#between busy work
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When you spend 20 years attempting to bring down the child slavery, murdering, human trafficking exploitation ring that stole your childhood, murdered your friends, and killed countless innocents only to have them rebrand as 'Noble Freedom Fighters™' off-screen.
#rip zevran's crusade against the crows >:(#when people said they wanted to be crows they didn't want devs to make the faction nice so we won't feel bad or conflicted about it#people wanted to be conflicted! they wanted to see the faction in all its glitz and glamour - then see what it hid beneath all the mystique#choose to play as a crow that loves the life/hates it/is undecided/etc...#but i'm sorry i forgot that this game doesn't want to do 'role play' options my bad#i will not stand for this zevran erasure!!!#they set up a schism with zevran's da2 codex entry - with other crows joining him!#have the antivan crows faced with a threat that challenged their outlook on why they fight#have the talons be the one to sell out antiva! in exchange for allowing their business to resume (have it be a sneaky reveal!!!)#their work has purpose and order to it so the antaam might agree! they're like 'babys first ben-hassrath!'#have Crows look around at their own home - see the vendor they bought fruit from disappear or the smiling old lady now cowed by grief#then have them decide to DO SOMETHING ABOUT IT#have a schism! have Zevran take in Crows who are unhappy - have them realize how shit the organization is!#boom! somewhat-noble freedom fighters! (they're doing their best okay)#if there were differences between different crow houses they needed to explain it better...let us talk to Lucanis! I want to know him :(#my art <3#dragon age#datv critical#datv spoilers#dragon age the veilguard#zevran arainai
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hermitcraft season 10 | bdubs
#hermitblr#hermitcraft#bdubs#bdoubleo100#bdoubleo#bdoubleo100 fanart#my art id#a quick drawing between classes#i am So Busy all the time but i Will make time for hermitcraft season 10#rip to all the work i was supposed to do during my break#also new brush! i like this one for when i go straight to color
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I suspect everyone is going to draw (and rightfully so), amazing images of them being in love. It's what they deserve! So as a token of my appreciation to everything I love about these two, I am finishing the event with them having fun and being competitive and "fighting" and being just happy with each other. I am sure Katsuya is always thrilled to help Seto have fun and feel ok doing silly things and I am also sure Seto is grateful to be able to smile with him, fully aware of how he can enjoy himself and be loved because he deserves to be happy and have fun spontaneous moments with someone he knows will always try again, be there, no matter what.
#2024 kaijou summer event#puppyshipping#I love you bbs so much forever#Yugioh#violetshipping#jounouchi katsuya#seto kaiba#I did this in less than 15 hours#I should probably polish it a lot more but oh well#I've been super busy between commissions and work and fdknldknksdnf#Thank you for having me in the event!
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sum binghes
#luo binghe#svsss#人渣反派自救系统#svsss fanart#mxtx#scum villains self saving system#my heart is torn between drawing the bingqiu i want to draw and finishing the goddamn binghe + sha hualing wip from my twitter#but thats at the color stage and i want to do it right and it ll take a hundred yrs cuz im busy....does anyone have a cloning machine i#promise ill take care of it. mad surgeon willing to give me more hands and eyes works too that'd be cool. shoot a message if u know one thx
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not to be a dirty commie or anything but i don't think any one person should have enough money to solve world hunger and then get to decide not to
#he speaks#i hate rich people#“but preston the rich people EARNED that money they worked so hard to exploit all those poor people” I'LL EAT YOU TOO#they're trying to decide what color their third yacht should be#meanwhile your average joe is busy trying to pick between dinner or rent#luigi mangione was right#luigi mangione and tetsuya yamagami legendary collab coming this spring
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the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO
1 like = 1 prayer
#bro was literally trying to rent us a silent hill apartment#we already paid first and last too which was 2700k and he said hes not gonna refund us EVEN THO WE DIDNT EVEN MOVE IN!!#like first month i get BUT NOT EVEN THE SECOND MONTH?? all landlords go to hell#looking back at the og listing like.....yeah i can see why he never took pics of the outside......literally looks like a landfill😃#we're SO LUCKY that uhaul allowed us to keep our things stored with them bc if they insisted on our shit still being dropped off#we woulda been so screwed/forced to move in and then would have had to hire ANOTHER uhaul to move back OUT lol#AND I HATE MOVING the idea of unloading all of our stuff just to pack it again literally makes me wanna perish#but even tho i may be a homeless drifter rn that wont stop me from also working on my oneshot between searching for places😍#the oneshot has a smut scene at the beginning LMAO and smut takes me forever to write so id been putting it off#but now that im over that hump (pun intended) i think ill be faster now brrrrrrrrrrr 9k words so far#its probs gonna be like 40k LMFAO maybe longer... idek#but also ill be hella busy trying to find a home so LMFAO who knows...chat im so fucking TIREDDDDD🧎♀️🧎♀️#my moms trying to see if she can fight him and get our money back but it aint lookin good bros#if i randomly open commissions then youll also know why LMAO
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Low Battery
#Star Wars#Commander Cody#Work started back up again in April#And between that and various irl things I've been rather busy#Good! But busy and quite tired as a result Cx#Been tagged in a few things and might not get around to them given the energy deficit#But hi I see you and I love you
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[ID: A digital illustration of Dorian Storm and Orym from Critical Role. They're both wearing modern clothing (though Dorian's is still elaborate) and Dorian is holding a cardboard tray of to-go coffees while Orym carries his own drink in his hand. They're holding hands between them, Orym reaching up to hold onto Dorian's index finger. Dorian is wearing a white, open shirt, dark trousers, knee high black leather platform boots, and a blue jacket with a sunset coloured lining that has gold decorations on the shoulders shaped like layered feathers. Orym is wearing a cropped green hoodie with no right sleeve and a simple brown leather harness over it, jeans, and white, green, and blue sneakers. Orym is drawn with a long thin tail with a fluffy end. End description.]
