore year. And then you guys went to the movies together.”
Steve shrinks. “Your poems were great.”
You’re suddenly exhausted.
“What do you want, Steve?”
“I just… I wanted to see you. Say hi.”
“Okay.” You cross your arms. “Hi.”
“You forgot your movie,” he says. “The other day.”
“I didn’t want it that much.”
“Dustin said you looked everywhere for it.”
“Well, in the end, it didn’t really matter,” you say. “Not enough to stay.”
“Y/N—”
“I think your date’s waiting for you,” you interrupt. “Better get back to her. Wouldn’t want to taint your reputation.”
Steve makes a noise like he’s been wounded. You turn on your heel before you can think better of it. 
“Wait.” He catches your wrist. Steve’s grip is light, like you’re something precious to hold. You wrench your arm away. “Y/N, I want to apologize. I’m sorry.”
“For what?” you ask. “For forgetting me? I didn’t expect you to remember, Steve.”
“I didn’t forget you,” he insists. “I could never forget you. I wasn’t—please, can I just explain?”
“I don’t need your explanations,” you snap. The hurt corrodes your tongue like acid. “I know what happened. We were both there. You left.”
Steve’s eyes are huge and dark. He looks like you just stabbed him in the heart, and that makes you feel worse. You’d thought telling him how much it hurts would put you back together, but all it did was break you more.
So you run. Again. 
You slam through a back exit and rip your ticket into a million pieces. The wind is cold and unforgiving. Your eyes sting. 
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You call out sick for two days in a row. You kind of expect to get fired, but then again, people have been leaving Hawkins and if you’re not here to serve the masses their slushies, who will be?
So, after lying in bed not thinking about movies and strawberry blonde girls and how sick you are of this town, you get up and put on your arcade vest.
Now it is two in the afternoon. You’d heard it was supposed to snow today.
Robin eyes the snack counter like it holds the next plague outbreak. You don't blame her; you make it a point to wash up to your elbows after work.
"Slushie?"
She looks at you like she’d forgotten you were there. "What?"
You point a thumb at the machine. "Are you here for a slushie?"
"Oh. No, sorry. Red dye makes me insane in the brain. Steve actually—"
Robin stops, grimaces. So he's told her. Probably everything, if the kids had been telling the truth. 
You're honestly surprised she's here. Unless it’s to, like, swirlie you in the vat of artificial cheese. 
"Are you here to drown me in nacho cheese?" you ask.
Robin's eyes go wide as dinner plates. "What? No!"
"Just checking." You lean against the counter. "What can I do for you, Robin?" 
Robin suddenly looks like she's never interacted with a human being before. You like her a lot. Steve probably does too. 
"I came to drop off your movie." She holds the tape over the counter like it's a pool of lava. 
"But I didn't pay for it." You shove your hand in your jean pocket; you only have a couple dollars on you. "I guess I can get you the money tom—"
"It's on the house. For a fellow Molly fan."
Robin wiggles the tape with two fingers. You take it and wait for a catch. There is none. 
"Thank you," you say. "You didn't have to do that."
"Actually, it wasn't me," she confesses. "I'm just the mailman."
You prepare to hand it back but Robin shakes her head. 
"He's not going to pop out of the slushie machine, okay? He's just trying to make it up to you."
"He doesn't need to make it up to me," you bite, except those aren’t the words you mean. "Why does he even care? We're not in high school anymore."
Robin smiles a sad smile. 
"I know," she says. "We’re not. I know he should've known to fix things earlier. He's received a lot of blows to the head, though, so he's still catching up."
The thought turns your stomach. More? More you weren’t there to protect him from?
"He doesn't owe me anything," you say and wave the tape again. "You can take it back and leave it for somebody else."
"Y/N, I know we don't know each other, like, at all. But it's important to me you know that Steve cares about you, because you’re important to him. And you knew him way before I did, and you probably know a lot of stuff I don't, and that's good because he has a friend like me, but he should also have a friend like you too, Y/N."
"I don't want to be his friend," you mumble. 
"Yeah," Robin says. "I figured. But I don't think that's a confession he should hear secondhand."
You look at her, stunned. She's such a clever girl. You hope she treats Steve well.
"If you two are—"
"We're not," she says, like this is a regular explanation she goes through. "Steve and I are friends. Steve has crashed and burned with every single date since his fall from regency. Steve is the best person I've ever met." 
"Yeah, I’ve heard. You and Dustin are his biggest fans."
Robin snorts. "Trust me, I'm not proud of it."
You shake your head. Your eyes feel hot. 
"This town is so shit," you say. 
"Yeah," Robin agrees. "It really fucking is. But I'm not asking you to give this town a second chance. Just him."
"Why are you trying so much?" you ask. "You don't even know me."
Robin shrugs. "No, but you're the one person Steve used to be friends with who's not an asshole, and I think us non-assholes need to band together."
"I can sometimes be an asshole."
"Me too. So are those little dweebs. How about calling ourselves the Semi-Assholes Club?" 
You laugh. "We'll get jackets."
"With partially drawn butts on the backs," Robin says with a giggle. 
You look at the tape in your hand. 
"Does Steve like John Hughes?" 
"He does. He's a total sap for those. He thinks he's in his own coming-of-age movie because he's delusional."
He sounds perfect. He sounds like the friend you loved. 
"I did want to watch this one," you say. 
"It won't hurt you to," Robin promises. 
You suppose not.
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December 1984
You don't believe the whispers. All week, the rumor mill spins tales of Billy Hargrove finally pushing the King off his throne. There's no way he'll show his face, a girl at the adjacent lunch table astutes. I sure as fuck wouldn't.
Steve Harrington is a loser. Steve Harrington got dumped for Jonathan Byers. Steve Harrington may as well be dead, and on and on. 
Every line gets you angrier. A boy who sits behind you in chemistry taps his pencil like he always does. Tap, tap, tap. 
Halfway through class, you snap at him to quit it. He does, but not without a tinge of embarrassment. You’re so angry this year. Angry at your loneliness, angry at the unfairness of said loneliness. You might’ve done this to yourself, and that fact only gets you angrier.
You see Nancy Wheeler in the hallways with Jonathan Byers, and the confirmation of that rumor should make you happy. It doesn't. 
A week later, most of the excitement has died down. Everybody’s moved onto the next big thing, which is to deduce who fucked in Vice Principal White's office. One look at V.P. White, and it had been decided that it can't have been White himself. 
You can't care less. Once upon a time you might’ve laughed about it with a friend, but you don't have any more of those, and high school is bullshit with or without them. So.
Steve walks in twenty five minutes into the period. Mrs. Kaplan gives him a downright beastly glare and demands to know where he had been. 
"I'm sorry," is all he says. "If you give me detention, I understand."
There are a few snickers that rub at an old hurt, one that had flared up whenever somebody dared to make fun of your best friend. It doesn't bother me, he'd said, and you'd known it was a lie. 
It bothers me, you’d replied, and Steve had hugged you tight.
Mrs. Kaplan seems more stunned Steve hadn't swaggered past her like a peacock escaped from the zoo and lets him go sit down without a fight. He takes the only empty desk, two rows across from you. You stare. You can't not. 
Half of his face looks like it was mashed in a garbage disposal. It's purple and a sickly yellow. His eye and lip are still swollen. You stare and stare. You feel queasy. 
Billy had done that. You're so angry. You think you might never get past this grief, this loss of a once permanent fixture in your life. 
No one wished Steve a happy birthday this year, you realize out of nowhere.
You stare and stare and stare until Steve looks right back. You're blindsided by thick guilt, like blinking through a milkshake. And then the familiar curl of anger returns because why the fuck should you feel guilty? You aren't the one who fucked everything up, who mascerated this good thing. Steve did this to himself. Steve deserves to walk the halls alone. It's Steve's fault. 
But when you look at him, at his raw wounds, at his bruised knuckles, you know that he already believes he deserves every punch Billy Hargrove gave him. 
You hate Steve Harrington. But you really wish you'd been there to drive him to the hospital. 
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Now (And Forever)
The tape sits buried in your drawer for three days. You don’t know what Family Video’s return policy is, but you hope you’re not racking up late fees. You doubt name dropping Dustin will work again.
It’s Saturday when you decide to watch Pretty in Pink. You remove the video from its sleeve. An envelope falls out.
The front has your name printed in squished, loopy script. You remember January at Steve’s house, a stack of thank-you cards courtesy of his mother awaiting the Harringtons’ sign-off. Steve’s hand would cramp and you’d take over while he made grilled cheese for the both of you. Love, The Harringtons, and there was no love in that house, but you think maybe Steve loved enough to make up for it. 
Hi, the letter begins. I hope you’re good. Robin told me you’re going to Hawkins State.
That’s fucking amazing. I’m so proud of you. Are you still writing poetry? I liked that one you wrote about the birds who shared a branch and kept each other warm. I still have it in my notebook in my room.
I’m sorry for the other night. I’m sorry for every night since freshman year, honestly. I’m kind of a dumbass, but you know that, so it doesn’t really excuse anything. I think I’ve actually lost brain cells since we drifted apart.
You crumple the corner, suddenly hot with anger. Who keeps telling him he’s dumb? You want names.
I didn’t forget you, you know. I got scared and I thought maybe I could ease into it, but then you recognized me and… well. I don’t blame you for running.
Anyway. I’m talking too much about myself, when there’s nothing to say. I’m really sorry about what I did, or, actually, what I didn’t do. Somebody told me I was living on autopilot, and that it wasn’t really living at all. I think it was you. 
I’m not living on autopilot anymore. I woke up. And I realized that you’re the best fucking thing that’s ever happened to me. I love Robin and the kids and this little family that has apparently invayd invaded your life too. Sorry about that. They never leave and they eat all your food. Good luck. 
But I miss you. I always have.
Shit happened these last few years that I’ll tell you about one day, if you want. I’d rather not, though, because you’ve always been the paranoiac (like that one? Robin said it’s an SAT word) of the two of us and I feel like this would just make you even more of one. But I will tell you, if you want to hear it. I want to tell you everything. I want you to tell me everything too. Like we used to.
I want you to tell me how college is going. Who the annoying jerks in your classes are so I can go beat them up (kidding). I want you to stop by to rent movies so I can lend them for free and you’ll yell at me about taking advantage of fre friendships. 
Fuck, I miss you. It’s always been there, bubbling below the surface. I never stopped missing you. I never stopped loving you. I’m sorry I didn’t write this sooner. I know you said writing is how we express things we can’t say. You were right. You always are. Can’t believe I forgot that. 
It’s okay if you don’t want to be friends. I mean, it hurts, but I respect it. I understand. Most days, I can’t believe people can bear to be around me. But then I hear your voice in my head, telling me that most people are shitheads and that I’m golden and. Well, I don’t know if I believe that, but you were right that most of the people I surrounded myself with were shitheads. Except you, of course. And then I went ahead and fucked that up.
I’ve been working on finding the non-shitheads of the world. I think I’m doing pretty well. And I wrote this because I realized that while I will probably end up buried in this fucking town, you’re going to do something incredible. And nothing incredible ever happens in Hawkins, so I figure you’ll be far away when you do it. 
I didn’t want to miss this chance to write things I never said. So here they are. And you can do whatever you want with them. You’ve always been the best of the two of us. I trust you.
You should watch Dirty Dancing. You’ll like it. I did. I’ll see it again if you want. I’ll watch anything with you.
Did you know there’s another Bond movie coming out in the summer? We could watch that one together too. If you wanted more time to decide.
Sincer
Lo
Your friend,
Steve
You don’t bother ejecting the tape. You run all the way to the bus stop, Steve’s letter in hand. 
You have to see him. No other thoughts register except that one. You have to know if Steve wrote these words because he can’t say them or because you won’t listen.
It isn’t too late when you get to Loch Nora. The neighborhood is dead, which is weird. Steve’s house looks frozen in time: his parents’ car isn’t in the driveway. You wonder if they’ve ever come back since you’ve been gone. You wouldn't be surprised if the answer is no.
There’s a tarp over the pool. The gate is locked with a chain. You can’t sneak in through the fence like you used to. Not that you would. You don’t think strangers can sneak through pool gates.
You knock on the door three times. And wait.
Steve’s car is in the driveway, a duller burgundy than when he first got it. There are a few scratches in the paint. No longer a prized possession. Maybe well-loved instead.
The door swings open. 
Steve says your name like a prayer. You swallow and steel your spine. 
“I got your letter,” you say.
“Oh.” He rubs the back of his neck. His hair is damp like he’s just showered. It curls around his ears. Waves of want hit you. 
“I don’t want to be friends,” you continue before he can speak. “I don’t—I can’t do that again.”
Steve’s mouth draws into the saddest frown you’ve ever seen.
“Okay,” he says softly. “Thank you for telling me.”
“No.” You shake your head. “No, that’s not—I don’t mean it like that.”
His brows knit. “What?”
“I…” You pull out the letter and wave it. “Did you mean it? Do you love me?”
“Yes,” Steve whispers. It’s like a shout in the quiet street. “I meant it.”
“Like a friend?”
“If that’s what you want.”
“Will you love me like a friend forever?” you ask. 
“Always.” 
You squeeze your eyes shut.
“I love you as something more,” you blurt, watery. “I have for a long time.”
You hear the door shut. This is it: your heart on the line, all for nothing—
“Then I’ll love you as something more back,” Steve says. “I’ll love you any way you want me to.”
And he holds you the way you’d held him so many times. You inhale and wrap your arms around his neck. You’ve got an iron grip around the letter. Tears slip down your cheeks.
“I missed you,” you confess.
Steve nods against your shoulder.
“Yeah,” he says, and it sounds a little wet. “I missed you too.”
“You were wrong,” you say into his neck.
“Hmm?”
You pull back to look at Steve.
“Incredible things do happen in Hawkins.”
“Oh, yeah?” Steve smiles, cheeks blotchy. “Like what?”
“We found each other again.”
6K notes · View notes
pinkkittysaw · 10 months
Text
FIVE NIGHTS AT MIKE’S
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pairing: mike schmidt x plus sized! female reader
summary: you spend the night at your boyfriend’s place
word count: 5,735
content: NSFW (minors + ageless blogs DNI, you will be blocked!) post canon (but still in the year 2000), established relationship, dry humping, oral (f! receiving), fingering (f! receiving), minor pussyjob, breast/nipple play, protected sex (use of condom), intimacy kink, both reader and mike have pubes
a/n: does anyone else miss blockbuster? because i do 😔 long live physical media! also i did my due diligence and calculated prices of things to my best of my ability for the year 2000 so even if my price match isn’t EXACT, it’s close. this ended up…unexpectedly softer than i thought it would. never did i think i would be stringing sentences together like this to describe mike from FNAF but alas, here we are ^_^
dividers by @/kimjiho1 & @/saradika
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"See ya, rugrat," you say to the eager girl as she hugs both you and her brother at the entrance of their front door. She huffs, only slightly, when you ruffle her brunette curls, sporting a faint pout once she pulls away from your hold. You chuckle, kneeling to her height, before attempting to fix the mess you created, smoothing out the hairs that lay atop her head the best you could.
