#between notes

[hay-bails]

there are monsters nearby

[queerdraws]

Fanart for a snippet of my most favorite heartbreaking moment from swordsmans's fic bone-breaker ospreys mate for life (rated E)

[bigfatbreak]

Birds of a Feather previous / next

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[2racoonsinajumpsuit]

objectively the correct way to enjoy them (my way)

~ happy

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[benevolenterrancy]

~ Extremely Unwilling Magical Protagonists Attempt To Outrun The Plot And Not Fucking Die ~

(@takofukkatsumi this tag is from a while ago but it hasn't left my brain -- L-Space got very weird all of a sudden)

[gammija]

tiefling jon's first day at the Archives

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[claraoswalds]

This is a brand new science for me, and I love it. The language of luck. 'Cause what is a coincidence but a form of accident? Two things bumping together unexpectedly. Like you and me.

[bananaproved]

After passing peer review here is my drama recommendation tool

Maybe I will update it in the future but for now I am happy to have watched enough good dramas to make it.

[xx0yeet-everything0xx]

percy: i don't think nico's ever gone to sleep before 5am, and its really just concerning at this point

percy: let's not even talk about jason. he wakes up at 4:45am on the dot, every morning, without an alarm clock. that's terrifying.

[deadboyswalking]

Imagine it's like, 10 years later and not only does Sanji realize that Zoro is kind of his best friend, but he also spends all of his time with him??? And he kind of loves him??? And in all of their time together, Sanji has rarely sought out other companionship (rarer over time) and Zoro has never seemed interested in it???

"OH MY GOD!"

"It's not a big deal, cook."

"I HAVEN'T SPENT A SINGLE DAY WITHOUT YOU IN SEVEN YEARS."

"And you've gotten on my nerves every single one of those 2,556 days."

"WE SHARE A BED!"

"I'm almost always on night watch and you're up before anyone else. Waste of space to each have our own."

"BUT WE SLEEP IN IT TOGETHER HALF THE TIME!"

"At least you don't kick in your sleep. And you always bitch about being cold when you're alone, so I'm not seeing the problem here."

"OH MY GOD, ARE WE DATING? WHAT IS THIS? WHAT ARE WE???"

[artilite]

fuck you *lethal companies your in stars and time*

(long) exposition under cut (spoilers for ISAT + lethal company logs)

This au takes place around the time of sigurd's logs/before them (i haven't decided if Sigurd's crew exists here or not yet)!

Siffrin was someone who used to live on the Golden Planet before it got eaten. They may not remember anything beyond being found in an escape pod, but they're still paralyzed by fear when getting close to the selling window. He's always first in the facilities, making jumps, braving traps, and heading as deep as he can for scrap.

Mirabelle and Isabeau are the medic and fighter respectively, who both came from the same moon colony. They were both pressured into taking jobs by a work-based society, and applied for the company under the impression that it was a short, high-paying internship with nebulous risks.

Odile is their resident ship manager. She keeps a watchful eye over everyone and relays information about monsters, scrap, etc. In absolutely dire situations, she may come help with scrap. Despite claiming to be a first-timer, her badge says Leader??

Nille and Bonnie ended up with the crew after taking a chance to run away from their parents. Seeing a high-paying job that provided everything and would take them far away sounded too good to pass up. Nille lied about Bonnie's age to take them with her. After seeing the reality of this job, though, she regrets not finding another way out. Bonnie is permanently on ship-duty; they mainly type in whatever numbers Odile tells them. Nille is also a fighter, though she prefers the weighty stop sign as opposed to Isabeau's shovel.

Loop, after hundreds upon thousands of quotas, dying every possible death, learning everything they could- even the real identity of The Company- realizes there was one thing they've never done before. They've never died to The Company. Desperate for a way out, and haunted by the whispers and screams beyond the wall, they give themselves up. Maybe that would finally satisfy the monster- to have devoured every last piece of the Golden Planet. Maybe their crew could finally rest easy that way. Well, they didn't loop back. But through the dark and damp, there's static on the walkie talkie. Loop picks up, and hears their own voice just beyond the wall.

(Loop's design is the most different by far, since instead of consuming a star, they themselves are slowly getting digested. They're inspired by the visual of red crying faces from the logs :D)

[copperpipes]

Tarantulas was ready to become a mom by the end of that episode

I would have loved an episode where nightshade goes feral and like starts hunting twitch and the human maltos (cuz they're prey sized compared to them)

Even if they just go feral for an episode my life would be complete 😌

And who had the briliant thought of giving the owl character an eagle ( edit.1: sorry, hawk. Thank you taggers) call? I just wanna talk :)

Edit.2 : I GET THAT ITS A HAWK YOU CAN STOP TELLING ME GEEZ

[umgeorge]

📷 @.romeromarquez / instagram