Coffee run!
#thank you anon for the suggestion!!#it kept me busy between working on commissions yesterday and today#and from the looks of things i still have plenty of days ahead of me of being stuck in the library;-;#hopefully i can move house soon#orym#orym of the air ashari#dorian storm#my art#dorym#critical role#critical role fanart#bells hells#bell's hells
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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Parkside
As seen in “Secret Sapphic Fling”
#I’m busy with college work#so I’m just gonna share stuff from my zine#in between#geronimo stilton#thea stilton#thea x petunia#petunithea#secret sapphic fling#Deadkat’s stiltons#fanart#benjamin stilton#bugsy wugsy#furry#furry art#myart
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Draw Merlin looking up challenge: FAILED
#drew that first one while watching the season finale of The Fall with Colin !!#watched that entire show just for him im crazy#loved the relationship between him and Gillian’s character though wish there was more of that because I do love a good cop romance !#can’t believe they gave me another older woman detective with the charming younger man detective again (mare of Easttown)#I didn’t realise I needed to see that again !!#anyway my bad#back to business#Merlin#Merlin Fanart#Colin Morgan#Colin Morgan Fanart#Digital Art#kr_yoongi#also forgive me I work full time and can’t draw when I like anymore so I’m rusty </3
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can i ask for larry and kabu.... is it allowed......... if not i can ask for something else lol
Day 2 - Warm feelings
#My art#Requestober#Pokemon#Larry#Kabu#Firebland#There's so many ship names but that one's probably my favourite hehe - right to the heart of them!#Silverstreakshipping#Yes of course* you can ♪#*That's what the trade rule is there for! Hehe ♫#Obviously I had to read their fic - for research purposes of course <3 Hehehe ♪#They are cute! This is known haha#Had to have Larry with his signature Komala hug - I forgot while drawing but I'm gonna pretend it was on purpose lol#Give me a man in a suit and I'll give him a holdable waist that's just the rules around here#Although Kabu's not going for his waist is he hehehe#So - why Is Kabu's design Like That lol#Like don't get me wrong he's very cute at his base! But his clothes are so busy lol#So much so that for a bit I thought his fire-sleeves were hiragana pft - looks like らく from certain angles haha#So I opted to hide as much of him behind Larry as possible - didn't do all That much but it's something lol#But then it went too far! I wanted Larry's arm to be lower but the posing didn't work out so now you can't see his face properly! D:#He had a smirk in my sketch! Ah! Well you can still see it in his eyes but wahh cute smile#I also like how his smile line is generally portrayed on the one side lol - a true smirk line! Silly#I really don't draw crow's feet often enough they're so pretty#I had fun finagling Kabu's foot to the outside of Larry's as well - fully boxing him in in return? Staggered feet between? You decide :3
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Happy (belated) Valentines Day!! This was way overdue to the point that its now Happy White Day too;;;; but either way yayyyy Tsukkiyama!!!