"Call us if you need anything, okay?" Mike repeats for the nth time that night since Abby started getting ready.
"Yeah, yeah." Abby dismisses her brother completely, heading toward the car parked in the driveway after she decides that her hair looks satisfactory enough.
It was a Friday night, both you and Abby had sleepover plans, her at a friend's house and you over at Mike's. Abby was so devastated when she found out that your sleepovers fell on the same day as each other—intentional planning on both your and Mike's part—that she almost bailed on her school friends. It was only when you promised to have a special girl's night with her the next time you stayed over that she eventually yielded, going through with her original plans for the weekend.
She was initially invited by one of her school friends. After Mike had sat through one of the world's most awkward conversations with Abby's friend's mom—one he made sure to recount once they arrived home—he decided that it was probably in her best interest to let her go out and socialize like this while she was still young enough to do so, despite whatever unspoken worries he had about her going off and spending the night on her own for the first time.
"Love you!" Abby yells from the rear car door before opening it and getting inside. The seats are filled with excitable little girls and one slightly apprehensive mom who smiles at you through the windshield. Though the sound is slightly muffled, Mike repeats the same words back to his sister.
He may not be the most outwardly affectionate person, but after taking even the tiniest glimpse into their lives, it's obvious that he cares. Whether that's shown through him triple-checking her pack before she leaves for the evening, giving her friend's mom a list of her safe foods so that she doesn't go hungry, or reminding her numerous times that she can always call home if she needs to because no matter how independent she's become, it's okay to still need your older brother. Although you're sure Mike would say that he's anything but a good older brother.
Abby waves to you both as the car pulls out of the lot before she turns back to her friends again. You and Mike stand waving in the entryway as it turns off onto the street, leaving an empty spot in its wake.
"She's come a long way," you comment, turning your head towards him as he continues to stare out onto the pavement.
"Yeah."
You're unable to help the way your eyes roll at his statement, though it's lighthearted in nature. "It's thanks to you, you know." You nudge him in the side with your elbow.
"I think you had a hand in it too," he chuckles, smirking as his eyes meet yours.
"Just accept the compliment, Mike." You pat his shoulder, then turn on your heels to head back indoors, with him following suit.
"So...what should we do now?"
"I got a spare ten; wanna rent a movie?" You reach down for your wallet that's tucked in your overnight bag sprawled on his couch, pulling out the ten-dollar bill and puffing it between your fingers. "Let me treat you, baby," you coo, twirling around with the money in hand.
He scoffs a little at the display but still reaches for his keys and jacket off the rack. "Let's go."
The drive to the video rental store is a short one, as most of your time is spent lip-syncing songs to Mike that play through the static of his shitty radio.
Once you arrive, you divide and concur. Since Mike got to choose the movie last time, it was your turn, leaving him in charge of the snacks. You take your time leisurely perusing through the aisles, trying to find something that looks interesting enough before making your way to the "New Releases" section. It takes a while before anything catches your eye, but as you keep wandering, a title eventually jumps out at you.
You pick up the VHS and make your way over to check it out. Mike's waiting for you at the end of the aisle, his arms filled with popcorn, soft drinks, and candy. The two of you walk side by side over to the counter, where he drops all his snacks, and you slide over the movie. He lifts the corner of the box to look at the title before the case makes its way toward the cashier.
"American Psycho?" He asks, raising a brow.
"Yeah." You hand over the cash and your ID. "A coworker of mine said it was good, plus the trailer looked...interesting." You smile. "Why? Are you scared of a little horror film?"
"In your dreams."
"Guess we'll see about that, won't we?"
After thanking the cashier and collecting your bagged items, the two of you head back to his car.
It's not long after that the two of you arrive back at Mike's place, having changed out of your day clothes into pajamas.
After feeding the tape into the VCR, you plop back onto the sofa, sinking into the cushions, popcorn in hand, and snuggling into Mike's side.
Around six minutes into the movie, you comment in between bites of popcorn. "I know this movie is rated R, but I honestly wasn't expecting to see Christain Bale's ass."
Mike doesn't say anything in return, just side-eyeing you with a simple "Uh huh."
By the time the credits roll, both of your tummies are full of salty popped kernels and sweets, the evidence of which lies on his coffee table in the form of empty bags and wrappers.
Your bodies have shifted positions since the movie started. He's lying on his back, his body spread along the length of his couch, with you on your tummy nestled on top of him. Your cheek is squished against the space between his neck and shoulder, breathing him in while his chin rests on top of your head, his fingertips drawing slow circles on the small of your back.
The sensation makes you drowsy, both due to his warmth and the methodical motions of his fingers lulling you into an almost slumber.
"So, were you scared?" You tease, breaking through the serene atmosphere.
"Hm?" He mumbles, slow blinking himself to a higher state of alertness. It seems as if he too has been lulled into falling asleep on the couch alongside you.
"Were you scared?" you reiterate.
"Definitely not."
"Yeah... it felt more like a thriller than a 'horror' movie, I guess."
Mike hums in agreement, the two of you lying in silence before he speaks up again. "We should probably get off the couch now, hm?"
You groan a little, not wanting to move from your comfy position on top of him.
"Says who?" You fold your forearms across his sternum, settling your chin on top of your hands.
"Me." He quips, "It's getting late."
You huff, maneuvering your body so you can stretch and look at the clock on his wall. "It's only ten p.m." His eyes aren't open, but they don't need to be for him to tell that you have a pout on your face.
In your best attempt to dissuade him, you settle yourself back in the crux of his neck. "The night is still young."
"Says the one who was snoring up a storm on top of me a few minutes ago," he titters, poking your sides lightly so you'll fold in on yourself. "Using me as her personal pillow."
You don't engage anymore, choosing to stay right where you are in silence. If you don't talk, then no conversation needs to be had, and you can stay where you are. 
"Fine," he grumbles, effectively giving up. "We can stay like this a little longer." His fingers change positions now, moving from their persistent prodding to dragging the tips up and down your spine underneath your shirt.
"You're warm."
"You're warm...and snuggly... and safe." You plant a kiss on the exposed skin from the opening in his shirt.
"Safe? Never heard that one before." He smirks to himself amusedly.
"Don't start all that now," you tell him, looking up from your spot nestled in his neck.
"It's true," he retorts, "not sure any of my former employers would agree with you."
"First off, your previous employer was an actual madman. Secondly, I'm not one of your employers; I'm your girlfriend, and thirdly, you should know by now that I don't give a fuck about corporate."
Mike looks off to the side, not meeting your eyes. "You're not exactly a good influence on me, you know," he jokes.
"I never claimed to be." You move to lift yourself more and stroke his stubbled cheek with your finger. You sigh, "Look, I get that you haven't always been the most pacifistic person in the past, but...I mean it when I say I feel safe with you. And I know Abby is safe with you too, alright?"
He doesn't have the words to articulate the feeling that those words dredge up inside him, so he simply nods.
"Good." You lay back down on his front, staring up at him. "Wanna know one of my favorite things about you?"
You stage the question like it was a guessing game, but since he's unable to guess any good qualities about himself, all he responds with is "What?"
"Your eyes. So pretty."
The corner of his lip turns up in a smirk. This isn't the first time you complimented his eyes, and it surely wouldn't be the last. The warm, rich browns that make up his irises are sweet in color, despite him thinking they were as plain and boring as can be.
"You want to know what your eyes are telling me?"
"What?" You smile sweetly at him.
"That you're looking up at me like you want something."
"Maybe I do want something." You shuffle further up his body, settling yourself onto his lap, plush thighs surrounding his hips as you hold onto his forearms for stability.
"And what's what?"
You lean over him, slowly descending upon him, your face hovering just above his. "A kiss?" You wiggle your eyebrows up and down as if to entice him more.
"Go ahead."
"Really?"
"Could always change my mind."
"Meanie," you pout, but you meet him the rest of the way anyway, his lips melding with yours.
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Trying to describe your relationship and the intimacy that came along with it was difficult. Trying to describe Mike was difficult. The closest thing that comes to mind is a skittish cat. He wasn't standoffish in the sense that he couldn't talk to anyone, but trying to get anywhere other than skimming the surface with him was a challenge, like a game of tug of war, a delicate balance of push and pull. If you charged forward too quickly, he'd retreat into a corner, baring teeth and claws.
It wasn't his fault, not necessarily. The death of his younger brother being the major catalyst as to why he kept himself so closed off. A death that he blamed on himself for the longest time.
He stayed approachable enough to get along with others on the barest of levels to not cause any problems. for the most part, and any attempts at digging in any deeper than he was willing to allow were met with resistance. If he never gets close, then he never has to lose, even if it means leading an even lonelier life down the road.
The only long-standing relationship he had left was with Abby. His final tether to humanity was the little sister whose life he was holding together with glue sticks and string.
To be honest, it was amazing that you got as close to him as you did. After his short stint at the run-down pizzeria, he asked you out, deciding that he was done trying to flee and cling to the past. It was time to start living in the present, taking care of those who needed him now while he still could.
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The kiss is slow, meticulous, and intimate. A word that never used to be in Mike's vocabulary. It's warm. He's warm (and slightly squishy). The heat builds to a simmer inside your tummy.
His hands slide from your thighs to the fat of your hips, squeezing the flesh between his fingers as he pulls you closer against his pelvis, causing a slight whimper to fall from your lips. All you want to do is melt in it, sink into the heat, and slowly let it consume you.
One of your arms wraps around the back of his neck while the other hand cradles his stubbled cheek. It was strange how a man could make you feel as if your whole heart was being consumed all at once. Sickly sweet words come to a boil on your tongue, but you swallow and exchange them for something more simple and primitive. Moans fill the air of his living room, with the more primal part of you taking over.
Your hips begin to rock gently against his, your tongue prodding at his teeth. The groan that comes out of you is a plea for entrance, one which he happily grants, parting his lips and allowing you to swallow him whole.
"That's it."
The kiss becomes a clash of teeth and tongues, nipping at each other's lips while wet muscles glide against one another.
You're not exactly sure why, but kissing Mike like this, in a way that's so raw and unrefined, makes you unbearably needy, not just in the pit of your stomach but in your heart too. You've grown to like this little life you've built here, tending to the seeds of your relationship with care. It hasn't been perfect per se, but it's been yours. You love it. You love his sister. You love him and you can't decipher whether that scares you or not. Excitement and anxiety both make your heart beat to the same erratic rhythm.
He's gentle with how he holds you. Square palms and thick fingers knead the flesh of your sides before sliding down to your rear to give that a firm squeeze as well, his hands guiding your body, rocking it back and forth on his half-hard cock.
A juxtaposition: knuckles once bloody and bruised, calloused fingers with skin split around the nails holding you, caressing your body as if it were velvet. If he were a bit more needy, drunk on love, he'd swear to the heavens that you were softer.
His hands move from your ass to breast, his fingertips delicately sliding up the curves. It's not the first time he's "discovered your body," nor is it the last, but all the times you have sex, which is not often enough, it always feels as loving as the first.
Thumbs brush against the ribs that hide beneath your shirt, soft in a way that makes your heart flutter before they reach their destination, swiping against the soft, stippling peaks of your nipples, your bra having long since been removed earlier that night when you returned to his place. Palms grasp at the fat of your bosom, kneading the flesh.
The roll of your hips increases while your lips separate from his, laying forehead to forehead as you pant lightly against him, breath cascading down his features. The grip of his fingers on your side tightens as he tries to stall your movements. "Stop...stop..." he puffs into your mouth, slight perspiration building on his brow from the heat.
You pout as your hips come to a full stop, peering down at him beneath you.
"I don't want to blow all over the couch," he explains.
"What a lovely mental image you've just given me," you snort, swinging your leg over him as you try to get up, only to be stopped by his hands once more.
"I never said I had a problem with getting my bedsheets dirty, though."
His lips clash with yours as he walks you backward down the hall toward his bedroom. You stumble through the door and crash onto his bed while he flips on his bedside lamp before collapsing on top of you. Another whine escapes you as you feel his hard-on through his PJ bottoms.
"Mike," you exhale, holding onto his shoulders for support.
"I know, I know."
He repositions himself and you, by extension, so that he's lying on top of you properly. Lips move from yours to the corner of your mandible, planting quick kisses all over your skin as if trying to consume you. His facial hair tickles as it brushes against the skin of your neck, causing you to shrink up slightly while releasing a fit of small giggles.
You cling to every part of him just as he does to you, pushing up your shirt to lay claim to every inch of you. Though it's not fully removed, the material is left to rest above the swell of your breasts as he kisses his way down your sternum. He's deliberate as he moves down your body, attempting to cover as much of you in his sweetness as he can.
He takes extra care when he reaches your tummy, fingertips limber and gentle as he caresses the skin. Your eyes stay locked with his as his lips meet the curve of your stomach. Tender kisses are placed across it, showing appreciation for all of the parts of your body, not just the ones you've deemed worthy of his attention.
Sex wasn't always this "easy" between the two of you; even after dancing around each other and finally getting into a relationship, that didn't make all the vulnerability of the act any easier.
He wasn't bad at it by any means; he was just a little misguided. Although sometimes you regret having taught him as well as you have, especially now that he knows how to push all your buttons. 
His palms slide up your legs, from calves to thighs, fingers nestled into the waistband of your underwear and pajama bottoms, tugging them off in one fell swoop. A singular kiss is placed at the height of each thigh before he spreads your legs, exposing your sex to the cool air of his bedroom.
Nothing is said, but he does sit there for a moment, kneeling on the bed above you. When he finally does make his descent upon you, he presses a kiss so delicate right on the pudge of your mons. Then he moves to your left inner thigh, then the right, back and forth, back and forth, scrupulous, patient, and SLOW. The point of which is to get you as wet as possible without having directly touched you yet. It's made abundantly clear when he echoes those same thoughts back to you.
His thumb runs through your slit, dipping into your entrance, enough so that he barely breeches through, collecting some of your slick on the rough pads and dragging it up to your clit, rubbing tentative circles on the bundle of nerves.
"So wet," is all he says while continuing, circular motions with even pressure.
Lucky for him and (un)lucky for you, he can go as slow as he likes tonight, taking all the time in the world to warm you up, despite all your incessant whining.
He leans back to pull off his shirt, revealing a cute tuft of brown hair in the middle of his chest.
"You can be as loud as you want."
He lays on his stomach, right in between your legs, landing a singular kiss straight to your cunt before dragging the length of his tongue from your entrance to clit, giving that a kiss as well. He repeats the action a couple more times before settling himself right on your pussy, nose nestled in the wirey hairs of your mons. The wet muscle worms its way to your pulsing hole, digging in deep to drink down every drop that leaks from you.
It's always difficult to maintain eye contact with him like this; his almond irises are blown so wide that it's as if only his pupils remain. He licks and laps at your cunt like it's the only thing he was made to do. He worships your pussy like it's his favorite thing in the world, and has to prevent himself from humping the bed while he indulges himself in your taste. Even though he knows you find it hot as fuck whenever he cums just from eating you out, he needs to feel you stretched out on his cock.
Though unspoken between the two of you, you know that if you stare at him for too long while he makes out with your cunt, you'll cum way quicker than you mean to, and you know if you cum too quickly, he'll lay there and tongue-fuck you right through your next orgasm, because as much as he eats you out for your pleasure, he eats you out for his pleasure too.
Most of the time, you don't feel like giving him a big ego, so you tilt your head back and screw your eyes shut as his lips pucker around your clit and suckles it into his mouth. Even if you don't meet his gaze, he knows the effect he has on you just by the way your fingers rake through his curls, rooting themselves in his scalp while whimpering praises into the aether.
"Mikey."
The pet name used to make him groan and roll his eyes in frustration, but when you're spread out like this underneath him, it's his most favorite sound in the world.
Your opposite hand drifts to squeeze and knead at your breast, tugging at your nipple. His hand comes up to meet yours, warm and grounding, as he begins to work at your clit even more, sucking it more vigorously than before. Your hips begin to buck against his face, the scratch of his stubble giving your inner thighs a delicious beard burn as the heat begins to reach a boiling point in your belly. His fingers squeeze down on yours against your breast while your fists tighten in his hair.
You look down at him finally, and it's as if he can sense you're watching him because his eyes immediately snap up to meet yours. You can barely make out the slick coating his face in the low lamplight.
He works overtime now that he has your full attention, dragging his hand from your breast to your tummy, giving it a gentle squeeze before bracing his forearm across it, allowing for leverage as he sinks one, then two fingers into your cunt. He's quick but not rough with his movements inside you, curling in just the right spot to make you see stars.
Though your hips are restricted by him, you hurdle toward your impending orgasm. You reach down to meet his hand, and he happily clasps his fingers with yours, breaking eye contact with him when the coil finally snaps. Your back arches while your hand tightens around his, nails digging into the skin of his scalp, moans dribbling from your mouth with every passing second.
He eases you down from your high, kissing his way up your body before pulling off your shift completely and meeting his lips with yours, giving you a taste of yourself. You moan into the kiss, clinging onto him for dear life as you begin to wind down. He knows you're all set when your touch goes from frantic grabbing to gentle caressing.
He looks down at you; your expression is happy and a smidgen dopey, but nowhere near fucked out yet.
"Think you can handle some more?"
"Your tongue game isn't that good."
He scoffs. "Still coherent enough to give me lip, I'd say you're good."
He sits up, reaching toward his nightstand drawer, fishing out a box from inside.
"Oh, a new box of condoms..." You rise to your knees. slinging your arms around Mike from behind, your tits pressed up against his back. "Were you expecting to get laid tonight, Michael?" you tease, slowly kissing his neck.
"You say that as if it wasn't your idea to spend the night when Abby had her sleepover." He fiddles with opening the box, tearing off a single condom from the rest.
"If I recall, you weren't opposing the idea either," you goad, trailing your lips onto his freckled shoulder. "It's good that we're being responsible; now come here. I want more kisses." You take the condom from between his fingers and place it back on his nightstand along with the box as you urge him back down on top of you.
He obliges, his lips meeting yours as you trail all over each other's bodies. His hard cock lays in between your thighs, aching and throbbing with need, so you decide to grant him a little relief. You slide your hand into his boxers and slowly stroke his cock. His breath hitches slightly, bringing amusement to your face as your lips brush against his.
"So hard for me already, poor thing." You nuzzle into his face a little, sliding your nose against his as you lick into his mouth, silently asking for his tongue once again. He gives as much as he can, panting into your kiss.
After just a few minutes of lazily jerking him off, you slide his pants lower on his thighs, bracing his cock right in between your slit and slowly start to rock your hips back and forth. The kiss becomes lazy, just tongues caressing each other while moans echo throughout the room, every vein from his cock brushing up against your clit as the two of you rock together. The heat and slick making both of you quiver.
You release him on the brink of going too far, choosing to then reach over for the singular packet, the shiny foil catching in the light.
"Can you manage to put this on, or do I need to do it?" you jest.
"I got it." He sits himself on the edge of the bed, plucking the condom from your grasp. You hear the sound of the package tearing, and soon after his bottoms are gone too, both of you nude together.
"So, how you wanna do this?" he asks while rolling on the latex.
"Wanna be in your lap."
"Are you sure your legs can handle that?" he chuckles, caressing your thigh.
"My legs aren't made of jello," you retort, getting up on your knees while he scoots backward.
"Alright, but no complaining if you get tired."
You crawl over toward him, and he reaches out for you, taking hold of your hips as you swing one leg over both of his.
"Hi," you say as you're face to face with him, one arm slung lazily over his shoulder, grazing his back, the other resting against his cheek as your finger strokes his cheek.
"Hey," he chirps back.
You give him a quick kiss, moving your hand from his face to his cock, feeding him through your entrance, and sinking down on him slowly, the two of you groaning into each other's mouths. Your tummy folds in on itself as you reach the base.
You're not sure if you'll ever get used to the intimacy of it all. No matter how many times you go through this, you wonder if the feeling of overwhelming consumption will subside. If one day, it won't feel like Mike is looking right into your soul every time you have sex.
You whimper slightly as you settle, his girth stretching you out deliciously. You cup his face as your lips search for his again. His hand moves to caress you, one hand gliding down your spine and the other grabbing the fatty flesh at the bend of your hip joint. They never stay in place, though,  always on the move, making sure no part of your body is left undesired.
You roll your hips for the most part, bouncing only every so often when you want to feel the stretch of being filled again, mostly wanting to enjoy the feeling of being so close together, so connected. Taking simple pleasures in the feeling of him just being inside you. The hairs that spackle the base of his cock work to add pleasure to your clit. 
He kisses his way down your neck, smiling against your skin as he does it, taking in deep breaths of your scent while his hands continue their caress to your breasts, making sure to show them the attention that he neglected while he was eating you out.
His lips move toward your nipple, kissing it before letting his tongue lull out of his mouth, flicking it back and forth.
"Mmm...Mike." Your cunt clenches around him at his efforts, your fingers curling into the hair that sits at the nape of his neck.
His opposite hand slides to your front, rubbing up and down along the curves of your body til it settles on the other breast, rolling the nipple between his digits. His tongue traces around your areola before sucking the nipple into his mouth.
"Christ, Mike," you whine as he locks eyes with you, the movement of your hips quickening with every suck.
This is the only time you get so whiny, when the two of you are in a position like this, so enraptured with each other, in each other's pleasure. You become so sweet and pliant.
He detaches himself from your nipple and eases you onto your back, grabbing the fat of your thighs and pushing them toward your chest so he can fuck you like you need, like you both need. You're not sure if Mike will ever admit to this, but he needs the intimacy as much as you do.
He's deliberate when he sinks back into you, grinding when he reaches the hilt.
When he pulls out, he develops a slow rhythm, one you can both enjoy with its progression. Despite its calm nature, every thrust of his heavy cock ruts into exactly where you need it, rubbing against the spongey spot inside you that makes your toes curl, that lights a fire in your belly and makes you needy once again.
As the moment continues to build, on the precipice of climax, he speaks to you through the haze of pleasure.
"Still need me to kiss you to cum?" He taunts. He knows the answer.  It's been the same ever since the two of you got together. The intimacy between the two of you gets you off more than anything else. 
You pull him down til he's practically on top of you, his body weight against yours, your tummy folding up so nicely as you lay nose to nose. His scent and his skin on yours grounds you like nothing else. You don't even mind the stretch of your thighs as he holds himself against you.
"Don't act like you don't need this too." You extend your neck in an attempt to push your lips forward on his. "You enjoy intimacy more than your grumpy face lets on." Your eyes are just barely glazed over, the same dopey grin plastered on your face as you reach out to him.
"Shut it," he huffs, pressing his lips into yours for a searing kiss, fucking into you with as much vigor as he can muster. The springs of his mattress squeak wildly as he fucks you through it.
As much as he tries to deflect, he knows it's the truth too. He needs the closeness as well. The intimacy, the skin-to-skin contact, the sweat, the heat, the love
You mewl into the kiss, wrapping your arms around him tightly. Your orgasm sits just beyond the horizon, your cunt clenching down on him harder and harder with every sloppy smack of his lips against yours. The need and desperation grow as your bodies cling together, never wanting to part, edging closer and closer to ecstasy.
You glide your hand down to your clit, rubbing in tight circles as your orgasm crests, taking over your body and moaning into his mouth loudly as you pull him down even further. You're reduced to nothing but babbles and whimpers as he fucks you through your orgasm.
You feel the same words as before bubble up on your tongue. He's here, his body encapsulating yours as close as humanly possible; he's so warm, so safe. He's here, he's yours, and you love him.
You let the words escape you this time, refusing to let them fizzle out into nothingness.
"I love you, Mike," you whisper in his ear.
It's not more than a few seconds later that he's spilling into the condom, his hips still sloppily thrusting and letting out an unexpectedly loud groan while clinging to you.
The air settles, and Mike is still nestled inside you. Your fingers comb through his hair as he brushes along your side, leaving a kiss on your skin every so often, enjoying the afterglow of sex. 
You're the first to break through the silence.
"Shower now or in the morning?"
"Morning," he groans, somewhat groggy after everything that went down. He pulls out, getting up to remove the condom and tie it off, tossing it in the waste basket under his nightstand, making a mental note to dispose of it properly later.
"I'm gonna go pee, then we'll snuggle up for the night," you tell him as you head toward the bathroom before he has a chance to trap you in bed with sleepy cuddles.
"Don't fall in," he smirks, feeling proud of himself, and you grin at him for being an idiot.
As you go to wash your hands after finishing up, you hear a muffled. "I love you too" through the bathroom door.
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rainbowsky · 1 month
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Xiao Zhan - Elle China September 2024
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Now it has been 8 years since Xiao Zhan's first acting career. Looking at his resume, he has played the leading role in various TV dramas. But he still feels that he is a newcomer and hopes to work with more experienced production teams in the future. He doesn't think too much. He doesn't actually know the work plan divided by year. He only cares about what the next stage of work will be, rather than "asking about things that are too far away." #肖战ELLE Light and Shadow Blockbuster##肖战maintains curiosity and desire to explore##肖战ELLE Golden September Cover#
Photography: @于聪YuCong
Styling: @CloeDong
Makeup/Hairstyle: Qingjun (DDJSTUDIO)
Written by: Green
Editor: JIAWEI
Design: SHU
Art Creation: Feng Ruihua
Producer: Conan (在伍THOO)
Contact Editor: SISSI CHEN
Photography Assistant: Zhang Jun
Producer Assistant: Tianqi (在伍THOO)
Art Execution: Tiantian
Fashion Assistant: Baozhi, M, Kangkang, Xiaofan
Studio Equipment Provided by: Beijing Shangde Elephant
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Two black curtains reach the top of the studio, neatly isolating the shooting area from the surroundings. You have to go through the maze-like curtains to get to the core of the small space. Pure white, too much air conditioning, and the high-frequency and continuous camera shutter sounds. Xiao Zhan wears all black clothes and rarely makes unnecessary movements. For a while, the lights broke and the shooting was suspended, so he stood in the dark with one foot on a wooden box; when the staff and photographer discussed the photos and adjusted the shape, he also stood in front of the display screen, with the faint screen light covering him… We recorded Xiao Zhan from another angle.
Xiao Zhan ELLE light and dark light and shadow blockbuster##Xiao Zhan maintains strange heart and explores desire##Xiao Zhan ELLE golden nine cover
Behind-the-scenes photography: Yuanqing Xie
Editor and coordinator: JIAWEI
Halfway through the interview, Xiao Zhan suddenly said that he had a conflicting feeling about long interviews. On the one hand, he was worried about not growing enough and showing his timidity in the conversation. On the other hand, he wanted to explore some subtle feelings through the conversation because he thought he was not good at recording them in words. Observation, feeling, understanding, and expression are the essence of an actor's creativity. "Dialogue is also muscle memory." Xiao Zhan said, "Although I am very i, I am not autistic. Because I think actors need to learn to express, express your inner thoughts, and digest the content handed to you by the other party.
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reputationmunson · 1 year
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The Stars Align | Eddie Munson x Fem!reader
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Summary: Your hopeless crush on Eddie Munson might not be so hopeless after all thanks to a trip to family video
Content: fluff, Steve has a little crush on you but you’re into eddie, swearing, making out, mentions of bullying, she/her pronouns, reader is a year younger than Eddie
Word Count: 3.1K
a/n: i haven’t posted a fic in so long i’m so happy i was actually able to finish something! i hope you all enjoy :)
divider by @firefly-in-darkness
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“Oh my god, Robin, she’s here! How does my hair look?” Steve asks frantically as he sees your car pull into family video. “Who is it this week?” She sighs, growing tired of seeing Steve strike out again and again.
“You already know who it is. I’ve been using my best work for weeks and…nothing” he groans. “Really? Telling her about the time you had a dental emergency due to milk duds is your best work?” 
Before Steve can respond, the bell above the door rings and you walk in, looking as pretty as ever.
“H-hey! Haven’t seen you in a while. I hope you aren’t cheating on us with blockbuster” Steve says when you approach the counter and Robin cringes so much that she has to walk away. 
“Nope” you say with a laugh “I’ve just been busy, but I finally have a night to myself. Can you check if you have a movie for me?” 