#preluvs art#haikyuu#haikyu#haikyuu!!#yamaguchi tadashi#tsukishima kei#tsukkiyama#haikyu!!#art#tadashi yamaguchi#kei tsukishima#tsukiyama#tsukishimakei#yamaguchitadashi#hq!!#haikyuu fanart#haikyu fanart#It's one of my headcanons that between the two#yamaguchi is more of a homemade gifts guy#while tsukki prefers to drop big bucks on his gifts to yamaguchi#feb just got so busy TToTT#my whole office and me got sick#and then i had to work on my zine page#so oopsies its now march
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local lesbians have a sew off in the troupe tents
#hollow knight#hollow knight fanart#silksong#troupe master grimm#hollow knight hornet#silksong hornet#nightmare king grimm#grimm hk#grimm hollow knight#nightmare king grimm hk#nightmare king grimm hollow knight#grimmnet#you can tell i drew this with a few days in between lol#anyways i feel like when hornet hangs out with the troupe she does busy work ie sewing and making grimmkin or other stuff#grimm is very appreciative since it’s usually his task but he does cos he likes it so now he can do it with company he likes#nightmare however… well he just wants to be involved#i’ve always hc’d him as a bad sewer bc his realm looks Like That… passable/functional but not pretty yknow#anyways hornet keeps a big grimmkin to use as a pillow and do menial tasks for her#nightmare allows it since it means he can see what she’s up to#my art
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popping in randomly after almost an entire month just to talk non stop about the tsaritsa again everyone sit down.
specifically just thinking about the implications of tsaritsa's ideals originally being about love + the abandonment of those ideals to complete her goal of, presumably, destroying Celestia or whatever she's cooking up. to the point even her people don't love her and I probably don't even remember a time her ideals were of love. now it's all just ice and snow and cold.
which makes romantic fics w her even funnier because she's purposely removed this part of herself and suddenly reader walks into teyvat like they own the place (they do) and I can only imagine her reaction. angry, probably. because why you? what are you doing to her that's caused her hundreds of years of strict adherence to rejecting "love" both from others and to others to just. collapse. absolute shattering of her world and you probably don't even know it bc if nothing else she's good at hiding it. a lot of denial. tries to pick you apart and see what's makes you so different.
and oh she just hates it. she loathes it.
basically one sided enemies to lover trope because she can't stand you for a while but if you stick around she starts warming up to you and it makes it WORSE. so much worse. tries to distance herself but your just everywhere and it gets on her nerves because why does she love you? she isn't capable of love, not anymore. she thought she was.
g-d forbid one of the harbingers or PIERRO notices she'd never live it down. might even consider the implications of just killing you (she doesnt). worse if you know about it and act like a brat she will lose her damn mind
just the tsaritsa being an absolutely horrible mess internally.
#sagau#genshin sagau#self aware genshin#genshin impact sagau#self aware genshin impact#genshin cult au#genshin impact cult au#tsaritsa#i could also talk sbt furi here and how similar they r + how writing one of them influences my writing of the other#but anyway#ive been busy moving i havent had time to write unfortunately#but i do have time for tsaritsa! and furi. mwah#i just think its funny imagining tsaritsa trying to be polite snd cordial but ohh shes SEETHING. she hates you. she loves you.#she wants to kiss you snd kill you and devour you. a horrible mess of a woman who closed herself off snd suddenly she feels exposed#she hates it. wants to hate you but oh g-d you make her soft in the worst of ways. she'd destroy teyvat itself if you asked her to#shes like a cat you gotta work to earn her trust but oh lord when you do. velcroed to your side#she will say she despises you before kissing you so tenderly it makes you dizzy. between vitriol she brushes her knuckles against your cheek#longing and yearning so violently you will tear each other apart just to be closer.#is there anything so undoing as loving another so wholly it consumes you?#she swears she's indifferent but she pampers you and sends you extravagant gifts with no name attached yet it smells like her. you know.#oh to be in a horribly complicated relationship thats almost one sided enemies to lovers w the tsaritsa that consumes you both#like two stars wanting to be closer and yet..in doing so you undo each other when you inevitably collide. caught in an orbit that dooms both#this has been ur monthly tsaritsa ranting ur welcome and goodnight 🫡#when i say im crazy sbt the tsaritsa i am so serious. i AM her number 1 fan source me
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Could I handle being known on the level that Andrew Joseph Minyard and Neil Abram Josten know one another? No, most certainly not. But does that stop me from craving a relationship like theirs on every possible level? No, never in a million years.
#my standards are ruined because of them#oh you didn’t stand at my back and promise that I’d never have to leave your side if I didn’t want to?#sorry i dont think this is going to work out#you didn’t choose me despite the agreement you made with your twin brother to never let anyone come between you?#i think im busy friday sorry#you didn’t reach for your gun and find me waiting instead? serving the same purpose but in a new life helping me realize the chase was over#and that i could stand still for a while?#oh i think my friend is calling me#all for the game#aftg#neil josten#andrew minyard#andreil
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