“yeah, anything for you- I mean, um anything for a loyal customer not like I’d do anything for you. Well, I might, but not in a weird way-” 
“Steve” you chuckle “I didn’t think it was anything weird. Until now” 
“Right, yeah. Sorry. Anyways, what movie are ya lookin’ for?” He sits at the computer to pull up the movies on file. “Nightmare on Elm Street”
“Actually, my friend, Eddie, rented that yesterday, but I can see if he’s watched it yet so he can bring it back for you?” he suggests
“Eddie munson? You’re friends with him?” 
“Oh, yeah, but don’t worry he doesn’t actually worship the devil he’s just like this huge nerd with a weird taste in music”
“No, I know. I just, uh, think he’s really cute”
“Oh” he says in a bit of disbelief. he’s been trying to ask you out for weeks and this whole time you’ve had the hots for Eddie. “You think he’s cute?” Robin asks, appearing out of nowhere with a big smile on her face. 
“y-yeah. there’s something about the big brown eyes and long hair, i guess” you sigh, dreamily while Steve thinks hey, i’m a guy with brown eyes and a lot of hair.
“Ya know what, feel free to look around and we’ll take care of something real quick” Robin says and you wander off to the horror section. 
“Call Eddie” She tells Steve. 
“What? Why?”
“This is fate, Steve. She wants to rent the same movie Eddie just rented and she also happens to be, like, totally in love with him” She states and he rolls his eyes. “In love, Robin? She said he was cute because he has eyes and hair.”
“Aw, you’re jealous.” she teases. “Well, kinda. I wanted to ask her out and I haven’t had any luck in months with anyone.” Steve whines
“Think about it. Do you really wanna ask a girl out who’s into one of your closest friends? That’s obviously a recipe for disaster, so call him” Robin says and Steve groans. He hates when she’s right, but he picks up the phone and dials anyway. 
“Hey, munson. Have you watched Nightmare on Elm Street yet?”
“I got it yesterday, Steve, what’s the rush?”
“There’s a pretty girl here who wants to rent it”
“And what do I have to do with that?” Eddie asks, thinking Steve is just trying to use his ‘position of power’ (Steve’s words, literally no one else's) to try and impress any cute girl that walks through the door. 
“Well, somehow the universe keeps finding ways to laugh at me because when I told her my friend Eddie has it she said you were cute or something” you can overhear Steve and you could die of embarrassment. You had flashbacks to middle school when your best friend told your crush that you liked him and he made fun of you for the rest of the school year. 
“I am cute, Harrington and you know it. Who is she?” 
Steve tells him your name and Eddie's heart practically stops for a second. He can’t believe the pretty girl he’s had a crush on for years thinks he’s cute. 
“I’ll be right there” Eddie says before hanging up and sprinting out the door with Nightmare on Elm Street in hand. 
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“Welcome to Fam- Oh, it’s just you. She’s in the horror section” Steve grumbles when Eddie walks in. “Why do you have that look on your face?” Eddie asks Robin. Her eyes are big, smile even bigger with a hint of her ‘I just came up with a master plan’ look. “No reason, just go find your girl”
Eddie strolls over to find you and you look as gorgeous as always. You’re wearing a dress that stops halfway down your thighs, leaving your beautiful legs exposed, your lips shimmer from the gloss you put on, and you have an adorable look of concentration on your face as you look through the movie selection.
“Hey, you must be the pretty girl who’s just dying to watch this movie” He finally speaks up after admiring you. You turn to him and smile “you brought this back for me? you didn’t have to do that. did you at least get a chance to watch it?” You walk closer to him and the smell of your perfume makes him crazy. Everything about you just gets better and better.
“No, but it’s alright. I saw it in theaters, so it’s no biggie” 
“Now I feel bad. You obviously wanted to watch it again and i’m only renting it because I’m like the only person who hasn’t seen it yet” 
“You haven’t seen this masterpiece yet? It came out four years ago” he gasps and holds up the movie, making you giggle. Music to his ears.“I know. I’m lame” 
There’s a beat of silence and if anyone were to look at Eddie, they could practically see the wheels turning in his head. For years, he’s been trying to find a way to work up the courage to just talk to you and now it feels like he’s been presented with the opportunity of a lifetime. 
“Maybe we could watch it together” he suggests and feels like he’s stopped breathing until you give him an answer. You look up at him with your captivating eyes and nervously fiddle with your hands. “Yeah, I’d really like that” you respond and Eddie feels like he could do ten cartwheels right here in the middle of the isle. Little does he know you feel the same way. 
“Yeah? Are you free tonight around eight?’’ He asks and you nod. “Can I get your address?” 
Luckily, you had a scrap piece of paper and a pen in your purse and you write down his address with shaky hands due to the nerves from being asked on by the guy you’ve been hopelessly pining after for years. 
“So, I’ll see you tonight?” He asks as you both walk over to the door. Steve and Robin are watching you both like hawks, but quickly act like they are working when Eddie shoots them a glare. 
“Yeah, I’ll be there.” you promise and he flashes his million dollar smile. “Me too. I mean, of course I will, it’s my house so why wouldn’t I be there, um, anyways I’m gonna go before I say something stupid again” He chuckles, nervously.
“I should go too. Thank you for bringing that movie back” You touch his arm in appreciation and his head spins at the feeling of your touch. “No problem. Plus, this movie might be too scary for you to watch alone”
“Yeah? Are you gonna protect me?’’ you step closer to him, hand still on his arm. 
“With my life, sweetheart” 
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Ten minutes before eight, you park outside of Eddie’s trailer. You couldn’t believe this was finally happening after wanting this for as long as you can remember.
You had transferred to Hawkins High your junior year, which was Eddie’s first senior year and you’d been smitten since. On your first day, he had one of his infamous outbursts in the cafeteria, and while everyone else was mortified, you couldn’t help but be intrigued at his passion. He was always loud and never let anyone’s opinions of him change who he was. It was admirable
The two of you never had many interactions besides when you’d let him borrow a pen in science class. You were always too afraid to ever say anything to him about the way you felt, and when you graduated while he stayed behind, you’d thought your chance had passed you by. Now, three years after you graduated, you’re standing outside his front door about to watch a movie with him. Life is funny like that. 
“Hey- fuck, you look good” Eddie’s words slip out before he can process that he said it out loud and you chuckle “Really? I just threw on some comfy clothes, but thank you” 
“You always look good. Anyways, welcome to my humble abode” He bows and motions for you to come inside. You look around once you're inside, taking in your surroundings. You’re in Eddie Munson’s living room and you know it’s silly, but it feels like things are finally falling into place. 
“Make yourself at home, I’m gonna get the popcorn. Do you want anything to drink? I got some coke it you want one” 
“Yeah, that’d be great” you answer as you sit on the couch. He puts the popcorn in a bowl and pours you both a drink. You take note of the Garfield mug he’s put his drink in and you smile at how adorable he is. 
“Lights on or off?” he asks after he puts the movie in. “Off, obviously. Gotta have the whole experience, right” He nods in agreement, turning off all the lights until the tv is the only illuminations. When he sits on the couch, he sits right next to you leaving no space and you couldn’t be happier about it. 
Eddie’s confidence seems to grow in the dark.  He does that cheesy thing where he pretends to yawn and stretch so he can put his arm around you. It’s cliche, but it makes both of you smile, nonetheless. 
As you sense a jumpscare approaching, you nestle closer to his side and hide your face in his neck. He can feel your breath fanning on his skin and he can’t seem to think straight. When you hear a scream from the television, you jump a little and he chuckles. “This coming from the girl who wanted to turn the lights off” he jokes
“Hey, don’t make fun of me. I was promised protection and that’s supposed to come without torment” You move your head to look at him and when he looks back at you, your faces are so close together your noses are almost touching. You’re about to put your lips on his until another scream comes from the movie, causing you to jump again. 
“Can I tell you something?” he asks in a whisper. “yeah, anything” you move to position yourself more comfortably, but still close to him. 
“I’ve had the biggest, most embarrassing crush on you since high school” he confesses and your eyes widen in surprise. “you have not” 
“Cross my heart. You were the only person to smile at me when I’d pass you in the halls. You weren’t afraid of me like everyone else.” 
“Why would I be afraid of you? You’ve always seemed like a teddy bear wrapped in leather to me.” You think it sounds too cheesy when you hear it out loud, but Eddie thinks it makes you even sweeter. 
“Teddy bear, huh? I didn’t work this hard for my bad boy image to be compared to a stuffed animal” he jokes. “Bad boy image?” you scoff “You’re drinking out of a garfield mug”
“Alright, you got me there, but Garfield is a total badass” 
“If you say so. Can I tell you something now?” you ask and he lets out an mhmm before you continue. “I’ve had a crush on you since highschool, too.”
“No shit? I mean Steve told me you thought I was cute but I thought he was just fucking with me” Eddie seems to be playing it cool at your confession, but he’s screaming on the inside.
“It was my first day at Hawkins and you were hard to not take notice of after one your cafeteria spiels. I remember everyone thinking you were obnoxious or a freak, but I was just enamored with you.”
“You never thought I was some satanist sacrificing children? I think you were the only one” he huffs out a laugh. Eddie’s life has been easier since high school. He still gets some weird looks every now and then, but things have calmed down. Although he always put on a brave face, some of those days were harder than others. It’s nice to know that you never thought he could be capable of doing those things he was accused of. 
“I always felt guilty that I never stood up for you. I hated watching them berate you and what I hated even more is that I was too scared to ever say anything to them” you say, looking down at your lap to avoid eye contact.
“Don’t feel guilty about that. They wouldn’t have stopped anyways” he places his hand on your thigh and you turn your head to look at him. He has a look of appreciation in his eyes, like he’s trying to let you know that you didn’t need to say anything to those assholes. Just you being thoughtful for him is enough. 
“I even left a note in your locker one day. It was when one of those idiots tore pages out of your campaign notebook and I guess I just wanted you to know that there was someone on your side” 
“That was you? It’s been driving me crazy for years trying to figure out who that was!” 
“you got it?” your eyes light up.
“I did. Still have it, too. This is probably embarrassing, but I’d read it whenever I had a bad day. I guess I didn’t want anyone to know that anything ever got to me and that I was above it all” He sighs. Eddie likes that he can be vulnerable with you. He hardly ever opens up to anyone about anything, but there’s just something about you that makes him comfortable. He feels like he could tell you anything and you wouldn’t judge him for a second. 
“Do you still have it? The note?” you ask and he scurries to his room to rummage through his nightstand where he keeps it. 
“Closest thing I’ve ever gotten to a love letter” he says before handing you the piece of paper that reads:
Eddie,
Sorry if this is weird, but I just wanted to say I’m sorry for how they treat you. I think you’re awesome and I hope you think that too. This town is a little less shitty with you in it. Never change
P.s. you look really good with long hair please don’t cut it
You chuckle when you read the last line. “I can’t believe you kept it. I knew I was right when I called you a teddy bear. You’re secretly a big softie, huh?” 
“The softest. But only for you, yeah?” 
“So that crush on me you had in high school… do you still have it?”
“It never went away, but now it’s even bigger than some teenage puppy dog shit” 
Everything around you seems to drown out. You’re too focused on how close Eddie’s face is to your own. His lips look so soft and pillowy, the perfect shade of pink. You scan over the rest of his face, entranced with his beauty. His eyes are even prettier up close. You could count his eyelashes with how little distance there is between the two of you and you think that one day you will.
Right now, the one thing you’ve wanted the most is quite literally staring you right in the face. Not a loud sound from the movie, or even if the end of the world was happening right outside could take you away from this moment. 
“Can I kiss you?” he whispers, hand coming up to cradle your face. “Please” you barely get out.
Eddie gently places his lips on yours and it feels like this weight you’d be carrying around had been lifted from your body. Nothing in your life has felt more right than this kiss. 
You’re kissing Eddie Munson. The boy from the hallway that always gave you a kind smile and made you weak in the knees. The boy from your science class who never had a pen. The boy who you’ve wanted since you were 17. You always criticized yourself for never getting over what you thought was just a silly little crush, but it’s always been more than that. Every moment leading up to this has been worth it and you’d do it all over again if it meant you got to kiss him. 
You instantly miss his lips on yours when he pulls away and you can barely stand it, so you pull him back in. This kiss is more intense. You melt when his tongue glides into your mouth and his hand moves to hold your waist. You both put all of your feelings and passion into this kiss. It’s pure electricity. 
You wish you didn’t need oxygen to breathe. You wish you could live forever in this position, but unfortunately that isn’t the case, so you both slowly break apart but not without him giving you a few pecks before fully pulling back. 
His pupils are blown wide and his cheeks are flushed. His hair is a little messy due to you threading your hands through his soft curls. He’s never looked more beautiful. 
“So, I know this was only our first time hanging out, but- uh- do you want to be my girlfriend?” he asks, nervously and you smile so big that it causes your eyes to wrinkle. 
“I’d love to” you simply answer. 
“Yeah? You wanna be mine?’’ he smiles as relief washes over him. 
“I’ve always been yours” 
Nightmare on Elm Street has been long forgotten. Eddie restarted it twice, but each time you both end up in deep conversation and he’s kissed you more times than you can count. Maybe one day you’ll watch it, but today isn’t that day. Not when you’re sitting next to the most kissable person on earth. 
_
The End
_
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g0ry0re0 · 4 months
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Josh Futturman (Future Man, 2017, TV Show) - Headcanons
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Description: [18+ MDNI] AU where the reader experiences the show's events with Tiger, Wolf, and Josh. This takes place at the end/after the show where you and Josh live together as a couple. / Josh Futturman x GN!Reader
General Notes: Established Relationship, Reader Show Insert, Slight Spoilers For The Ending Of Future Man, Gender Neutral Reader, Romantic Headcanons, Sexual Headcanons Mixed In, No Use Of Y/N, Slight Cursing
Author's Note: Needed to do some headcanons to fill the JHutch void on Tumblr right now, and to get myself back into writing actual fics lol. Also, I can't believe this is only the second thing I've done for my baby boy, Futturman. I love him so much. Hope y'all enjoy! <3
Word Count/Bullet Point Count: 523 Words/30 Bullet Points
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You and Josh road trip from Iowa back to California soon after stopping the existence of time travel
You find yourselves doing odd jobs to keep yourself afloat, Josh often doing cleaning jobs
Y'all find a dingy little apartment on the outskirts of L.A.
Despite the smallness of the shitty apartment, you and Josh declared that you didn't need that much anyway, as long as you had each other
Josh definitely gets back into gaming once you come to terms with being stuck in the 2000s
He particularly enjoys Street Fighter EX3 and Tekken Tag Tournament on the PS2 (until Kingdom Hearts and Final Fantasy 10 come out in the next few years)
You also acquire a Gamecube system once it comes out the next year
You liked playing Pikmin and Mario Kart: Double Dash together (you always played as Luigi to spite him)
You both also try to get into taking care of small plants
There's a lot of dead plants on your kitchen windowsill
Though, Josh has the first flower you ever grew together pressed and hung in your bedroom
After everything that happened, Josh is pretty clingy
When you wake up in the morning, Josh does not leave your side
Whether you're making breakfast, coffee, or just trying to get ready, Josh is practically attached to your hip
He gets especially clingy at night when you two make dinner together and watch a movie y'all rented from Blockbuster
He likes to cuddle A LOT, which can often lead to some more intimate activities
After the events at Haven, Josh was a little nervous about sparking any private moments between you two
But, after the first time together, he quickly got over it
He was worried he would hurt you at first too, but the things you went through in the past few "however-much-time-has-passed", you showed that you can take a little pain
He loves how good you take him, as if you two were made for each other
Unless Josh gets pissed for some reason, he is a definite sub
His favorite position is having you on top in any way, shape, or form
Josh is a sucker for pleasuring his partner, first and foremost, to where he can nearly get himself off just thinking about it
Besides being sexually intimate, you both just love physical contact in general
Josh loves taking you out on little dates, taking you to his favorite places in L.A. (sometimes forgetting what year it is and finding out that place doesn't exist yet)
Josh especially loves taking you to Little Tokyo and the Arts District
Josh also loves when music he enjoys is released and he can finally listen to it again (instead of humming it to himself in the shower)
Same goes for films, he really enjoys being able to go to the theaters to experience it for the "first time" with other people. especially the Marvel movies later on
When Josh observed his parents for the first time, he cried
The last time Josh visited his parents, you took him away with the promise of a picnic in the park before his dad could say anything to him
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Masterlist Link
Divider: saradika and saradika-graphics on tumblr
Gif: marlosrph on tumblr
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strawberrystepmom · 10 months
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malevolent enterprise ch. 2
ceo au series. sukuna and yuji are brothers. gojo x f!reader are endgame but this is backstory/lead up. reader has hair that can be swept off of their face. reader is a lawyer (ive taken creative liberties bc i am not a real lawyer so take it up with god if u find an issue) and has an established platonic relationship with sukuna and has an ex boyfriend that is an oc named shigeo. cw drug and alcohol mentions. wc 1.8k.
masterlist coming soon but in the meantime, ch. 1 can be found here
divider thanks to @/cafekitsune ♡
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“Forgot I paid you to stand around, ---.”
Hearing Sukuna use a shortened version of your full name, you roll your eyes and pull your glasses off of your face, holding them between your thumb and index finger. Meeting his gaze with an indignant look of your own, you toss the pen you’re holding with your other hand down on the desk in front of you and groan in frustration. 
You’re only standing in his office because you've been reviewing contract abstracts for hours and could use a break before your brain starts to turn to mush given his absolutely archaic NDA demands that would never be upheld in court. 
“Am I not allowed to pace? Is that one of the workplace rules you’ve set we all have to follow, King Ryomen?”
He appreciates your sharp wit if nothing else so he chuckles, walking around you to plop down behind the heaviest and most ornate looking desk you’ve seen in a modern office. 
Truly fit for a man who sees himself as a king. 
“Can I make all of you start calling me that? Will HR have an issue?”
You scoff and shake your head. 
“Yes. I have a funny feeling they would indeed take issue with you demanding your employees call you king.”
Placing your glasses back on the bridge of your nose, you sweep back a few tendrils of hair that have fallen in front of your face and sigh, raking your fingers through the top of your overgrown layers. You’ve been too busy lately to even get a trim, late nights spent at the revenge motivated Ryomen Enterprises preventing you from doing much but provide general counsel, as your position and official title state. 
You left one incredibly oppressive job for another and you don’t quite regret hitching your wagon to Sukuna but you aren’t proud of it either, especially putting your own goal of having your own firm on hold to do it. 
Leaving the Zen’in firm seemed intelligent three months ago after Naoya was named partner instead of you, the tireless hours you put into the blockbuster Miyamoto v. DTK, Inc. wrongful termination suit, the first of its kind in the country, meaning ultimately nothing when it comes to family ties and misogyny. 
You handed your resignation to Naobito the next day who received it with a knowing smirk, glad to see one less bitch too big for her skirt suit step aside. Two months later Sukuna reached out to you and you assumed you’d be stupid to pass up a comfortable and lucrative in-house counsel position in a well funded company everyone had just started buzzing about. 
It also helps that the founder of said company is someone you’ve known for long enough you have seen him shuffle through several life phases. 
Needless to say the job hasn’t been what you expected it to be since saying yes though, sifting through a bankers box full of Manila envelopes, muttering aloud about all the shit you need to get done and the severe lack of hours in the day. 
“The journalist hasn’t sent back her NDA yet,” you remark and he hums. He knows exactly the pretty little pink haired thing you’re mentioning and he smirks thinking about how easily he pulled her apart in a penthouse suite 8 blocks away a few nights ago but his attention is drawn back to the present when you slam a stack of papers in front of him. 
“Your brother’s company doesn’t even have in-house counsel.”
Sukuna arches a brow, sitting back in his chair and slamming his feet on the desk. You don’t even jump, perhaps too used to his antics after only a couple months of working for him. It’s not like he was a stranger to start with, the senior you helped through your sophomore Contracts course remembering you fondly for your plucky demeanor and willingness to fight when necessary. 
You simply remember him as a smooth talking asshole who charmed you into doing his coursework successfully but he signs your checks so you keep your assessments of his character to yourself as often as possible. 
“How do you know what’s going on at Yuji’s company? Are you a mole?”
A snort is your response and you toss him a glance from over your glasses, one he knows means he’s treading in dangerous territory. Tossing down one of the near bursting envelopes in your hand, you pick up your phone and grimace at the text lighting up the screen. 
Toge: maki wants 2 eat w u at some point this millennium - her words
Rolling your eyes, you text back and Sukuna watches with a grin, wondering what in the world could have you so irritated on your phone. 
“That’s not Gojo is it?”
You scoff again and add nothing further, continuing to focus on your phone despite the second last message Toge sent you containing a link to a headline showing off the man just mentioned wining and dining a pretty dark haired woman across the world last night. 
Quickly, you type a reply to Toge’s message to send the bubble with the news article further out of your periphery.
You: are you guys together? where are you?
“It’s my assistant reminding me to eat since I don’t get a spare second to do it working for you,” you finally remark, locking your phone with a wince. 
You try to pretend you’re too good to be affected by the latest news of Satoru’s careless public hookups but you did lock yourself in the executive bathroom to cry at your own reflection for 45 minutes earlier so you opt for silence rather than digging the hole any deeper. 
Why you care in the first place is beyond you, the two of you only ever orbiting around one another, no serious groundwork for anything beyond neutrality laid. You can’t help who you’re attracted to, though, and while there’s no use in lamenting that you’re nobody to the man you can at least sit down and dye your hair a shade darker to pretend he’d be interested next time you get the chance. 
Sukuna pulls you out of the hole your mind is in, swinging back and forth in his chair, making it squeal with each quarter turn and further annoying you.  
“When’s the last time you went out and did anything besides look at paperwork and smoke with the window cracked? You look like shit.”
The expression on your face is priceless, shifting to glare at your boss while he snickers to himself and shrugs, knuckles wrapped around his opposite bicep. 
“Yuji’s party is the last time I went out.”
Well over a month ago. Sukuna whistles lowly, still shifting idly in his chair. 
“I’m just saying maybe you need more than just a bite to eat to feel better. Text your ex or something, didn’t he just get surgery? He’s probably at home.”
The mention of Shigeo, baseball star, makes you exhale as loudly as possible and throw down another envelope. He’s the last person you want to hear about, given you broke his heart just over six months ago, admitting you didn’t see yourself marrying him when he asked about a shared future for the two of you. He’s sweet, he’s wonderful, he’s a good man but he isn’t your forever man and finally, anger makes your face flush and feel warm, your boss successfully making his way under your skin.
“Don’t you have illicit substances to snort out of someone’s asshole?” You look away and mutter under your breath, much to the amusement of the man watching each irritated step you take. “What are you even doing here anyway? It’s after hours.”
Sukuna takes his feet off of the desk and leans forward on his elbows, sucking his teeth. He isn’t sure why he’s here, actually. Perhaps he’s partied out and tired of hosting giggling girls with nothing better to do than hang on his every word or maybe he wants to look over his kingdom without prying eyes judging his every mood. Both of these are a little true but above all, part of him holds the tiniest bit of fondness for you. At least enough that he’s concerned you’re overworking yourself. 
“Go out tonight. All this shit will be here tomorrow and I’m sure I’ll give you even more to deal with by the time the sun is up again.”
You sigh and look down at your phone, screen lighting up as another message from your personal assistant comes through. 
Toge: den, just sat down. ordered you vodka soda.
“Fine but let your little pink princess know that if her NDA isn’t in by next week I’m going to sit there and watch you two fuck to make sure nothing gets out.”
Sukuna hums, brows raised. 
“I always knew you were a freak.” You roll your eyes and he chuckles, standing up from his chair and letting it roll back far enough it bumps against the glass floor to ceiling window behind it. “You’re one of those girls who wears really sexy underwear but never lets anyone see them, right?”
Tucking documents into a box, you snarl. He’s not 
flirting, he's making nasty observations as he is known to do. He has known you for long enough he feels extremely comfortable doing so and you can hardly argue with him. Who cares even if he is right? You’re a grown woman with a lucrative career and life, if you wanna wear 50,000 yen silk panties that’s your business.
“That’s more than enough out of you.” Another document tucked and you approach Sukuna, looking up at him with your mouth in a line. “I’ll be in by 10 tomorrow. Don’t fuck my night up.”
He nods, holding his hands up in a gesture of mild surrender. 
“I’m serious about the NDA too. I’ll meet with her if you want but I won’t promise to be nice about it.”
Your boss scoffs but smirks.
“You’re always too nice, that's why you don’t have it yet but I’ll talk to her.”
Nodding, you acquiesce, uninterested in arguing while you tie your coat closed. Your phone lights up again and you look down at the message with a groan.
Toge: ice melting…👎🏻
“I mean it, Sukuna Itadori. I do not want to hear a single report of bad behavior in the morning.”
The only person allowed to still call him his family name is you and you turn on your heel, stilettos clacking across the marble floor with each step. 
“Whatever you say, boss.”
His sly remark makes you toss another look over your shoulder while opening the office door but the buzz of your phone catches your attention instead. 
Maki: If you aren’t here in 15 I’m dragging you out of that building myself.
Knowing she means it, you stiffen and rush to leave. 
“No drama, Sukuna!” 
You shout over your shoulder and he chuckles, opening his own phone and scrolling to the contact for the pretty little pink princess he hopes to have back between his jaws tonight. 
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psychedelic-ink · 1 year
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I find myself standing at another milestone, scratching my head and thinking, 'You guys are still here? Really?' And you know what? I'm an emotional mess over it!
Whether you've been here since the beginning or just hopped aboard this chaotic train, your presence means the world. I want you to know, from the depths of my sappy heart, that your support is truly appreciated. Each follow, each reblog, each comment is a sprinkle of magic in this crazy writing journey.
Thank you for being here!
**dividers by the most talented @saradika xx
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SEND ME AN EMOJI
📖 BOOKISH BITE-SIZE: Send me a request/prompt and I'll write a very bite-sized drabble for it.
📜 QUOTABLE CREATIONS: Share a favorite quote/dialogue from your own writing or a piece that inspires you. I'll turn it into a beautifully designed quote graphic for everyone to enjoy.
📚 WRITER'S BLOCKBUSTER: I'll make a personalized moodboard or aesthetic based on one of your wips/fics. Tell me your vibes, aesthetics, or a character + trope + scenario for a unique creation!
✒️ PEN PAL PARADE: Send me a short writing snippet or sentence and I'll continue from where you left off, making it a mini collaborative masterpiece!
📸 SNEAK PEEK HAVEN: Ask me about past fics, ongoing series, future projects etc etc
✉️ AMA (ask me anything): As the title suggests, ask me anything!
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SOME RULES
For drabble requests, you can send any genre, au etc you want but keep in mind these will be very short so nothing too detailed, please.
You can send in as many requests as you want.
The celebration will end on the 15th of October.
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CHARACTERS I'LL WRITE FOR
marvel: moon knight(all), peter parker (all), felicia hardy, loki
all pedro characters except for dio & maxwell lord.
oscar Isaac characters: santiago garcia, miguel o'hara, duke leto, moon knight (all), poe dameron
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osharenippon · 10 months
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Shoujo Manga’s Golden Decade (Part 1)
Shoujo manga, comics for girls, played a pivotal role in shaping Japanese girls' culture, and its dynamic evolution mirrors the prevailing trends and aspirations of the era. For many, this genre peaked in the 1970s. But why?
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Manga stands as one of Japan's primary cultural exports, deeply ingrained in the local culture and enjoyed by individuals of all ages and genders across various genres. Conventionally, manga is divided into two editorial segments: shonen (targeted at boys) and shoujo (targeted at girls). While shonen manga, propelled by hits like "Dragon Ball," "Slam Dunk," "Naruto," and "One Piece," has achieved global popularity, girls' comics, with their own international sensations such as "Sailor Moon," hold a crucial position in the market. The evolving landscape of girls' manga serves as a fascinating lens through which to observe the shifting fashionable aspirations and beauty ideals within Japanese society.
Shoujo manga has a rich history, dating back to the early 20th century. However, it truly gained recognition in its modern form in the late '50s and early '60s when prominent Japanese publishers introduced shoujo manga anthologies such as Kodansha's Nakayoshi and Shoujo Friend, as well as Shueisha's Ribon and Margaret. The acclaimed "godfather of manga," Osamu Tezuka, is often credited with creating the first modern shoujo, "The Princess Knight," in 1954, and the first shonen, "Astro Boy," in 1952.
A distinguishing feature of shoujo manga is that it is created by and for girls. But, in the '50s, this wasn't the case, and male artists dominated the shoujo field, which was considered an entryway to the manga business. By the 1960s, that would change as publishers recognized that women creators possessed a unique proficiency in crafting narratives centered around female experiences. Female manga-kas resonated with readers in a way that many male artists couldn't, marking a crucial shift in the landscape of shoujo manga.
The Volleyball Craze
A notable display of how shoujo could mirror societal trends unfolded in the '60s. In 1964, the Tokyo Olympics marked a new beginning for post-war Japan, and the female volleyball team, known as Toyo no Majou (the Oriental Witches), achieved stardom by clinching victory in the finals against the Soviet Republic. This triumph triggered a nationwide "volleyball boom," resonating particularly within the shoujo manga realm.
Shueisha's Ribon, historically the leader in the shoujo manga field, started publication in 1955. Still, the editorial house would only begin to make its series available in standalone tankobon format almost 15 years later through the now iconic Ribon Mascot Comics imprint. The first series to be made available by the imprint was Chikako Ide's "Viva Volleyball."
Simultaneously, over at Kodansha, Shoujo Friend was also eager to capitalize on the boom. Editors commissioned a title about the sport from illustrator Akira Mochizuki and novelist Shiro Jimbo. The final project, "Sign wa V," became a multimedia success, being quickly adapted into a live-action TV drama that achieved very high ratings.
While "Viva! Volleyball" and "Sign wa V" enjoyed success in their time, they did not etch themselves into the collective memory. The true shoujo sports manga blockbuster, a cross-generational classic universally known in Japan, is Chikako Urano's "Attack No. 1," serialized from 1968 to 1970 in Weekly Margaret.
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It became the first shoujo manga title to surpass ten tankobon volumes (it had a total of 12 volumes), and it was forever immortalized thanks to its 1970 anime adaptation, which achieved high ratings on Japanese TV. Everything about "Attack No. 1"—from the original manga to the cartoon adaptation to the anime's theme song, which sold over 700k copies as a single—was a success.
The story of a high school girl trying to become the best player in her school, Japan, and eventually, the world became a phenomenon, setting the stage for the '70s "golden era of shoujo."
The Shoujo Lost Years
Until the '70s, manga carried the stigma of being a guilty pleasure, often viewed as a "poison" meant to dumb down young readers. Despite a few discerning individuals recognizing the medium's potential, manga critics, enthusiasts, and tastemakers — predominantly men — largely disregarded female-centric comics. Shoujo manga, despite its immense popularity, faced the harshest criticism.
Because society and critics downplayed shoujo, influential shoujo manga-kas from the '50s and '60s, such as Hideko Mizuno, do not enjoy the same level of recognition as their shonen counterparts from that era.
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Hideko Mizuno and a page of one of her most celebrated works, "Fire."
Mizuno was one of the first women to create manga, worked as an assistant to Osamu Tezuka, and was behind several massive hits that had a significant impact on women in the '50s, '60s, and '70s. In fact, the most iconic shoujo manga-kas from the '70s golden period directly mention her as an influence. She fought to include romance -- now the essential element in girls' manga -- in her works back when such topics were deemed inappropriate by male editors.
Mizuno's repertoire was vast: she wrote mangas about little girls and their poneys, magic adventures, and romcoms based on Audrey Hepburn's movies, and she drew the first sex scene in a shoujo manga. The manga in question was "Fire," a teen-targeted manga featuring a rebellious American rocker, which broke new ground by having a male character as its focal point. Alongside other notable female artists from the '60s, Mizuno laid the groundwork for the '70s shoujo explosion, during which girls' comics took center stage.
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In 1960's "Hoshi no Tategoto" (left,) Hideko Mizuno created the first shoujo love story. Serialized in Weekly Margaret between 1964 and 65, "Shiroi Troika," set during the Russian Revolution, was the first historical shoujo manga.
A contributing factor to this "golden period" was the emergence of several shoujo mangas as unstoppable hits, selling millions of copies and becoming cultural phenomena. These titles, considered masterpieces, continue to be read and known by multiple generations.
The BeruBara Boom
"Attack No. 1"'s success spread far and wide, forcing Japanese society to take note of the potential of the shoujo segment. Right after this historic success, Shueisha's Weekly Margaret hit the jackpot once again with another epoch-defining manga hit, Ryoko Ikeda's "The Rose of Versailles," which debuted in 1972. Set in the years preceding and during the French Revolution, it weaved together historical figures like Marie Antoinette and fictional ones, like the iconic Lady Oscar, a handsome noblewoman raised as a boy to succeed her father as the commander of the Royal Guard at the Palace of Versailles.
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The first volume of the original comic had Marie Antoinette on the cover as Margaret's editors believed she'd be the favorite character. However, the androgynous Lady Oscar turned into a fan fave and the absolute star of the series, which is reflected on the cover of most rereleases since then, including the 2013 bunko version seen above.
When talking about shoujo manga classics from the '70s that are familiar to everyone in Japan, "Rose of Versailles" is probably the first name that comes to mind. It was a hit that really defined the era and impacted the country as a whole. While Marie Antoinette is seen around the world as a tragic, out-of-touch figure, in Japan, many women and girls see her as an aspirational historical fashion icon. While Sofia Coppola's 2006 film "Marie Antoinette" solidified this among younger generations, it was Ikeda's gentle portrait that made her a character loved by so many across all age groups.
When conceptualizing the story, Ikeda was heavily inspired by Stefan Zweig's "Marie Antoinette: The Portrait of an Average Woman," which she read while in high school. Once in college, in the late '60s, she, like millions of others, was heavily involved with the Marxist student movements. These references led to a historical romance that touched on heavy and revolutionary themes, which was atypical for a shoujo manga, a segment that, back then, was primarily catered to elementary school-aged girls.
Because of its unorthodox concept, Margaret's editors were unsure about the series. But right from the start, "BeruBara" (derived from the original Japanese title, "Berusaiyu no Bara"), serialized between 1972 and 1973, was an explosive hit, quickly turning into Weekly Margaret's most popular series. It was compiled in 10 tankobon volumes published, which sold tens of millions of copies. In fact, according to some stats, it is the best-selling '70s manga across all genres in total sales.
In 1974, after the original manga had finished its serialization, Takarazuka Revue, an all-female theatrical troupe, announced a stage adaptation of the story.
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Posters of the first three Takarazuka adaptations, from between 1974 and 1975. Since then, the Revue has adapted the manga 11 times, with a new run scheduled for 2024.
The Revue was established in 1913 by the owner of Kansai's leading railway company, Hankyu, to boost tourism to the city of Takarazuka, his line's last stop. It was a huge success, and soon, the group had its own luxurious theater as well as its very exclusive academy where young ladies underwent an arduous audition process to become Takaraziennes. In 1934, a second Takarazuka theater opened in Tokyo. 
However, in the early 1970s, Takarazuka faced stagnation, with declining ticket sales attributed to the growing popularity of alternative entertainment forms such as cinema and television.
In 1973, Shinji Ueda, who had risen through the Takarazuka ranks as a director, made his debut as a playwriter in the company with a musical based on ancient Japanese history. While thinking about his next project, he decided to check out a manga popular with some Takarazuka fans, "Rose of Versailles," and he quickly realized it was the perfect theme for an adaptation. Lady Oscar, who had lady-like features but was also as handsome as a man, was the embodiment of the male role-playing Takaraziennes. Ueda reached out to Ryoko Ikeda, who, as an admirer of the troupe, quickly granted the rights.
But Ikeda and Ueda's excitement wasn't shared by many. Most of the Takarazuka team were skeptical about a play inspired by something as vulgar as a manga. Fans of the original were also highly protective of its characters and entirely against a live adaptation.
Amid this climate of distrust, the play opened at the end of August 1974 at the Takarazuka Grand Theater. The reaction after the first night was extremely positive. Soon, Takarazuka's "Rose of Versailles" was the hottest ticket in all of Japan, with the press breathlessly covering the "BeruBara boom" that led thousands of people to stand hours in line to get tickets to the coveted performances in Kansai and Tokyo. Ikeda herself was shocked by the media phenomenon when she returned from an overseas trip and had hundreds of reporters awaiting her at the airport.
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A statue of Lady Oscar and Andre surrounded by rose bushes sits outside the Takarazuka Grand Theater in Hyogo, Japan.
The "BeruBara" media sensation single-handedly reversed Takarazuka's fortunes, leading to record-shattering ticket sales for the company. The Takarazuka Academy, which had seen declining applicants, suddenly became highly sought-after again, originating the saying "Todai in the East, Takarazuka in the West," comparing it to Tokyo University, the most prestigious university in Japan. The phrase underscored the desirability and prestige associated with a position at the troupe. 
Ultimately, the success of "The Rose of Versailles" propelled Takarazuka back to the pinnacle of the entertainment industry, a position it maintains to this day. The brand continues to hold great esteem among women of all ages in Japan, with Takarazuka's stage adaptations, derived from Broadway musicals, movies, novels, and shoujo manga, consistently selling out. Notably, various adaptations of "BeruBara" have collectively sold over 5 million tickets since 1974.
Following the manga and Takarazuka adaptation's explosive success, the anime debuted in 1979. While the anime received acclaim, Ikeda herself was not entirely satisfied, mainly due to the treatment of her favorite character, Andre, who played a significant role in the manga but had a minor presence in the animated version, which focused almost entirely on the manga's most popular character, Lady Oscar.
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In 2013, celebrating Margaret's 50th anniversary, new special chapters of "BeruBara" were published. The first new story in 40 years resulted in Margaret magazine selling out across the country.
"BeruBara" remains a prominent franchise in Japan, spawning numerous licensed products, sequels, and spin-offs. Ryoko Ikeda, known for other successful series, continues to garner widespread respect and media attention. However, while almost everything related to "The Rose of Versailles" turned into a hit, there was an exception.
In March 1979, a few months before the anime premiere, a live-action film adaptation debuted with great fanfare. Fittingly for such a hot property, the movie was one of the most ambitious productions in Japanese cinema, with a substantial 1 billion yen budget. 
The Palace of Versailles granted permission to shoot in its interior. The filming was in English, with a European cast. The project was helmed by France's hottest movie director, Jacques Demy. Demy wasn't respected only in the West but also in Japan, where his two most important films, "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort (1967)," were also hits. In fact, to this day, both flicks remain popular among trend-conscious Japanese as examples of stylish oshare movies that fully capture aspirational girls' culture (alongside, among others, Sofia Coppola's "Marie Antoinette"). Demy, the mind behind dreamy, girly movies, seemed like the perfect choice to turn this blockbuster shoujo classic into a live-action film.
The movie had the backing of three gigantic domestic corporations: Toho, the leading Japanese movie distributor; Nihon Terebi (NTV), one of the main TV stations; and cosmetic giant Shiseido. NTV and Shiseido made sure the movie had one of the most extensive marketing campaigns Japan had ever witnessed. The TV station aired specials and segments on this grand production. Meanwhile, Shiseido made the star of the movie -- British actress Catriona McCall, who played Oscar -- the face of its spring campaign, promoting its new Red Rose lipstick. Catriona was plastered on billboards across the country, made media and department store appearances, and starred in luxurious TV spots.
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On the left, Lady Oscar and Marie Antoinette adorn the cover of Margaret in 2016, over 40 years after the end of the original serialization. On the right, Oscar models Dolce & Gabanna new collection for high-end fashion magazine Spur in 2014, celebrating 40 years of the conclusion of the original manga.
Back then, Kanebo, the second biggest local cosmetic company, was in fierce competition with Shiseido. TV ads from both companies had a tremendous impact, propelling singles to the top of the charts, and there was a battle on which commercial would feature the biggest hit. But, in the spring of 79, the focus of the fight changed. As a response to the Catriona "Rose of Versailles" campaign, Kanebo also hired a British beauty, actress Olivia Hussey, and launched a "Super Rose lipstick" with the tagline "You are more beautiful than a rose." The cosmetics war was another proof of the chokehold "The Rose of Versailles" had in the decade.
But when the movie finally premiered, it was a flop. Critics hated it, and Japanese fans thought the adaptation was weak and lacked impact. Catriona, in particular, was criticized for not conveying Oscar's androgynous charm, which perfectly balanced masculinity and femininity. With the well-received anime premiering just a few months later, the expensive movie adaptation ended up being outshone and forgotten. It became only a costly footnote in the manga's history.
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An exhibition in Tokyo celebrates 50 years of BeruBara in 2022.
(It's worth noting that Kanebo clearly won the CM war. While the Shiseido co-produced "Rose of Versaille" feature film flopped, the "You Are More Beautiful than a Rose" song Kanebo commissioned from singer Akira Fuse became a considerable hit).
Movie aside, "The Rose of Versailles" is one of Japan's most beloved comics. From its debut in 1971 to its film and anime adaptation in 1979, it remained front and center in the country's mind throughout the whole decade. Its impact was felt in different fields, from the cosmetic business to the publishing business, from live theater to TV. It also forever changed how shoujo manga was perceived and remains one of the country's most beloved properties.
Ace-Scoring Manga
The 1970s marked a turning point for shoujo manga, as it began to gain recognition beyond its traditional audience, propelled not just by critical acclaim but by commercial success. The era witnessed the emergence of several blockbusters that captured the public's imagination. Notable among them were Yoko Shoji's "Seito Shokun," a tale centered on the daily exploits of a mischievous high-schooler, and Waki Yamato's "Haikara-san ga Tooru," a love story set in the Meiji period featuring a tomboy with a lady-like demeanor. These manga were significant hits during their publication in Kodansha's Shoujo Friends, becoming best-selling titles with tens of millions of copies sold.
Some shoujo classics from the '70s are still in publication today, appealing to a diverse readership spanning multiple generations. Suzue Michi's "Glass Mask," serialized in Hana to Yume since 1976, remains a cultural phenomenon with 49 tankobon volumes, over 55 million copies sold, an anime adaptation, a live-action drama, and a stage play. Similarly, Chieko Hosokawa's "Crest of the Royal Family," chronicling the adventures of a young American girl transported to ancient Egypt, has been a consistent presence in Princess magazine since 1976, boasting 69 volumes and over 45 million copies sold to date.
But, when talking about definitive shoujo classics from the '70s, titles that were historical successes, influenced everything going forward, and are known by everyone, three titles come to mind. We already explored one of these, "The Rose of Versailles." One of the other three is "Ace wo Nerae."
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Following the monumental success of "Attack No. 1," the prospects of another shoujo sports manga achieving similar heights of popularity seemed improbable. However, Weekly Margaret defied expectations once more in 1973 with the release of Suzumika Yamamoto's "Ace wo Nerae" ("Aim for the Ace"), a compelling narrative focused on tennis that swiftly captured the nation's attention.
Japan and tennis already had some prior history. The first Japanese Olympic medalist was a tennis player, Ichy Kumagae, in 1920. Emperor Akihito met his commoner wife, Michiko, at a tennis match, and they initially bonded over their love for the sport. But, in the 70s, the country was taken over by an unprecedented tennis boom. At high schools across the nation, tennis became the most popular after-school activity. Fashion magazines like JJ and Popeye dedicated pages and pages to "tennis fashion." At the same time, trendy young adults decked in clothes from sports brands populated Shibuya and other stylish districts in Tokyo.
There were several contributors to the tennis boom. But the remarkable success of "Ace wo Nerae," which first conquered girls before dominating the nation, played a part in it.
The manga follows the journey of Hiromi Oka, a high school student initially plagued by insecurities but propelled into the world of tennis through the encouragement of her coach. "Ace wo Nerae" portrays her growth from a hesitant newcomer to a world-class tennis player, navigating challenges and discovering hidden potential along the way.
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From left to right: Madame Butterfly, lead character Hiromi Oka and coach Jin Murakata as depicted in the anime. Madame Butterfly, a wealthy teen girl who is gentle and a world-class tennis player, is a fan favorite character.
In 1973, "Ace wo Nerae" was adapted into an anime. Despite initial modest ratings, the anime gained popularity through reruns. Encouraged by this, NTV decided to remake the cartoon. The second adaptation, which debuted in 1978, was an immediate hit. Concurrently, Weekly Margaret revived the manga series, which, after being first finalized in 1975, ran again from 1978 to 1980, spanning a total of 18 volumes.
Since "Ace wo Nerae," several hit mangas focused on tennis -- both shoujo and shonen -- were published. But, thanks to the success of its anime and the intragenerational support for the manga, the original work by Suzumika Yamamoto is still considered one of the defining and most beloved works about the sport. Its role in propelling tennis culture as part of the oshare youth culture of the '70s also defines its impact.
Japan Wants Candy
Following the monumental multimedia success of "The Rose of Versailles" and "Ace wo Nerae," the third shoujo sensation of the '70s is "Candy Candy."
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Initially published in Nakayoshi, the story started taking shape when editors at the magazine sought a work of literary excellence akin to beloved classics popular among girls, like "Heidi" and "Anne of Green Gables." They enlisted Keiko Nagita, writing under the pen name Kyoko Mizuki, and paired her with one of the magazine's most famous artists, Yumiko Igarashi. The collaborative effort resulted in the creation of "Candy Candy," centered around an American, blond, blue-eyed orphan named Candice "Candy" White Ardlay.
"Candy Candy" epitomized various shoujo directions prevalent in the '70s. The protagonist, a white girl with lustrous blonde hair, embodied the fascination with Western culture during a time when Japanese youth held a keen interest in Europe and the United States. The manga's narrative style, characterized by its dramatic tone and plot twists, also aligned with the prevalent storytelling preferences of the era.
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Candy Candy was such a resounding success that it became the first manga to achieve an initial print run of over 1 million copies of one of its paperback compilations.
Debuting in 1975, "Candy Candy" swiftly captured the hearts of Nakayoshi's readers, leading to unprecedented success. The subsequent anime adaptation by Toei in the following year propelled the franchise into the realm of a cultural phenomenon, sending manga tankobon sales skyrocketing. The seventh volume of the "Candy Candy" compiled paperback reportedly became the first Japanese manga to achieve an initial print run of over 1 million copies. Additionally, Nakayoshi's sales surged, surpassing those of its historical rival, Shueisha's Ribon, for the first (and only) time.
The adventures of young Candy were also licensing gold. With over 100 licensed products, the "Candy Candy" doll alone sold 2 million units, solidifying Bandai's position as Japan's premier toymaker, a status it continues to uphold to this day. The resounding success of "Candy Candy" forged a lasting alliance between Kodansha's Nakayoshi, Toei Animation, and toymaker Bandai, which led to the iconic "Sailor Moon" franchise in the 1990s.
While "Candy Candy" concluded its run in 1979, its appeal extended far beyond its original target demographic of very young girls, captivating kids, teenagers, and adults alike, thus contributing significantly to the manga and anime's widespread acclaim and enduring popularity.
However, a protracted legal dispute between Igarashi and Nagita has prevented the commercialization of any "Candy Candy" related products since the late 1990s, including reprints of the manga and re-broadcasting of the anime. The lawsuit arose from Igarashi's unauthorized licensing of merchandise based on the franchise, falsely asserting sole ownership of the copyright. Although Igarashi was initially credited as the lead artist in Nakayoshi during the manga's publication, the court ultimately ruled in Nagita's favor, emphasizing that Igarashi's artistic foundation was built upon Nagita's written work.
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A collection of "Candy Candy" freebies offered by Nakayoshi magazine in the '70s. During the publication of the series, Nakayoshi would eclipse Ribon's sales for the one and only time in its history, (image credit)
Consequently, any commercial exploitation of Yumiko Igarashi's "Candy Candy" artwork necessitates the approval of both Igarashi and Nagita, a challenging prospect given the existing feud. Nagita, on the other hand, can profit from "Candy Candy" as long as she doesn't include any illustrations, which allowed her to release a book sequel in 2010. However, due to the dispute, one of the most beloved works in Japanese manga history is currently out of print. The lawsuit also blocks the anime from being aired or distributed. But, despite the almost two-decades-long media ban, "Candy Candy" remains widely known and beloved across Japan, a testament to its staying power.
While smash hits like "Candy Candy," "Ace wo Nerae," "Rose of Versailles," "Seito Shokun," "Hikara-san ga Tooru," and "Glass Mask," among others were key pieces into shoujo finally earning the respect it deserved, the rise of a revolutionary group of artists during the '70s was another critical element in shoujo's rise: the Year of 24 Group.
Part 2
95 notes · View notes
this-is-krikkit · 5 months
Note
Hii! If you're taking prompts then can you plz do some levihan on this:
'I've been born in the wrong timeline and the wrong gender!'
'And you realized that after sixteen years?'
hello! you're the first anon i don't feel i have to apologize to for taking too long to reply to a prompt lmao, hope you'll enjoy this!
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of swords and crushes (1.4k words)
tags: levihan, modern AU (coffee shop AU if you squint), game of thrones references but you don't need to be a big fan to get em, GOT-typical violence mentioned
divider source
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“I’m telling you, I was born in the wrong timeline and the wrong sex!” Hange exclaims, trading their branded apron for their civilian coat and giving a last minute check to the coffee shop for any obvious task they might have forgotten.
Levi clicks his tongue at them, not for the first time that day, and gestures for them to leave out the front door with him.
“And you only realized that after sixteen years, while watching a blockbuster series about sword fights and magic?”
“Yes! No? I don’t know, I just know I want to be a knight!” they whine, using the tone they know their coworker can hardly stand.
“You want to be a knight, or you want to do one of them?”
“Levi! How dare you put your dirty thoughts into my pure and innocent mind!”
“I may not watch that shit show myself, shitty glasses, but I’ve seen enough screen caps and memes to know no one innocent watches it. Not with those casting choices anyway.”
Hange’s glasses reflect the setting sun and hide their eyes even as they grin devilishly at him, and he groans at his own slip up.
“Oh, you’ve seen enough screen caps to have an opinion then? Tell me, which one strikes your fancy, Neat Freak? The sadist bastard who tortures people into becoming his slaves, or the annoyingly rich golden boy who had three kids with his own sister?”
He just stares at them for a minute, then shakes his head as he locks the front door.
“I swear this show gets worse every time I hear about it,” he mumbles under his breath. “Either way, the one I like best has green eyes, and I think his father was in Lord of The Rings or something?”
“Oh… You mean, Robb Stark?”
Levi glares their way, because how the fuck would he know, again? But Hange, as always immune to his stink eye, just pulls their phone out and hands it over after a quick search.
“Here, is that him? Oh my God, you’re blushing, it’s totally him!” they squeal before Levi can even confirm it with words.
“Shut up and help me pull this down,” he requests, gesturing to the iron shutter they have to secure before leaving. “He is cute,” he still feels the need to argue defensively as Hange complies.
They chuckle and bump their shoulder to his when they squat down to help him with the heavy padlock that secures the system in place.
“He is,” they agree with a reassuring smile, before letting a sigh out. “Shame that he dies in season three though.”
“What? I thought he was, like, the main character!”
“Well, he is, until, you know... he gets his throat slit at his cousin’s wedding, right after he sees his pregnant wife getting stabbed straight into her belly.”
Levi picks up his jaw from the floor and turns to face his coworker, waiting to see if there’s any chance they could be trying to pull one on him —they don’t usually have a strong enough poker face to actually trick him, but they’ve surprised him before in the year they’ve been sharing shifts on this shitty part time job.
“She dies too, of course! Along with everyone who was with them then,” Hange adds right away, like that’s somehow reassuring.
“Why the fuck do you watch this shit, Four Eyes?” he asks, genuinely confused about it all.
“Ah, sorry, I know you’re weird about this stuff. We can talk about something else if you want,” they offer with a sheepish smile, scratching the back of their neck in discomfort.
“I’m not weird about it,” Levi corrects, dismissing their concern with a wave of his hand, “and it’s fine to discuss. I just don’t like violence for the sake of violence, or for shock value. Feels lazy to me.”
“That’s not all there is to it!”
He gives them a pointed glance, and Hange has the decency to blush a little.
“Okay, it’s probably a big part of it… But the plot does justify it most of the time so far, and some characters are really interesting and fun to try to figure out, I think you’d enjoy it! Besides, the fighting scenes are so badass, Levi!”
They launch into a mock choreography of what he can only assume is one of those scenes, and Levi doesn’t bother holding back a chuckle as he walks alongside them. He ignores the puzzled looks from people who pass them by, throwing a glare or two whenever someone dares to stare for too long with judging eyes.
“How do you have so much energy after the shift you just pulled on top of a day in class, for fuck's sake? I really feel like I’m the older one here sometimes.”
And alright, Levi does have another, early and demanding job to go to while other kids his age are in school, which might explain his own state of tiredness. But Hange truly is something else, stamina-wise.
“That’s because you’re an old soul, Levi, whereas I’m brand new and enthusiastic about what the world has to offer! And about swords!”
“Yeah, right. Why don’t you sign up to fencing lessons and get it out of your system for good?”
“Sure, let me give up this side job I only took for the fun of it, ask my imaginary butler to fetch my thousand dollars allowance from my billionaire parents and I’ll do just that!”
He bites the inside of his cheek to prevent his smile from stretching too wide, even though he knows Hange will be able to tell they got him with that one anyway.
“Point taken,” he gives in.
The walk back to their subway station is silent, a little less comfortable than usual when they’re both painfully aware that Hange’s now thinking about their own financial issues —the unfortunate reason they even took this job and met Levi in the first place.
He looks around the industrial neighborhood they’re walking, and spots two long rusty metal pipes hanging out from a bin nearby. In a fit of renewed energy he didn’t suspect he could have, he rushes over there, grabs them —heavier than they look, but he knows they can both handle it— and throws one at Hange’s feet.
“Here you go, Sir Hange Zoë,” he declares, feeling absolutely ridiculous as he stands in what he hopes looks like a sword fighting position —he sure hopes Hange will give him a break, it’s not like he has a wide frame of reference for this. “Fight me.”
They chortle, the sound immediately brightening the mood —and Levi’s day.
“You don’t have to do this, Levi. You were right, it’s kind of childish.”
He frowns and charges, hitting their shin lightly with his shabby weapon. Hange’s eyebrows shoot up on their forehead, and he can tell they’re slowly giving in.
“Levi! You can’t attack a defenseless maiden, that’s not gentleman-y at all!”
“You’re not a maiden, dumbass. And who said I’m a gentleman?”
Next time he lunges, they block the blow thanks to their own pipe and send him stumbling back —with a force that would surprise anyone else considering how lanky they look in their baggy clothes, and a fire in their eyes that would no doubt freak them out too. Levi, however, has known for months now that the tall nerdy weirdo look is only a mask hiding a fierce, passionate kid who might just be the strongest person he’s ever met —in more ways than one.
Sadly, they’re also much more —how did they put it again? Oh, right— enthusiastic about the whole fighting thing than he’d foreseen, and he soon finds himself having an actual hard time holding them off. One of their well placed hits shatters the pipe he was holding in his hold, and he thanks his lucky star that the combat has to end as he puts both hands up.
“Alright, I yield! You’re right, Four Eyes, you would have made a great knight.”
“Thank you!” they reply with a wink and a graceless curtsy.
Hange throws their pipe back into the trash can, before holding out their hand to ask for the some of the hand gel Levi’s already rubbing on his palms. He throws them a disapproving look, more for show than anything else, and gives them some —really, he’s kind of excited that they’re finally getting some of his neat freak habits, as they always call them.
“So, I won, right?” they ask him when they start walking again.
“Tch, I guess you did,” he grants them, not up to point out how questionable that statement is when really, breaking your opponent’s weapon has to be against the rules, right?
“Then my prize is... that you have to watch the next season with me!”
He spends the rest of the walk and the three subway stations they share trying to get out of that commitment.
(He fails.)
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gffa · 1 year
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Hi!  You are welcome for being dragged down into this hell with me! :D The fic in this fandom is really delightful and there are genuinely some excellent comics to read! OKAY SO.  Here's the thing about DC comics and DC fic, I find that it's easiest to think of it in four stages or four continuities: - Pre-Crisis on Infinite Earths (anything pre-1985 or so) - Post-Crisis Crisis on Infinite Earths (1985-2011) - Post New 52 (2011-2016) - Post Rebirth (2016---) (Note:  Crisis on Infinite Earths and Infinite Crisis are two different things!  So you may see Infinite Crisis mentioned here and there, but it's separate from the really big one in 1985 that changed the landscape so much.) Like, it's a bit more complicated than that, but generally that's how they're divided in my mind and each of them is separated by a massive universe-wide continuity change and what's true of one era may not be true of another era--and that's not even getting into various retcons that are told all the time.  Then you have fic, which often takes elements from different continuities and puts them all in a blender because it's fic, you do what you want, you pick what you like!  Which means, even aside from the usual aspects of fanon, you cannot trust fic at all to be a guide to what is or isn't canon, no matter how canon something seems. For example, in the Post-Crisis/Pre-Nu52 era, very briefly, Jason came back to life because a Superboy from a different world punched reality so hard that Jason was jarred back to life, clawed his way out of the grave, and was picked up by the League to be dumped in the Lazarus Pit.  Post-Nu52, I believe he didn't wake up until after Talia dug him up and put him in the Lazarus pit.  Or another example that you'll see a lot in fic is, Post-Crisis/Pre-Nu52 Nightwing had a story where he was trying to train Tarantula into being a hero and that story ended with him stepping aside to let her kill Blockbuster and then she sexually assaulted him, but Post-Nu52, I'm not sure Tarantula even exists, despite that a ton of fic will bring that event up and blend it in with the current continuity.  (And this is fine!  I enjoy when authors do this actually!  It just means that what's in fic =/= being able to understand the comics timeline.  Like, as far as I'm aware, Jason and Damian having a relationship is entirely a fic thing, I don't think the comics have touched on it?  To be fair, Jason is not my hardcore area of expertise yet.  XD) Now, the complicated thing--DC Rebirth isn't a reboot per se, it's more like blending pre-Nu52 elements back into the current timeline, so I'm a bit fuzzy on what's currently true and what's not, and I only mention this to basically illustrate why I think it's best to just roll with whatever the story in front of you is telling you, because there just often isn't one, true definitive version of events of the characters' backstories.  And that's if DC decides to cover things at all, rather than just throwing you into the middle of the story!  Which they will do a lot. That said, while others will probably have better Jason recs for you (which I would welcome better recs!), I would say some of the best places to understand his character would be: - Batman: Under the Hood by Judd Winick (~2005) - You can also watch the animated movie "Batman: Under the Red Hood" which a lot of people love, but it does have some differences between the two.  But both are good places to start! - Red Hood: The Lost Days (2010—2011) by Judd Winick - Another retelling of how Jason came back to life, I believe this one is pre-Nu52 - Robin 80th Anniversary Special (2020) is a series of various Robin stories and Jason has one that's a good read as well--"More Time" by Judd Winick. - Red Hood and the Outlaws (2016) by Scott Lobdell - I believe this is the only Rebirth-era storyline of Jason's that covers his background, though, I haven't read it yet myself.  You want the one with Bizarro and Artemis, NOT the one with Arsenal and Starfire.  (I mean, I'm not your mom, read what you want, but I would suggest putting those much further down on your reading list.  XD) And yes yes yes YOUR LIBRARY IS GOING TO HAVE MORE COMICS THAN YOU REALIZE, also if you have a library card already, check out Hoopla, because many libraries partner with them and you can use your card to log in and they have a TON of comics (I know for sure they have Under the Red Hood and Red Hood - The Lost Days and Red Hood and the Outlaws Volume 1 + Volume 2 + Volume 3 + Volume 4 and so, so many more comics) and you may be limited to how many you can check out per month (like 10/month or so) but it's a GREAT way to support libraries, authors/artists, and check out what you like before spending a lot of money! (Further recs, I personally enjoyed the Jason story in Batman: Urban Legends volume 1, even if the art wasn't my thing, the story had some great emotional punches, and Robins: Being Robin was such a fun ride of all five Robins solving a case together and was just pure joy to read. And mileages vary, but I remember enjoying the Hush storyline, back when I was still reading comics and it first came out, though, I haven't reread it since then, so it's a cautious rec.)
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sattlersquarry · 2 years
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Steve Harrington x Reader Fics
🍊 orange juice - (Post Season 4 AU) Steve's world changes in the worst way when he loses you. He struggles to move on...but he learns he might not have to when he miraculously gets a second chance with you.
🫀 the great divide - (Sequel to Orange Juice; Post Season 4 AU) After your miraculous return to the land of the living, you aren't doing well. [READ THE WARNINGS!!!]
🔪SuperFreaky - [AU inspired by Freaky (2020); modern body-swap-with-a-slasher AU] The Hawkins Hacker has been terrorizing your town for years now. What happens when he digs his hooks into you is surprising. It's shocking. It's downright superfreaky.
🌸🪻🥀 bloom - (Series; Completed; Post Season 4 AU) In the summer of 1987, you and your mother travel to Hawkins, Indiana to plan the event of the season: the Byers-Hopper wedding. (garden center!steve x wedding planner!reader)
🔥 the view between villages, part one: good bones - (Season 3) Armed with nothing but a GED and a small sum of inheritance money, you move to Hawkins, Indiana in March 1985 for a fresh start. ... It seems that the town has a strange history with science experiments and government cover-ups, but that’s all in the past...right? (this is a choose-your-own adventure fic with about 10 possible storylines.)
💀 the view between villages, part two: haunted - (Season 4) Things in Hawkins are much calmer than they were over the Fourth of July week. ... Wait a minute ... have you been experiencing any strange symptoms? Nightmares, headaches, nosebleeds? (this is a choose-your-own adventure fic.)
🍓 forget-me-not - (Post Season 4) Steve Harrington broke your heart almost a year ago. You think it's only right to still hold a grudge, despite how good he seems.
📼 the video store frame-up of '86 - (Post Season 3, lightly inspired by Romeo & Juliet) You and Steve fall in love, despite working at rival video stores. Things get complicated when the two of you are prime suspects in a Blockbuster video vandalism.
🖤 the end is here - DIRECT FOLLOW-UP OF VIDEO STORE FRAME-UP OF '86 - (Season 4 adjacent) Your boyfriend Steve Harrington is keeping secrets from you, and you aren't sure how much longer you can take it.
🍃 & now i’m covered in you - (Post Season 3, inspired by Taylor Swift's "ivy") Despite having a boyfriend, you find your feelings for your best friend Steve Harrington growing tenfold over Christmas break, 1985.
👻 Worse Than Ghosts (Series; Completed) - Y/N is a producer on YouTube's most popular ghost-hunting show. When she and the Spirit Search team travel to Hawkins, Indiana to film their second season premiere at the Creel House, they discover that some things are worse than ghosts. [Modern Buzzfeed Unsolved AU]
🎶 Elegia (Series; Completed) - (Season 4 AU) You get a call at 6 in the morning from your coworker Steve Harrington, demanding to know your favorite song. 
🎲 Remedial Chaos Theory 2.0 (from July 2019) (Series; Completed) -  Steve Harrington’s life takes a turn for the weird when Dustin tries to set him up with his babysitter, Y/N.
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Epilogue
RCT 2.0 Moodboard
🏀 A Study in Self-Sufficiency (Series; Kind of Completed; Sequel to RCT 2.0) - Steve is tired of his parents deciding everything for him; he and Y/N bond over controlling parents and Y/N shares a secret about her past.
Part 1 / Part 2
Non-x Reader Stories
🍕 Remedial Chaos Theory 1.0 (from 2018) (Completed) - A normal night of D&D turns topsy-turvy when the party has to choose one person to go upstairs and get the pizza. Based on the “Remedial Chaos Theory” episode of NBC’s Community.
Prologue / Lucas / Will / Max / Mike / Dustin / Eleven / Epilogue: Steve and Roxanne
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batmannotes · 11 months
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Blue Beetle 4K Ultra HD Review
Jaime Reyes (Xolo Maridueña) is a recent college graduate who returns home full of aspirations for his future, only to find that home is not as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the Superhero Blue Beetle. 
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Maridueña from the hit tv series Cobra Kai again plays a very likeable character here, the only problem is he's surrounded by a cast who are a lot less enjoyable. George Lopez portrays Rudy Reyes, Jaime’s uncle, an eccentric genius of the Reyes family, with a talented mind for technology and drives around in a souped-up Tacoma truck. Somehow, Jaime's uncle, although a technological genius, seems to have never been able to help the Reyes family get out of their financial troubles. Lopez is obviously in place to provide comic relief for this action flick, unfortunately most of his jokes miss the mark. Other members of the Reyes family include the equally annoying Milagro Reyes, Jaime’s sister and Nana, an 80-year-old female Rambo (eye roll). Susan Sarandon portrays a generic power-hungry villain who lends little to this film's plot, with a muscle-bound right-hand man who is the Blue Beetle's physical equal thanks to Sarandon's evil company and wallet.
There's also a force-fed love story between Jamie and Jenny Kord, the daughter of Ted Kord (whose extracurricular pursuits led to the eccentric genius’s mysterious disappearance, leaving his family to pick up the pieces). Jenny is forced to uncover the well-hidden secrets of the Kord family and fearlessly challenge their company, Kord Industries, to do what is right.
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VIDEO QUALITY 📽️ :  A-
2160p transfer looks beautiful and the picture is especially nice during the action sequence in which the 4K source material really shines.
AUDIO QUALITY 🔈 : A
The Dolby Atmos mix is even better than the film's video. The sound is bombastic yet crisp.
EXTRAS 📀 :  C
Blue Beetle Generations - Divided into four short and self-explanatory sections, this multi-part promotional piece features interviews with key cast and crew members, behind-the-scenes footage, camera tests, and other items that explore the film's development, shooting, visual FX, costumes, characters, original score, production design, and more. Along with the other two extras, it's not tremendously detailed but very nicely produced with excellent cinematography, slick transition effects, and a 2.39:1 aspect ratio to match the film clips.
Origins (7:28)
Production Begins (16:12)
In Full Flight (9:03)
A Hero's World (13:24)
Scarab Vision (2 clips, 13:25 total) - Two separate scene breakdowns; the first ("Initiation") details Jamie's struggles to control his new superpowers, and the second ("Mastery") focuses on his final showdown.
Blue Beetle's Nana Knows Best (4:21) - A tribute to Jaime's surprisingly badass grandma.
FINAL GRADE: D
I wanted to like this film, but the Blue Beetle is its own worst enemy. Although the visual effects and action sequences are up to par with silver screen blockbusters, the plot, dialogue, and character development are made for tv quality at best. 
Blue Beetle is available now at Amazon.
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kosher-martian · 9 months
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Napoleon & Josephine
Spoiler warning for Napoleon.
So this weekend I had an opportunity to see Ridley Scott's Napoleon. It was weird.
The movie has some problems. I'm not going to mention the historical accuracy of the film (it takes the same liberties all other historical dramas do) nor am I going to talk about the dialogue / delivery (though I will gladly let "You think you're so great because you have boats!" live rent-free in my head for the rest of forever). I think the movie had too much material it wanted to cover in one film, but tried to cover it anyway (the exact opposite of the YA movie "Divided for Adaptation" trope that swept Hollywood ages ago). Before some (likely extensive) edits the final film was probably close to 3.5 hours long, so they cut an hour's worth of scenes from the final product resulting in the choppy mess with massive pacing issues that have divided audiences and critics alike.
Scenes play at breakneck pace one after the other, each in a different location, with different characters, and occurring at different points in history, but there was either no attempt at linking the scenes together or the majority of those bridging scenes hit the cutting room floor. As a consequence, the movie just comes across as a feature-length recap of the previous season of some prestige historical drama show. If this were a pre-existing show the scenes make sense. You vaguely remember last season and you are only watching to jog your memory before jumping into the next season. But if you are going into this without familiarity of the subject matter (or only mild interest) and expect the film to tell you a narrative about the life of Napoleon Bonaparte, it's just a cluster of confusion. I had a similar experience with the Saoirse Ronan / Margot Robbie Mary Queen of Scots film. It had almost the exact same "not a film, just a series of scenes" issues. Unlike with Napoleon, I was less familiar with the historical events surrounding Mary I of Scotland and Elizabeth I of England. I ended up disliking the film and only ever watched it the one time.
So now I want to pivot to the reason I'm making this post at all. I want to posit a ludicrous and patently untrue conspiracy theory: They made two movies and then spliced them together!
To be clear, I don't actually believe this happened, this "conspiracy theory" will be more my wishful thinking than anything else.
Contrary to all evidence, I want to believe that Hollywood had planned Barbenheimer from the very beginning. Warner Bros, Universal Pictures, and other major studios saw the collapse of "cinematic universe" films on the horizon and wanted to create a new fad that would be both cheaper to produce and more easily controlled: Pick two films with markedly different audiences, market them as being in competition with each other, and use polarizing social media pushes to drive people into two constituency groups. With this model, studios could take two films that would otherwise have middling performance and turn them into blockbuster hits of then summer with marketing alone. People would go running back into the theaters to ensure their constituency's film "won" the battle. Hollywood solicited ideas for film pairings from a variety of sources. Ridley Scott got wind of this secret operation and decided he would condense the idea into an even easier exercise: Make the same movie twice for two different audiences.
Scott would direct two films with the exact same cast. One film (the "boy" film) would be an epic film covering the military triumphs of Napoleon Bonaparte, his tragic fall from power, his unlikely return, and his final defeat. This film, titled Napoleon, would feature fantastic set-piece battle scenes, tons of meme-able lines ("You think you're so great because you have boats!"), and gorgeous special effects. The "girl" film, Josephine, would depict the contentious and all-too-captivating private life of Napoleon and Josephine. It would be a more cerebral and emotional work, showing the complexities of their relationship. It would place the competing demands of Napoleon's ambition and longing for true love at center stage. Josephine might have made Empress Josephine our focal character or it may have continued to use Napoleon as entry way into the rich interior lives of the Emperor and Empress of France, but in either case the film's overall story would have been those moments when they were alone with one another or totally alone. Napoleon's story is the story that shaped the modern world, so it was more than enough to support both films. Audiences could choose which movie to support or might have found the format of "two films, one story" just too enticing to pass up seeing both.
But then something - and I'm not sure exactly what - happened. Instead of creating both films and releasing them separately, the decision was made to condense the two films down to one. Both films had nearly finished production. Two interpretations of Napoleon, one the legend and one the man, now needed to be brought together. Left with tonally dissonant films, the choice was made to just try to make the editing "choppier" and more "modern" (code for "we know flashy cuts and transitions won't save this colossal mistake, but we've got sunk cost fallacy now"). Scenes were lifted wholesale from both films and spliced together seemingly without regard for the final product. It's possible the final dirty work was handed to a trailer house, as evidenced by the trailers release earlier this year that paired action sequences from the film with modern music that not only didn't fit the film's aesthetics, but also didn't fit the scenes used.
Did this happen? No. As stated previously, Napoleon's story is too big to be contained in one film. The only film to pull it off was the 1927 silent film, which runs anywhere from 4 to 9.5 hours long depending on the cut. That's why other films focus on extensive portrayals of discrete battles (Waterloo), specific parts of his life (Eagle in a Cage) or his romantic life (Desiree, though it does show other aspects of Napoleon's life). Some artists have tried to do a broad retelling of his life, but those are always multi-part miniseries.
But go watch the movie yourself and tell me there's not a Josephine movie lurking on a hard drive somewhere in Hollywood. I know it doesn't exist, but also there's no way it doesn't exist, right? Too many scenes fit perfectly into another movie for it not to exist. Napoleon is not a cohesive film, it's a compilation of scenes from two separate movies featuring the same actors.
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